guernica, 1937 by pablo picasso shannon frost and mary catherine taylor august 12, 1999

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Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

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Page 1: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Guernica, 1937 by Pablo Picasso

Shannon Frost and

Mary Catherine Taylor

August 12, 1999

Page 2: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Pablo Picasso

Born in Spain Known as the most famous artist of the 20th

century Lived from 1881-1973 Pablo Picasso is considered a Modernist in

terms of art history

Page 3: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Guernica

Page 4: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Historical Context of Guernica, 1937 Commissioned by the Spanish Republican

Government to create a mural The Spanish Civil War broke out July 18, 1937 The massacre of the village Guernica became the

image for the mural

Page 5: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Biographical Context: Why the Spanish Civil War Affected Picasso? Picasso was a Spaniard with strong populist

beliefs He was moved by the tragedy of the war

Page 6: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Aesthetic Analysis of Guernica

Elements– Line– Shape / Form– Space– Texture– Value– Color

Arrangement of the elements

Page 7: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Lines– Thin lines – Mechanical Lines – Organic lines – Fine point instrument– Asymmetrical– Not drawn to scale– Horizontal, vertical, and

curved lines

Page 8: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Shape and Form Triangles Ovals Rectangles Square Circles

Page 9: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Space

Two-dimensional perspective

Page 10: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Texture

Combination– Some objects appear smooth, no brush strokes or

scratch marks– Some objects appear rough

Page 11: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Value There is high contrast between light and dark in

this work– There is no evidence of a light source because there

are no shadows

Page 12: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Color Somber tones of gray Charcoal Black White

Page 13: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Shannon and Mary Catherine’s Critical Interpretation

Pain and despair Abandonment of hope Cubist in origin

Page 14: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Critical Interpretation by Scholars There is no hope depicted in the colors,

figures, and complex symbolism Bull is brutality and darkness Horse represents the innocence of the

civilian victims The weeping woman is Picasso’s mistress,

Dora

Page 15: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Educational Interpretation

Lesson Plan– School Setting– Rational– Virginia Standards of Learning– Art Objectives

Page 16: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999
Page 17: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999
Page 18: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999
Page 19: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999
Page 20: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999
Page 21: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999