frame nº 80 cantina da cidade da cultura de galicia
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Frame nº 80 Cantina da cidade da cultura de GaliciaTRANSCRIPT
THE GREAT INDOORS : ISSUE 80 : MAY/JUN 2011 €19.95 EU – CHF 30 SWITZERLAND – $19.95 USA – $29.50 CANADA £14 UK – $28.99 AUSTRALIA – ¥3,570 JAPAN – WON 40,000 KOREA
TIME TRAVELS IN DESIGN
VIEW
DÉJÀ
PHOTO HÉCTOR SANTOS-DÍEZ
PHOTO LOUIS BAQUIAST
PHOTO ANDREW MEREDITH
028 : CONTENTS
VISIONS 036 Polyhedral residences, interactive interiors,
sustainable spaces and other ideas from Diller Scofidio + Renfro, UNStudio, Frank Agterberg and co
STILLS SHOPS048 New Aēsop stores from March Studio and
Jo Nagasaka, a tangle of tripods from Sinato, and other must-see retail spaces
059 SHOP/RESIDENCE Cyril Duval’s store-in-a-home, the Bless
Shop Berlin 061 RESIDENCE The Gururie house: Point and Ouvi’s rooms
with views 063 INDOOR MINI GOLF Sinneswandeln’s Schwarzlicht Minigolf
is sensationally psychedelic 064 CAFÉS Tobias Rehberger angles for Artek, Alfons
Tost frames fast food in a fresh light, and Estudio Nômada does tables under trees
070 EXHIBITIONS Kinkorn excavates the Archaeology of
the Netherlands, while Form Us With Love dissects the dandy
075 STANDS Tulp takes steps for Desso, and HfG
Offenbach is highly strung
REPORTS 194 Ecophon and the science of sound 200 Smart urban stage predicts the future
of the city
CATALOGUE204 Visual Merchandising: amazing
mannequins, superior shelving and other presentable essentials056067
078 CHANGING ROOMS Soweto sign writers go to town in
RUF Project’s refurbished Football Training Centre
081 ICE-CREAM PARLOUR Antonio Gardoni’s Possi is a confection of
candy colours and maritime motifs
082 SCHOOL White, light and bright: Palatre & Leclere’s
L’École de la Deuxième Chance is suitably optimistic
085 ATELIERS Studio spaces by Jun Igarashi and Kensaku
Tohmoto prove that small is beautiful
088 LAUNDRY Washing in style, with Suds by
Plus Architecture
091 CINEMA Matali Crasset’s Nouvel Odéon is
contemporary, convivial and compact
218
210
GOODS 210 PORTRAIT Benjamin Hubert on materials, multitasking
– and why he’s big in Milan this year
218 INTRODUCING The process-driven playfulness
of Mischer’Traxler
222 TALK Franco Clivio and the wisdom of
the dilettante
228 OVERVIEW Knitting as subversion? The unlikely
rebirth of handicrafts
232 PROCESS A daring example of digital craft:
Atmos’ stunning staircase
236 DESIGN ART Hyperreal: Reinier Bosch does
cardboard copper
237 ONE ARTIST, ONE MATERIAL Jorge Otero-Pailos brings new meaning
to the phrase ‘peeling walls’
239 BOOKS What next for materials? We consult
three new publications
240 NEXT A sneak preview of Frame 81
PORTFOLIO OF PLACESSTILLS
067 ESTUDIO NÔMADA PICK UP STICKS
046 : STILLS
056 JO NAGASAKA, MARCH STUDIO FABLED AËSOPS
091 MATALI CRASSET MOVIE MAGIC
PHOTO HÉCTOR SANTOS-DÍEZ
PHOTO LOUIS BAQUIAST
PHOTO JÉRÔME SPRIET
STILLS : 047
THE CANTINA AT THE CITY OF CULTURE OF GALICIA IS A REFLECTION OF SPANISH CULTURAL TRADITION AND MODERN POLITICAL DISCOURSE, SAYS DESIGNER ENRIQUE DE SANTIAGO.
In planning the café for Galicia’s City of Culture building, Enrique de Santiago of Estudio Nômada says he first researched traditional cantinas in rural Spanish villages. His resulting design is a lively lunch spot, where neutral oak contrasts with bursts of colour on wall tiles, and guests dine at communal tables with treelike branches rising above their heads. ‘In Spain, during holidays we put long tables under trees for gatherings,’ De Santiago explains. ‘We want people in the cantina to feel like they are protected by the trees and are part of a community. That’s why we have two long tables, so they can share a meal and an experience. Instead of individuals, they are part of a celebration.’ Meanwhile, the colourful tiles effectively protest a municipal ban on the use of tiles on private façades: the attempt of authorities to keep cityscapes aesthetically
CITY OF CULTURE OF GALICIA BY ESTUDIO NÔMADA
neutral. ‘We used tiles to prove you can find beauty in interpretation and create something pretty out of ugliness,’ concludes the designer. estudionomada.es
WORDS LYDIA PARAFIANOWICZPHOTO HÉCTOR SANTOS-DÍEZ
SANTIAGO DE COMPOSTELA : CAFÉ : 067