For the Record THE ART OF LILY SPANDORF

N O V E M B E R 2 1 , 2 0 1 5 – S U M M E R 2 0 1 6

A co-production of the George Washington University Museum and The Textile Museum and the Historical Society of Washington, D.C.

Lily Spandorf created a unique record of Washington, D.C., from 1960 until her death in 2000 at age 86. The Austrian-born master of the documentary quick sketch restlessly roamed the city, producing thousands of ink-and-watercolor paintings of changing streetscapes, soon-to-be-demolished buildings, and breaking news events.

In 1988 a selection of Spandorf ’s watercolors were collected into an exhibition and book titled Lily Spandorf’s Washington Never More by Mark G. Griffin and Ellen M. McCloskey. While For the Record presents Never More highlights, it also presents the first collected public display of Spandorf ’s many celebrity portraits, commissions, and illustrations to reveal how she made her living as a working artist.

For the RecordARTIST, JOURNALIST, AND ENTREPRENEUR

Below: Miriam Johnson, Lily Spandorf Painting in West Potomac Park, April 1969.

Above: Lily Spandorf, Municipal Fish Market (detail).

Top left: Spandorf, restaurant muralist, poses for a publicity photo in London.

Bottom left: Lily Spandorf, Eleanor Holmes Norton. National Press Club Archives

ARTISTIC VISIONLily Spandorf painted quickly and, by her own account, compulsively. Her style was impressionistic, picturesque, and literal at a time when most artists were working in the abstract. While her contemporaries often worked from photographs, Spandorf preferred to work on site, describing her technique as “loose washes of color later defined with line,” using gouache, watercolor, and ink.

TAKING INITIATIVEAs a working artist in post-World War II Europe, Spandorf created drawings for advertisements and murals for restaurants. In Washington she paid the bills with commissions from publishers, private organizations, and wealthy patrons. Often she took the initiative by making a sketch or painting, then selling it either to the parties involved or to a periodical interested in its news value. She began illustrating newspaper stories in 1960 and as a member of the National Press Club, she frequently sketched their news-making lunchtime speakers, including D.C. delegate Eleanor Holmes Norton. Many of her works can be found in newspaper archives today.

Right: Lily Spandorf, Old Botanic Gardens Office.

DOCUMENTARIAN & PRESERVATIONIST Accidentally—and then deliberately—Spandorf

began recording buildings that were being

demolished, such as the Old Botanic Gardens

office, or whose historical contexts had been

erased for modern construction. The paintings,

which she dubbed her “Never Mores,”

eventually brought her the acclaim of the

historic preservation movement.

“ The lickety-split painter who can make you a sketch of any Washington street faster than you can cross it.”

— Judith Martin, “Lily Reverses That Proverb: Her Art Is Faster than Time,” The Washington Post, 1966

Lily Spandorf

Above & Below: Lily Spandorf, Collector’s Corner Gallery (detail).

Cover: (top) Lily Spandorf, Peoples Drug, 7 Dupont Circle, ca. 1970, (bottom): Lily Spandorf, Municipal Fish Market.

GWTM_1516_10

AcknowledgmentsLucinda P. Janke and Jane Freundel Levey, co-curators. Assistance from Anne E. Dobberteen and Anne McDonough.

The curators are grateful to Mark G. Griffin and Ellen M. McCloskey, co-authors of Lily Spandorf’s Washington Never More. Thank you also to Matija Balanc; filmmaker Barr Weissman; and John Suau, Executive Director, and Adam Lewis, Communications Director, Historical Society of Washington, D.C.

The George Washington University Museum Studies Program students designed this exhibition under the direction of Barbara Brennan, Co-Director, Graduate Exhibit Design Certificate Program, and Andrew Scott, Adjunct Professor of Exhibit Design. Student team: Laura Augustine, Laurel Gates, Adrienne Iannone, and Victoria Otero.

Images All images appear courtesy of the Historical Society of Washington, D.C., unless otherwise noted.

In Memoriam Lucinda P. Janke, 1943-2015

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