feminism

14
FEMINISM IN THE MEDIA

Upload: jenny-walsh

Post on 21-May-2015

5.804 views

Category:

Education


0 download

DESCRIPTION

Feminism in the Media for G325 Section A

TRANSCRIPT

Page 1: Feminism

FEMINISM IN THE MEDIA

Page 2: Feminism

Overview• As a perspective for looking at media texts,

feminists would see most media output as being the product of a patriarchal or male dominated order aimed at disempowering women.

Page 3: Feminism

Feminism was the response to society’s assumptions that women should be subservient to men. Until the emergence of feminism women were treated almost as objects, passive agents in a male world.

Page 4: Feminism

The BeginningThe roots of the feminist movement extend to

the eighteenth century but run through the Suffragette movement which fought for the vote for women in the early part of the twentieth century and the land girls and other women who moved into many male occupations during the Second World War for example.

Page 5: Feminism
Page 6: Feminism

The 1970sActivists in the early 1970s were battling for

Women‘s Liberation and equal opportunities at a time of great unrest and social upheaval for many social groups.

The sex equality act was not passed until 1975.

Page 7: Feminism

The TheoryAcademic feminist theory emerged as a

response to this liberation and activism. This has led to a range of critical writing about th role of women in contemporary society and therefore also the role of the way media construct representations of women and the ideologies they maintain. Among these is Laura Mulvey’s theory of the male gaze as constructing audience expectations of film.

Page 8: Feminism

• Patriarchy is a form of society ruled by men through the figure of the father (the patriarch) to whom all others are subordinate. A patriarchal society is therefore one where the men dominate and the media are constructed for them as audience.

Page 9: Feminism

Laura Mulvey and The Male Gaze

• Mulvey argues that cinema audiences look at films in two ways:– Voyeuristically and– Fetishistically

• Cinema audiences watch a film without being watched by the characters on screen and usually in a darkened cinema so other audience members do not observe them either.

Page 10: Feminism

• Therefore we are almost voyeurs, watching the people on screen. This can lead to two effects:– Objectification of female characters in relation to

this controlling (male) gaze.

– Narcissistic identification with an ideal image seen on the screen.

Laura Mulvey and The Male Gaze

Page 11: Feminism

Voyeurism• She argues that this voyeurism involves

turning the represented figure into a fetish (object) so that it becomes increasingly beautiful but more objectified.

Page 12: Feminism

Fetishism• Fetishistic looking, she suggests, leads to the

cult of the female movie star, celebrated for her looks but considered as an object and often treated as such.

Page 13: Feminism

Roles of men and women• Conventional Hollywood films have a male

protagonist in the narrative and assume a male audience.

• Male characters are active and dynamic and not always conventionally attractive.

• Actresses, on the other hand, must be glamorous and attractive but they are only in supporting roles.

• Therefore on screen as ‘eye candy’ to appease the male gaze of the male audience.

Page 14: Feminism