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AN INTERNSHIP REPORT ON “Thrupti Designers” (GARMENT PRINTERS) By, Rajesh. K Siva Jagadish Kumar.M Tejas. Kulkarni

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our internship report on garment printing at THRUPTHI DESIGNERS. bangalore.

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Page 1: Garment printing

AN INTERNSHIP REPORT

ON

“Thrupti Designers” (GARMENT PRINTERS)

By,Rajesh. K

Siva Jagadish Kumar.MTejas. Kulkarni

Page 2: Garment printing

Company Profile

• Thrupti Designers - renowned garment printer in Bangalore.

• Started in the year of 2004.• Situated at Begur Road, Bangalore as a 2nd unit of this

organization.• It is a first printing unit to get certified with GOTS, &

Organic Exchange certification in Bangalore.• Production capacity 30,000 pieces/day of single

color.

Page 3: Garment printing

Customer List• Shahi Exports Pvt Ltd (Wovens & Knits Divisions) • Integra Apparels & Textiles Pvt Ltd• Natural Textiles Pvt Ltd• LVK Baby Wear Pvt Ltd• Sunitha Impex Pvt Ltd• Graffiti Exports• Mahalakshmi Inc• My Choice Garments• Imperial Garments (Hyderabad)• Gokaldas Exports• BLR Knits Pvt Ltd

Page 4: Garment printing

Infrastructure

• Equipped with following machineries for production and sampling.

Type No. of Units.

Big Tables (25 meters of each) 02

Pallet Printing Machines 12 ( 10 of 8 colours & 2 of 12 colours)

Curing Machine 01

Digital Pneumatic Fusing Machine 10

Colour Matching Cabinet (Paramount) 01

Air Compressor 01

Diesel Generator 01

Page 5: Garment printing

Organisation Structure

Page 6: Garment printing

SCREEN PRINTING

Page 7: Garment printing

Screen Printing

• A process, where ink is mechanically applied to a substrate with the use of a screen and squeegee.

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Page 10: Garment printing

Colour Separation

• Each colour of the design requires an individual screen so we must separate the design into its component colours. This is done on the computer and each colour separation is printed to a transparent sheet.

Page 11: Garment printing

4 Colour Separation• 4-colour process is a more advanced separation and printing technique.• Uses 4 colours of transparent ink to produce the colours from the original

design. • The four colours, Cyan, Magenta, Yellow, and black (CMYK), are printed as

half-tones that interact with each other and the white background of the shirt to create colour and tonal values.

Page 12: Garment printing

Printing Mechanics

• The screen is then mounted in the press and aligned so that each colour prints in the proper location relative to the other colours.

• Ink is loaded into the screens and squeegees are installed. • As the squeegee scrapes across the screen with the ink it fills

the stencil with ink while simultaneously bending the mesh down to transfer the ink to the shirt.

Page 13: Garment printing

Screen Printing

Page 14: Garment printing

Multi Colour Printing

Page 15: Garment printing

Mesh count

• The mesh count is the number of threads per inch (tpi) used to weave the mesh.

• Typical mesh counts for screen printing range from 85 tpi to 355 tpi.

• The high mesh counts, have a very small thread diameter and less open area.

• Prints require more fineness should be use finer mesh count.

Page 16: Garment printing

Mesh count

• Glitter 25–60• Flock adhesive 45–125• Puff-up colors 55–125• Overprint 80 –110• Pigment ink printing areas/lines 110 –175• Plastisol 125–305• Pigment inks, half-tone 155–255• Sublimation transfer 195–305

Page 17: Garment printing

DIFFERENT TYPES OF PRINTS

Page 18: Garment printing

Plastisol Print• Good colour opacity onto

dark garments and clear graphic detail with, as the name suggests, a more plasticized texture.

• Plastisol inks require heat (approx. 150°C) to cure the print.

• Due to excess phthalate in PVC, this is banned for Children’s wear.

Page 19: Garment printing

Non PVC• Relatively new breed of ink

and printing with the benefits of Plastisol but without the main toxic components - soft feeling print.

• Suitable for kids wear.

Page 20: Garment printing

High Density Print

• This is one of the recent developments in printing which gives thick prints on the surface of garments.

• Achieved by either giving more number of coats or by using thickener indirect films used for making the screens.

Page 21: Garment printing

Suedo Ink Print

• Suede is a milky coloured additive that is added to Plastisol. With suede additive you can make any colour of Plastisol have ‘suede’ feel.

• Generally 50% suede additive to your normal Plastisol.

Page 22: Garment printing

Discharge Print

• Used to print lighter colours onto dark background fabrics, they work by removing the dye already present in the garment.

• This gives a much softer texture

Page 23: Garment printing

Sticker Print

• This is ready to transfer print.

• The plastisol print is already printed on paper and will be transfered on to garment in the fusing process.

• The main advantage of this method is less expensive.

Page 24: Garment printing

Pigment Print

• These penetrate the fabric more than the Plastisole inks and create a much softer feel.

• Also useful for larger area prints where texture is important.

Page 25: Garment printing

Glitter Print

• Metallic flakes are suspended in the ink base to create this sparkle effect.

• Usually available in gold or silver but can be mixed to make most colours.

Page 26: Garment printing

Metallic Print

• Gives metallic look.

• Similar to glitter, but smaller particles suspended in the ink.

• Smooth in texture when compared to glitter.

Page 27: Garment printing

Foil Print

• This printing method is based on the use of metallic foil paper of aluminium or copper one.

• The print fixation method is similar to transfer printing. This print method is popular amongst youngsters.

Page 28: Garment printing

Distressed/ Khadi print

• It consists of titanium dioxide with other auxiliaries.

• The important factor in printing of this is right combination of titanium dioxide and proper choice of binder.

Page 29: Garment printing

Puff Print• An additive to Plastisol

inks which raises the print off the garment, creating a 3D feel.

• In this method when the paste is printed and dries it look like normal printing garments but once it is cured the prints gets raised from the surface of fabric.

Page 30: Garment printing

Cavier Bead Print

• A glue is printed in the shape of the design, to which small plastic beads are then applied.

• works well with solid block areas creating an interesting tactile surface.

Page 31: Garment printing

Silicone Print

• To counter inferior wash and weather durability, poor hand feel of some prints like plastisol printing mills tried silicone inks because of their good washing durability, hand feel, elongation properties and environmental friendliness.

Page 32: Garment printing

Flock Print• This process involves

printing of glue on the fabric first, applying the fiber flock on the gel printed by keeping the fabric on special table (electro statically charged).

• It requires a little high time for curing than normal prints. 120 seconds at 160C will be sufficient for curing.

Page 33: Garment printing

Organic Print

• Organic print range covers the natural dyes, and the other pigment dyes which lies under the specifications made by G.O.T.S.

• For Printing Organic Dyes the company/ manufacturer should get the certification from G.O.T.S.

Page 34: Garment printing

FLOW CHARTS

SAMPLE

PROFIT

PRODUCTION

Page 35: Garment printing

Sampling Process

Page 36: Garment printing
Page 37: Garment printing

MACHINES USED IN

PRINTING

6- COLOUR SCREEN PRINTING

Page 38: Garment printing

CAROUSAL PRINTING MACHINE

These machines will be available both in automatic

and semi automatic machines and with 4, 6, 8,

10 & 12 multi colour models. The double spring model gives the customers

a maintenance free performance of the

machine. Electric heat panels included in the

machine.

Page 39: Garment printing

DIGITAL FUSING

• Used As Heat Transfer Press, Designs To Be Transfered To The Garments / Fabrics / Leathers/ Rexin /Nylon / Polyprpelene/ Bags & etc.

• Can be used for fusing like plastisol priniting, khadi, pigment & etc.

• Can Be Used As Flat Bed Fusing Machine For Collar And Cuff Fusing

• Platen Size Can Be Increased Up to 20" X 30".

Page 40: Garment printing

ELECTRIC CURING MACHINE

•Electric curing used for fixing the printing paste on to the printed fabric.•This is the alternate method for ‘Line Drying’.•So that instead of waiting for 3-5 hours for line drying, the electric curing process can be completed in few minutes.

Page 41: Garment printing

COLOUR MATCHING CABINET (SPECTRA VISION) • Artificial Daylight

Fluorescent Lamps (D-65)• Tungsten Filament Lamps

(Inc A Lamps) • Cool White Fluorescent

Lamp (CWF)• Triphosphor Fluorescent

Lamp (TL-84)• Ultra-Violet Black Lamp

Page 42: Garment printing

COST, M.O.Q of the Various Types of Prints

Print Type Cost of Print in Rs.

M.O.Q Curing / Fusing Suitability for Children

Durability Rating

Sticker Print 1 2500 Fusing No 1.5

Plastisole Print 1.5 1000 Fusing No 2.5

Pigment Print 2 1000 Curing Yes 3

Non-Pvc Print 2.5 1000 Curing Yes 2.5

Distressed (Kadi) Print

2.5 1000 Curing Yes 2.5

Foil Print 3.5 500 Fusing Yes 2

Gel Print 3 1000 Curing Yes 3

Discharge Print 3 500 Curing Yes 3

Glitter Print 3.5 1000 Curing Yes 2

Sugar Print 5 1000 Curing No 2

Metallic Print 4 1000 Curing No 2

High Density Print (6 Coats)

5 500 Curing Yes 3.5

Puff Print 3.5 1000 Curing Yes 3

Flock Print 5 1000 Curing Yes 2.5

Silicone Print 8 500 Curing Yes 4.5

Organic Print 6.5 1000 Curing Yes 3

Bits Printing 4 2000 Fusing No 2

Page 43: Garment printing

COST, M.O.Q Analysis for Various Types of Prints

Page 44: Garment printing

COST & M.O.Q Analysis for Various Types of Prints

Page 45: Garment printing

Printing Defects

• Improper alignment:– Causes: Improper setting of two different

screens of different colour

• Colour spread:– Causes: Less viscosity of print paste is less. Base

fabric not fixed properly.

• Improper mixing of print paste:– Causes: As the name itself implies the print

paste ingredients are not mixed properly leading to some yellowing or stain marks on print.

• Scrimps:– Causes: The print is done on folded fabric.

Page 46: Garment printing

Printing Defects

• Smear– Causes: Printing is done on seams which will be of

different thickness leading in spreading and blurring.

• Difference in texture– Causes: Improper fusing

• Improper colour matching– Causes: If printed colour is not matching with standard.

Page 47: Garment printing

Printing Defects

• Stick in– Causes: Some dust and lint which get chock in screen holes

leads in improper design.

• Doubling or blurring– Causes: Improper fixing of base fabric or screen.

• Lint or thread marks– Causes: Any loose threads come in print area will lead to

thread marks on print.

• Colour stains– Causes: Improper handling of material.

Page 48: Garment printing

Printing Defects• Glue streak

– Causes: The gum which used to stick garment and/or the gel which is printed on fabric (for foil, flock etc.) strikes out of fabric through back side.

• Low sharpness– Causes: Improper mesh selection , damaged screen.

• Coloured/White spots– Causes: Improper screen preparation.

• Distorted print– Causes: printing of second coat before drying 1st coat.

• In general 1-3% of defective pieces in bulk order is allowed, but since the defect occurrence is very less its always less than the limit

Page 49: Garment printing

ReferencesWeb References• http://www.gfxsp.com/faq_sp.html• http://en.wikipedia.org/wiki/Screen_printing• http://www.cheranfusing.com• http://www.dowcorning.com/screenprinting

Book Reference• Screen Printing – A Contemporary Approach, Samuel B. Hoff, Delmar

Publishers, 59.

Industrial References• Mr. Hanumanth Rao (Manager – Production, Thrupti Designers).• Mr. Upendra Kant (Manager – Administration, Thrupti Designers).• Mr. Praveen. S.P. (Sr. Merchant, Shahi Exports Pvt. Ltd, Unit-12)

Page 50: Garment printing

Thank You…!!!