global theatre presentation notes

4
 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 &6/"#'/ 8"7 '"' / 3)..) ($#= % P$4/'$"* &6/"#'/ !"#$%" '()%*+) ,+)- ).*%*/#.- &6?'7("=5 E/>'?"'= IJ5 ]^IL IK<^^

Upload: david-w

Post on 07-Oct-2015

22 views

Category:

Documents


0 download

DESCRIPTION

Notes from the 2/19/15 presentations about Global Theatre in 481

TRANSCRIPT

  • Kati

    Traditional form of entertainment"Line Dance"Dancing, chants, war dancePerformed at marae

    Waiata-a-ringa: action songs, with symbolic hand gestures and movements

    Poi-intricate dance with a ball on string, in sync with other dancersHaka-war dance with loud chanting, foot stamping, thigh slappingPukana-important to all forms of performance, facial expressions used to show passion and extreme emotion

    Format

    Kapa Haka

    Directly "I die"Performed by All Blacks to start every match

    Performed in schoolsBranches of military has own Haka performed at funerals

    Famous production of Porgy and Bess in 1965 with all Maori castMultiple theatres perform in native language

    Te Ika a Maui first all Maori theatre companyShakespeare in Maori at Globe Theatre

    As modern performance

    Many strong performances out of NZ feature MaoriBiculturalism - Maori and Pakeha (non-Maori) can exist on equal terms

    Maori

    Nora

    Most populous location AfricaLocated in West Africa

    Folk lore works with emphasis on roots

    From social satire to historical tragediesReflect Nigerian culture

    Directed toward local audience

    Controversy when translated to EnglishOriginally performed in native language

    Theatre was rare commodity

    Death and the Kings Horsemen

    Easier to produce, get ahold ofNot many people seeing live theatre

    Nollywood films taking the place of live theatre

    ParksHotelsUnderground car parkMaking do with the spaces they can get access to

    Alternative venues

    Nigerian Theatre

    Stephen

    Architectural artReligious traditions, mask dances

    Central Plateau, Mali

    Spiritual rituals and danceObjects of power, communication with spirit worldReenacting stories and myths

    3 daysTransporting the soul to celestial worldCircumcised men perform the dance, imitating AmmaNow rare, more of a tourist attraction

    Worn at Dama (period after death)Kanaga Mask

    Also part of Dama

    20 ft from single treeBalanced with their teeth

    Simple and square over face

    Binds the people to celestial world

    Sirige Mask

    Important to womenRepresents female figures, ancestorsCelebrates fertility of landOnly masks in culture about women

    Satimbe Mask

    Factual strengths and mythological personalities of animalsMost have square shape, with reference to animal

    Animal Masks

    Masks

    Dogon Tribe

    AllisonLiterally means "shadow made by leather""It's not real theatre, it's shadows" so women could see it

    Connects Kings to deitiesTells story of Mahabharata

    Pre-historicMyth and legends!

    Origins

    Dalong - narratorPandawas + Kurawa - the 2 groups who fight and carry the story

    Screen = heaven, distinction between good and evenTrough = earthGood (alus ness) = left, bad = right (like how we read)

    Stock scenes in all shows3 parts (all night)

    Structure

    100-150 pieces for a showLimbs attached to rodsTree symbolismColor indicates mood and emotional state

    Construction

    Javanese Shadow Puppetry

    Jonathan Search Persian Passion Play on the youtube Inspiration: Disgrace by Ayud Aktar

    Really: "Shi'ite Islamic drama or Iran" Often called "The Islamic drama" - sorta ignorant

    Specific regulations in Islamic world

    Creates challenges for presenting passion plays Red is always bad White/green is always good (represents fields of pastures in

    afterlife, white symbol of purity)

    Like Shakespearean tradition Dont hide feeding lines if necessary

    All black is director/producer/designer/prompter

    Muhammed/god cannot be on stage

    Now done in community theatre event Only performed by men Only done in March (during month of martyrdom)

    Banned by Iranian government in 1970s

    Not often done professionally

    Play states of being

    Watching hero from their religious background be killed Emotion and story still translates without language because of physicality

    Job: make audience cry/weep profoundly by the end of it

    Frequently have/ride live horses on stage

    Ta'ziyeh

    Global Theatre PresentationsThursday, February 19, 2015 16:00

  • Kati

    Traditional form of entertainment"Line Dance"Dancing, chants, war dancePerformed at marae

    Waiata-a-ringa: action songs, with symbolic hand gestures and movements

    Poi-intricate dance with a ball on string, in sync with other dancersHaka-war dance with loud chanting, foot stamping, thigh slappingPukana-important to all forms of performance, facial expressions used to show passion and extreme emotion

    Format

    Kapa Haka

    Directly "I die"Performed by All Blacks to start every match

    Performed in schoolsBranches of military has own Haka performed at funerals

    Famous production of Porgy and Bess in 1965 with all Maori castMultiple theatres perform in native language

    Te Ika a Maui first all Maori theatre companyShakespeare in Maori at Globe Theatre

    As modern performance

    Many strong performances out of NZ feature MaoriBiculturalism - Maori and Pakeha (non-Maori) can exist on equal terms

    Maori

    Nora

    Most populous location AfricaLocated in West Africa

    Folk lore works with emphasis on roots

    From social satire to historical tragediesReflect Nigerian culture

    Directed toward local audience

    Controversy when translated to EnglishOriginally performed in native language

    Theatre was rare commodity

    Death and the Kings Horsemen

    Easier to produce, get ahold ofNot many people seeing live theatre

    Nollywood films taking the place of live theatre

    ParksHotelsUnderground car parkMaking do with the spaces they can get access to

    Alternative venues

    Nigerian Theatre

    Stephen

    Architectural artReligious traditions, mask dances

    Central Plateau, Mali

    Spiritual rituals and danceObjects of power, communication with spirit worldReenacting stories and myths

    3 daysTransporting the soul to celestial worldCircumcised men perform the dance, imitating AmmaNow rare, more of a tourist attraction

    Worn at Dama (period after death)Kanaga Mask

    Also part of Dama

    20 ft from single treeBalanced with their teeth

    Simple and square over face

    Binds the people to celestial world

    Sirige Mask

    Important to womenRepresents female figures, ancestorsCelebrates fertility of landOnly masks in culture about women

    Satimbe Mask

    Factual strengths and mythological personalities of animalsMost have square shape, with reference to animal

    Animal Masks

    Masks

    Dogon Tribe

    AllisonLiterally means "shadow made by leather""It's not real theatre, it's shadows" so women could see it

    Connects Kings to deitiesTells story of Mahabharata

    Pre-historicMyth and legends!

    Origins

    Dalong - narratorPandawas + Kurawa - the 2 groups who fight and carry the story

    Screen = heaven, distinction between good and evenTrough = earthGood (alus ness) = left, bad = right (like how we read)

    Stock scenes in all shows3 parts (all night)

    Structure

    100-150 pieces for a showLimbs attached to rodsTree symbolismColor indicates mood and emotional state

    Construction

    Javanese Shadow Puppetry

    Jonathan Search Persian Passion Play on the youtube Inspiration: Disgrace by Ayud Aktar

    Really: "Shi'ite Islamic drama or Iran" Often called "The Islamic drama" - sorta ignorant

    Specific regulations in Islamic world

    Creates challenges for presenting passion plays Red is always bad White/green is always good (represents fields of pastures in

    afterlife, white symbol of purity)

    Like Shakespearean tradition Dont hide feeding lines if necessary

    All black is director/producer/designer/prompter

    Muhammed/god cannot be on stage

    Now done in community theatre event Only performed by men Only done in March (during month of martyrdom)

    Banned by Iranian government in 1970s

    Not often done professionally

    Play states of being

    Watching hero from their religious background be killed Emotion and story still translates without language because of physicality

    Job: make audience cry/weep profoundly by the end of it

    Frequently have/ride live horses on stage

    Ta'ziyeh

    Global Theatre PresentationsThursday, February 19, 2015 16:00

  • Kati

    Traditional form of entertainment"Line Dance"Dancing, chants, war dancePerformed at marae

    Waiata-a-ringa: action songs, with symbolic hand gestures and movements

    Poi-intricate dance with a ball on string, in sync with other dancersHaka-war dance with loud chanting, foot stamping, thigh slappingPukana-important to all forms of performance, facial expressions used to show passion and extreme emotion

    Format

    Kapa Haka

    Directly "I die"Performed by All Blacks to start every match

    Performed in schoolsBranches of military has own Haka performed at funerals

    Famous production of Porgy and Bess in 1965 with all Maori castMultiple theatres perform in native language

    Te Ika a Maui first all Maori theatre companyShakespeare in Maori at Globe Theatre

    As modern performance

    Many strong performances out of NZ feature MaoriBiculturalism - Maori and Pakeha (non-Maori) can exist on equal terms

    Maori

    Nora

    Most populous location AfricaLocated in West Africa

    Folk lore works with emphasis on roots

    From social satire to historical tragediesReflect Nigerian culture

    Directed toward local audience

    Controversy when translated to EnglishOriginally performed in native language

    Theatre was rare commodity

    Death and the Kings Horsemen

    Easier to produce, get ahold ofNot many people seeing live theatre

    Nollywood films taking the place of live theatre

    ParksHotelsUnderground car parkMaking do with the spaces they can get access to

    Alternative venues

    Nigerian Theatre

    Stephen

    Architectural artReligious traditions, mask dances

    Central Plateau, Mali

    Spiritual rituals and danceObjects of power, communication with spirit worldReenacting stories and myths

    3 daysTransporting the soul to celestial worldCircumcised men perform the dance, imitating AmmaNow rare, more of a tourist attraction

    Worn at Dama (period after death)Kanaga Mask

    Also part of Dama

    20 ft from single treeBalanced with their teeth

    Simple and square over face

    Binds the people to celestial world

    Sirige Mask

    Important to womenRepresents female figures, ancestorsCelebrates fertility of landOnly masks in culture about women

    Satimbe Mask

    Factual strengths and mythological personalities of animalsMost have square shape, with reference to animal

    Animal Masks

    Masks

    Dogon Tribe

    AllisonLiterally means "shadow made by leather""It's not real theatre, it's shadows" so women could see it

    Connects Kings to deitiesTells story of Mahabharata

    Pre-historicMyth and legends!

    Origins

    Dalong - narratorPandawas + Kurawa - the 2 groups who fight and carry the story

    Screen = heaven, distinction between good and evenTrough = earthGood (alus ness) = left, bad = right (like how we read)

    Stock scenes in all shows3 parts (all night)

    Structure

    100-150 pieces for a showLimbs attached to rodsTree symbolismColor indicates mood and emotional state

    Construction

    Javanese Shadow Puppetry

    Jonathan Search Persian Passion Play on the youtube Inspiration: Disgrace by Ayud Aktar

    Really: "Shi'ite Islamic drama or Iran" Often called "The Islamic drama" - sorta ignorant

    Specific regulations in Islamic world

    Creates challenges for presenting passion plays Red is always bad White/green is always good (represents fields of pastures in

    afterlife, white symbol of purity)

    Like Shakespearean tradition Dont hide feeding lines if necessary

    All black is director/producer/designer/prompter

    Muhammed/god cannot be on stage

    Now done in community theatre event Only performed by men Only done in March (during month of martyrdom)

    Banned by Iranian government in 1970s

    Not often done professionally

    Play states of being

    Watching hero from their religious background be killed Emotion and story still translates without language because of physicality

    Job: make audience cry/weep profoundly by the end of it

    Frequently have/ride live horses on stage

    Ta'ziyeh

    Global Theatre PresentationsThursday, February 19, 2015 16:00

  • Kati

    Traditional form of entertainment"Line Dance"Dancing, chants, war dancePerformed at marae

    Waiata-a-ringa: action songs, with symbolic hand gestures and movements

    Poi-intricate dance with a ball on string, in sync with other dancersHaka-war dance with loud chanting, foot stamping, thigh slappingPukana-important to all forms of performance, facial expressions used to show passion and extreme emotion

    Format

    Kapa Haka

    Directly "I die"Performed by All Blacks to start every match

    Performed in schoolsBranches of military has own Haka performed at funerals

    Famous production of Porgy and Bess in 1965 with all Maori castMultiple theatres perform in native language

    Te Ika a Maui first all Maori theatre companyShakespeare in Maori at Globe Theatre

    As modern performance

    Many strong performances out of NZ feature MaoriBiculturalism - Maori and Pakeha (non-Maori) can exist on equal terms

    Maori

    Nora

    Most populous location AfricaLocated in West Africa

    Folk lore works with emphasis on roots

    From social satire to historical tragediesReflect Nigerian culture

    Directed toward local audience

    Controversy when translated to EnglishOriginally performed in native language

    Theatre was rare commodity

    Death and the Kings Horsemen

    Easier to produce, get ahold ofNot many people seeing live theatre

    Nollywood films taking the place of live theatre

    ParksHotelsUnderground car parkMaking do with the spaces they can get access to

    Alternative venues

    Nigerian Theatre

    Stephen

    Architectural artReligious traditions, mask dances

    Central Plateau, Mali

    Spiritual rituals and danceObjects of power, communication with spirit worldReenacting stories and myths

    3 daysTransporting the soul to celestial worldCircumcised men perform the dance, imitating AmmaNow rare, more of a tourist attraction

    Worn at Dama (period after death)Kanaga Mask

    Also part of Dama

    20 ft from single treeBalanced with their teeth

    Simple and square over face

    Binds the people to celestial world

    Sirige Mask

    Important to womenRepresents female figures, ancestorsCelebrates fertility of landOnly masks in culture about women

    Satimbe Mask

    Factual strengths and mythological personalities of animalsMost have square shape, with reference to animal

    Animal Masks

    Masks

    Dogon Tribe

    AllisonLiterally means "shadow made by leather""It's not real theatre, it's shadows" so women could see it

    Connects Kings to deitiesTells story of Mahabharata

    Pre-historicMyth and legends!

    Origins

    Dalong - narratorPandawas + Kurawa - the 2 groups who fight and carry the story

    Screen = heaven, distinction between good and evenTrough = earthGood (alus ness) = left, bad = right (like how we read)

    Stock scenes in all shows3 parts (all night)

    Structure

    100-150 pieces for a showLimbs attached to rodsTree symbolismColor indicates mood and emotional state

    Construction

    Javanese Shadow Puppetry

    Jonathan Search Persian Passion Play on the youtube Inspiration: Disgrace by Ayud Aktar

    Really: "Shi'ite Islamic drama or Iran" Often called "The Islamic drama" - sorta ignorant

    Specific regulations in Islamic world

    Creates challenges for presenting passion plays Red is always bad White/green is always good (represents fields of pastures in

    afterlife, white symbol of purity)

    Like Shakespearean tradition Dont hide feeding lines if necessary

    All black is director/producer/designer/prompter

    Muhammed/god cannot be on stage

    Now done in community theatre event Only performed by men Only done in March (during month of martyrdom)

    Banned by Iranian government in 1970s

    Not often done professionally

    Play states of being

    Watching hero from their religious background be killed Emotion and story still translates without language because of physicality

    Job: make audience cry/weep profoundly by the end of it

    Frequently have/ride live horses on stage

    Ta'ziyeh

    Global Theatre PresentationsThursday, February 19, 2015 16:00