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Page 1: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 2: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

GenderQueermasculinity

Page 3: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 4: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity or masculinity. SJ

“kinging” has emerged as a powerful cultural and political comment on gender norms

“women—butches, trannyboys, femmes, and gender variants—perform masculinity to cross the spectrum of sexual and gender categories”

“In the 1920’s, they were known as male impersonators,” she said. “It wasn’t until 1994-1995 that “drag king” became a term.”

Page 5: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

People of different genders and sexualities are using drag performances to express diverse identities and politics.

Drag kings are particularly misunderstood. Drag kings are usually thought of quite simplistically as women "dressed up" as men, but in fact the term encompasses anyone who performs masculinity, regardless of their gender or sexuality.

Charmaine de Silva and Susanna Allevato Quail

“…but performing masculinity is a great deal trickier. It is easy to see why drag kings might resort to sexist stereotypes; without aggression, dominance, or machismo, what signifiers can a performer use to communicate masculinity to the audience? A person who puts on a skirt or makeup sends an obvious signal that he or she is dressed femininely, but a person in pants and no makeup could be dressed as any gender.”Charmaine de Silva and Susanna Allevato Quail

Page 6: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Because the drag king community is so open to gender diversity - welcoming self-identified women, men, and trans people as its own - it deconstructs notions of who can and cannot be male, and in what ways. Even when not explicitly political, each performance makes its own small statement of what masculinity is. Because masculinity, unlike femininity, is privileged in our society, the act of performing as a drag king is one of taking back power. While it would certainly be great to see more drag queens performing femininity in a questioning, critical manner, this act of reclaiming gender power is especially embodied in the performances of drag kings. When we can open the borders of who gets to be masculine or male, it becomes possible to weaken gender hierarchies and break down oppressive social norms.Charmaine de Silva and Susanna Allevato Quail

Page 7: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

DRAG KINGS

Page 8: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

DRAG KINGS

Page 9: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Constructing and deconstructing stereotypes

Page 10: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Constructing and deconstructing stereotypes

Page 11: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

SM and gay male fantasies

Page 12: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

poltical

Page 13: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

DRAG KING-

Page 14: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

MALE IMPERSONATORS

Page 15: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

THEATRE

Page 16: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Masculine presentation and passing - non performance

Page 17: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

FTM

Page 18: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 19: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

Intersex

Page 20: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

GenderQueer

Page 21: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

gender fluidity

heteronormative

gender outlaw

transgender

genderqueer

intersex

Drag King

butchperformance

boi

grrlzie

FTM

Gender neutral pronouns

Cross dressing

transsexualGender identity

Gender illusionist

Page 22: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 23: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity

VESTA TILLYbio

Page 24: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 25: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 26: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 27: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 28: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 29: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 30: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 31: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 32: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 33: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 34: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 35: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 36: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 37: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 38: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 39: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity
Page 40: GenderQueer masculinity Drag performances tend to be characterised by an exaggerated, highly theatrical and oftentimes ironic display of either femininity