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Gothic reading: V. Sekules, Medieval Art  (2001) M. Camille, Gothic Art: Glorious Visions (1996) G. Henderson, Gothic: Style and Civilization (1967) A. Martindale, Gothic Art  (1967) P. Frankl, The Gothic: Literary Sources and Interpretation during Eight Centuries (1960) C. Wilson, The Gothic Cathedral. The Architecture of the Great Church 1130-1530 (1990) Peter Draper, The Formation of English Gothic: Architecture and Identity  (2006) Robert Branner, Gothic Architecture (1961) Paul Frankl, Gothic Architecture (revised edn, 2000) J.J.G. Alexander, Medieval Illuminators and their Methods of Work  (1992) A.Martindale, The Rise of the Artist in the Middle Ages and Early Renaissance  (1972) J. Alexander and P. Binski, eds., Age of Chivalry: Art in Plant agenet England 1200- 1400 (1987) Paul Williamson, Medieval Sculpture 1140-1300 (1995) J.F. Hamburger and A.-M. Bouché, eds., The Mind’s Eye: Art and Theological  Argument in the Midd le Ages (2000) E. Sears and T.K. Thomas, eds., Reading Medieval Images. The Art Historian and the Object  (Michigan, 2002) P. Binski, Becket’s Crown. Art and Imagination in Gothic England 1170 -1300 (Yale, 2004) H. Belting, Likeness and Presence. A History of the Image b efore the Age of Art  (Chicago, 1994) M. Camille, The Gothic Idol. Ideology and Image-Making in Medieval Art  (Cambridge, 1989) Michael Camille, The Gargoyles of Notre Dame: Medievalism and the Monsters of Modernity  (2009)

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MEDIEVAL READING

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Gothic reading:

V. Sekules, Medieval Art (2001)

M. Camille, Gothic Art: Glorious Visions (1996)

G. Henderson, Gothic: Style and Civilization (1967)

A. Martindale, Gothic Art (1967)

P. Frankl, The Gothic: Literary Sources and Interpretation during Eight Centuries (1960)

C. Wilson, The Gothic Cathedral. The Architecture of the Great Church 1130-1530 (1990)

Peter Draper, The Formation of English Gothic: Architecture and Identity (2006)

Robert Branner, Gothic Architecture (1961)

Paul Frankl, Gothic Architecture (revised edn, 2000)

J.J.G. Alexander, Medieval Illuminators and their Methods of Work (1992)

A.Martindale, The Rise of the Artist in the Middle Ages and Early Renaissance (1972)

J. Alexander and P. Binski, eds., Age of Chivalry: Art in Plantagenet England 1200-1400 (1987)

Paul Williamson, Medieval Sculpture 1140-1300 (1995)

J.F. Hamburger and A.-M. Bouch, eds., The Minds Eye: Art and Theological Argument in the Middle Ages (2000)

E. Sears and T.K. Thomas, eds., Reading Medieval Images. The Art Historian and the Object (Michigan, 2002)

P. Binski, Beckets Crown. Art and Imagination in Gothic England 1170-1300 (Yale, 2004)

H. Belting, Likeness and Presence. A History of the Image before the Age of Art (Chicago, 1994)

M. Camille, The Gothic Idol. Ideology and Image-Making in Medieval Art (Cambridge, 1989)

Michael Camille, The Gargoyles of Notre Dame: Medievalism and the Monsters of Modernity (2009)

H. Kraus, Gold was the Mortar. The Economics of Cathedral Building (London, 1979)

Janet Backhouse, The Illuminated Manuscript (1979)

M.M. Manion and B.J. Muir, The Art of the Book: Its Place in Medieval Worship (1998)