game balancing paul taylor 2009. what is game balancing? we already know what game mechanics are...
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12 Common Game Balances The following are a good summary of what you will confront as a designer! Of course there are always exceptions and surprises!TRANSCRIPT
Game Balancing
Paul Taylor 2009
What is game balancing?
We already know what game mechanics are
Now we need to get those mechanics in balance
12 Common Game Balances
The following are a good summary of what you will confront as a designer!
Of course there are always exceptions and surprises!
Back to Game Flow!
• Story Time!
Balance #1 Fairness
• Players like a ‘fair’ game– By fair we mean they want to be challenged and
eventually win– The feeling of fairness is an emotion which players
tie closely with the flow of the game
Symmetrical
• This is simplest form of fairness• Give both players the exact same pieces and
moves– Is this always fair?
Symmetrical
• This is simplest form of fairness• Give both players the exact same pieces and
moves– Is this always fair?
Tic Tac ToeA masterful player who takes the first turn can
always win or draw.
Solutions to who goes first
• Roll a dice• Flip a coin• Give the first turn to the loser
Asymmetrical
• An asymmetrical game is far harder to balance• So why do we build them?
Real World Simulations
• An asymmetrical game is far harder to balance• So why do we build them?
Exploration
• Exploring a game world can be fun– Different player characters (Objects)– Different abilities
• Eg: Lego Games
Personalisation
Customisation of characters allows:Players to connect better Feel more powerful
Level the playing field
A symmetrical FPS game would have 1 enemy and 1 player.
.....
PacMan uses 4 ghosts to balance the challenge
The creation of interesting situations
• Objects of different abilities face each other• No clear strategies for winning• Exploration of abilities is required
Balancing Asymmetrical games
• Commonly achieved via Resource and Power balance– Vampire Guinea Pig Apocalypse
– Three main character classes:• Normal Guinea Pig• Vampire Guinea Pig• Exorcist Guinea Pig
Powers of Pigs
Exorcist Vampire GP Guinea PigDefence High Medium LowAttack Low High MediumAvoid Medium Low High
Checking the balance of powerExorcist Vampire GP Guinea Pig
Defence High Medium LowAttack Low High MediumAvoid Medium Low High
Exorcist Vampire GP Guinea PigDefence High (3) Medium (2) Low (1)Attack Low (1) High (3) Medium (2)Avoid Medium (2) Low (1) High (3)Total Power 6 6 6
Rock Paper Scissors
This is the circle of life version of fairnessUsed extensively by games like Pokémon In this form of fairness there is no most
powerful piece, for every power an object has, there is a weakness exploited by another object
Tuning
After generating a balance table, only through play-testing can your decisions be properly verified
Balance #2 - Challenge vs. Success
• Another approach to keeping the player in the flow, this balance is torn between challenging the player, and letting them feel success
Methods of keeping the balance
• Increase the difficulty with each success– This will keep the player challenged
• Don’t forget the rhythm so the players feel success!
• Let skilled players move quickly through easy parts– Every played a tutorial level forced to listen to the
narrative before moving forward?• Tetris challenges increase faster when you
score more!
• Let players choose their difficulty– This increases the number of games you have to
balance– Allows players to choose an appropriate difficulty– Can reduce immersion if in-game changes are
permitted• Creating additional challenges through grading
levels / missions
• Play-test with different players– You need your game to be enjoyable to both:
• Novice players• Experienced players
– You can not un-learn a game to play-test it as a novice. Go find someone!
Balance #3 Meaningful Choices
• Players enjoy being able to make decisions which impact the world– Selecting a character based on abilities– Good / Evil choices (not like BioShock)
• More like Fallout 3– The challenge is avoiding dominant strategies
How many choices do I give the player?
• 16
How many choices do I give the player?
• 16• Not!• Players have desires and are faced with choicesIf there are too many choices, players will be
overwhelmedIf there are too few choices, players get frustratedIf there is the right number of choices players get a
feeling of freedom
Triangularity
A very meaningful choice
Take a small risk with a small rewardOR
Take a large risk with a large reward
Qix
Balance #4 Skill vs. Chance
• This is UGLY– You need to strike a balance
• Too much skill removes the fun for many players• Too much chance infuriates players
– Some games alternate• Roll the Die, then skill• Deal the Cards, then skill
– There is no answer here, just knowledge so you can better judge what is wrong in the game
Balance #5 Head vs. Hands
• This is an easy one to understand• How much running, jumping and climbing• How much thinking, problem solving
remembering, etc– You need to base this on your target players
Balance #6 Competition vs. Cooperation
• Bertie Bot’s Beans• Competition and Cooperation are at different
ends of the field• Just be changing the end goal from the team
gets 5000 points to the highest scorer gets the 5000 points the game can drastically alter.?Perhaps even allowing for meaningful choices?
Balance #7 Short vs. Long
• How long should your game be?– 10cm 3” 2m??
• Aside from the length of the plot and cut scenes, the main control points you have are:– The win and lose conditions
• How difficult are the challenges• How much you punish players for losing
Balance #8 Rewards
• This is how we make players feel good!– When they feel good, they come back again
• Praise– Nintendo style
• Points– Allows the player to boast
• Prolonged Play– Pinball, arcade machines, extra lives
• Gateway Rewards– Opening up new areas of the game– These appease our urge to explore
• Spectacles– A sweet cut scene, a slow-motion kill.
• Expression– Player customisation, clothing, hair, etc.– Taunts in Unreal
• Powers– Increasing the power of the player– Kinging a checker– Eating Mushrooms– Quad Damage
• Resources– Food, energy, ammo, life, checkpoints
• Completion– This is the final reward, giving the player closure– How many times have you played an old game,
just because you never finished it?
Feeding the Rewards
• Players will begin to expect their rewards– Solutions include:
• Randomness• Slowly increasing the rewards• Changing the types of rewards• Allowing skill to increase the rewards (Combos, etc)
Balance #9 Punishment
• Punishment is a dangerous thing to use!!!– Imagine a game that takes away your last
savegame every time you die!– Punishment should be used in conjunction with
rewards– Now on to punishment!!!
About Punishment in Games
• It increases the value of resources if they can be stolen
• Risks are nothing without fitting punishments• The level of punishment can be used to
control challenge
Forms of Punishment
• Shaming– Missed– Defeated– Crushed– Game Over
• Loss of points– AA– Combos
• Resource Depletion
• Shortened Play– Loosing a life is a big punishment
• Terminated Play– Game over dude, Game over!
• Setbacks– Returning to a checkpoint– Restarting a level
• Losing Powers– Mario getting hit after a mushroom– Players will feel cheated if they had to earn the
power!!!– Temporary removal avoids this
Keep Your Challenges Coherent
• Challenges should be consistent– Adding a super hard puzzle to the last level of a
FPS is not going to be enjoyed• Perhaps as a Easter Egg, but not core
Shadow Cost
• What is a shadow cost?
Bad Examples of Shadow Cost
• Unreal Sniper Rifle– When not scoped damage was terribly weak
• Everyone knows you run faster with a knife!– Counterstrike FPS Doug
Balancing Rewards and Punishment
Psychology 101
Behaviour Management
Good behaviour Bad Behaviour
Give something Positive Reinforcement
Punishment
Remove something
Negative Reinforcement
Extinction
Balance #10 Freedom vs. Controlled Experience
• How much freedom do you give players?– Legally you must limit it sometimes– To create an environment for your experience you
may have to limit it– The more freedom you give players, the more
work you have to do!– Taking control of the camera can be necessary
• Batman style
Balance #11 Simple vs. Complex
• Both complexity and Simplicity can be good and bad!
• Simplicity– Great simple controls– Boring and Simple gameplay
• Complexity– Rich and intricately detailed story– Insanely confusing reward system
Innate Complexity
• This is one of the bad guys– When the rules of the game are getting far too
complex– Again based on the target audience– Typically when the rules have a lot of exceptions
you are going down this path– A high innate complexity is sometimes what the
audience want• Realistic Flight Sims
Emergent Complexity
• This is the happy type – Chess!
• You will get praise for this as players can easily pick up your game
• Development of skills will increase their abilities
• It’s also a difficult type of complexity to create
Natural vs. Artificial Balancing
• Natural Balancing is how the game balances itself– Number of enemies– Changing strategies– Hearing Gunshots
• Artificial Balancing is when you create extra rules to balance the game– Speed up AI in car races
Elegance
• This is what you get when you have created a game with simple innate complexity and a lot of emergent complexity
• Your game will be easy to learn and hard to master!
Character
• Character isn’t directly part of challenge• It’s something to remember when you are
building an elegant complexity system– The leaning tower of pisa should be fixed– The fact that females are not in the front line
should have them removed from halo– Who would make Guinea Pig sized Priest clothes,
they should not exist.
Balance #12 Detail vs. Imagination
• Now we enslave the minds of our audience to do the work for us.
• There are things we can no do well, we leave these parts up to the player to imagine– A player hears a scuffle, then sees the murder
room– Doom had no voice acting or cut scenes
• A story was written for the player to read and imagine
Feeding Imagination
• Give details for the players imagination– Chess is set in the medieval era, giving pieces
ranks, without playing you can guess the pawns are fairly worthless
• Familiar things do not need a lot of detailing– Super well detailed doors are still doors
• Close ups can imprint detail into the players mind
• Give details that will inspire the imagination– In Alone In the Dark, you quickly realise you are
fighting for survival, and every sound draws pictures in your head
How and when do we use these methods?
Binary half tuning
• Double and Halve variables you are trying to tune.– Subtle changes will be very hard to detect– Large changes will quickly show you what is being
impacted
Guessing
• Through practice you will gain a better ability to guess correct balances
Documentation
• This will help you go back• It can also clarify relationships
Game Economics
• There are two meaningful decisions in this context:– How do I make money?– How do I spend it?
• All of the balancing factors we covered can impact this relationship
Dynamic Balancing
• Danger!– Players want to achieve– It can destroy the suspension of disbelief– It can be exploited
• Burnout2– Players improve with practice
• The Incredible Hulk
Summarizer
• This is one of the fun areas of games design• A large part of the polish that goes into the
game• Easy balancing is a major consideration as you
build the game• This relates back to keeping the game
mechanics separate to the game world