glossary of selected technical terms - …978-94-011-3594...(q.v.)(as applied to a song) freer...

73
GLOSSARY OF SELECTED TECHNICAL TERMS ailkura atiga atigahara agratalasaficara agrapluta aficita aficitabhramarI afijana a<;l<;litli adrutlilanrtya anatiga anibaddha anibandha anibandhanrtta anibandhanrtya anIld anurnlina antarlilaga apasara A pantomiming through gestures major limb, feature; a feature of degIllisya (q.v.) sequence of dance units; a feature of degillisya (q.v.) a foot movement a degI (q.v.) can (q.v.) a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) a whirling movement a hand gesture a tlila (q.v.) a bhiimican (q.v.) a bandha (q.v.) dance same as above a feature of degIllisya (q.v.) loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance with scope for improvisation a mimetic dance with scope for improvisation a feature of degIllisya (q.v.) a feature of degillisya (q.v.) an utplutikarar:ta (q.v.) exit; dance interludes in a play 261

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Page 1: GLOSSARY OF SELECTED TECHNICAL TERMS - …978-94-011-3594...(q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance

GLOSSARY OF SELECTED TECHNICAL TERMS

ailkura atiga atigahara agratalasaficara agrapluta

aficita

aficitabhramarI afijana

a<;l~

a<;l<;litli a<;l~talaJl!1Ya

adrutlilanrtya anatiga anibaddha

anibandha

anibandhanrtta anibandhanrtya anIld

anurnlina

antarlilaga apasara

A

pantomiming through gestures major limb, feature; a feature of degIllisya (q.v.) sequence of dance units; a feature of degillisya (q.v.) a foot movement a degI (q.v.) can (q.v.)

a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) a whirling movement a hand gesture a tlila (q.v.) a bhiimican (q.v.) a bandha (q.v.) dance same as above a feature of degIllisya (q.v.) loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance with scope for improvisation

a mimetic dance with scope for improvisation a feature of degIllisya (q.v.) a feature of degillisya (q.v.)

an utplutikarar:ta (q.v.) exit; dance interludes in a play

261

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262

abbinaya

ardhakuiicita

ardhanikunaka ardhacandra ardhasiici aIarnkaragastra

alapallava

alapadma

avammasandhi avahittha

uvakrinta

alaga

alita

aliti aIMagati

iikjgacarl

iikuiicita

aqiptaka

angilca

icarya

inam iditala ibhoga

iyatasthina

GLOSSARY

acting, mimingj a feature of degiIasya (q.v.)

a degi~\1ava (q.v.)

a karatta or dance unit a single-hand gesture

a karatta or dance unit the manual on poetics

a single-hand gesture

a single-hand gesture

a technical feature of drama a margasthina or a standing posture of traditional

variety a margasthina or a standing posture of traditional variety a leaping movement

a rnatt4a1a (q.v.)j a marga (q.v.) karatta (q.v.)j a de~ikarlqla (q.v.)

a carl (q.v.) a feature of degiIisya (q.v.)

x

a carl (q.v.) performed in the air

a degitit}4ava (q.v.)

a karatta or dance unit

related to body

a teacher who is conversant with both theory and

practice

a Tamil word for drama

a degi (q.v.) tala (q.v.)

part of a musical composition a degi(q.v.) sthina (q.v.)

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MOVEMENT AND MIMESIS

irabhap

iilapa

iilapacan

iilipallava

aIi«Pla

avarta - or asma

ahanga

aharya

uktapratyukta

ugra

ugratara

uc;tupa

a vigorous style of presentation

exposition

the opening dance in the ddi (q.v.) tradition

a karat}a or dance-unit

a margasthina or a standing posture of traditional

variety

a karat}a or dance unit

a feature of liisya (q.v.) (in the Bharata tradition)

a musical element (1)

dress, make-up and stage accessories

u

a feature of lisya (q.v.) (in the Bharata tradition)

a ddi (q.v.) angahira (q.v.)

same as above

a class of de§i (q.v.) dance( of the bandha (q.v.)

variety), same as uriipa (q.v.)

uttamottaka a feature of lisya (q.v.) (in the Bharata tradition)

utplavana leaping movements

utplutikarat}a a de§i (q.v.) karat}a (q.v.)

utsahavau a mirganatya (q.v.) (of the ddi (q.v.) variety)

utsanditii a can (q.v.)

utsmanka a major dramatic type

udgraha part of a musical composition

uddhata forceful

263

uddhatami§ritmasroanrna a delicate dance mixed with forceful

upariipaka

upanga

upadhyaya

movements

minor drama

minor limb

a teacher

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264

urudVfUi

urupa

uriipa

UI'Ot\g~

UI'011l8J}<J.ala

ulmuld ullapyaka

ulIasa ullopyaka

iirdhvajanu

iirdhvatit].clava

ekajanuka

ekatilinrtYa ekapada ekapiriva

et}apluta

aindra

oyaraka

a bhiimiciri (q.v.) same as u~upa (q.v.) same as u~upa (q.v.) a feature of de§iIasya (q.v.)

a karaJ}a or dance unit a de§inrtta (q.v.), same as bhilluld (q.v.)

a minor dramatic type

a feature of de§iIasya (q.v.)

a minor dramatic type

u

a karaJ}.a or dance unit

GWSSARY

a §uddha or pure (non-representational) W}clava (q.v.)

B

a de§Isthana (q.v.) a bandha (q.v.) dance a de§Isthana (q.v.) a de§Isthana (q.v.)

an utplutikaraJ}a (q.v.)

AI

a de§Isthana (q.v.)

o

a feature of de§iIasya (q.v.)

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MOVEMENT AND MIMESIS 265

Odissi

kakubha

kali-echinna

kattari Kathak

Kathakali

kanduka

kamala kartarlrnukha karaiiji

kar~

kar~a (rqtta)

kar~a (hasta)

kar~aneri

karul}a

karl}a

karl}itagolaka

karma (pida)

karma (hasta)

kalua

kalisa

kalisakar~a

kalisalisya

kalpa

kalparqtya

kalpavalli

a classical dance style from Orissa

a riga (q.v.) a kar~a or dance-unit; a de~i (q.v.) dance,

a de~i (q.v.) dance

a classical dance style from North India

a classical dance style from Kerala

a ~i (q.v.) dance; a similar dance item is found in

Mohiniattam of Kerala

an anibandha (q.v.) dance

a single-hand gesture

a de~i (q.v.) dance

a drum a basic dance-unit (coordinated movement of the

hands and feet)

a special movement of the hand

a bandhanrtta (q.v.)

rasa, a tala

a minor drama

a musical mode

a special movement of the leg

a special movement of the hand

a de~iIisya (q.v.)

a concluding movement

a class of kar~a (q.v.)

a ~i lisya (q.v.)

a de~i (q.v.) tala; a ~i (q.v.) dance

a bandha (q.v.) dance

a minor drama

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266

kalla

kavicara

kanu]ika

kavya

ka'tha kahala

kitikIt:tI kittu

Kuchipudi

kuncita

kuQupa

kU~Qalavartaka

kU~QalI

kutapa

kurafijI

kuvaQa

kn~asaragati

kaiSikIVJ1ti kaivrtana

kaivara

kaivaIa

komalika

kollata

kolkatika

kollatika

kolhatika

kaulata

krlQlirasaka

kriya

GLOSSARY

a musical element(?)

a feature of per~I (q.v.) dance, same as kaivara

(q.v.)

a ~I (q.v.) ailgahara (q.v.)

a poetic composition; a degI (q.v.) dance of

prakaranatya (q.v.) variety; a minor drama

a ~I (q.v.) dance of prakaranatya (q.v.) variety

a drum ankle bell

a feature of degIlasya (q.v.)

a classical dance style from Andhra

a degI~Qava (q.v.), a kar~a or dance-unit

an anibandha (q.v.) dance

a degI (q.v.) carl (q.v.)

a degIIasya (q.v.); same as gu~QalI (q.v.)

musical ensemble

a degI (q.v.) dance (of prakaranatya (q.v.) variety)

a degI (q.v.) dance

a gaitsimulating the gait of a deer

a graceful style of presentation

an anibandha (q.v.) dance

a feature of pera~i (q.v.), same as kavicara (q.v.)

a double-hand gesture

a feature of degIlasya

a degI (q.v.) dance

an acrobatic dancer

same as above

same as above

same as koIlata

a variety of rasaka (q.v.)

keeping the time with hands

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MOVEMENT AND MIMESIS

qetra (hasta)

kha"-ga

kha"-gabandha

kh~~siici kharjurika

gati.giivatar~a

gajagati

gajara

gati

gatistha

gandharvaraiijaka

garbhasandhi

garva

garu"-a

garu"-apluta

giina

giindharva

position of the hand

a kaliisa (q.v.)

a degi (q.v.) can (q.v.)

a foot movememt

a pattern of rhythm

GA

a kar~a or dance-unit

a gait simulating the gait of an elephant

a musical element (1)

gait

a feature of de~Ilasya (q.v.)

an entertaining performer

a technical feature of drama

a folk dance from Gujarat

a miirgasthana (q.v.)

a karaQa or dance-unit

a song sung in regional style

(a song) in the classical mode

gita vocal music

267

gitakadyabhinayonmukhanrtta a dance that mimes the meaning of a

gitanrtYa

gitaprabandha

song

a bandha (q.v.) dance

a bandha (q.v.) dance

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268

gItavidyati gIyamanariipaka

gUl}.~a1I

gUl}.<Jila gulma

goppua gOl}.~a1I

go,thI gopucchiki gaul}.<JalI geya geyapada geyariipaka geyalasya graha

grama

ghatasa ghapsa

gha~asa

ghapsanI ghapsi~rI

gharghara

gharghari

a feature of de~IIlisya (q.v.) musical play a de~I (q.v.) dance a variety of anibandha (q.v.) dance

GLOSSARY

a group dance, a variety pi1].<Jlbandha (q.v.); a variety of Dftyabheda (q.v.), a boy dancer of Orissa same as gUl}.<JalI (q.v.) a ddInatya (q.v.); a minor drama a pattern of rhythm same as gUl}.<JalI (q.v.) (a play) to be sung a feature of lasya (q.v.) (in the Bharata tradition) a play to be sung a lasya (q.v.) to be peformed to a song a feature of music, the note on which the music begins a group of tones

GHA

a drum

same as above same as above a de~I (q.v.) dance same as above to stamp on the ground marking the rhythm with anklebel1s same as above

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MOVEMENT AND MIMESIS 269

CaDCU

cakkar

cakram3l}~a

cakrabbramarl

caccatputa

c3l}~a

caturasra

caturura

caturasrapada

candraka

candravarta

camatkaranrtta ...

carcan

calavali

calli

cfu:14ikasthana cM3l}a

can caIaka

cali

caliva~

ca,agati

ci1}tu

CA

a drum

a spinning movement, (a feature of Kathak)

a kar3l}a or dance-unit

a spinning movement

a tala of the older tradition

a feature of d~I lasya

a kind of measure; a double-ha..'1d gesture; a standing

posture

same as above

a quartet

a hand-gesture

a kar3l}a or dance-unit

a bandha (q.v.) dance

a song; a tala or rhythm; a degI (q.v.) dance; a degI

(q.v.) dance

a feature of degIlasya (q.v.)

a dance by a female performer playing a drum called

hu~ukka (q.v.)

a degI (q.v.) sthana (q.v.)

a wandering performer; a musician; an expert in the

music of ankle bells; a ~I (q.v.) dance

the movement of one leg

a movement of the arms a feature of degIIasya (q.v.); the basic dance of the

Manipuri style

a feature of degIlasya (q.v.) - ... a can

a degI (q.v.) dance

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270

cindu

citra

citri

citrakalisa

citrakivya

citribhinaya

cilli

ce,tikfta

cauki

chalika chalita

chiyanita

chiyilaga

chilikya

churita

chau

·akkadi J •

jakkarl janantika

janiti

jayadarpa

GLOSSARY

a bandha (q.v.) dance originating in the land of

Drivi"a varied; a de§i dance

a marganitya or mimetic dance of the regional

variety

concluding movement of a special type

a minor dramatic type

a special mode of presentation

same as calli (q.v.)

movements of the entire body

the basic standing pose of the Odissi style, a square

posture

CHA

a song, a mimetic dance

same as above

a musical mode

music based on pure form, same as siilaga

same as chalika (q.v.)

a variety of llisya (q.v.); a deSi (q.v.) dance

a regional dance from the eastern part of India

JA

a Persian dance categorized as anibandha (q.v.)

dance, a prakliraniitya (q.v.)

same as above

an aside

a carl (q.v.)

a de§i (q.v.) karaJ)a (q.v.)

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MOVEMENT AND MIMESIS

jayanta

jiika<Ji jati jugupsitii

jhaflka

jhampataIa

takka

!heva

<;tala <;tima <;limika <;tillayi

<;tomika

<;tombalika

<;tombika

<;tombi

<;tolapada

a hand-jesture

same as jakka<Ji (q.v.)

a melodic type a miirganatya (q.v.)

JHA

a feature of degiIiisya (q.v.)

a degi tala or regional rhythm

TA

a raga (q.v.)

a feature of degiIiisya (q.v.)

a feature of degiIiisya (q.v.) a major dramatic type

a miirganatya (q.v.) a feature of degiIiisya (q.v.); same as dhillayi (q.v.)

a deginrtta (q.v.)

a minor drama, a dance-drama

same as above

same as above

a karaI)a or dance-unit; same as dolapiida (q.v.)

271

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272

~ii1a

tatkar

tarahara

tala

talapu~paputa

talavillisita

tavaJ}.i

taQQava

tala

taIariipaka

tirapabbramarI

tiryakaraJ}.a

tivap

tiikali

tumbika

trUyaJl!1ya qicani

totaka

trigii~aka

tripataka

tribhailgi

trimii~aka

GLOSSARY

a feature of de~ilasya (q.v.)

TA

movements of ankle bells ( a feature of Kathak)

a feature of de~iIlisya (q.v.), same as tharahara (q.v.)

a feature of de~ilasya (q.v.)

a karaJ}.a or dance unit

a karat}a or dance unit

a feature of de~iIlisya (q.v.); same as navat}i, lavat}i or

namani

nrtta or dance in the Bharata tradition; later taken to

mean a vigorous dance

rhythmic system or cycle

an anibandhanrtta (q.v.)

a revolving movement

an anibandhanrtta (q.v.)

a technical feature of music

a feature of de~iIasya (q.v.)

a de~inrtta (q.v.)

a bandha (q.v.) dance

a feature of de~ilasya (q.v.)

a minor drama; same as trotaka (q.v.)

a feature of llisya (q.v.) (in the Bharata tradition),

same as trimii~aka (q.v.)

a single-hand gesture

a standing posture in the Odissi style, breaking the

line of the body into three

same as trigii~aka (q.v.)

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MOVEMENT AND MIMESIS 273

tharahara

dat}~pak,a

datt~isa

dat}\falisya

dat}~i

dat}~ni

disiittam

durrnalIl

durmilita

durrnalliki degi

degikanari

degikara

deginitya

deginrtta

deginrtya

degiIisya

degyanga

dvigii<P1aka

a hand gesture

a minor drama; a deginitya (q.v.), same as to~

(q.v.)

THA

a feature of degilisya (q.v.); same as tarahara (q.v.)

DA

a guddha or pure (non-representational) variety of

til)~va (q.v.)

a karatta or dance-unit

a ~inrtta (q.v.)

a ~iIisya (q.v.)

same as above

a degitqtya (q.v.)

the dance of the devadisis of ramilni<;lu

a minor dramatic type of degi (q.v.) variety; a

deginrua (q.v.)

a minor dramatic type

same as above

regional

a degi (q.v.) dance

a feature of degilisya (q.v.)

a dramatic presentation of the regional variety

an abstract dance of the regional variety

a mimetic dance of the regional variety

graceful dance of regional variety

a feature of ~i (q.v.) dance

a feature of lisya (in the Bharata tradition)

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274

dvimiicptaka dvipadl

dpyakivya dolapada dohaka

dhammilla Dharu dhasaka dhatu dhillayi

dhiiviicJa dhyana§loka

dhruva dhruvagitarqtya

dhruvapadanrua dhruva

dhruva~

nata natana natasiitra napbhava

na~aneri

GLOSSARY

same as above a metre; a song consisting of two verses; a mimetic

dance a poetic composition to be seen a karat;la or dance-unit; same as ~olapada (q.v.) a de§i(q.v.) dance

DBA

a special way of braiding hair

a bandhanrua (q.v.) from Andhra region a feature of de§iIllsya (q.v.) a musical element a feature of de§iIasya (q.v.); same as ~llayi (q.v.) a §uddha (non-mimetic) dance; a bandhanrtta (q.v.) pictorial verses presenting anthropomorphic images of the musical modes a feature of music; a tiila (q.v.); a song-piece a pure(non-mimetic) nrtta (q.v.) danced to a dhruva (q.v.) song a bandhanrtta (q.v) danced to a dhruvapada song a raga (q.v.)

same as dhiiva~ (q.v.)

an actor dancing

NA

guidelines for actors emotional expression appropriate for women an anibandha (q.v) dance

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MOVEMENT AND MIMESIS 275

natajiinuka

nand!

nandimaIi

narnani

nartaka

nartakabh~li

nartakl nartana

nartanaka

navaQi

nli!a

nli!aka

nlitikli

nli!!

nlitra

nlitranrtYa

nlityadharrnI

nlitrarlisaka

nlind!

nlida

nlimlivaIl

nikuncita

nijlipaQa

nitamba

nibaddha

nigumbhita

nirlijitapadma

neri

nrtta

an anibandhanrtta (q.v.)

a sthiina (q.v.)

a variety of bhli1)aka (q.v.)

a feature of degillisya (q.v.); same as navaQi, lavaQi or

tavaQi

a male dancer

the special language of dancers

a female dancer

dancing

a minor drama

a feature of degillisya (q.v.), same as namani, lava1)i

or tavaQi

a rliga (q.v)

a major dramatic type

a minor drama; a mlirganlitra (q.v.)

same as above

drama (often used as nrtya (q.v.) in the manuals)

an expressive dance

stylized (movement)

a degI (q.v.) dance; a minor drama; a degI nlitya (q.v.)

an opening verse

sound

an anibandha (q.v.) dance

a degitli1)gava (q.v.)

a feature of degillisya (q.v.)

a kara1)a or dance-unit

rigorously constructed (applied to music)

a kara1)a or dance-unit

a clilaka or a special movement of the hand

an anibandhanrtta (q.v.)

a non-representational dance

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276 GLOSSARY

nrttakavya dance-drama

nrttacara a fonn of drama

nrttapradhanaragakavya musical play with dance as its main feature

nrttavara same nrttacara

nrttahasta hand gesture for dance

nrttatrnakaprabandha dance-drama

rqtya a mimetic dance

rqtyakavya dance drama

rqtyabhava

rqtyabheda

nyaya

pataka

padarthabhinaya

paryastaka

parivrtta

pata

patarnat].i

patak~ara

pada

padapiita

piiclvakuiicita

par~vajanu

piiq1)ipIQa

parijataka

pari jatalata

a special expression used by dancers

dance-drama

rules

PA

a single-hand gesture

miming the meaning of words

an angahara (q.v.); a non-representational dance­

sequence

a de~Isthana (q.v.)

syllables uttered with drumming or dancing to keep

the rhythm

striking the ground with the feet

syllables of drumming

footwork

a feature of de~Ilasya (q.v.)

a d~Ita1)Qava (q.v.)

a kara1)a or dance-unit

a de~Isthana (q.v.)

a minor dramatic type

same as above

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MOVEMENT AND MIMESIS 277

pala

piQ<p

piQ<pbandha

pipIlika

puraQ~

pu,pagaQ~a

pu,panjali

piirvarailga

p!l!hottanatala

pekkhaQa

peraQa

peraQi

prakaraQa

prakaraQika

prakaraQI

prakaranatya

praIdn:ta

pracara (hasta)

pracchedaka

pratitala

pratimukha

pratyailga

pratyalIgha

prabandha

pramiiQa

pravrtti

prastiivana

the movement of one leg, generally known as can

(q.v.)

a group dance in a cluster

group dances that form auspicious figures on the

stage

a pattern of rhythm

an anibandha (q.v.) dance

a feature of lasya (q.v.) (in the Bharata tradition)

a flower-offering to the gods with dance and music

the preliminaries to a play

a sthana (q.v.)

a de~I (q.v.) dance

a de~I (q.v.) dance; also a variety of taQgava (q.v.)

same as above

a major dramatic form

a minor dramatic type; a marganatya (q.v.)

same as above

a de~Inrtya (q.v.)

miscellaneous; performance practice

(Nienhuis, 1977, p.38).

a movement of the hand

a feature of lasya (q.v.) (in the Bharata tradition)

a tala (q.v.)

progression

minor limb

a margasthana or a standing posture of the tradtional

variety

a musical composition

harmony; a feature of de~I1asya (q.v.)

the means of application

introduction

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278

prasthiina

prahasana

preqaJ}a

preqaJ}aka

preqyaprabandha

pretUchaJ}a

preraJ}a

preraJ}i

playa

baka

batunrtta

baddha

bandharqtta

bandhanrtYa

bahurlipa

bihyabhramarl'

bindu

Bharatanatyam

bhadrisana

bhit}a

a de§I (q.v.) dance; a minor drama

a major dramatic type

GLOSSARY

a minor drama; same as peklchaJ}a (q.v.), a de~I (q.v.)

dance

same as above

a composition to be seen

a de§I (q.v.) dance, same as peklchaJ}a and prek'aJ}a; a

de§Ilisya (q.v.)

a de~I (q.v.) dance; a minor drama

a de§Ilisya (q.v.)

a kalisa (q.v.)

BA

a kalisa (q.v.)

an anibandhanrtta (q.v.); a dance item of Odissi style

structured, same as nibaddha (q.v.)

a set, structured and abstract dance in the de§I (q.v.)

tradition

a set, structured and mimetic dance in the de§I (q.v.)

tradition; a dance-piece called bandhanrtya (q.v.)

a de§I.(q.v.) dance

a revolving movement

a structural division in a play; a point marking the

sudden development of secondary incidents

BHA

a classical dance style from Tamilnad

a group dance forming an auspicious figure

a major dramatic type

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MOVEMENT AND MIMESIS 279

bha1]aka

bhfu:1ikli

bhfu:1I

bhfu:1~li

bhliva

bhavaneri

bhlivli~raya

bhitra

bhillukI

bhIma

bhujaflgatrasta

bhujaflgatrlisita

bhujaflgabbrama1]a

bhiimicarl

bhedyaka

bbramari

mananrt)'a

m3l)ikulyli

Manipuri

m31)!hanrtya

m31)thaka

m31)Qala

m31)Qalasthana

m31)Qalarasaka

m31)Q1

a minor dramatic type

a minor dramatic type

same as above

a de~I (q.v.) dance

emotion; a feature of de~yaflga (q.v.)

an anibandha (q.v.) dance

dependant on emotional expression, a feature of

peraI]i (q.v.) dance; same as bagaQa (q.v.)

a de~I (q.v.) dance

a de~Inrtta (q.v.); same as ulrnukI (q.v.)

a de~I (q.v.) aflgahara (q.v.)

a kar31)a or dance-unit

a carl (q.v.)

a ~uddha or non-representational tli1]Qava (q.v.)

a carl (q.v.) performed touching the ground

a group dance (a variety of pI1]Q1bandha) (q.v.)

a pirouette; a spinning, revolving or whirling

movement

MA

a bandha (q.v.) dance

a mystery story

a classical dance style from Manipur

a bandha (q.v.) dance

a tala (q.v.)

the combination of carl (q.v.) movements

a margas thana or a standing posture of traditional

variety

a variety of rasa (q.v.) dance

an anibandhannta (q.v.); a variety of de~I (q.v.) dance

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280

mauavali madhupacarl

madhyama mana manodhanna mayiiragati malliki masroati masrollllWroddhata

mahicarl mahodvrtta

m.it}~ matra marga marganitya

mirganrtta marg8J1!1ya

mukula mukha mukhacili mukhaja mukharasa mukharaga

mu~pa

GLOSSARY

a prakiranitya (q.v.); a de~initya (q.v.) a de~i (q.v.) carl (q.v.) described by Kohala who is quoted by Kallinitha in the commentary on the Sangltaratpakara a musical mode a feature of de~iIisya (q.v.) same as mana (q.v.) a gait simulating the gait of a peacock a minor drama a feature of de~iIisya (q.v.)

a vigorous dance mixed with delicate movements a forceful carl (q.v.) movement a karll1}a or dance-unit a de~i (q.v.) dance; same as gut;lc1-ali (q.v.) a musical measure classical or traditional a traditional dramatic presentation; a regional variety of dance found in the Sangltaniriy~a and the Sangltasirasamgraha an abstract classical dance a mimetic dance of the classical variety that generates rasa (q.v.) a hand gesture exposition the opening dance pertaining to facial expression and movement a feature of de~iIisya (q.v.) colouring of the face according to the character and the mood an anibandhanrtta (q.v.); a variety of de~i (q.v.) dance

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MOVEMENT AND MIMESIS 281

mu~upacan

mudra

murat].Qari

murii

mu~ti

miirchana

mrga

mrgigati

mfdailgi

meIapaka

motita

yak~aglina

yati

yatinrtYa

yantra

yoni

yauvata

ranamurii

rathacakra

rasa

rasa~ti

rasavrtti

same as madhupacan (q.v.) but quoted by Kumbha as

mu~upacan (q.v.)

natural grace; hand gesture for religious ritual

an anibandhannta (q.v.), a variety of de~i (q.v.) dance

an anibandhannta (q.v.), a variety of de~i (q.v.) dance

a hand gesture

the ascent and descent of svara (q.v.)

a kalasa (q.v.)

a gait like a deer

a pattern of rhythm

part of a musical composition

a margas thana or standing posture of classical

variety

YA

a folk-dance from Andhra

a pattern of rhythm; a tala (q.v.); an anibandha (q.v.)

dance

an mimetic dance of the de~I (q.v.) variety

an auspicious diagram (7); mechanical device

an auspicious diagram from by a group of dancers

a variety of de~i1asya (q.v.) dance

RA

an anibandha dance _ T

a can aesthetic affect

a glance generating rasa (q.v.)

a feature of de~i1asya (q.v.)

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282

rahasyamudra

raga

ragaUvya

ragllCiarlaniya

rajavilasini

rajaharnsagati

rarnakri~ rasa

rasaka

rasaklitika

rasika

rupaka

rekha

rekhlibandha

recaka

reva

laghu

langhita

l~

lata

latabhr8Jtl.aI)a

latavr§cika

laya

lalatatilaka

lali

la1ita

a mystical hand gesture

musical mode; melodic pattern

musical play

musical play to be seen

women of royal court

a gait simulating the gait of a swan

a minor drama

GLOSSARY

a ded (q.v.) dance; a minor (dance) drama; an

anibandharqtta (q.v.)

same as above

a play about Ktll].a and Radha in a regional language

a deSinrtta (q.v.)

major drama; a bandha (q.v.) dance

the imaginary lines described by the body in motion ;

a feature of deSilasya (q.v.)

a deSi(q.v.) can (q.v.)

a movement that involve streching

a feature of deSilasya (q.v.)

LA

a dance using minor kar3l].as (q.v.); a natya (q.v.)

a feature of deSilasya (q.v.)

a feature of deSilasya (q.v.)

a group dance (a variety of pil].cPbandha) (q.v.)

a pure (non-representational) tal].Qava (q.v.)

a kar3l].a or dance-unit

tempo; a feature of deSilasya (q.v.)

a kar3l].a or dance-unit

a feature of deSilasya (q.v.)

delicate; a deSi (q.v.) angahara (q.v.)

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MOVEMENT AND MIMESIS 283

lalitoddhata lavat:li

laharlcalaia laga laganrtYa laghava

lavat:li lasika lasya

lasyanga lina lIIabhramat:la lokadharmi luthitollalita

vakrabandha vak,as vatl}am

vartana vardhamana vastu vakyarthabhinaya vaggeyakara

vaga~

vacika

vimabhrllIllat:la

a mixture of graceful and vigorous movements a feature of degIIasya (q.v.); same as navllI}i, namani

or tavat:ti a caIaka (q.v.) leaping movements a bandhanrtYa (q.v.) dancing with delicate movements an anibandharqtta (q.v.), a variety of degi (q.v.) dance a minor drama; a deginatya (q.v.); a degin!tta (q.v.) originally a dramatic art, later treated as a delicate dance style a feature of lasya (q.v.) a karat:la or dance-unit a pure (non-representational) taJ:1~ava (q.v.) the realistic convention of performance a degi (q.v.) can (q.v.)

VA

a bhiimican (q.v.) movement of the chest an item in Bharatanatyam which is a combination of mimetic and non-mimetic movements movement of the arms

a degi (q.v.) sthana (q.v.) subject matter miming the meaning of an entire sentence a composer musician a feature of perat:ti (q.v.) dance; same as bhavagraya verbal

a pure (non-representational) taJ:1~ava (q.v.)

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284

vara

vika~

vikala

vi1qta

vikrama

vicitra

vicitri

vicitribhinaya

vicyavi

vi<J.u1igava

vitala

vidagdhi

vidyut

vidyudbhratnaQa

vidyudbhrinta

vidyuIlui

Vinivrtta viyogini

vilambitam

vilasamanda

vilisiki vivartana

vivrtta

vi,ama

vi,amataJ:i<J.ava vipmalaga

vihasi

a minor dramatic type

comic dance

a tldi (q.v.) angahara (q.v.)

a de§i (q.v.) angahara (q.v.)

a degi (q.v.)angahara (q.v.)

a tldi (q.v.) angahara (q.v.)

a marganitya (q.v.)

various ways of acting

a carl (q.v.)

a variety of bandhanrtta (q.v.)

a feature of deglIisya (q.v.)

a tldinrtta (q.v.)

a kalisa (q.v.)

GLOSSARY

a pure (non-representational) taJ:i<J.ava (q.v.)

a karll\la or dance-unit a degI (q.v.) Cml (q.v.)

a k8rll\l8 (q.v.); a degi (q.v.) sthina (q.v.)

a marganitya (q.v.)

a feature of deglIisya (q.v.)

a karat]a or dance-unit

a minor drama

a feature of tldlIisya (q.v.); a bandhanrtYa (q.v.)

a karll\la or dance-unit

an acrobatic dance

a difficult taJ:ieJava (q.v.) dance

difficult dance movements involving jumps

a feature of degilisya (q.v.)

a stringed instrument

style

vocal ensemble

a de§mitya (q.v.)

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MOVEMENT AND MIMESIS 285

~cika

~cikakuttita

vaitalika

vaipota

v~ikha

v~ikharecita

vai~~ava

vyaiijana

vyabhicanbhava

vakyarthabhinaya

vyayima

vyayoga

gabdaprabandha

gamya

gikha

gataka

gintija

a karat}a or dance-unit

a karat}a or dance-unit

a bard; a general entertainer, a critic who is

knowledgeable in music

a degiIqtya (q.v.) of the bandha (q.v.) variety

a margasthina or standing posture of traditional

variety

a karat}a or dance-unit

a mirgasthina or standing posture of traditional

variety

rhetorical expression

transitory mood

miming the meaning of a sentence

excercise

a major dramatic type

SA

a degi (q.v.) dance

a bandharqtta of the degi tradition accompanied by

the utterance of musical syllables

same as above

a mimetic degi (q.v.) dance to the utterance of

syllables or notes; a bandharqtya (q.v.)

a mimetic bandha (q.v.) dance of degi (q.v.) variety

a time beat; a mimetic group dance where dancers

dance with sticks in hands; a dramatic presentation

body movement expressing meaning

a minor dramatic type; same as sanaka (q.v.)

a degi (q.v.) angahira (q.v.)

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286

gavara gikhara

gmgaka

gUpaka gilpini

givapriya

gukagati

guddhapaddhati gplkhaIa

~alika

grnga grnganatya

~gabhinaya

grngara gravyakivya gri

grigadita

,idgaka

sanId'n:ta sanId'n:taneri sanglta

sangltaka

GLOSSARY

the use of body movements; one of the three components of iJ}gikabhinaya (q.v.)

a prakiiranatya (q.v.), a variety of degI (q.v.) dance

a hand gesture

a minor dramatic type, same as ,idgaka a minor drama; a deglnitya (q.v.)

a ddlnrtta (q.v.) a degI (q.v.) dance

a gait simulating the gait of a parrot presentation of a pure (traditional) technique

a group dance, a variety of piJ}~bandha (q.v.)

same as above

in the context of dance refers to erotic movement an erotic dramatic presentation of a regional variety

a mimetic movement containing erotic elements

erotic poetic compositon to be heard a musical mode a minor drama, a deginitya (q.v.)

a minor drama, same as gmgaka

SA

mixed an anibandha (q. v.) dance

vocal and instrumental music and dance

a mimetic dance

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MOVEMENT AND MIMESIS 287

sattaka

sattva

sandaIMa

sandhi

samagaika

samapada

samapada

sama

samprek'lqlacarl

sarhlapaka

sallapaka

sattvika

sadhana

samanyabhinaya

swa

saIaga

saIat'iganeri

siIbhagati

sukalasa

sukumara

sukumaraprayoga

surekhatva

susandhi

siika

sii<.fanrtya _ T

suCt siilu saindhava

sau"hava

an upariipaka or minor drama; a de~i (q.v.) natya (q.

v.); same as Utaka (q.v.)

expression (in the context of dance)

a hand gesture

the juncture of a play (structural element of a play)

a double hand gesture

a foot movement; a margasthana or standing posture

of traditional variety

a de~i (q.v.) bhiimicarl (q.v.)

a pattern of rhythm

a de~i (q.v.) carl (q.v.)

an upariipaka or minor drama; a deg1natya (q.v.)

same as above

expressive

methods of practice

natural expression

a carl (q.v.)

music based on pure form, same as chayaIaga

an anibandha (q.v.) dance

a gait simulating the gait of a lion

a feature of de~iIasya (q.v.)

delicate

the graceful application of dance movements

a feature of de~iIasya (q.v.)

a feature of de~iIasya (q.v.)

a feature of de~iIasya (q.v.)

a bandha (q.v.) dance

a foot movement

movement simulating a flame

a feature of lasya (q.v.) (in the Bharata tradition)

grace; skill; an erect stance; a de~iIasya (q.v.)

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288

skandhaka sthaya sthana sthanaka sthapana sthayibhava sthitapa!hya sthitavarta sthirahasta

snigdha<i!lti sphurita sruva srotogata svara

svarllIlUlQ!hanrtYa svarabhinaya svastika

halliga hallisaka hasta hastaneri

hastini harllsa hava hasika

hela hUQukka

a metre; a mimetic presentation atMa posture same as above; posture meant for men a feature of degilasya (q.v.) permanent mood

GLOSSARY

a feature of lasya (q.v.) (in the Bharata tradition) a carl (q.v.)

an angahara (q.v.) a soft glance a pattern of rhythm; a de§iIasya (q.v.) a feature of degilasya (q.v.) a pattern of rhythm a musical note a bandha dance in which musical notes are mimed a mimetic bandhanrtta (q.v.) of the degi (q.v.) variety a double-hand gesture, a sthana (q.v.)

HA

a degi (q.v.) natya (q.v.); a degi dance; a minor drama

same as above hand-gesture a de§I (q.v.) dance

a ddi (q.v.) J1!1ta (q.v.) a kalasa or concluding movement feminine movements a margana!ya (q.v.) (described as part of the de§I (q.v.) repertoire)

feminine movements a drum

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BmUOORAPHY

Manuscripts

Damociara. SarlgJtadarp8{Ja, Bodleian Library, Oxford, MS. No. Mill,

47d.

Pu1}~a Vinhala Nartananir.{Jaya, India Office Library, London, MS.

No. 5197.***

Pu1}~a Vinhala. Nartananir.{Jaya, Asiatic Society Library, Calcutta,

MS. No. m.D. 5.

Pu1}~a Viuhala. Nartananir.{Jaya, Jaipur Khas Mahal Library, Jaipur,

MS. No. 6885.

Texts

Agnipuri{la, eel. Hari Narayan Apte, Anandashrarna Sanskrit Series, No.

41 (poona, 19(0).

Ajiiatakartrkal]., N,rttasamgraha, ed. Priyabala Shah, Rajasthan Oriental

Research Institute, No. 17 (Jaipur, 1956)

AmarasiIhha Cosha, or, Dictionary of the Sanskrit Language, with an

interpretation and annotations, ed. H. T. Colebrooke, 2nd ed. (1825).

Agokamalla N,rtyadhyaya, A Work on Indian Dancing by A§okamalla, ed.

Priyabala Shah, Gaekwad Oriental Series, 141 (Baroda, 1963).

Basavaraja Sivatattvaratnakara, ed. S. Narayanasvami Shastri, Vol. I,

Oriental Research Institute (Mysore, 1964).

Bodhayana. Bhagavadajjuk1yam, A Prahasana, ed. P. Anujan Achan,

Jayantamangalam (Trlchur, 1925).

Bharatamuni. Nitya§astra of Bharatamuni with the Commentary Abhinavabharatl by Abhinavaguptacirya, ed. Manavalli Ramakrishna

Kavi, Oaekwad Oriental Series, I-IV (Baroda, 1934-1964).*

289

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290 BffiLiOGRAPHY

Bharatamuni. Natya§astra,. ed. Madhusudan Shastri, Vols. I, II (Varanasi,

1971, 1975).

Bharatamuni. Natya§listra, ed. Batuk Nath Sharma and Baldev

Upadhyaya, Kashi Sanskrit Series, 60 (Varanasi, 1929).

Bharatamuni. TheNatya§listra of Bharatamuni, ed. Pandit Shivdatta and

Kashinath Pandurang Parab, Kavyamala, 42 (Bombay, 1894).

Bharatamuni. The Na!ya§listra of Bharatamuni, with an introduction and

various readings with translations, ed. Manomohan Ghosh, Vols. I-II

(Calcutta, 1950).

Bhavabhuti. Mlilatlmlidhavam" ed. Ramakrishna Gopala Bhandarkar,

Bombay Sanskrit Series, XV (Bombay, 1876).

Bhamaha. Klivylilarlklira, ed. Batuk Nath Sharma and Baldev Upadhyaya,

Kashi Sanskrit Series, No. 61 (Benaras, 1928).

Bhoja. Maharana Bhoja's Shringara Prakasa, ed. G. R. Joysa, Vols. I-IV

(Mysore, 1955, 1963, 1969, 1975).

Bhoja. Sarasvatlka1JfhlibharJJ{1am, ed. Anandaram Barooah (Gauhati,

repro 1979).

Catura Damodara. Sarlglta DarpJJ{1am, ed. K. Vasudeva Sastri,

Saraswathi Mahal Series, No. 34 (Tanjore 1952)

Caturbhli{lI, ed. Moticandra and Vasudevasaran Agarwal, Hindi Grantha

Ratnakar (Bombay, 1959)

Dal].4in. Klivylidma., ed. Ramacandra Misra, Chowkhamba Vidyabhavan

(Varanasi, 1972).

Dal].4in. The Klivyadar§a of D;u;uJin, with the commentary of

Tarul].avacaspati and also with an anonymous commentary known as

Hrdayarilgama, ed. RaJigacarya (Madras, 1910).

Dattila. Datdlam, Datdlamuni pra1Jltam, ed. K. Siimbagiva Sastr1,

Trivandrum Sanskrit Series, No. 102 (Trivandrum, 1930).

Diimodaragupta Ku!!anlmatam. ed. Pandit Durgaprasad and Kashinath

Pandurang Parab, Kavyamala, Part. iii (Bombay, 1887).

Dhanaiijaya Da§ariipaka, ed. F. E. Hall (Calcutta, 1865).

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MOVEMENT AND MIMESIS 291

Dhanaiijaya. DaJariipaka, ed. G .C. O. Haas (New York, 1912).

Dhanaiijaya. The DaJariipaka, with the commentary Avaloka by Dhanika

and the sub-commentary Laghupn by Bhattanrsirilha, ed. T.

Venkatacharya, Adyar Library Series, No. 97 (Madras, 1969).

Gajapati N"arayat}adeva. Gajapad Niriyapadevaviracital) Sang1taniriyapa (Bhuvanegvar, 1966).

Ghanagyimadisa. Sarlgltasira Samgraha of Ghana§yamadasa, ed. Svami

Prajnanananda (Calcutta, 1956).

HarivaIiJ§a with Bhirata Bhivadv1pa by Nnakaptha, ed. Ramachandra

Sastri Kinjawadekar, Citrasala Press edition (poona, 1933).

Hernacandra. Kivyinu§isana with alarilkiracii<limat}i and viveka by

Acirya Hemacandra, ed. R. C. Parikh, Shri Mahavir Jaina Vidyalaya,

i-ii (Bombay, 1938).

Hernacandra. The Kivyinu§isana of Hemacanclra, ed. PaI}Qit Shivadatta

and Kashinath Pandurang Parab, Kavyamala, 71 (Bombay, 1901).

Jayantabhana. Agama{lambara, ed. V. Raghavan and Anantalal Thakur,

Mithila Vidyapi~ (Darbhanga, 1964).

Jaya Senapati. N"rtyaratnivalI, ed. V. Raghavan, Government Oriental

Manuscripts Library (Madras, 1965).

KiIidisa. AbhijiiinaJakuntali of Kilidisa, with a commentary styled

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MOVEMENT AND MIMESIS 293

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MOVEMENT AND MIMESIS 295

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INDEX

A

Agnipuri{1a 174, 177, 179-180,

182-184, 186-187, 189-190 ailkura 127

anga 14,39,43,45,55-58,61-62,72,75-76,78,84,89,92,

96, 101, 104, 133, 137, 145, 198,222,227,234,236,246

angahara 12, 14, 28, 32,42, 55, 57,67,70,72,77-78,80,83,

87,96,98-99,101, 104, 108, 110-112, 117, 119-124, 127,

136-137, 139, 142, 145, 147-148, 152,219-221,223,236, 241-243

angaharanartana 98 agratalasaiicara 213 agraplutacan 242 aiicita 20, 224 aiijana 79

agQitacan 243 aggatalan{tya, adrutalan{tya

248,251

anatiga 227, 236

ananta 98 anibaddha 198-199,210

anibandha 83, 85-86, 188, 194,

197-198,200-201, 210-211, 215,248,250-251,258

anibandhanrtta 200-201,203, 208-210

anibandhanrtya 84, 205, 250-251

anild 236 anumana 227, 236

antaralaga 224

apasara 184

abhimana 41 abhinaya 13, 16,61,69, 78, 84,

87,92,98,116-117,119,122, 125, 127-129, 145, 154, 165-166,171,205,219-220,231, 236,256

Abhijiiana§akuntalii 15, 157 Abhinayacandrikii 105

Abhinaya DaIpa{la 25-34, 58, 94, 105-107, 139, 152

Abhinavagupta 6,8-9, 18-25,

28-29,37,40-41,43-44,47,

52,61, 107, 113-114, 117,

122-124, 133, 138-140, 142,

145-146, 151-154, 159-160,

305

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306

163, 166, 172-174, 176-177,

180-182, 184-191,216,225,

233,254

AbhinavabhiratI 15, 18-20, 23,

25,34,40,43,44,107,116-

117,122, 153, 174, 176, 185-

186,191,220,225,233

abhineya 174

abbineyartha 159-160, 173

Abhil~itirthacintima{1i 45 Amarakola 139, 159, 169 AmarasiIhha 28

Amaravatl 8

Amftinanada 189

Ambrose, Kay 5 Artha§itra 6-7, 155 ardhakuiicita 244

ardhanikutPka 20 ardhacandra 204-205 ardhasiici 67 ru~a 10,50,64,170,172-

173,176,185,192

AJariJkirasadJgraha 7, 189

ruarilkaruistta 140

ruparIti 245

ruapallava 214

ruapadma 27

avammasandhi 181

avatara 27,123

Avaloka 42,44,94,174

avahitthasthina 242

Asiatic Society Ms. 213 Mokamrula 60,75-76, 107,

149,246

uvalcrintasthina 242

~!idhyiyl7

ruaga 72, 245

ruita 67 aril§agati 237

ah~a 41

ruwacan 242

Akbar 84, 202

ikuiicita 244 ik,iptaka 99 Agamafjambara 20 angika 16,61,125-126,128,

130, 145, 171,225 angikibbinaya 14,23,30,43,

72, 79, 83, 87, 96, 126-128,

227

icirya 59,81

ina. inam 130,169

itodya 133

Ananandasaiijlvana 80,247

iditaIa 99,251

ibhoga 250

iyatasthina 242

arabhapvrW 87, 181, 191

iryigiti 161

INDEX

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MOVEMENT AND MIMESIS

aIapti 199 aIapa 55,91,199,211,226

aIlipacan 32 lilipallava 67

lilI<jhasthana 215,243

li3unta 99 lislna 131-134 lihatiga 208 liharya 16,61,84,125,128

liharylibhinaya 15, 23, 79-80, 83

I

India Office Library 82, 191,

197

indriylibhinaya 76

u

uktapratyukta 133-135 ugra atigahlira 243 ugratara atigahlira 241

u~upa, urupa, uriipa 34, 85, 86, 93,99,215,249-251

Utk8Qfhitamiidhava 181

uttarnottaka 133-135

Utpaladeva 20 utplavana 28, 241

utplutikarat:la 55,57-58,62,67-

68,87,97,224

utslihavati 94

utsandita carl 243

utslltiDka 150 udgrliha 202,208-209,250 Udbhapt 20, 24

Udayagiri 8

Udiittakuiijara 180 udlittanliyaka 180 uddhata 22,122-124,137,144,

186

uddhatarnimtrnasroanrtta 22 Udyotana 162

upanayaka 180

Upanifad 6

upariipaka 42, 44, 64-65, 73, 113,115,117,123,141-142,

154-156, 163, 170, 172, 175-

176, 192-193

upanga 14,43,45,55,57,61,72, 76, 79, 84, 89,92, 96, 101, 104,145,222

upadhyaya 81 Upadhyaya, K. S. 158

Ubhayiibhisiirikii 19, 164 urudvrttli cap 243

uru~li,pt 67 urongaQa 147-148,235

uromat}~a 99 ulrnukl 94

ulllipaka, ullapyaka, ullopya,

ullopyaka 94,177-179,192

ullasa 227, 235

307

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308

o

iirdhvajanu 214

iirdhvataqcJava 244

B

ekajanukasthana 243

ekatiUinpya 248,251

ekapadasthana 243

ekapadvasthana 243

e{lapluta 224

AI

aindrasthana 242

o

oyiraka 147-148,238

Odissi 2, 102, 105-106, 195-

196,210,212-215,217

KA

kakubha 180

kapechinna 99

kaprecita 67

kattari 93

INDEX

Katbak 2, 59, 62, 105, 160, 195-

196,201-203,205-209,229

Kathakali 63,77,105-106,232

Kathisaritsigara 161 kanduka 63,234,237

kamala 85, 251

kamala 24

KanakivatImidhava 190 Karnaa, Rani 212

karaiiji, kur~jI 95, 103, 252,

254

kara\1a 101

kar~a (rqtta) 13-14, 17, 19-20,

32,46,55,57-58,61,63-64,

67-68,70,72,76-78,80,83,

85,97-99,102,104,108,110-

11, 119-120, 126-127, 133,

135,137-138,145,154,212,

214-215,217,223-225,230,

233-234,236,241-246,249-

250, 252-253

kar~a (hasta) 80

kar~aneri 214-215

karJ}a 177, 180

KarJ}ata 232, 246

karJ}atagolaka 101

kartarIrnukha 77

karma (basta) 80

Karmakar, R. D. 162

karmadhiraya samisa 110, 132

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MOVEMENT AND MIMESIS

KarpiiramaiijarI 7, 19,53, 140,

162, 188, 190-191

karu1]atala 158,

karu1]arasa 180, 242

kalaga 244

Kalanidhi 25, 60, 79-80

kalasa 77,81,97,232,246-248,

258

kalasakarlU}a 97

kalasalasya 244

kalpamla 252

kalpanrtYa 93, 251-252

kalpavalli 178, 180, 192

Kalyanpurkar, M. S. 208, 229

kalla 208

Kallinatha 8,24,60,76-77,79,

89

Kalhana 24

Kavi, M. R 18,68, 114, 133

kavicara 233

Ka~ayaverna 161

Katz, Jonathan 29, 56, 71, 93,

102, 164-165, 198

Kane, P. V. 7,13,

Kamadatta 186 Kiimasiitra 6,7,173,177,184

klirul)ika 241-242

Kalasena 78,

Kalidasa 19,53, 140, 155, 157,

161-162, 164

Kale, M.R. 157

kavya 6,10,19,50,64,94,117,

168, 173-174, 177-180-181,

192

Kavyakautuka 24 Kavyarna1a edition 25, 131,

158, 172

Kavyadma 19, 140, 158-159,

161,177

Kavyanusasana of Hemacandra 24-25,44, 174, 177-178, 182,

186-187, 190-191

Kavyanusasana of Viigbha{a 174, 177-178, 182, 186-187,

190-191

KavyaJamkara 157, 159-160,

177

Kagi edition 131, 172

ka~!ha 95, 103, 252-254

kahala 101

kiliki1]i 31, 207

kittu 227, 235

kinnara 159

KIrtidhara 20,61

kirata 239

Kerala 232, 234, 238

Keliraivataka 191-192 Kuchipudi 215, 248

kuiicita 99,244

Kuyanlmatam 7,19, 140, 155-

156,163

ku<;{upa 86,209,251

309

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310

kUl}~aliivartakacarl 243

kUl}~i 244 Kutniirila 173-174, 177, 187

Kuruvaiici 189

KuvalayamaJa 162

kuvii~ 34,204

Kusumapura 164

KJiiiSva 7 ~l}a 87, 156, 161-162, 181,

226

Krishnamachariar, M. 7, 18,

25,43,54,60,82,83,90,91,

98, 173

lc:!ll}asaragati 244

kai~i1dvrtti 40,49, 142, 150, 179, 181-182, 184, 186, 190-

192 kaivrtana 85, 251

kaivara 225, 233 kaivlila 35-36

kokila 213 Kothari, S. 105

komalikii 238

kolliita 63,237,240

kolkiitika, kolliitika, kolhiitika 45,59,70,81,240

Kohala 8, 10, 19-20, 33, 54, 60,

94,99,103-104,142,144,

151,159,165,172-173,180,

253,258

Kauplya 155

kauliita 234

kriyii 208-209

KrIljirasatala 189

krl~iiriisaka 188

kraunca 213

kfetra (hasta) 80

Kfemen(Jra 142

KHA

kh~gakaliisa 248

kha~gabandhiicarl 243 kh3J].~amatra 181

kh3J].~siici 206 kharjurika 204

Khokar, M. 106, 212 GA

Garlgatarangika 184

gangiivaurr3J].a 97,224

gaja 213

gajagati 244

Gajapati N"araya1]adeva 93,

gajara 208

gaI]achandas 161

. Ganapati Shastri, T. 54

INDEX

gati 27,32,62,81,92,98,197,

244,247

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MOVEMENT AND MIMESIS

gatistha 237

gandharva 134

gandharvaranjaka 68 garbhasandhi 181

garu<J.apluta 137

gana 134, 137

gandharva 159

GiindharvanirQaya 180

gayana 133

garu<J.asthana 243

gIta 53, 72, 78, 84, 89, 93, 118-

119,133,165,208,225,248

gItaklidyabhinayonmukhanrna 21

gItanrtya 93,250-251

gItaprabandha 85,249

GitaratnavaJI 11, 62

gItavlidyatli 236

gIyamanariipaka 160, 176, 190

gunja 252

gUl]<j.alI, gOl]<J.all, gaul]<j.alI 55-

56,59,63,70,73,82,87,92-

93,225-226,229,231-234,

244-246, 248,251

gUl]<J.lila 85

gUl]a 64

GUl]acandra 24, 43-44, 107,

151, 158, 177-178, 183-184,

187,222,254

GUl)amaJa 182

Gurjara 101

gulma 114-115,143

Grhyasiitra 6 Gairola, V. 31

go 138,

goppua 212

gopanarl 252

gopI 156, 188

gopucchayati, gopucchika 204, 214

gobaJivardanyaya 138

Govindlicarya 105

go,thI 94,173-174,177-179,

181,192

G.O.S edition 131

Gau{lavijaya 181

geya 134,174

geyapada 133-134

geyariipaka 44, 174

geyallisya 191

Gerow, Edwin 37,64

Gam 66,

graha 205

grlima 93

grammatical literature 6

OHA

ghatasa, ghapsa, gha<J.asa 239

ghapsanI, ghaps~rl 63,234,

237,239

311

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312

Ghan~yamdasa 71, 102, 107,

254

gharghara, gharghan 59, 207-

209,225,233

Ghosh, M. M. 26, 29, 31, 127,

CA

CaDCU 101

cakkar 206, 229

cakratnal)~ala 99

cakrabbraman 36, 62, 206

caccatputa 245

Cakravarti, Narahari 102

Chatterjee, G. 229

Chattopadhyaya, S. 47, 131

cat}~ana 237

cal}daIi 239

cat}gikasthana 242

caturasra, caturagra 249

caturasrapada 133, 135

CatvirirMacchataraganiriip;qta 35

candraka 79

candrivarta 214

camatkiranrtta 93,251

carcan 19,20, 63, 81, 156, 162,

163,166,167,183,191,234,

247,257

caryipada 239

calivali 235

calli, cilli 163

citaka 213

INDEX

cirat}a 45,59,63,70,234,237,

239

can 14,17,28,32,46,55,57-

58,60-62,67-68,70,72, 76,

80,85,87,96-99, 10-102,

104, 111, 122, 126, 145,215,

222-225, 234, 236, 238-239,

241-244,249-250,253

calaka, calana 60,76,98

cali 147-148,235

caliv~a 147-148

ci,agati can 242

cil}tu, cindu 63, 85, 93

citra 111,178,186,226,233

citri 94

citrakalasa 85

citrakivya 178,180

Citralekhi 157

citribhinaya 15, 23, 76, 79, 84

Cinnasatyam, Vempati 215,

229-230

crrantana 123, 142, 174

Cidambaram 152

Cii{lam;qti 182

ce'ti1qta 127 Coomarswamy, Anand 5

Colebrooke, H. T. 169

cauki 212

Classical Indian Dancing 3

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MOVEMENT AND MIMESIS

Classical and Folk dances of India 59, 105

CHA

chalika, chalita 19, 141, 156, 161-162, 166-167,173,177, 182

chiiga 213

chiiyaniita 101 chiiyalaga 226,233 chalikya 161-162 churita 73, 246 Chau 212-213

JA

jakkaQI, jakkari, j~ 86, 95, 103, 202, 208-209, 251-252, 254

Jagaddhara 157 janantika 40 janitii carl 243 jayadarpa 67 jayanta 79

J ayantabhana 20

Jayiipi~ 23-24 Jaipur Khasmahal Library 82

jiiti 54 jiitiyahasta 31

Jam Sattarsal 86

Janaki, S.S. 186

Jiiya Seniipati 11, 23, 53-56, 60-62,64-65,76, 107, 144-146, 149,171,231,234,238-240,

248,255,259 Jahangir 90 jugupsitii 94 Joshi, N. 204 Jaina texts 6 Jainasiitra 22, 52, 113

JHA

jhaJ\kii 227, 236 jhampiitala 214

TA

takka 180 Types of Sanskrit Drama 5,

Thakur, Bhavananda 71

!hevii 238

~ala 235, ~ 150 cprnikii 94

313

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314

~Uiyi, dhilliiyi 227, 235

~omikii 94

~ombalikii 174

~mbikii 1~3-124, 173-174,

177-178, 182, 192

~ombi 50, 168, 178

Qhiila 227

TA

T~~u 110,121,132,166

tatkar 59,207-208

Tan~avinita 173, 177

tarahara, tharahara 227, 235

tala 236

talapu,paputa 97, 137-138

talaviliisita 214

tav~i, namani, nav~i, lav~i

227,235

~~va 13,21,27-29, 32-33,

38-39,46,57,61,66,69, 72,

79,84,87,92,95,101,103,

108, 110, 112, 116, 119-121,

123, 125,132, 138-141, 144,

146, 151-154, 159, 166-167,

225,227

~~vavidhi 13

ti thoi to nim 245

INDEX

Tamilnii~u 130

tala 15,32-33,36,51,57,65,

72,84,90-91,93, 119, 140,

145, 147-148, 159-160, 163,

165,181,187,198,203-205,

215,221,241,243-244,248-

249

talariipaka 251

talalayii§raya 38

talaviidya 188

tirapabhranruui 206-207

tiryakar~a 86, 251

tivap 205

Tura~a 252

tiikali 227

tumbikii 94

qtiyanrtYa 251

trkani 235

Telang, M. R. 35

totaka, trotaka 94, 175, 177-

179, 182, 192

trigiiQhaka, trimiiQhaka 133-

134

tripatikii 40,42,224

tribhangi 212

Tivandrum Sanskrit Series 54,

227

tri§iila 27

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MOVEMENT AND MIMESIS

DA

Daqa 112

dalqittabbramat}a ti1}~va 244 Dattila 10, 20, 34, 94, 159, 258

Dattilam 159 dance-sequence 223

dance-unit 223

dwg~pak,a 213-214

dwg4arisa 55-56,81, 158, 183-

184,188,191,225-226,234,

237,247,251-252

dwg~isya 244 dwgcpki 244 DwgQin 19, 140, 158-159,161,

173,177,254

dwgQini 94

dardiira 213

dadanakarma 21 DaJakUm8racarita 238

DaJariipaka 7, 15, 22, 28, 36-

40,42,44,46,51,54,78,79,

94, 107, 123, 140, 151, 155,

167-168,174,177,216

da§ivawahasta 31

Damodara 89-90,98,107,200,

238,251

Damodaragupta 19, 140, 155,

158

Das, Ramgopal 71

Dasgupta, S. N. 36, 64

disiittam 130 durmalIi 94

durmiliti 178

durmalliki 94, 177-179, 187,

192

DiitJkarmaprakiJa 83

d!lp 27,89,236,253

dpyakivya 64, 141

De, S. K. 174,

deva 21,

devastuti 121-124, 137-138, 152

devahasta 31,

Devi 117, 121, 137-138

DevImahidevam 180

Deverappa, H. 100,

c:tegi 27, 33, 37, 39, 46, 50.54-59,

61-64,67,70-72,75-78,80,

81,82,91,94,96-97, 102-

103, 144-145, 148-150, 188,

194,197-198,201,207,215-

220,222-234,237-238,240-

241,243-247,251,259

c:tegikanarl 251

c:tegikira 235

c:tegigitanrtYavidhi 81

c:teginitya 94,97,103,252,254

c:teg~ 94-95,97,101,188,

225,253

c:teg~a 55,82,93,95,97,225,

248,252,254

c:teg~avidhi 248

315

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316

deSlpada 62

deSlyanrtta 69

deSIIasya 55, 145,228,234

deSyanga 55,149,228

De Zoete, Beryl 5 daivika 244

dolapada,<}.olapada 99

do~a 64, dohaka 81,247

dvigii<}.haka, dvimii<}.haka 39,

133-134

dvipadi 19-20, 141, 156-158,

166-167, 173, 177

dvipadIkhaJ}.<}.a 158, 180-182

~avi<}.a 59,238,250

DHA

dhammilla 79 Dhanaiijaya 29,36-42,47,51,

107, 140, 167-168, 170,216,

231

Dhanika 40,42-44,47,81,94,

168-170, 177-178, 180-182,

184, 186-187, 189

DhartnaSastra 6

Dharu 85, 93, 215, 249-250

dhasaka 147-148,236

dhatu 199

dhiirta 124

INDEX

dhiiva<j.a,dhruva<}.a 34,85,93,

249,251

dhyanaSloka 71

dhruva 208-209, 245, 248

dhruvagitanrtYa 93

dhruvapadanrtta 85, 249-250

dhruva 101

dhvani 64

NA

nak,atramila 73

nata 45,70,81

natana 31, 100

natasiitra 7 napbhava 36

natibhavanuupa~a 36 na<J.aneri 251

natajanuka 85

Nandi, NandIkeSvara 20, 25,

24-27,105,107,112,139,241

NandIbharata 25 nandimaIi 186

nandiyasthana 243

nartaka 45,59,70,81,101,170

nartakabha,a 68,

n~ 45,101, 114, 141, 152

nartana 46,57,84,92,94,96,

170-171,208,231

nartanaka 141, 158, 161, 178,

182, 185, 192

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MOVEMENT AND MIMESIS

~an3nankpaya 2,18,59,82-84,87-88,91-93,96,98,102-103,107,158,160,188,194-

197,200-208,210-215,229,

238,248-253,255,259,260 ~an3nasarvasva 32, 105

~armavati 183

navagrahahasta 27

Naidu, S. 152 Naidu, V. 152

Nigananda 7

nata 59,101

na~a 45,47,66,131-132,182-

183

na~aparibha,a 48

Ni!akalaqll{Jaratnako§a 47 -49,

107, 146, 151, 160, 174, 177-

178, 180-182, 184-191 napka 94, 174, 176-179, 185,

190-192

naii 183 natya 16,22-24,27-29,31,37-

38,46,51,53,57,61,66,72-

73, 78, 84, 87, 89, 92-96, 100,

102, 108, 128-130, 134, 136,

139, 169-171,225,227,240,

244,251

Nityadarpll{Ja 24-25, 43-45,

107, 151, 158-159, 162, 169,

174, 178, 181-186, 189

natyadhara 189

natyadharmi 15, 92 natyatqtya 69

natyarasaka 63,81,94, 115,

163, 173, 177-179, 183, 188,

192,234,237,247 natyavidhi 22,

natydMa 95 Nitya§§saa 2,6-11,13,16-24,

27-28,30-31,34,37,39-41, 43,45,48-49,52,55,57-58,

61,66-67,69,71-72,74,83,

85,87, 102, 105, 107-108,

110-113, 117-119, 123-127, 130-131, 133, 136, 139-140,

142-146, 149-155, 158-160,

163-164, 166, 172, 176-177,

179-180, 182-185, 187, 189-

191,197,203,218-225,228, 234,237,248,256-258,260

Nitya§§saasarhgraha 105

natyaveda 69,94,102,108 nada 72,91,93

nanirthadyotakahasta 27 lVamalinganu§asana 28

ninlivafi 85,99,205,250

~arada 20,25,34-35,107,139

NiradIya Sik~§ 34-35 nikuiicita 244

nijap~a 235

Nijenhuis, E. T. 25,26,35,37,

54,56,71,74,77-78,90,102

317

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318

nitamba 137-138 nibaddha 198-199

ni§umbhita 213-214 rurlijitapadma 98 nrtta 13, 16,21-22,28-29, 31,

37-39,46,51,53,55,57,61,

63,66,69,78,84,85,87,92, 94-95, 100, 102, 108, 110-

111,116,118-119, 121, 124-

130, 132, 136, 138-139, 142,

154, 165-166, 169, 171, 197-198, 208, 216, 219-220, 225,

227,251,256

nrttaklivya 19,21,115,176,182

nrttacara,rqttavara 189 nrttapradhlinarligaklivya 176 nrttaprayoga 110, 132 nrttahasta 26, 33, 74, 79, 102,

111,236 rqttitJnakaprabandha 159 N"rttaratnavall 5, 11, 19, 23, 28,

32-33, 53, 58-61, 68, 75-78,

81, 104, 107, 114-115, 142,

144-145, 171, 185, 188,207,

217-218,223,228-229,234,

236-239,243,246-247,249,

258-259

nrtYa 28-29,31,36-39,42,46, 50-51,53,55,57,61,63,65-

67,69,72,78,84,87,89,91-

92,94,,102, 108, 129-130,

INDEX

139, 154-156, 167-172, 175-

176, 180, 193,208,234-236, 251,256

nrtYaklivya 44 nrtYabhliva 68 nrtYabheda 40,42,44,48,50,

52-53, 81-82, 94, 115, 123, 143,169,172,177,247

N"nyaratnakosa 60, 63, 75-77,

79-82,97, 107, 149, 172,232,

239, 246-248, 253 nrtYavinoda 45, 170 rqtyahasta 79, 127 N"nyadhyaya 28,60,75,77,80,

97,107,149,232,246-247, 253

Nrsirilha 123 neli 38

netra 127 Neog,M. 74 neri 85, 249-250

nyaya 61,97

PA

Pancamasarasarhhita 35 Patnaik, D. N. 12, 105 patiUkli 27,42,95,249

padam 189

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MOVEMENT AND MIMESIS

padirthabhinaya 42, SO, 115, 141, 158, 160, 167-171, 176-

177,187

Pantulu, V.R. 152

Paramardi 53

paryastaka 43, 119, 220

parivrttasthina 243

pata 236

pa~i 62

patiikfara 237

patbya 78

PiiI}ini 7

patta 133

pada 28,36,62,66,101,110

padapata 237

ParasIka 202, 208

Pirvan 26, 57, 66, 116-117,

120-122, 136-139, 152

pmvakuncita 244

pmvajanu 214

P-mvadeva 51, 53-56, 58, 76, 107,149,171,222,225-229,

231,233-234,255,259

pill1}ipi~thana 243

parijataka, parijatalati 178,

183-184, 188, 192

pata 55

Pingree, David 136

pir}~ 112-114, 119, 142-143

pU:tcPbandha 13, 16,22,24,52, 108, 110, 112-116, 119, 143-

144, 154, 160, 183, 188

pipilika 204 pitbamarda 180

Pu1}c;tarika ViWtala 2, 32, 59,

82-83,86,89,99,102,107,

158, 160, 194, 196, 199-200,

210,215,238,248-249,251-

253,255,259

purimftya 72

Purandara 164

PUI'a1}c;tar1 25 1 Purandaravijaya 164 PuriiI}a 6, 16, 136

pu,pag31}c;IU[a 133-134

pu,panjali 33,87,219-220,223,

231-232,244-245,249 piirvaranga 48,69,71,96, 111,

116, 121-123, 128-129, 165-

166, mtbottanatalasthana 243

pekkh31}a 55, 56, 63, 225, 226

Persia, Persian 202,203,251,

259

perll1}a, per31}i, prer31}a 32, 55-56,59,63,70,71,81,87,92-

93,95,103, 173, 177-178,

185,192, 207, 225, 229, 233-

234,237,244-247,251-252,

2S4

319

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320

Poddar,R.P. 140 post-rnarga 201 prakarat;la 131-132, 184, 192 prakarat}i , prakarat;liki 94,

178,184 prakiranitra 95, 97, 252 praldn:ta 90 pracira (hasta) 128 pracchedaka 133-134 Prajiilinlinanda, Svarni 35 Pratijiiajaugandharayana 183 pratitila 248 pratimukha 133, 135 pratyanga 30,45,57,61,72,76,

79,84,92,96,101,104,222 pratyilI~asthlina 243 prabandha 57,90,198 prabhi 162 pr~a 85,92,93,221,227-

228,237,252 prayoga 128 pravrtti 16 prastivani 161 prasthlina 94,168,173,177-

179,184,192 prahasana 150 Pr~ 75,133, 135, 160, 190 pr~a 87-89,91-93,204,251-

252 pnti 89 preqat;la 94,179

INDEX

prek'at;laka 161, 177-178, 184, 192

prek,yaprabandha 42, 115, 158, 160, 168, 170, 176-177,187

prek,yirtha 159, 161, 173 p~a~a 177,184-185,234,

237,244 p~at;li can 244 prerat;li 244, 248 plavakalga 246, 250

BA

bakakalisa 246 batu, batunrtta 86, 213-214, 251 baddha 198, 200

bandha 83,85,194,197-201, 210-211,215,258

bandhanrtta 85-86, 102, 107, 200-201, 210-215, 249-251, 253

bandhanrtya 83, 93 Balarima 161 Balaramabharatam 105

balivarda 138 bahurOpa 63,95,103,234,237,

246,252,254 blindhavahasta 31 bilakr1Qi 186 BaJacarita 184, 191

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MOVEMENT AND MIMESIS

Bilivadha 185 Basavarija 100, 102,'107,253

babyabbranuui 249

Bibliotbeque Nationale 90

bindu 95

Brhadd§i 32,54,79,198

Brhaspati 32, 54

Burnier, Radha 56

budhagraha 27

Buddhist texts 6

Bodleian Library 90

Bodhayana 189

Bose, M. 6,49,68,72,74,77,

85,90,106,108,194,199,

221, 248-250, 252

Bose, N. 196

Bowers, F. 5 Brabtruqla 6

BHA

Bhaktiratnikara 71 bhagnatala 181

BhagavadajjukIya 189 Bhadramukha 112

bhadrasana 22,52,113

Bhattata1)4u 10

Bhattatota 10,20,24

Bhattayantra 20

Bharata 2,7-10, 13-17, 19-28, 30, 37-39, 41, 45-49, 51-52,

55,57-58,61,63-64,70,72-

73,80,81,87,97,99,105,

107-113, 115-118, 121-133,

135-136, 139, 144-146, 148-

150, 152, 154-155, 165-166,

168-169, 172, 179, 194, 197,

203,206,210,217-224,227-

232, 242-243, 245, 255-257,

259-260

Bharatako§a 77

Bharatanatyam 30,96, 130,

169,189,195,220,231,235

BharatiqJava 25-28, 31-34, 77,

107,218,223,241-244,246,

249,255

Bharatirthacandrika 26 Bhavabhiiti 140

bhit}a 38-40, 43, 48-49, 52, 64,

73, 123-124, 131-132, 144,

150-151, 153, 168, 173, 177-

178,185,186 bhit}aka 40, 48-49, 124, 178,

185-186, 192

bhit}ariipaka 186

bh~i 49, 123, 173, 177-178,

186-187, 192,

bhal}i 49, 168, 177-179, 186-

187,189,192

bhit}4a 110, 133

321

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322

Bhandarkar 157 bhiQQWki 63,234,237,239

Bhimaha 157-160, 173, 177, 187,254

BhiiratavaIla 50 "Bhiirater Sistriya NrtYakali"

105 bhiirativrtti 184, 186, 191

bhiva 18,27,49-51,64,69-70, 72, 92, 125, 133, 135, 140,

156, 167, 169, 171,227-228, 235

bhivaneri 251 Bhav~raka§ana 25,42,44,48-

49,52-53,94, 107, 123, 142, 146-147, ISO-lSI, 161, 163,

177-178, 181-191 bhivibhinaya 76 bhiviSraya 29,38,51,168,171,

233 Bhisa 184, 191 bhilluki 94

blllma aAgahiira 241,243

bhujaAgatrasta 67

bhujaAgatrasiti em 249

bhujaAgabhr~a tiQ4ava 244

bhiimicari, bhaumacm 242-243 bhedyaka 112-114,142-143,

146

Bhejjala 160

INDEX

Bhoja 41-42,44,47-48,50,54, 107, 115, 141-142, 156, 158,

160-162, 164, 168, 170, 174,

176-178, 180-181, 183-191,

254

bhramari 28, 36, 55, 58-59, 62,

67-68,80,85,89,97,206,

208-209,229234,236,239,

241,245-246,249 bhrli 127

MA

makaradhvaja 145

IlUll}thanrtYa 248 IlUll}thaka 248

IlUll}cJala 14,28,58,61,70,72, 77,80,87,96-97, 101-102, 104,145,242

llUll}cJa1asthana 98 IlUll}cJalarisaka 188

rnal}cJi 85,251 Mata1\ga 10,20,34,54, 198,

258

rnauavaff 95,103,252,254

Madaniradhana 164 Madanikikamuka 188

rnadhupacm, mucJupacm 60,

76,80

rnadhyarna 101

mana 147-148

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MOVEMENT AND MIMESIS

Mankad, D. R. 5,156,165,175,

185 Maniipuri 105, 160,211,229,

235,239

Manus1J1[ti 7

manodharrna 236

Mammata 64, mayiira 213

mayiiragati 244

Mayurbhanj 212

fiUUlika 178, 187, 192

masp).ata 236 masp).amigroddhata 22, 160

mahacan 122

Mahapatra, Kelucharan 212,

215

Mahapatra, M. 105

Mahara1}a Kumbha 8, 60, 68,

75,77-78,80-82, 107, 149-150,172,239,246

Mahara¥tra 101 Mahara¥trl 161 Mahegvara 112, 121, 137

mahodvrtta 67 ma1}<J,a1I 73

matra 181

Matfgupta 34-35

Madhava 157

Madho Singh 83

Man Singh 83

M5.n8so11iis8 45-46, 53, 57-58, 107,142,170,216-218,222-

224, 259-260

M5.nikyavallikii 180

manu¥a 245 Mayakiipiilika 191

marga 9, 29, 36, 38-39, 46, 50,

54,57,61,63,65,70,77-78,

80-81,91-92,94,96-97, 102,

144,149,194,197,199,201,

217-218,237,247,259

marganatya 94,103,252,254

marganrtta 101

marganrtYa 69

~arlc8vadha 180

MiilatImiidhava 157 Mlilavika 161, 164

Miilavikagnimitra 7, 19, 155,

161-162, 164 Mirror of Gesture 5 Mitra Shastri, A. 163 MImiiIiJsakO§8 138

Misra, M. 106 Migra, Puru~ottama 71,95, 107

mukula 27

mukha 127,133,135

mukhaclili 85,92,99,249,251,

253

mukhaja 127

mukharasa 227, 238

mukharaga 92

323

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324

mUQupa 80, 85, 251 mudrii 18,85

~ughru 195,202,259

murchanii 54

muraJ.lQarl 85 murli 85,251

mu~ti 27 mrgakruiisa 246

mrgIgati 98

M[cchakapka 164

mrdailgI 204 medhii 89

meliipaka 250

mok~a 29, 36, 56

motita 242 ~ohiniattam 105-106, 130,

169,234,238

YA

yak,agiina 158 yati 93,215

yatinrt}'a 248-251

yantra 52

yavana 202,208-209

Yadavodaya 181,

yoni 113

yauvata 73,95,103,246,252,

254

RA

rang-manch ki tukra 206

ragamurli 251

rati 41 ratnanak,atramiilii 42, 73

Ratnavall 7, 19,53, ISS, 157-

158, 162, 164, 183

rathacakrii 249 rathyiitiila 180

Rambhii 161

INDEX

rasa 17,27,38,41,47,49-51,

64,69-70,78,82,87,89,92,

97, 121-122, 133, 135-137,

141, 147-148, 156, 162, 169, 171,180

RasakalpavalIl 71 Rasakaumudl 86, 87, 92-93,

107,251

rasadnti 98

rasavrtti 236 rasasraya 51, 168

RaslinJavasudhlikara 48

rahasyamudrii 18

riiga 54-56,71-72,86,90,91-

93, 147-148, 180-181, 183,

198,225,231

riigakiivya 19,21,44,115,117,

123,160,176,180

riigadadanlya 176

Raganliray8{1a 83

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MOVEMENT AND MIMESIS

Raganiriip~a 35

RligamanjarI 83

Rligamlilli 71, 83

Rligavibodha 91

rlig~i 91 Raghavan, V. 5, 11, 19,22-26,

34,41,47,49,53,60-62,78,

83,90-91,98,101,104,113-

115, 145, 156-161, 163, 165, 167, 174-176, 182-186, 190,

192,236-241

Rlighavabhana 15, 157

Rlighavavijaya 180

Raja, Kunjunni 56

Raja, Kunhan 78

RlijataraIlginI 24

Rlijapra§nlya Siitra 7, 22, 52,

113

rlijavilasini 101 Rlija~ekhara 19, 53, 140, 162

rijaharimagati 244

Rlidhli 156,160

RlidhlivipraIambha 160

rlirnlikri<Ja 173, 177-178, 187,

192

RlimliyB{Ja 159

Rlirnacandra 24,43-44, 107,

151, 158, 169, 177-178, 183-

184,187,222,254

Raya, Raghava 74

Rao, M. 204, 206, 209

rasa 86,159, 161, 187-188,251, rlisaka 63,81,94, 115, 141, 156,

159-160, 165-168, 173, 177-

179, 181, 183, 186-188, 191-

193,234,237,247

rasakliDka 160

rasikli 94

rasatala 160,249

Rlihula 20, riti 64

Rudra 66

Rudrata 20

rudrak,a 238 rfipaka 38,44,52,64-65,73,94,

150, 168-169, 174, 177, 183,

190,247

rfipakanrtYa 251 ~li 70,82,85,89,92-93,230,

235,245,249,252

~libandhlicarl 243

recaka 61,70,85,87,101,110-112, 116, 136,249

Rele, Kanak 106 revli 227

Rocher, L. 16,136 raudrarasa 22,122, 162

LA

l~mitila 99

325

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326

laghu 46, 57, 69, 79, 84, 87, 92, 95,103,251

laIi.ghita 237,247

la9hi 147-148 lata,latabandha 112-115, 142-

143,188,214

latabhramlU}ataQ~ava 244 latavtscika 214 laya 51, 141-142, 147, 157-158,

160,163,165,167,205,208, 215,236,249

lalatatilaka 213-214 lali 227-228,235 lalita 57, 117, 121-122, 124,

137,141-142,147,186,241-242

lalitoddhata 186 laharIcalaa 98 laga 249 laganrtYa 251 laghava 170 Uta 101 Lath, M. 34, 134, 159

lavaQ! 85,205,251

lasika 94, 179, 189 lasya 7, 15-16, 19,21,23,27-

29, 32-33, 38-39, 46, 49, 55, 57,61,66,69,72-73,75,79, 84-85, 87, 92, 95, 101, 103, 108, 115, 124, 120-133, 135-147,149-156,159,163,165-

INDEX

167,170,173,177,180-182, 188-189,193,225,228,234,

236-237,243-244,246,251 lasyanga 38-39,43, 48-49, 52,

58,62,64,67,70,73,75,77, 81,85,87, 139-140, 144-147, 149-151, 183, 186-187, 189, 228,229,232,234,238-239,

244,246-248,252,254 una 137-138 lilabhramlU}ataQ~va 244 luthitollalita can 243 lexicons 6 lokadharmI 15, 92

Lollata 10, 20

VA

vakrabandha can 243 vaca 89 Warder, A. K.156, 158-159, 161-

162,165,173,176,179-180, 182, 184-190, 192

varQa 108 varQam 189,220 vartana 76,127-128,236

vardhamanasthana 247 Varma, B. 183

Varma, K. M. 5,22 Varadapande, M. L. 7

Vararuci 19, 164-165,

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MOVEMENT AND MIMESIS

vastu 38, 162

vasanta 183

vakya 64,169 vakyinhibhinaya 42, 168, 170-

171 viggeyakira 68

Vigbhata 174, 177-178, 182,

184, 186-187, 189-191

vig~a 225, 233

vacika 16,30,61,125,128,145

Vatsyayan, K. 5,6,8, 104, 105

Vatsyiyina 173-174, 177, 191

vidya 53,57,65,72,78,84,87,

90,91,93,165

vidyinusiri 21

vimabhraIrUqlatil}4ava 244

vira 189, 192

vasakatila 180

vikata 46. 57. 69, 79. 92. 95. 103, 170, 243(angahara),251

vikala 241,243

vilqta 241

vikrama 241-242 V~orva§iyam 53, ISS, 157,

162,182

vicitra 241-243

vicitri 94

vicitribhinaya 76

vicyavi carl 242-243

vita 124

vi4uligava 85, 249

vii}.i 87, 91 Vipivatl 186-187 vitala 236

vidagdhi 94

Vidyiratna 240

vidyutkalasa 246

vidyudbhramm;tatit].4ava 244 vidyudbhrinta 137,214,224

vidyulllli 242

Vidhurapap{lita Jitaka 7

viniyiki 189

viniV}1taSthina 99, 242

vipralambha 236

VilisavatI 183

Vipradisa 68,71,107,245 viyogini 94

virarasa lSI, 161

vilambitam 247

vilasamanda 67 vilasiki 178,189, 192

vivartananrtYa 236

viVftta 99 Vi§ikhila 19-20 Vi§vanitha Kavirija 42, 48, 64,

65, 107, 146, 170, 177-178,

181,183-184,189,254

vifama 46,57,66,69,72,79,

84,87,92,95,103,170,233,

245,251

yifamatit].4ava 66

Vi,J.lu 18

327

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328

Vi~{1udharmottara Pll1Ti{1a 7,

16-18,28,30,45-47,52,107,

129-130, 135-136, 139,216,

218,225,228,258

vihasI 147-148,236

~ 16,38,58,69,81,95,181

vrndaka 94

vr§cika 99

vr§cikakutPta 99

vega 89

Veda 6,108

Vedasfiri 8,98,107

Vema 238

Velankar, H. D. 162

vaitaIika 45,59,70,81

vaipota 93,251

vai~akhasthana 212,219,231,

242

vai~akharecita 99

vail1}avasthana 242-243

Vogel,C. 29

vyafijani 64

VYibhicmbhiva 17, 38

vakyirthibhinaya 50

Vyas, D. J. 207

vyayama 14,61,111

vyiyoga 150

INDEX

SA

Satikara,Siva 18, 66, 101, 112,

116,120-122,132,136-137,

166

Sankuka 10, 20

Satru~alya 86

Sani 27

~abda 103,253

~abdacili 85,93,99,249,251

~abd~ta 85,93,103,251

~a~a 93,251

~abdaprabandha 85, 249

~abdilankira 141

Sharnbhu Maharaj 206

~arnyi 19, 141, 156, 158-159,

166-167,173,177,188,208,

209

~avara 254

~akhi 127

~antarasa 47, 136

~antija, ~antaja ailgahira 241,

243

SirDgadeva 2,8,54,58-60,65-

66,71,76,105,107,127,145,

148-149, 158, 170-171, 175,

194, 228-234, 240, 245-246,

248,255,259

Siraditanaya 25, 42, 44, 47-48,

50-51,81, 107, 142-144, 146,

164, 169-170, 172, 175, 177-

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MOVEMENT AND MIMESIS

178, 181, 183-184, 186-190,

254

~arlra 127

~avara 95,252

~avarI 253

Shastri, K. V. 98

~astric 172

~ikhara 27

~ilpaka 94, 177-180, 190, 192

~ilpinI 94

SiliUin 7

Sivatattvaratnakara 59, 100,

102,107,253

~ivapriya 63,81,234,237-238,

247

SivaJi 98

SlghrabodhinmamamaJii 83

Spigliraprakiisa 5,22,41,44,

107, 115, 141-142, 156, 158-

161, 164, 168, 176-178, 181-

182, 186-187, 191

~ukagati 244

Suklapat}c;lita 68

~uddha 21,33,70,80,93,111,

178,186,226,233,244

~uddhapaddhati 59,82,229,231

Subhat\kara 42,44,71-73,97,

105, 107, 149, 179-181, 184,

187,189-190,254

~iidra 108

Siidraka 163

~p\khala, ~p\khalika 112-114,

143, 146

~p:'Iga 77

~p:'Igana~ya 28, 32,242-243

~p:'Igabhinaya 28, 77, 246

~p:'Igiirarasa 22,39-41,43,46,

49, 88, 121-122, 137-141,

147-148, 151, 161-162, 180-

181, 187, 189

~obha 110,126

~aurasenI 185

Saura'tra 101

~ravyakavya 64

~rl 101,189

Srikat}~a 86-89, 107,251-252

~rlgadita 50,94,171,174-175,

177-179, 189-190

~ruti 93, 248

,agja 213

,idgaka, ~iilgaka 173,177-178,

190, 192

SA

sankUva 178, 186

sat\kIrt:laneri 251

329

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330

sangita 23,60,91, 159, 163-

164, 169-171, 176, 185

sangitaka 19, 156, 164-165, 167

Sarlglta Kaumum 103, 240

Sarlglta Candra 68, 107, 172, 245-246

SarlgItacintam8{li 238

SarlgIta Darp8{la 18, 39, 42, 88,

90-91,93,98-99, 103, 107,

175,177-178,200,206,238,

251-253

Sarlglta Damodara 42, 72-74,

94-97, 103-104, 107, 149,

171, 180-185, 187-191,240,

245-246, 254

Sangeet Natak. Akademi 93, 158

Sarlglta Naray8{la 71, 93-94,

96-97,103,107,240,252-254 Sanglta Makaranda of Narada

34-37,107,139,198,241

Sarlglta Makaranda of Vedasiiri

86,98-99,103, lOS, 107,240,

253,255

SarlgIta Ratnakara 2,9, 19,23-

25,28-30,32-33,35,37,39,

56, 58-60, 62-63,,66-68, 70,

75-80, 83-85, 87, 90-92, 94-

97, 102, 105,107, 127, 142,

145, 147-149, 152, 158-159,

165, 167, 169, 171, 185, 196,

INDEX

198-201, 207-208, 217-218,

223,228-229,231-234,237,

240,243,245-246,248,258-

260 SarlgItaraja 77, 103

Sarlgltavrttaratnakara 83 Sarlglta Samayasiira 51, 53-55,

57-59,62-63,67,75, 107,

149,171,185,188,217-218,

222-224,226-229,232,234-

237,259,259

Sarlgltasarasamgraha 102-104, 107,240

Sarlgitopani§at 65, 68

Sarlgltopani§atsaroddhara 22, 65-68,107,113,171,245,254

Sadragacandnodaya 83 Sadarpakandarpa 71

SarasvatIk8{lfhiibhar8{la 141, 159-161, 187,

sanaka, ~ataka 94, 176-179, 190-192

sattva 59

sandatMa 27

Sanderson, SJ. 131

sandhi 95,146,180-181

sambhoga 236

samagaika 35-36

srunapada 36,205,231,243

srunapada can 242

sarna 204

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MOVEMENT AND MIMESIS

Sarhganasara 73 sathprekfat;laCan 242 sarhlapaka, sallapaka 94, 178-

179, 191-192

Sarv~vara 48 Sarasvati Mahal Library 90, 98 Sagarnandin 47-48, 107, 146,

160,169,177-178,180-181,

183-185, 189,254 Sanchi Stupa 8 sattvika 16,59,61, 79, 83, 84,

125-126, 128

sattvativrtti 191 sadhana 203-204 samanyabhinaya 15, 17, 23, 76,

79

sarika can 242 saIaga 233 saIanganeri 250 Sastry, N. 100

Sahaji 98 Shah,P. 16,22,136 Sahityadarp8{la 7, 42, 48, 64-

65, 107, 146, 155, 181-188,

191-192

Sahityasiira 48

SitigabhupaIa, Sirilhabhiipala

48,53,75,76

Singh, Guru Bipin 211

sirilhagati 244

siddhi 16

sukalasa 235 sukumara 22,66,117,144-145

sukumaraprayoga 13, 21, 108, 116-117, 121-122, 137, 142,

152, 154 Sugrlvakelana 181 Suttagame 22

SudhiikalliSa 65-67, 107

Subrahmanyam, Padma 215, 220

surekhatva 227

susandhi 237 siika 147-148,

su{ianrtya 63,93 sud 224 siilu 34, 242, 249

saindhava 133-134 Somanatha 91 Somegvara 45-46, 53-54, 57,

107,142,170,194,198,216,

222,224,228,259-260 saufthava 14, 61,85,221,227-

228,249 skandhaka 156, 160, 166-167,

173, 177

staff-dance 163

sttlnrtya 149 strllasya 140

sthana 14, 17,28,46,55,57-58,

61-62,66,70,72,76,85,87,

96.98-99,101-102, 111, 126,

331

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332

145,213,215,219,222-224, 230,234,241-243,245,249-250,252

sthfulaka 66,96,104 sthiipanii 227, 235 sthiiyatiila 147-148,232 sthiiyibhiiva 17, 38, 59 sthitapiithya 133-134 sthitiivartii can 242 sthirahasta 42 sthiratii 89 Smith, David 119-120

Smrti§iistra 7 snigdhii~ti 236 sphurita 95, 103, sruvii 247 srotogata 204 svara 55,72,93,208-208 svaranrtya 252 Svapnavasavadatta 238 svaramat}thanrtYa 85,249-251 svarabhinaya 93, 250

svastikasthiina 243

HA

Hanumana 76 Har~a 19,53, 140, 155, 158, 164

Haravijayam 120, 159 haripriya 67

Haribhatta 90

INDEX

Harivarh§a 161-162, 188, 191 halli§a, halllsaka 94, 141, 159,

173, 177-179, 187, 191-192 hasta 27,42,98,204,209,253 HastamuktavalI 74, 105, 107 HastaratnavalI 74 Hastalalq8IJ.adIpika 105 hastini 94 harhsa 246 hiiva 133,135,147-148 hiisika 94 hiisya 180 Hemacandra 163, 174, 177,

182, 184, 186-187, 189, 190-191

helli 133,135,235 hugukkii 101,239 Hrdayangama 158, 161

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Studies of Classical India

1. P. E. Granoff: Philosophy and Argument in Late Vedanta. Sri Hartja's Khan4tl11alcha'14akJuidya. 1978. ISBN 90-277-0878-9

2. M. Nagatomi, B. K. Matilal, J. M. Masson, and E. C. Dimock, Jr. (eds.): Sanskrit and Indian Studies. Essays in Honour of Daniel H. H. Ingalls. 1980. ISBN 90-277-0991-2

3. J. M. Masson: The Oceanic Feeling. The Origins 0/ Religious Sentiment in Ancient India. 1980. ISBN 90-277-1050-3

4. M. Tachikawa: The Structure o/the World in Udayana's Realism. A Study o/the Lak:jQMvali and the Kira'1Qvali. 1981 ISBN 90-277-1291-3

5. H-L. Cheng: Niigarjuna's Twelve Gate Treatise. Translated, with Introductory Essays, Comments, and Notes. 1982. ISBN 90-277-1380-4

6. J. Bro~khorst: Tradition and Argument in Classical Indian Linguistics. The . Bahiratlga-Paribhii~ in the Paribh~enduSekhara. 1986. ISBN 90-277-2040-1

7. B. K. Matilal and R. D. Evans (eds.): Buddhist Logic and Epistemology. Studies in the Buddhist Analysis of Inference and Language. 1986 ISBN 90-277-2222-6

8. R. Herzberger: Bhartr:hari and the Buddhists. An Essay in the Development of Fifth and Sixth Century Indian Thought. 1986 ISBN 90-277-2250-1

9. R. P. Hayes: Dignaga on the Interpretation o/Signs. 1988 ISBN 90-277-2667-1

10. P. Bilimoria: Sabdapramdf1D: Word and Knowledge. A Doctrine in M"uniimsii­Nyaya Philosophy (with reference to Advaita Vediinta-paribhiisii 'Agama'). Towards a Framework for Sruti-priim~ya. 1988 ISBN 90-277-2675-2

11. P. Fenner: The Ontology o/the Middle Way. 1990 ISBN 0-7923-0667-8

12. M. Bose: Movement and Mimesis. The Idea of Dance in the Sanskritic Tradition. 1991 ISBN 0-7923-1325-9

Kluwer Academic Publishers - Dordrecht / Boston / London