glossary of selected technical terms - …978-94-011-3594...(q.v.)(as applied to a song) freer...
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GLOSSARY OF SELECTED TECHNICAL TERMS
ailkura atiga atigahara agratalasaficara agrapluta
aficita
aficitabhramarI afijana
a<;l~
a<;l<;litli a<;l~talaJl!1Ya
adrutlilanrtya anatiga anibaddha
anibandha
anibandhanrtta anibandhanrtya anIld
anurnlina
antarlilaga apasara
A
pantomiming through gestures major limb, feature; a feature of degIllisya (q.v.) sequence of dance units; a feature of degillisya (q.v.) a foot movement a degI (q.v.) can (q.v.)
a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) a whirling movement a hand gesture a tlila (q.v.) a bhiimican (q.v.) a bandha (q.v.) dance same as above a feature of degIllisya (q.v.) loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance with scope for improvisation
a mimetic dance with scope for improvisation a feature of degIllisya (q.v.) a feature of degillisya (q.v.)
an utplutikarar:ta (q.v.) exit; dance interludes in a play
261
262
abbinaya
ardhakuiicita
ardhanikunaka ardhacandra ardhasiici aIarnkaragastra
alapallava
alapadma
avammasandhi avahittha
uvakrinta
alaga
alita
aliti aIMagati
iikjgacarl
iikuiicita
aqiptaka
angilca
icarya
inam iditala ibhoga
iyatasthina
GLOSSARY
acting, mimingj a feature of degiIasya (q.v.)
a degi~\1ava (q.v.)
a karatta or dance unit a single-hand gesture
a karatta or dance unit the manual on poetics
a single-hand gesture
a single-hand gesture
a technical feature of drama a margasthina or a standing posture of traditional
variety a margasthina or a standing posture of traditional variety a leaping movement
a rnatt4a1a (q.v.)j a marga (q.v.) karatta (q.v.)j a de~ikarlqla (q.v.)
a carl (q.v.) a feature of degiIisya (q.v.)
x
a carl (q.v.) performed in the air
a degitit}4ava (q.v.)
a karatta or dance unit
related to body
a teacher who is conversant with both theory and
practice
a Tamil word for drama
a degi (q.v.) tala (q.v.)
part of a musical composition a degi(q.v.) sthina (q.v.)
MOVEMENT AND MIMESIS
irabhap
iilapa
iilapacan
iilipallava
aIi«Pla
avarta - or asma
ahanga
aharya
uktapratyukta
ugra
ugratara
uc;tupa
a vigorous style of presentation
exposition
the opening dance in the ddi (q.v.) tradition
a karat}a or dance-unit
a margasthina or a standing posture of traditional
variety
a karat}a or dance unit
a feature of liisya (q.v.) (in the Bharata tradition)
a musical element (1)
dress, make-up and stage accessories
u
a feature of lisya (q.v.) (in the Bharata tradition)
a ddi (q.v.) angahira (q.v.)
same as above
a class of de§i (q.v.) dance( of the bandha (q.v.)
variety), same as uriipa (q.v.)
uttamottaka a feature of lisya (q.v.) (in the Bharata tradition)
utplavana leaping movements
utplutikarat}a a de§i (q.v.) karat}a (q.v.)
utsahavau a mirganatya (q.v.) (of the ddi (q.v.) variety)
utsanditii a can (q.v.)
utsmanka a major dramatic type
udgraha part of a musical composition
uddhata forceful
263
uddhatami§ritmasroanrna a delicate dance mixed with forceful
upariipaka
upanga
upadhyaya
movements
minor drama
minor limb
a teacher
264
urudVfUi
urupa
uriipa
UI'Ot\g~
UI'011l8J}<J.ala
ulmuld ullapyaka
ulIasa ullopyaka
iirdhvajanu
iirdhvatit].clava
ekajanuka
ekatilinrtYa ekapada ekapiriva
et}apluta
aindra
oyaraka
a bhiimiciri (q.v.) same as u~upa (q.v.) same as u~upa (q.v.) a feature of de§iIasya (q.v.)
a karaJ}a or dance unit a de§inrtta (q.v.), same as bhilluld (q.v.)
a minor dramatic type
a feature of de§iIasya (q.v.)
a minor dramatic type
u
a karaJ}.a or dance unit
GWSSARY
a §uddha or pure (non-representational) W}clava (q.v.)
B
a de§Isthana (q.v.) a bandha (q.v.) dance a de§Isthana (q.v.) a de§Isthana (q.v.)
an utplutikaraJ}a (q.v.)
AI
a de§Isthana (q.v.)
o
a feature of de§iIasya (q.v.)
MOVEMENT AND MIMESIS 265
Odissi
kakubha
kali-echinna
kattari Kathak
Kathakali
kanduka
kamala kartarlrnukha karaiiji
kar~
kar~a (rqtta)
kar~a (hasta)
kar~aneri
karul}a
karl}a
karl}itagolaka
karma (pida)
karma (hasta)
kalua
kalisa
kalisakar~a
kalisalisya
kalpa
kalparqtya
kalpavalli
a classical dance style from Orissa
a riga (q.v.) a kar~a or dance-unit; a de~i (q.v.) dance,
a de~i (q.v.) dance
a classical dance style from North India
a classical dance style from Kerala
a ~i (q.v.) dance; a similar dance item is found in
Mohiniattam of Kerala
an anibandha (q.v.) dance
a single-hand gesture
a de~i (q.v.) dance
a drum a basic dance-unit (coordinated movement of the
hands and feet)
a special movement of the hand
a bandhanrtta (q.v.)
rasa, a tala
a minor drama
a musical mode
a special movement of the leg
a special movement of the hand
a de~iIisya (q.v.)
a concluding movement
a class of kar~a (q.v.)
a ~i lisya (q.v.)
a de~i (q.v.) tala; a ~i (q.v.) dance
a bandha (q.v.) dance
a minor drama
266
kalla
kavicara
kanu]ika
kavya
ka'tha kahala
kitikIt:tI kittu
Kuchipudi
kuncita
kuQupa
kU~Qalavartaka
kU~QalI
kutapa
kurafijI
kuvaQa
kn~asaragati
kaiSikIVJ1ti kaivrtana
kaivara
kaivaIa
komalika
kollata
kolkatika
kollatika
kolhatika
kaulata
krlQlirasaka
kriya
GLOSSARY
a musical element(?)
a feature of per~I (q.v.) dance, same as kaivara
(q.v.)
a ~I (q.v.) ailgahara (q.v.)
a poetic composition; a degI (q.v.) dance of
prakaranatya (q.v.) variety; a minor drama
a ~I (q.v.) dance of prakaranatya (q.v.) variety
a drum ankle bell
a feature of degIlasya (q.v.)
a classical dance style from Andhra
a degI~Qava (q.v.), a kar~a or dance-unit
an anibandha (q.v.) dance
a degI (q.v.) carl (q.v.)
a degIIasya (q.v.); same as gu~QalI (q.v.)
musical ensemble
a degI (q.v.) dance (of prakaranatya (q.v.) variety)
a degI (q.v.) dance
a gaitsimulating the gait of a deer
a graceful style of presentation
an anibandha (q.v.) dance
a feature of pera~i (q.v.), same as kavicara (q.v.)
a double-hand gesture
a feature of degIlasya
a degI (q.v.) dance
an acrobatic dancer
same as above
same as above
same as koIlata
a variety of rasaka (q.v.)
keeping the time with hands
MOVEMENT AND MIMESIS
qetra (hasta)
kha"-ga
kha"-gabandha
kh~~siici kharjurika
gati.giivatar~a
gajagati
gajara
gati
gatistha
gandharvaraiijaka
garbhasandhi
garva
garu"-a
garu"-apluta
giina
giindharva
position of the hand
a kaliisa (q.v.)
a degi (q.v.) can (q.v.)
a foot movememt
a pattern of rhythm
GA
a kar~a or dance-unit
a gait simulating the gait of an elephant
a musical element (1)
gait
a feature of de~Ilasya (q.v.)
an entertaining performer
a technical feature of drama
a folk dance from Gujarat
a miirgasthana (q.v.)
a karaQa or dance-unit
a song sung in regional style
(a song) in the classical mode
gita vocal music
267
gitakadyabhinayonmukhanrtta a dance that mimes the meaning of a
gitanrtYa
gitaprabandha
song
a bandha (q.v.) dance
a bandha (q.v.) dance
268
gItavidyati gIyamanariipaka
gUl}.~a1I
gUl}.<Jila gulma
goppua gOl}.~a1I
go,thI gopucchiki gaul}.<JalI geya geyapada geyariipaka geyalasya graha
grama
ghatasa ghapsa
gha~asa
ghapsanI ghapsi~rI
gharghara
gharghari
a feature of de~IIlisya (q.v.) musical play a de~I (q.v.) dance a variety of anibandha (q.v.) dance
GLOSSARY
a group dance, a variety pi1].<Jlbandha (q.v.); a variety of Dftyabheda (q.v.), a boy dancer of Orissa same as gUl}.<JalI (q.v.) a ddInatya (q.v.); a minor drama a pattern of rhythm same as gUl}.<JalI (q.v.) (a play) to be sung a feature of lasya (q.v.) (in the Bharata tradition) a play to be sung a lasya (q.v.) to be peformed to a song a feature of music, the note on which the music begins a group of tones
GHA
a drum
same as above same as above a de~I (q.v.) dance same as above to stamp on the ground marking the rhythm with anklebel1s same as above
MOVEMENT AND MIMESIS 269
CaDCU
cakkar
cakram3l}~a
cakrabbramarl
caccatputa
c3l}~a
caturasra
caturura
caturasrapada
candraka
candravarta
camatkaranrtta ...
carcan
calavali
calli
cfu:14ikasthana cM3l}a
can caIaka
cali
caliva~
ca,agati
ci1}tu
CA
a drum
a spinning movement, (a feature of Kathak)
a kar3l}a or dance-unit
a spinning movement
a tala of the older tradition
a feature of d~I lasya
a kind of measure; a double-ha..'1d gesture; a standing
posture
same as above
a quartet
a hand-gesture
a kar3l}a or dance-unit
a bandha (q.v.) dance
a song; a tala or rhythm; a degI (q.v.) dance; a degI
(q.v.) dance
a feature of degIlasya (q.v.)
a dance by a female performer playing a drum called
hu~ukka (q.v.)
a degI (q.v.) sthana (q.v.)
a wandering performer; a musician; an expert in the
music of ankle bells; a ~I (q.v.) dance
the movement of one leg
a movement of the arms a feature of degIIasya (q.v.); the basic dance of the
Manipuri style
a feature of degIlasya (q.v.) - ... a can
a degI (q.v.) dance
270
cindu
citra
citri
citrakalisa
citrakivya
citribhinaya
cilli
ce,tikfta
cauki
chalika chalita
chiyanita
chiyilaga
chilikya
churita
chau
·akkadi J •
jakkarl janantika
janiti
jayadarpa
GLOSSARY
a bandha (q.v.) dance originating in the land of
Drivi"a varied; a de§i dance
a marganitya or mimetic dance of the regional
variety
concluding movement of a special type
a minor dramatic type
a special mode of presentation
same as calli (q.v.)
movements of the entire body
the basic standing pose of the Odissi style, a square
posture
CHA
a song, a mimetic dance
same as above
a musical mode
music based on pure form, same as siilaga
same as chalika (q.v.)
a variety of llisya (q.v.); a deSi (q.v.) dance
a regional dance from the eastern part of India
JA
a Persian dance categorized as anibandha (q.v.)
dance, a prakliraniitya (q.v.)
same as above
an aside
a carl (q.v.)
a de§i (q.v.) karaJ)a (q.v.)
MOVEMENT AND MIMESIS
jayanta
jiika<Ji jati jugupsitii
jhaflka
jhampataIa
takka
!heva
<;tala <;tima <;limika <;tillayi
<;tomika
<;tombalika
<;tombika
<;tombi
<;tolapada
a hand-jesture
same as jakka<Ji (q.v.)
a melodic type a miirganatya (q.v.)
JHA
a feature of degiIiisya (q.v.)
a degi tala or regional rhythm
TA
a raga (q.v.)
a feature of degiIiisya (q.v.)
a feature of degiIiisya (q.v.) a major dramatic type
a miirganatya (q.v.) a feature of degiIiisya (q.v.); same as dhillayi (q.v.)
a deginrtta (q.v.)
a minor drama, a dance-drama
same as above
same as above
a karaI)a or dance-unit; same as dolapiida (q.v.)
271
272
~ii1a
tatkar
tarahara
tala
talapu~paputa
talavillisita
tavaJ}.i
taQQava
tala
taIariipaka
tirapabbramarI
tiryakaraJ}.a
tivap
tiikali
tumbika
trUyaJl!1ya qicani
totaka
trigii~aka
tripataka
tribhailgi
trimii~aka
GLOSSARY
a feature of de~ilasya (q.v.)
TA
movements of ankle bells ( a feature of Kathak)
a feature of de~iIlisya (q.v.), same as tharahara (q.v.)
a feature of de~ilasya (q.v.)
a karaJ}.a or dance unit
a karat}a or dance unit
a feature of de~iIlisya (q.v.); same as navat}i, lavat}i or
namani
nrtta or dance in the Bharata tradition; later taken to
mean a vigorous dance
rhythmic system or cycle
an anibandhanrtta (q.v.)
a revolving movement
an anibandhanrtta (q.v.)
a technical feature of music
a feature of de~iIasya (q.v.)
a de~inrtta (q.v.)
a bandha (q.v.) dance
a feature of de~ilasya (q.v.)
a minor drama; same as trotaka (q.v.)
a feature of llisya (q.v.) (in the Bharata tradition),
same as trimii~aka (q.v.)
a single-hand gesture
a standing posture in the Odissi style, breaking the
line of the body into three
same as trigii~aka (q.v.)
MOVEMENT AND MIMESIS 273
tharahara
dat}~pak,a
datt~isa
dat}\falisya
dat}~i
dat}~ni
disiittam
durrnalIl
durmilita
durrnalliki degi
degikanari
degikara
deginitya
deginrtta
deginrtya
degiIisya
degyanga
dvigii<P1aka
a hand gesture
a minor drama; a deginitya (q.v.), same as to~
(q.v.)
THA
a feature of degilisya (q.v.); same as tarahara (q.v.)
DA
a guddha or pure (non-representational) variety of
til)~va (q.v.)
a karatta or dance-unit
a ~inrtta (q.v.)
a ~iIisya (q.v.)
same as above
a degitqtya (q.v.)
the dance of the devadisis of ramilni<;lu
a minor dramatic type of degi (q.v.) variety; a
deginrua (q.v.)
a minor dramatic type
same as above
regional
a degi (q.v.) dance
a feature of degilisya (q.v.)
a dramatic presentation of the regional variety
an abstract dance of the regional variety
a mimetic dance of the regional variety
graceful dance of regional variety
a feature of ~i (q.v.) dance
a feature of lisya (in the Bharata tradition)
274
dvimiicptaka dvipadl
dpyakivya dolapada dohaka
dhammilla Dharu dhasaka dhatu dhillayi
dhiiviicJa dhyana§loka
dhruva dhruvagitarqtya
dhruvapadanrua dhruva
dhruva~
nata natana natasiitra napbhava
na~aneri
GLOSSARY
same as above a metre; a song consisting of two verses; a mimetic
dance a poetic composition to be seen a karat;la or dance-unit; same as ~olapada (q.v.) a de§i(q.v.) dance
DBA
a special way of braiding hair
a bandhanrua (q.v.) from Andhra region a feature of de§iIllsya (q.v.) a musical element a feature of de§iIasya (q.v.); same as ~llayi (q.v.) a §uddha (non-mimetic) dance; a bandhanrtta (q.v.) pictorial verses presenting anthropomorphic images of the musical modes a feature of music; a tiila (q.v.); a song-piece a pure(non-mimetic) nrtta (q.v.) danced to a dhruva (q.v.) song a bandhanrtta (q.v) danced to a dhruvapada song a raga (q.v.)
same as dhiiva~ (q.v.)
an actor dancing
NA
guidelines for actors emotional expression appropriate for women an anibandha (q.v) dance
MOVEMENT AND MIMESIS 275
natajiinuka
nand!
nandimaIi
narnani
nartaka
nartakabh~li
nartakl nartana
nartanaka
navaQi
nli!a
nli!aka
nlitikli
nli!!
nlitra
nlitranrtYa
nlityadharrnI
nlitrarlisaka
nlind!
nlida
nlimlivaIl
nikuncita
nijlipaQa
nitamba
nibaddha
nigumbhita
nirlijitapadma
neri
nrtta
an anibandhanrtta (q.v.)
a sthiina (q.v.)
a variety of bhli1)aka (q.v.)
a feature of degillisya (q.v.); same as navaQi, lavaQi or
tavaQi
a male dancer
the special language of dancers
a female dancer
dancing
a minor drama
a feature of degillisya (q.v.), same as namani, lava1)i
or tavaQi
a rliga (q.v)
a major dramatic type
a minor drama; a mlirganlitra (q.v.)
same as above
drama (often used as nrtya (q.v.) in the manuals)
an expressive dance
stylized (movement)
a degI (q.v.) dance; a minor drama; a degI nlitya (q.v.)
an opening verse
sound
an anibandha (q.v.) dance
a degitli1)gava (q.v.)
a feature of degillisya (q.v.)
a kara1)a or dance-unit
rigorously constructed (applied to music)
a kara1)a or dance-unit
a clilaka or a special movement of the hand
an anibandhanrtta (q.v.)
a non-representational dance
276 GLOSSARY
nrttakavya dance-drama
nrttacara a fonn of drama
nrttapradhanaragakavya musical play with dance as its main feature
nrttavara same nrttacara
nrttahasta hand gesture for dance
nrttatrnakaprabandha dance-drama
rqtya a mimetic dance
rqtyakavya dance drama
rqtyabhava
rqtyabheda
nyaya
pataka
padarthabhinaya
paryastaka
parivrtta
pata
patarnat].i
patak~ara
pada
padapiita
piiclvakuiicita
par~vajanu
piiq1)ipIQa
parijataka
pari jatalata
a special expression used by dancers
dance-drama
rules
PA
a single-hand gesture
miming the meaning of words
an angahara (q.v.); a non-representational dance
sequence
a de~Isthana (q.v.)
syllables uttered with drumming or dancing to keep
the rhythm
striking the ground with the feet
syllables of drumming
footwork
a feature of de~Ilasya (q.v.)
a d~Ita1)Qava (q.v.)
a kara1)a or dance-unit
a de~Isthana (q.v.)
a minor dramatic type
same as above
MOVEMENT AND MIMESIS 277
pala
piQ<p
piQ<pbandha
pipIlika
puraQ~
pu,pagaQ~a
pu,panjali
piirvarailga
p!l!hottanatala
pekkhaQa
peraQa
peraQi
prakaraQa
prakaraQika
prakaraQI
prakaranatya
praIdn:ta
pracara (hasta)
pracchedaka
pratitala
pratimukha
pratyailga
pratyalIgha
prabandha
pramiiQa
pravrtti
prastiivana
the movement of one leg, generally known as can
(q.v.)
a group dance in a cluster
group dances that form auspicious figures on the
stage
a pattern of rhythm
an anibandha (q.v.) dance
a feature of lasya (q.v.) (in the Bharata tradition)
a flower-offering to the gods with dance and music
the preliminaries to a play
a sthana (q.v.)
a de~I (q.v.) dance
a de~I (q.v.) dance; also a variety of taQgava (q.v.)
same as above
a major dramatic form
a minor dramatic type; a marganatya (q.v.)
same as above
a de~Inrtya (q.v.)
miscellaneous; performance practice
(Nienhuis, 1977, p.38).
a movement of the hand
a feature of lasya (q.v.) (in the Bharata tradition)
a tala (q.v.)
progression
minor limb
a margasthana or a standing posture of the tradtional
variety
a musical composition
harmony; a feature of de~I1asya (q.v.)
the means of application
introduction
278
prasthiina
prahasana
preqaJ}a
preqaJ}aka
preqyaprabandha
pretUchaJ}a
preraJ}a
preraJ}i
playa
baka
batunrtta
baddha
bandharqtta
bandhanrtYa
bahurlipa
bihyabhramarl'
bindu
Bharatanatyam
bhadrisana
bhit}a
a de§I (q.v.) dance; a minor drama
a major dramatic type
GLOSSARY
a minor drama; same as peklchaJ}a (q.v.), a de~I (q.v.)
dance
same as above
a composition to be seen
a de§I (q.v.) dance, same as peklchaJ}a and prek'aJ}a; a
de§Ilisya (q.v.)
a de~I (q.v.) dance; a minor drama
a de§Ilisya (q.v.)
a kalisa (q.v.)
BA
a kalisa (q.v.)
an anibandhanrtta (q.v.); a dance item of Odissi style
structured, same as nibaddha (q.v.)
a set, structured and abstract dance in the de§I (q.v.)
tradition
a set, structured and mimetic dance in the de§I (q.v.)
tradition; a dance-piece called bandhanrtya (q.v.)
a de§I.(q.v.) dance
a revolving movement
a structural division in a play; a point marking the
sudden development of secondary incidents
BHA
a classical dance style from Tamilnad
a group dance forming an auspicious figure
a major dramatic type
MOVEMENT AND MIMESIS 279
bha1]aka
bhfu:1ikli
bhfu:1I
bhfu:1~li
bhliva
bhavaneri
bhlivli~raya
bhitra
bhillukI
bhIma
bhujaflgatrasta
bhujaflgatrlisita
bhujaflgabbrama1]a
bhiimicarl
bhedyaka
bbramari
mananrt)'a
m3l)ikulyli
Manipuri
m31)!hanrtya
m31)thaka
m31)Qala
m31)Qalasthana
m31)Qalarasaka
m31)Q1
a minor dramatic type
a minor dramatic type
same as above
a de~I (q.v.) dance
emotion; a feature of de~yaflga (q.v.)
an anibandha (q.v.) dance
dependant on emotional expression, a feature of
peraI]i (q.v.) dance; same as bagaQa (q.v.)
a de~I (q.v.) dance
a de~Inrtta (q.v.); same as ulrnukI (q.v.)
a de~I (q.v.) aflgahara (q.v.)
a kar31)a or dance-unit
a carl (q.v.)
a ~uddha or non-representational tli1]Qava (q.v.)
a carl (q.v.) performed touching the ground
a group dance (a variety of pI1]Q1bandha) (q.v.)
a pirouette; a spinning, revolving or whirling
movement
MA
a bandha (q.v.) dance
a mystery story
a classical dance style from Manipur
a bandha (q.v.) dance
a tala (q.v.)
the combination of carl (q.v.) movements
a margas thana or a standing posture of traditional
variety
a variety of rasa (q.v.) dance
an anibandhannta (q.v.); a variety of de~I (q.v.) dance
280
mauavali madhupacarl
madhyama mana manodhanna mayiiragati malliki masroati masrollllWroddhata
mahicarl mahodvrtta
m.it}~ matra marga marganitya
mirganrtta marg8J1!1ya
mukula mukha mukhacili mukhaja mukharasa mukharaga
mu~pa
GLOSSARY
a prakiranitya (q.v.); a de~initya (q.v.) a de~i (q.v.) carl (q.v.) described by Kohala who is quoted by Kallinitha in the commentary on the Sangltaratpakara a musical mode a feature of de~iIisya (q.v.) same as mana (q.v.) a gait simulating the gait of a peacock a minor drama a feature of de~iIisya (q.v.)
a vigorous dance mixed with delicate movements a forceful carl (q.v.) movement a karll1}a or dance-unit a de~i (q.v.) dance; same as gut;lc1-ali (q.v.) a musical measure classical or traditional a traditional dramatic presentation; a regional variety of dance found in the Sangltaniriy~a and the Sangltasirasamgraha an abstract classical dance a mimetic dance of the classical variety that generates rasa (q.v.) a hand gesture exposition the opening dance pertaining to facial expression and movement a feature of de~iIisya (q.v.) colouring of the face according to the character and the mood an anibandhanrtta (q.v.); a variety of de~i (q.v.) dance
MOVEMENT AND MIMESIS 281
mu~upacan
mudra
murat].Qari
murii
mu~ti
miirchana
mrga
mrgigati
mfdailgi
meIapaka
motita
yak~aglina
yati
yatinrtYa
yantra
yoni
yauvata
ranamurii
rathacakra
rasa
rasa~ti
rasavrtti
same as madhupacan (q.v.) but quoted by Kumbha as
mu~upacan (q.v.)
natural grace; hand gesture for religious ritual
an anibandhannta (q.v.), a variety of de~i (q.v.) dance
an anibandhannta (q.v.), a variety of de~i (q.v.) dance
a hand gesture
the ascent and descent of svara (q.v.)
a kalasa (q.v.)
a gait like a deer
a pattern of rhythm
part of a musical composition
a margas thana or standing posture of classical
variety
YA
a folk-dance from Andhra
a pattern of rhythm; a tala (q.v.); an anibandha (q.v.)
dance
an mimetic dance of the de~I (q.v.) variety
an auspicious diagram (7); mechanical device
an auspicious diagram from by a group of dancers
a variety of de~i1asya (q.v.) dance
RA
an anibandha dance _ T
a can aesthetic affect
a glance generating rasa (q.v.)
a feature of de~i1asya (q.v.)
282
rahasyamudra
raga
ragaUvya
ragllCiarlaniya
rajavilasini
rajaharnsagati
rarnakri~ rasa
rasaka
rasaklitika
rasika
rupaka
rekha
rekhlibandha
recaka
reva
laghu
langhita
l~
lata
latabhr8Jtl.aI)a
latavr§cika
laya
lalatatilaka
lali
la1ita
a mystical hand gesture
musical mode; melodic pattern
musical play
musical play to be seen
women of royal court
a gait simulating the gait of a swan
a minor drama
GLOSSARY
a ded (q.v.) dance; a minor (dance) drama; an
anibandharqtta (q.v.)
same as above
a play about Ktll].a and Radha in a regional language
a deSinrtta (q.v.)
major drama; a bandha (q.v.) dance
the imaginary lines described by the body in motion ;
a feature of deSilasya (q.v.)
a deSi(q.v.) can (q.v.)
a movement that involve streching
a feature of deSilasya (q.v.)
LA
a dance using minor kar3l].as (q.v.); a natya (q.v.)
a feature of deSilasya (q.v.)
a feature of deSilasya (q.v.)
a group dance (a variety of pil].cPbandha) (q.v.)
a pure (non-representational) tal].Qava (q.v.)
a kar3l].a or dance-unit
tempo; a feature of deSilasya (q.v.)
a kar3l].a or dance-unit
a feature of deSilasya (q.v.)
delicate; a deSi (q.v.) angahara (q.v.)
MOVEMENT AND MIMESIS 283
lalitoddhata lavat:li
laharlcalaia laga laganrtYa laghava
lavat:li lasika lasya
lasyanga lina lIIabhramat:la lokadharmi luthitollalita
vakrabandha vak,as vatl}am
vartana vardhamana vastu vakyarthabhinaya vaggeyakara
vaga~
vacika
vimabhrllIllat:la
a mixture of graceful and vigorous movements a feature of degIIasya (q.v.); same as navllI}i, namani
or tavat:ti a caIaka (q.v.) leaping movements a bandhanrtYa (q.v.) dancing with delicate movements an anibandharqtta (q.v.), a variety of degi (q.v.) dance a minor drama; a deginatya (q.v.); a degin!tta (q.v.) originally a dramatic art, later treated as a delicate dance style a feature of lasya (q.v.) a karat:la or dance-unit a pure (non-representational) taJ:1~ava (q.v.) the realistic convention of performance a degi (q.v.) can (q.v.)
VA
a bhiimican (q.v.) movement of the chest an item in Bharatanatyam which is a combination of mimetic and non-mimetic movements movement of the arms
a degi (q.v.) sthana (q.v.) subject matter miming the meaning of an entire sentence a composer musician a feature of perat:ti (q.v.) dance; same as bhavagraya verbal
a pure (non-representational) taJ:1~ava (q.v.)
284
vara
vika~
vikala
vi1qta
vikrama
vicitra
vicitri
vicitribhinaya
vicyavi
vi<J.u1igava
vitala
vidagdhi
vidyut
vidyudbhratnaQa
vidyudbhrinta
vidyuIlui
Vinivrtta viyogini
vilambitam
vilasamanda
vilisiki vivartana
vivrtta
vi,ama
vi,amataJ:i<J.ava vipmalaga
vihasi
a minor dramatic type
comic dance
a tldi (q.v.) angahara (q.v.)
a de§i (q.v.) angahara (q.v.)
a degi (q.v.)angahara (q.v.)
a tldi (q.v.) angahara (q.v.)
a marganitya (q.v.)
various ways of acting
a carl (q.v.)
a variety of bandhanrtta (q.v.)
a feature of deglIisya (q.v.)
a tldinrtta (q.v.)
a kalisa (q.v.)
GLOSSARY
a pure (non-representational) taJ:i<J.ava (q.v.)
a karll\la or dance-unit a degI (q.v.) Cml (q.v.)
a k8rll\l8 (q.v.); a degi (q.v.) sthina (q.v.)
a marganitya (q.v.)
a feature of deglIisya (q.v.)
a karat]a or dance-unit
a minor drama
a feature of tldlIisya (q.v.); a bandhanrtYa (q.v.)
a karll\la or dance-unit
an acrobatic dance
a difficult taJ:ieJava (q.v.) dance
difficult dance movements involving jumps
a feature of degilisya (q.v.)
a stringed instrument
style
vocal ensemble
a de§mitya (q.v.)
MOVEMENT AND MIMESIS 285
~cika
~cikakuttita
vaitalika
vaipota
v~ikha
v~ikharecita
vai~~ava
vyaiijana
vyabhicanbhava
vakyarthabhinaya
vyayima
vyayoga
gabdaprabandha
gamya
gikha
gataka
gintija
a karat}a or dance-unit
a karat}a or dance-unit
a bard; a general entertainer, a critic who is
knowledgeable in music
a degiIqtya (q.v.) of the bandha (q.v.) variety
a margasthina or standing posture of traditional
variety
a karat}a or dance-unit
a mirgasthina or standing posture of traditional
variety
rhetorical expression
transitory mood
miming the meaning of a sentence
excercise
a major dramatic type
SA
a degi (q.v.) dance
a bandharqtta of the degi tradition accompanied by
the utterance of musical syllables
same as above
a mimetic degi (q.v.) dance to the utterance of
syllables or notes; a bandharqtya (q.v.)
a mimetic bandha (q.v.) dance of degi (q.v.) variety
a time beat; a mimetic group dance where dancers
dance with sticks in hands; a dramatic presentation
body movement expressing meaning
a minor dramatic type; same as sanaka (q.v.)
a degi (q.v.) angahira (q.v.)
286
gavara gikhara
gmgaka
gUpaka gilpini
givapriya
gukagati
guddhapaddhati gplkhaIa
~alika
grnga grnganatya
~gabhinaya
grngara gravyakivya gri
grigadita
,idgaka
sanId'n:ta sanId'n:taneri sanglta
sangltaka
GLOSSARY
the use of body movements; one of the three components of iJ}gikabhinaya (q.v.)
a prakiiranatya (q.v.), a variety of degI (q.v.) dance
a hand gesture
a minor dramatic type, same as ,idgaka a minor drama; a deglnitya (q.v.)
a ddlnrtta (q.v.) a degI (q.v.) dance
a gait simulating the gait of a parrot presentation of a pure (traditional) technique
a group dance, a variety of piJ}~bandha (q.v.)
same as above
in the context of dance refers to erotic movement an erotic dramatic presentation of a regional variety
a mimetic movement containing erotic elements
erotic poetic compositon to be heard a musical mode a minor drama, a deginitya (q.v.)
a minor drama, same as gmgaka
SA
mixed an anibandha (q. v.) dance
vocal and instrumental music and dance
a mimetic dance
MOVEMENT AND MIMESIS 287
sattaka
sattva
sandaIMa
sandhi
samagaika
samapada
samapada
sama
samprek'lqlacarl
sarhlapaka
sallapaka
sattvika
sadhana
samanyabhinaya
swa
saIaga
saIat'iganeri
siIbhagati
sukalasa
sukumara
sukumaraprayoga
surekhatva
susandhi
siika
sii<.fanrtya _ T
suCt siilu saindhava
sau"hava
an upariipaka or minor drama; a de~i (q.v.) natya (q.
v.); same as Utaka (q.v.)
expression (in the context of dance)
a hand gesture
the juncture of a play (structural element of a play)
a double hand gesture
a foot movement; a margasthana or standing posture
of traditional variety
a de~i (q.v.) bhiimicarl (q.v.)
a pattern of rhythm
a de~i (q.v.) carl (q.v.)
an upariipaka or minor drama; a deg1natya (q.v.)
same as above
expressive
methods of practice
natural expression
a carl (q.v.)
music based on pure form, same as chayaIaga
an anibandha (q.v.) dance
a gait simulating the gait of a lion
a feature of de~iIasya (q.v.)
delicate
the graceful application of dance movements
a feature of de~iIasya (q.v.)
a feature of de~iIasya (q.v.)
a feature of de~iIasya (q.v.)
a bandha (q.v.) dance
a foot movement
movement simulating a flame
a feature of lasya (q.v.) (in the Bharata tradition)
grace; skill; an erect stance; a de~iIasya (q.v.)
288
skandhaka sthaya sthana sthanaka sthapana sthayibhava sthitapa!hya sthitavarta sthirahasta
snigdha<i!lti sphurita sruva srotogata svara
svarllIlUlQ!hanrtYa svarabhinaya svastika
halliga hallisaka hasta hastaneri
hastini harllsa hava hasika
hela hUQukka
a metre; a mimetic presentation atMa posture same as above; posture meant for men a feature of degilasya (q.v.) permanent mood
GLOSSARY
a feature of lasya (q.v.) (in the Bharata tradition) a carl (q.v.)
an angahara (q.v.) a soft glance a pattern of rhythm; a de§iIasya (q.v.) a feature of degilasya (q.v.) a pattern of rhythm a musical note a bandha dance in which musical notes are mimed a mimetic bandhanrtta (q.v.) of the degi (q.v.) variety a double-hand gesture, a sthana (q.v.)
HA
a degi (q.v.) natya (q.v.); a degi dance; a minor drama
same as above hand-gesture a de§I (q.v.) dance
a ddi (q.v.) J1!1ta (q.v.) a kalasa or concluding movement feminine movements a margana!ya (q.v.) (described as part of the de§I (q.v.) repertoire)
feminine movements a drum
BmUOORAPHY
Manuscripts
Damociara. SarlgJtadarp8{Ja, Bodleian Library, Oxford, MS. No. Mill,
47d.
Pu1}~a Vinhala Nartananir.{Jaya, India Office Library, London, MS.
No. 5197.***
Pu1}~a Vinhala. Nartananir.{Jaya, Asiatic Society Library, Calcutta,
MS. No. m.D. 5.
Pu1}~a Viuhala. Nartananir.{Jaya, Jaipur Khas Mahal Library, Jaipur,
MS. No. 6885.
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Research Institute, No. 17 (Jaipur, 1956)
AmarasiIhha Cosha, or, Dictionary of the Sanskrit Language, with an
interpretation and annotations, ed. H. T. Colebrooke, 2nd ed. (1825).
Agokamalla N,rtyadhyaya, A Work on Indian Dancing by A§okamalla, ed.
Priyabala Shah, Gaekwad Oriental Series, 141 (Baroda, 1963).
Basavaraja Sivatattvaratnakara, ed. S. Narayanasvami Shastri, Vol. I,
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Bodhayana. Bhagavadajjuk1yam, A Prahasana, ed. P. Anujan Achan,
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Kavi, Oaekwad Oriental Series, I-IV (Baroda, 1934-1964).*
289
290 BffiLiOGRAPHY
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Bharatamuni. Natya§listra, ed. Batuk Nath Sharma and Baldev
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MOVEMENT AND MIMESIS 291
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MOVEMENT AND MIMESIS 293
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** All references to the Sarlgltaratnikara are to the Adyar Library edition
of the Sarlgltaratnikara unless otherwise stated.
*** All references to the NartananirrJaya are to the India Office Library
Ms. unless otherwise stated.
MOVEMENT AND MIMESIS 295
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MOVEMENT AND MIMESIS 303
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INDEX
A
Agnipuri{1a 174, 177, 179-180,
182-184, 186-187, 189-190 ailkura 127
anga 14,39,43,45,55-58,61-62,72,75-76,78,84,89,92,
96, 101, 104, 133, 137, 145, 198,222,227,234,236,246
angahara 12, 14, 28, 32,42, 55, 57,67,70,72,77-78,80,83,
87,96,98-99,101, 104, 108, 110-112, 117, 119-124, 127,
136-137, 139, 142, 145, 147-148, 152,219-221,223,236, 241-243
angaharanartana 98 agratalasaiicara 213 agraplutacan 242 aiicita 20, 224 aiijana 79
agQitacan 243 aggatalan{tya, adrutalan{tya
248,251
anatiga 227, 236
ananta 98 anibaddha 198-199,210
anibandha 83, 85-86, 188, 194,
197-198,200-201, 210-211, 215,248,250-251,258
anibandhanrtta 200-201,203, 208-210
anibandhanrtya 84, 205, 250-251
anild 236 anumana 227, 236
antaralaga 224
apasara 184
abhimana 41 abhinaya 13, 16,61,69, 78, 84,
87,92,98,116-117,119,122, 125, 127-129, 145, 154, 165-166,171,205,219-220,231, 236,256
Abhijiiana§akuntalii 15, 157 Abhinayacandrikii 105
Abhinaya DaIpa{la 25-34, 58, 94, 105-107, 139, 152
Abhinavagupta 6,8-9, 18-25,
28-29,37,40-41,43-44,47,
52,61, 107, 113-114, 117,
122-124, 133, 138-140, 142,
145-146, 151-154, 159-160,
305
306
163, 166, 172-174, 176-177,
180-182, 184-191,216,225,
233,254
AbhinavabhiratI 15, 18-20, 23,
25,34,40,43,44,107,116-
117,122, 153, 174, 176, 185-
186,191,220,225,233
abhineya 174
abbineyartha 159-160, 173
Abhil~itirthacintima{1i 45 Amarakola 139, 159, 169 AmarasiIhha 28
Amaravatl 8
Amftinanada 189
Ambrose, Kay 5 Artha§itra 6-7, 155 ardhakuiicita 244
ardhanikutPka 20 ardhacandra 204-205 ardhasiici 67 ru~a 10,50,64,170,172-
173,176,185,192
AJariJkirasadJgraha 7, 189
ruarilkaruistta 140
ruparIti 245
ruapallava 214
ruapadma 27
avammasandhi 181
avatara 27,123
Avaloka 42,44,94,174
avahitthasthina 242
Asiatic Society Ms. 213 Mokamrula 60,75-76, 107,
149,246
uvalcrintasthina 242
~!idhyiyl7
ruaga 72, 245
ruita 67 aril§agati 237
ah~a 41
ruwacan 242
Akbar 84, 202
ikuiicita 244 ik,iptaka 99 Agamafjambara 20 angika 16,61,125-126,128,
130, 145, 171,225 angikibbinaya 14,23,30,43,
72, 79, 83, 87, 96, 126-128,
227
icirya 59,81
ina. inam 130,169
itodya 133
Ananandasaiijlvana 80,247
iditaIa 99,251
ibhoga 250
iyatasthina 242
arabhapvrW 87, 181, 191
iryigiti 161
INDEX
MOVEMENT AND MIMESIS
aIapti 199 aIapa 55,91,199,211,226
aIlipacan 32 lilipallava 67
lilI<jhasthana 215,243
li3unta 99 lislna 131-134 lihatiga 208 liharya 16,61,84,125,128
liharylibhinaya 15, 23, 79-80, 83
I
India Office Library 82, 191,
197
indriylibhinaya 76
u
uktapratyukta 133-135 ugra atigahlira 243 ugratara atigahlira 241
u~upa, urupa, uriipa 34, 85, 86, 93,99,215,249-251
Utk8Qfhitamiidhava 181
uttarnottaka 133-135
Utpaladeva 20 utplavana 28, 241
utplutikarat:la 55,57-58,62,67-
68,87,97,224
utslihavati 94
utsandita carl 243
utslltiDka 150 udgrliha 202,208-209,250 Udbhapt 20, 24
Udayagiri 8
Udiittakuiijara 180 udlittanliyaka 180 uddhata 22,122-124,137,144,
186
uddhatarnimtrnasroanrtta 22 Udyotana 162
upanayaka 180
Upanifad 6
upariipaka 42, 44, 64-65, 73, 113,115,117,123,141-142,
154-156, 163, 170, 172, 175-
176, 192-193
upanga 14,43,45,55,57,61,72, 76, 79, 84, 89,92, 96, 101, 104,145,222
upadhyaya 81 Upadhyaya, K. S. 158
Ubhayiibhisiirikii 19, 164 urudvrttli cap 243
uru~li,pt 67 urongaQa 147-148,235
uromat}~a 99 ulrnukl 94
ulllipaka, ullapyaka, ullopya,
ullopyaka 94,177-179,192
ullasa 227, 235
307
308
o
iirdhvajanu 214
iirdhvataqcJava 244
B
ekajanukasthana 243
ekatiUinpya 248,251
ekapadasthana 243
ekapadvasthana 243
e{lapluta 224
AI
aindrasthana 242
o
oyiraka 147-148,238
Odissi 2, 102, 105-106, 195-
196,210,212-215,217
KA
kakubha 180
kapechinna 99
kaprecita 67
kattari 93
INDEX
Katbak 2, 59, 62, 105, 160, 195-
196,201-203,205-209,229
Kathakali 63,77,105-106,232
Kathisaritsigara 161 kanduka 63,234,237
kamala 85, 251
kamala 24
KanakivatImidhava 190 Karnaa, Rani 212
karaiiji, kur~jI 95, 103, 252,
254
kara\1a 101
kar~a (rqtta) 13-14, 17, 19-20,
32,46,55,57-58,61,63-64,
67-68,70,72,76-78,80,83,
85,97-99,102,104,108,110-
11, 119-120, 126-127, 133,
135,137-138,145,154,212,
214-215,217,223-225,230,
233-234,236,241-246,249-
250, 252-253
kar~a (hasta) 80
kar~aneri 214-215
karJ}a 177, 180
KarJ}ata 232, 246
karJ}atagolaka 101
kartarIrnukha 77
karma (basta) 80
Karmakar, R. D. 162
karmadhiraya samisa 110, 132
MOVEMENT AND MIMESIS
KarpiiramaiijarI 7, 19,53, 140,
162, 188, 190-191
karu1]atala 158,
karu1]arasa 180, 242
kalaga 244
Kalanidhi 25, 60, 79-80
kalasa 77,81,97,232,246-248,
258
kalasakarlU}a 97
kalasalasya 244
kalpamla 252
kalpanrtYa 93, 251-252
kalpavalli 178, 180, 192
Kalyanpurkar, M. S. 208, 229
kalla 208
Kallinatha 8,24,60,76-77,79,
89
Kalhana 24
Kavi, M. R 18,68, 114, 133
kavicara 233
Ka~ayaverna 161
Katz, Jonathan 29, 56, 71, 93,
102, 164-165, 198
Kane, P. V. 7,13,
Kamadatta 186 Kiimasiitra 6,7,173,177,184
klirul)ika 241-242
Kalasena 78,
Kalidasa 19,53, 140, 155, 157,
161-162, 164
Kale, M.R. 157
kavya 6,10,19,50,64,94,117,
168, 173-174, 177-180-181,
192
Kavyakautuka 24 Kavyarna1a edition 25, 131,
158, 172
Kavyadma 19, 140, 158-159,
161,177
Kavyanusasana of Hemacandra 24-25,44, 174, 177-178, 182,
186-187, 190-191
Kavyanusasana of Viigbha{a 174, 177-178, 182, 186-187,
190-191
KavyaJamkara 157, 159-160,
177
Kagi edition 131, 172
ka~!ha 95, 103, 252-254
kahala 101
kiliki1]i 31, 207
kittu 227, 235
kinnara 159
KIrtidhara 20,61
kirata 239
Kerala 232, 234, 238
Keliraivataka 191-192 Kuchipudi 215, 248
kuiicita 99,244
Kuyanlmatam 7,19, 140, 155-
156,163
ku<;{upa 86,209,251
309
310
kUl}~aliivartakacarl 243
kUl}~i 244 Kutniirila 173-174, 177, 187
Kuruvaiici 189
KuvalayamaJa 162
kuvii~ 34,204
Kusumapura 164
KJiiiSva 7 ~l}a 87, 156, 161-162, 181,
226
Krishnamachariar, M. 7, 18,
25,43,54,60,82,83,90,91,
98, 173
lc:!ll}asaragati 244
kai~i1dvrtti 40,49, 142, 150, 179, 181-182, 184, 186, 190-
192 kaivrtana 85, 251
kaivara 225, 233 kaivlila 35-36
kokila 213 Kothari, S. 105
komalikii 238
kolliita 63,237,240
kolkiitika, kolliitika, kolhiitika 45,59,70,81,240
Kohala 8, 10, 19-20, 33, 54, 60,
94,99,103-104,142,144,
151,159,165,172-173,180,
253,258
Kauplya 155
kauliita 234
kriyii 208-209
KrIljirasatala 189
krl~iiriisaka 188
kraunca 213
kfetra (hasta) 80
Kfemen(Jra 142
KHA
kh~gakaliisa 248
kha~gabandhiicarl 243 kh3J].~amatra 181
kh3J].~siici 206 kharjurika 204
Khokar, M. 106, 212 GA
Garlgatarangika 184
gangiivaurr3J].a 97,224
gaja 213
gajagati 244
Gajapati N"araya1]adeva 93,
gajara 208
gaI]achandas 161
. Ganapati Shastri, T. 54
INDEX
gati 27,32,62,81,92,98,197,
244,247
MOVEMENT AND MIMESIS
gatistha 237
gandharva 134
gandharvaranjaka 68 garbhasandhi 181
garu<J.apluta 137
gana 134, 137
gandharva 159
GiindharvanirQaya 180
gayana 133
garu<J.asthana 243
gIta 53, 72, 78, 84, 89, 93, 118-
119,133,165,208,225,248
gItaklidyabhinayonmukhanrna 21
gItanrtya 93,250-251
gItaprabandha 85,249
GitaratnavaJI 11, 62
gItavlidyatli 236
gIyamanariipaka 160, 176, 190
gunja 252
gUl]<j.alI, gOl]<J.all, gaul]<j.alI 55-
56,59,63,70,73,82,87,92-
93,225-226,229,231-234,
244-246, 248,251
gUl]<J.lila 85
gUl]a 64
GUl]acandra 24, 43-44, 107,
151, 158, 177-178, 183-184,
187,222,254
GUl)amaJa 182
Gurjara 101
gulma 114-115,143
Grhyasiitra 6 Gairola, V. 31
go 138,
goppua 212
gopanarl 252
gopI 156, 188
gopucchayati, gopucchika 204, 214
gobaJivardanyaya 138
Govindlicarya 105
go,thI 94,173-174,177-179,
181,192
G.O.S edition 131
Gau{lavijaya 181
geya 134,174
geyapada 133-134
geyariipaka 44, 174
geyallisya 191
Gerow, Edwin 37,64
Gam 66,
graha 205
grlima 93
grammatical literature 6
OHA
ghatasa, ghapsa, gha<J.asa 239
ghapsanI, ghaps~rl 63,234,
237,239
311
312
Ghan~yamdasa 71, 102, 107,
254
gharghara, gharghan 59, 207-
209,225,233
Ghosh, M. M. 26, 29, 31, 127,
CA
CaDCU 101
cakkar 206, 229
cakratnal)~ala 99
cakrabbraman 36, 62, 206
caccatputa 245
Cakravarti, Narahari 102
Chatterjee, G. 229
Chattopadhyaya, S. 47, 131
cat}~ana 237
cal}daIi 239
cat}gikasthana 242
caturasra, caturagra 249
caturasrapada 133, 135
CatvirirMacchataraganiriip;qta 35
candraka 79
candrivarta 214
camatkiranrtta 93,251
carcan 19,20, 63, 81, 156, 162,
163,166,167,183,191,234,
247,257
caryipada 239
calivali 235
calli, cilli 163
citaka 213
INDEX
cirat}a 45,59,63,70,234,237,
239
can 14,17,28,32,46,55,57-
58,60-62,67-68,70,72, 76,
80,85,87,96-99, 10-102,
104, 111, 122, 126, 145,215,
222-225, 234, 236, 238-239,
241-244,249-250,253
calaka, calana 60,76,98
cali 147-148,235
caliv~a 147-148
ci,agati can 242
cil}tu, cindu 63, 85, 93
citra 111,178,186,226,233
citri 94
citrakalasa 85
citrakivya 178,180
Citralekhi 157
citribhinaya 15, 23, 76, 79, 84
Cinnasatyam, Vempati 215,
229-230
crrantana 123, 142, 174
Cidambaram 152
Cii{lam;qti 182
ce'ti1qta 127 Coomarswamy, Anand 5
Colebrooke, H. T. 169
cauki 212
Classical Indian Dancing 3
MOVEMENT AND MIMESIS
Classical and Folk dances of India 59, 105
CHA
chalika, chalita 19, 141, 156, 161-162, 166-167,173,177, 182
chiiga 213
chiiyaniita 101 chiiyalaga 226,233 chalikya 161-162 churita 73, 246 Chau 212-213
JA
jakkaQI, jakkari, j~ 86, 95, 103, 202, 208-209, 251-252, 254
Jagaddhara 157 janantika 40 janitii carl 243 jayadarpa 67 jayanta 79
J ayantabhana 20
Jayiipi~ 23-24 Jaipur Khasmahal Library 82
jiiti 54 jiitiyahasta 31
Jam Sattarsal 86
Janaki, S.S. 186
Jiiya Seniipati 11, 23, 53-56, 60-62,64-65,76, 107, 144-146, 149,171,231,234,238-240,
248,255,259 Jahangir 90 jugupsitii 94 Joshi, N. 204 Jaina texts 6 Jainasiitra 22, 52, 113
JHA
jhaJ\kii 227, 236 jhampiitala 214
TA
takka 180 Types of Sanskrit Drama 5,
Thakur, Bhavananda 71
!hevii 238
~ala 235, ~ 150 cprnikii 94
313
314
~Uiyi, dhilliiyi 227, 235
~omikii 94
~ombalikii 174
~mbikii 1~3-124, 173-174,
177-178, 182, 192
~ombi 50, 168, 178
Qhiila 227
TA
T~~u 110,121,132,166
tatkar 59,207-208
Tan~avinita 173, 177
tarahara, tharahara 227, 235
tala 236
talapu,paputa 97, 137-138
talaviliisita 214
tav~i, namani, nav~i, lav~i
227,235
~~va 13,21,27-29, 32-33,
38-39,46,57,61,66,69, 72,
79,84,87,92,95,101,103,
108, 110, 112, 116, 119-121,
123, 125,132, 138-141, 144,
146, 151-154, 159, 166-167,
225,227
~~vavidhi 13
ti thoi to nim 245
INDEX
Tamilnii~u 130
tala 15,32-33,36,51,57,65,
72,84,90-91,93, 119, 140,
145, 147-148, 159-160, 163,
165,181,187,198,203-205,
215,221,241,243-244,248-
249
talariipaka 251
talalayii§raya 38
talaviidya 188
tirapabhranruui 206-207
tiryakar~a 86, 251
tivap 205
Tura~a 252
tiikali 227
tumbikii 94
qtiyanrtYa 251
trkani 235
Telang, M. R. 35
totaka, trotaka 94, 175, 177-
179, 182, 192
trigiiQhaka, trimiiQhaka 133-
134
tripatikii 40,42,224
tribhangi 212
Tivandrum Sanskrit Series 54,
227
tri§iila 27
MOVEMENT AND MIMESIS
DA
Daqa 112
dalqittabbramat}a ti1}~va 244 Dattila 10, 20, 34, 94, 159, 258
Dattilam 159 dance-sequence 223
dance-unit 223
dwg~pak,a 213-214
dwg4arisa 55-56,81, 158, 183-
184,188,191,225-226,234,
237,247,251-252
dwg~isya 244 dwgcpki 244 DwgQin 19, 140, 158-159,161,
173,177,254
dwgQini 94
dardiira 213
dadanakarma 21 DaJakUm8racarita 238
DaJariipaka 7, 15, 22, 28, 36-
40,42,44,46,51,54,78,79,
94, 107, 123, 140, 151, 155,
167-168,174,177,216
da§ivawahasta 31
Damodara 89-90,98,107,200,
238,251
Damodaragupta 19, 140, 155,
158
Das, Ramgopal 71
Dasgupta, S. N. 36, 64
disiittam 130 durmalIi 94
durmiliti 178
durmalliki 94, 177-179, 187,
192
DiitJkarmaprakiJa 83
d!lp 27,89,236,253
dpyakivya 64, 141
De, S. K. 174,
deva 21,
devastuti 121-124, 137-138, 152
devahasta 31,
Devi 117, 121, 137-138
DevImahidevam 180
Deverappa, H. 100,
c:tegi 27, 33, 37, 39, 46, 50.54-59,
61-64,67,70-72,75-78,80,
81,82,91,94,96-97, 102-
103, 144-145, 148-150, 188,
194,197-198,201,207,215-
220,222-234,237-238,240-
241,243-247,251,259
c:tegikanarl 251
c:tegikira 235
c:tegigitanrtYavidhi 81
c:teginitya 94,97,103,252,254
c:teg~ 94-95,97,101,188,
225,253
c:teg~a 55,82,93,95,97,225,
248,252,254
c:teg~avidhi 248
315
316
deSlpada 62
deSlyanrtta 69
deSIIasya 55, 145,228,234
deSyanga 55,149,228
De Zoete, Beryl 5 daivika 244
dolapada,<}.olapada 99
do~a 64, dohaka 81,247
dvigii<}.haka, dvimii<}.haka 39,
133-134
dvipadi 19-20, 141, 156-158,
166-167, 173, 177
dvipadIkhaJ}.<}.a 158, 180-182
~avi<}.a 59,238,250
DHA
dhammilla 79 Dhanaiijaya 29,36-42,47,51,
107, 140, 167-168, 170,216,
231
Dhanika 40,42-44,47,81,94,
168-170, 177-178, 180-182,
184, 186-187, 189
DhartnaSastra 6
Dharu 85, 93, 215, 249-250
dhasaka 147-148,236
dhatu 199
dhiirta 124
INDEX
dhiiva<j.a,dhruva<}.a 34,85,93,
249,251
dhyanaSloka 71
dhruva 208-209, 245, 248
dhruvagitanrtYa 93
dhruvapadanrtta 85, 249-250
dhruva 101
dhvani 64
NA
nak,atramila 73
nata 45,70,81
natana 31, 100
natasiitra 7 napbhava 36
natibhavanuupa~a 36 na<J.aneri 251
natajanuka 85
Nandi, NandIkeSvara 20, 25,
24-27,105,107,112,139,241
NandIbharata 25 nandimaIi 186
nandiyasthana 243
nartaka 45,59,70,81,101,170
nartakabha,a 68,
n~ 45,101, 114, 141, 152
nartana 46,57,84,92,94,96,
170-171,208,231
nartanaka 141, 158, 161, 178,
182, 185, 192
MOVEMENT AND MIMESIS
~an3nankpaya 2,18,59,82-84,87-88,91-93,96,98,102-103,107,158,160,188,194-
197,200-208,210-215,229,
238,248-253,255,259,260 ~an3nasarvasva 32, 105
~armavati 183
navagrahahasta 27
Naidu, S. 152 Naidu, V. 152
Nigananda 7
nata 59,101
na~a 45,47,66,131-132,182-
183
na~aparibha,a 48
Ni!akalaqll{Jaratnako§a 47 -49,
107, 146, 151, 160, 174, 177-
178, 180-182, 184-191 napka 94, 174, 176-179, 185,
190-192
naii 183 natya 16,22-24,27-29,31,37-
38,46,51,53,57,61,66,72-
73, 78, 84, 87, 89, 92-96, 100,
102, 108, 128-130, 134, 136,
139, 169-171,225,227,240,
244,251
Nityadarpll{Ja 24-25, 43-45,
107, 151, 158-159, 162, 169,
174, 178, 181-186, 189
natyadhara 189
natyadharmi 15, 92 natyatqtya 69
natyarasaka 63,81,94, 115,
163, 173, 177-179, 183, 188,
192,234,237,247 natyavidhi 22,
natydMa 95 Nitya§§saa 2,6-11,13,16-24,
27-28,30-31,34,37,39-41, 43,45,48-49,52,55,57-58,
61,66-67,69,71-72,74,83,
85,87, 102, 105, 107-108,
110-113, 117-119, 123-127, 130-131, 133, 136, 139-140,
142-146, 149-155, 158-160,
163-164, 166, 172, 176-177,
179-180, 182-185, 187, 189-
191,197,203,218-225,228, 234,237,248,256-258,260
Nitya§§saasarhgraha 105
natyaveda 69,94,102,108 nada 72,91,93
nanirthadyotakahasta 27 lVamalinganu§asana 28
ninlivafi 85,99,205,250
~arada 20,25,34-35,107,139
NiradIya Sik~§ 34-35 nikuiicita 244
nijap~a 235
Nijenhuis, E. T. 25,26,35,37,
54,56,71,74,77-78,90,102
317
318
nitamba 137-138 nibaddha 198-199
ni§umbhita 213-214 rurlijitapadma 98 nrtta 13, 16,21-22,28-29, 31,
37-39,46,51,53,55,57,61,
63,66,69,78,84,85,87,92, 94-95, 100, 102, 108, 110-
111,116,118-119, 121, 124-
130, 132, 136, 138-139, 142,
154, 165-166, 169, 171, 197-198, 208, 216, 219-220, 225,
227,251,256
nrttaklivya 19,21,115,176,182
nrttacara,rqttavara 189 nrttapradhlinarligaklivya 176 nrttaprayoga 110, 132 nrttahasta 26, 33, 74, 79, 102,
111,236 rqttitJnakaprabandha 159 N"rttaratnavall 5, 11, 19, 23, 28,
32-33, 53, 58-61, 68, 75-78,
81, 104, 107, 114-115, 142,
144-145, 171, 185, 188,207,
217-218,223,228-229,234,
236-239,243,246-247,249,
258-259
nrtYa 28-29,31,36-39,42,46, 50-51,53,55,57,61,63,65-
67,69,72,78,84,87,89,91-
92,94,,102, 108, 129-130,
INDEX
139, 154-156, 167-172, 175-
176, 180, 193,208,234-236, 251,256
nrtYaklivya 44 nrtYabhliva 68 nrtYabheda 40,42,44,48,50,
52-53, 81-82, 94, 115, 123, 143,169,172,177,247
N"nyaratnakosa 60, 63, 75-77,
79-82,97, 107, 149, 172,232,
239, 246-248, 253 nrtYavinoda 45, 170 rqtyahasta 79, 127 N"nyadhyaya 28,60,75,77,80,
97,107,149,232,246-247, 253
Nrsirilha 123 neli 38
netra 127 Neog,M. 74 neri 85, 249-250
nyaya 61,97
PA
Pancamasarasarhhita 35 Patnaik, D. N. 12, 105 patiUkli 27,42,95,249
padam 189
MOVEMENT AND MIMESIS
padirthabhinaya 42, SO, 115, 141, 158, 160, 167-171, 176-
177,187
Pantulu, V.R. 152
Paramardi 53
paryastaka 43, 119, 220
parivrttasthina 243
pata 236
pa~i 62
patiikfara 237
patbya 78
PiiI}ini 7
patta 133
pada 28,36,62,66,101,110
padapata 237
ParasIka 202, 208
Pirvan 26, 57, 66, 116-117,
120-122, 136-139, 152
pmvakuncita 244
pmvajanu 214
P-mvadeva 51, 53-56, 58, 76, 107,149,171,222,225-229,
231,233-234,255,259
pill1}ipi~thana 243
parijataka, parijatalati 178,
183-184, 188, 192
pata 55
Pingree, David 136
pir}~ 112-114, 119, 142-143
pU:tcPbandha 13, 16,22,24,52, 108, 110, 112-116, 119, 143-
144, 154, 160, 183, 188
pipilika 204 pitbamarda 180
Pu1}c;tarika ViWtala 2, 32, 59,
82-83,86,89,99,102,107,
158, 160, 194, 196, 199-200,
210,215,238,248-249,251-
253,255,259
purimftya 72
Purandara 164
PUI'a1}c;tar1 25 1 Purandaravijaya 164 PuriiI}a 6, 16, 136
pu,pag31}c;IU[a 133-134
pu,panjali 33,87,219-220,223,
231-232,244-245,249 piirvaranga 48,69,71,96, 111,
116, 121-123, 128-129, 165-
166, mtbottanatalasthana 243
pekkh31}a 55, 56, 63, 225, 226
Persia, Persian 202,203,251,
259
perll1}a, per31}i, prer31}a 32, 55-56,59,63,70,71,81,87,92-
93,95,103, 173, 177-178,
185,192, 207, 225, 229, 233-
234,237,244-247,251-252,
2S4
319
320
Poddar,R.P. 140 post-rnarga 201 prakarat;la 131-132, 184, 192 prakarat}i , prakarat;liki 94,
178,184 prakiranitra 95, 97, 252 praldn:ta 90 pracira (hasta) 128 pracchedaka 133-134 Prajiilinlinanda, Svarni 35 Pratijiiajaugandharayana 183 pratitila 248 pratimukha 133, 135 pratyanga 30,45,57,61,72,76,
79,84,92,96,101,104,222 pratyilI~asthlina 243 prabandha 57,90,198 prabhi 162 pr~a 85,92,93,221,227-
228,237,252 prayoga 128 pravrtti 16 prastivani 161 prasthlina 94,168,173,177-
179,184,192 prahasana 150 Pr~ 75,133, 135, 160, 190 pr~a 87-89,91-93,204,251-
252 pnti 89 preqat;la 94,179
INDEX
prek'at;laka 161, 177-178, 184, 192
prek,yaprabandha 42, 115, 158, 160, 168, 170, 176-177,187
prek,yirtha 159, 161, 173 p~a~a 177,184-185,234,
237,244 p~at;li can 244 prerat;li 244, 248 plavakalga 246, 250
BA
bakakalisa 246 batu, batunrtta 86, 213-214, 251 baddha 198, 200
bandha 83,85,194,197-201, 210-211,215,258
bandhanrtta 85-86, 102, 107, 200-201, 210-215, 249-251, 253
bandhanrtya 83, 93 Balarima 161 Balaramabharatam 105
balivarda 138 bahurOpa 63,95,103,234,237,
246,252,254 blindhavahasta 31 bilakr1Qi 186 BaJacarita 184, 191
MOVEMENT AND MIMESIS
Bilivadha 185 Basavarija 100, 102,'107,253
babyabbranuui 249
Bibliotbeque Nationale 90
bindu 95
Brhadd§i 32,54,79,198
Brhaspati 32, 54
Burnier, Radha 56
budhagraha 27
Buddhist texts 6
Bodleian Library 90
Bodhayana 189
Bose, M. 6,49,68,72,74,77,
85,90,106,108,194,199,
221, 248-250, 252
Bose, N. 196
Bowers, F. 5 Brabtruqla 6
BHA
Bhaktiratnikara 71 bhagnatala 181
BhagavadajjukIya 189 Bhadramukha 112
bhadrasana 22,52,113
Bhattata1)4u 10
Bhattatota 10,20,24
Bhattayantra 20
Bharata 2,7-10, 13-17, 19-28, 30, 37-39, 41, 45-49, 51-52,
55,57-58,61,63-64,70,72-
73,80,81,87,97,99,105,
107-113, 115-118, 121-133,
135-136, 139, 144-146, 148-
150, 152, 154-155, 165-166,
168-169, 172, 179, 194, 197,
203,206,210,217-224,227-
232, 242-243, 245, 255-257,
259-260
Bharatako§a 77
Bharatanatyam 30,96, 130,
169,189,195,220,231,235
BharatiqJava 25-28, 31-34, 77,
107,218,223,241-244,246,
249,255
Bharatirthacandrika 26 Bhavabhiiti 140
bhit}a 38-40, 43, 48-49, 52, 64,
73, 123-124, 131-132, 144,
150-151, 153, 168, 173, 177-
178,185,186 bhit}aka 40, 48-49, 124, 178,
185-186, 192
bhit}ariipaka 186
bh~i 49, 123, 173, 177-178,
186-187, 192,
bhal}i 49, 168, 177-179, 186-
187,189,192
bhit}4a 110, 133
321
322
Bhandarkar 157 bhiQQWki 63,234,237,239
Bhimaha 157-160, 173, 177, 187,254
BhiiratavaIla 50 "Bhiirater Sistriya NrtYakali"
105 bhiirativrtti 184, 186, 191
bhiva 18,27,49-51,64,69-70, 72, 92, 125, 133, 135, 140,
156, 167, 169, 171,227-228, 235
bhivaneri 251 Bhav~raka§ana 25,42,44,48-
49,52-53,94, 107, 123, 142, 146-147, ISO-lSI, 161, 163,
177-178, 181-191 bhivibhinaya 76 bhiviSraya 29,38,51,168,171,
233 Bhisa 184, 191 bhilluki 94
blllma aAgahiira 241,243
bhujaAgatrasta 67
bhujaAgatrasiti em 249
bhujaAgabhr~a tiQ4ava 244
bhiimicari, bhaumacm 242-243 bhedyaka 112-114,142-143,
146
Bhejjala 160
INDEX
Bhoja 41-42,44,47-48,50,54, 107, 115, 141-142, 156, 158,
160-162, 164, 168, 170, 174,
176-178, 180-181, 183-191,
254
bhramari 28, 36, 55, 58-59, 62,
67-68,80,85,89,97,206,
208-209,229234,236,239,
241,245-246,249 bhrli 127
MA
makaradhvaja 145
IlUll}thanrtYa 248 IlUll}thaka 248
IlUll}cJala 14,28,58,61,70,72, 77,80,87,96-97, 101-102, 104,145,242
llUll}cJa1asthana 98 IlUll}cJalarisaka 188
rnal}cJi 85,251 Mata1\ga 10,20,34,54, 198,
258
rnauavaff 95,103,252,254
Madaniradhana 164 Madanikikamuka 188
rnadhupacm, mucJupacm 60,
76,80
rnadhyarna 101
mana 147-148
MOVEMENT AND MIMESIS
Mankad, D. R. 5,156,165,175,
185 Maniipuri 105, 160,211,229,
235,239
Manus1J1[ti 7
manodharrna 236
Mammata 64, mayiira 213
mayiiragati 244
Mayurbhanj 212
fiUUlika 178, 187, 192
masp).ata 236 masp).amigroddhata 22, 160
mahacan 122
Mahapatra, Kelucharan 212,
215
Mahapatra, M. 105
Mahara1}a Kumbha 8, 60, 68,
75,77-78,80-82, 107, 149-150,172,239,246
Mahara¥tra 101 Mahara¥trl 161 Mahegvara 112, 121, 137
mahodvrtta 67 ma1}<J,a1I 73
matra 181
Matfgupta 34-35
Madhava 157
Madho Singh 83
Man Singh 83
M5.n8so11iis8 45-46, 53, 57-58, 107,142,170,216-218,222-
224, 259-260
M5.nikyavallikii 180
manu¥a 245 Mayakiipiilika 191
marga 9, 29, 36, 38-39, 46, 50,
54,57,61,63,65,70,77-78,
80-81,91-92,94,96-97, 102,
144,149,194,197,199,201,
217-218,237,247,259
marganatya 94,103,252,254
marganrtta 101
marganrtYa 69
~arlc8vadha 180
MiilatImiidhava 157 Mlilavika 161, 164
Miilavikagnimitra 7, 19, 155,
161-162, 164 Mirror of Gesture 5 Mitra Shastri, A. 163 MImiiIiJsakO§8 138
Misra, M. 106 Migra, Puru~ottama 71,95, 107
mukula 27
mukha 127,133,135
mukhaclili 85,92,99,249,251,
253
mukhaja 127
mukharasa 227, 238
mukharaga 92
323
324
mUQupa 80, 85, 251 mudrii 18,85
~ughru 195,202,259
murchanii 54
muraJ.lQarl 85 murli 85,251
mu~ti 27 mrgakruiisa 246
mrgIgati 98
M[cchakapka 164
mrdailgI 204 medhii 89
meliipaka 250
mok~a 29, 36, 56
motita 242 ~ohiniattam 105-106, 130,
169,234,238
YA
yak,agiina 158 yati 93,215
yatinrt}'a 248-251
yantra 52
yavana 202,208-209
Yadavodaya 181,
yoni 113
yauvata 73,95,103,246,252,
254
RA
rang-manch ki tukra 206
ragamurli 251
rati 41 ratnanak,atramiilii 42, 73
Ratnavall 7, 19,53, ISS, 157-
158, 162, 164, 183
rathacakrii 249 rathyiitiila 180
Rambhii 161
INDEX
rasa 17,27,38,41,47,49-51,
64,69-70,78,82,87,89,92,
97, 121-122, 133, 135-137,
141, 147-148, 156, 162, 169, 171,180
RasakalpavalIl 71 Rasakaumudl 86, 87, 92-93,
107,251
rasadnti 98
rasavrtti 236 rasasraya 51, 168
RaslinJavasudhlikara 48
rahasyamudrii 18
riiga 54-56,71-72,86,90,91-
93, 147-148, 180-181, 183,
198,225,231
riigakiivya 19,21,44,115,117,
123,160,176,180
riigadadanlya 176
Raganliray8{1a 83
MOVEMENT AND MIMESIS
Raganiriip~a 35
RligamanjarI 83
Rligamlilli 71, 83
Rligavibodha 91
rlig~i 91 Raghavan, V. 5, 11, 19,22-26,
34,41,47,49,53,60-62,78,
83,90-91,98,101,104,113-
115, 145, 156-161, 163, 165, 167, 174-176, 182-186, 190,
192,236-241
Rlighavabhana 15, 157
Rlighavavijaya 180
Raja, Kunjunni 56
Raja, Kunhan 78
RlijataraIlginI 24
Rlijapra§nlya Siitra 7, 22, 52,
113
rlijavilasini 101 Rlija~ekhara 19, 53, 140, 162
rijaharimagati 244
Rlidhli 156,160
RlidhlivipraIambha 160
rlirnlikri<Ja 173, 177-178, 187,
192
RlimliyB{Ja 159
Rlirnacandra 24,43-44, 107,
151, 158, 169, 177-178, 183-
184,187,222,254
Raya, Raghava 74
Rao, M. 204, 206, 209
rasa 86,159, 161, 187-188,251, rlisaka 63,81,94, 115, 141, 156,
159-160, 165-168, 173, 177-
179, 181, 183, 186-188, 191-
193,234,237,247
rasakliDka 160
rasikli 94
rasatala 160,249
Rlihula 20, riti 64
Rudra 66
Rudrata 20
rudrak,a 238 rfipaka 38,44,52,64-65,73,94,
150, 168-169, 174, 177, 183,
190,247
rfipakanrtYa 251 ~li 70,82,85,89,92-93,230,
235,245,249,252
~libandhlicarl 243
recaka 61,70,85,87,101,110-112, 116, 136,249
Rele, Kanak 106 revli 227
Rocher, L. 16,136 raudrarasa 22,122, 162
LA
l~mitila 99
325
326
laghu 46, 57, 69, 79, 84, 87, 92, 95,103,251
laIi.ghita 237,247
la9hi 147-148 lata,latabandha 112-115, 142-
143,188,214
latabhramlU}ataQ~ava 244 latavtscika 214 laya 51, 141-142, 147, 157-158,
160,163,165,167,205,208, 215,236,249
lalatatilaka 213-214 lali 227-228,235 lalita 57, 117, 121-122, 124,
137,141-142,147,186,241-242
lalitoddhata 186 laharIcalaa 98 laga 249 laganrtYa 251 laghava 170 Uta 101 Lath, M. 34, 134, 159
lavaQ! 85,205,251
lasika 94, 179, 189 lasya 7, 15-16, 19,21,23,27-
29, 32-33, 38-39, 46, 49, 55, 57,61,66,69,72-73,75,79, 84-85, 87, 92, 95, 101, 103, 108, 115, 124, 120-133, 135-147,149-156,159,163,165-
INDEX
167,170,173,177,180-182, 188-189,193,225,228,234,
236-237,243-244,246,251 lasyanga 38-39,43, 48-49, 52,
58,62,64,67,70,73,75,77, 81,85,87, 139-140, 144-147, 149-151, 183, 186-187, 189, 228,229,232,234,238-239,
244,246-248,252,254 una 137-138 lilabhramlU}ataQ~va 244 luthitollalita can 243 lexicons 6 lokadharmI 15, 92
Lollata 10, 20
VA
vakrabandha can 243 vaca 89 Warder, A. K.156, 158-159, 161-
162,165,173,176,179-180, 182, 184-190, 192
varQa 108 varQam 189,220 vartana 76,127-128,236
vardhamanasthana 247 Varma, B. 183
Varma, K. M. 5,22 Varadapande, M. L. 7
Vararuci 19, 164-165,
MOVEMENT AND MIMESIS
vastu 38, 162
vasanta 183
vakya 64,169 vakyinhibhinaya 42, 168, 170-
171 viggeyakira 68
Vigbhata 174, 177-178, 182,
184, 186-187, 189-191
vig~a 225, 233
vacika 16,30,61,125,128,145
Vatsyayan, K. 5,6,8, 104, 105
Vatsyiyina 173-174, 177, 191
vidya 53,57,65,72,78,84,87,
90,91,93,165
vidyinusiri 21
vimabhraIrUqlatil}4ava 244
vira 189, 192
vasakatila 180
vikata 46. 57. 69, 79. 92. 95. 103, 170, 243(angahara),251
vikala 241,243
vilqta 241
vikrama 241-242 V~orva§iyam 53, ISS, 157,
162,182
vicitra 241-243
vicitri 94
vicitribhinaya 76
vicyavi carl 242-243
vita 124
vi4uligava 85, 249
vii}.i 87, 91 Vipivatl 186-187 vitala 236
vidagdhi 94
Vidyiratna 240
vidyutkalasa 246
vidyudbhramm;tatit].4ava 244 vidyudbhrinta 137,214,224
vidyulllli 242
Vidhurapap{lita Jitaka 7
viniyiki 189
viniV}1taSthina 99, 242
vipralambha 236
VilisavatI 183
Vipradisa 68,71,107,245 viyogini 94
virarasa lSI, 161
vilambitam 247
vilasamanda 67 vilasiki 178,189, 192
vivartananrtYa 236
viVftta 99 Vi§ikhila 19-20 Vi§vanitha Kavirija 42, 48, 64,
65, 107, 146, 170, 177-178,
181,183-184,189,254
vifama 46,57,66,69,72,79,
84,87,92,95,103,170,233,
245,251
yifamatit].4ava 66
Vi,J.lu 18
327
328
Vi~{1udharmottara Pll1Ti{1a 7,
16-18,28,30,45-47,52,107,
129-130, 135-136, 139,216,
218,225,228,258
vihasI 147-148,236
~ 16,38,58,69,81,95,181
vrndaka 94
vr§cika 99
vr§cikakutPta 99
vega 89
Veda 6,108
Vedasfiri 8,98,107
Vema 238
Velankar, H. D. 162
vaitaIika 45,59,70,81
vaipota 93,251
vai~akhasthana 212,219,231,
242
vai~akharecita 99
vail1}avasthana 242-243
Vogel,C. 29
vyafijani 64
VYibhicmbhiva 17, 38
vakyirthibhinaya 50
Vyas, D. J. 207
vyayama 14,61,111
vyiyoga 150
INDEX
SA
Satikara,Siva 18, 66, 101, 112,
116,120-122,132,136-137,
166
Sankuka 10, 20
Satru~alya 86
Sani 27
~abda 103,253
~abdacili 85,93,99,249,251
~abd~ta 85,93,103,251
~a~a 93,251
~abdaprabandha 85, 249
~abdilankira 141
Sharnbhu Maharaj 206
~arnyi 19, 141, 156, 158-159,
166-167,173,177,188,208,
209
~avara 254
~akhi 127
~antarasa 47, 136
~antija, ~antaja ailgahira 241,
243
SirDgadeva 2,8,54,58-60,65-
66,71,76,105,107,127,145,
148-149, 158, 170-171, 175,
194, 228-234, 240, 245-246,
248,255,259
Siraditanaya 25, 42, 44, 47-48,
50-51,81, 107, 142-144, 146,
164, 169-170, 172, 175, 177-
MOVEMENT AND MIMESIS
178, 181, 183-184, 186-190,
254
~arlra 127
~avara 95,252
~avarI 253
Shastri, K. V. 98
~astric 172
~ikhara 27
~ilpaka 94, 177-180, 190, 192
~ilpinI 94
SiliUin 7
Sivatattvaratnakara 59, 100,
102,107,253
~ivapriya 63,81,234,237-238,
247
SivaJi 98
SlghrabodhinmamamaJii 83
Spigliraprakiisa 5,22,41,44,
107, 115, 141-142, 156, 158-
161, 164, 168, 176-178, 181-
182, 186-187, 191
~ukagati 244
Suklapat}c;lita 68
~uddha 21,33,70,80,93,111,
178,186,226,233,244
~uddhapaddhati 59,82,229,231
Subhat\kara 42,44,71-73,97,
105, 107, 149, 179-181, 184,
187,189-190,254
~iidra 108
Siidraka 163
~p\khala, ~p\khalika 112-114,
143, 146
~p:'Iga 77
~p:'Igana~ya 28, 32,242-243
~p:'Igabhinaya 28, 77, 246
~p:'Igiirarasa 22,39-41,43,46,
49, 88, 121-122, 137-141,
147-148, 151, 161-162, 180-
181, 187, 189
~obha 110,126
~aurasenI 185
Saura'tra 101
~ravyakavya 64
~rl 101,189
Srikat}~a 86-89, 107,251-252
~rlgadita 50,94,171,174-175,
177-179, 189-190
~ruti 93, 248
,agja 213
,idgaka, ~iilgaka 173,177-178,
190, 192
SA
sankUva 178, 186
sat\kIrt:laneri 251
329
330
sangita 23,60,91, 159, 163-
164, 169-171, 176, 185
sangitaka 19, 156, 164-165, 167
Sarlglta Kaumum 103, 240
Sarlglta Candra 68, 107, 172, 245-246
SarlgItacintam8{li 238
SarlgIta Darp8{la 18, 39, 42, 88,
90-91,93,98-99, 103, 107,
175,177-178,200,206,238,
251-253
Sarlglta Damodara 42, 72-74,
94-97, 103-104, 107, 149,
171, 180-185, 187-191,240,
245-246, 254
Sangeet Natak. Akademi 93, 158
Sarlglta Naray8{la 71, 93-94,
96-97,103,107,240,252-254 Sanglta Makaranda of Narada
34-37,107,139,198,241
Sarlglta Makaranda of Vedasiiri
86,98-99,103, lOS, 107,240,
253,255
SarlgIta Ratnakara 2,9, 19,23-
25,28-30,32-33,35,37,39,
56, 58-60, 62-63,,66-68, 70,
75-80, 83-85, 87, 90-92, 94-
97, 102, 105,107, 127, 142,
145, 147-149, 152, 158-159,
165, 167, 169, 171, 185, 196,
INDEX
198-201, 207-208, 217-218,
223,228-229,231-234,237,
240,243,245-246,248,258-
260 SarlgItaraja 77, 103
Sarlgltavrttaratnakara 83 Sarlglta Samayasiira 51, 53-55,
57-59,62-63,67,75, 107,
149,171,185,188,217-218,
222-224,226-229,232,234-
237,259,259
Sarlgltasarasamgraha 102-104, 107,240
Sarlgitopani§at 65, 68
Sarlgltopani§atsaroddhara 22, 65-68,107,113,171,245,254
Sadragacandnodaya 83 Sadarpakandarpa 71
SarasvatIk8{lfhiibhar8{la 141, 159-161, 187,
sanaka, ~ataka 94, 176-179, 190-192
sattva 59
sandatMa 27
Sanderson, SJ. 131
sandhi 95,146,180-181
sambhoga 236
samagaika 35-36
srunapada 36,205,231,243
srunapada can 242
sarna 204
MOVEMENT AND MIMESIS
Sarhganasara 73 sathprekfat;laCan 242 sarhlapaka, sallapaka 94, 178-
179, 191-192
Sarv~vara 48 Sarasvati Mahal Library 90, 98 Sagarnandin 47-48, 107, 146,
160,169,177-178,180-181,
183-185, 189,254 Sanchi Stupa 8 sattvika 16,59,61, 79, 83, 84,
125-126, 128
sattvativrtti 191 sadhana 203-204 samanyabhinaya 15, 17, 23, 76,
79
sarika can 242 saIaga 233 saIanganeri 250 Sastry, N. 100
Sahaji 98 Shah,P. 16,22,136 Sahityadarp8{la 7, 42, 48, 64-
65, 107, 146, 155, 181-188,
191-192
Sahityasiira 48
SitigabhupaIa, Sirilhabhiipala
48,53,75,76
Singh, Guru Bipin 211
sirilhagati 244
siddhi 16
sukalasa 235 sukumara 22,66,117,144-145
sukumaraprayoga 13, 21, 108, 116-117, 121-122, 137, 142,
152, 154 Sugrlvakelana 181 Suttagame 22
SudhiikalliSa 65-67, 107
Subrahmanyam, Padma 215, 220
surekhatva 227
susandhi 237 siika 147-148,
su{ianrtya 63,93 sud 224 siilu 34, 242, 249
saindhava 133-134 Somanatha 91 Somegvara 45-46, 53-54, 57,
107,142,170,194,198,216,
222,224,228,259-260 saufthava 14, 61,85,221,227-
228,249 skandhaka 156, 160, 166-167,
173, 177
staff-dance 163
sttlnrtya 149 strllasya 140
sthana 14, 17,28,46,55,57-58,
61-62,66,70,72,76,85,87,
96.98-99,101-102, 111, 126,
331
332
145,213,215,219,222-224, 230,234,241-243,245,249-250,252
sthfulaka 66,96,104 sthiipanii 227, 235 sthiiyatiila 147-148,232 sthiiyibhiiva 17, 38, 59 sthitapiithya 133-134 sthitiivartii can 242 sthirahasta 42 sthiratii 89 Smith, David 119-120
Smrti§iistra 7 snigdhii~ti 236 sphurita 95, 103, sruvii 247 srotogata 204 svara 55,72,93,208-208 svaranrtya 252 Svapnavasavadatta 238 svaramat}thanrtYa 85,249-251 svarabhinaya 93, 250
svastikasthiina 243
HA
Hanumana 76 Har~a 19,53, 140, 155, 158, 164
Haravijayam 120, 159 haripriya 67
Haribhatta 90
INDEX
Harivarh§a 161-162, 188, 191 halli§a, halllsaka 94, 141, 159,
173, 177-179, 187, 191-192 hasta 27,42,98,204,209,253 HastamuktavalI 74, 105, 107 HastaratnavalI 74 Hastalalq8IJ.adIpika 105 hastini 94 harhsa 246 hiiva 133,135,147-148 hiisika 94 hiisya 180 Hemacandra 163, 174, 177,
182, 184, 186-187, 189, 190-191
helli 133,135,235 hugukkii 101,239 Hrdayangama 158, 161
Studies of Classical India
1. P. E. Granoff: Philosophy and Argument in Late Vedanta. Sri Hartja's Khan4tl11alcha'14akJuidya. 1978. ISBN 90-277-0878-9
2. M. Nagatomi, B. K. Matilal, J. M. Masson, and E. C. Dimock, Jr. (eds.): Sanskrit and Indian Studies. Essays in Honour of Daniel H. H. Ingalls. 1980. ISBN 90-277-0991-2
3. J. M. Masson: The Oceanic Feeling. The Origins 0/ Religious Sentiment in Ancient India. 1980. ISBN 90-277-1050-3
4. M. Tachikawa: The Structure o/the World in Udayana's Realism. A Study o/the Lak:jQMvali and the Kira'1Qvali. 1981 ISBN 90-277-1291-3
5. H-L. Cheng: Niigarjuna's Twelve Gate Treatise. Translated, with Introductory Essays, Comments, and Notes. 1982. ISBN 90-277-1380-4
6. J. Bro~khorst: Tradition and Argument in Classical Indian Linguistics. The . Bahiratlga-Paribhii~ in the Paribh~enduSekhara. 1986. ISBN 90-277-2040-1
7. B. K. Matilal and R. D. Evans (eds.): Buddhist Logic and Epistemology. Studies in the Buddhist Analysis of Inference and Language. 1986 ISBN 90-277-2222-6
8. R. Herzberger: Bhartr:hari and the Buddhists. An Essay in the Development of Fifth and Sixth Century Indian Thought. 1986 ISBN 90-277-2250-1
9. R. P. Hayes: Dignaga on the Interpretation o/Signs. 1988 ISBN 90-277-2667-1
10. P. Bilimoria: Sabdapramdf1D: Word and Knowledge. A Doctrine in M"uniimsiiNyaya Philosophy (with reference to Advaita Vediinta-paribhiisii 'Agama'). Towards a Framework for Sruti-priim~ya. 1988 ISBN 90-277-2675-2
11. P. Fenner: The Ontology o/the Middle Way. 1990 ISBN 0-7923-0667-8
12. M. Bose: Movement and Mimesis. The Idea of Dance in the Sanskritic Tradition. 1991 ISBN 0-7923-1325-9
Kluwer Academic Publishers - Dordrecht / Boston / London