guitarpracticesins answers
DESCRIPTION
Guitar AnswersTRANSCRIPT
© Guitar Mastery Solutions, Inc. All Rights Reserved
Guitar Practice Sins - Answers
Here are the answers to the guitar practice “sins” committed in this guitar practice
video: http://practiceguitarnow.com/IdentifyGuitarPracticeMistakes.html
Scenario #1 (3:27-3:47)
Guitar Practice Sin #1: Not watching the hands at all while practicing. Instead, you see
me stare mindlessly out into space, as my hands are going through the motions of
playing scales on autopilot.
Why this “sin” is dangerous to your guitar playing: First of all, understand that the
process of practicing guitar effectively consists of: identifying and solving your guitar
playing problems and training yourself to make your technique better (via applying
effective new practice habits). If your eyes are not focused on what the hands are doing,
your brain is not getting feedback it needs to understand if you are practicing/training
yourself correctly, then you are simply reinforcing the same inefficient and ineffective
guitar playing habits that will make it impossible to develop flawless and effortless
technique.
Guitarists who practice in this way often end up extremely frustrated even if they
practice a lot. Practicing without watching your hands is similar to driving blindfolded
and hoping to get to where you are going and not get into a horrible accident in the
process.
What to do instead to make your practicing highly effective:
1. START watching your hands when you practice
2. Learn EXACTLY what you need to pay attention to while practicing so that it becomes
totally obvious and natural for you to focus on what your hands are doing (as opposed
to going through the motions in a mindless way, wasting time and becoming bored).
THIS is what will enable you to start seeing exponentially faster progress in your guitar
playing. To learn how to do this, read this page.
Scenario #2 (3:54 - 4:09)
Guitar Practice Sin #1: Watching the WRONG hand while practicing. In this scenario, you
can see me watching my fretting hand only the entire time. Instead, all my attention
should have been focused on the picking hand instead of the fretting hand. Why? 2
reasons:
© Guitar Mastery Solutions, Inc. All Rights Reserved
1. It can be seen in the video that the fretting hand had no real problems with it,
therefore watching it did nothing to help make the playing better.
2. It’s very easy to see that the picking hand is making very huge motions to play each
note (way more than necessary) and thus is fatiguing much faster than the fretting
hand. So the picking hand needs all the attention in this example, so that its motions
could be refined further and progress can be made. Watching the fretting hand (i.e. the
wrong hand in this specific case) is just as big of a sin as “not” watching your hands at
all.
Guitar Practice Sin #2 (caused by sin #1): Because the eyes were focused on the
fretting hand, the picking hand continues to move on autopilot- making WAY bigger
motions than necessary to play notes. As mentioned in the video, the first sin was
ENSURING the second one would happen also (if you were to practice this way all the
time),
To make sure that you never unintentionally commit this sin in your practicing (or to
become aware whether or not you are committing it now), you must do the following:
Understand the EXACT goal/purpose of each exercise you practice. Never practice an
exercise “just to practice” or with a vague goal of “improving your speed”. You must
understand the exact and specific reasons (micro goals) that each exercise is helping
you accomplish
Train yourself to correctly identify the EXACT causes of your guitar playing
problems/mistakes, so that your practicing can be done with a problem-solving,
results-oriented mindset instead of in a robotic/mindless way. This is what will enable
you to know which hand to pay attention at any given time as you practice.
I train guitar players to do exactly this in my Rapid Fire Guitar Practice Training
program. To learn how to turbo charge your guitar playing and progress, go to:
http://practiceguitarnow.com/RapidFireGuitarPracticeTraining.html
Scenario #3: (4:22-4:37)
Guitar Practice Sin #1: Using phaser effects (or any kind of effects except regular
distortion) while practicing for guitar speed, 2 hand synchronization, cleanliness of
playing or other elements of technique.
Why is this a “sin”? When you practice using effects, it becomes VERY difficult to hear if
you are playing cleanly or if your hands are in sync at faster speeds. The mistakes you
are making are not immediately obvious and thus are harder to correct. Because you are
making it hard for your ears/brain to get the feedback needed to refine your practicing,
your time is being literally wasted - no improvements are taking place in your playing
© Guitar Mastery Solutions, Inc. All Rights Reserved
and no mistakes are being identified and corrected. Yes, you are going through the
motions of practicing, but you are really just playing, not practicing.
To make your practicing highly effective, you must make it as easy as possible for your
ears and mind to identify any and all mistakes you are making (and fix them), so do not
use any effects while practicing (except distortion).
Guitar Practice Sin #2: Not paying attention or playing in time to the metronome
In the video I am (intentionally of course) playing completely out of time with the
metronome. This not only completely defeats the purpose of using a metronome in the
first place, but also creates yet another distraction for your mind brain/mind/ears that
prevents you from paying attention to things that you NEED to focus on to improve your
playing.
When you use a metronome for practicing, it must serve one (or both) of its two primary
roles:
To test or refine your timing
And/or:
To test your guitar speed to identify specific mistakes in your technique that
occur at or near your top speeds (so you can then fix them).
If you are not doing either of the things above, then you are actually HURTING your
progress by practicing with a metronome (since it ends up being nothing but a
distraction for yourself).
If you are NOT able to hear how/why my playing is out of time in the video, this is
another problem in and of itself that you must overcome to learn to practice guitar
effectively. Get started with overcoming ALL of your guitar practice and playing
problems here.
Guitar Practice Sin #3: Using way too much excessive tension in the picking hand
shoulder (this is very obvious from seeing my shoulder raised up very high in the video).
The negative effects of too much tension are well known and obvious - when your body
is more tense than necessary, it becomes impossible to play fast and make your guitar
playing feel easy. Too much tension in guitar playing is the equivalent of “running with
your shoelaces tied together”… What is NOT so obvious is how the tension came to be
there in the first place.
And this leads me to the next sin of this video clip:
© Guitar Mastery Solutions, Inc. All Rights Reserved
Guitar Practice Sin #4: Using a very bad sitting position (with the guitar on the right
leg). Why is this sitting position a guitar practice sin? Here are a few obvious reasons:
You are forced to play with your picking hand’s shoulder raised in an awkward
position (leading to excessive tension identified in Sin #3 of this scenario).
The guitar feels unstable against your body and moves around too much while
playing (making it more difficult to play).
The fretting hand fingers cannot be stretched as easily to play
chords/scales/licks that require wider stretches (without greater risk of injury).
Your fretting hand wrist has to bend a lot more while playing, putting greater
strain on your muscles and tendons.
This position is totally different from how your guitar is positioned when you
play standing up. This makes it much more difficult to transition from playing
guitar sitting down to playing standing up.
Solution: Position your guitar on your LEFT leg (if you are right handed) and elevate
your left foot with a footstool or some books. This position fixes ALL of the above
problems and makes your guitar playing feel much easier.
Note: Yes, of course there are some truly great/virtuoso players who sit with the guitar
on their right leg and play amazingly well. However, these exceptions do not change the
facts that the sitting position itself is simply inferior. Those great players who use the
inferior position are able to play well “in spite” of its limitations, not because of them. If
you are not yet a great guitar player yourself (and REALLY want to become one as
quickly as possible), you should maximize every element you can to your advantage to
make your practicing as efficient and effective as possible.
Scenario #4: (4:45-5:14)
Guitar Practice Sin #1: Inconsistent way of forming the second chord of the chord
change (a BIG problem!) Sometimes you can see me forming the second chord while
transitioning from the first chord, and other times I was moving my hand to the position
where the new chord was to be played and only THEN started forming the shape of the
new chord at the last minute.
Why this “sin” is dangerous for your guitar playing: This inconsistency confuses the
hands (and mind) and prevents you from training your hands effectively to overcome
challenges in your guitar playing. When practicing to master something, you must know
exactly what specific motions you need to be training and then drill just THOSE motions
into your technique to make them automatic. Any inconsistency in this process makes
improving your technique MUCH more difficult and infinitely more frustrating. Any
inconsistency in practicing also means that you are either: not paying full attention to
© Guitar Mastery Solutions, Inc. All Rights Reserved
what you are doing or you are not fully conscious of the correct technical motions to use
while practicing (usually both).
Solution: Identify EXACTLY how you need to practice any challenging element of your
technique and pay attention to being perfectly consistent in the technical motions you
use while practicing. This applies to ALL techniques of course, not only to chord changes
(the chord change in this video example is merely a single context that demonstrates
the issue). If you don’t know how to do this, you need to get training on how to practice
guitar rand how to train yourself to overcome your guitar playing challenges/problems.
Guitar Practice Sin #2: Wrapping thumb over the top of the neck for playing chords (you
can see the first knuckle of my thumb sticking up over the fretboard when playing the
chord change).
Why this is a “sin” in THIS scenario (of playing chords): Having the thumb over the top
of the fretboard creates 2 general problems:
1. It makes it much harder to stretch the fingers of the fretting hand while playing.
2. It forces the inside of your palm to touch the high E string, muting it (which is what
you DON’T want when playing chords that require the high E string to ring).
To be clear, having the thumb over the top of the neck is NOT bad in every case. For
bends and vibrato and certain guitar licks, you actually WANT to have the thumb
wrapped around like this, to make playing easier.
The goal is to identify when having the thumb over the top of the neck IS a problem and
practice in the correct way (with the thumb behind the neck) consistently to make sure
the correct technical habits are being trained.
Guitar Practice Sin #3: Making small, last-minute adjustments in the hands when
playing.
You can see me sometimes adjusting the positions of the fingers on the frets after the
new chord is already being played. This is a mistake for a few reasons:
1. It indicates that the motions for playing the chord change perfectly and consistently
have not been mastered.
2. It requires more concentration to perform the chord change in real life guitar playing
(such as while performing) making your guitar playing less reliable and making mistakes
more likely to happen.
3. It causes sloppy noises in your playing that make the notes/chords sound sloppy.
© Guitar Mastery Solutions, Inc. All Rights Reserved
Solution: You need to learn how to practice chord changes effectively (and what to pay
attention o while doing so), so that they become super easy to play, clean and reliable
every single time.
Scenario #5: (5:23-5:38)
Guitar Practice Sin #1: Inconsistent picking articulation. You can hear that I start picking
the notes very loudly, with great articulation, but the power becomes weaker and
weaker as I play on the higher strings and descend the scale sequence.
Why this “sin” is dangerous to your guitar playing: Having your picking articulation
become weaker as you play is a sign of excessive tension in your picking hand. It is
usually caused by starting to play in a relaxed way, but not releasing the tension from
playing notes and letting it accumulate in your arm and shoulder. As you keep playing,
the excessive tension builds up, making it harder and harder to articulate the notes. As
a result, your articulation becomes progressively weaker and weaker and the arm
becomes more and more fatigued. This continues until the pick no longer makes contact
with the string and you are forced to stop playing to relax.
Solution: You must learn the most effective (and simple) ways to release all excessive
tension from your guitar playing. This will not only make your guitar playing feel much
easier and help you to increase your top speed, but will also make your guitar playing
sound MUCH better at every speed.
To learn how to make your guitar playing feel very effortless and easy, read this page.
Scenario #6: (5:47-5:58)
Guitar Practice Sin #1: Using inefficient fingering in the fretting hand. In the scale you
can see me play on the video, I am using fingers 1 3 and 4 to play finger shapes that
span two whole steps.
Why this “sin” is dangerous to your guitar playing: It’s much more difficult to stretch
between fingers 3 and 4 (compared to stretching with other fingers when playing
guitar), so using this inefficient fingering will make it much harder to play guitar fast and
clean.
Solution: Fortunately, the solution for this specific sin is very easy: start using fingers 1
2 4 for finger patterns that span 2 whole steps no the guitar - problem solved
© Guitar Mastery Solutions, Inc. All Rights Reserved
Scenario #7: (6:07-6:17)
Guitar Practice Sin # 1: Making huge (swooping) motions with the picking hand for
every note (instead of picking the strings with a much more efficient straight up and
down motion). Note: I'm NOT saying to “make the smallest motions possible” - I'm
simply saying to :”eliminate WASTED motion”.
Why this “sin” is dangerous to your guitar playing: This problem is a symptom of not
being able to correctly identify and diagnose your guitar playing problems on a larger
scale. And even if you don’t have THIS problem in your guitar technique, if you couldn’t
identify it instantly by watching me play on video means that there are likely other
guitar technique issues present in your playing that are holding you back every time you
practice, staring you in the face and begging you to solve them
This specific problem (and its solution) is similar to the guitar practice sin #2 in Scenario
2 of this video.
Scenario #8: (6:28 - 6:44)
Guitar Practice Sin #1: Using alternate picking instead of directional picking.
Why this “sin” is dangerous to your guitar playing: The answer to this is thoroughly
described in this video: http://practiceguitarnow.com/guitarpickingexercises.html (watch
that video before sending me angry messages “defending” alternate picking )
Solution: Learn how to adopt directional picking into your guitar playing quickly and
easily, so that your guitar playing feels and sounds WAY easier, faster and cleaner than
ever before. I will walk you through the exact process of doing so in my Rapid Fire
Guitar Practice Training course:
http://practiceguitarnow.com/rapidfireguitarpracticetraining.html
Scenario #9: (6:55-7:19)
Guitar Practice Sin #1: Using incorrect picking motions for sweep picking arpeggios. In
the video, you can see me picking each note with a separate pick stroke instead of using
ONE very smooth and continuous downstroke to ascend the arpeggio and one smooth
upstroke to descend the arpeggio.
© Guitar Mastery Solutions, Inc. All Rights Reserved
Why this “sin” is dangerous to your guitar playing:
Reason #1: By not using the most efficient motions for sweep picking (and not realizing
that the motions you are using ARE inefficient), you will NEVER sweep pick fast and
clean. Instead, you will end up doing what most guitarists do: browse the web for more
sweep picking exercises, try to practice to a metronome by starting slow and gradually
speeding up the tempo, etc… not realizing that the solution to your problem is a whole
lot easier and it is staring you right in the face every time you practice.
Reason #2: (Similar to other problems/sins explained earlier) If you are not able to
identify this flaw instantly when you saw me doing it in the video, it is a symptom of a
much more serious problem: “your general inability to diagnose your guitar practice
problems and solve them”.
Solution: To improve this area of your sweep picking technique, focus on pushing the
hand through the strings when ascending an arpeggio with sweep picking (so that all
notes are hit with one pick stroke) and pull your hand back when descending the
arpeggio to ensure that all the notes are hit with one continuous upstroke motion.
So how many from the 15 sins did you identify correctly? If you found less than 5, don’t
worry - you are NOT alone! The vast majority of guitar players are stumped by this test
and years ago I would have scored the same (or even worse) than most. It was exactly
this frustration with my lack of results from practicing that lead me to invest thousands
of hours into learning the most effective guitar practice methods and applying, testing,
refining and perfecting them. After many years of trying to master my guitar technique
and learning to get superior results from practicing I now train other guitarists how to
practice guitar effectively to get HUGE results in their playing quickly.
I want to help you stop being frustrated with your guitar practicing, learn how to identify
and overcome every single one of your guitar playing problems and make your guitar
playing feel effortless and sound awesome. To get started, go to this page right now:
http://practiceguitarnow.com/RapidFireGuitarPracticeTraining.html