griffiti magazine 39
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Publication for the Students Union of Griffith College Dublin. Issue 39. October 2010TRANSCRIPT
Issue 39
October 2010
Cover by: Ciara Karagianni
Issue 39
October 2010
Editor: Oscar Finn
Sub-Editor: Jonathan Keane
Design: Oscar Finn
Contributers:
Daniel Balteanu
Brendan Beagon
Faye Bollard
Dan Brady
Kieran Broderick
Samuel Burgess
Graham Butler
Oisin Collins
Paddy Daly
Anthony Digan
Ian Donegan
Jojo Chau
Brian O’Donoghue
Barry O’Sullivan
Agnieszka Kowalska
John Lalor
Emma Loughran
John McSweeney
Gill Pringle
Jacquie Ryan
Maiken Woll Eide
Advertising Enquiries:
01-4150463
Printed by:
Speciality Printers
Griffiti Magazine
Students’ Union
Griffith College Dublin
South Circular Road
Dublin 8
Ph: 01-4151463
email: [email protected]
Griffiti Magazine is the Students’ Union publica-
tion at Griffith College. It was established in
2004.
All contents copyright of Griffiti, Reproduction of
any part of the magazine without permission
from the publisher is strictly prohibited.
The views expressed in Griffiti do not necessarily
reflect that of the college or the SU
A Note From the EditorHi everyone, welcome to issue 39 of Griffiti.
Firstly I would like to thank The SU for giving
me this opportuinity to work on the magazine,
Of course this magazine isn’t possible without
contributions from you guys so I look forward to
meeting with you over the year and seeing
some fantastic articles. I would also like to take
this opportuinity to say thanks to Alan Gill and
Ryan Brennan for helping me get started and
to the IT department for saving me from mental
collapse on several occasions.
That’s all for now, see ya next month
Oscar Finn
Managing Editor
Contents
3
4 state of the union 6 students union news9 freshers week10 Party people12 Joe Rooney interview15 south dublin’s finest18 in focus: Photography22 griffiti at the movies25 Music reviews26 the genuine article28 liverpool article30 Joe Duffy interview31 gorillaz competition
Hi guys,
First of all I'd like to thank everyone for
their participation in Freshers Week
and I hope everyone enjoyed all the
different events throughout the five
days as much as we all did. The Lord
Mayor of Dublin stopped by, there
were a lot of people down in Arthur’s
on the Monday night, the Football
Tournament was a great success, Joe
Rooney made everyone laugh, the
Freshers Ball was packed and people
got shot at the Paintball excursion on
the Friday! Like always, our SU House
Party the week after was as untamed
as ever! If you didn't get to come to
any of the events, don't worry, as there
will be plenty more things going on of
different varieties later in the year.
In the upcoming month, we have
Catherine McGuinness; former Sena-
tor, retired Supreme Court Justice and
President of Law Reform Commission
coming in to speak to us on Wednes-
day 13th October at 2pm in the AF
Building. On top of this we have our
annual Halloween Ball taking place
the last week of October which is al-
ways a great event. Fancy dress is es-
sential and all the other details are on
the poster to be found later in this
magazine.
For first year students, thank you for
picking up 'Griffiti' for the first time -
this will be your source for everything
that is going on throughout the year
here in the Students' Union. As for
people who were here last year, you'll
notice some slight changes in the size
and layout of the magazine. Our 3rd
year photography student Oscar Finn
is our Editor and is handling every-
thing to do with it this year. If you want
to submit anything for publication, he's
the capable man you can talk to about
that!
As for changes in the SU, we've unfor-
tunately seen the departure of our
Manager John McSweeney and Vice
President, Clubs and Societies Officer
Paddy Daly. I was relishing the oppor-
tunity to work with them both for the
year but regrettably it wasn't to be.
Even though they are continents away
from us right now, I hope that myself
and the other students that got to
know them over their tenures here will
get to meet them once again in the fu-
ture. From everyone here in the SU,
we'd like to thank them for the contri-
butions they've made and we wish
them the best of luck in Australia and
New York and hope they'll return to us
one day! We've been graced with the
appointment of Paul McCormack as
the new SU Manager who we've been
working really well with over the past
6 weeks to ensure the Union will be
constantly improving and achieving
new heights in the next year.
As promised during my election cam-
paign, we will be seeing a new Griffith
College Students' Union Constitution
implemented during the year as the
previous one was not used as a 'living
breathing document' as it should have
been. Some amendments are re-
quired to bring it up to speed with the
current structure that exists in the
Union. This new Constitution will em-
power the Union to have a much
greater say in student affairs in the col-
lege and improve the communication
links between the general student
populous and the Students' Union of-
ficers. One of the key reforms I want
to see implemented is a year-round
Students' Union Officer Board. As it
stands, the Union runs only 9 months
of the year leaving a gap right through-
out the summer. This new extended
time period I'm proposing will run from
1st July-30th June which would see
some vast improvements.
1. This new extended period would be
used for a proper handover between
officers from year to year. This is cur-
rently non-existent and a real problem
which must be addressed.
2. It would bring the Griffith College
Students' Union in line with other all
other college Students' Unions
throughout the country where it is the
standard practice.
3. A full year plan would be drafted
and implemented allowing for greater
organisation and bigger events the
Union could be involved in.
Another important issue that the Union
must look at is a future affiliation with
the Union of Students in Ireland (USI).
At present, we are not affiliated mem-
bers but as Ireland's largest and lead-
ing private third level institution, with
so many graduates in this country, in-
cluding some of our own now being
forced to emigrate or sign onto the live
register, the time might be right for
everyone in the college to look to-
wards membership of USI to ensure
Griffith and our graduates are repre-
sented at a national level.
If you have any proposals of how we
can improve the Union for you or have
any queries at all, we're contactable at
any time either in the Meagher
Building or the details listed above.
Your Students' Union President,
Graham Butler
StATE OF THE UNIONOffice Opening Hours:
Monday - Thursday: 09:30 - 19:30
Friday: 09:30 - 17:30
email: [email protected]
Ph: (01) 415 0418
Graham Butler
Students’ Union President
4
Hey All,
Welcome back and a big welcome to all the new students,
who by now I am sure have settled into life here in Griffith.
I hope you all had a fantastic summer and that you are
looking forward to the year ahead which will be full of sports
and entertainments. We had a fantastic number of students
signing up to Clubs & Socs during Freshers' week in the
tent. If you missed the sign ups please feel free to pop into
the SU building and we can add you to any sports or soci-
ety you are interested in.
The first set of soccer trials took place on the Wednesday
of Freshers Week. We had a huge turnout and Leroy
Rhodes, our coach was impressed with the skills you guys
displayed on the day. On the Thursday of Freshers week
we had our 5-a-side soccer tournament. The games went
on from 12:30 until after 15:00. The games were great and
refereed by Leroy, the college soccer coach. The league
was won by team Finesse, the players included John Ojo,
Kay, Paul Mc Cormack, Alix Busari, Ciaran Verso and
Nigal. They had a fantastic game and congratulations to
them all.
Our first trip off campus happened on Friday the 1st of Oc-
tober, the paintball society went to Frontier Paintball in Bray
Co Wicklow. The bus left campus at 11:30am. Everyone
had a fantastic time, although there were a few people who
got some rather painful looking wounds. Each of the play-
ers deserve our congratulations as they braved the hang-
over from Thursdays Freshers Ball and endured a day of
shooting. The Students’ Union of course was there to help
giving all the members a free Red Bull shot so they would
have a lively day. The students were not such fans of Bray
when we suggested stopping off for an hour to see the
town, we were met with rejection and sad faces `all we
want to do is go back to Griffith and bed´ said one Spanish
gentleman. So we escaped Bray without a visit to the coast.
Everyone will be contacted over the next few days with the
meeting times and venues of the Clubs & Socs but if you
have any questions drop me a line or come visit me in my
office.
I am currently getting ready to take part in our annual
cricket tournament, the weather is great and so far it is
shaping up to be a great day. I will report back on how it
went in the next issue.
If you need gym or locker keys, just call into the Students’
Union and I will organise it for you. Lockers are EUR25 but
you get EUR10 back when you return the key at the end of
the year likewise the Gym is EUR15 deposit for the key
which is fully refundable when the key are returned to the
SU. There is a quota of gym keys so I would recommend
you call in to me as soon as possible as they are going fast.
If you have not signed up to a society please come into the
SU and do so. Societies are a great way to meet people
and they really help you to become a part of college life.
There are plenty to choose from. Such as Comedy, Pool,
American Football, Film, Equestrian, Debating, Badminton,
Counter Strike, Drama, Paintball, Cheerleading, French,
Fashion, Cricket, Music, DJ, Journalism, Law society, In-
ternational Society, Table Tennis, Irish Language, G-Soc,
Boxing, Tae Kwon Do, Kick Boxing, Surfing, poker, shoot-
ing, handball, Choir, Glee, and many more. If there is a so-
ciety that we do not have and you think that enough people
would be interested in getting involved please feel free to
come and talk to me so we can set it up.
Lastly I look forward to seeing you around campus, and let
you know that over the next two weeks I will be in contact
with everyone regarding societies.
Thank you,
Jacquie
StATE OF THE UNIONOffice Opening Hours:
Monday - Thursday: 09:30 - 19:30
Friday: 09:30 - 17:30
email: [email protected]
Ph: (01) 415 0460
Jacquie Ryan
Acting Clubs & Socs Officer
5
Students’ Union News
Ch-ch-changesAs I’m sure many of you are aware by now the S.U. has
seen a few changes to it’s line up. Over the summer John
McSweeney and Paddy Daly departed the Emerald Isle
to seek their fortune. Recently we caught up with John
and Paddy to see how they are getting on and give them
an opportunity to say au revoir to all their friends and fans
at Griffith.
G'day to all in Griffith. Over the past few weeks a number
of students have sent me messages asking me why I left
the SU, I'd like to thank the new Griffiti Editor, Oscar, for
giving me the opportunity to answer them en mass!
I chose to leave Griffith at the end of July as I felt it was
time for me to delve into the world of travelling and back-
packing (something I have been putting off for years). A
lot of people said I was mad to leave a job in the middle
of a recession, but ya gotta do what ya gotta do! I didn't
wanna be looking back in 10 years time and regretting
not taking the leap when I was still relatively young and
free! I saw this as one of the last times in my life that I
would be able to undertake such an adventure before life
started getting too serious! However, it was by no means
an easy decision, as I can honestly say being SU Man-
ager was the best job I've ever had and probably ever
likely to have!
It was my privilege to be the SU Manager for 2 years. My
role was a very rewarding one, to see the progression of
students from quiet nervous Freshers at induction to the
confident individuals they evolved into over their years in
college really was just fantastic.
I also took great pride in my work with the union and do
genuinely see my tenure as a successful and fruitful one
for the SU, from the development of the SU building and
establishment of the Student Council to the better rela-
tionships forged with other college departments as well
as the increased International Student participation in the
union. I am incredibly proud of what I and the SU Officers
over the past two years were able to achieve.
I would be here forever if I was to name all the people I
wanted to thank, from the SU Sabbaticals who I worked
with, to the Griffith staff I dealt with. Suffice to say I would
like to thank Griffith College for giving me the opportunity
to work there and to the staff members who became my
friends and the many students who made my job worth
while!
So on that note I say goodbye, I wish Paul Mc Cormack
all the best as my successor, he is more than able for the
role and I'm sure will do a great job in the years to come.
From Australia - catch ya later! – John
We would just like to take this opportunity to thank every-
one; students, staff, colleagues, friends and family who
have supported us throughout this new venture for us.
During our 4 & 5 years in Griffith we have had a ball,
made some fantastic friends, met some wonderful people
and worked with only the best! No one could ask for a
better start off than that! But now, it’s time for us to try
new things. New York is amazing and we are having a
ball! Hope you all have an amazing year! Remember, life
isn't about waiting for the storm to pass, it’s about learn-
ing how to dance in the rain! :)
Love,
Ciara & Paddy - xxx
Both John and Paddy will be missed and we here in the
S.U. wish them all the best in their future endeavours.
6
Students’ Union News
Lord Mayor Visits Griffith
7
L-R: Alan Gallagher (Chairman, Dublin YFG), Lord Mayor
of Dublin Councillor Gerry Breen, Graham Butler (SU
President) and Bernard White (Meath YFG).
At the beginning of Fresher's Week the Students' Union
at Griffith College, was pleased to welcome Lord Mayor
of Dublin Councillor Gerry Breen who visited the Young
Fine Gael stand at this year's sign up tent in the mar-
quee on the green.
Brand New SU manager
First of all, I would like to warmly
welcome everyone to the first se-
mester of a new academic year.
The sun is still shining, and there is
much to look forward to in the year
ahead with a new ambitious Stu-
dents Union team with a certain en-
couraging glint in their eye “this is
going to be a year to remember.”
For some, the return to college is the end to summer explor-
ing, to others this is the beginning of an adventure away from
their home shores. Mutually, the challenge that lies ahead is
the same; the task of studying, having a ball, and hoping that
it doesn’t come to the stage that you’re looking under the sofa
for small change that may just get you through another night
out.
As we forge ahead into the new year, the Students Union’s
drive is to create more opportunities for the students to enjoy
non-academic events, from social outings to Sports & Soci-
eties. With the inception of the new Music Society, we are ex-
cited about the idea of having our very own GCD performance
night, bringing together a melee of international musical tal-
ents, including song writers and our very own choir. Perhaps
you’re thinking this could be Griffith’s version of Glee, and per-
haps you could be right.
In our magazine Griffiti we have a new editor on a mission,
to bring our Publication to a whole new level, one that urges
students to participate and to push the boundaries on all that
is current and relevant. Our new President, El Presidente as
he likes to be called will literally shake every hand he gets the
opportunity to. Why, because there’s a real politician behind
Graham’s demeanour, so we expect great wonders from this
devotee of student life.
All in all, we will commence the year with gusto, always with
you the student at the forefront of all that we intend to do. Our
door is always open, and we welcome you to drop by with any
of your concerns or to listen to any ideas you may have.
So for now, remember, you can’t study life, you can only enjoy
it.
All the best for now,
Paul McCormack
Griffith Cricket tournament
Well done to everyone who took part in the Griffith Col-
lege Cricket Tournament, which was kindly sponsored
by Shop-Easi. The tournament was won by Ali’s team
with Johar’s team taking the runners up place. Man of
the match went to Sunny. with Best Batsman going to
Washi, and Jamal taking the title of Best Bowler. The
title of Best Fielder went to Vimal with Nirmal claiming
the title of Best Supporter.
Congratulations to Jacquai, Paul, Ali, Junaid, Bilal,
Imran, Shani, Johar, Vimal, & Nirmal who did a fantastic
job organising the day’s activities. We would also like to
say a special word of thanks to Diarmuid Hegarty who
came down to launch the tournament.
Students’ Union News
Unless you have been walking around campus
with your head buried in a book, which could hap-
pen, you would have been unable to miss the
fantastic posters pasted to every wall in Griffith
which promote this years SU events. Well the
posters were designed for the SU by the very tal-
ented Glenn Bolton, who is from Greystones and
a second year Visual Communications student in
DIT Mountjoy Square, and we here in the Stu-
dents’ Union would like to take this time to thank
him for all his hard work and we are looking for-
ward to seeing what he comes up with next.
8
Fantastic Su Posters
Freshers’ Week 2010 kicked off on Monday
morning with the arrival of a myriad inflatables
that illuminated the green. Also, there was the
return of the sign up tent where everyone could
sign up for various clubs and societies and avail
of an obscene amount of free stuff as well as
being pestered slightly by the unnervingly
pleasant AIB reps.
Also, Lord Mayor of Dublin Cllr. Gerry Breen
visited the Young Fine Gael stand at this year’s
sign up tent.
However the real festivities began with the 6th
annual BYOB Party On The Green followed by
a live band in the marquee. Tallaght’s Bipolar
Empire played us out until we all ventured down
into Arthur’s for the, as expected, outstanding
Freshers’ Monday Night Madness.
The night also saw a guest DJ appearance from
Phantom 105.2’s Laura Lee Conboy.
The inflatables remained for Tuesday and at
lunch time we were joined in Arthur’s by The
Riptide Movement who played a mellowed out
set. Check out their latest release, Hot Tramp
now.
Tuesday also saw the SU building open up for a
Champions League night with all the night’s
matches being shown and free pizza was avail-
able. One can assume that went more than
well. Then on Wednesday there were ‘Urban life
size games’ on the green and the island.
Thursday though was possibly the busiest day
of the week. A Five a side Football tournament
took place on the green and congratulations to
the winning team of Finesse
Meanwhile in Arthur’s, comedian and actor of
Father Ted and Killinaskully fame, Joe Rooney
performed an hilarious 45 minute gig, contain-
ing esoteric nods to rural Irish humour, that
seemingly only Roscommon, Kerry and Carlow
students “got” as well as a multitude of national-
ity slagging. Furthermore there was nothing bet-
ter than jokes regarding the urinary habits of
men while trying to eat your lunch.
That night though the 2010 Freshers’ week
reached its highlight with the Freshers’ ball in
Sin Night Club Temple Bar. A great night was
had by all with a great turnout from all years.
Finally, Friday featured the return of the all-day
paintball trips.
Thanks to everyone that came out for the vari-
ous events at this year’s Freshers’ week and for
making it a success. Hope you all have great
year in Griffith College.
9
Freshers week 2010
10
11
Griffiti: How did you get started in the comedy business?
JR: I was in a band for a few years. We released a few sin-
gles and then broke up but it gave me a taste for performing
on stage so myself and my friend Paul Tylak started doing
sketches together. Our first gig was in a club that Gavin Fri-
day ran on the quays called Screaming Blue Jaysus Club.
I got a great adrenaline rush from doing comedy. Later I
decided to do stand up and that was a difficult switch to
make because I wasn't comfortable being myself onstage.
Now I love it and really feel relaxed onstage but it took me
ages to get to that level. However I would hate to be just a
stand up and am always trying to get a new comedy acting
role. Playing different characters is what drew me to com-
edy at first. I used to shoot a lot of comedy videos at home
with friends playing different characters.
Griffiti: Who were your influences and which current co-
medians are you following?
JR: When I was a kid I loved Groucho and Harpo Marx and
still do. Then the early Steve Martin films and his stand up,
Richard Pryor , The Simpsons, Father Ted, The Office and
Ricky Gervais especially the podcast with Karl Pilkington.
Of late the best stand-up I've seen have been Jason Byrne
and Paul Sinha.
Griffiti: I remember seeing you on the Den, how was that
experience, and what advice would you have for those
looking to get work in the media?
JR: I did that for one summer. It was quite exciting at first
but I found it difficult in the begining working in a big corpo-
ration like RTE where it's hard to do things just off the cuff.
For example, If you want to wear a wig then a person from
make up has to be on stand by. I wasn't used to this and
found it stifled creativity. I was also shocked at the lack of
enthusiasm among the general work force in RTE. It does-
n't feel like a creative environment.
Griffiti: You are probably best known for your perform-
ances in Father Ted and Killinaskully. What was it like to
work on those shows and how has it impacted your career?
JR: I really enjoyed working on Father Ted. The atmos-
phere on set was lovely. I was just looking at some footage
I shot while I was working on the show and it was amazing
how all the actors and crew got on so well. There were no
divas as far as I could see. I didn't realise at the time that I
would be recognised on the street for playing a small char-
acter in one episode and I certainly didn't think I'd be still
getting recognised 15 years later. Killinaskully was a great
experience for me because I got to act alongside alot of
great actors over a 5 year period. I also got to write in the
last two series so over the experience was invaluable. I still
get a lot kids looking for autographs from my character
Timmy, especially down the country.
Griffiti: What's your take on the Irish comedy scene, any
rising stars?
JR: The live scene in Ireland is thriving and there seems
to be tons of people doing stand up. Now that the recession
has kicked in there's bound to be some new stars who
would have otherwise been doctors or estate agents.
Griffiti: What can we look forward to seeing from you next?
JR: I am working on a submission to Storyland with a life
coach character called Batty Ryan. I am going to take the
live show to Edinburgh Fringe Festival next year and doing
some gigs in Switzerland early next year.
After his phenomenal performace at Freshers’ Week Joe Rooney takes some time to talk
about comedy and the future
Joe Rooney gets fresh in Arthur’s
12
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As we strolled down Grafton
Street, caramel frappalatte in hand,
the dark sombre residue of the reces-
sion lingered around what was once
Dublin’s golden mile. The morning
papers were scattered about on the
floor of the corner shop as victims of
the morning rush. With the dreaded
‘R’ word slapped across every paper
it is evident the days of ‘put it on my
Visa’, are long gone.
As hipsters and indie kids take over
the streets, we see less and less of
the ‘D4’ crowd. What happened to
them, where are they now? Well,
Brian and I went to find out and who
better to ask than the Golden Boy of
South Dublin, Ross O’Carroll Kelly?
Actually, it was the actor who plays
him, Rory Nolan, in the new RO’C-K
play: ‘Stuck Between Foxrock And A
Hard Place’. We got a chance to sit
with Rory Nolan and Lisa Lambe who
play Ross and Sorcha in the luxuri-
ous surrounds of Dublin’s Westbury
Hotel.
Griffiti: Were you fans of thebooks before the plays? Rory: Yes, very much so. Well I’m
roughly the same age as Ross and I
left school around the same time as
he was winning the Leinster Schools
Senior Cup. I grew up in South
Dublin and went to a rugby playing
school; it was a very different world
to Ross’. And I went to UCD, ten
years later I’m wondering if I was
playing him sub-consciously. But
yeah, I can see were Paul Howard
[author] was coming from and I find
the books and the newspaper
columns very funny. I really think
Howard is the best satire writer
around. Ross is an amazing charac-
ter like, twelve years of shenanigans
and the longevity is still there, he
must be doing something right. The
arc of Ross’ character is immense;
the time that Ross has lived in re-
flects the times we see. The Celtic
Tiger, the recession and all the stuff
that went on in the naughties, it was
an amazing time in Ireland. It’s bril-
liant material for a character like
Ross to navigate his way through Ire-
land or in his case south east Dublin.
Lisa: I was a huge fan, a really big
fan of the books, I had a real affinity
with Sorcha. I felt sorry for her be-
cause she had this juxtaposition of
being all for amnesty but at the same
time she would always have the
newest furs and clothes, and she
was like that with a lot of things. I did
the voice of Sorcha about four or five
years ago for “Ross O’Carroll Kelly’s
12 days of Christmas” so I was de-
lighted when the play came to fruition
it was so nice to be approached to
play her.
Griffiti: Do you think Ross, Sorchaand Erica represent a part ofDublin life?Rory: It’s heightened of course but
people do relate to them, there’s a bit
of Ross in everyone. Love him or
loath him people still want more and
that’s the genius of it, everyone can
identify with him in some way, shape
or form. People see certain aspects
of him in not just themselves but
other people too. Ross is certainly a
presence. Now he is living in a time
were Reynard’s is closed and Mint
restaurant is gone. His haunts are
gone and everything is crumbling
around him. He is getting older; his
chances of playing for Leinster are
slimmer and slimmer. As I said, like
him or loath him he is just fun. You
can’t help but follow his adventures
and I really think the columns and
books hold up a mirror to life during
the boom. Everyone was living on
credit. The books say this is how we
lived and this is how we are, albeit in
a heightened model. I think it’s very
interesting and I think in a hundred
years people will look back at the
Ross stuff and it will probably still be
going. But they will look back at it
and think, ‘WOW’ what a mad coun-
try that was.
Griffiti: Do you ever feel yourselfturning into your characters?Rory: No, you have your shower
after the show and try to wash it off.
But no, interestingly enough bits of it
do stick around. But it’s only because
Paul Howard is so sharp that some of
the observations and one liners just
stick. It’s a great privilege to play the
role and work so closely to Paul and
such a great list of people.
Lisa: I think there is a lot of me in
Sorcha, I can relate to her, I wasn’t
South Dublin’s FinestBy Oisin Collins
and Brian O’Donoghue
15
really a big fan of rugby before I
played her, but I am now! I love
clothes too and fashion but I think
she’s quite sensitive really and she’s
got a good heart even if it’s not al-
ways in the right place, and she has
that soft spot for Ross which a lot of
girls can relate to, the whole going
back to the guy who doesn’t exactly
treat you right, it’s a very human
thing I think.
Griffiti: Do you have a favouritebook?Rory: I’d have to say it was, ‘I should
have got off at Sydney Parade’, just
the ending. Ross is this awful charac-
ter who has a misconception on how
life should be lived, but there is a real
human cord running through him,
he’s actually a very good father. He
has a great relationship with his son;
he doesn’t have a great relationship
with his parents. There are moments
where Ross O’Carroll Kelly will sur-
prise you.
Lisa: I loved “P.S I scored the brides-
maids”, because it was about Sor-
cha’s wedding and Ross hooking up
with “my” sister I thought that was
fantastic and the last book too when
Sorcha went to L.A. that was really
good, it’s hard to pick a favourite.
Griffiti: Is comedy something thatyou enjoy doing?Rory: Well everything and anything
really. Personally, I’m lucky to have
such a diverse career for want of a
better word. This year I went from
Shakespeare to Oscar Wilde in the
Gaiety. It’s great as an actor, all the
work and it being so diverse. It’s very
fulfilling and as an actor you’re al-
ways learning and seeing the world
from different points of view and dif-
ferent perspectives.
Lisa: Absolutely, I love theatre in
general. I think the live element is
amazing and with this there are so
many committed Ross fans that they
generate great noise and no matter
how used to being on stage you are
that buzz is still there every single
night.
Griffiti: If you could give yourcharacters one word of advicewhat would you tell them?Rory: I’d tell him to cop on. Ah no, as
I was saying, he has some really
good qualities that are overshadowed
by him being a womanising megalo-
maniac. His ego is in outer space
and well let’s face it, he’s not the
sharpest tool in the shed. But if I
could give him a bit of advice, well
someone like that, so set in their
ways, I don’t think I could give him
advice. He could certainly give ad-
vice and take it or leave it I always
think Ross is worth listening to.
Lisa: I think in the last couple of
books she has really grown up, she
has that definite weakness for Ross, I
think I’d tell her to be stronger and
not to be so sensitive. She is becom-
ing more independent and when she
was going out with Killian she had to-
tally moved away from Ross that was
probably a move in the right direc-
tion. She needs to be more street-
wise, like how she couldn’t see Erica
and Ross carrying on is beyond me.
Griffiti: So in real life is Lisa at-tracted to men like Ross?Lisa: Oh god no! I do love rugby
players, I’m a bit of fan of them but I
think Ross and Sorcha met when
they were very young so they had a
special connection and in this latest
version they can get quite snappy
with one another but they also have
some very tender moments, it’s like
they have a magnetic draw to each
other and it’s quite special.
Griffiti: How do you get into char-
acter?
Lisa: Well for Sorcha all you need to
do is go to Dundrum shopping cen-
tre, look around and copy what you
see! But seriously, I suppose the
books are a great primary source of
information I just try to be the girl that
I see in my head when I read the
books. Something I’m always worried
about is whether I’m being the Sor-
cha that everybody pictures, so I
guess I’ll have to hope my image of
her is the right one.
Ross O’Carroll-Kelly – Between
Foxrock and a Hard Place will be
on in the Olympia Theatre from
October 15 – November 14
OH My Gawd!
Griffiti has, like, two tickets for the show. Ifyou want to, like totally, win them suggest atitle for a Ross O’Carroll-Kelly book involvingthe Students’ Union. Email your suggestions& your name to [email protected]
16
18
19
20
21
Griffiti At the Movies
Title: Savage
Cert: 18
Running time: 83 minutes
Release date: Out Now
Savage is Brendan Muldowney’s debut feature film and
for a debut effort, it sets a tall order. Funded by the Irish
Film Board, it is perhaps one of the darkest Irish films
you’ll ever see and definitely one of the best of this year.
Already, it has accumulated a tidal wave of hefty ap-
provals and accolades including eight IFTA nominations
and much appraisal at the Dark Light film festival.
Muldowney himself has described Savage as a film that
examines violence and masculinity, and what makes a
man as well as desiring the tough guy exterior. But Sav-
age explores so many other facets of human behaviour
from the animalistic to the timid and freely comments on
an increasingly depraved society.
We’re taken into the world of tabloid photographer Paul
Graynor in a stunning performance by Darren Healy.
Graynor, a man valiant in his work but shy and reclusive
in every other characteristic, has his life thrown into dis-
array and alarm by a brutal, ferocious and completely
unprovoked attack. He subsequently loses control of
himself and any reasonable perspective of his world
around him, fading away into a morass of fear and re-
gret. From there we follow Paul through four chapters
in his ordeal, an ordeal that totally surprises in a dis-
tressfully macabre fashion.
But primarily, this film looks at the human mind and the
ever escalating violence in society, honing in on urban
surroundings. Savage is a dark piece of work in every
aspect and exposes the most sinister, murkiest corners
and mires of Dublin; in fact, that of any city. It’s been
called a revenge story but that lacks any tact as it only
loosely describes one piece of a much grander puzzle.
Savage is most certainly not for the faint hearted,
whether it’s by way of its explicitly violent scenes or un-
settling mental breakdowns, Brendan Muldowney has
created a deeply harrowing world. It pulls no punches
and is wholly uncompromising.
4/5
Jonathan Keane
Title: The Death and Life of Charlie St. CloudCert: 12ARunning Time: 100 minutesRelease Date: October 8
Zac Efron stars as Charlie St Cloud the town’s local sailing
hero. At the start of the movie Charlie is on top of the world,
popular with his peers, winning boat races and has a boat-
ing scholarship for Stanford University. He has a great rela-
tionship with his brother Samuel (Charlie Tahan) with whom
he has made a pact to help with his baseball pitch everyday
at sunset “come rail, hail or shine.” Nothing it seems can
bring him down, that is until a tragic accident takes his
younger brother away from him and Charlie’s miraculous
recovery leaves him with much more than just physical
scars.
Five years later we see that Charlie has deferred his schol-
arship and is now working as an undertaker at the grave-
yard Sam is buried in. His once proud sailing boat is now
his bed and he seems content with being the mysterious
quiet guy who everyone wonders about. His brush with
death causes him to see more than just the spectre of his
brother but of old friends too. When the arrival of old high
school friend and sailing rival Tess (Amanda Crew) causes
excitement in the town, the two are drawn to each other and
it forces Charlie to have to and figure out what he wants and
what is important to him.
The move is a dramatic difference from previous movies
we’ve seen Efron in. Gone is the care free teenager and
here is a character that is grief stricken and torn between
two choices. The supporting cast has been well chosen,
Charlie’s English gin loving friend from work, Alastair (Au-
gustus Prew) is a great character, funny and a loyal friend.
This is a movie that will have you reaching for your tissues.
The storyline takes you on quite the emotional rollercoaster
with its mixture of grief, romance, panic and it leaves you
with this warm feeling. Yes it’s cheesy, not one you would
go to with the lads. It’s a date movie or a girls’ night out
movie, but if you love sailing it’s well worth watching just for
the race at the start! The location is spectacular and the
soundtrack really ties in well with the movie.
3/5
Katie Harnett Devereux
22
Griffiti At the Movies
Title: Wall Street – Money never sleepsCert: 12ARunning Time: 134minutesRelease Date: October 6
In the original Wall Street, Gordon Gecko (Michael Douglas)
was like the Devil, promoting the idea that 'greed is good' and
manipulating global financial markets by any means neces-
sary until Bud Fox (Charlie Sheen) stands up to him and he
is sent to prison. In this sequel Gecko is back and he needs
to get back in the game. The other side of the story follows
Jake Moore, played by Shia Lebeouf, a young hot shot finan-
cial whizz-kid who just happens to be engaged to Gecko's
daughter, played by Carrey Mulligan. Moore seeks out Gecko
and the two agree to help each other, Moore to reunite Gecko
with his estranged daughter and in exchange Gecko will give
Moore the information he needs to challenge a major bank
who brought ruin to his employers.
The film boasts a fantastic supporting cast with star turns from
Susan Sarandon, Eli Wallach and Frank Langella. Josh brolin
plays the villain in the film, or rather the head villain as his role
functions as Gekko 2.0. For those who aren't familiar with the
original movie this may feel like a waste of time as much of
what this film has is built on the nostalgia from the original, al-
though for many who love the original this may disappoint as
it does not have the same hard edge and it only serves to add
to the argument that Oliver Stone has lost his edge.
Overall I did enjoy the movie. The presentation of New York
as a giant Crystal palace hints at the fragility of the financial
markets as evident by the real world global economic melt-
down. There are plenty of references to the original including
a very cheesy cameo by Charlie sheen (I was half expecting
the cast from Two and a Half Men to be in the background).
Talking Heads fans will be interested in the soundtrack by
David Byrne. In the end what you get is Wall Street lite and I
think Stone missed an opportunity to make a comment on
what American banks did to the markets to land us in the
mess we are in. Money never sleeps but it occasionally dozes
off behind the wheel.
3/5
Oscar Finn
Title: BuriedCert: 15ARunning Time: 94minutesRelease Date: Out Now
I heard good things about this movie and was interested
to see how the film makers would approach this buried
alive thriller. After having seen Kill Bill Volume 2 and the
‘Grave Digger’ episode of C.S.I. (both directed by Quentin
Tarantino incidentally) I was intrigued to see if director Ro-
drigo Cortés could bring anything new to the scenario and
I have to say I was pleasantly surprised. Once the lights
go down in the cinema we find ourselves buried with Ryan
Reynolds.
I’ve been a fan of Reynolds for a while now, unfortunately
I haven’t been a big fan of most of the films he has been
in; with this film I think we are really starting to see his po-
tential as an actor. In the film Reynolds plays Paul Con-
roy, a truck driver and family man, who awakes to find
himself buried alive with his air running out and only the
contents of his pockets to help him survive.
Considering the film contains nothing more than a man in
a box it does rattle on at a fair pace and Cortés does man-
age to create a balance between tension, emotion and
humour and just when you think you know what is going
to happen next it goes in a different direction.
Of course Conroy isn’t the only character in the film, one
of the items he discovers buried with him is a half charged
mobile phone which he uses to try and get help which
leads the story along by building a back story to the
events prior to his burial and also his location and who
may be responsible.
I personally interpreted the film as a parable for American
society evident by Conroy’s frustration at trying to get help
from robotic phone operators and his frustration at his
captors who level responsibility for the U.S. invasion of
Iraq on his shoulders. In summary a well paced thriller
that holds your attention right to the final frame.
4/5
Oscar Finn
23
25
music ReviewsCarthage – The Lost And Found
The Lost And Found is thefirst full length effort fromDublin based singer song-writer Carthage Carroll(though originally from
Sligo). It’s a record two years in the making be-tween writing and recording in various locationsboth sides of the Atlantic.
The fruits of his labour are borne here but it’s alla little patchy. First track Hang ‘Em High is apoor indication of where the record is headed.It’s The Lost And Found’s weakest moment so itcreates an unwarranted sense of disappoint-ment from the get-go. It’s not until the title track,the third that the record really begins to gathersome pace, particular in its mid section to itclose.
Stillborn’s ambling guitar work wouldn’t soundout of place on ‘driving tunes’ compilation andsimilarly, the angular riffs of Lock Up Your Soulare inescapably hook laden. Although, there arestill faults and the major one is with Carthage’svocals. They remain repetitive for the most partand at times can become tedious.
Conversely though, the serene, Angel Lightproves that he can stand up vocally whenneeds be. The Lost And Found, though reachesits climax, very much so, in its closing moments.Closing two tracks Colour Blind and Night Light,alongside the aforementioned Angel Light arethe album’s standout moments.
The Lost And Found is a wavering effort to saythe least, still bearing in mind it’s a debut. Itisn’t a record of staggering peaks, however ithas its moments of lustre but they can bequickly lost. Hopefully things will only improvefor Carthage in the future as there are snippetsof high-quality here that should only be utilizedand developed ten fold.
Jonathan Keane
Rook and The RavensCrawdaddy 2/10/10
Rook and the Ravens arean up and coming 5 pieceband from Manchester.After a successful summercovering the festival circuitthey are gearing up for the
big time. I was invited along to their gig in Craw-daddy recently for the launch of their new single‘ALPHA’ and I have to say they were one of themost impressive bands I have seen this year.
What is great about R&R is that when you firsthear them they sound like a band you havebeen a fan of for years, in saying that the songsare new and unique with an infectious qualitythat once you start listening to them you wontbe able to stop. For a sample of what the bandis about check out their Myspace page(http://www.myspace.com/rookandtheravens)for a selection of songs, tracks like 'Little Rib'and their fantastic cover of 'The Air That IBreathe' show off the bands vocal talents whilesongs like 'Alpha' display their skill for craftingenergetic upbeat songs.
Live the band put on a great show and it's clearthey are hungry for it and enjoy what they do.They come across as a band very comfortableon stage playing great songs interspersed withjovial banter between themselves and the audi-ence. With three singers they do not presentthemselves in the usual manner of front man +band but rather the entire band shares the roleof front man which can seem a little daunting atfirst because there is so much happening it'shard to know where to look.
Check them out if you like bands like, TheFrames, Crosby, Stills, & Nash and Mic Christo-pher, you wont be dissapointed.
Oscar Finn
music Reviewstwo door cinema club
Interview by Ian Donegan
Photo by Tom Morgan
Two Door Cinema Club were in town the other day so
we sent Ian Donegan and Tom Morgan to chat with
bassist Kevin Baird fill us in on what the bands up to .
Griffiti: Two Door Cinema club is a very unusual name fora band, where did that come from?KB: There’s a Cinema close to where we live in Northern
Ireland just outside Bangor called the Tudor cinema and
we’ve been there a few times and we were trying to come
up with band names and Sam came up with Two Door Cin-
ema Club. We asked him where he got that, and basically
he was under the impression that Tudor was pronounced
‘Two door’. He can’t really read. Anyway, this became a bit
of a joke, it was funny at the time.
Griffiti: Electropop indie rock is your genre, are there manyother bands of that genre?KB: I don’t think so. We’re the only one (laughs). In terms
of musicality I guess our closest comparison would be
Phoenix. But I don’t know, we never knew how to describe
ourselves in, like, three words in terms of genre. It’s so dif-
ficult.
Griffiti: You’ve opened for of a number of successfulbands, including Phoenix, have you found that that has im-proved your popularity much?KB: I think doing support slots is not so much about win-
ning fans. I mean, if you go to a gig and you see a support
band you might say ‘oh wow those guys were great, I must
look them up when I go home. And then say, Phoenix
comes on, the band you were there to see and there amaz-
ing, they’ll completely overshadow anything that came on
before. It’s a lot more about experience and getting on the
road and learning from other bands. Obviously there is a
small degree of winning over new fans. But I think our sup-
port status has been more beneficial from a learning point
of view.
Griffiti: Your first album, Tourist History, came out in March.For a first album it’s been quite successful, hasn’t it?KB: Well, I wouldn’t say were anywhere near getting a gold
record or anything like that. We’re just on a small indie
label. We didn’t have the fans to really push it in terms of
promoting or bill boards or anything like that. We didn’t
have a big marketing budget so it was sort of a soft release.
But it’s nice that it’s had a steady climb. And because of
that we’re releasing it as a dulux version next month to give
it a real proper push. We’re in a place where we can afford
to do so now.
Griffiti: In your song Undercover Martyn, who’s martyn?KB: Martyn is a fictional character. The song is kind of
about a guy who knows he has to do something but he’s
kind of scared. It’s a song about us saying ‘come on, grow
a pair’. It’s about ourselves really because we knew this
was going to be scary but we had to jump into it because it
was what we wanted to do and we believed in ourselves.
But there’s still that fear in the back of your head when
you’re putting yourself out there and going for it. That’s
what it’s about.
Griffiti: You seem like a bunch of everymen, you don’tseem like rockstars. Is that how you see yourselves?KB: Well, too often you see guys who, because there in a
band they need to be these dick rockstars, I mean what’s
the point. We do what we want to do. We play a show, we
get drunk, we do other things (laughs). But we don’t try and
make it a feature of our band. We’re about the live shows,
not about how much we drink or how many girls we sleep
with.
Griffiti: You and the guys are constantly with each otheron the road and gigs and whatever, do you ever get oneach others’ tits?KB: All the time! (laughs) It’s never gone to blows, or any-
thing like that. I think I nearly punched Sam once. We were
playing a gig and we were muckin’ around and he threw
something at me and it hit me in the eye and I freaked out
so I chased him trying to punch him but I couldn’t catch him.
I ran out of breathe so I said fuck it. But we’ve all known
each other since we were fourteen years old and we’ve
been best friend since then. We could say the worst things
to each other and there isn’t even a need to apologise, the
next day it’s fine.
Griffiti: Out of all the bands out there who would you mostlike to collaborate with?KB: We’ve always said we’d like to work with Daft Punk.
That would be brilliant, but maybe a little bit unachievable.
But we met them once and they were really nice guys and
we also obviously have that French connection. Yeah
maybe one day, that would be brilliant.
Griffiti: You’ve got an American tour coming up.KB: Yeah, we leave in a week. It’s five weeks of headline
shows. The last American tour we did we were supporting
Phoenix. We’ve just got one show with Phoenix this year.
We love touring America, it’s like the best place to tour. It’s
so different but so familiar at the same time. Because
you’ve seen so many movies and shows set in America.
Some of the best gigs we’ve had have been in America.
The Genuine Article
McCormack Contemplates Juventus Move
Daly pulls outof sports office,sports office notpregnantby Daniel James,
Chief Correspondent
Remember that little chubby guy
running around campus last year
trying to organise sports and so-
cieties? That’s right, Paddy Daly!
The guy who ran unopposed for
the sports officer job and, to
most of our surprise, won.
Where is that guy?
The Genuine Article spoke to a
close friend of Paddy’s who pre-
ferred to remain anonymous.
‘His bird went to America, and ya
know Paddy, needs to ride her at
least twice a day or he breaks
out in hives, so he followed her
over. But once he was there he
didn’t want to leave after seeing
how the Americans live life; two
litre tubs of ice cream, a pint of
butter with your popcorn and all-
you-can-eat buffets, he just re-
fused to leave.’
Paddy informed the SU of his
resignation in late August leav-
ing President McLovin with the
task of finding a new Sports Offi-
cer. He has so far been unsuc-
cessful and begs anyone who
feels up to the job to contact
him. ‘Please! I keep getting first
years in to me asking about soc-
cer, cricket and rugby! Do I look
like I play rugby! I don’t know
when they’re going to be set up!’
the President said.
Daly’s girlfriend, Ciara, being
madly in love with him for rea-
sons unknown decided to stay
with Paddy as he explores the
American dream. Meanwhile,
ex-President Jacquie Ryan has
temporarily taken up the post.
Ryan is not one bit happy about
the situation. ‘I practically did his
fucking job for him last year and
now I’ve to do it all over again
because he discovered Choc-
apocalypse ice-cream! I’m
ragin’!’
Whether this arrangement will
work out in the students’ interest
has yet to be seen, but, of
course the monkeys in research
for The Genuine Article will in-
vestigate further and keep you
posted.
by Coco Trixibelle
Sportsdesk
Just days after Paul ‘lightning feet’ McCormack
made his stunning debut for Griff Utd it looks like
he could be making a surprise move to Juventus.
Unbeknownst to the team there were several tal-
ent spotters in the crowd who were very im-
pressed by the skills and dedication displayed on
the pitch. One of the spotters (who asked to re-
main anonymous) was quoted as saying “not
since Stanley Teabag debuted for the Worthing
Dynamos in 1985 have I seen such raw talent.
We here at the G.A. hope McCormack will stay
with his home team and lead Griff Utd. to a
brighter future.
News In briefOfficial language of Norway: Clicks
and Whistles
Spar drops ‘r’ from name
Hegarty admits Fashion not really a
course. To be replaced by Sandwich-
Making
Daly disputes ‘chubby’ comment
Freshers not putting out as planned,
Butler enraged
Hector Heathwood finally gets joke
about name
26
This just in: Alliteration poor choice
of headline technique
There are some things mankind has never been
able to explain, like why do we exist? How is
Jacquie Ryan still in college? And what in the
name of Saint Rita in a rickshaw is that wet patch
in the underground car park?
We can just about accept the two old cars that
have been lying there gathering dust and rats for
years now but the strange phenomenon that is
this crazy wet patch lying right at the entrance/exit
area of the car park has finally been solved.
The Genuine Article’s worker monkeys have being
studying samples from the dubious liquid for some
years now and a result has been finalised.
SEWAGE
Yes folks, it’s true. The wet patch is a combination
of toilet and shower water which drips down from
the dodgy pipes over head, bringing the poo and
pubes of Griffith Halls’ finest straight to your car
tops. When asked if this was acceptable the head
of maintenance declared loudly as he cruised by
in his Russian army tank “Who in the name a jay-
sus are you? What pipe? That water is there to
disinfect the tyres of the cars that pass through”
he then ran away hiding his head with his hood.
Who does he think he is fooling? Has he seen our
worker monkeys? They’ve got red waist coats.
The Genuine Article believes that a solution to the
wet problem will never be found, may god have
mercy on us all.
Car Park Pee
Predicament
P e n e t r at e d
Arthur’s Staff Ruin Arthur’s Day
There are many of you, I am sure, who will not think this articlewas worth writing or that the topic is important. But it’s bloodywell important to me and something needs to be done aboutit.
Arthur’s Day rolled around again this year on the 23rd of Sep-tember and I, like every other proud Irishman, was very ex-cited. My lectures finished up at 17:50. My colleague and Imade our way to Arthur’s (the on campus bar, not the day) and ordered two pints of Guinness at approximately 17:55.
At 17:58 it all went horribly wrong. The bartender, Vod Kashotzhanded us two pints of Guinness IN AMSTEL GLASSES!Now, I come from a part of Ireland where it would be perfectlyacceptable to smash a glass over the tender’s fucking head ifhe handed you a pint of Guinness in anything other than aGuinness glass!
The only thing that saved Arthur’s from, what my doctors callan episode, was the fact that there was no time to pull anotherpint before 17:59 and it was imperative that my mouth be fullof the black stuff at that time. So I toasted to a great Irishmanand grudgingly drank from a glass made for a substandardlager.
Point in case: Arthur’s management, please send your staff toany country pub to work for a week. They may come maimedin some way but I guarantee that they won’t be long learningwhat a pint of Guinness goes in.
Under the Spotlight
Name:Tony Ward
Occupation: IT guy/Batman
Hobbies: Wizards chess/Trying to resurrect Elvis
Likes: A nice pair of slacks
Dislikes: Tight binding belted-up jeans
Interesting fact: Is Chairman of the Grapefruitworshiping cult, ‘Stingsalittle’.
The contents of this section are satirical and may offend. The views expressed do not represent the views of the SU
27
It’s been Liverpool's worst start
to a season for 18 years, and it
could have been a lot worse on
the domestic front had captain
Steven Gerrard not grabbed a
much-needed headed equaliser
against a Sunderland side
threatening to grab all three
points at Anfield on Saturday
September 25th as the
Merseysiders clocked up an-
other draw in the Premier
League.
If the Black Cats had held on at
2-1, Liverpool would have been
staring at their worst top-flight
opening sequence of results in
56 years. Their misery was fur-
ther compounded by defeat at
the hands of newly promoted
Blackpool 2-1 at Anfeild. On the
flip side, they have played the
top sides already this season ,
having played Manchester City,
Arsenal and Manchester
United; however this cannot
hide the current problems
threatening to engulf the fa-
mous club as they languise in
the relagation zone. Liverpool
finished sixth in 1992/93 sea-
son, the last time they got off to
such an atrocious start and it
seems fans can expect more of
the same this season.
Rescuing a draw at home
against a side that has not
scored a goal on the red half of
Merseyside in over a decade is
not what Liverpool fans are
used too. Either is one win in six
in the opening stages of a new
league campaign. Add to that
the most embarrassing cup exit
since the defeat to non-league
Worcester City in 1959 and Roy
Hodgson’s start has been less
than ideal. A bad result against
top-flight newcomers Blackpool
next Sunday and the pressure
will increase further on the
club’s new manager.
Reds legend Kenny Dalglish
believes the current financial
mess at the club should not af-
fect the players once they cross
the white line, however these
are not the same calibre of
player that Dalglish was used to
playing with, or managing, at
Liverpool. This is a sub-stan-
dard squad which has been
under-invested in, with new
manager Hodgson being forced
to raise cash for new signings
from player sales, due to the
club’s current financial restric-
tions. The club’s supporters are
infuriated by the situation that
thousands stayed behind after
the Sunderland game to protest
against the current American
ownership in an attempt to in-
crease pressure on the duo to
sell.
With the Reds condemned to
the Europa League this season,
where does that leave the fu-
tures of Spanish star Fernando
Torres and club captain Ger-
rard, both eager to play at the
top European level in the
Champions League? Two play-
ers Hodgson promised that
there would soon be substantial
investment to end the American
nightmare and help build a
bright new future for Liverpool.
Chairman Martin Broughton ini-
tially was hopeful of concluding
Darren Cleary takes a look at the mounting troubles
plaguing Liverpool Football Club
Liverpool - The Party’s Over
28
a takeover before the end of Au-
gust, saying: “It still remains the
objective to conclude a deal be-
fore the end of the transfer win-
dow”. However, nearly two
months later there have not
been any fresh developments.
Results in Europe so far this
season have been positive for
the Merseysiders with a tally of
five straight Europa League
wins, Hodgson’s side were how-
ever frustrated by a scoreless
draw at Dutch side Utrecht. Liv-
erpool arrived with the intent on
adding to his tally of five straight
Europa League wins as Liver-
pool manager but just as eager
to see Torres end an uncharac-
teristically lean spell that has
yielded just one goal so far this
season.
He may well have been content
with the outcome of the first ob-
jective but not the second, after
a misfiring Torres spurned three
clear opportunities.
The problem remains with co-
owner Tom Hicks’ over-inflated
asking price, which has so far
been baulked at by potential in-
vestors. Fellow co-owner
George Gillett has already de-
faulted on repaying his half of
the loan, while in the back-
ground Hicks has been looking
for further bank loans to hold on
to his stake in the club and buy-
out his want-away partner
Gillett. This would give him
more time to sell for the price he
wanted. However the club’s be-
leaguered board will block any
attempts by Hicks to refinance
his loan deal with the Royal
Bank of Scotland.
Potential investors are unwilling
to pay Hicks’ premium price, es-
timated to be around £600m. In-
stead, they will wait until
Liverpool are in the hands of
RBS and look to secure the club
for a bargain £280m. No won-
der there has been little news of
a takeover recently. Meanwhile
the club’s managing director
Christian Purslow has had to
publicly deny the club will go
bust or find themselves in a sim-
ilar situation to Leeds United or
Portsmouth, amid speculation
surrounding the threat of admin-
istration.
With the RBS deadline ap-
proaching, for Hicks and Gillett
to either settle their debt or refi-
nance, looming, it looks increas-
ingly likely English football’s
most successful-ever club will
face the indignity of ending up
being owned by the debt collec-
tors. However, this could lead to
administration and a points de-
duction, something RBS are ob-
viously keen to avoid.
RBS will look to sell the club as
soon as they can, however they
are unlikely to be too concerned
over who they sell it to. The
deadline day may be celebrated
by fans as the day Hicks’ and
Gillett’s reign at Anfield finally
comes to an end, but it should
also provide a stark reminder of
just how far the five time Euro-
pean Cup winners have fallen.
29
JonathanKeaneTalksTo Joe Duffy
The lobby of the Sheraton hotel inAthlone is bedlam. RTE’s radio equip-ment is strewn across a makeshiftstage, there’s a sizeable crowd gath-ered before it and Joe Duffy is givingthe usual thanks to everyone thatcame out. Liveline broadcasted theirFunny Friday show this afternoon soguests were aplenty.
The jammed lobby isn’t helped eitherby the fact that the wedding entouragefrom the nearby church are beginningto scurry in too. The crowd’s presenceis more than summed up by thephrase: “It’s a program that’s totallydependent on having a big audienceand lots of listeners.”
We’ve a few minutes, just about, totalk with Joe Duffy before presumablyreturning to RTE’s Dublin HQ. Theconversation is a general one to saythe least, on whether or not Joe everenvisaged Liveline becoming one ofthe most listened to and indeed criti-cised radio shows in the country. “It’shard to see on the inside what impactit has. I know we’re quite strong onnumbers. But sometimes you’re quitesurprised, to go to Athlone and see thereaction and that so many peopleknow the various topics and issuesthat have been raised on Liveline.”
“I’m well surprised but there’s alsotime and chance. There’s a lot of hardwork by the production team and my-self over the years.”
Liveline may be one of the most lis-tened to radio shows in Ireland, but it’snot without its critics. The show thoughproviding a platform for callers to airmany complaints has been the subjectof much criticism. Joe is quick to re-spond, still in an unperturbed manner,“we get good and bad, some colum-nists and newspapers don’t like Live-line. Sometimes people on Livelineare criticising the newspapers and
that’s part of our job as well to givepeople a forum that they wouldn’t usu-ally get.”
The truth is that, all denigration fromsome taken into account, Liveline’s im-pact can’t be denied. Look to the pass-ing of screenwriter Frank Deasy (fromliver cancer) who appealed for peopleto become organ donors on air. In thefollowing days over 5,000 applicationsfor new organ donor cards were regis-tered. The unavoidable and, indeedoccasionally pointless, rants alongwith those structured aside, an inci-dent like that isn’t one to be sniffed atand Joe Duffy himself is quick toagree.
“What he did in terms of raising aware-ness was just phenomenal but unfor-tunately the tragedy is that Frank died,which was terrible. It was terrible forhis children and his wife – We allshould carry a donor card, every sin-gle one of us.”
“We never lose the run of ourselves”,Joe adds with all this talk on impactand influence, it’s still genuinely in-sisted on that Liveline remains verymuch grounded. “We don’t believe ourown publicity, we try to remember whywe’re here and what the purpose ofour program is, which is to be a publicservice to people and that’s what wedo”, he continues.
We do however live in a time when itis easy to “lose the run” of yourself, es-pecially when media is ever evolvingthanks to our old friend the internet.Liveline is the number one down-loaded RTE podcast, so it’s reachingfurther out than 1.45-3pm, which sur-prises him, he admits. “Liveline is ob-viously very much a live program andI just think sometimes it suffers whenyou listen back to it”, he explains. “It’swhen you listen to it live you becomeengaged and things happen and
change over the 75 minutes, whichoften happens.”
“But we’re on Twitter and Facebook.We’re very conscious of trying to getup on all the platforms and we broad-cast wherever we can.” It seems to bean apt conclusion when discussing theshow now in its tenth year with Duffy.
With that, the talk winds down a littlebit, with a slight change in topic. JoeDuffy was, in his student days, an ac-tive one to say the least, being TrinityStudent Union president as well aspresident of USI (Union of Students inIreland) for two years. 2010 of coursesaw the startling increase in peopleseeking college places, so for some-one desiring a media career in thesefrankly uncertain times it’s challengingto say the least.
However, the response is put franklyby Joe, “you want to be a journalist?Be a journalist. There’s nothing stop-ping you – work!”
“If you want to be in radio, work foryour local radio station. Do stuff, offer.If you want to be a print journalist, goto the courts. If you hear about a trafficaccident, go to the traffic accident. Getwriting, there’s nothing stopping youwriting or recording something. Justget out. If you want to do a course,better still. But just be – be curious, beinterested and get up and go. You willnot be a journalist from behind a com-puter.”
Jonathan Keane
30
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