how affordances of digital tool use foster critical literacy: gclr webinar presentation
DESCRIPTION
Global Conversations in Literacy Research's (GCLR) Webinar presentation on how the different affordances of digital tools: multimodality, interactivity, collaboration, intertextuality, and identity construction, can be used to foster critical inquiry in classrooms.TRANSCRIPT
How Affordances of Digital Tool Use Foster Critical Literacy
Richard Beach, University of Minnesota, [email protected]
New, revised handout on Google Docs
http://tinyurl.com/kxv4fpr
Lewison, Leland, & Harste, 2014
Critical social practices• Disrupting the commonplace
• Interrogating multiple perspectives
• Focusing on the socialpolitical (power, injustice, privilege)
• Taking action to promote social justice
Janks, et al., 2014
Janks: critical literacy1. Make connections between something that is going on in the world and their students’ lives.2. Consider what students will need to know and where they can find the information.3. Explore how the problematic is instantiated in texts and practices.4. Examine who benefits and who is disadvantaged.5. Imagine possibilities for making a positive difference. (p. 350) Janks, H. (2014). Critical literacy's ongoing importance for education. Journal of Adolescent & Adult Literacy, 57(5), 349–356.
“critical engagement”Focus on emotions: anger,
frustration, confusion, concern, outrage, etc., triggering a critical stance and identification of problems or issues
Lewis, C. & Tierney, J. D. (2013). Mobilizing emotion in an urban classroom: Producing identities and transforming signs in a race-related discussion. Linguistics and Education, 23, 289-304..
Wohlwend, K. & Lewis, C. (2011). Critical literacy, critical engagement, digital technology: Convergence and embodiment in glocal spheres. In D. Lapp & D. Fisher, The handbook on teaching English and Language Arts, 3rd edition. New York: Taylor & Francis
Shift to digital literacies
Digital tools: Affordances MultimodalityInteractivityCollaborationIntertextuality/recontextualization
Identity construction
Digital tools: Affordances
Affordances not “in” tool
tool ActivityAffordances created by
teachers
Activity tool
Digital tools + Critical inquiry
AffordancesMultimodality
Interactivity
Collaboration
Intertextuality/recontextualization
Identity construction
Critical inquiry
- Adopting a critical stance to identify problems and issues
- Applying alternative perspectives
- Proposing solutions to address a problem or issue
Multimodality
Multimodality: digital images/videoPortraying problems/issues
through images and videoEvoking emotions leading to
“how-come” questions about the status-quo
Targeting groups to engage in civic engagement challenging the status-quo
Critical Engagement: Interaction with target audiences
Out the Window Project◦Youth create videos that 7 million LA bus riders view
◦Pose questions related to civic issues within their neighborhoods
Artic melting: 1982 to 2012
South Beach, Miami today
South Beach, Miami: 12 foot sea-level rise
Jefferson Memorial: Today
Jefferson Memorial: 25 foot sea level rise
Images on climate change:Posing how come questions
“Either we embrace radical change ourselves or radical changes will be visited upon our physical world…The status quo is no longer an option.” Klein, N. (2014). This changes everything: Capitalism vs. the climate. New York: Simon & Schuster
Need to reverse CO2 emissions in the next 30 years to reduce effects of climate change
Outside groups: political ads
Interactivity
Interactivity/spreadability
Interactivity: affordances: networking(Boyd, 2010)
• Persistence: interactions are recorded and archived
• Replicability: material can be easily copied and transformed
• Scalability: content readily disseminated (“spreadability” Jenkins et al., 2013)
• Searchability: people can readily locate people and information
This webinar• Post in chat box: • How does use of this and other
webinars enhance interactivity/spreadability?
• What do you gain/not gain from participation in this and other webinars?
What caused the downfall of the Mayan civilization?
Collaboration: Alternative perspectives
Shifts in Abby and Starfish’s Individual and Collaborative Stances
Aesthetic Summarizer
Thoughtful Gather
Purposeful Summarizer
Reflective Analyzer
Adding Diigo sticky-note annotations
Affordances of Diigo: Collaborative Annotation
Results: Diigo Annotations
34% questioning, 22%
integrating/connecting,
13% evaluating, 10% determining
important ideas, 9% inferring, 8% reacting to
other’s comments, 4% monitoring
Incorporation of alternativeannotation perspectives into writing I am perplexed in choosing if wind
energy is a good source or bad source. While wind energy is a good source because it’s renewable and needs nothing more but construction, it can also cause irritation and attention of some people. Wind turbines are loud, noisy, and risky. Even though, it doesn’t cause any greenhouse gases in the air, wind turbines are harmful to wildlife and space. More birds die by getting hit by wind turbines which is very dangerous to our wildlife.
Benefits: Annotations More active, critical
reading
Alternative perspectives
Alternative response practices
Intertextuality/recontextualization
Connectivism (Stephen Downes):Knowledge is a network phenomenon, to
“know” something is to be organized in a certain way, to exhibit patterns of connectivity. To “learn” is to acquire certain patterns. This is as true for a community as it is for an individual.
Readers’ connections
Reviewers’ connections on Amazon: Infinite Jest
Reviewers: Morrison connections
Wiki writingWikispaces, PBWorksSharing information
collaborativelyOrganization of categoriesCreating Wikipedia articles about
one’s school, town, etc., or revising current articles
Wiki annotations to a Munro short story (Dobsen, 2006)
VoiceThread: Multiple audiences
share responses to images
Analysis: VoiceThread Annotations
• 77%: inferences
about causal
relationships between
phenomena
• 23%: description of
phenomena in images
Recontextualizing: Critique image’s original meaning to create a new alternative meaning/parody/remix
Text
Steps in recontextualizing (Blommaert, 2005)
❖ Decontextualizing: removed from context❖ Recontextualizing:❖ place in new context❖ Entextualizing:❖ analyze as new text
Identity construction:CDA: online identities
Discourses as ways of knowing/thinking as “identity tool kits” (Gee)
Legal, scientific, political, psychological, feminist, business, etc. ◦Ideological stances
Students “double-voicing” discourses
Online role-play: blocked websites
Students adopt pro-con roles◦construct a persona◦employ rhetorical appeals ◦support their position with reasons ◦identify and refute counter-arguments◦revise or modify one’s own positions
Using a Ning as the platform for online role-
play:
Bubbl.us mapping to identify roles and relationships between roles
Threaded discussion allows students easily follow discussion
Emotions: anger: contradictions
We can’t get onto Nazi websites, but Mein Kampft is on display in the library. I can understand that you can’t go on websites, but we can read this book, but we can’t go to a website that might have historical facts.
Identity construction: Adopting perspectives
EmoGirl: Critique of schoolInternet policies
I think the internet usage policies are ridiculous. The policies are almost impossible to find. I spent half an hour trying to find them and I'm a young, computer savvy person.
Reflection: Alternative perspectives
• I think it was a valuable learning experience because we actually got to argue back and forth with other people. If this had just been a writing assignment, it would have only been one-sided. You can use persuasive arguments in a paper but you can’t have a back and forth conversation on it. I really felt like it helped me get into someone else’s shoes and think like someone different from myself.
Future research??Challenge: technological boosterism:
use of tools simply to engage students.Need more focus on how affordances
foster critical inquiry even about the role of technology itself in society
New, revised handout on Google Docs
http://tinyurl.com/kxv4fpr
Credits- Screenshot of figure of teachers’ perceptions of use of digital tools for writing from study by the Pew Research Center (2012).
- Figure 1.1, model of critical inquiry, from the book, Creating Critical Classrooms, Routledge Press, 2014, used by permission from authors Mitzi Lewiston, Chris Leland, and Jerome Harste
- Figure 1.1, model of critical inquiry, from the book, Designing Socially Just Learning
Communities: Critical Literacy Education Across the Lifespan, Routledge, 2009, used by permission from authors Rebecca Rogers, Melissa Mosley, Mary Ann Kramer, and the Literacy for Social Justice Teacher Research Group
- Image of “30 years of Arctic sea ice,” by John S. Quarterman, Creative Commons copyright,
Images of sea level rises, by Nickolay Lamm, What Will Sea Level Rise Look Like in Real Life? Creative Commons copyright, https://www.storagefront.com/therentersbent/what-will-sea-level-rise-look-like-in-real-life
- Two figures to appear in Beach, R. (in press). Commentary: Imagining a future for the planet through literature, writing, images, and drama. Journal of Adolescent and Adult Literacy,58(2):
Figure of changes in global temperatures and rise in CO2 used with permission of the Third National Climate Assessment, US Global Change Research Program.
Figure of critical inquiry and analysis of systems by R. Beach
Screenshots of intertextual connections from research projects at the Stanford Literacy Lab, Stanford University
- Screenshots of VoiceThread images and data-analysis figure from Beach, R. & O’Brien, D. (in press). Enhancing struggling students’ engagement through use of technology tool affordances of interactivity, connectivity, and collaboration. Reading & Writing Quarterly.
Credits Material from the book, Understanding and Creating Digital Texts: An Activity-Based Approach, by Richard Beach, Chris Anson, Lee-Ann Kastman Breuch, and Thomas Reynolds to be published by Rowman & Littlefield, 2014:
- Screenshot of Child Obesity used with permission of Emma Eubanks, student, Perpich School for the Arts, Minnesota
- Screenshot of DNA Evidence used with permission of Emma Wood, student, Perpich School for the Arts, Minnesota
Screenshot of students' use of Diigo Sticky-Notes used as part of a research study approved by Portland State University IRB
Screenshot of wiki story-writing image from Teresa Dobson, The love of a good narrative: Textuality and digitality. English Teaching: Practice and Critique, 5(2), 2006, used with permission of the Editors and Teresa Dobson. Copyright © Teresa Dobson.
Screenshot of Comic Life image from "Understand Islam" used with permission by Yasmin Ahmed
Screenshot of YouthVoices (youthvoices.net) site used with permission by Paul Allison.
Material from Using Apps for Learning across the Curriculum: A Literacy-Based Framework and Guide, Beach & O’Brien, Routledge, in press, used by permission of students:
Screenshot of students use of sticky-note annotations for Discussion
- Screenshot of student’s Mindmeister map contrasting weather and climate change