erika russell | interior design portfolio

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Interior DEsign PortfolioERIKA RUSSELL

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ERIKA RUSSELLPhone: 513. 259. 5727Email: [email protected]: erikarussell.com

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HELLOMy name is Erika Russell and I am an upcoming design graduate from the University of Kentucky. I am inspired by the places I go, the people I meet, and the things I see. Throughout the course of design school, I have experienced many different opportunities that have enabled me to bring my passionate and creative ideas and visions to life. I aspire to utilize my skills, conjoined with the talent of others, to design meaningful and impactful designs for the future.

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Workplace

24166Retail Hospitality

TABLE OF CONTENTS

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32 36Community+Education

Cultural Study Abroad

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unlimitedpossibilitiesup!

>> unlimited possibilities Jacksonville, FL

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DESIGN OBJECT IVE:The objective of this project was to design a retail store located in Jacksonville, Florida. Given the challenge of handling a small amount of square footage in a mall setting, the design was to attract clientele to new technology products, specifically phones and tablets. From conceptual development and schematic design, to specific construction details and planning, this project took on a full approach from beginning to end.

DESIGN CONCEPT:Through the unique application of form and shape, UP! captures the idea of accentuation and movement through a space. The name UP! focuses on the idea of the ever-changing technological world and the unlimited approach that technology provides to us on a daily basis. It captures the energetic personality of the store and reflects the overall positive user experience.

DESIGN SOLUT ION:By implementing a symmetrical approach, the design of UP! allows for an interactive experience. The whimsicle design of the flooring establishes boundaries set for the products and provides organization and means of progression towards the cash wrap. The strong use of accent colors combined with the clean and sleek white finishes provide a crisp design that supports the sale of the products. In addition, the custom design of each furniture fixture emphasizes the ‘arching’ form that is used to reflect the concept of growth.

RETAILIndividual Project | Fall 2013 | 2nd Year | University of Kentucky

RESPONSIBIL IT IESProgramming ResearchConcept DevelopmentLogo Design and BrandingSpace PlanningFF&E SelectionsArchitectural Drawings - Floorplan, Sections, ElevationsConstruction DrawingsInterior Renderings (Digital + Hand)Custom Product Design

SKILLS UT ILIZEDHand Rendering, AutoCad, InDesign, Photoshop, Illustrator, Google SketchUp, SU Podium

Hand Sketching - Concept development and space planning

Project Duration: Semester (Revised in 4th Year)

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REVISIONSDATE: DESCRIPTION

DUE

DAT

E

01-30-2015 RETAIL FLOOR PLANERIKA [email protected]

513-259-5727

01

-30

-20

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UNIVERSITY OF KENTUCKY - COLLEGE OF DESIGN117 PENCE HALL LEXINGTON, KY 40506

ID 221: RETAIL PROJECTFALL SEMESTER1

SHEET 1 OF 3

RETAIL FLOOR PLAN

FLOOR PLAN

MOVEMENT TO THE BACK OF THE STORE TOWARDS THE CASHWRAP

USE OF MATERIALITY TO ENHANCE BRANDING

COMPONENTS

USER EXPERIENCE UPON ENTERING THE

SPACE

INTERACTION OF PRODUCTS AND CUSTOMERS

CUSTOM BUILT FIXTURES THAT ATTRACT

INDIVIDUALS AND PROMOTE CONCEPT

>> IMPORTANT CONSIDERATIONS

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Store Front - Interior RenderingCustom Product Display

RENDERINGS

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CONSTRUCT ION DOCUMENTAT ION>> CONSTRUCTION PLAN

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One of the main components of this project was the development of the construction documentation related to the space. This consisted of: FF&E plans, lighting plans, ADA plans, construction plans, as well as custom casework/millwork drawings. Since each piece of furniture was custom designed, the communication of how these pieces were to be built and where they were to be placed was crucial. This process not only taught me the importance of clear and precise communication, but also the significance of defining minor design details.

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CONSTRUCT ION DOCUMENTAT ION>> FF+E PLAN

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FURNITURE S C H E D U L E

MARK M'FGR. CATALOG # COLOR REMARKS

A CUSTOM FURNITURE N/A WHITE MOVEABLE (RM100) B HERMAN MILLER NELSON PEDESTAL TABLE SILVER BASE WHITE LAMINATE FOR TOP (RM 100) C CUSTOM FIXTURE N/A WHITE MOVEABLE (RM100) D DISPLAYS2GO FOLDR2646 SILVER BASE 27" DIAMETER (RM100) E KNOLL FLORENCE KNOLL BENCH BLACK RM 100

F HERMAN MILLER RENEW SIT TO STAND DESK SILVER BASE RM 103

G ULINE H-1915 LIGHT GREY RM 103

FIXTURE S C H E D U L E

MARK M'FGR. CATALOG # COLOR REMARKS

A-2 CUSTOM CASEWORK N/A WHITE CW-1 (REFER TO PLAN) (RM 100)B-2 IKEA EKBY HEMNES BLACK ROOM 103C-2 LAMPS PLUS FIESS INFINITY RECTANGULAR 36" HIGH WALL MIRROR N/A ROOM 102D-2 CUSTOM SHELVING N/A LAM-1 CW-2 (REFER TO PLAN) (RM 101&103)

EQUIPMENT S C H E D U L E

MARK M'FGR. CATALOG # POWER REMARKS

A-1 SCORPION SECURITY MECHANICAL STANDB-1 SCORPION SECURITY POWER CONNECTION 12V CHARGES UP TO 8 DEVICESC-1 CDW HP POINT OF SALE SYSTEMD-1 STAPLES HP LASER JET PRO P110SW PRINTER WIRELESSE-1 POSGUYS TOUCH DYNAMIC CASH DRAWER (CD-BL-2000)

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CONSTRUCT ION DOCUMENTAT ION>> LIGHTING PLAN

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REVISION

SD

ATE:D

ESCRIPTION

DUE DATE 03/02/2015

REFLECTED CEILLIN

G PLAN

ERIKA RUSSELL

ERIKA.RUSSELL@

UKY.ED

U513-259-5727

03/02/2015

UN

IVERSITY OF KEN

TUCKY - CO

LLEGE O

F DESIG

N117 PEN

CE HALL LEXIN

GTO

N, KY 40506

ID 375 : RETAIL PRO

JECTFALL SEM

ESTERSH

EET 1 O

F 3REFLECTED

CEILING

PLAN - REVISIO

NS

CHECKED

BY

DRAW

N BY

L I G H T F I X T U R E S C H E D U L E

MARK M'FGR. CATALOG # # OF LAMPS LAMP COLOR MOUNTING CONTROLS REMARKS

R1 LIGHTOLOGY JUN22508 1 50W/120V WHITE CEILING MANUALA1 LIGHTOLOGY ET21005 1 60V/120V BLACK GLOSS CEILING MANUAL DIMMER - INCANDESCENTT(4)1 LIGHTOLOGY R551WH (JUN25972) 4 50W/120V WHITE CEILING MANUAL DIMABLET(6)1 LIGHTOLOGY R551WH (JUN25972) 6 50W/120V WHITE CEILING MANUAL DIMABLEF1 EARTH LED CREE ZR24-40L 1 44W/120V WHITE GRID MANUAL DIFF. HANGING HTGTS.,DIMABLE

Y ACUITYBRANDSLIGHTING LHXC W 1 RW CH3 2 16W/120V WHITE SEE PLAN AUTOMATIC EMERGENCY LIGHT + EXIT SIGN

Z ACUITYBRANDSLIGHTING EU2 LED M12 2 1.8W/120V WHITE SEE PLAN AUTOMATIC EMERGENCY LIGHT

REVISION

SD

ATE:D

ESCRIPTION

DUE DATE

03/02/2015REFLECTED

CEILLING

PLANERIKA RU

SSELLERIKA.RU

SSELL@U

KY.EDU

513-259-5727

03/02/2015

UN

IVERSITY OF KEN

TUCKY - CO

LLEGE O

F DESIG

N117 PEN

CE HALL LEXIN

GTO

N, KY 40506

ID 375 : RETAIL PRO

JECTFALL SEM

ESTERSH

EET 1 O

F 3REFLECTED

CEILING

PLAN - REVISIO

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CHECKED

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N BY






REVISION

SD

ATE:D

ESCRIPTION

DUE DATE

03/02/2015REFLECTED

CEILLING

PLANERIKA RU

SSELLERIKA.RU

SSELL@U

KY.EDU

513-259-5727

03/02/2015

UN

IVERSITY OF KEN

TUCKY - CO

LLEGE O

F DESIG

N117 PEN

CE HALL LEXIN

GTO

N, KY 40506

ID 375 : RETAIL PRO

JECTFALL SEM

ESTERSH

EET 1 O

F 3REFLECTED

CEILING

PLAN - REVISIO

NS

CHECKED

BY

DRAW

N BY






REVISION

SD

ATE:D

ESCRIPTION

DUE DATE

03/02/2015REFLECTED

CEILLING

PLANERIKA RU

SSELLERIKA.RU

SSELL@U

KY.EDU

513-259-5727

03/02/2015

UN

IVERSITY OF KEN

TUCKY - CO

LLEGE O

F DESIG

N117 PEN

CE HALL LEXIN

GTO

N, KY 40506

ID 375 : RETAIL PRO

JECTFALL SEM

ESTERSH

EET 1 O

F 3REFLECTED

CEILING

PLAN - REVISIO

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>> Rome, Italy

EdesiaHotel

Boutique Hotel

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HOSPITALITY

DESIGN OBJECT IVE:With a focus on Mediterranean influence, the objective of this project was to renovate and transform an existing building into a boutique hotel. Located in the heart of Rome, Italy, the design was to capture tourism through its unique and hospitable design. The scope of this project included a double bedroom, lounge area, and fine-dining restaurant.

DESIGN CONCEPT:The concept of this design is traced all the way back to its roots where ancient Mediterranean trade took place. The ancient harbor city of Rome, commonly known as Ostia Antica, combined with the architectural works of Kengo Kuma are the main sources that contributed to the overall inspiration of the work. The combination and application of these two elements work together to bring to life a unique and simplistic, but also beautifully elegant boutique hotel.

DESIGN SOLUT ION:

RESPONSIBIL IT IESLocation Research + Site MappingProgramming ResearchConcept DevelopmentLogo Design and BrandingSpace PlanningUnit Conversion (European vs. American)FF&E SelectionsArchitectural Drawings - Floorplan, Sections, ElevationsInterior RenderingsBudget + Cost AnalysisPrecedent Studies

Through the implementation of natural materials and unique design elements, the interior of Hotel Edesia is simplistic, but also naturally elegant. Through the incorporation of the two main sources of inspiration, the design of the hotel utilizes unique ways in which furniture takes function within the space. The user experience is taken into account within the double bedroom by strategically planning for an “awe” moment when rounding the corner of the room. In addition to this, the transparency of elements within the dining area allow for a unique experience for the visitors of the space.

SKILLS UT ILIZEDAutoCad, InDesign, Photoshop, Illustrator, Google SketchUp, SU Podium

Hand Sketching - Conceptual development and space planning

Individual Project | Fall 2015 | 4th Year | Florence University of the Arts

Project Duration: Semester

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FLOOR PLAN>> DOUBLE BEDROOM

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Double Bedroom

RENDERINGSINTERIOR RENDERINGS>> DOUBLE BEDROOM

CONCEPTUAL SKETCHES DESIGN CONSIDERAT IONS

User Experience - Strategic space planning to evoke a sense of emotion upon entering the hotel room.

Integration of natural materials and sources of inspiration throughout the space that reflect the work of Kengo Kuma and Ostia Antica.

Lighting - Utilizing unique light fixtures that capture the essence of these two sources of inspiration and provide adequate lighting to illuminate the entire space.

Applying minor design details that add to the overall character of the space - wood plank, mosaic tiles, unique furniture functioning, etc.

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FLOOR PLAN>> FINE-DINING RESTAURANT

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INTERIOR RENDERINGS>> fine-dining restaurant

DESIGN CONSIDERAT IONSUser Experience - Creating a sense of transparency during the food preparation process by means of materiality and connectivity.

Integration of branding throughout the space

Natural materials to promote the concept of serving healthy, all-natural, well-prepared courses

Lighting - natural light from the exterior during the daytime and dimmed lighting at during dinner hours

MATERIAL SELECT IONS

CONCEPTUAL DEVELOPMENTThe fine-dining experience of the restaurant Edesia involves characteristics of both transparency and interaction. The design utilizes materials that create boundaries throughout the space, while also allowing visual translucence of the dining experience. The customers are involved in an interactive process that allows them to grasp the complete understanding of how their food is prepared until it reaches their table. This is enhanced through the installation of the glass partition that separates the kitchen from the dining space. In addition to creating a connection between the customers and the staff members, this glass partition also serves as a sensory barrier to block out unwanted smells, noises, temperatures, and more.

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>> ACCESS213 Las Angeles, California

a ess213

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4-5

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WORKPLACE

DESIGN OBJECT IVE:After beginning with the design of a single workstation and progressing to the design of several work environments, the objective of this project was to develop a large-scale advertisement agency that sparks creativity and innovation. In teams of nineteen, we were to come up with workspace solutions, as well as create a life-size installation that explains our overall concept. The final outcome was to reflect the on-going research that has been recorded thus far related to workplace strategy.

focus.

break out spaces

(small) privateconference room

open office space

large conference room

coffee bar

DESIGN CONCEPT:Focused around converging, emerging, and engaging the community, both in and out of the office, ACCESS213 is an innovative advertising agency that is focused around complete connectedness. It specifically integrates the local city of each branch through the use of materials, customs, branding, and its overall atmosphere and performance. ACCESS213 provides an approach to understanding diverse cultures and environments while cohesively uniting them as a whole.

DESIGN SOLUT ION:ACCESS213 provides a vibrant and interactive atmosphere that sparks creativity and promotes innovative ideas. Through the strong application of branding, the unique characteristics of ACCESS213 are able to be carried out to other branches and locations. The headquarters provides ample opportunity that allows people to work in numerous different ways and to choose where and how they work. With an emphasis on well-being, design choices were made to enhance productivity and engagement within the workplace.

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Team Collaboration | Spring 2015 | 3rd Year | University of Kentucky

RESPONSIBIL IT IESLocation Research + Site MappingProgramming ResearchConcept DevelopmentLogo Design and BrandingDesign DevelopmentGroup Collaboration + Communication

SKILLS UT ILIZEDInDesign, Illustrator, Photoshop

Hand Sketching - Conceptual development and planning

Project Duration: 2 weeks

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Like all great ideas, it began

with a coffee shopLike eating a muffin with your coffee, everything comes in a combination, just like..

So why the coffee shop?

Gensler’s Work ModesSimilar to a coffee shop, we are providing a variety of work modes and amenities that revolve around access tofocus, collaboration, learning, and social spaces

FocusJust like a coffee shop can be used for heads down work, the workplace should provide people with an environment that allows fora retreat from distractions found in the office

CollaborationA lot of times, we come up with forms of inspiration through the interaction with others. By implementing spaces that promote positive communication, these interactions become the stepping stones of future ideas.

Learning

Social

Private Office

Cafe

Children’s Area

Lobby

How does one grow? Just as the barista learns to build your favorite drink at your local shop, one must be surrounded by elements that will teach and inspire them. This can be incorporated through many means of health & wellness, as well as different learning opportunities.

234 Like running into your next door neighbor in line, the

environment should provide necessary opportunitiesfor spontaneous interactions. These casual meetingshelp to increase the sharing of ideas and the growthof community culture within a workplace.

1SANTA M

ONICA BLVD

BROADWAY

COLORADO AVE

ARIZONA AVE

5TH CT5TH ST

7TH ST

4TH ST

520 BROADWAY

SITE PLAN:

My main responsibility of this project revolved around the branding and marketing of the advertising agency and space. These branding applications were extremely necessary in order to achieve our concept of accessibility and overall cohesiveness. I wanted my graphics to be clear in communication and accurately depict the research that has been carried on throughout each phase. In addition to this, it was my responsibility to successfully plan out the graphics for the life-size installation space. This involved signage and way-finding, as well as space planning in regards to the overall installation experience.

GRAPHIC ILLUSTRAT ION>> BRANDING + SIGNAGE

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this is access213.

a ess213

0-1 2-3 4-5 6-7 8-9

Color & Number Relationships

Los Angeles, CAArea Code : 213

Manhattan, NYArea Code: 212 646 917

Denver, COArea Code: 303 702

Lexington, KYArea Code: 859

Cincinnati, OHArea Code: 513

SANTA M

ONICA BLVD

BROADWAY

COLORADO AVE

ARIZONA AVE

5TH CT5TH ST

7TH ST

4TH ST

520 BROADWAY

So a coffee shop gives you:Focus AreasCollaborationLearning OpportunitiesSocial

But what do these help to create?

COMMUNITYWhat is this community?By highlighting the LA Arts District, a brand, a name, and a culture developed. This culture was formed through the incorporation of local characteristics that could be implemented location to location, region to region.

By combining local “coffee shop” methods with local culturalpractices like graffiti, we are able to create a community thatthrives on inspiration, innovation, progression, and themovement towards urbanization.

In a thriving advertising agency, we are constantlylooking for means of inspiration. By looking at the roots of the LA Arts District, we are able to applythe same techniques within our workforce to createa cohesive and successful sense of branding. Thisallows for location to location, region to region ACCESS

DemographicsLos Angeles, CA

Population

Gender

3,800,000

Ethnicity

White Hispanic Black Asian Other0

10

20

30

40

50

Ethnicity

Perc

enta

ge

49.8 %

50.2 %

Female Male

2+ Languages spoken in Households

60%Avg. Travel Time to Work

29 minutes

Avg. Household Income

$49,500.00Avg. Household Size

2.87 people

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>> NOVEL Los Angeles, California

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WORKPLACE

DESIGN OBJECT IVE:Working in teams of four, the objective of this project was to design a workplace that was functional for four specific usertypes: copywriters, administrative personel, financial advisors, and human resource managers. In order to make the design functional, research on the necessities of the overall workplace, as well as these specific positions, was essential. With a large emphasis on branding, the space was to be cohesive and creatively designed to promote maximum employee performance.

DESIGN CONCEPT:

DESIGN SOLUT ION:Taking into account the needs of these four specific positions, providing environments that served for both private and public activities were essential. By designing large exterior windows, the space enhances the well-being of the employees and emphasizes the concept of biophilia. The lobby serves as a community space that stimulates spontaneous interaction and connection within the workplace. Through a bold branding application, Novel sets themselves apart as an agency and provides seamless transitions throughout each space.

Team Collaboration | Spring 2015 | 3rd Year | University of Kentucky

Teammates: Aleigh Oney + Jannette Marmo + Hali Foreman

Novel is a cutting-edge, innovative advertising agency that adapts to the current trends of the industry. The seamless transitions of dynamic shapes, forms, lines, and colors allow for the office space to come to life. The integration of color theory, sense of place, and the dynamic interaction of bold material selection sets Novel apart from other workspaces. The strong focus on seamless transitions takes the agency to the next level of innovation.


RESPONSIBIL IT IESProgramming + ResearchConcept DevelopmentLogo Design and BrandingSpace PlanningCollaboration + CommunicationInterior Renderings (Lobby)Design Drawings (Sections + Elevations)

SKILLS UT ILIZEDAutoCad, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium


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SECT IONS>> WORKPLACE DESIGN

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DESIGN CONSIDERAT IONS

Dynamic spaces that inspire the user and challenge employees to push innovation and creativity

Spontaneous interaction in the space through the central lobby circulation + visible central elevator design

Bold application of color that is used to set the company apart from others and make it unique

Building upon shape and form - the use of elements and principles to ground a concept of seamless transition through private and public settings

INTERIOR/EXTERIOR RENDERINGS>> WORKPLACE DESIGN

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mausoleum design>> a place of remembrance Sicily, Italy

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DESIGN OBJECT IVE:The objective of this project was to design a mausoleum located in Sicily, Italy. The architecture was to be reflective of traditional values, as well as encompass the emotional needs of the users. Providing a private setting was an important factor to keep in mind considering the emotion that comes along with the passing of a family member or close friend. The mausoleum was to serve as a place of remembrance and capture the beauty of a life once lived.

DESIGN CONCEPT:The concept of the design is focused on the beauty found within the passage of time. Through the incorporation of natural materials, the mausoleum serves as a place for peace, remembrance, as well as a reflection of family values and traditions.

DESIGN SOLUT ION:The concept for this design is implemented through the materiality choice of the mausoleum as well as the experience upon entering the architectural monument. In addition to stone, the application of copper is used to emphasize this over-arching idea. As time goes by and this material is exposed to the nature and outdoors, the copper turns into a beautiful patina which reflects the beauty that comes with time. I wanted this unique transformation of materiality to reflect the beauty that comes with age. In addition, the far side of the mausoleum looks out into the outdoor landscape which evokes a further sense of peace and calmness.

CULTURALIndividual Project | Fall 2014 | 3rd Year | University of Kentucky

mausoleum designmaterial’s board

stonecopper - metal

terazzo

marble


RESPONSIBIL IT IESProgramming + ResearchConcept DevelopmentSpace Planning + LayoutsMaterial SelectionRenderingsDesign Drawings - Floorplan, section, elevation

SKILLS UT ILIZED3D Printing, AutoCad, Rhino, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium


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plant

elevatedsurface

built-inseating

built-inseating

urnselevatedflooring

elevatedflooring

plant

FLOOR PLAN>> DEVELOPMENT

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3D PRINTED MODELA main responsibility of this project was to print a finalized model of the mausoleum utilizing the 3D printer. Although this was originally designed in SketchUp, the file was converted and manipulated using the program ‘Rhino’ and then printed into three-dimensional form. After the work was printed, we were to set up an installation that showed the spacial relationships between the designed mausoleum and existing structures surrounding it.

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>> CHRIST CHURCH CATHEDRAL Lexington, KY

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COMMUNITY - EDUCAT IONIndividual Project | Spring 2014 | 2nd Year | University of Kentucky

DESIGN OBJECT IVE:Christ Church Cathedral, located in Lexington, KY, is a community that embodies many strong values and beliefs. The intent of this project was to design a space that serves for two distinct functions: housing homeless men through a program known as “Room In the Inn”, as well as holding youth group functions and gatherings. Given these two very distinct and different user types, the interior was to be cohesive to fit the needs of both groups. The first phase of this project consisted of the design of a ‘homeless pod’. From there, we were to implement the design of our pods into the design of the basement interior.

DESIGN CONCEPT:

DESIGN SOLUT ION:


RESPONSIBIL IT IESProgramming + ResearchConcept DevelopmentFF&E SelectionsSpace PlanningCollaboration + CommunicationInterior RenderingsDesign Drawings - Floorplan, Section, Elevations

SKILLS UT ILIZEDAutoCad, InDesign, Illustrator, Photoshop, Google SketchUp, SU Podium

Hand Sketching (Concept Development + Space Planning )

A commonality between the homeless men and the members of the youth group is the lack of understanding in regards to what their next life-steps should be. In order to promote well-being and enhance self-growth, the design should be impactful and enriching, as well as encourage interaction among each community group to better prepare them for the future.

Through the incorporation of different settings, individuals are able to explore their distinct interests and connect with others through a variety of activities. Although simple, some of these activities are associated with problem solving, arts and creativity, reading and writing, as well as others. There are designated private spaces located in the design which allow individuals to meet and discuss future steps with those connected through the church. The space is uplifting and provides for the needs of both user groups.

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FLOOR PLAN>> COMMUNITY + EDUCATION

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Quiet + Reading Space Interest Exploration Area

INTERIOR RENDERINGS

Group Gathering Space Interest Exploration Area

>> COMMUNITY + EDUCATION

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CREAT IVE>> artistic worksThroughout the course of my undergraduate career, I have worked on many different projects that have challenged and evoked my sense of creativity. Each of these works have been completed using a variety of unique mediums and methods. While some of these projects took place during my study abroad experiences, others were simply a matter of building upon design elements and principles.

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STUDY ABROADThroughout the journey of my undergraduate career, I have participated in various international study abroad experiences. In the winter of 2013, I accepted the opportunity to partake in a program that took place in Thailand and Cambodia. During these three weeks, I observed and documented the inter-cultural relationships present throughout this region and their influence on the architecture and design. In the fall of 2015, I took part in a semester-long studio located in the heart of Florence, Italy. This experience allowed me to explore the influence of European design and to collaborate with individuals on a variety of projects. Overall, the combination of these abroad experiences have enhanced my perspective on our global culture and has revealed my strengths relating to leadership, communication, and positivity.

>> INTERNATIONAL experiences

THAILAND. CAMBODIA. ITALY. CROATIA. SPAIN. SLOVENIA. GERMANY. AUSTRIA. SWITZERLAND. CZECH REPUBLIC.

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The places that I have seen and the people that I have met have not only allowed me to grow as a person, but have enabled me to approach design with an entirely unique perspective. Being immersed within these cultures have pushed me into unfamiliar situations that have taught me the importance of communication, organization, and flexibility. I could not be more grateful for the adventures that life has brought to me thus far and I look forward to the adventures that are yet to come!

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THANK YOU

erika russell | interior design portfolio

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