hc2. stars, spectacle, and singin' in the rain

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Introduction to Hollywood Cinema: Stars, Spectacle, & Singin’ in the Rain Prof. Julia Leyda 6/21/22

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Page 1: HC2. Stars, Spectacle, and Singin' in the Rain

Introduction to Hollywood Cinema:Stars, Spectacle, & Singin’ in the Rain

Prof. Julia LeydaMay 2, 2023

Page 2: HC2. Stars, Spectacle, and Singin' in the Rain

quiz

Describe the relationship between the characters of Don Lockwood and Lina Lamont in Singin’ in the Rain. Give as many details and examples as you can to show me you watched the movie carefully.

(10 minutes)

Page 3: HC2. Stars, Spectacle, and Singin' in the Rain

I. Stars

• stardom is a social institution• audiences produce stars, along with film industry

production and promotion, plus media publicity• “star persona”: combination of star’s own

personality (or not?), image or look, character types, personal gossip or scandals

Page 4: HC2. Stars, Spectacle, and Singin' in the Rain

stars in the industry

• created by studio promotion department and executives

• “owned” as properties of their studio by contract (during the classical era)

• “star vehicle”: movie created for a certain star• big stars could do 2 or 3 vehicles per year• 20+ fan magazines in the 1930s

Page 5: HC2. Stars, Spectacle, and Singin' in the Rain

stars on the screen

• paradoxical qualities of stars• average American girl, raised to the nth power• normal, but also extraordinary• roles must offer predictability and novelty• recognizable, but also “acting” the part• represent what the audience want in a spouse or lover,

or who they want to be• ideals of masculinity or femininity of their time and

place

Page 6: HC2. Stars, Spectacle, and Singin' in the Rain

stars and audience

• trendsetters in fashion, home, décor• enviable and pitiable for their rich and famous

lifestyle (longing for simple domesticity)• constrained by promotion and publicity• marketed as objects, commodities• typecast into limited kinds of characters• some stars damaged or destroyed by fame

Page 7: HC2. Stars, Spectacle, and Singin' in the Rain

typecasting and casting against type

• stars usually play similar characters • audiences know what to expect and are satisfied

when they get it• star’s “type” often similar to off-screen image • even when cast against type, stars are defined by

(against) their usual type• very hard to break out of typecasting

Page 8: HC2. Stars, Spectacle, and Singin' in the Rain

good girl: Judy Garland

Page 9: HC2. Stars, Spectacle, and Singin' in the Rain

bombshell: Jean Harlow

Page 10: HC2. Stars, Spectacle, and Singin' in the Rain

sexy: Marilyn Monroe

Page 11: HC2. Stars, Spectacle, and Singin' in the Rain

exotic: Marlene Dietrich

Page 12: HC2. Stars, Spectacle, and Singin' in the Rain

sophisticated: Grace Kelly

Page 13: HC2. Stars, Spectacle, and Singin' in the Rain

Lina Lamont as parody of star

• blonde, glamorous, well-dressed star image• harsh, shrill voice and working-class accent• believes she and Don are engaged• reads fan magazines and gossip columns• stereotype of star: spoiled, flattered, vain,

manipulated by executives

Page 14: HC2. Stars, Spectacle, and Singin' in the Rain

Lina clip 1

Page 15: HC2. Stars, Spectacle, and Singin' in the Rain

Lina clip 2

Page 16: HC2. Stars, Spectacle, and Singin' in the Rain

“star” stories in movies

• A Star is Born (1937) set the formula• discovery of “ordinary” girl: Cinderella • price of fame: is it worth it?• artificiality: publicity, acting, fake name, trained

voice, image, wardrobe• dream and nightmare• mutual obligation of stars and fans

Page 17: HC2. Stars, Spectacle, and Singin' in the Rain

II. Spectacle

• movies comprise “cinema of attractions” organized into sequence by a story

• visual spectacle vs. narrative story• commercial aesthetic: widest audience– some love good stories– some love exciting visual images– some love both together

Page 18: HC2. Stars, Spectacle, and Singin' in the Rain

movie = moving pictures

• kinema (Greek for motion)– slapstick and visual comedy– chase and fight scenes– special effects

• three kinds of movement– objects in the frame– camera– editing

Page 19: HC2. Stars, Spectacle, and Singin' in the Rain

musicals and “autonomous spectacle”

• autonomous = independent, separate from the rest of the movie

• Donald O’Connor’s “Make ‘Em Laugh” number– physical expertise interrupts the story– audience pleasure in O’Connor’s movement– his character, Cosmo, almost disappears– very loose connection with story development – long take, very few cuts or camera movement

Page 20: HC2. Stars, Spectacle, and Singin' in the Rain

“Make ‘Em Laugh” clip

Page 21: HC2. Stars, Spectacle, and Singin' in the Rain

What is Hollywood?

• Singin’ in the Rain and Sullivan’s Travels– Hollywood “backstage” stories about making movies

and stars– “what do audiences want?”– importance of Hollywood in everyday lives of fans– importance of audience pleasure– ultimately flattering images of Hollywood (!)

Page 22: HC2. Stars, Spectacle, and Singin' in the Rain

utopian Hollywood

• “utopia” = no place, perfect place• pleasure in our involvement in utopian stories and

visual images• movies similar to our lives, but better• escape from unpleasant reality• life without the boring bits (Hitchcock)• stars as our utopian selves, real but better• America as it wanted to see itself (Bazin)

Page 23: HC2. Stars, Spectacle, and Singin' in the Rain

discussion questions

1. Discuss typecasting among your favorite stars. Does it happen much, or not? Why or why not?

2. Being a star is portrayed as being both a dream and a nightmare. Which stars do you think of in that context?

3. Singin’ in the Rain is about fans and stars, real life and fiction, art and entertainment. What do you think its message is?