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Written & Method By:John McCarthy

Presents

Adapted By: Jimmy RutkowskiSupervising Editor: Joe Palombo

Music Transcribing & Engraving: Jimmy RutkowskiProduction Manager: Joe Palombo

Layout, Graphics & Design: Jimmy RutkowskiPhotography: Rodney Dabney & Jimmy Rutkowski

Copy Editor: Cathy McCarthy

Cover Art Direction & Design:Jimmy Rutkowski

HL14041754ISBN: 978-1-4584-2471-6

Produced by The Rock House Method 2013 Fred Russell Publishing, LLC All Rights Reserved

1Learn Guitar The Method for a New Generation

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Words from the Author ...................................The Rock House Method Learning System ............................................Icon Key ........................................................Digital eBook ..................................................

Parts of the Guitar ...........................................Holding the Guitar & Pick ..................................Names of the Open Strings/Tuning .................Open String Picking Pattern ..............................Finger Numbers .............................................Reading Chord Charts ......................................Your First Chords .........................................Chord Picking Pattern .......................................Counting Beats ...............................................The Metronome .............................................Reading Tablature ........................................Tablature Riffs ...............................................Timing Explanations - Note Values ..................Time Signatures ............................................Aura Lee .........................................................Rockin the Bells ............................................Rhythm Notation ...........................................Counting with a Drum Beat ..............................Strumming Chords ............................................Minor Chords .................................................Chord Progression ........................................Attaching Your Strap ........................................Single Note Riffs ............................................Major Chords .................................................Eighth Notes ...................................................Song Progression ........................................Picking Exercise ............................................Chord Picking Pattern #2 ..................................Chords in Tablature ........................................Blues in A .......................................................The Shuffle Feel ............................................Eighth Note Riffs ............................................

Single Note Melody:When the Saints Go Marching In ........................The Chromatic Scale ...........................................Notes in the First Position ....................................Blues Riff Rhythm ................................................Single Note Riffs #2 ............................................How to Read a Scale Diagram ............................Minor Pentatonic Scale:1st Position Key of A .........................................Minor Pentatonic Lead Pattern ...........................Finger Flexing .....................................................Power Chords ......................................................Power Chord Rhythm Hit it Hard .......................Major Open Chords .............................................The Ghost Strum .................................................Song Rhythm A Day at the Beach .....................Classical Melody Ode to Joy .............................Minor Pentatonic Scale:Positions 2 & 3 ....................................................Minor Pentatonic Lead Pattern:Positions 2 & 3 .......................................................Song Riff .............................................................Combining Major & Minor Chords:Blue Velvet ............................................................Song Progression Street of Dreams .................Minor Pentatonic Triplet Lead Pattern ................Power Chord Rhythms .........................................Finger Flexing #2 ................................................Lead Techniques Bending ................................Single Note Riff Rhythm ......................................Lead Techniques Hammer Ons ........................Complete Blues Lead ...........................................Open Chord Progression:Rock Climbing .........................................................Palm Mute ..............................................................Power Chord Rhythm Rockit Center ..................Building Your Pick Speed:Alternate Picking ...................................................

Table of Contents

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Lead Riffs ..........................................................More Minor Chords ..........................................Minor Song Progression - Black Pearl ..............Finger Picking Basics ........................................Finger Picking Progression ...............................Minor Pentatonic Scale:Positions 4 & 5 .................................................Applying the Pentatonic Scale ...........................Root Notes ........................................................Song Riff #2 ......................................................Lead Techniques Pull Offs ............................Single Note Riff Rhythm #2:The High Road .................................................The Star Spangled Banner ................................Syncopated Rhythm Jacobs Ladder .............Lead Techniques Hammer Pull Offs ..............Complete Rhythm & Lead ................................

Appendix Musical Words .................................................Changing a String ...........................................About the Author ............................................Reading Music for Guitar ..............................

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Download this free video from our On Demand System at RockHouseSchool.com. It will help guide you through the important rst steps of getting started with your guitar.

Quick Start Video

Parts of the Guitar

The lessons in this book can be played on either acoustic or electric guitars. Acoustic and electric guitars have the same number of strings and are tuned the same way. Electric guitars need to be plugged into an ampli er to be heard. All guitars are made up of three main sections: the body, the neck and the headstock.

Headstock

Neck

Body

Electric Guitar Acoustic Guitar

W

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21

Minor Chords

Am

2 3

1

X

2 3

Em

Minor chords have a sad sound while major chords have a happy sound. Minor chords are presented in this book with a capital letter, which refers to the letter name of the chord, followed by a lowercase m indicating that it is a minor chord. Remember to keep your thumb rmly anchored against the back of the neck.

Chord Professor

You will learn major and minor chords in this book. Major chords have a happy or bright sound. Minor chords have a sad or melancholy sound. If someone was writing a song about the happiest day of their life they would use major chords. But if they were writing a song about a friend moving away they would surely use minor chords.

Major & Minor Sounds

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Minor pentatonic scales are the most widely used scales in rock and blues music. It is a ve note scale that repeats after ve scale degrees back in a circle type fashion. The notes included in the A minor pentatonic scale are A-C-D-E-G. Notice that the A notes (or root notes) are in white.

Scales are your alphabet for creating leads and melodies. Just like you learned your alphabet in school and then expanded into words, sentences and complete stories you will learn scales for guitar then expand to melodies, leads and complete songs. Practice this scale with a metronome using whole, half and quarter note timing.

After you can play this scale easily forwards and backwards, play this over the Blues in A progression and see how the notes really t together perfectly. Start to think of this scale as a creative tool not just a group of notes forming a scale. You can even create your own melody within the con nes of the scale notes by mixing the order and listening for interesting combinations.

Minor Pentatonic Scale 1st Position Key of A

1 4 1 35 8

5

1 3 1

75 7

3 1 4

5 75

1 4 4

85 8

1 4 1

8 58

3 1 3

57 5

1 3 1

7 57

4 1

58 5

5 7

1 4

31

31

1 3

41

41

1 4

31

31

1 3

41

41

7 9

2 4

1 4

1 4

1 3

2 4

42

9 12

31

1 3

31

1 3

41

1 3

12 15

41

1 4

31

31

42

41

15 17

2 4

42

41

1 4

2 4

2 4

{FingerPattern2 4

41

41

1 3

42

42{FingerPattern1 3

31

31

1 3

41

31{FingerPattern1 4

41

31

1 3

42

41{FingerPattern2 4

42

41

1 4

42

42{FingerPattern

5 7

1 4

31

31

1 3

41

41

1 4

31

31

1 3

41

41

7 9

2 4

1 4

1 4

1 3

2 4

42

9 12

31

1 3

31

1 3

41

1 3

12 15

41

1 4

31

31

42

41

15 17

2 4

42

41

1 4

2 4

2 4

{FingerPattern2 4

41

41

1 3

42

42{FingerPattern1 3

31

31

1 3

41

31{FingerPattern1 4

41

31

1 3

42

41{FingerPattern2 4

42

41

1 4

42

42{FingerPattern

Music Assignment

Scale Professor

A great way to learn scales is to memorize the nger pattern (the ngers used on each string). The nger pattern for the 1st position scale is:

1 - 4, 1 - 3,1 - 3, 1 - 3, 1 - 4, 1 - 4

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Song Riff

0

75

70

54

50

32

3 2 3 23

Count:Finger:

This is a picked song riff. Hold down the ngers for each group of four eighth notes and let the notes ring together. The last four notes are a riff that brings you back to the beginning to repeat.

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Combining Major & Minor ChordsBlue VelvetThe strum pattern for this rhythm is: down, down, down-up-down-up. Play this strumming pattern once for each chord. There will be common ngers held down from chord to chord that will make the transitions easier. Keep your hand, arm and shoulder loose and relaxed at all times. Never tense or tighten up your strumming arm. Once you can play this chord progression smoothly, changing from chord to chord, use the backing track and play along with the bass and drums.

Strum:Count: 1Am

(&) 2

(&) 3 & 4 & 1C

(&) 2

(&) 3 & 4 &

1Em

(&) 2

(&) 3 & 4 & 1G

(&) 2

(&) 3 & 4 &

Am

2 3

1

XC

3

2

1

X

1 2

Em

1

2 43

G

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72

The Star Spangled Banner

This great melody has been played by countless musicians. One of the most famous is the version that Jimi Hendrix played with heavy distortion and whammy bar tricks. Learn the basic melody and after you have this under your ngers, experiment and try to make your own version. Add some distortion to it or use techniques like hammer ons, pull offs and bends. Be creative!

Finger: 2 3

C

02

3

2

2

G

0

1

Am E

3 1

Am

03 1

2

2

4

D7

4

G C

0 0

03 1

3 1G

1 0

2

F

1

C

20 1

1

10

2

2

3

3

0 0 0

1

1

3

3

3 1 2

G7

1 03

0

1

1

1

3 1

1

1

C

0

3 1

3 1G

2

F

1

C

20 1

2

Am

2

4

D7

4

G

0

1

C

1

1

1

1 2

F

1 02

2

20

0

2

A7

2

3

Dm

1

30

3

1 0

1 1

C

3 1 1

G

0

1

C

0 01

3

G7

31 3

C

0 1

1

Am

3

C

1 3

1

1

3

G7

1

C 3 03 1

: Fermata- Hold the note longer than the written time value.

0

The dot after a note increases the duration of the note by half of its original value. If the basic note is a half note (2 beats), the dotted note is 3 beats or counts. A dotted quarter note would receive 1 beats or counts. The Star Spangled Banner melody below will be using both dotted half and quarter notes.

5

5 5= +

DottedHalf Note

5

5 5= +

DottedQuarter Note

5 7 5

5 5= +

DottedHalf Note

5

5 5= +

DottedQuarter Note

5

5 5= +

DottedHalf Note

5

5 5= +

DottedQuarter Note

Dotted Notes

3 Beats1 1/2 Beats

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