gene nielsen’s · 2014. 11. 30. · you look more professional. you can simply use a pen or...

Gene Nielsen’s

THET PARTY

PLANAN EASY PARTY PLAN

FOR THE PSYCHIC ENTERTAINER

The T Party Plan

COPYRIGHT © Gene Nielsen and The Pro Shop 1989, 2003, 2014

THIS EDITION COPYRIGHT GENE NIELSEN and The Pro Shop 20014All rights reserved. Reproduction or utilization of this work in any form, by any means now known or hereinafter invented, including, but not limited to, xerography, photocopying and recording, and in any information storage and retrieval system, is forbidden without written permission from the copyright holder.

For more information:

Pro Shop PublishingP.O. Box 807

Colchester, VT 05446www.mevproshop.com

http://www.mevproshop.com/

Contents

Introduction.......................................................................................4

What You Need..................................................................................5

Before The Party...............................................................................7

The Lecture Itself..............................................................................8

Epilogue...........................................................................................11

Appendix A: The Flashcards..........................................................12

Appendix B: The Guest’s Handwriting Sample Card...................57

Appendix C: Questions & Answers...............................................58

. . . And In Closing...........................................................................60

The T Party Plan 3 Gene Nielsen

Introduction

The first printing (and first edition) of this book sold out completely. I’ve revised this

edition a little. I’ve added some information, as well as editing and rewriting the text here

and there.

This is a very simple type of party to set up and perform, and you should have absolutely no

trouble with it.

Indeed, I’ve received very good reports from those that are using it in various parts of the

planet, so go for it!


What You Need

1. Some 8-1/2” x 11” or 17” x 22” flashcards that present various ways to write the letter

“T”. These are easily made, even if you have no artistic ability (see Appendix A for

examples).

2. A tabletop easel to display the flashcards. This is optional, and you could just hold the

cards in your hands during the presentation, especially if you’re using 8-1/2” x 11” cards.

You are, however, going to be holding a thick bundle of over 30 cards and you could

appear very clumsy doing this. It’s better to get an easel, as you want to look as neat,

professional and organized as possible.

3. Handwriting sample cards. These are simply while 5” x 8” file cards with a space for

the guests to write their sample sentence, printed with your name, address, phone

number, title, email address and the sentence:

“MY LETTER T TRIES TO TELL

TREMENDOUS TERRIFIC TALL TALES”

See Appendix B for a suggested pattern for these cards.

4. A quantity of small, short pencils of the type known as “Bridge” or “golf” pencils

(depending on the company you keep.) It’s a good idea to have these imprinted with

your name, phone number, etc, as they are often kept by your guests.

5. A guest book for your guests to sign. It’s worthwhile to get a nice one at a good

stationery shop. Your guests will be much more likely to sign it, thus giving you a

painless way of getting their names and addresses for your T Party Plan mailing list.


6. A pointer. This is optional, but it lends a nice touch to the proceedings and makes

you look more professional. You can simply use a pen or pencil if you wish. If you do

use a pen, make sure it’s a nice silver or gold Cross pen, or Cross-type pen. Again, it

makes you look more professional and lends an air of authenticity to the proceedings.

7. Two folding tray-type tables, the so-called TV dinner type. Your easel goes on one

table, and the guest book on the other. Get nice tables, good wooden ones, with a

fairly sturdy top and legs, not the cheap, flimsy metal ones. You can get these at patio

furniture stores, discount stores, or department stores.


Before The Party

1. Arrive at the party scene before anyone else gets there so you can set up. Greet your hostess

and explain that your requirements are few: a spot near the door for your guest book, and a

place to lecture.

2. If you haven’t done so before leaving home, arrange your flashcards in numerical order and

put them on your easel.

3. By this time the guests should be arriving. Make sure the hostess understands that she is to

collect the fee from each of her guests and have it ready for you before you leave.

4. Mix with the guests a bit before the lecture. Make sure they all sign the guest book and answer

their questions about handwriting, etc. If you really don’t know anything about handwriting

analysis other than the information in this book, see Appendix C for answers to common

questions about graphology.

You can, if you wish, say you’re only going to be talking about the letter “T” today, and the

best way to get more information is to get one of your full-length analyses from you.

You don’t want to give them too much information, even if you have it, because each guest is a

candidate for either her own personal full-length professional analysis, or being the hostess of

her own T-Party, or both.

Once all of the guests have arrived, you’re ready to start.


The Lecture Itself

1. Begin by thanking your hostess for her hospitality and the refreshments everyone will share

after the lecture.

2. Pass out your “MY LETTER T TRIES TO TELL TREMENDOUS TERRIFIC TALL

TALES” cards and pencils if you haven’t done so already.

3. Talk a little about the theory and validity of handwriting analysis, using the material in

Appendix C.

4. At this point you can do a mental effect involving handwriting if you wish, but it’s really not

necessary. I never do. The reason is, they’re not nearly as interested in your alleged abilities as

they are in what they’re going to hear about themselves.

5. Now you are ready for the T-Party itself. Make sure everyone has a “MY LETTER T TRIES

TO TELL TREMENDOUS TERRIFIC TALL TALES” card and a pencil, and point out

that what follows will be done in complete privacy, as you are not going to collect these cards.

Each guest is to write the sample sentence “MY LETTER T TRIES TO TELL

TREMENDOUS TERRIFIC TALL TALES” on her card in her normal handwriting in the

space provided and, as the lecture proceeds, each guest will compare their own written

sentences with the various examples that you will show on your flashcards. This way none of

the guests will have their writing publicly held up before the groups and dissected, as it were,

and each guest reaches her own conclusions about her own handwriting in complete privacy.

6. The lecture itself it very simple. Just pick up each flashcard in order, describe the type of “T”

and/or T bar shown on the card, and describe its meaning.


You don’t have to memorize all the meanings and features since, as described in Appendix A,

the appropriate cues are written faintly on the backs of the cards.

By the way, you’ll find that, despite the privacy angle stressed in your opening remarks, each

lady will probably want to compare their handwriting with that of her companions nearby, so

don’t be surprised if, after you describe each meaning of each type of letter “T”, the ladies

immediately start murmuring among themselves.

Don’t worry, you haven’t lost them. Just let them talk among themselves for a moment or

two. Their attention will come right back to you shortly after they’re through comparing

handwriting samples, and you can go on with the lecture.

There’s another factor to consider here. You will find, upon inspection, that some of the

meanings of the various types of T’s are somewhat negative. It’s probably a good idea not to

stress these negative traits in your descriptions. I tend to describe them as tendencies rather than

full-fledged traits.

One more thing: make sure they understand that a person may have more than one type of T

in their handwriting, even in such a small sample as you’re using in this presentation. This is

quite normal, and your guests should weigh and balance any apparently contradictory traits

against each other. Obviously, the more a certain feature occurs in a person’s handwriting, the

stronger its indicated trait is in the writer’s life.

7. Just before you finish, tell them that you hoped they enjoyed exploring the fascinating world

of graphology and that you’ve shared with them only a small portion of the many facets of

this fascinating study. Of course, you also mention that if they want, they can get a full length

professional analysis from you (and quote your rate), OR they can get a free analysis simply by

hosting their own T-Party in their own home.


Of course, you can also mention your other types of party plans (your Psychic Parties,

Astrology Parties, Tarot Parties, Palmistry Parties, and so on.

8. It only remains to pack up, collect your fee from the hostess, and (if time permits), circulate a

bit more with the ladies before leaving for your next T-Party!

9. A day or two after the T-Party, write your hostess a short note thanking her for her gracious

hospitality. Be sure and mention how nice her home is, how much you enjoyed being there,

how much you enjoyed presenting your T-Party program there, and mentioning once again

that you are available for other types of parties (as mentioned above) and entertainments for

such discriminating hostesses as herself. Be sure and send her the full-length analysis or other

premium as soon as possible, if you haven’t given it to her personally at her T-Party.


Epilogue

Remember, you don’t have to know anything about graphology to present these T-Parties.

You do, however, have to have some knowledge of graphology to do the full-length analyses you

give to your hostesses and sell to the ladies.

There are a number of good books on graphology on the general market (even more now

than when the first edition of this book was written), but there is only one that I know of what

was written specifically for the mentalist community. That’s my own INSTANT

GRAPHOLOGY, which gives you an easy and simple way to do legitimate, professional

graphological analyses with absolutely no study or practice, simply by following the book’s

instructions. For more information, please visit www.mevproshop.com.1

1 Unfortunately, INSTANT GRAPHOLOGY is no longer available. In its original form, Gene's book was self-published, over a hundred pages long, and included many transparent sheets that he bound into the book to facilitate the comparison of handwriting samples supplied by the reader with examples provided by Gene. Due to the labor- and materials-intensive nature of the book, it just isn't feasible to publish as Gene envisioned it.

As Gene states above, there are many books (and websites, now) that contain enough information for the diligent reader to learn enough about graphology to present readings after the T Party. For a book that is specifically designed for the mentalist, please consider Cicardi's Insight (available from www.mevproshop.com) which covers how to present graphology in close-up, walkaround, and stage settings.




Appendix A: The Flashcards

Make these on either 8-1/2” x 11”, or 17” x 22” cards. The reason I recommend particular

sizes is that they’re both standard sizes and you can probably get show cardboard already cut to

either of these sizes at your local art supply or craft supply store.

At any rate, go to your local supplier and get enough white show cardboard to make about 40

cards. Do not get “Crescent” board or any kind of board that’s white on one side only. You want

both sides to be white because you’re going to be using the backs as cue cards for yourself during

the lecture portion of the T-Party.

While you’re there, get a fairly thick, pointed black ink marking pen and a hard lead

draftsman’s pencil, grade 6H to 9H. When you get home, lightly number the cards in their upper

left corners with the hard pencil. Then lightly copy the “T” examples that follow on the same side

of the cards, one per card, using the same hard pencil. This makes it easy to put the cards in their

proper order if they happen to get mixed up during transport.

Make each “T” example big enough to fill the card, but leave some space on all sides. When

they look pretty close to the examples in this book, go over them with the thick black marker

pen.

Don’t worry; you don’t have to be an artist to do this. They don’t have to be really well

done, just recognizable. Besides, each guest will be looking at the examples only in comparison

with their own writing sample on their card, and no one will be worrying about your artistic

ability or lack thereof.

Now stack the cards in order, face up, the first card on the face of the stack, images all

upright. Turn the top card over (keeping the image still upright) and lightly pencil its name and

meaning on its back, in the upper left corner.


CARD 1:

[Your Name]

PRESENTS

“YOUR T-PARTY”


CARD 2:

“MY LETTER T

TRIES TO TELL

TREMENDOUS

TERRIFIC

TALL TALES”


CARD 3:

CUE (Print on back of card):

CENTERED BARS - Balanced disposition, objective outlook


CARD 4:


SIMPLE “PRINTED” BARS – Clarity of thinking, directness


CARD 5:


ORNATE LETTER FORMS – Excessive vanity


CARD 6:


ABBREVIATED FORMS – Quick mind, sometimes gets ahead of themself


CARD 7:


BAR ABOVE STEM – Daydreamer, excellent imagination


CARD 8:


BOWED BAR – Strong self control


CARD 9:


BOW ABOVE STEM – Philosophical disposition


CARD 10:


INVERTED BOW – Easily influenced


CARD 11:


KNOTTED LETTER FORM – Tenacious


CARD 13:


ZIGZAG LETTER FORM – Lack self-confidence


CARD 14:


WIDE LOOP – Sensitive, susceptible to flattery


CARD 15:


BAR LONG & WEAK (SHAKY) – Lack of self-confidence


CARD 16:


BAR VERY HIGH – Alertness


CARD 17:


UPSTROKE SEPARATE FROM DOWNSTROKES, DOESN’T CROSS –

Taciturn, quiet


CARD 18:


SHORT BARS – Observation, lack of effort, low self-esteem


CARD 19:


BARS TO RIGHT – Impulsive, animated, quick, irritable, impatience


CARD 20:


BARS TO LEFT – Procrastination, inability to finish tasks


CARD 21:


LONG BARS – Energy, ambition


CARD 22:


BARS LONG AND TO THE RIGHT - Impulsive


CARD 23:


THIN BARS – Careful, painstaking, fear of commitment


CARD 24:


THICK BARS – Firm, determined, self-assured, willpower, aggressive

disposition


CARD 25:


WEAK BARS – Weak will, easily dissuaded


CARD 26:


BAR VERY LOW – Kindness, but lacks concern


CARD 27:


NO BAR – Careless, absentminded, extreme impatience, pessimism


CARD 28:


BAR SLANTS SLIGHTLY UP – Ambition


CARD 29:


BAR SLANTS SLIGHTLY DOWN – Obstinate, contrary, persistently wants own

way


CARD 30:


BAR SLANTS DECIDEDLY UP – Somewhat opinionated, optimistic, willing to

make effort


CARD 31:


BAR SLANTS DECIDEDLY DOWN – Ability to mimic, stubbornness, reserve


CARD 32:


UPHOOK AT BAR END – Sense of humor, perseverance


CARD 33:


DOWNHOOK AT BAR END – Sense of humor, perseverance, driven


CARD 34:


LEFT HOOK ON BAR – Matter of fact nature


CARD 35:


BAR TURNED DOWN AT RIGHT, NOT HOOKED – Matter of fact nature


CARD 36:


BAR CURVED OR SCROLL SHAPED – Humor, wit


CARD 37:


BAR BEGINS THIN, GROWS THICK – Temper which grows gradually, possible

cruel streak


CARD 38:


BAR BEGINS THICK, GROWS THIN – Sudden temper that explodes & dies

down, sharp intellect, sarcasm


CARD 39:


BAR UNUSUALLY HEAVY – Forceful temper, tendency to brutality


CARD 40:


HORSEWHIP BARS – Practical joker


CARD 41:


PENNANT BARS – Eccentric, erratic


CARD 42:


STAR BARS – Infallible sign of sensitivity, persistence, tendency to be

domineering


CARD 43:


INCOMPLETE STARS - Procrastination


CARD 44:


FINAL INCURVE FORMS BAR - Jealousy, insecurity, self-protection


CARD 45:


WAVY BAR – Amiability, social skills


Appendix B: The Guest’s Handwriting Sample Card

You can make this handwriting sample card on an ordinary 3” x 5” blank file card pretty

much as shown here:

You can do this in press-down lettering (yes, there’s still some available in art supply and

craft stores) and get your local quick print shop to crank out as many as needed.


[YOUR NAME]

PRESENTS

“YOUR T PARTY”

Please write the following sentence in your normal handwriting:

“MY LETTER T TRIES TO TELL TREMENDOUS TERRIFIC TALL TALES”

________________________________________________________

______________________________________________________________

[YOUR NAME] * [YOUR PHONE] * [YOUR EMAIL]

Appendix C: Questions & Answers

Let’s deal with some of the most common questions people ask about graphology, as well assome of the objections often raise as to its validity and accuracy.

Q: “How can you tell me what my character is when I don’t write the same way twice? One day I write one way,and the next day a different way. Does that mean my character changes from day to day?”

A: No, your basic character hasn’t changed, and neither has your writing. The most common graphic indicator that changes from day to day is the slope of the writing, but this is just an indicator of your mood. If you’re grumpy and depressed on Monday, your writing probably slopes differently than on Tuesday, when you feel yourself again.

There are many hard and fast graphic indicators, such as i-dots, t-bars, a’s and o’s, letter shapes, and so on, that stay the same from day to day, no matter what. And, actually, if you stop and think about it, you’d realize that the very fact that your handwriting does change with mood changes is proof of graphology’s validity.

Q: “How can handwriting indicate character when we all learned to write the same way?”

A: It’s true that we all start with a common style. Graphologists call it “School Copy” or “Copybook Hand”. But how many of us stick with that style? Do you write that way now? Almost nobody writes the way we learned in school. Despite the fact that we all learned from the same source, no two handwriting are alike, which is further proof that our individualpersonalities and characters express themselves in the ways we write.

Actually, one of the graphological indications of an undeveloped and negative adult personality is adherence to school copy. A person who still writes school copy as an adult clearly doesn’t have enough individuality to cause him or her to change from the way they were taught in school.

Q: “You say line thickness means something in graphology, but doesn’t that depend on what kind of pen or pencil you use?”

A: Yes it does, but that’s not the real question you should be asking. The real question is why do you use the style of pen or pencil you use? If you always choose a thick point, you obviouslyprefer thick writing. If you write with a fine-pointed pen, you obviously prefer to write “thin”.


You choose your writing instruments – nobody forces you to use one you don’t like. You select the writing instruments you habitually use, and you select them according to your manner of writing.

Q: “But writing is controlled by the fingers and arm. It’s purely a muscular activity and therefore cannot possiblyhave any connection with my character or personality.”

A: Do you really believe this? If you do, try writing a sentence or two while you’re reading a book and see how far you get!

You can walk while you’re reading, you can eat while you’re reading, but you can’t write whileyou’re reading. Writing requires so much of your conscious attention that it’s really not possible to concentrate on much of anything else while you’re doing it.

Not only that, it has been firmly established that your handwriting changes with your moodsand state of mind. This is absolutely conclusive evidence that mental and emotional states have a very close connection with the way a person writes, just as they do with many other muscular operations.

Q: “If handwriting shows character, why can’t you tell if someone is a doctor or not? For that matter, why don’t all doctors write the same way – or all artists or all musicians?”

A: Well, first of all, show me two doctors with identical bodies, identical personalities, and identical characters. If you can, then I can show you two identical handwritings!

Musicians and doctors (and everybody else for that matter), aren’t so many automatons. They’re not turned out by the thousands from a single mold! They are human beings with characteristics which differ as much as yours or mine, and consequently their writing differ.

It is, however, true that people in the same profession show some common traits between them. Many of these traits, however, are common to other professions as well.

Take, for instance, surgeons and instrumental musicians. Both have good motor and hand skills, good hand/eye coordination, and so on, but these similarities are dominated by a multiplicity of individual characteristics that necessarily differ widely from person to person.


. . . And In Closing

Well, there it is. I hope you enjoy it and get as much use and income out of it as I have.

I’ve had good reports on this particular plan from any number of other mentalists and readers all over the world. I’ve revised it and extended it a bit since the first printing sold out.

Thanks again,


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gene nielsen’s · 2014. 11. 30. · you look more professional. you can simply use a pen or...

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