ennpm.org/wp-content/uploads/2017/08/programbook.pdf · en ’ l i nf o national ... npm has been,...

2

GE

N’L I

NF

O

NationalAssociation

of PastoralMusicians

962 Wayne Avenue, Suite 210Silver Spring, MD 20910-4461

(240) 247-3000Fax (240) 247-3001

[email protected]

Fostering the Art of Musical Liturgy

Dear Members and Friends,

Welcome to Cincinnati and the Fortieth Annual Convention of the National Association of Pastoral Musicians! As many of you know,

humbled to be here.

NPM has been, is now, and will always be a community bringing

to large choirs, yet we all have one thing in common: the love of and desire for music ministry and liturgy. NPM is where we come together to continue to learn more about our ministry, as well as to share our ideas and build lasting memories with one another.

’s at work here. Pastoral musicians also help the people of God connect with their hearts. Faith grows as gathered believers

to return to their community with great enthusiasm from this week’s

NPM President

3

GE

N’L

IN

FO

4

GE

N’L I

NF

O

Welcome to Cincinnati!

On behalf of our local NPM chapter and the entire Archdiocese of Cincinnati, we are thrilled to welcome you to the Queen City. We have worked hard for two years to prepare for this gathering, and we’re so happy that you’re fi nally here!

Our local church is excited to share with you our rich heritage of excellence in liturgy and music. Cincinnati is where World Library of Sacred Music was founded in 1950 by music giant, Omer Westen-dorf. Many of us fondly remember the People’s Mass Book published by World Library here in Cincinna-ti and used by parishes across the country. We are also proud to be home to Eugene Englert, another musical giant, who contributed greatly to our treasury of sacred music in the United States. In addition, we are very proud of our beautiful Cathedral, dedicated in 1845. It’s only a few blocks away, and

where you will hear great music in a great space.

Along with our liturgical and musical heritage, Cincinnati is proud to be known as the birthplace of baseball, and we love our Reds. We were privileged to host the World Choir Games, earning the nickname “The City That Sings.” We are well-known for our culinary delights, including our unique chili (just try it!), our world-famous zoo (which you’ll get to enjoy on Tuesday night), our outstanding arts community (including the May Festival, the longest continuous music festival in the United States), the National Underground Railroad Freedom Center, and so much more!

We’ve planned a convention that we hope will inspire you in your ministry as pastoral musicians. Building on our exploration of the diversity of the Church at last summer’s Houston NPM convention, we are eager to spend this week with you refl ecting on the unity that comes about especially when the Church prays in song. While inspiration and learning are certainly on the agenda, we hope this will be a time to enjoy our city, get together with old friends, and make some new friends along the way.

If there is anything we can do to assist you while you are here, please do not hesitate to stop one of us or one of our many volunteers.

On behalf of the entire 2017 Core Committ ee, welcome to Cincinnati!

Karen Kane & Jeremy HelmesConvention Chairs

5

GE

N’L

IN

FO

General InformationNPM Chapter Directory ................................ 7Convention Information ............................... 9Locations/Phone Directory ......................... 11Gone Before Us with the Sign of Faith ...... 13Summary of Meetings ................................. 14

Monday, Day 1Pre-Convention Events ................................ 17Liturgical Space Tour .................................. 18Organ Crawl ................................................. 18Institutes Begin .............................................. 19Master Classes and Clinics ......................... 20Leadership Retreat ....................................... 21Young Adult Retreat .................................... 21Music Industry Showcase I ......................... 22Cantor Certifi cate Writt en Adjudication ... 23Chapter Directors' Meeting and Luncheon ............................22Orientation for First Time Att endees ........ 23Industry Lab Sessions I .............................. 23Industry Lab Sessions II ............................. 24Industry Lab Sessions III ............................. 24NPM Interest Section Meetings .................. 25Convention Begins ................................... 28Convention Opening and Eucharist .... 29Fostering the Art: A Celebration! ............ 49College-Age Gathering ................................ 49Events 1 .......................................................... 50Events 2 .......................................................... 50 Exhibit Hall Grand Opening Gala ............. 52Industry Lab Sessions IV ............................. 51Industry Lab Sessions V .............................. 51

Tuesday, Day 2 – T-Shirt DayTuesday Overview ....................................... 54Morning Prayer ............................................ 55Plenum: O'Malley ...................................... 65Breakout A .................................................... 69Institutes, continued ...................................... 67DMMD Institute Begins .............................. 67DMMD Members' Meeting ......................... 73

Tuesday, Day 2 ₍continued₎ Cantor Brown Bag Lunch ........................... 73Lunchtime Organ Recital ............................ 73Lunchtime Piano Recital ............................. 73Industry Lab Sessions VI ............................. 74Industry Lab Sessions VII ........................... 75Plenum Showcase I: WLP .......................... 77Music Industry Showcase II ....................... 78Piano Certifi cate Adjudication ................... 77Cantor Certifi cate Singing Adjudication ... 77Plenum: Adamson ....................................... 80Solemn Evening Prayer ............................... 81Events 3 (Cincinnati Zoo) .............................. 90

Wednesday, Day 3Wednesday Overview ................................. 92Fun Run/Walk .............................................. 93Morning Prayer ............................................ 93NPM Members' Meeting and Awards ... 103Breakout B ................................................... 104Institutes, continued .................................... 104DMMD Institute, continued ....................... 104Cantor Certifi cate Singing Adjudication . 107Industry Lab Sessions VIII ........................ 107Lunchtime Piano Recital ........................... 108Lunchtime Organ Recital .......................... 108Industry Lab Sessions IX ........................... 109Plenum Showcase II: GIA ......................... 110Organ Master Class .................................... 110Breakout C ................................................... 111Institutes, continued .................................... 111DMMD Institute, Final Session ................ 111How to Form a Chapter ............................ 113Music Industry Showcase III .................... 114Events 4 ........................................................ 116Events 5 ........................................................ 117Taizé Prayer ................................................. 118

Thursday, Day 4Thursday Overview ................................... 120Morning Prayer .......................................... 121Plenum: Alonso ......................................... 128

TABLE OF CONTENTS

6

GE

N’L I

NF

O

Thursday, Day 4 ₍continued₎ Breakout D ................................................... 131Institutes, continued ..................................... 130Pastoral Musicians’ Luncheon ................. 133Plenum Showcase III: OCP ...................... 135Industry Lab Sessions X ............................ 136Cantor Certifi cate Singing Adjudication . 135Events 6 ........................................................ 137DMMD Social ............................................. 136Convention Eucharist ............................... 139

Friday, Day 5Friday Overview ........................................ 160Morning Prayer .......................................... 161Plenum: Thiron, Holland II, Kramer ... 167Breakout E ................................................... 169Institutes, Final Session ............................... 172Closing and Re-Commissioning .......... 173

ReferenceMaps: Duke Energy Convention Center ................................ 179 Map: Millennium Hotel Meeting Rooms ............................... 182Exhibitors .................................................... 183Exhibitor Booth Index ................................ 185Map: Exhibitors .......................................... 186Speakers, Clinicians, & Performers ........ 187Index to Advertisers ................................. 197 Acknowledgements .................................. 193

Table of Contents (continued)

WELCOME TO

CINCINNATI!!

The 5th Generation ofBernings, serving the

churches, institutions andbusinesses of the

Archdiocese since 1883

(513) 721-0781(877) 828-9864

Fax: (513) 721-0783www.josberningprinting.com

1850 DALTON AVENUECINCINNATI, OHIO 45214

Some things haven’tchanged since thelate 1800’s...

...Customer Service,Craftmanship,

Tradition,Pride.

7

GE

N’L

IN

FO

CHAPTER DIRECTORY

Local NPM Chapters provide support, resources, educational programs, and community to our members. Chapter membership provides opportunities to connect with other pastoral musicians who share the mission to "Foster the Art of Musical Liturgy."

• Go to www.npm.org for the Chapter Directory and Chapter Links to websites and Facebook pages

• These sites provide the most current listings and contact information

If you would like to receive information on how to start a local NPM chapter, or re-establish an inactive chapter, contact the National Offi ce: (240) 247-3000 or [email protected]

CaliforniaLos Angeles

ColoradoDenver

ConnecticutBridgeportHartford

District of ColumbiaWashington

FloridaMiamiOrlandoPalm BeachSt. Petersburg Venice

GeorgiaAtlanta

IdahoBoise

IllinoisChicagoJoliet

IndianaFort WayneGary Indianapolis

KansasKansas CityWichita

KentuckyLouisville

LouisianaBaton RougeLafayett eLake CharlesNew OrleansShreveport

MarylandBaltimore

MassachusettsBostonWorcester

MichiganDetroitGrand RapidsKalamazooLansingMarquett e

MinnesotaDuluthSt. Paul and Minneapolis

MissouriKansas City-St. Joseph St. LouisSt. Louis-Duchesne

New JerseyCamdenMetuchenNewarkPatersonTrenton

New YorkAlbanyBuff aloNew YorkRochesterRockville Centre

North CarolinaRaleigh

OhioCincinnatiCincinnati-Miami ValleyClevelandColumbusToledo

8

GE

N’L I

NF

O

OklahomaOklahoma City

OregonPortland

PennsylvaniaAllentownAltoona-Johnstown ErieGreensburg PhiladelphiaPitt sburghScranton

Rhode IslandProvidence

South DakotaRapid CitySioux Falls

TennesseeMemphis

TexasAustin Corpus ChristiDallas Fort Worth Galveston-HoustonSan AngeloSan Antonio

VirginiaArlingtonRichmond

WashingtonSeatt le

West VirginiaWheeling-Charleston

WisconsinMilwaukee

Y’know, it’s not like our Association is

In fact, it’s really OK to tell people

about NPM. You don’t even have to

whisper . . .

and other members will be glad to

follow your example, because they

want to share the experience of

being in the National Association

of Pastoral Musicians!

9

GE

N’L

IN

FO

IMPORTANT CONVENTION INFORMATION

Convention Locations• The Hilton Cincinnati Netherland Hotel is the Headquarters Hotel for the 40th Annual

Convention of the National Association of Pastoral Musicians• Exhibits are located in the Duke Energy Center Exhibit Hall A

₋ A wide range of liturgical and musical products and services is on display in the Exhibit Hall ₋ Convention att endees are urged to visit the Exhibits often and talk freely with the exhibitors

about your needs• Breakout Sessions and Events are scheduled in the Duke Energy Center, Millennium Hotel

Cincinnati, Hilton Cincinnati Netherland Plaza Hotel, and area churches• All other Room Locations are listed in the Convention Program• Be sure to check the Convention Daily Newslett er for any room changes!

Special Considerations• NPM Scholarships assist with “the educational formation of pastoral musicians.” Please be

generous in your contribution to this fund during Thursday evening Eucharist• All Events: No fl ash photos or recording of sessions• Ticketed Events: The Musical Safari (Tuesday Evening) and the Pastoral Musicians' Luncheon

(Thursday) require a printed ticket ₋ Be sure to wear your name badge and bring your ticket to these events as you will not be

admitt ed without both

Liturgies, Prayer, and Reconciliation• Morning Prayer will be celebrated as part of the Convention on Tuesday, Wednesday, Thursday,

and Friday. Evening Prayer is also off ered on Tuesday evening ₋ In addition to the community celebrations of Morning Prayer and Eucharist, a Chapel of

Prayer is available for your own private prayer and refl ection in CC: 232• Eucharist will be celebrated on Monday afternoon and Thursday evening in the Convention

Center Grand Ballroom ₋ Mass will be also celebrated at 7:00 am on Tuesday, Wednesday, and Friday at St. Peter in

Chains Cathedral, 325 W. 8th street, Cincinnati, 45202 (walking distance from the Hilton and Millennium Hotels)

• The Sacrament of Reconciliation is available every day at St. Peter in Chains Cathedral after the 7 am Mass, from 12:00-12:30 pm, and 4:30-5:30 pm. Reconciliation will be also be available Tuesday and Wednesday at the Convention Center from 12:15 pm–1:15 pm in CC: 232

10

GE

N’L I

NF

O

General Information• Registration: Your convention registration permits you to att end plenum sessions, liturgies,

breakout sessions, skill sessions, showcases, meetings, exhibits, and most events ₋ Name badges are required. Be sure to wear your badge to gain entrance ₋ Companion registrations provide entrance to plenum sessions, liturgies, events, and the

Exhibit Hall, but not to any breakout sessions ₋ This also applies to children who are present (e.g. no children in breakout sessions) ₋ Messages for Convention att endees may be posted on the Convention Center Board, located

near main Registration• The Information Booth, located near Registration, will help you fi nd answers to any questions

about the Convention Center and its facilities, as well as Cincinnati points of interest• NPM Convention Headquarters Offi ce is located in Hall A Coat Check (located at the far end of the

Hall A Lobby) ₋ Lost and Found: If you have lost an item, or found material left behind by others, bring it to

the NPM Convention Headquarters Offi ce• First Aid: In the case of an emergency, locate a hospitality volunteer, a security guard, or call the

hotel front desk using a house phone• Hotel Check out: check out time is noon at the Hilton, and 11:00 am at the Millennium. If you

need luggage storage to facilitate your departure, ask the hotel front desk for assistance• Evaluations: After the convention, please provide feedback via the direct link to the evaluation

that will be sent to your e-mail address ₋ You may also take part in our “instant feedback” using our Convention App!

SecuritySecurity personnel are on duty in the hotels and the Convention Center.

However, due to the openness of the facilities, and the large number of people involved, convention att endees are requested to look after their own property and respect that of others.

When walking outside, do not wear your name badge, and always pay att ention to your valuables as you would in any large city downtown area. When walking outside after dark, it is best to

walk in groups. It is not advisable to walk alone outside after dark.

Consent to Use of Image and Voice

Registration and att endance at, or participation in, the Annual Convention of the National Association of Pastoral Musicians (NPM) constitutes an agreement by the registrant to NPM’s use and distribution (both now and in the future) of the

registrant or att endee’s image or voice in photographs, videotapes, electronic reproductions, and audiotapes of such events and activities.

11

GE

N’L

IN

FO

DIRECTORY: HOTELS AND MAIN EVENTS

Convention CenterDuke Energy Convention Center525 Elm Street, Cincinnati, Ohio 45202

Convention HotelsHilton Cincinnati Netherland Plaza Hotel, Headquarters Hotel5 West 5th Street, Cincinnati, Ohio 45202(513) 421-9100

Millennium Hotel Cincinnati150 West 5th Street, Cincinnati, Ohio 45202(800) 876-2100

• Plenums, Keynotes, Exhibits, Large Events: Duke Energy Center (CC), maps begin on page 179

• Breakouts, Meetings: Millennium Hotel (MI), meeting room map on page 182

Exhibitors

• Complete Exhibitor list, page 183

• Exhibitor Index, page 185

• Exhibitor Booth Map, page 186

Convention Registration Hours Sunday 4:00 pm–8:00 pmMonday 7:00 am–3:00 pm, 5:00 pm–8:00 pmTuesday 8:00 am–6:30 pmWednesday 8:00 am–5:00 pmThursday 8:00 am–5:00 pmFriday 8:00 am–9:00 am

12

GE

N’L I

NF

O Peter’s Way Tours

13

GE

N’L

IN

FO

GONE BEFORE US WITH THE SIGN OF FAITH

We remember people whose deaths we’ve noted in Pastoral Music and Notebook from June 22, 2016, to June 21, 2017.

Mr. Donald Dumler, organist March 20, 2016

Rev. Vernon P. Decoteau, priest June 1, 2016

Mr. Steven Richard Schaubel, composer June 16, 2016

Rev. Joseph L. Grembocki, priest July 11, 2016

Mr. Peter Francis Herbig, bassist, guitarist July 12, 2016

Mr. Ronald H. Vajgrt, guitarist July 22, 2016

Mr. Thomas Owen Parker, composer July 26, 2016

Most Rev. James Martin Hayes, archbishop August 2, 2016

Mrs. Janet Poulin, pastoral musician August 9, 2016

Rev. Msgr. Roy J. Rinh, priest August 29, 2016

The Rev. Hoyt Leon Hickman, author September 8, 2016

Sr. Veronica Ternovacz, music educator September 25, 2016

Rev. Dr. Laurence Hull Stookey, liturgist October 16, 2016

Mr. JoJo David, campus minister October 18, 2016

Deacon Eugene Joseph Cummins, Jr. October 24, 2016

Mr. Felix Goebel-Komola, composer November 2, 2016

Rev. Joseph A. Fitz myer, sj, biblical scholar December 24, 2016

Ms. Geneviève Nouffl ard, fl utist December 28, 2016

Most Rev. Patricio Fernandez Flores, archbishop January 9, 2017

Abbot Emertius Cuthbert Johnson, osb, liturgist January 16, 2017

Mr. Frederick Foegler, organist January 24, 2017

Ms. Mary A. Spengler, organist February 15, 2017

Rev. Colombo F. Banderia, priest February 19, 2017

Rev. Bryan Beaumont Hays, osb, hymnist March 2, 2017

Dr. James B. Sheridan, organist March 3, 2017

Mr. Henry W. Caruso, pastoral musician March 16, 2017

Ms. M. D. Ridge, composer June 5, 2017

14

GE

N’L I

NF

O

SUMMARY OF MEETINGS

Sunday, July 99:00 am–7:00 pm

NPM Board ..................................................... TBD

1:00 pm–9:00 pmDMMD Board ..................................... MI: Atrium

4:00 pm–9:00 pmNational Committ ee for Chapters ............................. MI: Pavilion B

Monday, July 10

9:00 am–1:00 pmDMMD Board ..................................... MI: Atrium

10:00 am–1:00 pmChapter Directors’ Meeting and Luncheon ........................................................ MI: Colonnade

noon–1:00 pmConvention Orientation ................... CC: 230/231

2:00 pm–3:00 pmNPM Interest Section Meetings

African American Musicians ................. CC: 209Asian Pacifi c Musicians .......................... CC: 210Campus Ministers .................................... CC: 202Cantors ...................................................... CC: 200Chant ......................................................... CC: 252Choir Directors .................................. CC: 263/264Clergy ........................................................ CC: 204Composers ................................................. CC: 233Diocesan Directors of Music ................... CC: 237Ensemble Musicians ......................... CC: 230/231Musicians Serving Religious Communities ....................................... CC: 238Hispanic Musicians ................................. CC: 234Music Education ...................................... CC: 251Organists ................................................... CC: 206Pastoral Liturgy ....................................... CC: 212Pianists ...................................................... CC: 211Technology ................................................ CC: 250Youth .................................................. CC: 260/262

Monday, July 10 ₍cont'd₎5:00 pm–6:00 pm

College-Age Gathering ................... CC: 260/262

5:30 pm–6:30 pm12 Steps ................................................ MI: Atrium

Tuesday, July 11 12:00 pm–1:15 pm

DMMD Members’ Meeting ........................................... MI: Grand Ballroom B


Wednesday, July 129:00 am–10:15 am

NPM Members’ Meeting .............................................. CC: Grand Ballroom

11:00 am–4:00 pmNPM Council ............................... MI: Colonnade

4:30 pm–5:30 pmHow to Form a Chapter .......................... CC: 234


Thursday, July 13noon–1:15 pm

Pastoral Musicians’ Luncheon ....................................... Hilton Pavillion/Caprice

5:30 pm–7:30 pmDMMD Social ................. Hilton Hall of Mirrors


Friday, July 143:00 pm–6:00 pm

NPM Board ......................................................TBD

Pre-ConventionPre-Convention

16

PR

E-CO

NV.

AM Sing PraiseGod!to

A day of music, learning and inspiration

Calling all singers, musicians, choir members, choir directors and everyone who loves to sing!

You are invited to “Sing Praise to God!” a conference for pastoral musicians

In partnership with The Diocese of San Bernardino, CA

Saturday, July 29, 2017

In partnership with Christ the King Catholic Church

Providence, RI

Saturday, November 18, 2017

In partnership with The Diocese of Fresno, CA

Saturday, January 20, 2018

In partnership with The Diocese of Dallas, TX

Saturday, February 10, 2018

Inspirational keynotes and prayer

Large group sing through

Breakout sessions

Small group sing through

877-271-3786 | [email protected]

Register Today!Visit ocp.org/SingPraiseToGod for more information

Look for more dates in 2018

17

PR

E-C

ON

V.

PRE-CONVENTION EVENTSSaturday, Sunday and Monday | July 8, 9 and 10

Institutes, Master Classes, and Clinics,Retreats, and other Pre-Convention Events

Saturday, July 89:00 am Handbell Festival Begins (CC: Junior Ballroom)

Sunday, July 99:00 am Handbell Festival, continued (CC: Junior Ballroom)4:00 pm Registration Opens Page 11

Monday, July 108:00 am Liturgical Space Tour (board buses at 7:30 am) Page 188:00 am Organ Crawl (board buses at 7:30 am) Page 18

9:00 am Handbell Festival, continued (CC: Junior Ballroom)9:00 am Pastoral Liturgy Institute Page 199:00 am Children's Choir Director Institute Page 19Participation in these Institutes requires full convention registration. These institutes begin on Monday morning

and continue through all breakout sessions; participants are expected to att end all sessions.

9:00 am Master Classes and Clinics Page 20 Cantor/Psalmist, Gospel Piano, Piano Accompaniment, Choir Director9:00 am Leadership Retreat Page 219:00 am Young Adult Retreat Page 21

10:00 am Music Industry Showcase I Page 2210:00 am Chapter Directors’ Meeting Page 22noon Orientation for First-Time Convention Att endees Page 23noon Cantor Certifi cate Writt en Adjudications Page 23noon Industry Lab Sessions I Page 23

12:45 pm Industry Lab Sessions II Page 241:30 pm Industry Lab Sessions III Page 24

2:00 pm NPM Interest Section Meetings Page 25

3:00 pm Opening of the Convention Page 29

AM

18

PR

E-CO

NV.

LITURGICAL SPACE TOUR AND ORGAN CRAWLMonday, July 10 | 8:00 am–noon

Liturgical Space Tour

St. Boniface, CincinnatiA Romanesque Revival church in the historic Northside area of Cincinnati;

fi rst church built in 1853; current building dates to 1927.

St. Michael, CincinnatiParish dates to 1919; current church built in 1963 and renovated in 2003.

St. Francis de Sales, LebanonFounded in 1883; current worship in a striking new church with traditional elements.

St. Columban, LovelandFounded in 1859, the parish now gathers in a marvelous contemporary worship space.

Pre-registration Fee: $30. Limited on-site registration Fee: $50.All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel.

Buses load at 7:30 am and will leave promptly at 8:00 am. Wear your badge or bring your confi rmation lett er to gain admitt ance to the buses.

Organ Crawl

Christ Church, GlendaleRecently completed installation of a new Fisk instrument (Op. 46) III/25; 1,444 pipes,

in their new Chapel of the Holy Spirit.

Hyde Park Community United Methodist Church, CincinnatiCasavant Frères (Op. 3671) IV/88, 4,843 pipes.

Plum Street Temple, Cincinnati1866 Köhnken, restored by Noack (Op. 147, 2005) IV/38.

St. Peter in Chains Cathedral, CincinnatiAustin (Op. 2236, 1957), rebuilt by Schaedle Pipe Organ Services (1987) IV/87;

three identical consoles.

Pre-registration Fee: $30. Limited on-site registration Fee: $50.All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel.

Buses load at 7:30 am and will leave promptly at 8:00 am. Wear your badge or bring your confi rmation lett er to gain admitt ance to the buses.

AM

19

PR

E-C

ON

V.

INSTITUTESMonday, July 10 | 9:00 am–noon

I-01 CC: 236Pastoral Liturgy Institute: Foundations in Liturgical Theology Clinicians: Msgr. Rick Hilgartner, Rita Thiron, and Christopher FerraroA six-part program, helping to prepare for LEM/NPM certifi cation (CDMM), these sessions will provide a fi rm foundation in liturgical theology as elicited in the Constitution on the Sacred Liturgy and other related documents. Our Church's rich liturgical history, recent scholarship, and pastoral praxis will all contribute to this week-long course. This course will also assist those preparing for NPM certifi cates.

I-02 CC: 235Children’s Choir Director Institute Clinicians: Dr. Mark Doerries and Dr. Kathleen DeJardinThe Children’s Choir Director Institute introduces participants to a vast quantity of new choral repertoire for young singers of all ages, rehearsal and liturgical planning, conducting technique, navigating the changing child’s voice, and exploring tools to develop musical fl uency with your choir. Participants will have the opportunity to direct singers from the University of Notre Dame Children’s Choir, and receive small group conducting lessons with clinicians. All levels of experience are encouraged to participate.

Participation in these Institutes requires full convention registration. These Institutes begin on Monday morning with this session, and continue through all breakout sessions; participants are expected to att end all sessions. Please note that these sessions are longer than the other breakouts scheduled at the same starting time. Opportunities for liturgical prayer and

formation will take place as part of the convention liturgies, plenum presentations, and events.

I-03 Begins Tuesday at 10:30 amDMMD Institute: Rehearsal and Choral Techniques Clinician: Dr. Robert Jones

Pre-registration required, space is limited. No on-site registration. Limited to DMMD members, no added fee. Participation in this Institute takes the place of Breakouts A, B, and C. Please note that these sessions are longer than the

other breakouts scheduled at the same starting time. The closing session on Wednesday afternoon ends at 4:30 pm.

Remaining Schedule for the Institutes: Tuesday, July 11 10:30 am–noon (11:45 am for DMMD Institute)Wednesday, July 12 10:45 am–noon 3:00 pm–5:30 pm (4:30 pm for DMMD Institute)Thursday, July 13 10:30 am–noonFriday, July 14 10:30 am–11:30 am

AM

20

PR

E-CO

NV.

MC-01 CC: 230/231Cantor/Psalmist Master Class Clinician: Lou ValenziThis group master class is for both new and experienced cantors and psalmists. The master clinician will off er practical suggestions to improve your ability to lead the assembly as a cantor and to proclaim the Word of God—especially the psalms—in song. Time permitt ing, att endees may sing one selection for the group and receive coaching from the clinician. Please bring a copy of the score for the clinician. No audition required. Limited on-site registration, based on availability, for a fee of $50. MC-02 CC: 211Gospel Piano Master Class–I Hear Music in the Air: Gospel-Style Piano Technique Clinician: Thomas Jeff ersonLet master pianist Thomas Jeff erson be your guide to learn or improve skills for playing the piano with the style and fl air that make gospel music unique. Thomas will share authentic and practical examples and exercises that you can use to fi ne-tune your skills. Time permitt ing, att endees may play one selection for the group and receive coaching from the clinician. Please bring a copy of the score for the clinician. No audition required. Limited on-site registration, based on availability, for a fee of $50.

MC-03 CC: 212Piano Accompaniment Master Class– Empowering Musical Prayer through Strong and Effective AccompanyingClinician: Kate CuddyLook at introductions, dynamics, sense of line, and tempo in both verses and refrains, and how to play “bravely” off the page (being led by chord charts or lead sheets). Play through some examples of compromise and sound musical judgment while discussing diff erences in styles. Explore diff erences in accompaniments, as dictated by whether we are the sole instrument or playing with other instruments. Time permitt ing, att endees may play one selection for the group and receive coaching from the clinician. Please bring a copy of the score for the clinician. No audition required. Limited on-site registration, based on availability, for a fee of $50.

MC-04 CC: 233Choir Director Clinic–Discover the Musicianship Within!Clinician: Rob GloverThe rehearsal goal of most church choir directors is note security. The more you sing through an anthem, supposedly, the bett er it gets, but the truth is that simply singing through anthems numerous times does not necessarily improve accuracy or quality. How could we take our volunteer choirs beyond this survival mentality into higher-level aesthetics? Church anthems could mean so much more to both choirs and congregations if we aimed higher with our expecta-tions. Church choir members are intelligent, and they can delve much deeper into aesthetics than we typically ask of them. What procedures could directors take to help raise these expectations and results? Limited on-site registration, based on availability, for a fee of $50.

MASTER CLASSES AND CLINICSMonday, July 10 | 9:00 am–noonA

M

21

PR

E-C

ON

V.

M USIC MINISTRY RETREATSMonday, July 10 | 9:00 am–noon

R-01 CC: 250Leadership Retreat—I Trust in You: Mary and Martha, Mercy and MinistryLeader: Lorraine HessMusic ministers feed the spirit of worshiping communities but also need to be fed! Set aside some time for a morning of prayer, song, and refl ection before the rest of the convention begins. Lorraine Hess, a singer, songwriter, and music minister born and raised in New Orleans, Louisiana, off ers a unique look through the lens of the Gospel stories of Mary and Martha, breaking open the relationship between mercy and surrender. Sometimes, when we feel we have lost all control, we look to God for mercy, yet we struggle with trust and surrender just as these women in scripture did (Luke 10, John 11). The ability to surrender to God is not something we simply achieve, once and for all, but a daily struggle to practice. Learn ways to practice this trust and this surrender in your ministry and your personal life. Limited on-site registration, based on availability, for a fee of $50.

R-02 CC: 210Young Adult Retreat—Living Liturgically: Eight Ways to Become Stewards of the Mysteries in a Search-Engine WorldLeader: Diana MacalintalYoung Adults, Ages 22-30. People are pulled in a thousand directions; information and misinfor-mation fl ow in through a dozen conduits every minute. More than ever, it seems, William Butler Yeats’s cry rings true: “Things fall apart; the centre cannot hold;/Mere anarchy is loosed upon the world.” Where do we fi nd a still center in this busy world, a place where things come together and we can make sense of an often frantic life? We open our hearts to Christ through the mysteries we celebrate. All who prepare the liturgy and teach from it need to be stewards of these mysteries who see life through a deep religious imagination. Through prayer, song, ritual, and story, we’ll explore eight disciplines for expanding your symbolic vision so you can engage the disengaged at Sunday Mass, att ract the uninterested to our best-kept secrets, and rekindle your own appreciation for the Mysteries of God.Limited on-site registration, based on availability, for a fee of $50.

AM

22

PR

E-CO

NV.

MUSIC INDUSTRY SHOWCASE IMonday, July 10 | 10:00 am–11:00 am

S1-01 CC: 260/262The Newman Singers are Back! New Music, Full of Spirit!

Joe Matt inglyCome and explore the best of the Newman Singers, including music from their new collection

of Psalm sett ings, The Art of the Psalm. Come and explore life On That Holy Mountain.

S1-02 CC: 200Anything We Can Sing, They Can Sing Better

Lumen Christi MinistryJoin Lumen Christi Ministry and sing along to songs which will draw your assembly into

deeper prayer, featuring current and new music by composer Terry Piontkowski. Find music for the liturgical year with melodic harmonies for your choir that will spark

the assembly’s participation. Raffl e giveaway; must be present to win.

S1-03 CC: 206Accessible Music for Parish Choirs with MorningStar Music

Kelly Dobbs-Mickus Music for use with modest resources. Quality selections in a variety of styles,

voicing, and instrumentation that will cover the church year.

S1-04 CC: 263/264God Never Tires: Make Music with The Emmaus Center!

David HaasCome and sing through a complimentary packet of brand new music

from David, Zack, and Lori — as well as some "sleepers" that you might not have discovered. Also learn about some of David's recent books and resources;

how to schedule an event for your parish community; and about the "Music Ministry Alive!" program. Come ready to sing, pray, and celebrate.

S1-05 CC: 204Let Beauty Sing: Year B with Songs In His Presence

Jane TerwilligerDistinctive, lyrical sett ings of liturgical texts, including the acclaimed

Psalms In His Presence 3-year-cycle collection for choir, solo, or ensemble.

AM

CHAPTER DIRECTORS’ MEETINGMonday, July 10 | 10:00 am–1:00 pm | MI: Colonnade

Chapter Directors will gather for table discussions and presentations on topics suggested by Chapter leaders. Programming, Chapter organization, and the use of

social media are some of the topics on the meeting agenda. The members of the National Committ ee for Chapters will report

on recent Chapter activities. Lunch will be served. Pre-registration required. No on-site registration.

Luncheon generously sponsored by Corporate Travel.

23

PR

E-C

ON

V.

Convention Orientation for First-Time AttendeesMonday, July 10 | noon–1:00 pm | CC: 230/231

Anne Ketz er

First time at an NPM Convention? Overwhelmed by the options? Confounded among choices?

Meet with a veteran of all things NPM to explore what you need to know to get the most out of your fi rst NPM convention experience. Free chocolate for all att endees!

AM

PM

CANTOR CERTIFICATE WRITTEN ADJUDICATIONSMonday, July 10 | noon–2:30 pm | MI: Pavilion A

NPM off ers certifi cates for its cantor and psalmist members at three levels: basic (BCC), intermediate (ICC), and colleague (CCC). These certifi cates affi rm that a candidate has achieved

the skills expected of cantors/psalmists serving Roman Catholic parishes.

Each level includes a writt en exam and a singing exam to demonstrate the skills needed for leading a congregation. Members may complete requirements for all of the

NPM Cantor Certifi cates during the convention with the exception of the CCC Liturgy Exam.

The singing adjudications will be held on:Tuesday, July 11, 3:00 pm and

Wednesday, July 12, 12:30 pm andThursday, July 13, 3:00 pm

Pre-registration is required. No on-site registration.

INDUSTRY LAB SESSIONS IMonday, July 10 | noon–12:30 pm

Lab I-01 CC: 263/264Praying as Living Reminders: Prayer with Henri NouwenDavid Haas and The Emmaus CenterCome discover a new resource for individual and communal prayer centered in the wisdom of Henri Nouwen and contemporary “psalm poems” created by David Haas.

Lab I-02 CC: 260/262How to Use the Mass of SimplicityJoe Matt ingly and the Newman SingersPlayable, singable, enjoyable; possibly one of the simplest yet most melodic sett ings available!

The industry lab sessions diff er from showcases and breakout (workshop) sessions. They are educational sessions that introduce, feature, or make use of, an exhibitor’s products, authors, or composers.

24

PR

E-CO

NV.

PM

Industry Lab Sessions II: 12:45 pm–1:15 pm

Lab II-01 CC: 263/264Cry Out with Joy: Sung Prayer for the Liturgy of the Word in Year BDavid Haas and Lori True Receive free samples from this extensive resource of responsorial psalms, gospel acclamations, and universal prayer sett ings.

Lab II-02 CC: 260/262How to Book the Newman Singers on Their Next TourJoe Matt ingly and the Newman SingersLearn how to bring the Newman Singers to your parish on their 2018 January tour of the Southeast, Virginia, the Carolinas, Georgia, Florida, and more.

Industry Lab Sessions III: 1:30 pm–2:00 pm

Lab III-01 CC: 206Music for Small Choirs Scot Crandal, OCPMusic and techniques for smaller choirs.

Lab III-02 CC: 260/262How to Use Art of the PsalmJoe Matt ingly and the Newman SingersWith simple but memorable responses, these sett ings treat the psalms as art songs. Schubert meets Sunday Mass.

Lab III-03 CC: 263/264Come Meet Zack Stachowski: An Emerging Composer of Sung PrayerThe Emmaus Center, GIA PublicationsZack Stachowski is an emerging composer with GIA Publications, a true talent and gift forthe singing church. Zack will be interviewed by David Haas.

Lab III-04 CC: 200Uniting Tones and Tunes: A New Approach to Singing the Dialogues and AcclamationsDouglas Spangler, Fr. Joe Krupp, HFL PublicationsLearn how the Mass of the Word Incarnate is designed to make the Dialogues and Acclamations easier to sing for congregations, clergy, and children.


INDUSTRY LAB SESSIONS II AND IIIMonday, July 10 | 12:45 pm–1:15 pm and 1:30 pm–2:00 pm

25

PR

E-C

ON

V.

PM

INTEREST SECTION MEETINGSMonday, July 10 | 2:00 pm–3:00 pm

Gather with members and colleagues who share one of your areas of interest or experience for a conversation about ways in which NPM is addressing your concerns and how the association might

serve you more eff ectively. Choose your interest section and plan to join in the dialogue.

Interest Section | Meeting Location | Chairperson

African American Musicians CC: 209Ms. Valerie Lee-JeterAsian Pacific Musicians CC: 210Ms. Maria NievaCampus Ministers CC: 202Ms. Angela StramagliaCantors CC: 200Ms. Tammy Schnitt grundChant CC: 252Mr. Lowell A. DavisChoir Directors CC: 263/264Mr. Rex RundClergy CC: 204Rev. James Wm. BessertComposers CC: 233Mr. Tom KendziaDiocesan Directors of Music CC: 237Mr. Wm. Glenn Osborne

Ensemble Musicians CC: 230/231Mr. Matt hew JudyMusicians Serving Religious CommunitiesSr. Barbara O'Neill, ihm CC: 238Hispanic Musicians CC: 234Ms. Edna Argüello-HitchnerMusic Education CC: 251Mr. Luke RosenOrganists CC: 206Ms. Kirsten DabaghianPastoral Liturgists CC: 212Mr. Christopher FerraroPianists CC: 211Mr. Nicholas DragoneTechnology CC: 250Ms. Amanda BruceYouth CC: 260/262Dr. Jeannie Downey-Vanover

26

PR

E-CO

NV.

PM

Sacrament of Reconciliation: Daily at St. Peter in Chains CathedralAfter 7:00 am Mass | 12:00–12:30 pm | 4:30–5:00 pm

Sacrament of Reconciliation at Convention CenterTuesday and Wednesday, 12:15 pm–1:15 pm | CC: 232

En la mesa de Dios/At God’s Table has many beautifully sketched full-color pictures that tease out multiple layers of meaning for the Lord’s Supper or Eucharist and salvation. The words in this children’s book are few, but they too pack layers of meaning. This is a theologically sound, ecumenical book that can be used in many contexts to teach many things about the Lord’s Supper or Eucharist. The picture search challenge at the end of the book is captivating and will certainly hold children’s attention while teaching them new insights about important Bible stories that bear on salvation. A children’s book? My bet is that many adults will enjoy this book too!

—Joyce Ann Zimmerman, C.PP.S., author of Worship withGladness: Understanding Worship from the Heart

worship.calvin.eduCALVIN INSTITUTE OF CHRISTIAN WORSHIP

Congratulations to long-time Pastoral Musician, Rick Hagee!

To honor the retirement of their beloved choirmaster and music director, Rick Hagee, the Community of the Good Shepherd Choir

provided a grant to fund the Youth Music Ministry Institute.

With our sincere gratitude, we congratulate Rick on a job well done, good and faithful servant.

Have you heard about all the new things happening in ?

Come to the NPM Members' Meeting on Wednesday and learn more!

MondayMonday

28

MO

ND

AY

MONDAY SCHEDULE

OPENING OF THE CONVENTION

3:00 pm Convention Opening and Eucharist page 29 Plenum Eucharist with Keynote Homily Blessing of New NPM President Most Reverend Mark J. Seitz , presider Rev. Msgr. Rick Hilgartner, homilist

5:00 pm Fostering the Art: A Celebration! page 49

5:00 pm College-Age Gathering page 49

7:00 pm Events 1 page 50


10:00 pm Exhibit Hall Opening Gala | Late Night Expo page 52

10:00 pm Industry Lab Sessions IV page 51

10:45 pm Industry Lab Sessions V page 51

29

MO

ND

AY

CONVENTION OPENING AND EUCHARISTMonday, July 10 | 3:00 pm | CC: Grand Ballroom

Convention Opening

Introduction of the New President

Opening of the Convention and Welcome with Roll Call

Welcome by the Local Committee

Welcome by the Local Bishop

Call to Worship and Prelude

Plenum Eucharist with Keynote HomilyBlessing of New NPM PresidentMost Reverend Mark Seitz , presidingRev. Msgr. Rick Hilgartner, homilist

One of the fi rst documents of the liturgical renewal affi rmed: “Liturgical worship is given a more noble form when it is celebrated in song,

with the ministers of each degree fulfi lling their ministry and the people participating in it.

Indeed, through this form, prayer is expressed in a more att ractive way, the mystery of the liturgy, with its hierarchical and community nature, is more openly shown,

the unity of hearts is more profoundly achieved by the union of voices, minds are more easily raised to heavenly things by the beauty of the sacred rites,

and the whole celebration more clearly prefi gures that heavenly liturgy which is enacted in the holy city of Jerusalem.” (Musicam sacram, 5).

This vision is where our gathering begins in our opening Mass.

The Introductory Rites

Gathering Hymn Veni, Sancte SpiritusComposer's Note: The verses of the hymn are from the English translation

of the prayer used before every session of the Second Vatican Council (sometimes called the Adsumus prayer).

Refrain (All)

& 44 œ œ œ œ œVe ni, Sanc te

œ œ .˙Spi ri tus!

œ œ œ ˙Ve ni,

œ œ ˙ve ni!- - - - - -

& 42 44œ œ œ œVe ni, Sanc te

œ œ œ ˙Spi ri tus!

œ œ œ ˙Ve ni,

œ œ œve

˙ Œni!- - - - - -

PM

30

MO

ND

AY

Verse 1 (Cantor/Choir)We stand before you, Holy Spirit, conscious of our sinfulness, but aware that we gather in your name.Come to us, remain with us; enlighten our hearts.

Refrain (All)

Verse 2 (Assembly)

Refrain, with Descant (All)

Verse 3 (Assembly)

& b Œ œ ˙ œ œ3. Guide us by your

œ ˙ œwis dom, sup

œ œ ˙ œ œport us by your

.˙ œpower, for

œ œ œ ˙you are God,- -

& b 42 44œ œ œ œ œ œ3 3

shar ing the glo ry of

œ œ œ3

Fa ther and

.˙ ŒSon.

4- - -

&&

44

44œ œ œ œ œVe ni, Sanc te

œ œ œ œ œVe ni, Sanc te



œ œ œ œVe ni,

œ œ œ ˙Ve ni,

œ ˙ œve

œ œ ˙ve ni!- - - - - -

- - - - - -

&&

42

4244

44˙ ni!

œ œ œ œVe ni, Sanc te

œ œ œ œ œVeœ œ œ ˙Spi ri tus!

˙ œ œ œ œni, ve ni,

œ œ œ ˙Ve ni,

œ œve

œ œ œve

˙ Œni!

˙ Œni!- - - - - -

- - -

Descant

Assembly

PM

& b Œ œ œ œ œ œ2. Give us light and

.˙ œstrength to

.œ jœ œ œknow your

.˙ œwill, to

& b œ œ œ œ œ œmake it our own and to

.œ Jœ .œ jœlive it, to

œ œ ˙ œ œlive it in our

.˙ Œlives.

4

& 44 œ œ œ œ œVe ni, Sanc te


œ œ œ ˙Ve ni,

œ œ ˙ve ni!- - - - - -

& 42 44œ œ œ œVe ni, Sanc te

œ œ œ ˙Spi ri tus!

œ œ œ ˙Ve ni,

œ œ œve

˙ Œni!- - - - - -

31

MO

ND

AY


Verse 4 (Assembly)


Verse 5 (Cantor/Choir)Unite us to yourself in the bond of love. May all that we do be pleasing to you, who live and reign with the Father and Son,one God for ever and ever.

Final Refrain (All)

& b Œ œ œ œ jœ œ jœ4. You de sire jus tice for

.˙ ‰ jœall: en

.œ jœ œ œ œa ble us to up

.œ œ œ œ jœ .œhold the rights of oth ers;- - - - - -

& b .œ jœ œ œ œKeepus free from

œ œ œ œ œ œ œig nor ance and fear; keep us

Jœ œ jœ œ œ œ3

faith ful to all that is

.˙ Œtrue.

4- - -

&&

bbbbbb





œ œ œ œVe ni,

œ œ œ ˙Ve ni,

œ ˙ œve

œ œ ˙ve ni!- - - - - -

- - - - - -

Descant

Assembly

PM

&&

44

44œ œ œ œ œVe ni, Sanc te




œ œ œ œVe ni,

œ œ œ ˙Ve ni,

œ ˙ œve

œ œ ˙ve ni!- - - - - -

- - - - - -

&&

42

4244

44˙ ni!

œ œ œ œVe ni, Sanc te

œ œ œ œ œVeœ œ œ ˙Spi ri tus!

˙ œ œ œ œni, ve ni,

œ œ œ ˙Ve ni,

œ œve

œ œ œve

˙ Œni!

˙ Œni!- - - - - -

- - -

Descant

Assembly

32

MO

ND

AY

Music: Steven R. Janco, copyright © 2014, World Library Publications. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Greeting

Penitential Act

Deacon ResponseYou were sent to heal the contrite of heart:

Deacon ResponseYou came to call sinners:

Deacon ResponseYou are seated at the right hand of the Father to intercede for us:

Collect

The Liturgy of the Word

First Reading Colossians 3:12-17 Lector Palabra de Dios.Response Te alabamos Señor.

Put on then, as God’s chosen ones, holy and beloved, heartfelt compassion, kindness, humility, gentleness, and patience, bearing with one another and forgiving one another,

if one has a grievance against another; as the Lord has forgiven you, so must you also do. And over all these put on love, that is, the bond of perfection. And let the peace of Christ

control your hearts, the peace into which you were also called in one body. And be thankful. Let the word of Christ dwell in you richly, as in all wisdom you teach and admonish

one another, singing psalms, hymns, and spiritual songs with gratitude in your hearts to God. And whatever you do, in word or in deed, do everything in the name of the Lord Jesus,

giving thanks to God the Father through him.

PM

& œ œ œ œ œLord, have mer cy.-

& œ œ œ œ œChrist, have mer cy.-

& œ œ œ œ œLord, have mer cy.-

&&

bbbbbb





œ œ œ œVe ni,

œ œ œ ˙Ve ni,

œ ˙ œve

œ œ ˙ve ni!- - - - - -

- - - - - -

Descant

Assembly

33

MO

ND

AY

Responsorial Psalm Psalm 138Refrain (Cantor, then All)

Verses (Cantor)1. I thank you, Lord, with all my heart;

you have heard the words of my mouth.in the presence of the angels I praise you.I bow low toward your holy temple. Refrain

2. I give thanks to your name for your merciful love and your faithfulness.You have exalted your name over all.On the day I called, you answered me;you increased the strength of my soul. Refrain

3. All earth's kings shall thank you, O Lord,when they hear the words of your mouth.They shall sing of the ways of the Lord,“How great is the glory of the Lord!” Refrain

4. With your right hand you save me; the Lord will accomplish this for me.O Lord, your merciful love is eternal;discard not the work of your hands. Refrain

Text: The Revised Grail Psalms, © 2010, Conception Abbey and The Grail, admin by GIA Publications, Inc. Music: M. Roger Holland II, © 2012, GIA Publications, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Gospel Acclamation Unity MassRefrain (Cantor, then All)

Music: Unity Mass, Norah Duncan, IV, copyright © 2010, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

&

?

##

##

44

44

œ œAl le

œ œ

œœ œœ

œ œ œ œ œ œœ œœlu ia, al le

œ œ œ œ œœ œ œœœ œœ œ œœ œœ

œœ œœ œœ œœ œœlu ia! Al leœœ œ œœ œœ œœn

œœ œœ œœ œœ œœ œ œlu ia, al le

œ œ œœœ œœ œ œœ œœ

œœ œœ ˙lu ia.

œœ œœ ˙- - - - - - - - - - - -

PM

&?

bbb

b b b

44

44œœ œœIn theœœ œœ

œœ ..œœ œœ œœ œœ œœ œœsight of the an gels, I willœœ ..œœ œœ œœb œœ œœ œœ

œœ œœ œœ œœbsing your prais es,œœ œœ œœbb œœ

Œ œœ œœ ..œœ jœœsing your prais es,Œ œ œ .œ jœ˙ œ œ

Lord, prais es,

˙ Lord.

˙ - - -

-

34

MO

ND

AY

Gospel Matt hew 18:15-20

After the reading:

Homily Msgr. Rick Hilgartner, homilist

Universal Prayer Send Your Spirit, Lord

Text and Music: Ray East, copyright © 1987, GIA Publications, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

The Liturgy of the Eucharist

Preparation of the Gifts Beloved, God’s Chosen Stanzas 1, 2 (Choir) – Stanza 3 (All)

Text: Susan Palo Cherwien, copyright © 1994, admin. Augsburg Fortress.Tune: Chosen, Michael Burkhardt, 1994, and copyright © 2010, MorningStar Music Publishers, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Prayer Over the Offerings

PM

& bbb 43 œ œ1. Be

3. Be2. With

œ œ œlovin,lov

ed,called,

God'sforthGod's

œ œ œchoWischo

sen,dom,sen,

puttoput

œ œ œondwellon

asinas

ayoua

œ œ œ œgarrichgar

mently;ment

comletcom

œ œ œpaspeacepas

sion,rulesion,

foryourfor

- - - - - - -- - -- - - - -- -

& bbb œ œ œgiveheartsgive

ness,andness,

andthatand

œ œ œgoodpeacegood

nessbeness

ofofof

˙ œ œheart.Christ.heart.

AAndA

œ œ œ œbovefrombove

all,theall,

beheart'sbe

œ œ œforechamfore

all,ber,all,

letbelet

.œ jœ œlovelovlove

beedbe

yourandyour

- - - -- - -

- - - -

& bbb œ œ œ œraihorai

mently,ment

thatletthat

œ œ œbindssingbinds

iningin

tothanksto

œ œ œonegivone

evingev

'ryto'ry

œ œ œdisGoddis

soevso

nanternant

˙part.rise.part.

- - - - -- - - - -- - - - -

ChoirChoirAll

& b 44 œ œ œ œ œSend your Spir it, Lord,

jœ .œ ˙hear our prayer.-

& b œ œ œ œ œV.The Lord be with you.

œ œ œ œ œR.Andwith your spir it.-

& b W œ œ œV.A reading from the holy Gospel according to Mat thew.

W œ œR.Glory to you,O Lord.-

& b W œ œV.The Gospel of the Lord.

W œ œ œR.Praise to you, Lord Je sus Christ.-

35

MO

ND

AY

The Eucharistic Prayer(To ensure uniformity of posture, please remain standing throughout the entire Eucharistic Prayer.)

Preface Dialogue

Holy, Holy, Holy/Santo, Santo, Santo Misa de las Américas

(Please remain standing.)Mystery of Faith Misa de las Américas

& ## 86 œ jœ œ jœPor tu cruz y

œ œ œ œ ‰re su rrec ción

œ œ œ œ œ œnos has sal va do, Se

.œ œ ‰ñor.- - - - - -

& ## œ œ œ œ jœPor tu cruz y

œ œ œ œ œ ‰re su rrec ción

œ œ œ œ œ œnos has sal va do, Se

.˙ñor.

œ ‰ Œ .- - - - - -

PM

& œ œ œ œ œ œV. The Lord be with you.

œ œ œ œ œ œR. And with your spir it.-

& œ œ œ œ œ œ œV. Lift up your hearts.

œ œ œ œ œ œ œ œ œR. We lift them up to the Lord.

& œ œ œ œ œ œ œ œ œ œV. Let us give thanks to the Lord our God.

œ œ œ œ œ œ œR. It is right and just.

& ## 86 œ jœ .œSan to,

œ œ œ œ ‰San to,

œ œ œ œ jœSan to es el Se

.œ œ ‰ñor,

œ Jœ œ jœDios del U ni

œ œ œ œ ‰ver so.- - - - - - -

& ## œ œ œ œ jœSan to es el Se

.œ œ ‰ñor.

.œ œ jœHeav en and

.œ ‰ ‰ jœearth are

.œ ‰ œ œfull of your

œ# œ œglo ry. Ho- - - - -

& ## œ Jœ ‰ œN œsan na in the

Jœ œ Jœ ‰ Jœhigh est. Ho

œ Jœ œ jœsan na in the

.œ .œ#high

.˙est.

.œ ‰ ‰ jœBen- - - - - -

& ## œ jœ œ œ œdi to el que

œ jœ ‰ œvie ne en

œ jœ ‰ œ œnom bre del Se

œ# œ œñor. Ho- - - - -

& ## œ Jœ ‰ œN œsan na in the

Jœ œ Jœ ‰ Jœhigh est. Ho

œ Jœ œ jœsan na in the

.œ .œ#high

.˙est.

œ ‰ Œ .- - - - -

36

MO

ND

AY

Amen Misa de las Américas

Text (Spanish): Copyright © 1975, 1991, Comisión Episcopal de Pastoral Litúrgia de la Conference del Episcopado Mexicano. All rights reserved. Sole US agent: US Conference of Catholic Bishops. Used with permission.

Text (English): The Roman Missal, copyright © 2010, ICEL. All rights reserved. Used with permission.Music: Misa de las Américas, Bob Hurd and Barbara Bridge, © 1999, 2009. Published by OCP. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

The Communion Rite

The Lord’s Prayer

Presider: Deliver us, Lord.....

Chant, Adapt. by Robert J. Snow.

Sign of Peace

Lamb of God

PM

& bbb œ œ œ œ œ œ œ œOur Fa ther, who art in heav en,

œ œ œ œ œhal lowed be thy name;

œ œ œ œthy king dom come,- - - -

& bbb œ œ œ œthy will be done

œ œ œ œ œ œ œ œon earth as it is in heav en.

œ œ œ œ œ œ œ œGive us this day our dai ly bread,- -

& bbb œ œ œ œ œ œ œ œand for give us our tres pass es,

œ œ œ œ œ œ œ œ œ œ œ œas we for give those who tres pass a gainst us.- - - - --

& bbb œ œ œ œAnd lead us not

œ œ œ œ œ œin to temp ta tion,

œ œ œ œ œ œ œ œ œbut de liv er us from e vil.- - - - - -

& bbb œ œ œ œ œ œ œ œFor the king dom, the power and the

œ œ œ ˙glo ry are yours- -

& bbb œ œ œ œ œ ˙now and for ev er.-

& ## 86 œ jœ .œA mén,

œ œ œ œ ‰a mén.

œ œ œ œ jœA mén, a le lu

.œ œ ‰ya,- - - - - -

& ## œ jœ .œA mén,

œ œ œ œ ‰a mén.

œ œ œ œ jœA mén, a le lu

.˙ya.

œ ‰ Œ .- - - - - -

& # 44 jœ1. ‰2. Cor3. Lạy

œ œ œ jœ œ jœAdeChiên

gnusro de

Thiên

DeDios,Chúa,

i, ‰Cor

Jœ

Lạy

œ œ œ Jœ œAdeChiên

gnusro de

Thiên

DeDios,Chúa,

i,- - - -- - - -

(Latin)(Spanish)

(Vietnamese)

Cantor

37

MO

ND

AY

Text and Music: Rufi no Zaragoza, ofm, copyright ©2006, 2008. Published by OCP. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Communion ProcessionAs a sign of our unity, please remain standing until all have received Communion.

Those wishing to receive low-gluten hosts please make your way to the principal celebrant'scommunion line and indicate to him that you require a low-gluten host.

Communion Hymns

With This Bread Kate CuddyRefrain (All)

PM

& # 44 jœ œ jœ jœ ‰ œ œWith this bread we will

œ œ œ œ œ œ3

walk with each oth er,

jœ œ jœ jœ ‰ œ œwith this cup we will-

& # œ œ œ œ ‰ Jœ3

fol low the Lord. Com

.œ jœ œ Œpas sion,

œ œ œ œ œ ‰ jœ3

love o ver flow ing God's- - - - - -

& # œ œ œ œ œ ‰ jœ3

love ev er know ing we

œ œ œ œshare it in our

wsong.- -

& # Jœ1.-3. qui

Jœ œ Jœ œ œ œtol lis pec ca ta

œ œ œ .œ Jœmun di: have

œ œ œ .œmer cy on us.- - - - -

& # jœ1. ‰2. Cor3. Lạy


gnusro de

Thiên

DeDios.Chúa,

i,have

œ œ œ .œmer cy on us.

- -- - -

& # 42 44 ..jœ1. ‰2. Cor3. Lạy

œ œ œAdeChiên

gnusro de

Thiên

jœ .œ DeDios.Chúa,

i.

Œ . ‰ œ œ œ jœ .œ4. A gnusDe i,- - - -

- -

& # œ œ œ .œ JœLamb of God, qui


œ œ œ .œ ‰mun di.- - - -

& # 42 44œ œ œ ˙grant us peace,

œ œ œ ˙Lamb of God,

œ œ œ ˙Grant us peace,

œ œ œLamb of

wGod.

All

Cantor

38

MO

ND

AY

Refrain (after each verse, All)

Verses (Cantor/Choir)1. To off er assistance when others are blind to the need,

to give loving care to each other is planting God's seed.Walking the promise and falling on mercy, believing we'll walk with you. Refrain

2. Washing the wounds of division, we seek to ease pain.Sharing the burden of others, like God's gentle rain.Befriending the one who is lonely and lost, believing we'll walk with you. Refrain

3. We hold the key to our future as we share our souls,nurturing love in a time when compassion unfolds.Dancing in joy, sharing in wonder the prayer that we sing to you. Refrain

Text and Music: Kate Cuddy, b.1953, copyright © 2001, GIA Publications, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Amén. El Cuerpo de Cristo John SchiavoneRefrain (All, and after Verse 1 and 2)

Verses 1-2 (All)PM

& # 44 œ œ œ œ .œ jœA mén. El

œ œ œ œ œ œCuerpo de Cris to.

œ œ œ œ .œ jœA mén.La

œ œ œ œ ˙San gre del Se ñor.

œ œ œ œ œ œEat ing your bo dy,- - - - - - - -

& # œ œ œ œ œ œdrink ing your blood, we be

œ œ œ œ œ œ œcome what we re ceive. A

˙ œ œ œ œmén. A

˙ mén.- - - - -

& # 46 44œ œ œ œ œ œ œ1. A2. A

mén.mén.

WeNow

rewe

œ œ œ œ œ œ œ œ œ œmemofberferyourthe

dysacingriandfice you

yourgave

risus.ing.

œ œ œ œ œ œ œAA

mén.mén.

YTe o

confre

- - - - - - -- - - - - - -

& # œ œ œ œ œ œ œtice

go,mos,

SeSe

ñorñor,

reto-do

sulo

cique

œ œ œ œ œ œ œ œ œtasomos.mos.

AA

˙ mén.mén.

- - - - - - -- - - -

& # 44 jœ œ jœ jœ ‰ œ œWith this bread we will

œ œ œ œ œ œ3

walk with each oth er,

jœ œ jœ jœ ‰ œ œwith this cup we will-

& # œ œ œ œ ‰ Jœ3

fol low the Lord. Com

.œ jœ œ Œpas sion,

œ œ œ œ œ ‰ jœ3

love o ver flow ing God's- - - - - -

& # œ œ œ œ œ ‰ jœ3

love ev er know ing we

œ œ œ œshare it in our

wsong.- -

39

MO

ND

AY

Verse 3 (Choir)Amén. Lord, you make us one body and one spirit.Amén. En tu cuerpo, Señor, un pueblo santo. Amén.


Verse 4 (All)


PM

&&

##

44

44∑

œ œ œ œ .œ jœA mén. El

œ œ œ œ œ œ œA mén. A

œ œ œ œ œ œCuer po de Cris to.

˙ mén.

œ œ œ œ .œ jœA mén. La- - - -

- -

&&

##

44

44∑




˙ mén.


- -

&&

##

œ œ œ œ œ# œ œA mén. A


˙ œ œN œmén. Eat ing your

œ œ œ œ œ œEat ing your bo dy,

œ œ œ œ œ œbod y, drink ing your

œ œ œ œ œ œdrink ing your blood, we be- - - - - -

- - - - -

&&

##

œ Œ Œ œ œblood. A


œ œ œ œ œ œ œmén. A


˙ mén.

˙ mén.- - -

- -

& # 46 44œ œ œ œ œ œ œ4. A mén. We find

œ œ œ œ œ œ œ œ œ œyou when we serve the poor and low ly.

œ œ œ œ œ œ œA mén. A ti- - -

& # œ œ œ œ œ œ œmis mo ser vi mos en los

œ œ œ œ œ œ œpo bres. A

˙ mén.- - - - -

40

MO

ND

AY

Verse 5 (All, SATB)


PM

&?

#

#44

4446

4644

44œ œ œ œ œœ œœ œœ5. A mén. We lookœ œ œ œ œ œ œ

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœfor ward to your re turn in glo ry.œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œœA mén. Es peœ œ œ œ œ œ œ- - - - - - -

&?

#

#œ œœn œœ œœ œœ œœ œœra mos el dí a de tu veœn œ œ œ œ œ œ

œœa œœ œœ œ œ œ œni da. A

œ œ œ œ œœ˙ mén.˙

- - - -

&&

##

44

44∑




˙ mén.


- -

&&

##







- - - - -

&&

##





˙ mén.

˙ mén.- - -

- -

41

MO

ND

AY

Text and Music: John Schiavone, copyright © 1995. Published by OCP Publications.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Eat This Bread TaizéRefrain (All)

Verse 1 (All)

& # ‰ œ œ œ œ œ1. Christ is the bread of

.˙ œlife, the

œ œ jœ œ jœtrue bread sent from the

œ ˙ ŒFa ther.-

PM

&

?

#

#

44

44.œ jœ ˙

Eat this bread,

.œ Jœ ˙.œ jœ ˙.œ Jœ ˙

.œ jœ ˙drink this cup,


œ œ œ œ jœ œ jœcome to him and nev er be

œ œ œ œ Jœ œ Jœœ œ œ œ jœ œ jœ#œ œ œ œ Jœ œ Jœ

˙ ˙hun gry.

˙ ˙˙ ˙˙ ˙

- -

&

?

#

#

.œ jœ ˙Eat this bread,




œ œ œ œ jœ œ jœtrust in him and you will not

œ œ œ œ Jœ œ Jœœ œ œ œ jœ œ jœœ œ œ œ Jœ œ Jœ

.˙ Œthirst.

.˙

.˙ Œ.˙ Œ

&&

##







- - - - -

&&

##





˙ mén.

˙ mén.- - -

- -

42

MO

ND

AY

Refrain (All)

Verse 2 (All)

Refrain (All)

Verse 3 (All)

Refrain (All)

Verse 4 (All)

Refrain (All)

PM

&

?

#

#

44

44.œ jœ ˙

Eat this bread,






˙ ˙hun gry.

˙ ˙˙ ˙˙ ˙

- -

&

?

#

#







.˙ Œthirst.

.˙

.˙ Œ.˙ Œ

& # ‰ œ œ œ œ œ œ4. An y one who eats this

.˙ œbread, will

.˙ œlive for

œ ˙ Œev er.- - -

& # ‰ œ œ .œ jœ3. Eat his flesh and

œ œ .œ jœdrink his blood,and

œ œ œ œ œ œ œChrist will raise you up on the

œœ ˙ Œlast day.

& # 44 jœ2. Our

œ œ œ œ œ œ œ œan ces tors ate man na in the

œ ˙ œdes ert, but- - - -

& # œ œ œ œ œ œ œthis is the bread come down from

œ ˙ Œheav en.-

43

MO

ND

AY

PM

Verse 5 (All)

Refrain (All)

Text: John 6; adapt. by Robert J. Batastini, b.1942, and the Taizé CommunityTune: Jacques Berthier, 1923-1994, © 1984, 2005, Les Presses de Taizé, GIA Publications, Inc., agent. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Prayer After Communion

The Concluding Rites

Blessing of Steve Petrunak, new NPM President

Blessing and Dismissal

Sending Forth Sent Forth by God’s Blessing Concertato on The Ash Grove

& # ‰ œ œ œ œ œ5. If we be lieve and

œ# œ ˙eat this bread,

œ œ .œ jœœwe will have e

œœ œœ œœ Œter nal life.- - -

&

?

#

#

44

44.œ jœ ˙

Eat this bread,






˙ ˙hun gry.

˙ ˙˙ ˙˙ ˙

- -

&

?

#

#







.˙ Œthirst.

.˙

.˙ Œ.˙ Œ

&&?

bb

b

43

43

43

œ1. Sent

œ1. Sent

œ1. Sent

œ œ œ œforth by God's

œ œ œ œforth by God'sœ œ œ œforth by God's

œ œ œbless ing, Our

œ œ œbless ing, Ourœ œ œbless ing, Our

œ œ œ œ œtrue faith con

œ œ œ œ œtrue faith conœ œ œ œ œtrue faith con

œ œ œfess ing, The



- - -

- - -

- - -

44

MO

ND

AY

PM

&&?

bb

b

œ œ œ œ œblos som in

œ. ‰ jœ> jœ. ‰blos som,œ. ‰ Jœ> Jœ. ‰blos som,

œ œ œac tion for

œ. ‰ jœ> jœ. ‰ac tion,

œ. ‰ Jœœ>

Jœœ. ‰

ac tion,

œ œ œnGod and for

œ œ œGod and forœ œ œGod and for

˙ œall. God's

˙ œall. God's˙ Œall.

œ œ œ œgrace shall in

œ œ œgrace shall in

∑

œ œ Œcite us,

œ œ Œcite us,

Œ Œ œIn

- - -

- - -

- -

&&?

bb

b

œ œ œ œ œpeo ple of

œ œ œ œ œpeo ple ofœ œ œ œ œpeo ple of

œ œ œGod from this



œ œ œdwell ing take



˙ œleave. God's

˙ œleave. God's˙ œleave. God's

œ œ œ œsac ri fice

œ œ œ œsac ri ficeœ œ œ œsac ri fice

œ œ œend ed, O

œ œ œend ed, Oœ œ œend ed, O

- - - - -

- - - - -

- - - - -

&&?

bb

b

œ œ œ œ œnow be ex

œ œ œ œ œnow be exœ œ œ œ œnow be ex

œ œ œtend ed The

œ œ œtend ed Theœ œ œtend ed The

œ œ œ œ œfruits of this

œ œ œ œ œfruits of thisœ œ œ œ œfruits of this

œ œ œMass in all

œ œ œMass in all

œ œ œMass in all

œ œ œhearts who be



˙ œ œlieve. The

˙ Œlieve.˙ Œlieve.

- - -

- - -

- - -

&&?

bb

b

œ œ œ œ œseed of Christ's

œ. ‰ jœ> jœ. ‰Seed ofœ. ‰ Jœ> Jœ. ‰Seed of

œ œ œteach ing, Our

œ- œ- œ-teach ing, Our

œ- œ- œ# -teach ing, Our

œ œ œ œ œin ner souls

œ> jœ œ. ‰in ner soulsœ> Jœ œ. ‰in ner souls

œ œ œreach ing, Shall

œ- œ- œ-reach ing, Shall

œ- œ- œ-reach ing, Shall

- - -

- - -

- - -

45

MO

ND

AY

PM

&&?

bb

b

∑∑

œ œ œ œ œlove shall u

Œ Œ œTo

Œ Œ œTo

œ œœ œœnite us To

œ œ

œ œ œ œ œfur ther God's

œ œ œfur ther God's

œœ œœ œfur ther God's

œ

œ œ œking dom and

œ œ œking dom and

œ œ œ œœking dom and

œ œ

œ œ œan swer the

œ œ œ œan swer the

œœ œœ œœan swer the

˙ Œcall.

˙ Œcall.

˙ Œcall.

- - -

- - -

- - - -

&&

?

bb

b

bbbbbbbb

bbbb

nnnn#

nnnn#

nnnn#

88

8

22

2

.˙Ah

.Ah

.˙Ah

.˙

.˙

.˙

.˙

.˙

.˙

.˙

.˙

.˙

.œ jœn œ

.˙

.˙

.˙

.˙

.˙n

∑∑

∑

Œ Œ œn2. WithŒ Œ œn2. With

Œ Œ œn2. With

&&?

##

#

œ œ œ œpraise and thanks

œ œ œpraise and thanksœ œ œ œ œ œpraise and thanks

œ œ œgiv ing To

œ œ œgiv ing To

œ œ œ œgiv ing To

œ œ œ œ œGod who is

œ œ œ œGod who isœ œ œGod who is

œ œ œliv ing, The

œ œ œliv ing, Theœ œ œliv ing, The

œ œ œ œ œtasks of our

œ jœ .œtasks of our

œ Jœ .œ#tasks of our

- - -

- - -

- - -

&&?

##

#

œ œ œev 'ry day

œ jœ .œev 'ry day

œ> Jœ œ> jœev 'ry day

œ œ œlife we em

œ œ œ œlife we em

œ œ œlife we em

˙ œbrace. Our

˙ œbrace. Our

˙ œbrace. Our

œ œ œ

œ œ œ œfaith ev er

œ œ œfaith ev erœ œ œ œ œ œfaith ev er

œ œ œshar ing, In

œ œ œshar ing in

œ œ œ œshar ing, In

- - - - -

- - - - -

- - - - -

46

MO

ND

AY

&&?

##

#

.œ Jœ œpraise and

œ œ œ œ œpraise and thanksœ œ œ œ œpraise and thanks

œ œ ˙thanks

œ œ œgiv ing Giveœ œ œgiv ing Give

Œ œ œhon or

œ œ œ œ œhon or toœ œ œ œ œhon or to

.˙Christ's

œ œ œChrist and his

œ œ œChrist and his

œ Jœ .œname that we

œ œ œname that we

œ œ œname that we

-

- - -

- - -

PM

&&?

##

#

œ œ œ œ œlove ev er

œ œ œ œlove ev erœ œ œlove ev er

œ œ œcar ing, We

œ œ œcar ing, Weœ œ œcar ing, We

œ œ œ œ œclaim as our

œ jœ .œclaim as our

œ Jœ .œ#claim as our

œ œ œfam 'ly all

œ jœ .œfam 'ly allœ> Jœ œ> jœfam 'ly all

œ œ œthose of each

œ œ œ œthose of each

œ œ œthose of each

- - -

- - -

- - -

&&?

##

#

˙ œ œrace. One

˙ Œrace.˙ Œrace.

œ œ œ œ œbread that has

œ. ‰ jœ> jœ. ‰Bread hasœ. ‰ Jœ> Jœ. ‰Bread has

œ œ œfed us, One

œ- œ œfed us,

œ œ œ#fed us,

œ œ œ œ œlight that has

œ. ‰ jœ>jœ. ‰

light hasœ. ‰ Jœ> Jœ. ‰light has

œ œ œled us U

œ- œ- œled us U

œ œ œ- œled us U

-

-

-

&&?

##

#

œ œ œ œ œnite us as

œ œ œ œ œnite us asœ œ œ œ œnite us as

œ œ œone in the

œ œ œone in theœ œ œone in the

œ œ œ#life that we

œ œ œlife that weœ œ œlife that we

˙ Œshare.

˙ œshare. Then˙ œshare. Then

Œ Œ œMay

œ œ œ œmay all the

œ œ œ œmay all the

.œ Jœ œall with

œ œ œliv ing Withœ œ œliv ing With

-

-

47

MO

ND

AY

Text: Omer Westendorf, 1916-1997, copyright © 1964, World Library Publications.Music: The Ash Grove, arr. by Christian Cosas, copyright © 2017, World Library Publications.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Postlude

Excerpts from the Lectionary for Mass for Use in the Dioceses of the United States of America, second typical edition © 2001, 1998, 1997, 1986, 1970 Confrater-nity of Christian Doctrine, Inc., Washington, DC. Used with permission. All rights reserved. No portion of this text may be reproduced by any means without permission in writing from the copyright owner.

Dialogues from the Order of Mass. Text copyright © 1985, International Commission on English in the Liturgy Corporation (ICEL), and Music from the Roman Missal, copyright © 2010, ICEL.

&&?

##

#

˙ Œbear!

˙ Œbear.˙ Œbear.

33

3

Œ Œ œSent

Œ Œ œSent

Œ Œ œSent

˙ œforth in

œn œb œforth in˙b œforth in

˙ œpeace, go

œ œn œpeace, go˙ œn œpeace go

˙ œforth in

˙n œœforth in

œ œ˙ œforth in

&&?

##

#

.˙bpeace:

..˙˙nbpeace:

..˙bpeace:

œ œ œœThanks be to

œn œ œœThanks be to

œ œn œThanks be to

..˙God!

..˙God!

..˙God!

..˙

..˙

..˙

..˙

..˙

..˙

œœ Œ Œœœ Œ Œœœ Œ Œ

PM

Exciting news at the NPM Members' Meeting, and Awards!See you Wednesday.

48

MO

ND

AY

PM

J O Y O U S D E D I C AT I O NF A I T H F U L LY C O M M I T T E D T O I N S P I R I N G G E N E R AT I O N S

E X P E R I E N C E E L E V AT E D

Since 1958, Rodgers has been building the fi nest church organs available.

Featuring expert craft smanship, meticulous attention to detail, and

devotion to creating true American pipe organ sound. Let Rodgers

help lift the voices of your choir and raise the spirit of your audience.

49

MO

ND

AY

FOSTERING THE ART: A CELEBRATION!Monday, July 10 | 5:00 pm–7:00 pm | Hilton Hall of Mirrors

A New Special NPM EventHonoring the Past, Building the Future

This special event is open to all registrants of the 2017 NPM Annual Convention (members and friends).

Tickets $150 per person, available at Registration until Noon.($100 of ticket price is tax deductible.)

Come celebrate the accomplishments of NPM over the past forty years, and help to build the future of NPM by your prayers, presence, fi nancial gifts, and support of our association.

Admission includes:• Two beverages • Hot hors d'oeuvres• An exclusive commemorative gift• Special silent auction items• An opportunity to meet NPM President Steve Petrunak

Reservations limited. Business att ire.

PM

COLLEGE-AGE GATHERINGMonday, July 10 | 5:00 pm | CC: 260/262

Leader: Dr. Jeannie Downey-Vanover

Come and meet other college-age convention participants, ages 17–22, att ending the convention and discover how to make the best use of your time this week.

Thank you...

Little Books of the Diocese of Saginaw, Inc.

...for sponsoring the Convention tote bag.

50

MO

ND

AY

PM

Events 1: 7:00 pm–8:00 pm01-01 CC: Junior BallroomHandbell Festival ConcertDonna Kinsey, director

In the psalms we are called to praise the Lord with instruments and voices! Join our handbell ringers gathered from parishes throughout the USA in praising the Lord

in this culmination of the Ninth National Catholic Handbell Festival.

01-02 CC: Grand BallroomIn Spirit and Truth: A Gospel Music Experience Cliff Pett y, Thomas Jeff erson, Richard Cheri, and FriendsOpen the gift of African American sacred music! This evening of song off ers the opportunity

to sing along with a selection of rich, deeply felt music, built on good ground, that has transformed the way so many Catholic parishes worship and live their faith.

Presented by World Library Publications.

Events 2: 8:30 pm–9:30 pm02-01 CC: Grand BallroomThe Old Gravel Road: Story Telling and Songs from the Heartland Jeanne Cott er, Michael Cott er, Tony Alonso, and FriendsThe telling of our stories is a healing practice. When we heal ourselves, we have the potential

to restore one another. Jeanne Cott er, known for her vivid musical storytelling, along with her uncle Michael Cott er, a Minnesota farmer and national award-winning storyteller,

invite you to experience the value of your own life through song, musical prayer, and the mirror of storytelling. This event will leave you transformed, ready to share your

own story and be wholly present to another’s. This is where healing begins.Presented by GIA Publications, Inc.

02-02 St. Peter in Chains CathedralMagnificat Anthony DiCello, director

A concert of choral music featuring the Magnifi cat by the Norwegian composer Kim André Arnesen for choir, soprano solo, and orchestra. The concert features the Choir of Saint Peter in Chains Cathedral, Anthony DiCello, Cathedral Music Director, the Kentucky Symphony

Orchestra, and Organist Blake Callahan. The Cathedral’s choir, comprising twenty-two pro-fessional singers, has been praised as “one of the choral gems of the city” (Cincinnati Enquirer).

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses depart 8:00 pm.

EVENTS 1 AND EVENTS 2Monday, July 10 | 7:00 pm–8:00 pm and 8:30 pm–9:30 pm

51

MO

ND

AY

PM

Lab IV-01 CC: 206Voices As One: New Resources and New Contemporary MusicMary Beth Kunde-Anderson, Keith Kalemba, and Craig Colson, World Library PublicationsYou may be familiar with Voices As One, but there is more to discover — and we have new music to share! Come explore this unparalleled collection of songs for liturgies, prayer nights, and more.

Lab IV-02 CC: 260/262Join The Newman Singers!Joe Matt ingly and the Newman SingersAre you young and Spirit-fi lled? 18–35? Love to sing? Join The Newman Singers on their next tour!

Lab IV-03 CC: 263/264The Five Graces Psalter by Luke Mayernik: A Unique New Resource for Lectionary PsalmsMorningStar MusicExplore fresh and memorable sett ings of Lectionary Psalms, meet this thoughtful composer, and learn about the new publishing approach. Join us!


INDUSTRY LAB SESSIONS IVMonday, July 10 | 10:00 pm–10:30 pm

Note: No Industry Lab Sessions are scheduled during this time period.

INDUSTRY LAB SESSIONS VMonday, July 10 | 10:45 pm–11:15 pm

52

MO

ND

AY

Exhibits Opening Gala | Late Night ExpoCC: Hall A | 10:00 pm–midnight

Enjoy a complimentary selection of snacks plus a cash bar and the company of friends and colleagues.

Check out the incredible variety of products and services to assist your ministry. . . . And while you’re there, place your fi rst bids in the NPM Silent Auction!!

You can find it all in the NPM Convention Exhibit Hall!Remaining Exhibit Hours

Tuesday10:00 am–5:30 pm

Wednesday Thursday 10:30 am–6:00 pm 10:00 am–6:30 pm

TUESDAY IS T-SHIRT DAY !

Celebrate our presence together in Cincinnati by wearing the NPM Convention T-Shirt on Tuesday, July 11th.

Pre-ordered T-shirts will be available at the NPM Boothduring exhibit hours. Shirts will also be on sale

throughout the convention week while supplies last.

Fee per shirt: $15 (S-XL); $18 (XXL-XXXL)

PM



Your Total Communications Company

www.MyParishApp.com

www.Diocesan.com

www.Diocesan.com/Shop

www.DiscoverMass.com

design + content for the arts

(937) 9O1-4534 | [email protected]

TuesdayTuesday

54

TU

ESD

AY

TUESDAY SCHEDULE~T-SHIRT DAY

7:00 am Mass Available, St. Peter in Chains Cathedral page 55

8:00 am Registration Opens

8:15 am Morning Prayer page 55

9:00 am Plenum: Challenges to Unity page 65Dr. Timothy O'Malley

10:00 am Exhibits Open page 67

10:30 am Breakout A ₍ends at 11:30 am₎ page 69 DMMD Institute Begins ₍ends at 11:45 am₎ page 67 Institutes, continued ₍end at noon₎ page 67

noon DMMD Members’ Meeting page 73

noon Cantor Brown Bag Lunch page 73

12:30 pm Lunchtime Piano Recital page 73

12:30 pm Lunchtime Organ Recital page 73

12:15 pm Industry Lab Sessions VI page 74

1:00 pm Industry Lab Sessions VII page 75

1:30 pm Plenum Showcase I: WLP page 77

3:00 pm Piano Certifi cate Adjudications page 77

3:00 pm Cantor Certifi cate Singing Adjudications page 77

3:00 pm Music Industry Showcase II page 78

4:30 pm Plenum: Uniting the Body of Christ page 80Kelly Adamson

5:30 pm Solemn Evening Prayer page 81


55

TU

ESD

AY

Memorial of St. Benedict, Abbot“Let us consider then, how we ought to behave in the presence of God and his angels,

and let us stand to sing the psalms in such a way that our minds are in harmony with our voices.” Rule of St. Benedict, 19:3.

Introductory Verse(Please stand and make the sign of the cross.)

Text: ICEL © 1974.

Hymn Christ, Be Our LightVerse 1(All)

TUESDAY MORNING PRAYERTuesday, July 11 | 8:15 am | CC: Grand Ballroom

MASS AVAILABLE 7:00 AM

Cathedral of St. Peter in Chains

“Let us open our eyes to the light that comes from God, and our ears to the voice from heaven that every day calls out this charge: ‘If you hear his voice today, do not harden your hearts.’”

Rule of St. Benedict, Prologue, 8.

& œ ˙ œ œ œ œ œ ˙O God, come to my as sis tance.

W œ œ œ ˙Lord, make haste to help me.- -

& WGlory to the Father, and to the Son,

W œ œ œ ˙and to the Ho ly Spir it:- -

& Was it was in the beginning,

W œ œ ˙is now, and will be for ev er. A men.

œ œ œ ˙Al le lu ia.- - - - -

Presiding minister Assembly

& # 43 œ œ œLong ing for

.˙light,

œ œ œwe wait in

œ ˙dark ness.

œ œ œLong ing for

.˙truth,- - -

& # œ œ œwe turn to

.˙you.

œ œ œMake us your

.˙own,

œ œ œyour ho ly-

& # œ ˙peo ple,

œ œ œlight for the

˙ œworld to

.˙see.

.˙-

AM

56

TU

ESD

AY

Refrain, English (All)

Verse 2, Vietnamese (Cantor)

Refrain, English (above, All)

Verse 3 (All)


Verse 4, Vietnamese (Cantor)


& # 43 .˙Christ,

N

˙ œbe our

.˙light!

œ œ œShine in our

.˙hearts.

œ œ œShine through the

& # .˙dark

.˙ness.

.˙Christ,

˙ œbe our

.˙light!

œ œ œShine in your-

& # .˙church

œ œ œgath ered to

.˙day.

.˙ ˙ Œ- -

& # 43 œ œ œLong ing for

.˙food,

œ œ œman y are

œ ˙hun gry.

œ œ œLong ing for

˙ œwa ter,- - - - -

& # œ œ œman y still

.˙thirst.

œ œ œMake us your

.˙bread,

œ œ œbro ken for- -

& # œ ˙oth ers,

œ œ œshared un til

˙ œall are

.˙fed.

.˙- -

AM

Trần gian mê đắm Chúa ban niềm hy vong. Ngàn dân khao khát Chúa ban bình an.Một lời Chúa phán muôn người được cứu độVà thành tiếng nói truyền loan.

Người, nơi nương náu giúp bao người không nhà. Người, làn hơi ấm sưởi ai lạnh băng.Ðoàn con ao ườc giang vòng tay đón mời Cùng nhau nâng đỡ ủi an.

57

TU

ESD

AY

Verse 5, English (All)

Refrain, English (All)

Text: Phan Hoang (Vietnamese) and Bernadett e Farrell (English).Music: Copyright © 1993, 2000, Bernadett e Farrell Published by OCP Publications. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalmody(Please be seated)

(continued on next page)

& # 43 œ œ œMan y the

.˙gifts,

œ œ œman y the

œ ˙peo ple,

œ œ œman y the

˙ œhearts that- - - -

& # œ œ œyearn to be

.˙long.

œ œ œLet us be

˙ œser vants

œ œ œto one an- - -

& # œ ˙oth er,

œ œ œmak ing your

˙ œking dom

.˙come.

.˙- - -

& # 43 .˙Christ,

N

˙ œbe our

.˙light!

œ œ œShine in our

.˙hearts.

œ œ œShine through the

& # .˙dark

.˙ness.

.˙Christ,

˙ œbe our

.˙light!

œ œ œShine in your-

& # .˙church

œ œ œgath ered to

.˙day.

.˙ ˙ Œ- -

AM

58

TU

ESD

AY

Psalm 63 Antiphon (Cantor, then All)

Verses (Cantor)1. O God, you are my God; for you I long. For you my soul is thirsting, My body pines for you, like a dry, weary land without water. So I gaze upon you in the sanctuary to see your strength and your glory. Antiphon2. For your love is bett er than life, my lips will speak your praise. So will I bless you all my life, in your name I will lift up my hands. My soul shall be fi lled as with a banquet, my mouth shall praise you with joy. Antiphon3. On my bed I remember you. On you I muse through night. For you have been my help; in the shadow of your wings I rejoice. My soul clings to you; your right hand holds me fast. Antiphon4. Give praise to the Father Almighty, to his Son, Jesus Christ, the Lord, to the Spirit who dwells in our hearts, both now and for ages unending. Amen.

Antiphon (All)

Text: Psalm 63. The Grail (England), © 1963, 1993, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved.Music: Michael Dailey (b.1976). Copyright © 2008. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

AM

&?

####

44

4443

4344

4442

42 ‰ jœ œ œ

As morn ing

‰ Jœ œ œ.œ Jœ œ œ

breaks, I look to.œ Jœ œ œ.œ jœ œ œ

you to be my.œ Jœ œ œœ œ ˙strength this day.œ œ ˙

-

&

?

##

##

42

42

43

43

44

44

‰ jœ œ œAsAs

mornmorn

inging

Jœ œ œ

‰jœ œ œ

Jœ œ œAs morn ing

.œ jœ œ œbreaks,

breaks,

breaks,I

I

Ilook

look

lookto

to

to

œ œ œ œ œ

.œ jœ œ œœ œ œ œbreaks, I look to

.œ jœ œ œyou to be my

.œ Jœ œ œ

.œ jœ œ œ.œ Jœ œœ œœ

œ œ ˙strength to day.

œ œ ˙

œ œ ˙œœ œœ ˙-

--

-

59

TU

ESD

AY

Cántico de Daniel/Canticle of DanielAntiphon (Cantor, then Todos/All)

Verses 1-4 (Cantor, Todos/All)

Antiphon (Todos/All)

& bb 44 Œ œ œ œ œ œ œCri a tu ras to das

œ œ œ œ œ œdel Se ñor, ben de

œ œ œ œ œ œcid al Se ñor, en sal- - - - - - - - - -

& bb œ œ œ œ œzad lo con him nos

.œ jœ ˙por los si

.˙ Œglos.- - -

AM

&

&

bb

bb

44

44

..

..

Œ ‰ jœ œ œ œ œ œ1.2.3.4.

‰‰‰Es

ÁnSolFuecar

ge les

go

delyychas

Se

cay

Cantor

˙( ) nor.

Todos/All

jœ .œ ñor,lulor,nie

na,

ves,

Œ œ œ œ œ œBen de cid al Se

œ œ œ œcieasfrínoos

trosy

che y

delhe

˙ ñor;

- - - -- -

- - - -- - - - -

- - -

&

&

bb

bb

jœ˙ .œ los.cie-lo

si-a,la-das,

Œ œ œ œ œ œben de cid al Se

Œ ‰ jœ œ œ œ œ‰‰Ro‰

ALlucíLuz

guasviaos

delyyy

esroneti

˙ ñor;

jœ .œ pacívanie

cio,o,das,blas,Œ œ œ œ œ œben de cid al Se

- - -- - -

- - - -- -

- - - - - -

&

&

bb

bb

..

..

Œ ‰ jœ œ œ œ œ œe‰‰‰

jérvientémra

ci tos

pa

deltosnosyos

Se

yy

˙ ñor;

˙ ñor,to-dos,hie-los,nu-bes.

Jœ .œ


∑

˙ ñor.

- - - --

- --

- - -

60

TU

ESD

AY

Verses 5-6 (Cantor, Todos/All)


Verse 7 (Cantor, Todos/All)






.˙ Œglos.- - -

AM

&

&

bb

bb....

Œ ‰ jœ œ œ œ œ5.6.

‰You

Moundol phins

tainsand

andall

Cantor

˙( ) Lord.

Todos/All

.œ jœ œ œ Œhills,wa ter crea tures,

˙

œ œBless the

-- - -

&

&

bb

bbŒ œ œ œ œ œ œ œEvAll

'ryyou

thingbirds

grow ing fromof

thethe˙

Lord.

˙ earth,air, œ œ

bless the

Œ œ œ œ œ œ œAllAllyouyou

beasts,beasts,

wildwild

andand˙

Lord.

- - -

&

&

bb

bb....

˙ tame,tame, œ œ

bless the

Œ ‰ jœ œ œYou

Seassons

andof˙

Lord.

jœ .œ rivmen.

ers.

˙

œ œbless the

∑

˙ Lord.

-

&&

bb

bbŒ œ œ œ œ œ œ7. Sacer do tes del Se

Cantor

Todos/All

˙ ñor,

Œ œ œ œ œ œBen de cid al Se

œ œ œ œsier vos del Se

˙ ñor;

˙ ñor,


- - - - -

- - - - - -

61

TU

ESD

AY


Text: Daniel 3:57-88, 56, Spanish © 1981, 2005, Comisión Episcopal Española de Liturgia. All rights reserved. Used with permission. English © 1970, Confraternity of Christian Doctrine. All rights reserved. Used with permission.

Music: © 2007, 2008, Pedro Rubalcava. Published by OCP Publications. All rights reserved. Used with permission.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

AM






.˙ Œglos.- - -

&&

bb

bbœ œ œ œ œ œ œAl mas y es pi rí tus

˙ nor;

jœ .œ jus tos,Œ œ œ œ œ œ

ben de cid al Se

jœ œ Jœ œ œ œ œ œsan tos y hu mil desde cor a

˙ ñor.

- - - - - - - - - -

- - -

&&

bb

bb˙ Œ ‰ œ œzón, A naŒ œ œ œ œ œ

Ben de cid al Se

jœ œ œ œ œ œ œ œ œní as, A za rí as y Mi sa

˙ ñor.

˙ el,Œ œ œ œ œ œ

ben de cid al Se

- - - - - - - -

- - - - - -

&&

b bb b

œ œ œ œ œ œ œ œ œen sal zad lo con him nos por los

˙ ñor.

Jœ .œ si glos.Œ œ œ œ œ œ

ben de cid al Se

∑˙ ñor.

- - - - -

- - -

62

TU

ESD

AY

Psalm 149Psalm Tone (Mode 6)

Antiphon (Cantor, then All)Let the children of Zion rejoice in their King, 6Alleluia.

Cantor Sing a new song to the Lord, his praise in the assembly of the faithful. Let Israel rejoice in its Maker; let Sion’s children exult in their king. Let them praise his name with dancing, and make music with timbrel and harp.Right For the Lord takes delight in his people;

he crowns the poor with salvation. Let the faithful exult in glory, and rejoice as they take their rest. Let the praise of God be in their mouths and a two-edged sword in their hand,

Left To deal out vengeance to the nations and punishment upon the peoples; to bind their kings in chains and their nobles in fetters of iron; to carry out the judgment decreed. This is an honor for all his faithful.

All Give praise to the Father Almighty, to his Son, Jesus Christ, the Lord,

5to the Spirit who dwells in our hearts,6both now and for ages unending.

Antiphon (All)Let the children of Zion rejoice in their King, 6Alleluia.

Text: The Revised Grail Psalms, © 2010. Conception Abbey and The Grail, admin. by GIA Publications, Inc. agent. Music: Modal Psalm Tones, 3rd edition, © 1971, 1991, Saint Meinrad Archabbey, Inc. All rights reserved.

Psalm Prayer

Reading Revelation 7:9-12

AM

& b 1˙ œ œ .œ 2˙ œ œ .œ 3˙ œ œ .œ 4˙ œ œ .œ 5˙ œ œ .œ 6˙ œ œ .œ

63

TU

ESD

AY

Gospel Canticle Canticle of Zachary(Please stand and make the sign of the cross as the singing of the Canticle begins.)

Canticle (All)

Text: Benedictus, Luke 1:68-79; Ruth Duck, © 1992, GIA Publications, Inc.Tune: The Flight of the Earls; traditional Celtic melody; harm. by Michael Joncas, b.1951, © 1987, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.


& ## 44 œ1. Now2. Re3. In

.œ jœ œ œ œ œblessmemten

theberder

Godingmer

ofthecy,

.œ Jœ œ œIscovGod

raewill

el,nant,send

WhoGodThe

œ œ œ œ œ œcomesresday

incuesspring

loveusfrom

andfromon

- -- - - - - -

- - -

& ## .˙ œpow'r,fear,high,

WhoThatOur

.œ jœ œ œ œ œraisweris

esmighting

fromservesun,

theinthe

.œ Jœ œ œroyholight

alliof

housenesslife

DeAndFor

- - -- -

-

& ## œ œ œ œ œ œ#livpeacethose

'rancefromwho

inyearsit

thistoand

.˙ œhour.year;sigh.

ThroughAndGod

œ œ œ œhoyou,comes

lymyto

prophchild,guide

etsshallour

- - -

& ## .œ jœ œ œGodgoway

hasbeto

swornforepeace,

ToToThat

œ œ œ œfreepreach,death

ustoshall

fromprophreign

aeno

.˙ œlarm,sy,more.

ToThatSing

.œ jœ œ œ œ œsaveallprais

usmayes

fromknowto

thethethe

-- - -

-

& ## .œ Jœ œ œheavtenHo

yderly

handlove,One!

OfTheO

œ œ œ œ œ œallgracewor

whoofship

wishGodand

usmosta

.˙harm.high.dore!

--- - -

AM

64

TU

ESD

AY

IntercessionsResponse (All sing SATB)

Music: © 2004, 2006, 2009, Rufi no Zaragoza, ofm. Published by OCP. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Lord’s Prayer (All)


Concluding Prayer


AM

&

?

b

b

44

44

œ œ œ œ .œ jœDing gin mo ka mi; Se

œ œ œ œ .œ Jœ

œ œ œ œ .œ Jœœ œ œ œ .œ jœ

œ œ œ œ ˙ñor, es cú cha nos;

œ œ œ œ ˙

œ œ œ œ ˙œ œ œ œ ˙- - - - - -

&

?

b

b

‰ œ œ œ œ œ œXin nhậm lời chúng con,

œ œ œ œ œ œ

‰ œ œ œ œ œ œœ œ œ œ œ œ

‰ œ œ œ œ œHear us, O Lord.

œ œ œ œ œ

œ œ œ ˙œ œ œ ˙












65

TU

ESD

AY

PLENUM GATHERINGTuesday, July 11 | 9:00 am | CC: Grand Ballroom

Gathering Hymn Our Many Voices

Text: Harry Hagan, osb, copyright © 2017 by St. Meinrad Archabbey. All rights reserved. Used by permission.Tune: Kingsfold, English melody, stanza 3 harmonization by Ralph Vaughan Williams (1872-1958)Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& # 44 œ œ1. Our2. From3. When4. Lord,

œ œ œ œmanmanevwith

yy'ryone

voicvoicthoughtheart

eses,andand

œ œ œ œ œandmansoundwith

eachyisone

hearthearts,yoursvoice,

weyouwithwe

- -- - --

& # œ œ œ œ œofmakeevpraise

ferus'ryyour

youonethingmaj

ininwees

.˙ œ œprayer.Christ.feel;ty.

InBapwhenPraise

œ œ œ œmertizedallFa

cy,inwether,

Lord,him,liveSon,

acweandand

- - --

- -- - -

& # œ œ œ œ œceptarespeakSpir

theseoneandit

giftsbread,breatheone:

withayourMost

œ œ œ œ œevlivlifeBless

'ryingined

fearsacusTrin

andrirei

.˙ œ œcare.fice.veals.ty!

AcSoThen,May

- -- - -

-- - - -

& # œ œ œ œ œcordmustbound,we

ingeachLord,be

tovoicebyone

yourandyouras

œ œ œ œ œsteadheartboundyou

fastulessare

love,nitelove,one,

forintheun

œ œ œ œ œgive,muloveyield

sussicthating

tain,forshallU

reyournotni

- - - - -- -

-- - - -

& # .˙ œ œstore,praise,die,ty.

thatandourThen

œ œ œ œ œ œwesingevwith

mayin'ryone

yearnharthoughtvoice

formoandand

œ œ œ œ œyounywordheart

athisandre

lonedaybreathjoice

andtoyourfor

-- -

--

& # œ œ œ œ œyoutellloveall

ayourshalle

lonemanmagter

aynini

.˙dore.ways.fy.ty.

- --- -

- - -

AM

66

TU

ESD

AY

PLENUM: Challenges to Unity Dr. Tim O'Malley

Given the signs of the times, diverse needs of the Church, and declining Massatt endance, particularly among millennials, what are the challenges to unity in theBody of Christ, especially in the Liturgy? What awareness or sensitivities do

pastoral ministers need, especially pastoral musicians, to help build bridges—not walls—in our parish communities and in our liturgical celebrations?

Dr. O’Malley is the director of the Notre Dame Center for Liturgy.

AM

67

TU

ESD

AY

AM

INSTITUTES, continuedTuesday, July 11 | 10:30 am–noon

I-01 CC: 236Pastoral Liturgy Institute: Foundations in Liturgical Theology Clinicians: Msgr. Rick Hilgartner, Rita Thiron, and Christopher FerraroContinued from previous session.

I-02 CC: 235Children’s Choir Director Institute Clinicians: Dr. Mark Doerries and Dr. Kathleen DeJardinContinued from previous session.

I-03 CC: 230/231DMMD Institute: Rehearsal and Choral Techniques (ends at 11:45 am) Clinician: Dr. Robert JonesThe DMMD Institute will be led by Dr. Robert Jones, assistant professor of music at the University of Dayton. He will address choral warm-ups, voicing the choir, score preparation, rehearsal techniques, conducting analysis, and care and feeding of the choir and its director. There will be three Institute sessions, taking the place of Breakouts A, B, and C. Note: this session of the DMMD Institute ends at 11:45 am.Pre-registration required, space is limited. No on-site registration. Limited to DMMD members, no added fee. Please note that these sessions are longer than the other breakouts scheduled at the same starting time, and that the DMMD Institute sessions may have a diff erent ending times.

Exhibits OpenCC: Hall A | 10:00 am–5:30 pm

Gather again at the Exhibit Hall for today’s Exhibit session.You can continue your search and review of the multitude of music,

books, furnishings, vestments, and other helps for your ministry.


Wednesday Thursday 10:30 am–6:00 pm 10:00 am–6:30 pm

68

TU

ESD

AY

AM

69

TU

ESD

AY

AM

BREAKOUT ATuesday, July 11 | 10:30 am–11:30 am

A-01 CC: 263/264Whole Community Eucharist (Serving the Whole Community)Dan Schutt eServing the community means we have to understand them and the needs they bring with them in celebrating the Eucharist. The people who come to Mass are diverse not only culturally, but also theologically and spiritually. They are at diff erent places on the journey of faith. This gives us an opportunity to be aware of the need to reverence and treasure the diversity of our communities rather than allow the diff erences to tear us apart.

A-02 CC: 204Hovda Lecture Series*: Eucharist and the Mystical Body of Christ—The ChurchPaul TurnerThe Eucharist renews the very gift that makes us become the Church, and it follows that the commu-nity dimension of the Eucharist is of the utmost importance. It is really communities, and ultimately the Church as a whole, that receives the Eucharist—not just each of us as individuals.

* The Hovda Lecture Series focuses on topics in a more academic as well as pastoral way. The series is off ered in honor of Rev. Robert W. Hovda, a leader in liturgical renewal and a strong voice for truth, beauty, and compassion in church and society.

A-03 CC: 211Unity Through Diversity of MusicKate CuddyWe will take an intergenerational choir approach as we look at styles of music to be shared and the possibilities presented and wisdom learned through them. What lessons can we learn from each group seeking to enhance the prayer life of a community? Are we calling on the strengths of each age group . . . and how can we collaborate?

A-04 CC: 200Cantor: Cantor/Psalmist 101Berta SabrioHow to prepare your voice and spirit to lead the assembly in song.

A-05 CC: 250Tips and Tricks for New Choir DirectorsKathleen DemnyIf you’ve been asked to lead the choir in your parish, but you haven’t had much training or experi-ence, this workshop is for you. Learn the tools you’ll need to be successful in your ministry as choir director. And learn where to fi nd and how to choose music.

A-06 CC: 206Jack of All Trades v. King of All Instruments, Part 1Kelly Dobbs-MickusA two-part session for beginning and intermediate organists with a focus on repertoire for manuals and minimal pedal as a tool for developing skills for more eff ective playing, from hymns and service music to solo organ solo pieces.

70

TU

ESD

AY

AM

Breakout A (cont’d)

A-07 CC: 210Introduction to Piano Accompanying, Part 1 (Basic)Roy SpicerIn this session learn skills that will take you from playing piano solo to playing with cantors and with choirs. Learn how to “lead while accompanying,” techniques needed to accompany the assembly, and even how to accompany in the classroom.

A-08 CC: 237Youth: How Do I Select Music for Mass?Steve JancoDo you lead or help select music for worship? Learn how to make informed choices for Mass by examining the threefold judgment in Sing to the Lord. Practical application of the principles.

A-09 CC: 209 Welcoming Young Adults, Being Church TogetherAmy McEnteeYoung adults are coming into our parishes well-educated, highly enthusiastic, and with a sense of creativity and innovation—only to fi nd themselves and their gifts often being turned away at the door. Is it any wonder so many are not participating in the life of the Church? This breakout will explore “ways of being church” that incorporate the gifts and talents of all members of the parish.

A-10 CC: 260/262 The Legacy of Father Rivers: Music, Culture, TheologyValLimar JansenFather Clarence Joseph Rufus Rivers was the fi rst African American priest in the Archdiocese of Cincinnati (1956). He was released from parish ministry by Archbishop Alter in the 1960s to promote active participation in worship. This set of workshops is based on his music, beginning with the American Mass Program in 1964, and on two key texts: Soulfull Worship (1974) and The Spirit in Worship (1978), the legacy of Father Rivers. ValLimar will focus on the musical legacy of Father Rivers.

A-11 CC: 251 Bi-Lingual Liturgies: The Next 20 YearsBob Hurd and Jaime CortezCome discover what we have learned in the past 20 years of bi-lingual liturgies and what new resources can help us move forward to the next 20 years. Be ready to sing!

A-12 CC: 233 New Piano Resources for MassJeanne Cott erExplore the latest piano collections suitable for use at Mass from a variety of well-known publishers including GIA, OCP, Hope, MorningStar, Lorenz, and World Library. Hear Jeanne Cott er play ex-cerpts and share her insights into this music that can enhance your assembly's worship experience.

A-13 CC: 212Using Technology Effectively in Music MinistryCraig Colson and Amanda BruceDe-mystify and explore diff erent technologies (computers, smartphones, tablets/iPads, online fi le storage) to simplify a music minister's life, recruit for ministry, and encourage deeper worship.

71

TU

ESD

AY

Breakout A (cont’d)

A-14 CC: 238 Ministering to Engaged Couples—Evangelization Through Music and Liturgy PreparationMichael Ruzicki and Danielle NoeIn preparing for a couple’s wedding celebration, the parish community often has a prolonged opportunity for hospitable formation and catechesis. Evaluate the role of Catholic weddings in your community as you consider how this joyful celebration might serve as a fruitful opportunity for evangelization.

A-15 CC: 252 Chant "Institute" Part 1: Principles for Singing and Directing ChantColumba Kelly, osb, and Ray HendersonThis “Institute” focuses on the pastoral accessibility of Chant in the Liturgy. In fi ve parts the att endee will be instructed by Fr. Columba Kelly, osb and Mr. Ray Henderson. The focus will be on the texts of the liturgy, particularly the third edition of the Roman Missal, in singable English, for use by both a schola and congregation.

A-16 CC: 202 Plan, Study, Create: The Heart of a Successful Handbell MinistryPhilip RobertsThis session will focus on: rehearsal planning, score study, creative beginnings and endings, engag-ing your instrument (your body), and musicality and artistry focusing on the aural and visual art of ringing.

AM

416 Pine Street Highland, Illinois 62249 SCOTT M. WICK, President [email protected] Phone: 618-654-2191 Website: www.wicksorgan.com www.facebook.com/WicksOrganCo Service, tuning, rebuilds, additions and new instruments

72

TU

ESD

AY

AM

PM

73

TU

ESD

AY LUNCHTIME ORGAN RECITAL | TUESDAY, JULY 11

12:30 pm–1:00 pm | St. Peter in Chains Cathedral

Kristin Dabaghian, organ

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses for this recital begin loading at noon; the last bus departs 12:15 pm.

LUNCHTIME PIANO RECITAL | TUESDAY, JULY 1112:30 pm–1:00 pm | CC: Junior Ballroom

Bill G okelman, piano Chris Gokelman, viola

Resignation Beauty of Harmonies, Pittsburgh, 1825 arr. by James E. Clemens (b.1966)Vocalise Sergei Rachmaninoff (1873-1943)Prelude from Cello Suite #3 J. S. Bach (1650-1785)Prelude on Sine Nomine William Gokelman (b.1963)Six Studies in English Folk-song R. Vaughan Williams (1872-1958) Nos. 4, 5, & 6Prelude on Brother James’ Air William Gokelman

AM

PM

DMMD Members’ MeetingTuesday, July 11 | noon–1:15 pm | MI: Grand Ballroom B

Learn about issues aff ecting members and upcoming programming, meet your DMMD board members, and network with fellow members

over a complimentary lunch sponsored by Corporate Travel Service. For Members and those interested in membership.

CANTORS: BROWN BAG LUNCHTuesday, July 11 | noon–1:30 pm | CC: 204

Bring your lunch and join in a discussion of the cantor/psalmist ministry, and the resources and certifi cates that NPM off ers.

74

TU

ESD

AY

PM

INDUSTRY LAB SESSIONS VITuesday, July 11 | 12:15 pm–12:45 pm

Lab VI-01 CC: 200Hymns for All Seasons: The Complete Works of James Quinn, sj Paul Inwood, OCPOCP is proud to present the fi rst-ever complete edition of the hymn texts of Father James Quinn, sj.

Lab VI-02 CC: 206OCP’s Responsorial Psalm ResourcesScot Crandal and Rick Modlin, OCPA review of OCP’s Responsorial Psalm resources, including OCP’s new Spirit & Psalm – Part A.

Lab VI-03 CC: 260/262The New OneLicenseBrenna C. Cronin, OneLicense/GIA Publications, Inc.Come and fi nd out how the new OneLicense now carries reprint permissions for all of your favorite music from publishers like OCP, GIA, WLP, MorningStar, and many more top sacred music publishers.

Lab VI-04 CC: 263/264Our Hearts Are Burning Within Us! Come to The Holy Land With David Haas! David Haas and The Emmaus CenterUnder the auspices of Peter's Way Tours, David will be leading one of his beloved musical pilgrimages and study tours to Israel again next year. Come and fi nd out the beautiful and inspiring experience you will have with David and co-leaders Msgr. Ray East, Art Zannoni, and Betsey Beckman. Get information and ask questions, and get a peak into the blessings that await you.


75

TU

ESD

AY

PM

Lab VII-01 CC: 200Never Too YoungMark Friedman and Janet Vogt, OCPMusic has always been one of the best ways to teach the faith, and this hymnal has been meticulously crafted to be challenging enough to engross your students.

Lab VII-02 CC: 206OCP’s Responsorial Psalm ResourcesScot Crandal and Rick Modlin, OCPA review of OCP’s Responsorial Psalm resources, including OCP’s new Spirit & Psalm – Part A.

Lab VII-03 CC: 263/264Tender HeartedJeannie Cott er, GIA Publications, Inc.Come and meet Jeannie Cott er and experience the music of Tender Hearted. The music in this collection is fi lled with encouraging words of hope and healing.

Lab VII-04 CC: 260/262The Rich Repertoire of OneLicenseBrenna C. Cronin, OneLicense/GIA Publications, Inc.Explore all of the great titles available to you through OneLicense. Sing music from OCP, GIA, WLP, MorningStar, and more! A free octavo packet will be given away.


INDUSTRY LAB SESSIONS VIITuesday, July 11 | 1:00 pm–1:30 pm

NPM Members' Meeting on Wednesday–Don't Miss It!

76

TU

ESD

AY

PM

Classic Performances by Corporate Travel

NPM

Let us serve you on a choir performance tour to:SPAIN • FRANCE • AUSTRIA • IRELAND • PORTUGAL ITALY • HOLY LAND • NEW ZEALAND • USA & MORE

Join us in Rome to celebrate the Epiphany with the

SISTINE CHAPEL CHOIR

New York City—St. Patrick’s Cathedral Saturday, September 16, 2017

Washington D.C.—Catholic University of AmericaWednesday, September 20, 2017

Detroit—Detroit Opera HouseSaturday, September 23, 2017

Corporate Travel Service is proud to sponsor

The Sistine Chapel Choir’s tour of the US!

800.727.1999 CTScentral.net

77

TU

ESD

AY

PLENUM SHOWCASE I: WLPTuesday, July 11 | 1:30 pm | CC: Grand Ballroom

Gathered in Your Name/Reunidos en Tu Nombre

Come sing with us as WLP celebrates 60 years since our founding as World Library of Sacred Music, right here in Cincinnati!

We will sing through a diverse selection of music that expresses our faith and works well for choirs of all sizes and skill levels.

Come discover new music in many styles that will engage and inspire your choirs, your ensembles, and the assembly.

All att endees will take home a resource packet fi lled with full-size octavos and other great samples.

PM

Piano Certificate AdjudicationsTuesday, July 11 | 3:00 pm | CC: 234

Adjudications for the Basic Pianist Certifi cate for NPM members.Pre-registration is required. No on-site registration.

CANTOR CERTIFICATE SINGING ADJUDICATIONSTuesday, July 11 | 3:00 pm | MI: Pavilion A and B

The NPM Cantor Certifi cate process that began during Monday’s pre-convention activities continues with the singing portion of each certifi cate on Tuesday, Wednesday, and Thursday.


78

TU

ESD

AY

MUSIC INDUSTRY SHOWCASE IITuesday, July 11 | 3:00 pm–4:00 pm

S2–01 CC: 237Requiem For the Innocents/New Music from Franciscan Ministry of Peace

Jim Hughes and Louis CanterCome join Jim and Louis who are teaming up to share their new music from their recently

released CDs. Highlights will also include music from the Requiem for the Innocents, new Mass sett ings, and new songs and psalms. Jim and Louis are published through

ILP Music and featured by Franciscan Ministry of Peace.


Joe Matt inglyCome and explore the best of the Newman Singers, including music from their new collection of

Psalm sett ings, The Art of the Psalm. Come and explore life On That Holy Mountain.

S2-03 CC: 230/231Children’s Choir Music and Resources Plus a Few Mixed Voice Anthems

Choristers GuildFind your children's, youth, and mixed voice choir anthems for the year at this reading session.

New rehearsal resources including curriculum and musicals highlighted.

S2-04 CC: 238Praised Bee; Laudato Si'

Marklin Candle DesignThe beloved bee is in peril, yet its work remains critical to the balance of our world. In light of

Pope Francis' challenging encylical on the environment, what should we know about American agriculture, the stewardship of creation, and the preservation of the bee?

S2-05 CC: 251Anything We Can Sing, They Can Sing Better




S2-06 CC: 204Music for Advanced Choirs with ECS Publishing

Mark LawsonExperience music for the intermediate to advanced choir from

this leading publisher of classical repertoire.

S2-07 CC: 206New Choral Music from MorningStar

Kelly Dobbs-Mickus MorningStar presents quality music for the church year

in a variety of styles, voicings, and instrumentation.

PMPM

79

TU

ESD

AY

MUSIC INDUSTRY SHOWCASE II, continued

S2-08 CC: 200New Choral Music from Hope Publishing Company

Jane HolsteinJoin us for an exhilarating session of singing sacred anthems for choirs of all sizes:

2-part, SAB, and SATB. A complimentary packet of music will be provided.

S2-09 CC: 211New Music for Liturgical Choirs from Fred Bock

Chris WalkerChris Walker leads a session of new choral music from Fred Bock Music Company,

H.T. Fitz Simmons Company, and Hinshaw Music.

S2-10 CC: 210New Resources from Sacred Music Press (Lorenz)

Carson CoormanExplore new choral, organ, piano, and handbell publications

from Sacred Music Press and Lorenz Music.



from David, Zack and Lori — as well as some "sleepers" that you might not have discovered. Also learn about some of David's recent books and resources;


S2-12 CC: 209An Easier Way to Schedule with Ministry Scheduler Pro

Patt i SuchLearn how to leverage technology to get more people involved in ministry.

Reduce no-shows and free up your staff 's time to focus on liturgy.

S2-13 CC: 233Five Ways to Get More Out of Your iPad iPhone for your Music Ministry

Digital HermosaiPads & iPhones are great portable computing devices. How can you use them to communicate

more and share musically? Real case studies and real apps will be discussed.




PMPM

80

TU

ESD

AY

PLENUM GATHERINGTuesday, July 11 | 4:30 pm | CC: Grand Ballroom

Gathering Hymn Draw Us In the Spirit's Tether

Text: Words from Enlarged Songs of Praise by permission of Oxford University PressMusic: Harold F. Freidell, copyright © 1957 by The H.W. Gray Company, a division of Belwin-Mills Publishing Corp. Used with permission. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& bbbb œ œ1. Draw2. As3. All

usdisour

.˙ œ œ œincimeals

theplesand

Spirusedall

it'stoour

˙ ˙ œ œtethgathliv

er;ering

FromInMake

whentheas

.˙ œhumnamesac

bly,ofra

- - -- - -

- - -

& bbbb œ œ œ œinChristments

thy

ofto

w œ œname,sup,thee,

TwoThenThat

orwithby

.˙ œthreethankscar

aretoing,

œ œ œ œmetGodhelp

totheing,

gethFagiv

- --

- - -

& bbbb ˙ œ œer,thering,

ThouBreakWe

artthemay

.˙ œinbreadtrue

theanddis

œ œ œ œmidstblessci

of

plesthe

w œ œthem:cup,be.

AlAlAl

lelele

.˙ œlululu

ya!ya!ya!

- - -- - -

- - - - -

& b b b b œ œ œ œAlAlAl

lelele

lululu

˙ œ œya!ya!ya!

Touch

We

we

willSo

œ œ œ œnow

serveknit though

thy

theeour

œ œ œ œgar

faithfriend

ment's

fulship

w hem.

ly.up.

- - -- - -- - - - -

--

PLENUM: Uniting the Body of Christ Kelly Adamson

Praying and singing together unifi es the Body of Christ. We should also realizethat there is great value in praying and singing together outside the celebration of

the Eucharist. The Liturgy of the Hours and devotions provide opportunities for the community to pray together through the Church’s rich tradition of prayer. How might we off er support to these prayer forms in our parish communities?

Kelly Adamson, osb, with a master’s in theology and a post-graduate certifi cate in spirituality, is a Benedic-tine Oblate who serves as the assistant director of campus ministry at the University of Dayton.

PM

81

TU

ESD

AY

PM

SOLEMN EVENING PRAYERTuesday, July 11 | 5:30 pm | CC: Grand Ballroom

Memorial of St. Benedict, AbbotPrelude Perfect Praise, by Brenda Joyce Moore

LucernariumLeader

Response (All)

Music: Praise God in Song, Michael Joncas, © 1979, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Hymn O Radiant LightVerse 1, UnisonVerse 2, in Canon (ST begins, AB enter at "2")Verse 3, Unison

Text: Phos Hilaron, Greek, c.200; tr. by William G. Storey, © 1970Tune: Tallis' Canon; Thomas Tallis, c. 1505-1585Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& # 44 œ1. O2. O3. Lord

1

œ œ œ œraSonJe

diantofsus

Light,God,Christ,

Otheas

2

œ œ œ œSunsourceday

dioflight

vinelife,fades,

OfPraiseAs

œ œ œ œGodisshine

theyourthe

Faduelights

ther'sbyof

- - -

- -

& # œ œ œ œdeathnighte

lessandven

face,day.tide,

OOurWe

œ œ œ œimhappraise

agepythe

oflipsFa

themustther

œ œ œ œlightraisewith

subthethe

limestrainSon,

ThatOfThe

- - --

- - -

& # œ œ œ œfillsyourSpir

theesit

heav'nteemedblest

lyandand

œ œ œUdwellsplenwith

ingdidthem

place.name.one.

- -- -

-

PM

& # œ œ œ œ .œ jœLight and peace in

jœ jœ jœ jœ ˙Je sus Christ our Lord.-

&

?

#

#

œ œ œ œ œ œThanks be to

œ œ œ œ œ œ

˙ œ œœ œ œ œ œ

.˙God.

.˙

..˙ .˙

82

TU

ESD

AY

Evening ThanksgivingLeader

Response (All)

Leader Praised be the Lord our God, ..... now and forever.

Response (All)

Text and Music: Michael Joncas, © 1979, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.


Psalm 15 Antiphon (Choir, then All)

& # œ œ œ œ œ œ œ œ ˙Let us give thanks to God our Fa ther,

œ œ œ œ œ œ ˙al ways and for ev 'ry thing:- - - -

&?

b

b44

4443

4344

44

jœœGod

Jœœ

œœ œœ Œ œœb œœfound him, pure andœœ œœ Œ œœ œœ

.˙ ‰ œœ œœstrong: he will

.˙

..˙ ‰ œœ œœ&

?

b

b

43

43

44

44

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœhave ev er last ing glo ry. God

œœ œœ œœ œœ œœ œ œ œ œ œ.œ œ œ œ

œœ œœ Œ œœb œœfound him, pure and

œœ œœ Œ œœ œœ- - - -

PM

&

?

#

#

jœ jœIn theJœ Jœ

jœ jœJœ Jœ

œ jœ jœ œ œ jœ jœname of Our Lord Je sus

œ œ Jœ Jœ œ Jœ Jœœ jœ jœ œ jœ jœœ Jœ Jœ œ œ Jœ Jœ

.˙ ŒChrist.

.˙

.˙ Œ.˙ Œ-

&

?

#

#œ œ œ œ œ œA men. A

œ œ œ œ œ œ

œ œ œ œ œ œœ œ œ œ œ œ

.˙men.

.˙

.˙

.˙- -

83

TU

ESD

AY

Verse 1 (Women)

Verse 2 (Men)

Verse 3 (Women) and Verse 4 (Men)

Verse 5 (All)

& b ˙ œ1. Lord, who may abide in your tent,

˙ œ œ œ ˙and dwell on your ho ly moun tain?- -

& b ˙2. Whoever walks without fault;

˙ œwho does what is just,

˙ œ œ œ ˙and speaks the truth from his heart.

& b ˙5. Give praise to the Father Almighty,

˙ œ œn ˙to his Son, Jesus Christ, the Lord.

& b ˙to the Spirit who dwells in our hearts,

˙ œ œ œ œ ˙both now and for ag es un end ing.- - -

PM

&

?

b

b

44

44

42

42

44

44.˙ ‰ œœ œœ

strong: he will

..˙ ‰ œœ œœ

œœ œœ œœ œœ œœhave ev er last ingœœ œœ œœ œœ œœ

œœ œœ œœ ..˙glo ry.

œ œ œ .˙.œ œ .˙- - - -

& b .. ˙3. Whoever does not slander with his tongue,4. Who keeps an oath, whatever the cost,

˙who does no wrong to a neighbor,who lends no money at interest,

& b ˙who casts no slur on a friend,and accepts no bribes against the innocent.

˙who looks with scorn on the wicked,[ ]

& b ..˙ œ œ œ œ ˙but honors thoseSuch a one shall

whonev

fearer

thebe

Lord.shak en.- -

__________________________

WomenMen

84

TU

ESD

AY

Antiphon (All)

Text: Psalm 15, The Grail (England), © 1963, 1993, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved.Music: M. Roger Holland, II, copyright © 2017. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

Psalm 112 Antiphon (Cantor/Choir, then All)

Psalm Tone

Choir Blessed the man who fears the Lord, who takes great delight in his commandments. His descendants shall be powerful on earth; the generation of the upright will be blest.

&?

b

b44

4443

4344

44

jœœGod

Jœœ

œœ œœ Œ œœb œœfound him, pure andœœ œœ Œ œœ œœ

.˙ ‰ œœ œœstrong: he will

.˙

..˙ ‰ œœ œœ&

?

b

b

43

43

44

44

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœhave ev er last ing glo ry. God

œœ œœ œœ œœ œœ œ œ œ œ œ.œ œ œ œ

œœ œœ Œ œœb œœfound him, pure and

œœ œœ Œ œœ œœ- - - -

&

?

b

b

44

44

42

42

44

44.˙ ‰ œœ œœ

strong: he will

..˙ ‰ œœ œœ

œœ œœ œœ œœ œœhave ev er last ingœœ œœ œœ œœ œœ

œœ œœ œœ ..˙glo ry.

œ œ œ .˙.œ œ .˙- - - -

& bbbbb 44 ‰ jœGod's

œ œ œ œ œ œ œsaints will be filled with his love

œ œ œ jœ .œand mer cy;-

& b b b b b ‰ jœ œ œ œ œ œ œhe watch es o ver his cho

œ œ œ œsen ones.- - -

& bbbbb ˙ œ ˙ œ ˙ œ ˙ œ ˙* [Omit for 3 line stanzas]

PM

85

TU

ESD

AY

Psalm Tone

Left Riches and wealth are in his house; his justice stands fi rm forever. A light rises in the darkness for the upright; he is generous, merciful and just.

Right It goes well for the man who deals generously and lends, who conducts his aff airs with justice. He will never be moved; forever shall the just be remembered.

Left He has no fear of evil news; with a fi rm heart, he trusts in the Lord. With a steadfast heart he will not fear; he will see the downfall of his foes.Choir Openhanded, he gives to the poor;

* his justice stands fi rm forever. His might shall be exalted in glory.

Right The wicked sees and is angry, * grinds his teeth and fades away. the desire of the wicked leads to doom.

All Glory to the Father and to the Son, and to the Holy Spirit: as it was in the beginning, is now and will be for ever. Amen.

Antiphon (All)

Text: Psalm 112, The Grail (England), © 1963, 1993, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved.Music: M. Roger Holland, II, copyright © 2017. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

New Testament Canticle Revelation 15:3-4Refrain (Cantor, then All)

& bbbbb 44 ‰ jœGod's

œ œ œ œ œ œ œsaints will be filled with his love

œ œ œ jœ .œand mer cy;-

& b b b b b ‰ jœ œ œ œ œ œ œhe watch es o ver his cho

œ œ œ œsen ones.- - -

& bbbbb ˙ œ ˙ œ ˙ œ ˙ œ ˙* [Omit for 3 line stanzas]

& ‰ œ œ œ œ ˙ œ œ œ œ œ œ ˙Your works, O Lord, are might y and won der ful.- - -

PM

86

TU

ESD

AY

Refrain (All)

Verses (Cantor) and Refrain (All) 1. Mighty and wonderful are your works, Lord God almighty! Righteous and true are your ways, O King of the nations! Refrain (All) 2. Who would dare refuse you honor, or the glory due your name, O Lord? Refrain (All) 3. Since you alone are holy, all nations shall come and worship in your presence. Your mighty deeds are clearly seen. Refrain (All) 4. Glory to the Father, and to the Son, and to the Holy Spirit: as it was in the beginning, is now, and will be for ever. Amen. Refrain (All)

Text: Revelation 15:3-4, The Grail (England), © 1963, 1993, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved.Music: Chrysogonus Waddell, copyright © GIA Publications, Inc. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Reading Romans 8:28-30

Gospel Canticle Canticle of Mary(Please stand and make the sign of the cross as the singing of the Canticle begins.)

Antiphon (All)

Verses (Cantor) and Antiphon (All) 1. For he has looked upon his servant in her lowliness; all ages to come shall call me, call me blessed. Antiphon (All) 2. God who is mighty, has done great things for me; great things God has done for me, holy is his name. Antiphon (All) 3. His mercy is from age to age, on those who fear him; he has shown might with his arm, he has confused the proud in their inmost thoughts.

& ‰ œ œ œ œ ˙ œ œ œ œ œ œ ˙Your works, O Lord, are might y and won der ful.- - -

PM

&

?

bbbb

bbbb

44

44

œMy

œ

jœœ ‰ œœ Œ œœbe ing pro

Jœœ ‰ œœ Œ œœ

.˙ œœ,claims the

˙ œ

.œ Jœ œb œ,.˙ œ œ

œœ- œœ- œœ- œœ-great ness of the

œ- œœ- œœ- œœ-

˙ ˙Lord, my

œ œ

˙ œ œn- - -

&

?

bbbb

bbbb

œœ œœ Œ œœbspir it findsœœbn œœ Œ œœ

œœ œœ œœ œœnjoy in God myœœ œœb œœ œœ

.˙ œSav

œb œ œ œ

..˙ œœ

..˙ Œior.

..˙n Œ- -

87

TU

ESD

AY

Antiphon (All)

Verses (Cantor) and Antiphon (All) 4. He has deposed the mighty from their thrones and raised the lowly to high places; the hungry he has given every good thing, while the rich he has sent empty away. Antiphon (All) 5. He has upheld Israel his servant, ever mindful of his mercy, even as he promised our fathers, promised Abraham, and his descendants for ever. Antiphon (All)Text and Music: Leon C. Roberts, © 1993, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Intercessions including In RemembranceResponse (All sing SATB)

PM

&

?

b

b

44

44


œ œ œ œ .œ Jœ



œ œ œ œ ˙

œ œ œ œ ˙œ œ œ œ ˙- - - - - -

&

?

b

b


œ œ œ œ œ œ



œ œ œ œ œ


&

?

bbbb

bbbb

44

44

œMy

œ

jœœ ‰ œœ Œ œœbe ing pro

Jœœ ‰ œœ Œ œœ

.˙ œœ,claims the

˙ œ

.œ Jœ œb œ,.˙ œ œ

œœ- œœ- œœ- œœ-great ness of the

œ- œœ- œœ- œœ-

˙ ˙Lord, my

œ œ

˙ œ œn- - -

&

?

bbbb

bbbb

œœ œœ Œ œœbspir it findsœœbn œœ Œ œœ

œœ œœ œœ œœnjoy in God myœœ œœb œœ œœ

.˙ œSav

œb œ œ œ

..˙ œœ

..˙ Œior.

..˙n Œ- -

88

TU

ESD

AY




Concluding Prayer

Blessing and DismissalResponse (All sing SATB)

Presider May God, the Father almighty, bless us and keep us. Response May Jesus Christ, his only Son, our Lord, graciously smile upon us. Response May the Holy Spirit, the Lord and giver of life, grant us peace. Response

Music: Praise God in Song, Michael Joncas, © 1979, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.


PM

&

?

#

#

44

44œ œ œ œ œ œA men. A

œ œ œ œ œ œ

œ œ œ œ œ œœ œ œ œ œ œ

.˙men.

.˙

.˙

.˙- -












89

TU

ESD

AY

Closing Hymn Abide with Me

Text: Henry F. Lyte, 1793-1847Tune: Eventide, William H. Monk, 1823-1889, arr. by Evelyn Simpson-Curenton, b. 1953, © 2000, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

PM

&

?

bbb

bbb

44

44

˙ œœ œœ1. A2. Swift3. I4. I5. Hold

bidetoneedfearthou

withitsthynothy˙ œœ œœbœ œ

˙ ˙me;closepresfoe,cross

fastebbsencewithbe

œ œ

˙n ˙

œœ œœ œœ œœfallsoutevtheefore

thelife's'ryatmy

elitpasshandclos

ventleingtoingœœ œœ œœ œœ

wwtide;day;hour;bless;eyes;ww

- - --

- - -

- -

&

?

bbb

bbb

˙ œœ œTheEarth'sWhatIllsShine

darkjoysbuthavethrough

nessgrownthynothe

œ œ

œ œb œœ œœb˙

˙ ˙deepdim;graceweight,gloom

ens;itscanandand

œ œ

œœœœn ˙

œœ œ œœ œœnLord,glofoiltearspoint

withriesthenome

mepasstemptbitto

aaer'sterthe

œ œ œœ œ œ œœœ œ

wbideway;pow'r?ness.skies;

˙ ˙

w ˙

- - -- -

-- -

&

?

bbb

bbb

˙ œœ œœWhenChangeWho,WhereHeav'n's

othandlikeismorn

erdethydeath'sing

˙ œœ œœbœ œ

˙ ˙helpcayself,sting?breaks,

ersinmyWhere,and

œ œ

˙n œ œb

œœ œœ œœn œœfailallguidegrace,earth's

andaandyourvain

comroundstayvicshad

fortsIcantoowsœœ œ œ œœ œœœ

wflee,see;be?ry?flee;

˙ ˙b

w ˙b

- - -- --

- -- -

&

?

b b b

b b b

˙ œœ œœHelpOThroughIIn

ofthoucloudtrilife,

thewhoandumphin

œ œ œœ œœ˙

œœ œœ œœ œœhelpchangsunstill,death,

less,estshine,ifO

Onot,Lord,thouLord,

aaaaaœœ œb œœn œœœ œ

˙ ˙bidebidebidebidebide

withwithwithwithwith

œ œ œ œ

˙ ˙

wwme.me.me.me.me.ww

- -- -- -

- --

SATBWomen-Unison

SATBMen-Unison

SATB

90

TU

ESD

AY

PM



EVENTS 3Tuesday, July 11 | 6:30 pm | Cincinnati Zoo

A Musical Safari–Cinci Style

“And some just clap their hands, or paws, or . . . .” Spend an evening of musical fun at the Cincinnati Zoo, where at least some of God’s creatures may be heard singing praise. Enjoy a summer stroll by the extraordinary animal exhibits in one of the top ten zoos in the country, while listening to a variety of musical performances throughout your travels. You’ll be able to eat and drink in “Cincinnati style,” enjoying some of Cincinnati’s favorites like Skyline Chili! Finally, to close out the evening, join us for a “Party on Vine” (at the Zoo) to celebrate 40 years of NPM conventions, 10 years of Sing to the Lord, and 50 years of Musicam sacram! Families and friends of all ages will love this fun-fi lled musical safari and celebration! Don’t miss it! Limited tickets available for sale at registration: Fee $10.

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses begin leaving at 6:00 pm, and will continue in a constant

back-and-forth loop until the last bus leaves the Zoo at the end of the evening.

Celebrate AchievementsLearn about new initiatives

Expand your NPM circle

NPM Members' Meeting ~ Wednesday!

Achiev mmLearn about new ininiti tive

Expand yoour

WednesdayWednesday

92

WE

DN

ESD

AY

WEDNESDAY SCHEDULE

7:00 am Mass Available, St. Peter in Chains Cathedral

7:00 am Fun Run/Walk page 93

8:15 am Morning Prayer page 93

9:00 am NPM Members' Meeting and Awards page 103

10:30 am Exhibits Open page 102

10:45 am Breakout B ₍ends at 11:45 am₎ page 104 Institutes, continued ₍end at noon₎ page 104 DMMD Institute ₍ends at noon₎ page 104

12:15 pm Industry Lab Sessions VIII page 107


12:30 pm Lunchtime Piano Recital page 108

12:30 pm Lunchtime Organ Recital page 108

1:00 pm Industry Lab Sessions IX page 109

1:30 pm Plenum Showcase II: GIA page 110

3:00 pm Organist Master Class ₍ends at 5:30 pm₎ page 110

3:00 pm Breakout C ₍ends at 4:00 pm₎ page 111 DMMD Institute, continued ₍ends at 4:30 pm₎ page 111 Institutes, continued ₍end at 5:30 pm₎ page 111

4:30 pm How to Form a Chapter page 113

4:30 pm Music Industry Showcase III page 114



10:30 pm Taizé Prayer page 118

93

WE

DN

ESD

AY

MASS AVAILABLE St. Peter in Chains Cathedral 7:00 AM

FUN 5K RUN/1 MILE WALK 7:00 AM

Join other running and fi tness enthusiasts to stretch your legs for an informal Fun Run/Walk. Choose a 5k(-ish) or 1 mile(-ish) route to greet the morning with other NPM members!

Greet the dawn as you run and walk with local NPM members who will guide you along Cincinnati’s beautiful and historic riverfront through the new Smale Riverfront Park.


Text: ICEL © 1974.

Hymn God Has Done Marvelous Things

Text: Herbert Brokering, © 1968 by Augsburg Publishing House. All rights reserved.Tune: Forever Joy, David Haas, © 1997 by Augsburg Publishing House. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

WEDNESDAY MORNING PRAYERWednesday, July 12 | 8:15 am | CC: Grand Ballroom







œ œ œ ˙Al le lu ia.- - - - -


AM

& ## 44 œ œ œ œ ˙VersesCantor œ œ œ œ œ œ œ œ œ œ œ .œ jœ

Sing to the Lord a

All .œ jœ ˙new song!

& ## œ œ œ œ ˙Cantor œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Sing to the Lord a

All .œ jœ ˙new song!

& ## œ œ œ œ œ œ œ œGod has done mar vel ous things!

Refrain jœ ‰ œ œ œI too, I

œ œ œ œ œ œ œ œ œtoo sing prais es with a- - -

& ## .œ jœ ˙new song!

œ œ œ œ œ œ œ œGod has done mar vel ous things!

jœ ‰ œ œ œI too, I- -

& ## œ œ œ œ œ œ œ œ œtoo sing prais es with a

.œ jœ ˙new song!-

94

WE

DN

ESD

AY



Psalm Tone

Cantor I cry aloud to God, cry aloud to God that he may hear me. In the day of my distress I seek the Lord. In the night my hands are raised unwearied; my soul refuses comfort. Left As I remember my God, I groan. I ponder, and my spirit faints. You keep my eyes from closing. I am troubled, unable to speak.Right I think of the days of long ago, and remember the years long past. At night I muse within my heart. I ponder, and my spirit questions.Cantor “Will the Lord reject us forever? Will he show us his favor no more? Has his mercy vanished forever? Has his promise come to an end?Left Has God forgotten his mercy, or in anger withdrawn his compassion?” I said, “This is what causes my grief: that the right hand of the Most High has changed.”Right I remember the deeds of the Lord, I remember your wonders of old; I muse on all your works, and ponder your mighty deeds.

AM

&

?

####

####

44

44

œO

œœœO

œ œ œ œ œGod, all your ways are

œ œ œ œ œ œœ œ œ œ œœ œ œ œGod, your ways are

œ ˙ œho ly; what

œ ˙ œ

œ ˙ œœ ˙ œho ly; what

œ œ œ œ œgod can com pare with

œ œ œ œ œ œ

œ œ œ œ œ œœ œ# œ œ œgod can com pare with

œ ˙our God?

œ ˙

œ ˙œ ˙our God?

- -

- -

& #### 1W œ œ ˙ 2W œ œ œ œ ˙ 3W œ œ ˙ 4W œ ˙

95

WE

DN

ESD

AY

Psalm Tone

All Your way, O God, is in the holy place. What god is as great as our God? You are the God who works wonders. Among the peoples you showed your power.Left Your strong arm redeemed your people, the descendants of Jacob and Joseph. The waters saw you, O God, the waters saw you and anguished.Cantor Yes, the depths were moved to tremble. The clouds poured down with rain. The skies sent forth their voice; Your arrows fl ashed to and fro.Right Your thunderous voice was in the whirlwind; your fl ashes lighted up the world. 4The earth was moved and trembled.Left Your way was through the sea, your path through the mighty waters, 4but the trace of your steps was not seen.Right You guided your people like a fl ock 4by the hand of Moses and Aaron.All Glory to the Father, and to the Son and to the Holy Spirit, as it was in the beginning, is now and will be for ever. Amen.

Antiphon (All)

Text: The Revised Grail Psalms, © 2010, Conception Abbey and The Grail, admin by GIA Publications, Inc. Music: Norah Duncan, IV, copyright © 2017. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

AM

& #### 1W œ œ ˙ 2W œ œ œ œ ˙ 3W œ œ ˙ 4W œ ˙

&

?

####

####

44

44

œO

œœœO

œ œ œ œ œGod, all your ways are

œ œ œ œ œ œœ œ œ œ œœ œ œ œGod, your ways are

œ ˙ œho ly; what

œ ˙ œ

œ ˙ œœ ˙ œho ly; what

œ œ œ œ œgod can com pare with

œ œ œ œ œ œ

œ œ œ œ œ œœ œ# œ œ œgod can com pare with

œ ˙our God?

œ ˙

œ ˙œ ˙our God?

- -

- -

96

WE

DN

ESD

AY

AM

Old Testament Canticle 1 Samuel 2:1-10Antiphon (Cantor, then All)

Psalm Tone

Cantor My heart exults in the Lord, my horn is exalted in my God. I have swallowed up my enemies; I rejoice in my victory. Left There is no Holy One like the Lord; there is no Rock like our God. Speak boastfully no longer, nor let arrogance issue from your mouths.Right For an all-knowing God is the Lord, a God who judges deeds. The bows of the mighty are broken, while the tott ering gird on strength.All The well-fed hire themselves out for bread, while the hungry batt en on spoil. the barren wife bears seven sons, while the mother of many languishes. Cantor The Lord puts to death and gives life; he casts down the nether world; he raises up again. The Lord makes poor and makes rich, he humbles, he also exalts.

& bbb 1W œ œ ˙ 2W œ ˙ 3W œ ˙ 4W œ œ ˙

&

?

bbb

b b b

44

44

œMy

œ

œ œœ

œ œ œ œ œ œheart leaps up with

œ œ œ œ œ œ œ

œ œ œ œ œ œ œœ œ œ œ

œ œ œ œ œ œjoy to the Lord, for he

œ œ œ œ œ œ

œ œ œ œ œ œ œœ œ œ œ œ œ

&

?

bbb

b b b

jœ .œ œ œ œ œhum

hum

bles

bles

on ly to ex


œ œ œ œ œ œ œœ œ œ œ œ œ œ

œ œ alt us.

œ œ

œ œ œ œ - - -

-

97

WE

DN

ESD

AY

AM

Psalm Tone

Left He raises the needy from the dust; from the ash heap he lifts up the poor, to seat them with nobles and make a glorious throne their heritage. Right For the pillars of the earth are the Lord’s, and he has set the world upon them. He will guard the footsteps of his faithful ones, but the wicked shall perish in darkness. Cantor For not by strength does man prevail; 4the Lord’s foes shall be shatt ered. All The Most High in heaven thunders; the Lord judges the ends of the earth. Now may he give strength to his king and exalt the horn of his anointed!

Antiphon (All)

Text (Verses): 1 Samuel 2:1-10, copyright © 1963, 1993 The Grail, England. GIA Publications, Inc. All rights reserved.Music and Text (Antiphon): Norah Duncan, IV, copyright © 2017. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& bbb 1W œ œ ˙ 2W œ ˙ 3W œ ˙ 4W œ œ ˙

&

?

bbb

b b b

44

44

œMy

œ

œ œœ

œ œ œ œ œ œheart leaps up with


œ œ œ œ œ œ œœ œ œ œ

œ œ œ œ œ œjoy to the Lord, for he

œ œ œ œ œ œ

œ œ œ œ œ œ œœ œ œ œ œ œ

&

?

bbb

b b b

jœ .œ œ œ œ œhum

hum

bles

bles

on ly to ex



œ œ alt us.

œ œ

œ œ œ œ - - -

-

98

WE

DN

ESD

AY

AM

Psalm 97Antiphon (Cantor, then All)

Psalm Tone

Cantor The / Lord is king, let earth rejoice; let the many islands be glad. Cloud and darkness surround him; justice and right are the foundation of his throne.Women A / fi re prepares his path; it burns up his foes on every side. His lightnings light up the world; the earth looks on and trembles.Men The / mountains melt like wax before the face of the Lord,

4before the face of the Lord of all the earth.Women The / skies proclaim his justice; all p eoples see his glory. Let those who serve idols be ashamed, those who boast of their worthless gods.Men All you / angels, worship him. Sion hears and is glad; the daughters of Judah rejoice because of your judgments, O Lord.Women For / you indeed are the Lord, most high above all the earth,

4exalted far above all gods.

& bbb œ œ 1W œ ˙n 2W œb œ ˙ 3W œ œ ˙4

W œ ˙

&

?

bbb

b b b

22

22

Œ ‰ jœ jœ œ jœThe Lord is king,

Jœ Jœ œ Jœ

Œ ‰ jœ jœ œ jœŒ ‰ Jœ Jœ œ Jœ

.˙ Œ˙ œb

˙ œb Œ˙ œ Œ

œ œ œ œ œ œ œlet the earth re joice,



.˙ Œ˙ œb

˙ œb˙ œ Œ-

&

?

bbb

b b b

œ œ œ œ œ œ œLet the earth re joice,



.œ jœ .œ jœ.œ Jœ .œ Jœ


œ ‰ jœ œ œ œ œthe Lord is king.

œ Jœ œ œ œ œ

œ ‰ jœ œ œ œ œœ ‰ Jœ œ œ œ œ

wJœ ‰ œb œ œThe Lord is

jœ ‰ œb œ œw

.œ .œking.

.œ .œ-

99

WE

DN

ESD

AY

AM

Psalm Tone

Men The Lord / loves those who hate evil; he guards the souls of his faithful;

4he sets them free from the wicked.Women Light shines / forth for the just one, and joy for the upright of heart. Rejoice in the Lord, you just; to the memory of his holiness give thanks.All Give / praise to the Father Almighty, to his Son, Jesus Christ, the Lord, to the Spirit who dwells in our hearts, both now and for ages unending. Amen.

Antiphon (All)

Text (Verses): The Revised Grail Psalms, © 2010, Conception Abbey and The Grail, admin by GIA Publications, Inc. Music and Text (Antiphon): Norah Duncan, IV, copyright © 2017. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

Reading 1 Corinthians 12:4-13There are diff erent kinds of spiritual gifts but the same Spirit; there are diff erent forms of service

but the same Lord; there are diff erent workings but the same God who produces all of them in everyone. To each individual the manifestation of the Spirit is given for some benefi t. To one is

given through the Spirit the expression of wisdom; to another the expression of knowledge according to the same Spirit; to another faith by the same Spirit; to another gifts of healing

by the one Spirit; to another mighty deeds; to another prophecy; to another discernment of spirits;

& bbb œ œ 1W œ ˙n 2W œb œ ˙ 3W œ œ ˙4

W œ ˙

&

?

bbb

b b b

22

22

Œ ‰ jœ jœ œ jœThe Lord is king,

Jœ Jœ œ Jœ

Œ ‰ jœ jœ œ jœŒ ‰ Jœ Jœ œ Jœ

.˙ Œ˙ œb

˙ œb Œ˙ œ Œ

œ œ œ œ œ œ œlet the earth re joice,



.˙ Œ˙ œb

˙ œb˙ œ Œ-

&

?

bbb

b b b

œ œ œ œ œ œ œLet the earth re joice,





œ ‰ jœ œ œ œ œthe Lord is king.

œ Jœ œ œ œ œ

œ ‰ jœ œ œ œ œœ ‰ Jœ œ œ œ œ

wJœ ‰ œb œ œThe Lord is

jœ ‰ œb œ œw

.œ .œking.

.œ .œ-

100

WE

DN

ESD

AY

AM

to another varieties of tongues; to another interpretation of tongues. But one and the same Spirit produces all of these, distributing them individually to each person as he wishes. As a body is one though it has many parts, and all the parts of the body, though many,

are one body, so also Christ. For in one Spirit we were all baptized into one body, whether Jews or Greeks, slaves or free persons, and we were all given to drink of one Spirit.

Lector Palabra de Dios.Response Te alabamos Señor.

Gospel Canticle (All) Canticle of Zachary(Please stand and make the sign of the cross as the singing of the Canticle begins.)

Text: Alan J. HommerdingMusic: John Agnott i, © 2001, 2002, World Library PublicationsUsed with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& # 44 jœ1. O2. The3. God4. Praise

œ jœ œ œ jœchoprophhereGod,

senet'sre

whose

chillipscallsra

dren,hadthediant

Islongcovsav

œ œ œ œ œ œraforeeing

el,toldnant,grace

BringThisUnFor

thanklibshackgives

- - - - -- - -

- - - - -- - -

& # jœ œ œ œ jœfulerlesus

praistyusall

esfromfromour

now;foesfear;sins,

.˙ ‰ jœA

WhoseThePraise

œ jœ œ œ JœsavhatepromChrist,

iorfulisewho

bloomsgraspmadeo

onwouldtover

DaseekAdis

- - -- - -

-

- - -- -

& # Jœ œ œ œ jœvid'sourbramal

tree,fall,hamdeath

AOurShinesOur

royworkluvic

jœ œ œ œ jœalformito

saGodnousry

credopandstill

bough.pose.clear.wins,

.˙ ‰ JœTheYetForAnd

- --

-

- - - -- - -

& # œ Jœ œ œ Jœdawndawndawnpraise

ingingingthe

SunSunSun,Spir

shallaforit

riserisGodfire

Jœ œ jœ .œ jœonesMostof

us,strong,High,love,

ATheForWhose

-- - --

-

& # œ œ œ œ œ œ œDayDayDaybril

ofofofliant

lastlastlastflame

ingingingtakes

light,light,light,flight,

.˙ ‰ JœGod'sSoYouIn

œ Jœ œ œ Jœviswe,aresoar

itinaing

ahoherSun,

tionlyaldnow

setsjushoris'n

- - - -- - -- - -

- -

& # Jœ œ œ œ jœustice,lyon

freeservechild,us,

FromAndOurGreat

nevworguideDay

jœ œ œ œ jœershiptoof

endinpeacelast

ingGod'sanding

night.sight.right.light.

w- - -

- --

-

101

WE

DN

ESD

AY

AM





Concluding Prayer


Scripture texts in this work, other than those taken from the Lectionary for Mass or the Liturgy of the Hours, are taken from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C. and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner.

&

?

b

b

44

44


œ œ œ œ .œ Jœ



œ œ œ œ ˙

œ œ œ œ ˙œ œ œ œ ˙- - - - - -

&

?

b

b


œ œ œ œ œ œ



œ œ œ œ œ













102

WE

DN

ESD

AY

AM

Exhibits OpenCC: Hall A | 10:30 am–6:00 pm

Gather again at the Exhibit Hall for today’s Exhibit session.You can continue your search and review of the multitude of music, books,

furnishings, vestments, and other helps for your ministry.


Thursday10:00 am–6:30 pm

Ivanka Demchuk, a twenty-seven year old artist from the Ukraine, paints modern icons, including the image used in the convention prayer room.

In Ivanka's words, "The aim of my works is a modern way of displaying sacred visions for spiritual enrichment of the human heart, a new display of religious essence as an alternative to producing classical canonical examples.”

Ivanka goes on to say, “Icon as an art can and should evolve, change, embody best aesthetic achievements of the time, then it becomes closer to the perception by modern human, interests. However, as icon it has to keep its sacred spirituality in every new manifestation.

Looking for new means of expression in the process, modern and ancient technologies such as chalk gesso are used to provide for experiments with texture, creat-ing interesting color eff ects and textures.”

Natali Bezvoziuk of the deHb newspaper in Kyiv, UA wrote of Ivanka: “Ukrainian critics have called her a real discovery among young artists and pre-dicted a successful future for her.”

Visit the prayer room to see her exquisite icon of the Rublev Trinity.

The NPM Members' Meeting is fi nally here.

103

WE

DN

ESD

AY

NPM MEMBERS’ MEETING AND AWARDSWednesday, July 12 | 9:00 am | CC: Grand Ballroom

Meeting Agenda Includes:• New website and digital programming eff ort

• New development initiative

• New Five-Year Strategic Plan

• 2016 Financial Report

• Membership Report

One more thing … This Members' Meeting promises to be verydiff erent from any other ever shared at NPM. Don’t miss this event!

NPM Awards Presentation Includes:• NPM Musician of the Year and the Jubilate Deo award

• DMMD Member of the Year

• NPM Chapter Leader of the Year and Chapter of the Year

• LEM Certifi cation Completion and Academic Scholarships

Come enjoy a donut and coff ee (sponsored by Litt le Books and Peter’s Way Tours), celebrate our award-winners, discover all that is new at NPM, and be a part of this exciting new beginning!

Steve PetrunakNPM President

AM

104

WE

DN

ESD

AY

B-01 CC: 233Incorporating Hand-held Percussion in the LiturgyCraig ColsonProperly used percussion can add a tasteful, wonderful richness to music for worship, elevating it both rhythmically and texturally. Come learn ways to add new depth to your Sunday repertoire with drums, shakers, and more.

B-02 CC: 238Hovda Lecture Series: Ecclesial Communion and EcumenismDennis DoyleTracing the history of Ecumenism since the Second Vatican Council, why is the continuation of the Council’s vision critical for a greater sense of who we are as Christians and the call to communion with Christ and his entire Church? Is it possible that a deeper appreciation and understanding of Ecumenism will not only impact Christian churches, but the world at large especially in a time of division and fear? What is Pope Francis’ vision for ecumenical dialogue?

B-03 CC: 212Building Healthy Relationships Between Music Ministers and ClergyFrancis Patrick O’BrienA healthy working relationship between the parish music leadership and the parish clergy is essential to the union of hearts and voices in the parish. This is especially challenging with the diff erent musi-cal and theological backgrounds each person brings to the table. Come share your experiences and explore ways to engage in healthy dialogue leading to a deeper unity of voice and heart.

AM

BREAKOUT BWednesday, July 12 | 10:45 am–11:45 am

I-01 CC: 236Pastoral Liturgy Institute: Foundations in Liturgical Theology Clinicians: Msgr. Rick Hilgartner, Rita Thiron, and Christopher FerraroContinued from previous sessions.

I-02 CC: 235Children’s Choir Director Institute Clinicians: Dr. Mark Doerries and Dr. Kathleen DeJardinContinued from previous sessions.

I-03 CC: 230/231DMMD Institute: Rehearsal and Choral Techniques Clinician: Dr. Robert JonesContinued from previous session.

INSTITUTES, continuedWednesday, July 12 | 10:45 am–noon

105

WE

DN

ESD

AY

AM

Breakout B (cont’d)

B-04 CC: 211Repertoire: Christ Will Be Your Way, Your Truth, Your LifeLynn TrappOrgan repertoire for the Sacraments and Rites of Initiation: Baptism, Eucharist, and Confi rmation.

B-05 CC: 206Jack of All Trades v. King of All Instruments, Part 2Kelly Dobbs-MickusA two-part session for beginning and intermediate organists with a focus on repertoire for manuals and minimal pedal as a tool for developing skills for more eff ective playing, from hymns and service music to organ solo pieces.

B-06 CC: 200It’s OK to Sing “Bread” in the LiturgyBob HurdLet’s talk about Eucharistic theology and explore the foundational role of biblical language in singing and preaching about the Eucharist.

B-07 CC: 251New Music: Liturgical Composers Forum, Part 1Tom KendziaMembers of the Composers Forum give practical advice to composers of unpublished music. The music has been chosen from pre-submitt ed compositions. Part 1 of 2.

B-08 CC: 260/262Integration of Youth in Music Ministry: A Parish-Wide ApproachChris EstrellaJoin the conversation as we tackle the topic of the integration of youth into a music ministry that serves the parish at large. With intentional planning and collaboration, the gifts of music minister, youth minister, religious educator, and social concerns minister come together to provide holistic for-mation and training for the youth of the parish to unite voices and hearts in the art of musical liturgy. Come to the discussion, with plenty of musical examples, and be prepared to sing.

B-09 CC: 209An Emerging Generation on College Campuses: Ministering to Generation ZRachelle KramerThis session will examine the diff erences between the millennial generation (born 1982–1994), the emergent generation Z or iGeneration (born 1995–present) and how this aff ects our approach to ministry. Anyone interested in either generation would benefi t from this breakout.

B-10 CC: 210The Legacy of Father Rivers: Music, Culture, TheologyMsgr. Ray EastFather Clarence Joseph Rufus Rivers was the fi rst African American priest in the Archdiocese of Cincinnati (1956). He was released from parish ministry by Archbishop Alter in the 1960s to promote active participation in worship. This set of workshops is based on his music, beginning with the American Mass Program in 1964, and on two key texts: Soulfull Worship (1974) and The Spirit in Worship (1978), the legacy of Father Rivers. Msgr. Ray will focus on the cultural legacy of Father Rivers.

106

WE

DN

ESD

AY

B-11 CC: 250La Liturgia–Una herramienta para el encuentro con Dios/ The Liturgy–A Tool for Finding God ₍offered bilingually₎Rafael Moreno and Peter Kolar¿Qué es la Liturgia a la manera de Cristo? Sirviendo a la comunidad y compartiendo con el pueblo de Dios junto a la vida de Fe. Se presentarán unas maneras creativas, e ideas como renovar continu-amente así como Jesús, el maestro hace. También, vamos a compartir maneras como poder atraer al pueblo de Dios con nuestra liturgia y la celebración. What is the Liturgy as Christ intends it? Serving the community and sharing with the people of God along with leading a life of faith. Creative ideas will be shared on how to continuously renew one’s faith as Jesus, our teacher, shows us. There will also be some sharing of practices on how to engage the people of God with our Liturgy and celebration.

B-12 CC: 263/264“Why, O Lord?”–Singing through Our Pain and GriefJohn Angott iJohn shares his own stories and those of others he has encountered as a music missionary and the way that sacred music brings people through moments of grief and pain to a place of healing and peace. Discover ways to sing and remain faith-fi lled through your own times of loss and pain, and ways to use your music ministry to bring comfort to others.

B-13 CC: 237NPM Cantor CertificatesMary Lynn PleczkowskiThis workshop is for those interested in applying for one of our certifi cates, and for those being adju-dicated this week who want advice. Come ready to sing!

B-14 CC: 204 The New Order of Celebrating Matrimony: Pastoral OpportunitiesPaul TurnerThe publication of the second edition of The Order of Celebrating Matrimony provides new liturgical and pastoral opportunities for presiders and parishes. This session explores several of those oppor-tunities, including uses for the expanded introduction; the engagement ceremony; the revised words for the questions, consent, and reception of consent; and the customs of the arras, lazo, and veil.

B-15 CC: 252 Chant “Institute” Part 2: Responsorial Psalm and Antiphon–Chanting the English TextColumba Kelly, osb, and Ray HendersonThis “Institute” focuses on the pastoral accessibility of Chant in the Liturgy. In fi ve parts the att endee will be instructed by Fr. Columba Kelly, osb and Mr. Ray Henderson. The focus will be on the texts of the liturgy, and particularly the third edition of the Roman Missal, in singable English, by both a schola and congregation.

B-16 CC: 202 Handbell: New Life for Your Existing RepertoirePhilip RobertsInstill excitement in some older pieces by introducing creative beginnings and endings. Learn how to allow your body to engage the music.

Breakout B (cont’d)

AM

107

WE

DN

ESD

AY

PM

Lab VIII-01 CC: 200Unlike the Cheese, OCP Missals Hymnals Do Not Stand Alone—English ResourcesScot Crandal, Lora Rist, and Pedro Rubalcava, OCP Learn about the OCP support materials available to Missal and Hymnal customers.

Lab VIII-02 CC: 206All Are WelcomeKen Canedo and Jesse Manibusan, OCPSing through Jesse and Ken’s collaboration of eclectic music refl ective of today’s Church.

Lab VIII-03 CC: 260/262Play For the Lord: New Instrumental Music for a Variety of Occasions and UsesKeith Kalemba, World Library PublicationsJoin us to explore a variety of new instrumental music resources (for piano, organ, violin, fl ute, cello) and gain new ideas for using this music for preludes, postludes, meditations, and more.

Lab VIII-04 CC: 263/264New Hymns and Hymn Collections from WLPMary Beth Kunde Anderson and Friends, World Library PublicationsJoin us to explore a variety of new hymns with rich texts and beautiful tunes writt en by some of the most gifted writers and composers serving the Church today.


INDUSTRY LAB SESSIONS VIIIWednesday, July 12 | 12:15 pm–12:45 pm

CANTOR CERTIFICATE SINGING ADJUDICATIONSWednesday, July 12 | 12:30 pm | MI: Pavilion A and B



108

WE

DN

ESD

AY

PM

LUNCHTIME ORGAN RECITAL | WEDNESDAY, JULY 1212:30 pm–1:00 pm | Christ Church Cathedral

Matt hew Phelps, organ

Prelude in B minor BWV 544 J. S. Bach (1675–1750)Fantasy on the Alleluia Chant for Easter Day Paul Benoit (1893–1979)St. Francis of Assisi Preaching to the Birds Franz Liszt (1811–1886) transcribed by Camille Saint-Saens (1835–1921)Festival Toccata Percy Whitlock (1903–1946)

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses for this recital begin loading at noon; the last bus departs 12:15 pm.

LUNCHTIME PIANO RECITAL | WEDNESDAY, JULY 1212:30 pm–1:00 pm | CC: Junior Ballroom

Peter K olar, piano

Visit it to bid on that special gift for your parish, your pastor, your director of music ministries, or . . . yourself. The proceeds from the auction sup-port the continuing work of your Association.

Shhhh! It’s Silent.The NPM Silent Auction is going on right now in the Exhibit Hall.

109

WE

DN

ESD

AY

PM

Lab IX-01 CC: 200Unlike the Cheese, OCP Missals Hymnals Do Not Stand Alone—English ResourcesScot Crandal, Lora Rist, and Pedro Rubalcava, OCP Learn about the OCP support materials available to Missal and Hymnal customers.

Lab IX-02 CC: 206Our Common HomeBob Hurd, OCPSing through this unique and timely compilation of liturgical music inspired by Laudato Si'.

Lab IX-03 CC: 260/262New Children’s Music Resources from WLP Rosie Fedorchuk, Mary Beth Kunde Anderson, and Keith Kalemba, World Library PublicationsMeet the author and get a sneak peek at WLP’s new wonder-fi lled Advent musical for students, From Creation to Christmas. Discover new music and resources that help you develop healthy and beautiful choral singing, as well as songs for celebrations throughout the year that help pass our faith from one generation to the next.

Lab IX-04 CC: 263/264Singing Proper Entrance and Communion TextsCharles Thatcher, World Library PublicationsJoin us for an overview of publications from World Library Publications that use the proper texts of the Mass in a variety of musical ways.


INDUSTRY LAB SESSIONS IXWednesday, July 12 | 1:00 pm–1:30 pm

In MemoryWe are grateful for the many donations made to the NPM Youth Music Ministry Institute in memory of Janet Poulin and Rick Foegler, two talented and beloved

pastoral musicians from the Archdiocese of the Cincinnati who went to their heavenly home this past year.

110

WE

DN

ESD

AY

PM

GIA PUBLICATIONS, INC.

PLENUM SHOWCASE II: GIAWednesday, July 12 | 1:30 pm | CC: Grand Ballroom

Together in Harmony

Join GIA composers and friends as they raise their collective voices in song. As one, we will explore a variety of GIA’s newest liturgical music,

anthems, and ritual music with the best choir in the country—You!

Also, come and explore GIA’s latest hymnal, Ritual Song—Second Edition. Those present will receive a free copy!

Clinician: Wm. Glenn Osborne

William Glenn Osborne, organist, composer, and expert in improvisation, currently serves as the director of music for the Cathedral and Archdiocesan Liturgies at the Cathedral of

Mary Our Queen in Baltimore, Maryland. Before coming to Baltimore in 2015, he served the Diocese of Orlando and churches in Florida.

On-site registration permitt ed, based on availability, for a fee of $50.

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses begin boarding at 2:15 pm and will leave promptly at 2:30 pm.

ORGAN MASTER CLASS Wednesday, July 12 | 3:00 pm–5:30 pm | Christ Church Cathedral

111

WE

DN

ESD

AY



I-03 CC: 230/231DMMD Institute: Rehearsal and Choral Techniques, Final Session Clinician: Dr. Robert JonesContinued from previous sessions. Note: this fi nal session of the DMMD Institute ends at 4:30 pm.

BREAKOUT CWednesday, July 12 | 3:00 pm–4:00 pm

C-01 CC: 212The Strategic ParishCurtis StephanHow can a parish create a structure that has evangelization, discipleship, and service at its core?

C-02 CC: 238Hovda Lecture Series: Unity and Diversity in Ecclesial CommunionMsgr. Ray EastThe Sacrament of the Eucharist is a sacrament of unity, and yet, we are a Church that is diverse in culture, race, and liturgical practice. How did Vatican II encourage diversity in the midst of unity? How can the Church, especially the celebration of the Eucharist, be a sign and instrument to the world of embracing the richness of diversity in the midst of our unity? Why is this signifi cant at this time in history? What concrete steps need to be taken to embrace diversity especially in light of the USCCB’s work on racism in the U.S.?

C-03 CC: 251The Spiritualities of the Eucharistic PrayersBarry HudockThere is a distinctive theology and spirituality embedded in each of the four primary Eucharistic Prayers of the Roman Missal. In other words, each of them has something diff erent to say about who God is, what this Eucharist is we’re celebrating, and how we relate to God through it and in our daily lives. This session will consider how each person in the assembly can understand and pray the Eu-charistic Prayer more authentically, and how doing that might impact our lives the rest of the week.

PM

INSTITUTES, continuedWednesday, July 12 | 3:00 pm–5:30 pm

112

WE

DN

ESD

AY

C-04 CC: 200Spiritual Care for Your ChoirChris WalkerWe'll explore how we can connect music with personal prayer and prayer at choir rehearsals, helping us to minister authentially to our community.

C-05 CC: 211Parish Liturgy Committees: Practical Advice and Best PracticesMichael RuzickiThe liturgy committ ee provides shape and vision for liturgies and liturgical formation for members of the assembly. Participants in this workshop will gain the tools needed to pray, study, and prepare the liturgy in their parish communities. Practical ideas and best practices will be given for starting or rejuvenating your liturgy committ ee.

C-06 CC: 209The Encuentro Process and What it Means for the Pastoral MusicianPedro RubalcavaAs we move ever close to the Fifth Encuentro, the role of the pastoral musician becomes more and more important. Come and learn about the origins and fruits of Encuentro, and learn how you can accompany the journey.

C-07 CC: 206Ensemble Workshop, Part 1: Forming a Faith-Filled Music Program United in HeartBonnie Faber, Marty Haugen, and Lynn TrappHow do all the various voices of the parish music program—instruments, choir, cantors—bring their gifts together to become a unifi ed support and inspiration for the assembly’s heartfelt song? Come and explore how to create authentic music ministry that inspires full, conscious, and active participa-tion by the assembly.

C-08 CC: 250Piano Accompanying–Part 2 (Intermediate)Roy SpicerThis session will build on the skills in Part 1 and add improvisation, how to accompany when all you have is a “lead sheet”, how to accompany when there are other instruments, and more.

C-09 CC: 233Cantor: Do We Mean What We Sing?Berta SabrioHow do we look at our familiar texts with fresh eyes and heart to help transform those whom we serve?

C-10 CC: 237The Legacy of Father Rivers: Music, Culture, TheologyEmily StrandFather Clarence Joseph Rufus Rivers was the fi rst African American priest in the Archdiocese of Cincinnati (1956). He was released from parish ministry by Archbishop Alter in the 1960s to pro-mote active participation in worship. This set of workshops is based on his music, beginning with An American Mass Program in 1964, and on two key texts: Soulfull Worship (1974) and The Spirit in Worship (1978), the legacy of Father Rivers. Emily will focus on the theological legacy of Father Rivers.

PM

Breakout C (cont’d)

113

WE

DN

ESD

AY

C-11 CC: 263/264Choral Classics Every Choir Should KnowMark Lawson and PanelPanelists Tony DiCello, Jennifer Pascual, Rick Gibala, and Preston Dibble—moderated by Mark Lawson—discuss sacred choral staples, including what makes a classic a classic, what pieces they return to year after year and why, and what choirs can learn from classics. Participants will sing through examples. A great opportunity to benefi t from the combined experience of these four expert panelists.

C-12 CC: 260/262Encouraging the Congregation’s Reluctant SingersValLimar JansenExplore techniques to promote participation by those hesitant to sing.

C-13 CC: 210Remember: Our Volunteers Are Ministers TooRachelle KramerToo often we view volunteers as people who play merely functionary roles, and we fail to remember that they, too, are ministers. Discover ways to nourish your volunteers' spiritual life and help them claim their role as ministers.

C-14 CC: 204Children’s Choir: The Singing Church of Today and the FutureKathleen DemnyChildren and youth have a wonderful gift when it comes to singing. This workshop demonstrates music writt en specifi cally for children and youth and how to use it in liturgies, school events, and assemblies. The music will include songs for the Mass, psalms, and more.

C-15 CC: 252Chant “Institute” Part 3: The Roman Missal in English– Chanting the Introit and the Communion AntiphonColumba Kelly, osb, and Ray HendersonThis “Institute” focuses on the pastoral accessibility of Chant in the Liturgy. In fi ve parts the att endee will be instructed by Fr. Columba Kelly, osb and Mr. Ray Henderson. The focus will be on the texts of the liturgy, and particularly the third edition of the Roman Missal, in singable English, by both a schola and congregation.

PM

Breakout C (cont’d)

HOW TO FORM AN NPM CHAPTER4:30 pm–5:30 pm | CC: 234

Jackie Schnitt grund and Robert Wolf, co-chairs of the NPM National Committ ee for Chapters, off er some important information on how to start an NPM chapter in your area,

and then how to keep it going.

114

WE

DN

ESD

AY

MUSIC INDUSTRY SHOWCASE IIIWednesday, July 12 | 4:30 pm–5:30 pm

S3–01 CC: 237Requiem For the Innocents/New Music from Franciscan Ministry of Peace

Jim Hughes and Louis CanterCome join Jim and Louis who are teaming up to share their new music from their recently

released CDs. Highlights will also include music from the Requiem for the Innocents, new Mass sett ings, and new songs and psalms. Jim and Louis are published through

ILP Music and featured by Franciscan Ministry of Peace.


Joe Matt inglyCome and explore the best of the Newman Singers, including music from their new collection of

Psalm sett ings, The Art of the Psalm. Come and explore life On That Holy Mountain.

S3-03 CC: 230/231Children’s Choir Music and Resources Plus a Few Mixed Voice Anthems

Choristers GuildFind your children's, youth, and mixed voice choir anthems for the year at this reading session.

New rehearsal resources including curriculum and musicals highlighted.

S3-04 CC: 238Praised Bee; Laudato Si'

Marklin Candle DesignThe beloved bee is in peril, yet its work remains critical to the balance of our world. In light of

Pope Francis' challenging encylical on the environment, what should we know about American agriculture, the stewardship of creation, and the preservation of the bee?

S3-05 CC: 251 Anything We Can Sing, They Can Sing Better




S3-06 CC: 250 Music for Advanced Choirs with ECS Publishing

Mark LawsonExperience music for the intermediate to advanced choir from

this leading publisher of classical repertoire.

S3-07 CC: 206New Choral Music from MorningStar

Kelly Dobbs-Mickus MorningStar presents quality music for the church year

in a variety of styles, voicings, and instrumentation.

PM

115

WE

DN

ESD

AY

MUSIC INDUSTRY SHOWCASE III, continued

S3-08 CC: 200New Choral Music from Hope Publishing Company

Jane HolsteinJoin us for an exhilarating session of singing sacred anthems for choirs of all sizes:

2-part, SAB, and SATB. A complimentary packet of music will be provided.

S3-09 CC: 211New Music for Liturgical Choirs from Fred Bock

Chris WalkerChris Walker leads a session of new choral music from Fred Bock Music Company,

H.T. Fitz Simmons Company, and Hinshaw Music.

S3-10 CC: 204New Resources from Sacred Music Press (Lorenz)

Carson CoormanExplore new choral, organ, piano, and handbell publications

from Sacred Music Press and Lorenz Music.



from David, Zack, and Lori — as well as some "sleepers" that you might not have discovered. Also learn about some of David's recent books and resources;


S3-12 CC: 209An Easier Way to Schedule with Ministry Scheduler Pro

Patt i SuchLearn how to leverage technology to get more people involved in ministry.

Reduce no-shows and free up your staff 's time to focus on liturgy.

S3-13 CC: 233Five Ways to Get More Out of Your iPad iPhone for your Music Ministry

Digital HermosaiPads & iPhones are great portable computing devices. How can you use them to communicate

more and share musically? Real case studies and real apps will be discussed.




PM

116

WE

DN

ESD

AY

EVENTS 4Wednesday, July 12 | 7:00 pm–8:00 pm

04-01 Covenant-First Presbyterian ChurchNotre Dame Children’s Choir Concert Conducted by Mark Doerries

Mark and the Notre Dame Children’s Choir (who have been participating all weekin the Children’s Choir Director Institute) will perform an ecumenical program

highlighted by a participatory Vespers service for congregation, choir, cantor, and jazz trio.

Presented by MorningStar Music.

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses for tonight’s events begin loading at 6:00 pm; the last bus departs 6:30 pm.

04-02 CC: Junior BallroomPeace! Concert Presented by Louis Canter, oef, and James Hughes

This concert is born out of the desire for the gift of peace in our world. Through songs, stories and refl ections based on Catholic,

Jewish and Muslim traditions, we fi nd a common language of Peace.Our song and prayer can make a diff erence in building

a peace-fi lled union with God and each other while sharing Creation and our Common Home.

Presented by ILP Music.PM

117

WE

DN

ESD

AY

05-01 CC: Grand BallroomPraise and Worship Evening Presented by Curtis Stephan and Iván Díaz

An evening of praise and worship with the Spirit & Song artists.

Join us in uplifting song primarily in English, with Spanish and English/Spanish bi-lingual titles included as well.

Presented by OCP.

05-02 Covington Cathedral Basilica of the AssumptionSacred Music to Fill a Sacred Space (Part Deux)Gregory J. Schaff er, Basilica Principal Organist and Choirmaster

On July 15, 2003, the NPM 26th Annual Convention was hosted at Covington’s Cathedral Basilica of the Assumption for an unforgett able evening of sacred music presented by the late Robert and Rita Schaff er (on their 50th wedding anniversary)

with the Bishop’s Choir and Brass Ensemble.

This year’s concert, modeled after that original, will explore the musical possibilities aff orded by the pristine acoustics of the Covington Basilica. An eclectic program of music

for choir, organ, synthesizer, brass, and assembly will fi ll the Cathedral. Surrounded by the stunning gothic interior and sacred art, members are sure to enjoy being part of this special

evening in honor of Rita and Bob, featuring the Cathedral Basilica Bishop’s Choir and guests.

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Tonight, buses for events begin loading at 8:00 pm; the last bus departs 8:30 pm.

EVENTS 5Wednesday, July 12 | 9:00 pm–10:00 pm

PM

118

WE

DN

ESD

AY



PM

TAIZÉ PRAYER10:30 pm | CC: Junior Ballroom

At the end of this convention day, gather around the cross, surrounded by the Church on earth and the icons that connect us to the Church in heaven, to pray

in song, silence, and the Word of God.

ThursdayThursday

120

TH

UR

SDA

Y

Thursday Schedule~Clergy D ay8:15 am Morning Prayer page 121

9:00 am Plenum: Union of Voices, Unity of Hearts page 128 Tony Alonso

10:00 am Exhibits Open (Final Session) page 130 Silent Auction closes at 3:00 pm

10:30 am Breakout D ₍ends at 11:30 am₎ page 131 Institutes, continued ₍end at noon₎ page 130

noon Pastoral Musicians' Luncheon page 133

1:30 pm Plenum Showcase III: OCP page 135

2:45 pm Industry Lab Sessions X page 136



5:30 pm DMMD Social page 136

8:00 pm Convention Eucharist page 139

121

TH

UR

SDA

Y


Text: ICEL © 1974.

Hymn God of Grace and God of Laughter

Text: Carl P. Daw Jr., b.1944, © 1989 Hope Publishing Co. All rights reserved.Tune: Century, Sally Ann Morris, © 1998 GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.


THURSDAY MORNING PRAYERThursday, July 13 | 8:15 am | CC: Grand Ballroom







œ œ œ ˙Al le lu ia.- - - - -


& 23 œ œ1. God2. When3. Turn

ofourour

˙ ˙ œ œgracelivessigh

andareing

Godtornin

ofbyto

œ œ ˙ œ œlaughsadsing

ter,ness,ing,

singhealmu

ingoursic

œ œ œ œ œ œworldswoundsborn

fromwithof

noughttunehope

tofulre

- -- -

- - - - -

& w œ œbe-balm;stored;

Sunwhenset

andallour

˙ ˙ œ œstarsseemssouls

anddisand

allcordvoic

thereantes

œ œ ˙ œ œafmadring

terness,ing,

joinedhelptune

inusour

œ œ œ œ ˙cosfindhearts

micain

harmeastrue

mouredac

- - - - -- - - -

- - -

& w œ œny:calm.cord:

giveSteadtill

usywe

œ œ ˙ œ œsongsusform

ofwitha

joymumight

andsic'sy

œ œ ˙ œ œwonancho

der,chorrus

muswhenjoin

ictheing

œ œ œ œ ˙makstormsan

ingofgel

heartslifechoirs

reina

- - - -- - - -

- - - - - -

& w œ œjoice;crease;bove,

letinwith

ourtheall

œ œ ˙ ˙praismidstthose

esofwho

swellhurtwent

likeandbe

œ œ ˙ œ œthunranfore

der,cor,us,

echmakein

ouse

œ œ ˙ ˙inginter

ourstrunal

Makmentshymns

er'sofof

wvoice.peace.love.

- - - - -- - -

- - -AMAM

122

TH

UR

SDA

Y

Psalm 80 Psalm Tone (Mode 1)

Antiphon (Cantor, then All)Stir up your mighty power, Lord;6come to our aid.

Cantor O Shepherd of Israel, hear us, you who lead Joseph like a fl ock; enthroned on the cherubim, shine forth upon Ephraim, Benjamin, Manasseh. 6Rouse up your might and come to save us.All O God, bring us back; 6let your face shine on us, and we shall be saved.Women How long, O Lord, God of hosts, will you be angry at the prayer of your people? You have fed them with tears for their bread, an abundance of tears for their drink. You have made us the taunt of our neighbors; our foes mock us among themselves.All O God of hosts, bring us back; 6let your face shine on us, and we shall be saved.Men You brought a vine out of Egypt; you drove out the nations and planted it. 5Before it you cleared the ground; 6it took root and fi lled the land.Cantor The mountains were covered with its shadow, the cedars of God with its boughs. 5It stretched out its branches to the sea; 6to the River it stretched out its shoots.Women Then why have you broken down its walls? It is plucked by all who pass by the way. 5It is ravaged by the boar of the forest, 6devoured by the beasts of the fi eld.All God of hosts, turn again, we implore; 6look down from heaven and see.Men Visit this vine and protect it, the vine your right hand has planted, the son of man you have claimed for yourself. They have burnt it with fi re and cut it down. 6May they perish at the frown of your face.Cantor May your hand be on the man at your right hand, the son of man you have confi rmed as your own. 5And we shall never forsake you again; 6give us life that we may call upon your name.

AM

& 1˙ œ œ .œ 2˙ œ œ .œ 3 ˙b œ œ .œ 4˙ œ œ .œ 5˙ œ .œ 6˙ œ œ .œ

123

TH

UR

SDA

Y

Psalm Tone

All O Lord God of hosts, bring us back; 6let your face shine on us, and we shall be saved.All Glory to the Father, and to the Son and to the Holy Spirit, 5as it was in the beginning, 6is now and will be for ever. Amen.

Antiphon (All)Stir up your mighty power, Lord;6come to our aid.

Text: The Liturgy of the Hours © 1973, 1974, 1975, International Commission on English in the Liturgy Corporation (ICEL). All rights reserved.Music: Copyright © 1971, 1991, Saint Meinrad Archabbey, Inc. All rights reserved.

Psalm Prayer

Old Testament Canticle Isaiah 12:1-6Bilingual Refrain (Cantor, then All/Todos as noted)

Verses (Cantor/Choir)1. Vean al Dios que me salva, con él estoy seguro

¡Mi fuerzay protección, el Señor es mi salvación! Refrain (All)2. Proclaim God's name to the nations, tell the world of God's works.

Praise the Lord, all you people, how glorious is God's name! Refrain (All)3. Canten a Dios por sus proezas, anúncienlas a toda la tierra.

Habitantes de Sión se alegran: "Contigoestá el Dios deIsrael." Refrain (All)

Text: Isaiah 12:2-3, 4bcd, adapt. and tr. by Tony E. Alonso, copyright © 2003, GIA Publications, Inc.; English refrain tr. © 1969, ICELMusic: Tony E. Alonso, copyright © 2003, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

AM

& 1˙ œ œ .œ 2˙ œ œ .œ 3 ˙b œ œ .œ 4˙ œ œ .œ 5˙ œ .œ 6˙ œ œ .œ

& #### 86 œ œ œ œ JœYou will draw wa ter

Cantor œ œ œ .œjoy ful ly.

œ œ œ œ JœYou will draw wa ter

All

- - - -

& #### œ œ œ .œjoy ful ly

‰ œ œfrom the

Cantor .œ œ jœsprings of sal

jœ œ .œva tion,

‰ œ œfrom the

All .œ œ jœsprings of sal

jœ œ .œva tion.- - - - - -

& #### Œ . Œ œ œSa ca

Cantor œ œ œ œ œ œrán a guas con a le

œ œ œ .œgrí a.

Œ œ œSa ca

Todos œ œ œ œ œ œrán a guas con a le- - - - - - - - -- -

& #### œ œ œ .œgrí a

‰ œ œde las

Cantor œ œ œ œ jœfuen tes de sal va

.˙ción,

‰ œ œde las

Todos œ œ œ œ jœfuen tes de sal va

.˙ción.- - - - - - -- -

124

TH

UR

SDA

Y


Antiphon (Cantor, then All) Sing joyfully to God our strength, 6shout in triumph to the God of Jacob.Cantor Raise a song and sound the timbrel, the sweet-sounding harp and the lute; 5blow the trumpet at the new moon, 6when the moon is full, on our feast.Right For this is a statute in Israel, a command of the God of Jacob. 5He made it a decree for Joseph, 6when he went out from the land of Egypt.Left A voice I did not know said to me: “I freed your shoulder from the burden; 5your hands were freed from the builder’s basket. 6You called in distress and I delivered you.Right I answered, concealed in the thunder; at the waters of Meribah I tested you. 5Listen, my people, as I warn you. 6O Israel, if only you would heed!Cantor Let there be no strange god among you, nor shall you worship a foreign god. 3I am the Lord your God, 4who brought you up from the land of Egypt. 6Open wide your mouth, and I will fi ll it.Left But my people did not heed my voice, and Israel would not obey me. 5So I left them in their stubbornness of heart, 6to follow their own designs.Right O that my people would heed me, that Israel would walk in my ways! 5At once I would subdue their foes, 6turn my hand against their enemies.Left Those who hate the Lord would cringe before him, and their subjection would last forever. 5But Israel I would feed with fi nest wheat, 6and satisfy with honey from the rock.”All Glory to the Father, and to the Son and to the Holy Spirit, 5as it was in the beginning, 6is now and will be for ever. Amen.

AM

& b 1˙ œ .œ 2˙ œ œ .œ 3˙ œ .œ 4˙ œ .œ 5˙ œ œ .œ 6˙ œ œ .œ

125

TH

UR

SDA

Y

& b 1˙ œ .œ 2˙ œ œ .œ 3˙ œ .œ 4˙ œ .œ 5˙ œ œ .œ 6˙ œ œ .œAntiphon (All)

Sing joyfully to God our strength, 6shout in triumph to the God of Jacob.

Text: The Liturgy of the Hours © 1973, 1974, 1975, International Commission on English in the Liturgy Corporation (ICEL). All rights reserved.Music: Copyright © 1971, 1991, Saint Meinrad Archabbey, Inc. All rights reserved.

Reading Zephaniah 2:3, 3:12-13

Gospel Canticle (All) Canticle of Zachary(Please stand and make the sign of the cross as the singing of the Canticle begins.)

Refrain (All)

Verse 1 (Cantor) He has raised up for us a Savior, born of the house of David. Through holy prophets he promised of old that he would save us from our enemies. He promised our fathers mercy and to remember his holy covenant. Refrain (All)

Verse 2 (Women)

Refrain (All)

Verse 3 (Cantor) You, my child, you shall be called the prophet of the Most High, for you will go before the Lord; you will go to prepare his way, to give his people salvation by the forgiveness of their sins. Refrain (All)

AM

&

?

b

b

44

44œ œ œ œ .œ jœBless ed be the God of

œ œ œ œ .œ Jœ

œ œ œ œ .œ jœœ œ œ œ .œ Jœ

œ œ œ jœ ‰ œ œIs ra el, He has

œ œ œ Jœ œ œ#

œ œ œ jœ ‰ œ œœ œ œ Jœ ‰ œ œ

œ œ œ œ jœ œ jœcome to set his peo ple free.

œ œn œ œ Jœ œ Jœbœ œ œ œ jœ œ jœœ œ œ œ Jœ œ Jœ

w ˙œ œ ˙w

- - - -

& b 44 œ œ œ œ ‰ jœ œ œ2. This was the oath he swore to

œ œ œ œ ŒA bra ham;

œ œ œ œ œ œ œto set us free from our- -

& b œ œ œ œ Œen e mies,

Œ œ œ œ œfree to wor ship

œ œ œ œ œ ŒHim with out fear,

‰ jœ œ œ œ œho ly and right eous- - - - - -

& b œ œ œ œ œ Œin his sight.

œ œ œ œFree to wor ship,

œ œ œ œ œho ly and right eous

œ jœ œ jœ œall the days of our

wlife.- - -

126

TH

UR

SDA

Y

Verse 4 (Men)

Refrain (All)

Verse 5 (All)

Refrain (above, All)

Text: Luke 1:68-79, adapted from Prayers We Have in Common, ICELMusic: Jalonda Robertson, © 2015, World Library PublicationsUsed with permission. All rights reserved. Reprinted under OneLicense #E-803725.

AM

&

?

b

b

44

44œ œ œ œ .œ jœBless ed be the God of

œ œ œ œ .œ Jœ

œ œ œ œ .œ jœœ œ œ œ .œ Jœ

œ œ œ jœ ‰ œ œIs ra el, He has

œ œ œ Jœ œ œ#

œ œ œ jœ ‰ œ œœ œ œ Jœ ‰ œ œ

œ œ œ œ jœ œ jœcome to set his peo ple free.

œ œn œ œ Jœ œ Jœbœ œ œ œ jœ œ jœœ œ œ œ Jœ œ Jœ

w ˙œ œ ˙w

- - - -

& b œ œ œ œ œ œ5. Glo ry be to

œ œ œ œ œ œGod the Fa ther;

œ œ jœ .œ ‰ jœglor y be to

œ œ œ œ ˙God the Son- - -& b ‰ jœ œ œ .œ jœ

and glo ry be to

œ œ œ œ œ œ œGod the Spir it;

Œ œ œ œ œ ‰ jœsing your glo ry to- - -& b œ œ œ œ œ ‰ jœ

God, three in one, sing

œ œ œ œglo ry! Glo ry

œ œ œ œto the liv ing

wGod!

w- - -

& b œ œ jœ œ .œ4. In the com pas sion

œ œ œ œ ‰ jœof our Lord the

œ œ jœ .œ ‰ jœdawn from on high shall- -

& b œ œ œ œ ˙break up on us,

‰ jœ œ œ .œ jœand shineon thosewho

œ œ œ œ œ œ œdwell in dark ness

Œ œ œ œ œ ‰ jœand the shad ow, the- - -

& b œ œ œ œ œ ‰ jœshadow of death, to

œ œ œ œguide our feet in

œ œ œ œto the way of

wpeace.

w- -

127

TH

UR

SDA

YAM





Concluding Prayer


&

?

b

b

44

44


œ œ œ œ .œ Jœ



œ œ œ œ ˙

œ œ œ œ ˙œ œ œ œ ˙- - - - - -

&

?

b

b


œ œ œ œ œ œ



œ œ œ œ œ













128

TH

UR

SDA

Y

Gathering Hymn God, You Made Our Human Voices

AM

PLENUM GATHERINGThursday, July 13 | 9:00 am | CC: Grand Ballroom

&

?

b

b

44

44

.œ jœ1. God,2. God,3. God,4. Make

youyouyouus,

.œ Jœ

.œ jœœ œ

œ œ .œ jœmadeprayspeakhere,

ourthroughthroughyour

huhuhuhu

manmanmanman

.œ Jœ œ œ

œ œ œ œœ œ œ œ

œ œ œ œvoicvoicvoicvoic

es,es-es,es,

inhymnspropheach

struandetswith

œ œ œ œ

œ œ œ œ.œ Jœ œ œ

- - - -- -- - -- -

&

?

b

b

œ œ .œ jœmentspraisestillful

forsongs,byly

praisechantscourwel

andandagecomed

œ œ œ œ


˙ œ œprayer,cries-stirred,worth,

tunedbycallvib

toyouringrant

˙ œ œ

˙ œ œ˙ œ œ

œn œ .œ jœvarSpiroutnotes

iedit'sforre

keysinpeacesolved

andterandin

.œ Jœ œ œ

œ œ œ œnœ œ œ œ

-- - -

- -- - - -

&

?

b

b

œ œ œ œaccesjuscon

centssiontice,cord:

bysoundboldfore

youringtotaste

œ œ œ œ


œ œ .œ jœSpirdepthsshoutof

it'sinoryour

pulswordsingjoy

inglessyouron

œ œ œ œn

œ œ œ œ œœ œ œ œ

˙air.sighs.word.earth!

˙

˙

- - -- - --- -

UnisonMenWomenSATB

&

?

b

b

œ œbSo we

œ œœ œœ œ

.œ jœ œ œbring our gifts in

œ œ œ œ.œ jœ œ œ.œ Jœ œ œ

œ œ œ œcho rus, hearts that

œ œ œ œœ œ œ œœ œ œ œ

.œ jœ œ œleap with heav en's

œ œ œ œ.œ jœ œ œ.œ Jœ œ œ

- -

129

TH

UR

SDA

YAM

Text: Mary Louise Bringle, 2005; © 2006, GIA Publications, Inc.Music: Rustington; Charles H. H. Parry, 1848-1918Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

PLENUM: UNION OF VOICES, UNITY OF HEARTS

Tony Alonso

What we sing is who we are. How do our musical choices unite the Body of Christ in the midst of our diversity? How does music bring together people who come from diff erent places and experiences into one Church? How do we assure a unifi ed Liturgy as we choose from the breadth of musical possibility? What does it matt er if the melody is diff erent when the words and the faith are the same?

Tony Alonso, a Cuban-American Roman Catholic, is a composer and theologian whose work responds to the diverse needs of the contemporary Church. He is currently a doctoral candidate in religion at Emory University.

&

?

b

b

˙ œ œfire. Saints with

œ œ œ œœ œ œ œ˙ œ œ

œ œb œ œin your courts be

œ œ .œ Jœbœ œ œ œœ œ œ œ

œ œ œ œfore us lead our

œ œ œ œ


œ œ œ œvoic es in your

œ œ œ œ œœ œ œ œ œœ œ œ œ

˙choir!

˙˙

- - -

130

TH

UR

SDA

YAM

INSTITUTES, continuedThursday, July 13 | 10:30 am–noon



Exhibits Open – Final SessionCC: Hall A | 10:00 am–6:30 pm

Gather for the fi nal time at the Exhibit Hall for today’s Exhibit session.You can continue your search and review of the multitude of music, books,

furnishings, vestments, and other helps for your ministry.Note: The Silent Auction closes today at 3:00 pm.

Last chance to find it all in the NPM Convention Exhibit Hall!

The icon images for the NPM 40th Annual Conventionbanners were provided courtesy of

www.MonasteryIcons.com

131

TH

UR

SDA

YAMAM

BREAKOUT DThursday, July 13 | 10:30 am–11:30 am

D-01 CC: 230/231Lectionary Anthem Project: The Choral Liturgical Year–Year B, Part 1Henry BauerAnthems and motets in a variety of styles will be sung. This session will include music for Advent, Christmas, and Ordinary Time.

D-02 CC: 233 Hovda Lecture Series: Mary and the Eucharist Kathleen Harmon, snd de nWhat role does Mary play in the life of the Church, especially the Eucharist? How can a deeper ap-preciation of the theology of Mary enliven Eucharistic spirituality that focuses on proclamation of the liberating love of God who has cast down the powerful, sent the rich away empty, raises up the lowly? How does the role of Mary empower the gifts that women bring to the Church?

D-03 CC: 238 The Eucharist through the Ages–Inspiration for Today’s Liturgical Celebrations, Part 1 Gordon Truitt This two-part workshop is an encounter with the mystery of the Church at its very heart—the Eucharist. Discover how our understanding of this mystery has evolved over the centuries, from Bib-lical times through the Middle Ages, all the way to the twenty-fi rst century. Contemplate how this history reverberates in our Eucharistic celebrations to this very day.

D-04 CC: 204 It’s All About Style–Repertoire that Sustains Youth Participation Curtis StephanAre you stuck in the rut of planning diff erent music for parish liturgies of diff ering styles? There is a bett er way – learn how a single song can refl ect several styles.

D-05 CC: Junior BallroomOrgan Certificates–NPM and AGO Preston DibbleCertifi cation is a great tool to sharpen our skills in service of the Liturgy. Come learn more about the collaboration between NPM and AGO.

D-06 CC: 260/262 Techniques for Including New Music and New Mass Settings in Your Parish’s Worship Steven JancoChange can be diffi cult, but change can be wonderful! Your parish surely has favorite hymns and songs people love to sing at Mass, and that is great. But the treasure trove of music for the litugy is vast and there is a time and a place for adding new and new-to-you music too. In this workshop, Dr. Janco provides tips, tricks, and best practices for refreshing your repertoire in a way that works best for a community’s sung prayer.

132

TH

UR

SDA

Y

D-07 CC: 206 Ensemble Workshop, Part 2: Forming a Faith-Filled Music Program–Unifying the Voice of the Instruments Bonnie Faber, Lynn Trapp, and Marty HaugenHow do all the various voices of the parish music program—instruments, choir, cantors—bring their gifts together to become a unifi ed support and inspiration for the assembly’s heartfelt song? Come and explore how to create authentic music ministry that inspires full, conscious, and active participa-tion by the assembly.

D-08 CC: 251 New Music: Liturgical Composers Forum, Part 2 Tom KendziaMembers of the Composers Forum give practical advice to composers of unpublished music. The music has been chosen from pre-submitt ed compositions. Part 2 of 2.

D-09 CC: 200 Palestrina and All That: Great Polyphony Accessible for the Parish Choir Chris WalkerCome, sing, and learn how this choral music can breathe life, mystery, and beauty into our worship.

D-10 CC: 210From Parish to College to Parish: Empowering the Young Minister Lena Gokelman and Andrew MountinEach year campus ministries across the country welcome the diverse gifts of young adults who take leave of their parish communities for the fi rst time and invite them to become involved in campus worship. Using the principle areas of formation given in Co-Workers in the Vineyard of the Lord—Human, Intellectual, Spiritual, and Pastoral—how do we embrace and nurture the talents, abilities, and insights these students bring to build a ministry that serves the campus but also ultimately prepares them for ministry in the larger Christian community?

D-11 CC: 237Behold, I Am With You Always: Communion Antiphons–Simple, Creative Uses Jane Terwilliger and Roger HolzA simple way to incorporate the Church’s treasure of antiphons into the Communion procession. Prayerful sett ings and practices that help musicians and the entire congregation encounter Christ.

D-12 CC: 263/264Cantor: Reverse Thinking–Implementing the Joy of the Gospel John Angott iIf we keep doing things the way we have always done them, we will only get what we already have. Something more is required than only observing the laws of liturgy. This is particularly true for cantors and psalmists, who lead the congregation and proclaim the Word. Come and see how to rethink, reimagine, and renew what this role in Liturgy is, and can be (while remaining faithful to the liturgical norms), so that our prayer becomes relevant to all and we become renewed in the mission of Jesus.

AM

Breakout D (cont’d)

133

TH

UR

SDA

Y

Breakout D (cont’d)

AM

D-13 CC: 211 Devotions: Eucharistic Adoration and Praise and Worship Music Chris EstrellaThe practice of using praise and worship music during Eucharistic adoration has become hugely popular among young people worldwide. Yet many parish liturgists, youth directors, and pastoral musicians do not know the rite or the appropriate use of music for this form of prayer. Learn some perspectives about the ritual, its particular theology, and the proper uses of music for this Liturgy of the Church, with lots of examples and singing!

D-14 CC: 202 Creative Ringing in Worship Philip RobertsThis session will focus on: creating ostinato patt erns, using existing hymn-related handbell resources, bells with chant, bells with the new revised Order of Mass, bell trees and processionals, creative beginnings and endings, engaging your instrument (your body), musicality, and artistry focusing on the aural and visual art of ringing.

D-15 CC: 252 Chant “Institute” Part 4: Parish Sunday Vespers–Singing the Liturgy of the Hours Columba Kelly, osb, and Ray HendersonThis “Institute” focuses on the pastoral accessibility of Chant in the Liturgy. In fi ve parts the att endee will be instructed by Fr. Columba Kelly, osb and Mr. Ray Henderson. The focus will be on the texts of the liturgy, and particularly the third edition of the Roman Missal, in singable English, by both a schola and congregation.

Pastoral Musicians' Luncheonnoon–1:30 pm | Hilton: Pavillion/Caprice

This one’s for you, for fun, for fellowship. NPM Chapters are encouraged to reserve tables and sit together,

celebrating the year that’s passed and looking forward to what’s to come.

Fee: $30; pre-registration required.Tickets available for purchase until Tuesday, noon, at Registration.

134

TH

UR

SDA

YPM

LECTIONARY FOR MASS

SUPPLEMENT

• Eminently readable• Beautifully designed• Exceptional quality• Superior printing

CLASSIC EDITIONHardcover, 168 pp., 8 1⁄2 x 11, $39.95

CHAPEL EDITIONHardcover, 168 pp., 7 x 9, $34.95

View p p gp p gsample pages

at litpress.org

Liturgical and spiritual formation for the whole parish!

Introducing ournew team of authors!anew teae ea uthors!thorss!!

Jay Cormier Diana Macalintal Brian Schmisek

LITURGICAL PRESS litpress.org/LivingLiturgy

1-800-858-5450

2 018 New!

Visit our booths 425, 427, 524 & 526

LITURGICAL PRESS

135

TH

UR

SDA

Y

PLENUM SHOWCASE III: OCPThursday, July 13 | 1:30 pm | CC: Grand Ballroom

Let Us Exalt God’sName Together

(Psalm 34)

Join OCP staff and composers for the 2017 Showcase!

Refl ecting the breadth of styles published by OCP, the Showcase will feature pieces for the entire liturgical year.

A generous selection of music is our gift to you for att ending.

CANTOR CERTIFICATE SINGING ADJUDICATIONSThursday, July 13 | 3:00 pm | MI: Pavilion A and B



PM

136

TH

UR

SDA

Y

INDUSTRY LAB SESSIONS XThursday, July 13 | 2:45 pm–3:15 pm

Lab X-01 CC: 200Psalms for the ChurchKeith Kalemba and Craig Colson, World Library PublicationsWLP’s Psalms for the Church series off ers a variety of seasonal and common psalm sett ings by a many of our talented composers. Come learn more about these helpful resources for your music ministry.

Lab X-02 CC: 206A Tour of the New Ritual SongMichael Silhavy, GIA Publications, Inc.Come and explore the exciting new features and new content found in GIA’s latest hymnal.

Lab X-03 CC: 260/262Revival: A New Hymn Collection from Tony Alonso Tony Alonso, GIA Publications, Inc.Tony Alonso presents his exciting new collection Revival. Tony skillfully makes the old new again with these modern arrangements of some of the Church’s most beloved hymns.

Lab X-04 CC: 263/264Honey From the Rock M. Roger Holland, II, GIA Publications, Inc.M. Roger Holland, II explores the antiphon and how the variety of syles found in African Ameri-can music can enliven this age-old practice. Using texts from the Roman Missal, Roger has created compositions that will have wide use in the liturgy.


PM DMMD SocialThursday, July 13 | 5:30 pm–6:30 pm | Hilton Hall of Mirrors

Enjoy the company of your fellow Director of Music Ministries Division members at this reception with great food and beverages provided complements of Peter’s Way Tours.

This annual Social is a great way to (re)-connect with fellow members in a relaxed, convivial sett ing. A must-do for every DMMD member!

Sponsored by Peter's Way Tours.For current and provisional DMMD Members only.

137

TH

UR

SDA

YPM

EVENTS 6Thursday, July 13 | 3:45 pm

06-01 St. Peter in Chains CathedralYouth Music Ministry Institute ConcertDirected by Teri Larson and Walter Tambor

Young pastoral musicians who have been with us all week have also been working together to prepare for this concert. Those whom we have helped

to shape in ministry also shape the song of our worshiping assemblies!

Teri Larson has served as choral director/director of music at the Basilica of St. Mary in Minneapolis since the fall of 1995, and Walter Tambor is the Basilica’s

director for its contemporary ensemble and other choral and instrumental groups.

All buses will pick up and drop off on Elm Street between the Convention Center and the Millennium Hotel. Buses load at 3:15 pm and will leave promptly at 3:30 pm.

New Leaders in Formation . . .seminarians and members of religious communities

A Chance to Offer SupportNPM HAS A SPECIAL MEMBERSHIP CATEGORY for seminarians and religious who are currently in formation programs. Sponsor a seminarian, postulant, or novice that you know, and give a gift membership in the Association as a way to renew the Church and evangelize the world. Register the person receiving this gift and let us know that you’re paying. We’ll send the new member a note announcing your gift. Register online at www.npm.org or contact the Membership Department by phone—(240) 247-3002 or toll-free at (855) 207-0293—or write: NPM Membership Department, 962 Wayne Avenue, Suite 210, Silver Spring, MD 20910-4461.

138

TH

UR

SDA

YPM

An International Monthly Devoted to the Organ, Harpsichord,Carillon and Church Music

Now in Our Second Century

Visit Our Website At: www.TheDiapason.com

Each Issue Includes:

One-Year Subscription: $40

Request aFREE

SAMPLE COPY

3030 W. Salt Creek Lane, Suite 201Arlington Heights, IL 60005-5025

Phone: 608-634-6253Fax: 847-390-0408

E-mail: [email protected]

Feature articles by noted contributors. Monthly calendar of events.

Reviews of organ, choral and handbellmusic, books and recordings. section.

Stoplists and photos of organinstallations.

News of people and events,appointments, organ recital programs.

AUGUST 2016

T H E D I A PA S O N

Christ Church in Short HillsShort Hills, New Jersey

Cover feature on pages 26–27

ST 2016

H E A S O N

JUNE 2016

T H E D I A PA S O N

Marble Collegiate ChurchNew York, New York

Cover feature on pages 26–27

139

TH

UR

SDA

YPM

CONVENTION EUCHARISTThursday, July 13 | 8:00 pm | CC: Grand Ballroom

Prelude

Cantad al Señor Robert Hobby

Text: Brazilian (Portugese) Folk Song; tr. © Gerhard Cartford, b.1923Music: Cantad al SeÑor, Brazilian Folk Melody, sett ing by Robert A. Hobby. Copyright © 1994 MorningStar Music Publishers. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Come by Here (Choir) African American Spiritual arr. Stephen M. Lee 1. Come by here, my Lawd! Come by here! Come by here, my Lawd! Come by here! Come by here, my Lawd! Come by here! O, Lawd! Come by here! 2. Somebody needs you, Lawd! Come by here! Somebody needs you, Lawd! Come by here! Somebody needs you, Lawd! Come by here! O, Lawd! Come by here! 3. Kum ba yah, my Lawd! Kum ba yah! Kum ba yah, my Lawd! Kum ba yah! Kum ba yah, my Lawd! Kum ba yah! O, Lawd! Kum ba yah!

& # 43 œ3. So4. Oh,5. For

2. For1. Can

œ œ œdanceshoutJe

Godtad

fortosus

isal

ourouris

theSeñ

˙ œGodGod,Lord!

Lord,or

AndWhoA

Andun

œ œ œblowgavemen!

Godcán

allusAl

hasti

thethele

doneco

œ œ œ,

trumSpirlu

wonnue

pets.it.ia!

ders.vo,

SoOh,For

Forcan

œ œ œ#danceshoutJe

Godtad

fortosus

isal

ourouris

theSeñ

--

- - - - - -

-- - - - - - -

& #˙ œGodGod,Lord!

Lord,or

AndWhoA

Andun

œ œ œblowgavemen!

Godcán

allusA

hasti

thethele

doneco

œ œ œ,

trumSpirlu

wonnue

pets.it.ia!

ders.vo,

SoOh,For

Forcan

œ œ œdanceshoutJe

Godtad

fortosus

isal

ourouris

theSeñ

˙ œGodGod,Lord!

Lord,or

AndWhoA

Andun

œ œ œ

blowgavemen!

Godcán

allusA

hasti

thethele

doneco

--

- - - - - - - -

-- - - - - - -

& # œ œ œ,

trumSpirlu

wonnue

pets.it.ia!

ders.vo,

AndOh,Oh,

Oh,¡can

œ œ œsingsingsing

singtad

tototo

toal

ourourour

ourSeñ

˙ œGod.God.God.

God.or,

AndOh,Oh,

Oh,can

œ œ œ#singsingsing

singtad

tototo

toal

ourourour

ourSeñ

.˙God.God.God.

God.or!

œ Œ---

-- - - - -

ChoirMenAllWomenAll

140

TH

UR

SDA

YPM

God Has Work for Us to Do (Choir) Words by Carl P. Daw, Jr. Music by Mark Miller 1. 'Til all the jails are empty and all the bellies fi lled; till no one hurts or steals or lies, and no more blood is spilled:

Refrain God has work for us to do, God has work for us to do, 'til God's will is done and all things are made new, God has work for us to do. 2. 'Til age and race and gender no longer separate; 'til pulpit, press, and politics are free of greed and hate: Refrain 3. In tenement and mansion, in fact'ry, farm, and mill, in board room and in billiard hall, in wards where time stands still, In classroom, church, and offi ce, in shops, or on the street, in ev'ry place where people thrive, or starve, or hide, or meet. By sitt ing at a bedside to hold pale, trembling hands, by speaking for the powerless against unjust demands. 4. By praying through our doing, and singing though we fear, by trusting that the seed we sow will bring God's harvest near: RefrainText: Copyright © 1996, Hope Publishing Co. All rights reserved. Used by permission.Music: Copyright © 2012, Choristers Guild. All rights reserved. Used by permission. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

The Introductory Rites

Gathering Hymn Our Many Voices and Each HeartStanza 1

Stanza 2

& # 44 œ œ2. From

œ œ œ œman y voic es,

œ œ œ œ œman y hearts, you

œ œ œ œ œmake us one in- - -

& # .˙ œ œChrist. Bap

œ œ œ œtized in him, we

œ œ œ œ œare one bread, a

œ œ œ œ œliv ing sac ri- - - -

& # 44 œ œ1. Our

œ œ œ œman y voic es

œ œ œ œ œand each heart we

œ œ œ œ œof fer you in- - -

& # .˙ œ œprayer. In

œ œ œ œmer cy, Lord, ac

œ œ œ œ œcept these gifts with

œ œ œ œ œev 'ry fear and- - -

& # .˙ œ œcare. Ac

œ œ œ œ œcord ing to your

œ œ œ œ œstead fast love, for

œ œ œ œ œgive, sus tain, re- - - - - -

& # 42 44.˙ œ œstore, that

œ œ œ œ œ œwe may yearn for

œ œ œ œ œyou a lone and

œ œ œ œ œyou a lone a dore.

˙ Œ- - -

141

TH

UR

SDA

YPM

Stanza 3

& # .˙ œ œfice. So

œ œ œ œ œmust each voice and

œ œ œ œ œheart u nite in

œ œ œ œ œmu sic for your- -

&?

#

#42

4244

44.˙ œ œ

praise, and

.˙ œœ œ œ œ œ œsing in har moœ œ œ œ

œ œ œ œ œny this day toœ œ œ œ œ œ

œ œ œ œ œtell your man yœ œ œ œ œ

ways.˙˙ Œ˙ Œ

- - -

&

?

#

#

44

44

œ œ3. When

œœ œœ

œ œ œ œev 'ry thought and

œ œ œ œœ œ œ œœ œ œ œ œ

œ œ œ œ œsound is yours with

œ œ œ œ œ

œ œ œ œ œœ œ œ œ œ

œ œ œ œ œev 'ry thingwe


.˙ œ œfeel; when

.˙ œ

˙ œ œ.˙ œ- - -

&

?

#

#œ œ œ œall we live and

œ œ œ œ œœ œ œ œœ œ œ œ œ

œ œ œ œ œspeak and breathe your

œ œ# œ œ œnœ œ œ œ œœ œ œ œ œ œ

œ œ œ œ œlife in us re

œ œ œ œœ œ œ œ œœ œ œ œ

.˙ œ œveals; then,

.˙ œ

.˙ œ.˙ œ-

&

?

#

#

œ œ œ œ œbound, Lord, by your

œ œ œ œ œ


œ œ œ œ œbound less love, the

œ œ œ œ œ

œ œ œ œ œ œœ œ œ œ œ

œ œ œ œ œlove that shall not

œ œ œ œ œ œœ œ œ œ œœ œ œ œ œ

.˙ œ œdie, our

.˙ œ

˙ œ œ.˙ œ-

&

?

#

#

42

42

44

44

œ œ œ œ œ œev 'ry thought and

œ œ œ œ

œ œ œ œœ œ œ œ œ

œ œ œ œ œword and breath your

œ œ œ# œ œ œnœ œ œ œ œ œœ œ œ œ œ œ

œ œ œ œ œlove shall mag ni

œ œ œ œ

œ œ œ œ œœ œ œ œ

˙fy.

˙˙

˙ Œ˙˙ Œ˙ Œ

- - -

142

TH

UR

SDA

YPM

Stanza 4

Text: Harry Hagan, osb, copyright © 2017 by St. Meinrad Archabbey. All rights reserved. Used by permission.Tune: Kingsfold, English melody, stanza 3 harmonization by Ralph Vaughan Williams (1872-1958)Music: James Biery, newly writt en, and copyright © 2017, Birnamwood. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Greeting

Penitential Act

Cantor You were sent to heal the contrite of heart: Kyrie, eleison.

Response

&&

##

44

44œ œ

4. Lord,

œ œ4. Lord,

œ œ œ œwith one heart and

œ œ œ œwith one heart and

œ œ œ œ œwith one voice, we

œ œ œ œ œwith one voice, we

œ œ œ œ œpraise your maj es

œ œ œ œ œpraise your maj es- -

- -

&&

##

˙ ˙ty. Praise

.˙ œ œty. Praise

.œ Jœ œ œFa ther, Son, and

œ œ œ œFa ther, Son, and

˙ ˙Spir it:

œ œ œ œ œSpir it one: Most

œ œ œ œ#Bless ed Trin i

œ œ œ œ œBless ed Trin i

.˙ œ œNty! May

.˙ œ œty! May- - - - -

- - - - -

&&

##

˙ ˙we beœ œ œ œ œwe be one as

˙ ˙one in

œ œ œ œ œyou are one, un

˙ ˙#u ni

œ œ œ œ œyield ing U ni

˙ œ œty, with

.˙ œ œty. Then- - - -

- -

&&

##

˙ .œ Jœone voice and

œ œ œ œ œ œwith one voice and

œ œ .œ Jœnheart re joice for

œ œ œ œ œheart re joice for

œ œ œ œ œall e ter niœ œ œ œ œall e ter ni

.˙ Œty.

.˙ Œty.- - - -

- - - -

Soprano descant

ATB

&

?

bbb

b b b

43

43

œ œ œ œKy ri e, e


œ œ ˙le i son.

œ œ ˙œ œ ˙œ œ ˙

- - - - -

143

TH

UR

SDA

YPM

Cantor You came to call sinners: Christe, eleison.

Response

Cantor You are seated at the right hand of the Father to intercede for us: Kyrie, eleison.

Response

Music: Mass of Wisdom, Steven R. Janco, copyright © 2010, World Library Publications. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Collect

The Liturgy of the Word

First Reading Genesis 44:18-21, 23b-29

Responsorial Psalm Psalm 105Estribillo/Refrain (Cantor, then Todos/All)

Verse Translations1. When the Lord called down a famine on the land, and ruined the crop that sustained them,

He sent a man before them, Joseph, sold as a slave. Estribillo/Refrain2. They had weighed him down with fett ers, and he was bound with chains,

Till his prediction came to pass, and the word of the Lord proved him true. Estribillo/Refrain3. The king sent and released him, the ruler of the peoples set him free.

He made him lord of his house, and ruler of all his possessions. Estribillo/Refrain

Text (Estribillo): Comisión Episcopal de Pastoral Litúrgica de la Conferencia Episcopal Mexicana, copyright © 1987Text (Verses): Lectionary for Mass for Use in the Dioceses of the United States of America, second typical edition © 2001, 1998, 1997, 1986, 1970, Confraternity

of Christian Doctrine, Inc., Washington, DC. Used with permission. All rights reserved. Music: Christian Cosas © 2017. All rights reserved. Used by permission of composer.

&

?

bbb

b b b

œ œ œ œ œChris te, e

œ œ œœ œ œ œ œœ œ œ

œ œ ˙le i son.

œ œ ˙œ œ ˙œ œ ˙

- - - -

&

?

bbb

b b b

œ œ œ œKy ri e, e


œ œ œle i

˙ œœ œ œ˙ œ

.˙son.

.˙

.˙ .˙- - - - -

& 44 œ œRe cor

œ œ œ œ œ jœ œ œ œde mos los pro di gios del Se

.˙ œ œnor Re cor

œ œ œ œ œ jœ œ œ œde mos los pro di gios del Se

.˙ Œnor.- - - - - - - - - - - -

144

TH

UR

SDA

YPM

Gospel Acclamation Unity MassRefrain (Cantor, then All)

Music: Unity Mass, Norah Duncan, IV, copyright © 2010, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Gospel (in Tagalog) Matt hew 10:7-15Before the reading: Diakono Sumainyo ang Panginoon. (The Lord be with you.)R At sumaiyo rin ang Espiritu. (And with your spirit.)

Diakono Pagbasa mula sa Ebanghelyo ni San Mateo. (A reading from the Holy Gospel according to Matt hew.)

R Luwalhati sa iyo, Panginoon. (Glory to you, O Lord.)

As you go, make this proclamation: ‘The kingdom of heaven is at hand. Cure the sick, raise the dead, cleanse lepers, drive out demons. Without cost you have received; without cost

you are to give. Do not take gold or silver or copper for your belts; no sack for the journey, or a second tunic, or sandals, or walking stick. The laborer deserves his keep. Whatever town

or village you enter, look for a worthy person in it, and stay there until you leave. As you enter a house, wish it peace. If the house is worthy, let your peace come upon it; if not, let your peace

return to you. Whoever will not receive you or listen to your words—go outside that house or town and shake the dust from your feet. Amen, I say to you, it will be more tolerable for

the land of Sodom and Gomorrah on the day of judgment than for that town.’

After the reading: Diakono Ang Ebanghelyo ng Panginoon. (The gospel of the Lord.)R Ang pagpuri ay sa iyo Panginoong Hesukristo. (Praise to you Lord Jesus Christ.)

Homily Bishop Joseph R. Binzer, homilist

Universal Prayer Send Your Spirit, Lord

Text and Music: Ray East, copyright © 1987, GIA Publications, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

&

?

##

##

44

44

œ œAl le

œ œ

œœ œœ

œ œ œ œ œ œœ œœlu ia, al le

œ œ œ œ œœ œ œœœ œœ œ œœ œœ

œœ œœ œœ œœ œœlu ia! Al leœœ œ œœ œœ œœn

œœ œœ œœ œœ œœ œ œlu ia, al le

œ œ œœœ œœ œ œœ œœ

œœ œœ ˙lu ia.

œœ œœ ˙- - - - - - - - - - - -

& b 44 œ œ œ œ œSend your Spir it, Lord,

jœ .œ ˙hear our prayer.-

145

TH

UR

SDA

YPM

The Liturgy of the Eucharist

Preparation of the Gifts (Choir) One Faith, One Hope, One Lord by Craig Courtney

Refrain One faith, one hope, one Lord, one church for which he died. One voice, one song we lift in praise to Him Who was and is and shall be evermore. 1. There is one body, one Spirit, as you were called to one hope. One Lord, baptism and faith, one God and Father of all, Who is in you all. Refrain 2. Though we be many people, diverse with various gifts, we are given to each other for the unity of faith, that we grow in the knowledge of the Son of God, in the fullness of Christ. Refrain

Coda One faith, one hope, one Lord, one God!

The collection taken up at this Eucharist is for NPM Scholarships.This fund provides scholarships for pastoral musicians pursuing

undergraduate and graduate study in liturgical music and related fi elds.Your contribution to the scholarship fund helps to educate

pastoral music leaders to serve the Church.

Prayer Over the Offerings

The Eucharistic Prayer(To ensure uniformity of posture, please remain standing throughout the entire Eucharistic Prayer.)

Preface Dialogue

(The Eucharistic Prayer continues on the next page.)

& œ œ œ œ œ œV. The Lord be with you.

œ œ œ œ œ œR. And with your spir it.-

& œ œ œ œ œ œ œV. Lift up your hearts.

œ œ œ œ œ œ œ œ œR. We lift them up to the Lord.

& œ œ œ œ œ œ œ œ œ œV. Let us give thanks to the Lord our God.

œ œ œ œ œ œ œR. It is right and just.

146

TH

UR

SDA

Y

Holy, Holy, Holy Mass of Wisdom

PM

&

?

bbb

bbb

42

42

44

44

∑

∑

∑

∑

œ œ œ œ ˙Ho ly,

œ œ œ œHo

Œ œ œ œHo ly,

˙ ˙Ho ly,

œ œ œ œ ˙Ho ly,

˙ œ œ œ œly, Ho

Œ œ œ œ œHo ly,

˙ ˙Ho ly,

- -

- -

- -

- -

&

?

bbb

bbb

42

42

œ œ œ œ œ œ œHo ly Lord God of

˙ œ œ œly, Ho ly

Œ œ œ œ œHo ly

˙ œ œHo ly Lord

whosts.

œ œ ˙God of hosts.



jœ œ jœ œ œHeav en and earth are

œ œn œ œ œ œHeav en and earth are

jœ œ jœ œ œHeav en and earth are

œn œ œ œ œ œbHeav en and earth are

- -

- -

- -

- -

&

?

bbb

bbb

42

42

44

44

jœ œ jœfull of your

œ œn œfull of your

jœ œ jœfull of your

œn œ œfull of your

œ œ ˙ œglo ry. Ho

œ œ ˙ œglo ry. Ho

œ ˙ Œglo ry.

.œ Jœ œ Œglo ry.

œ œ œ œ œ œsan na, ho

œ œ œ œ œ œsan na, ho

Œ œ œ œ œHo san

Œ œ œ œ œ œHo san

œ œ œn œ œ œsan na, ho

œ œ œ œ œsan na, ho

œn œ œ œ œ œna, ho san

.˙ œ œna, ho

- - - - - -

- - - - - -

- - - - -

- - - -

&

?

bbb

bbb

.œb jœ œ œAsan na in the

.œ Jœ œ œsan na in the

˙A œ œna in the

.œb Jœ œ œsan na in the

œ .˙high est.

œ œ œ œhigh est.

œ œ œ œ œhigh est.

œ .˙high est.

œ œ œ œ œ œBless ed is he who

œ œ œ œBless ed who

Œ œ œ œBless ed

˙ œ œ œBless ed in the

- - -

- - -

- -

- - -

147

TH

UR

SDA

YPM

(Please remain standing.)Mystery of Faith Mass of Wisdom

&

?

bbb

bbb

44

44

2

2

œ œ œ œ œ œSave us, Sav ior of the

œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œ

.œ ‰ œ œ œworld, for by your

.œ œ œ œ

.œ ‰ œ œ œ.œ ‰ œ œ œ-

&

?

bbb

bbb

œ œ œ œ œCross and Res ur

œ œ œ œ œ


œ ˙ œ œrec tion you have

œ ˙ œ œœ ˙ œ œœ ˙ œ œ

œ œ ˙set us free.

œ œ ˙œ œ œ ˙œ œ ˙

- - -

&

?

bbb

bbb

œ œ œ œ œ œ œcomes in the name of the

œ œ œ œ œ œcomes in the name of the

Œ œ œ œ œ œin the name of the

˙ œ œname of the

.˙ œLord. Ho

œ œ œ œLord. Ho

œ œ œ ŒLord.

œ œ œ ŒLord.

œ œ œ œ œ œsan na, hoœ œ œ œ œ œsan na, ho

Œ œ œ œ œHo san

Œ œ œ œ œ œHo san

- - -

- - -

- -

- -

&

?

bbb

bbb

œ œ œn œ œ œsan na, ho

œ œ œ œ œsan na, ho

œn œ œ œ œ œna, ho san

.˙ œ œna, ho

.œb jœ œ œAsan na in the

.œ Jœ œ œsan na in the

˙A œ œna in the

.œb Jœ œ œAsan na in the

œ .˙high est.

œ .˙high est.

œ .˙high est.

œ .˙high est.

- - - -

- - - -

- - -

- - -

148

TH

UR

SDA

YPM

Amen Mass of Wisdom

Text (English): The Roman Missal, copyright © 2010, ICEL. All rights reserved. Used with permission.Music: Mass of Wisdom, Steven R. Janco, copyright © 2010, World Library Publications. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

The Communion Rite

The Lord’s Prayer

Presider: Deliver us, Lord.....


&

?

bbb

bbb

42

42

44

44

∑

∑

∑

∑

œ œ œ œ ˙A men.

œ œ œA

œ œ œœ .˙A men.

œ œ œn œ ˙A men.

˙ .œ Jœmen. A

˙n œ œ œ œœ .˙A men.

.œb jœ œ œAA

˙ ˙men. A

˙ ˙˙b ˙A

- - -

- - -

- - -

&

?

bbb

bbb

40 wmen.

œ œ œ œmen.

œ œ œ œwmen.

œ œ œ œ ˙A men.

œ œ œA

œ œ œœ .˙A men.

œ œ œn œ ˙A men.

˙ .œ Jœmen. A

˙n œ œ œ œœ .˙A men.

.œb jœ œ œAA

˙ ˙men. A

˙ œA œ˙b œ œA

wmen.

wmen.wwmen.

- - - -

- - -

- - -












& b b b œ œ œ œ œ œ œ œFor the king dom, the power and the

œ œ œ ˙glo ry are yours- -

& b b b œ œ œ œ œ ˙now and for ev er.-

149

TH

UR

SDA

YPM

Sign of Peace

Lamb of God

Text and Music: Rufi no Zaragoza, ofm, copyright ©2006, 2008. Published by OCP. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Communion Procession

As a sign of our unity, please remain standing until all have received Communion.Those wishing to receive low-gluten hosts please make your way to the principal celebrant's

communion line and indicate to him that you require a low-gluten host

Communion Hymns

& # 44 jœ1. ‰2. Cor3. Lạy


gnusro de

Thiên

DeDios,Chúa,

i, ‰Cor

Jœ

Lạy

œ œ œ Jœ œAdeChiên

gnusro de

Thiên

DeDios,Chúa,

i,- - - -- - - -

& # Jœ1.-3. qui


œ œ œ .œ Jœmun di: have

œ œ œ .œmer cy on us.- - - - -

& # jœ1. ‰2. Cor3. Lạy


gnusro de

Thiên

DeDios.Chúa,

i,have

œ œ œ .œmer cy on us.

- -- - -

& # 42 44 ..jœ1. ‰2. Cor3. Lạy

œ œ œAdeChiên

gnusro de

Thiên

jœ .œ DeDios.Chúa,

i.

Œ . ‰ œ œ œ jœ .œ4. A gnusDe i,- - - -

- -

& # œ œ œ .œ JœLamb of God, qui


œ œ œ .œ ‰mun di.- - - -

& # 42 44œ œ œ ˙grant us peace,

œ œ œ ˙Lamb of God,

œ œ œ ˙Grant us peace,

œ œ œLamb of

wGod.

(Latin)(Spanish)

(Vietnamese)

Cantor

All

Cantor

150

TH

UR

SDA

YPM

Gusten y Vean Tony AlonsoVerses 1-4 (as noted)

&

?

####

####

44

44

jœ œ jœ jœ .œGus ten y ve an,

Jœ œ Jœ Jœ .œAll

jœ œ jœ jœ .œJœ œ Jœ Jœ .œGus ten y ve an,

jœ œ jœ jœ œ jœgus ten y ve an qué

Jœ œ Jœ Jœ œ Jœœ œ œ jœ œ jœœ œ œ Jœ œ Jœgus ten y ve an qué

œ œ œ œ .œjœ

bueno es el Se ñor,qué

œ œ œ œ .œ Jœ˙ .œ jœ˙ .œ Jœbue no, qué

œ œ œ œ ˙bue no es el Se ñor.

œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ ˙bue no es el Se ñor.

- - - - - - - -

- - - - - - -

&

?

####

####

.œ jœ ˙Taste and see,

.œ Jœ ˙

.œ jœ ˙.œ Jœ ˙

jœ œ jœ .œ jœtaste and see, the

Jœ œ Jœ .œ Jœœ œ .œ jœœ œ .œ Jœ

œ œ œ œgood ness of the


.˙Lord.

.˙

.˙ .˙-

&

?

####

####

Œ

∑

œ œ œ œ œ œ1. Ven2. Ven3. Ven4. Ven

gangangangan

loslos

los

hamselosdo

briendienpolien

tos:tos:bres:tes:

Cantor

∑

jœœ œœ jœœ œœ œœ¡Gus ten y ve an!

All

Jœœ œœ J

œœ œœ œœ- - -- - -- -- - -

- -

&

?

####

####

Jœ œ Jœ œ œComeAllComeAll

allyouallwho

whowhoyouare

hunthirst:poorgriev

ger

ones:ing:

˙Cantor

∑

œœ œœ ..œœ jœœTaste and see the

All

œœ œœ ..œœ Jœœ-

-

&

?

####

####

42

42

44

44

œœ œœ œœ œœ .œjœœ

good ness of the Lord, qué

.œ˙ .œ Jœœgood ness,

œœ œœ œœ œœbue no es el Seœ œ œ œœ œ œ œ

.˙ Œñor.

˙ œ˙ œ Œ.˙ Œ

- - -

-

151

TH

UR

SDA

YPM

Verses 5-7 (as noted)

Text: based on Psalm 34; Tony E. Alonso, b.1980, © 2008, GIA Publications, Inc.; verses, Psalm 34:2-9, © 1963, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved. Spanish tr. from Leccionario, Edición Hispanoamérica, © 1970, 1972, Conferencia Episcopal Española.

Tune: Tony E. Alonso, b.1980, copyright © 2008, 2010, GIA Publications, Inc. Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

&

?

####

####

44

44

jœ œ jœ jœ .œGus ten y ve an,

Jœ œ Jœ Jœ .œAll

jœ œ jœ jœ .œJœ œ Jœ Jœ .œGus ten y ve an,

jœ œ jœ jœ œ jœgus ten y ve an qué

Jœ œ Jœ Jœ œ Jœ

œ œ œ jœ œ jœœ œ œ Jœ œ Jœgus ten y ve an qué

œ œ œ œ .œjœ

bueno es el Se ñor, qué

œ œ œ œ .œ Jœ

˙ .œ jœ˙ .œ Jœbue no, qué

œ œ œ œ ˙bue no es el Se ñor.

œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ ˙bue no es el Se ñor.

- - - - - - - -

- - - - - - -

&

?

####

####

.œ jœ ˙Taste and see,

.œ Jœ ˙

.œ jœ ˙.œ Jœ ˙

jœ œ jœ .œ jœtaste and see, the

Jœ œ Jœ .œ Jœœ œ .œ jœœ œ .œ Jœ

œ œ œ œgood ness of the


.˙Lord.

.˙

.˙ .˙-

&

?

####

####

Œ

∑

œ œ œ œ œ œ5. Ven6. Ven7. Ven

gangangan

loslosa

quecanla

susame

fren:dos:sa:

Cantor

∑

jœœ œœ jœœ œœ œœ¡Gus ten y ve an!

All

Jœœ œœ J

œœ œœ œœ-

- -- - -- -

-

&

?

####

####

Jœ œ Jœ œ œComeAllCome

allwhoto

whoarethe

sufweata

fer:ry:ble:

Cantor

∑

œœ œœ ..œœ jœœTaste and see the

All

œœ œœ ..œœ Jœœ---

&

?

####

####

42

42

44

44

œœ œœ œœ œœ .œjœœ

good ness of the Lord, qué

.œ˙ .œ Jœœgood ness,

œœ œœ œœ œœbue no es el Seœ œ œ œœ œ œ œ

.˙ Œñor.

˙ œ˙ œ Œ.˙ Œ

- - -

-

152

TH

UR

SDA

YPM

A Place at the Table Lori TrueVerses 1-2 (All)

Verse 3 (All)

& b 43 œ1. For2. For

œ œ œ œevwom

'ryan

oneand

Verses ˙ œborn,man,

aa

œ œ œ œplaceplace

atat

thethe

tata

œ .œ jœble,ble,

forre

- -- - -

& b œ œ œ œevvis

'rying

onethe

˙ œborn,roles,

cleande

œ œ œwacid

tering

andthe

.˙bread,share,

˙ œawith

- - -- - -

& b œ œ œshelwis

ter,dom

aand

˙ œspace,grace,

adi

œ œ œ œsafevid

placeing

forthe

growpow

œ .œ jœing,er,

forfor

- -- - - -

& b œ œ œ œevwom

'ryan

oneand

˙ œborn,man,

aa

œ œ œstarsys

otem

verthat's

.˙head.fair.

˙ œAnd- - - -

- -

& b .˙God

Refrain ˙ œwill de

.light

˙ œwhen

œ œ œ œwe are cre a

œ œ œtors of

œ œ œjus tice and- - - -

& b .˙joy,

˙ œyes,

.˙God

˙ œwill de

.˙light

˙ œwhen

œ œ œ œwe are cre a

œ œ œtors of- - -

& b œ ˙jus tice,

.˙ .˙ œ jœ .œjus tice and

.˙joy!

.˙ .˙ .˙ 2- -

& b 43 œ3. For

œ œ œ œyoung and for

˙ œold, a

œ œ œ œplace at the ta

œ .œ jœble, a-

& b œ œ œ œvoice to be

˙ œheard, a

œ œ œpart in the

.˙song,

˙ œthe

& b œ œ œhands of a

˙ œchild in

œ œ œ œhands that are wrin

œ .œ jœkled, for-

& b œ œ œ œyoung and for

˙ œold, the

œ œ œright to be

.˙long.

˙ œAnd-

153

TH

UR

SDA

YPM


Verse 4 (All)

&&

bb

43

43Œ

.˙God

Melody

∑˙ œwill de

Œ Œ œAnd

Descant

.light

œ œ œ œGod will de light,

˙ œwhen

œ ˙œ œ œ œwe are cre a

.˙œ œ œtors of

-

- - -

&&

bb

œ œ œjus tice, com

œ œ œjus tice and

œ œ œpas sion and

.˙joy,

.˙peace!

˙ œyes,

.˙

.˙God

∑˙ œwill de

Œ Œ œYes,

.˙light

- - -

- -

&&

bb


˙ œwhen


.˙œ œ œtors of

∑

œ ˙jus tice,


.˙

.˙joy!

.˙- -

- - -

&

&

b

b

.˙

œ jœ .œjus tice and

∑

.joy!

œœœ œœœ œœœjus tice and

.˙...˙joy!

.˙...˙.˙

2

2-

-

& b 43 œ4. For

œ œ œ œjust and un

˙ œjust, a


œ .œ jœble, a- - -

& b œ œ œ œbus er, a

˙ œbused, with

œ œ œneed to for

.˙give,

˙ œin- --

& b œ œ œan ger, in

˙ œhurt, a

œ œ œ œmind set of mer

œ .œ jœcy, for- - -

&

154

TH

UR

SDA

YPM


Verse 5 (All)

&&

bb

43

43Œ

.˙God

Melody

∑˙ œwill de

Œ Œ œAnd

Descant

.light


˙ œwhen


.˙œ œ œtors of

-

- - -

&&

bb




.˙joy,

.˙peace!

˙ œyes,

.˙

.˙God

∑˙ œwill de

Œ Œ œYes,

.˙light

- - -

- -

&&

bb


˙ œwhen


.˙œ œ œtors of

∑

œ ˙jus tice,


.˙

.˙joy!

.˙- -

- - -

&

&

b

b

.˙


∑

.joy!


.˙...˙joy!

.˙...˙.˙

2

2-

-

& b œ œ œ œjust and un

˙ œjust, a

œ œ œnew way to

.˙live.

˙ œAnd-

& b 43 œ5. For

œ œ œ œev 'ry one

˙ œborn, a


œ .œ jœble, to- - -

& b œ œ œ œlive with out

˙ œfear, and

œ œ œsim ply to

.˙be,

˙ œto- -

155

TH

UR

SDA

YPM


Text: Shirley Erena Murray, b.1931, © 1998, Hope Publishing Co.Music: Lori True, b.1961, copyright © 2001, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

&&

bb

43

43Œ

.˙God

Melody

∑˙ œwill de

Œ Œ œAnd

Descant

.light


˙ œwhen


.˙œ œ œtors of

-

- - -

&&

bb




.˙joy,

.˙peace!

˙ œyes,

.˙

.˙God

∑˙ œwill de

Œ Œ œYes,

.˙light

- - -

- -

&&

bb


˙ œwhen


.˙œ œ œtors of

∑

œ ˙jus tice,


.˙

.˙joy!

.˙- -

- - -

&

&

b

b

.˙


∑

.joy!


.˙...˙joy!

.˙...˙.˙

2

2-

-

& b œ œ œwork, to speak

˙ œout, to

œ œ œ œwit ness and wor

œ .œ jœship, for- -

& b œ œ œ œev 'ry one

˙ œborn, the

œ œ œright to be

.˙free.

˙ œAnd- -

156

TH

UR

SDA

Y

God is Love Rev. Clarence RiversRefrain (All)

Verses (Cantor) 1. The love of Christ has gathered us together. Let us rejoice in him and be glad. Refrain 2. By this shall all know that we are his disciples, if we have love one for another. Refrain 3. O carry one another’s burden and so you will fulfi ll the law of Christ. Refrain 4. We many are one bread, one body, for we all partake of the one Bread. Refrain 5. This is the Bread that came down from heaven; those who eat this Bread shall live forever.

Refrain 6. He is the vine, we the branches; we who abide in him shall bear fruit. Refrain

Text and Music: © 1966, Rev. Clarence Rivers, alt. Reprinted with permission of Maxine Rivers.

Prayer After Communion

The Concluding Rites

Blessing

Dismissal

Sending Forth When in Our Music God is Glorifi edVerses 1-3

& b 44 œ œGod is

œ œ ˙love

œ œ œ œand those who

œ œ œ œa bide in

.˙ œlove, a- -

& b œ œ œ œbide in God,

˙ Œ œand

œ œ ˙God in them.

˙

& b 44 Œ œ œ œ1. When

3. So2. How

in

hasof

our

theten,

.œ jœ œ œmu

Church,mak

sic

ining

God

litmu

is

ursic,

œ œ ˙glo

gywe

ri

andhave

fied,

song,found

- - -

- -- - -

& b œ œ œ œAnd

InA

ad

faithnew

or

anddi

.œ jœ œ œa

love,men

tion

throughsion

leaves

cenin

no

tuthe

œ œ ˙room

riesworld

for

ofof

pride,

wrong,sound,

œ œ œ œIt

BorneAs

is

witwor

as

nessship

-- -

- - -- - -

& b 23œ œ .œ jœthough

tomoved

the

theus

whole

truthto

cre

ina

œ œ ˙a

evmore

tion

'rypro

cried:

tongue:found

œ œ œ œ œ œAl

AlAl

le

lele

œ œ wlu

lulu

ia!

ia!ia!

- - - - -

- - - -- - - -

AllWomenAll

PM

157

TH

UR

SDA

YPM

Verses 4-5

Text: Fred Pratt Green, 1903-2000, © 1972, Hope Publishing CompanyMusic: Engelberg, Charles V. Standford, 1852-1924Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Postlude Carillon, Louis Vierne (1870-1937)

“We give thanks to god for you, remembering

you in our prayers, unceasingly calling to mind

your work and faith and labor of love and

endurance in hope . . . .” 1 Thessalonians 1:2–3

Jerry Galipeau served as Chief Publish-ing Officer for the J.S. Paluch Company and its music and liturgy division, World Library Publications.

John Limb served for twenty-five years as the publisher at OCP.

Thanks for all

you’ve done for so

many years for our

association.

& b 44 Œ œ œ œ5. Let4. And

evdid

'rynot

.œ jœ œ œinJe

strusus

mentsing

bea

œ œ ˙tunedpsalm

forthat

praise!night

- - --

& b œ œ œ œLetWhen

allut

remost

.œ jœ œ œjoicee

whovil

havestrove

aa

œ œ ˙voicegainst

tothe

raise!light?

œ œ œ œAndThen

maylet

Godus

-- - -

& b 23œ œ .œ jœgivesing,

usfor

faithwhom

tohe

œ œ ˙singwon

althe

ways:fight:

œ œ œ œ œ œAlAl

lele

œ œ wlulu

ia!ia!

- - - -- - -

MenAll

158

TH

UR

SDA

Y

BUILT TO INSPIRE GENERATIONS

Th is 66-stop design is the culmination of Rudy Lucente’s life-long

specifi cations, plus GeniSys

Exclusive Rudy Lucente Designer Series Console Features: Two-tone Walnut and Oak finish with Gothic side overlays Red felt keyboard treatments

TM

An Allen Designer Series OrganAllen RL-66

Rudy Lucente, Designer,Allen RL-66 Console shown with the following

options: Skinner keycheeks, Page Turn, Ivora keys, Rosewood sharps on keybeds and pedalboard, Maple drawknobs stems, Rosewood facings & rockertabs, black piston buttons, custom engraving.

PM

FridayFriday

160

FR

IDA

Y

Friday Sc hedule8:15 am Morning Prayer page 161

9:00 am Plenum: Sing As Wayfarers Do. page 167 Move, but Keep on Singing!

Rita Thiron, M. Roger Holland, II, and Rachelle Kramer

10:30 am Breakout E page 169 Institutes, Final Session page 172

noon Closing and Re-commissioning page 173

161

FR

IDA

YAM

FRIDAY MORNING PRAYERFriday, July 14 | 8:15 am | CC: Grand Ballroom

Memorial of Saint Kateri Tekakwitha,Virgin


Text: ICEL © 1974.

Hymn Touch the Earth Lightly

Text: Shirley Erena Murray, b.1931, © 1996, Hope Publishing Co.Music: Bunessan, alt.; Gaelic; acc. by Robert J. Batastini, b.1942, © 1999, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.








œ œ œ ˙Al le lu ia.- - - - -


& 49 œ œ œ1. Touch2. We3. Let4. God

thewhothereof

earthenbeall

.˙ .˙ œ œ œlightdangreenliv

ly,ger,ing,ing,

UseWhoBirthGod

thecrefromof

earthatetheall

.˙ .˙ œ œ œgenhunburnlov

tly,ger,ing,ing,

NourAWaGod

ishgentsterof

theofthatthe

- - -- - - - -

- - -- -

& .˙ ˙ œ œ œ œlifedeathblessseed

offores,ling,

theallandthe

worldcreacreasnow,

inturesturesand

ourthatthatthe

.w œ œ œcare:live,live,sun,

GiftWeHealthTeach

ofwhoinus,

greatwouldGod'sde

.˙ .˙ œ œ œwonfosgarflect

der,terden,us,

OursCloudsHopeChrist

toofinre

surdisGod'scon

- -- - -

- - -- - - -

& .˙ .˙ œ œ œrenaschilnect

der,ter-dren,us,

TrustGodReUs

forofgening

theourerus

.˙ ˙ œ œ œ œchilplanagen

drenet,tiontly,

toforethatand

morstallpeacemak

rowandwilling

willforcomus

.wbear.give!plete.one.

- - - -- - - -- - - - - -

- - -

AllLeftRightAll

162

FR

IDA

YAM


Verses (Cantor)1. O God, you are my God; for you I long. For you my soul is thirsting, My body pines for you, like a dry, weary land without water. So I gaze upon you in the sanctuary to see your strength and your glory. Antiphon2. For your love is bett er than life, my lips will speak your praise. So will I bless you all my life, in your name I will lift up my hands. My soul shall be fi lled as with a banquet, my mouth shall praise you with joy. Antiphon3. On my bed I remember you. On you I muse through the night. For you have been my help; in the shadow of your wings I rejoice. My soul clings to you; your right hand holds me fast. Antiphon4. Give praise to the Father Almighty, to his Son, Jesus Christ, the Lord, to the Spirit who dwells in our hearts, both now and for ages unending. Amen.

Antiphon (All)

Text: Text: Psalm 63. The Grail (England), © 1963, 1993, 2000, The Grail, GIA Publications, Inc., agent. All rights reserved.Music: Michael Dailey (b.1976). Copyright © 2008. All rights reserved.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

Psalm Prayer

&?

####

44

4443

4344

4442

42 ‰ jœ œ œ

As morn ing

‰ Jœ œ œ.œ Jœ œ œ

breaks, I look to.œ Jœ œ œ.œ jœ œ œ

you to be my.œ Jœ œ œœ œ ˙strength this day.œ œ ˙

-

&

?

##

##

42

42

43

43

44

44

‰ jœ œ œAsAs

mornmorn

inging

Jœ œ œ

‰jœ œ œ

Jœ œ œAs morn ing

.œ jœ œ œbreaks,

breaks,

breaks,I

I

Ilook

look

lookto

to

to

œ œ œ œ œ

.œ jœ œ œœ œ œ œbreaks, I look to

.œ jœ œ œyou to be my

.œ Jœ œ œ

.œ jœ œ œ.œ Jœ œœ œœ

œ œ ˙strength to day.

œ œ ˙

œ œ ˙œœ œœ ˙-

--

-

163

FR

IDA

YAM

Canticle of DanielRefrain (Cantor, then All)

Response (All)

Verses (Cantor, Response by All)1. Angels of the Lord, Bless the Lord!

you heavens, Bless the Lord!all waters above the heavens, Bless the Lord!all you hosts of the Lord, sun and moon, stars of heaven, bless the Lord! Refrain

2. Every shower and dew, Bless the Lord!all wind and heat, Bless the Lord!cold and chill, dew and rain, Bless the Lord!ice and snow, nights and days, lights and darkness and clouds, bless the Lord! Refrain

3. Mountains and hills, Bless the Lord!everything growing from the earth, Bless the Lord!springs, seas, and rivers, Bless the Lord!all water creatures, all you birds, all you beasts, sons of man, bless the Lord! Refrain

4. O Israel, Bless the Lord!priests and servants of the Lord, Bless the Lord!spirits and souls of the just, Bless the Lord!holy men, humble of heart, Hananiah, Azariah, Mishael, bless the Lord! Refrain

Text: Daniel 3:57-88, 56, adapted from the New American Bible, © 1970, Confraternity of Christian Doctrine, Inc.Music: John Angott i; arr. by Paul A. Tate, © 2002 World Library Publications.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& ##7 .œ jœBless the

˙Lord!

&

?

##

##

42

42

œ œGod is

œ œ

œ œœ œ

œ œ œpraised and ex

œ œ œ

œ œ œœ œ œ

œ œ œalt ed a

œ œ œ œ

œ œ œ œœ œ œ

œ œ œbove all for

œ œ œ œ

œ œ œ œœ œ œ

˙ev

˙

˙

˙er.

˙

˙- - - - -

164

FR

IDA

YAM


Antiphon (Cantor, then All)Let the children of Zion rejoice in their King, 6Alleluia.

Cantor Sing a new song to the Lord, his praise in the assembly of the faithful. Let Israel rejoice in its Maker; let Sion’s children exult in their king. Let them praise his name with dancing, and make music with timbrel and harp.Right For the Lord takes delight in his people;

he crowns the poor with salvation. Let the faithful exult in glory, and rejoice as they take their rest. Let the praise of God be in their mouths and a two-edged sword in their hand,

Left To deal out vengeance to the nations and punishment upon the peoples; to bind their kings in chains and their nobles in fetters of iron; to carry out the judgment decreed. This is an honor for all his faithful.

All Give praise to the Father Almighty, to his Son, Jesus Christ, the Lord,

5to the Spirit who dwells in our hearts,6both now and for ages unending.

Antiphon (All)Let the children of Zion rejoice in their King, 6Alleluia.

Text: The Revised Grail Psalms, © 2010. Conception Abbey and The Grail, admin. by GIA Publications, Inc. agent. Music: Modal Psalm Tones, 3rd edition, © 1971, 1991, Saint Meinrad Archabbey, Inc. All rights reserved.

Psalm Prayer

Reading Revelation 7:9-12

& b 1˙ œ œ .œ 2˙ œ œ .œ 3˙ œ œ .œ 4˙ œ œ .œ 5˙ œ œ .œ 6˙ œ œ .œ

165

FR

IDA

YAM

Gospel Canticle Canticle of Zachary(Please stand and make the sign of the cross as the singing of the Canticle begins.)

Canticle (All)

Text: Benedictus, Luke 1:68-79; Ruth Duck, © 1992, GIA Publications, Inc.Tune: Forest Green; English; harm. by Michael Joncas, b.1951, © 1987, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.


& b 44 œ1. Now2. Re3. In

œ œ œ œblessmemten

theberder

Godingmer

ofthecy,

œ œ œ œ œ œIscovGod

raewill

el,nant,send

WhoGodThe

œ œ œ œ œcomesresday

incuesspring

loveusfrom

andfromon

- -- - - - - -

- - -

& b .˙ œpow'r,fear,high,

WhoThatOur

œ œ œ œraisweris

esmighting

fromservesun,

theinthe

œ œ œ œ œ œroyholight

alliof

housenesslife

DeAndFor

- - -- -

-

& b œ œ œ œ œlivpeacethose

'rancefromwho

inyearsit

thistoand

.˙ œ œhour.year;sigh.

ThroughAndGod

.œ Jœ œ œ œ œhoyou,comes

lymyto

prophchild,guide

etsshallour

- - -

& b œ œ œ œ œ œGodgoway

hasbeto

swornforepeace,

ToToThat

œ œ œ œfreepreach,death

ustoshall

fromprophreign

aeno

.˙ œlarm,sy,more.

ToThatSing

œ œ œ œsaveallprais

usmayes

fromknowto

thethethe

-- - -

-

& b œ œ œ œ œ œheavtenHo

yderly

handlove,One!

OfTheO

œ œ œ œ œallgracewor

whoofship

wishGodand

usmosta

.˙harm.high.dore!

--- - -

&

?

b

b

44

44


œ œ œ œ .œ Jœ



œ œ œ œ ˙

œ œ œ œ ˙œ œ œ œ ˙- - - - - -

166

FR

IDA

YAM




Concluding Prayer


&

?

b

b


œ œ œ œ œ œ



œ œ œ œ œ













167

FR

IDA

YAM

PLENUM GATHERINGFriday, July 14 | 9:00 am | CC: Grand Ballroom

Gathering Hymn For Mercies Past and Present Still

Text: Delores Dufner, osb, 2004; © 2011, GIA Publications, Inc.Tune: How Can I Keep From Singing; Robert Lowry, 1826-1899; harm. by Robert Batastini, b.1942; harm. © 1988, GIA Publications, Inc.Used with permission. All rights reserved. Reprinted under OneLicense #E-803725.

& b 44 ‰ jœ1. For2. Re3. With4. Di5. In

œ œ œ œmerspondSaintsversefaith

ciesingainand

pasttoboveculhope

andyourandture,we

jœ œ jœ .œ jœpresSpirsaintsage,jour

entit'sbeandney

still,call,lowtongue,on,

yourwithandweour

- -- - -

- -- -

-

& b œ œ .œ jœloveoanjoinsto

ourpengelsinry,

liveshands,herecelJe

caandatesus'

jœ .œ .œ jœresswilltendbrasto

ing;ing,ing,tion;ry,

forrewiththe

through

œ œ œ œpromceivChristHojoy

iseding,welyand

gracsharofSpirsor

esingferitrow,

- - - -- - - - -- - - -

- - - - -- - - -

& b jœ œ jœ .œ jœyetgiftsallmakesbirth

toyouweusand

come,giveare,one,death,

forinaato

œ œ .œ jœevminsacsplenlife

'ryisrididmade

futryficenewnew,

turefuluncreand

œ œ ˙fillbless

endaglo

ing.ing.

ing.tion.ry.

- -- - - -

-

- - - -- - -

-

& b œWe

œ œ œ œgath er now in

jœ œ jœ .œ jœfes tive song, O

œ œ œ œGod of all the

jœ .œ .œ jœliv ing, to- - -

& b 42 44œ œ œ œ œhear your Word and

œ œ ˙break the Bread,

œ œ œjoin ing in

.˙ œglad thanks

œ œ .˙giv ing.

.˙- - -

All

AllWomenAllMenAll

168

FR

IDA

YAM

PLENUM ADDRESS: SING AS WAYFARERS DO. MOVE, BUT KEEP ON SINGING!

Rita Thiron, M. Roger Holland, II, and Rachelle Kramer

This panel will inspire church musicians to off er God due praise with their music and to evangelize through sung liturgy. Through three perspectives—liturgical, musical, and cultural, coupled with evangelization—they will encourage musicians in their ministry and challenge them to lead their assemblies to be of one heart and one voice, in order that we may all go forth as “missionary disciples” to serve others and to give glory to God by our lives.

169

FR

IDA

YAM

BREAKOUT EFriday, July 14 | 10:30 am–11:30 am

E-01 CC: 230/231Lectionary Anthem Project: Year B, Part 2 Henry BauerAnthems and motets in a variety of styles will be sung. This session will include music for Lent, Easter, and Ordinary Time.

E-02 CC: 211Hovda Lecture Series: Eucharist Makes the Church; the Church Makes the Eucharist Kimberly BelcherIn the fi rst millennium the Eucharist was at the heart of the Christian community, nourishing them, forming them into the Body of Christ present in the world—the Eucharist made the Church.

E-03 CC: 238The Eucharist Through the Ages: Inspiration for Today’s Liturgical Celebrations, Part 2 Gordon Truitt This two-part workshop is an encounter with the mystery of the Church at its very heart—the Eucharist. Discover how our understanding of this mystery has evolved over the centuries, from Biblical times through the Middle Ages all the way to the twenty-fi rst century. Contemplate how this history reverberates in our Eucharistic celebrations to this very day.

E-04 CC: 260/262The Ministry of the Cantor/Psalmist Mike NovakMany of us love to sing, whether it is in the choir, or just alone with a single guitar. But what are the skills needed to transform us from mere singer into the musical leader of the assembly’s song? Cantoring requires good vocal technique coupled with posture, presence, and awareness. Mike will share insights from his own professional experiences, including how to cantor the responsorial psalm.

E-05 CC: 212A Juggling Act–Integrating Religious Ed Programs and Catholic Schools into Parish Life Katherine FlorianMany parish music directors work where a religious education program and Catholic elementary school are connected to the parish. This presents challenges: many of the children enrolled in religious education programs/Catholic schools may not be att ending weekend Mass on a regular basis; music teachers at the school have litt le time—and often litt le training in liturgy—to devote to forming young liturgical musicians for the parish; many youth in the children’s choir leave once they reach junior high or high school. What is the role of the parish music director in all of this? Ex-plore ideas for bridging the gap and building a collaborative model for your parish in order to address these issues.

170

FR

IDA

Y

E-06 CC: 237Sanctoral Cycle: Sing with All the Saints Chris de SilvaThe lives of the saints are fi lled with stories of deep love. Sing along with Chris de Silva these stories of faith and challenge that unite us with God and each other, as Chris off ers new music for Liturgy, shaping worship for a diverse Church.

E-07 CC: 206Ensemble Workshop, Part 3: Forming a Faith-Filled Music Program– Instruments and Voices Unified for the Assembly’s Song Lynn Trapp, Marty Haugen, and Bonnie FaberHow do all the various voices of the parish music program—instruments, choir, cantors—bring their gifts together to become a unifi ed support and inspiration for the assembly’s heartfelt song? Come and explore how to create authentic music ministry that inspires full, conscious, and active participation by the assembly.

E-08 CC: 263/264Youth Youth Leaders: I Send You Out!John Angott iThe term “music ministry” can be easily thought of by youth and youth leaders as only applying to a church sett ing: that one hour period every Sunday which helps the assembly reaffi rm their faith and enhance their prayer. However, we often forget that part of the ministry of music is its missionary spirit—to teach, to evangelize, and to inspire those who receive and share its gift to go out in the world and serve those most in need. This breakout will off er the opportunity to refl ect on our call to live the Gospel and how to bring that Gospel to the world.

E-09 CC: 202The Sound of Silence– How Music Ministry Affects Deaf and Hard-of-Hearing Members of the Assembly Audrey SeahAs pastoral music ministers, we often consider how the soundscape of worship aff ects the Church's prayer. But those who do not hear are many and silent among us. Learn what it is like for some-one who is deaf or hard-of-hearing to worship in a hearing church, how to avoid an experience that excludes through “audism,” and how to make Liturgies more accessible and inclusive for everyone without compromising the full musical experience of worship.

E-10 CC: Junior BallroomOrgan: How Do You Get that Plum Job? Practice! Blake CallahanLearning ways to practice, deal with performance anxiety, improve pedal technique, as well as warm-up exercises (all related to organ), and other techniques.

Breakout E (cont’d)

AM

171

FR

IDA

Y

Breakout E (cont’d)

E-11 CC: 251Unity of Heart and Voice–Incorporating Liturgy of the Hours in a Parish Setting Christopher FerraroLiturgy of the Hours is considered “the prayer of the Church with Christ and to Christ” and our com-munal prayer is “to be among the primary duties” of the Church. Those att ending this workshop will explore how the Liturgy of the Hours consecrates time, sanctifi es God’s people, and unites our voices of praise with the Church in heaven. An explanation of the Liturgy will include advice on how to incorporate this prayer in the life of the parish community.

E-12 CC: 200Unity of Hearts Through the Texts We Sing Francis Patrick O’BrienHow carefully do we look at the texts of the hymns and songs we sing at liturgy and other parish gatherings? Do we realize just how formative texts are in the life of our parishioners? Do we know our assembly well enough to know what words and tunes will guide them through diffi cult mo-ments, through changes in parish demographics, leadership and culture? What demands are made on our musical leadership by resolving to unite the needs of the liturgical seasons with the lives of the people before us? This workshop will explore these challenges by examining concrete situations as we walk through the liturgical seasons.

E-13 CC: 209Lay Ministry: Being Hope in a Time of Polarization Susan McGurganChristian hope is both gritt y and paradoxical: death leads to life, the last shall be fi rst, and the meek are the strong. Witnessing to this hope is often messy, sometimes ambiguous, and usually challenging. How can lay ministers embrace this dynamic and “be hope” in times of polarization?

E-14 CC: 233Taking Time to Receive Louis Canter, oefThrough constant distractions and pressures of everyday life, music ministers often feel lost when it comes to their spiritual life. We understand our need to spend time in the presence of God is necessary for a successful ministry. Study, prayer, and action are three essential cogs in this working relationship. How can we make time to grow in faith when demands have us constantly giving of ourselves? Take time to examine several ways to grow in faith and become bett er music ministers.

E-15 CC: 252Chant “Institute” Part 5: St. Meinrad Psalm Tones–Psalm Recitation Ray Henderson and Fr. Columba Kelly, osbThis “Institute” focuses on the pastoral accessibility of Chant in the Liturgy. In fi ve parts the att endee will be instructed by Fr. Columba Kelly, osb, and Mr. Ray Henderson. The focus will be on the texts of the liturgy, and particularly the third edition of the Roman Missal, in singable English, by both a schola and congregation.

AM

172

FR

IDA

YAM

INSTITUTES, FINAL SESSIONFriday, July 14 | 10:30 am–11:30 am



173

FR

IDA

YPM

CLOSING AND RE-COMMISSIONINGFriday, July 14 | noon | CC: Grand Ballroom

Re-commissioning and Sending ForthAccepting Our Call to Another Year of Service

We sign each other with the cross—the sign with which we were marked at our baptism—as we commit ourselves to another year of ministry in service

to the Gospel, divine worship, and the ministry of the Church.

Opening Song The Servant Song

Text: Richard Gillard.Music: Richard Gillard, harm. by Bett y Pulkingham, b. 1929 © 1977, Scripture in Song, admin. Maranatha! Music c/o The Copyright Company,

Nashville, Tennessee 37212-8139. All rights reserved. International copyright secured. Used with permission.

Introduction Steve Petrunak, NPM PresidentWe are pilgrims on a journey; we are all migrants. One model for our pilgrimage could be the story of John Parker and Eliza . . .

Repeat Opening Song, Stanza Two: We are pilgrims on a journey . . .

& bbb 44 œ œ œ œ1.,6.2.3.4.5.

WillWeIIWhen

youarewillwillwe

letpilholdweepsing

megrimsthewhento

œ œ œ œbeonChristyouGod

youralightarein

serjourforweepheav

vant,ney,youing;en

œ œ œ œLetWeInWhenWe

mearetheyoushall

betravnightlaughfind

as'lerstimeI'llsuch

-- - -

- ---

& bbb œ œ ˙Christonoflaughhar

totheyourwithmo

you;road;fear;you.ny,

œ œ œ œPrayWeIIBorn

thatarewillwillof

Ihereholdshareall

maytomyyourwe've

œ œ œ œhavehelphandjoyknown

theeachoutandto

graceothtosorgeth

toeryou,rower

-

-- - - -

& bbb 43 44œ œ œ œLetWalkSpeak'TilOf

youthethewe'veChrist's

bemilepeaceseenlove

myandyouthisand

œ œ .œ jœserbearlongjourag

vant,thetoneyo

wtoo.load.hear.through.ny.

-

-- -

174

FR

IDA

YPM

Recommitment Rite

Leader Among the many signs and symbols used by the Church to celebrate our faith,

music is of pre-eminent importance . . .All Repeat Opening Song, Stanza Five: When we sing to God in heaven, We shall fi nd such harmony, Born of all we’ve known together Of Christ’s love and agony.

Leader Before we return to our local communities, I invite you to renew your commitment to serving the Church through pastoral music ministry. Let us stand. Will you be att entive to the voice of God speaking to you through the gift of music?All I will.

Leader Will you be faithful to your responsibilities by using your gifts in service of the Christian community?All I will.

Leader Will you keep the song of God alive by living in harmony with the message of the Gospel?All I will.

Leader May God who has begun the good work in you bring it to completion right up to the day of Christ Jesus, who is Lord for ever and ever.All Amen.

Leader As a sign of our renewed commitment, let us turn to each other and sign one another on the forehead with the cross.

Please sign your neighbor as a mark of our shared commitment.

Recognition of Local Committee and Presentation of Koinonia Award Peter Maher, Chief Operations Offi cer

Passing of the Convention Banner

The Core Committ ee chairs of the 2017 NPM Annual Convention pass the convention banner to the chairs of the 2018 NPM Annual Convention in Baltimore, Maryland.

175

FR

IDA

YPM

Itinerarium(The Itinerarium is an ancient blessing for pilgrims and for anyone going on a long journey.)

PrayerLeader Almighty and merciful Lord... ... Bring us back to our homes in peace, health, and gladness.

ResponseLeader Save your servantsAll who trust in you, O God.

Leader Send us help from your sanctuary,All and send us strength from your holy mountain.

Leader Be a tower of strength for us, O Lord,All whenever we face your enemies.

Leader Bless the Lord day by day,All the God of salvation, who makes our work prosper.

Leader Show us your ways, O Lord,All and teach us to walk in those ways.

Leader Lord, hear our prayer,All and let our cry reach you.

Closing Prayer and DismissalLeader Holy One, you called Abraham and Sarah from Ur of the Chaldees . . Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever.All Amen.

Leader Be merciful, just as your heavenly Father is merciful. Go in peace.All Thanks be to God.

& bb .. .. .. .. ..œ œ œ œ œ œ ˙Ky ri e, e le i son.

˙ œ œ œ œ ˙Chri ste, e le i son.

œ œ œ œ œ œ ˙Ky ri e, e le i son.- - - - - - -- - - - - - -

Cantor, then All Cantor, then All Cantor, then All

176

FR

IDA

YPM

Closing Song Envía tu Espíritu

Text: Psalm 104:30; Pentecost Sequence: Bob Hurd, b.1950, © 1988.Music: Bob Hurd, b. 1950, © 1988, OCP Publications; arr. © 1988, OCP Publications. Published by OCP Publications. Used with permission. All rights

reserved.

& ## 44 jœEn

œ œ œ œ jœ œ jœví a tu Es pí ri tu,

.˙ ‰ jœen

œ œ œ œ jœ œ jœví a tu Es pí ri tu,

.˙ ‰ jœen- - - - - - - - - - -

& ## œ œ œ œ jœ œ jœví a tu Es pí ri tu,

œ ‰ jœ œ œ œ œse a re no va

œ .˙da

.œ jœ œ œ œ œla faz de la tie

œ .rra.- - - - - - - - -

& ## œ ‰ jœ œ œ œ œSe a re no va

œ .da

œ ‰ jœ œ œ œ œla faz de la tie

œ .rra.

∑- - - - -

& ## ‰ œ œ œ jœ œ jœ1.2.3.WindBreath

Spr itofof

ofpromlife

theise,and

livwindho

jœ œ jœ ˙ingofli

God,change,ness,

Œ œ jœ œ jœburnfriendheal

inofev

ourthe'ry

hearts,poor,wound,

w- -

-- - -

& ## Œ ‰ jœ œ œ œ œandemand

makepowlead

userus

ayourbe

peopeoyond

œ œ œ œ œ œ œ œplepleev

ofto'ry

hopemakesin

andpeacethat

comanddi

pasjusvides

.œ jœ ˙sion.tice.us.

D.C.˙ Œ ‰- - -

- - - -- - -

Refrain

Verses

ReferenceReference

178178

RE

FE

RE

NC

E

PRESERVING HERITAGE,CREATING A LEGACY

& ASSOCIATES, INC.O R G A N B U I L D E R S

300 Old Reading Pike, Suite 1D, Stowe, PA 19464P: 610.970.9817 | pjmorgans.com

179179 RE

FE

RE

NC

E

DUKE ENERGY CONVENTION CENTER (LEVEL 1) DUKE ENERGY CONVENTION CENTER (LEVEL 1)

180180

RE

FE

RE

NC

E


181181 RE

FE

RE

NC

E


182182

RE

FE

RE

NC

E

MILLENNIUM HOTEL MEETING ROOMS

Grand Ballroom

Foyer

Skywalk

Concourse toConvention Center

Crossroads(pre-function

space)

ColonnadeA

ColonnadeB

BronzeBallroom

A

B

A

AtriumRoom

PavilionA

PavilionB

FreightElevator

FreightElevator

CoatCheck

CateringDisplayOffice

Banquet Office

Open toAtrium

andStaircase

Open

B

BALLRO OM LEVEL – SECOND FLO OR & SECOND FLO OR (SOUTH)

MILLENNIUMHOTEL

CINCINNATI

183183 RE

FE

RE

NC

E

EXHIBITORS

Allen Organ Companywww.allenorgan.com

Booth #211

Believe Art from the Heartwww.believeartfromtheheart.com

Booth #131

Cards by Annewww.cardsbyanne.com

Booth #308

Catholic Music Publisherscatholicmusicpublishing.com

Booth #416

Choristers Guildwww.choristersguild.org

Booth #505

Corporate Travel Servicewww.ctscentral.net

Booth #209

Digital Hermosawww.digitalhermosa.com

Booth #216

The Emmaus Center/Music Ministry Alive!www.musicministryalive.com

Booth #508

Entheos Architectswww.entheosarchitects.com

Booth #435

Franciscan Ministry of Peacewww.Franciscanministryofpeace.com

Booth #116

Fred Bock Music Companywww.fredbock.com

Booth #313/315

GIA Publicationswww.giamusic.com

Booth #GIA Block 301

HFL Publicationswww.hfl publications.com

Booth #417

Hope Publishinghopepublishing.com

Booth #317

Italy Vatican Tourswww.italyvaticantours.com

Booth #414

Johannus Organswww.johannus-us.com

Booth #110/112

Kochberg Graphicswww.iankochberg.com

Booth #517/519

Little Books of the Diocese of Saginawwww.litt lebooks.org

Booth #217

Liturgical Presswww.litpress.org

Booth #LitPress Block 425

Liturgy Training Publicationswww.ltp.org

Booth #314/316

Lorenzwww.lorenz.com

Booth #411/413

Lumen Christi Ministrywww.lumenchristiministry.com

Booth #431/433

Marklin Candle Designwww.marklincandle.com

Booth #309

Meyer·Vogelpohlwww.mvchurchgoods.com

Booth #437

184184

RE

FE

RE

NC

E

MG Rosarywww.mgrosary.artfi re.com

Booth #415

Ministry Scheduler Prowww.ministryschedulerpro.com

Booth #234MorningStar ECS Publishing

www.morningstarmusic.comBooth #408/410/412

Music for the Soul, LLCjasonlilesmusic.com

Booth #509National Association of Pastoral Musicians

www.npm.orgBooth #101; Silent Auction-Booth #331

Newman Singerswww.newmansingers.com

Booth #Block 109

Notre Dame Center for Liturgyliturgy.nd.edu

Booth #310

OCPwww.ocp.org

Booth #OCP Block 221

OneLicense.netwww.onelicense.net

Booth #507

Open Your Hymnalhtt ps://openyourhymnal.com/

Booth #243

Pamela T. Hardiman Liturgical Fiber Artwww.pthardiman.net

Booth #311

Patrick J. Murphy Associateswww.pjmorgans.com

Booth #224

Peragallo Organ Companywww.peragallo.com

Booth #516

Peter’s Way Tours, Inc.www.petersway.com

Booth #106

Pierson-Young Projectwww.pierson-youngproject.com

Booth #312

Rodgers Instruments Corporationwww.rodgersinstruments.com

Booth #236/238

Sacred Music at Notre Damesacredmusic.nd.edu

Booth #521

Simply Liturgical Musicwww.slmusic.org

Booth #230

Solid Vocal Foundationwww.solidvocalfoundation.com

Booth #124

Songs in His Presencewww.songsinhispresence.com

Booth #117

St. John School of Theology–Seminarycsbsju.edu/sot

Booth #527

St. Michael Hymnalhtt ps://stmichaelhymnal.com/

Booth #114

Steinway Sonswww.steinway.com

Booth #125/127

The Verdin Companywww.verdin.com

Booth #213/215

Wicks Organ Companywww.wicksorgan.com

Booth #226

World Cultural Tourswww.worldculturaltours.com

Booth #409

World Library Publicationswww.wlpmusic.com

Booth #WLP Block 201

185185 RE

FE

RE

NC

E

EXHIBITOR BOOTH INDEX

Exhibitor Booth#

Allen Organ Company 211

Believe Art from the Heart 131

Cards by Anne 308

Catholic Music Publications 416

Choristers Guild 505

Corporate Travel Service 209

Digital Hermosa 216

The Emmaus Center/Music Ministry Alive! 508

Entheos Architects 435

Franciscan Ministry of Peace 116

Fred Bock Music Company 313/315

GIA Publications 301

HFL Publications 417

Hope Publishing 317

Italy Vatican Tours 414

Johannus Organs–US 110/112

Kochberg Graphics 517/519

Litt le Books of the Diocese of Saginaw 217

Liturgical Press 425/525

Liturgy Training Publications 314/316

Lorenz 411/413

Lumen Christi Ministry 431/433

Marklin Candle Design 309

Meyer Vogelpohl 437

MG Rosary 415

Ministry Scheduler Pro 234

Exhibitor Booth#

MorningStar Music 408/410 & ECS Publishing 412

Music for the Soul, LLC 509

National Association of Pastoral Musicians 101 & Silent Auction 331

Newman Singers 109

Notre Dame Center for Liturgy 310

OCP 221

OneLicense.net 507

Open Your Hymnal 243

Pamela T. Hardiman Liturgical Fiber Art 311

Patrick J. Murphy & Associates 224

Peragallo Organ Company 516

Peter's Way Tours, Inc. 106

Pierson-Young Project 312

Rodgers Instruments Corporation 236/238

Sacred Music at Notre Dame 521

Simply Liturgical Music 230

Solid Vocal Foundation 124

Songs In His Presence 117

St. John's School of Theology–Seminary 527

St. Michael Hymnal 114

Steinway & Sons 125,127

The Verdin Company 213/215

Wicks Organ Company 226

World Cultural Tours 409

World Library Publications 201

186186

RE

FE

RE

NC

E

EXHIBITOR BOOTH MAP EXHIBITOR BOOTH MAP

187187 RE

FE

RE

NC

E

SPEAKERS, CLINICIANS, AND PERFORMERS

Kelly AdamsonAssistant Director of Campus Ministry, Director of Residential Life Ministry, Administrator of Graduate Assistant Program, University of Dayton.

Tony AlonsoPastoral musician and ritual music composer.

David AndersonVice-President of Church Music. GIA Publica-tions, Inc.; Director of Music and Organist at Ascension Parish in Oak Park, Illinois.

John AngottiFull-time music missionary, composer, and work-shop presenter from Memphis, Tennessee.

Henry BauerDirector of Music Ministry, St. Patrick Catholic Church, Rockville, Maryland.

Kimberly BelcherAssistant Professor of Liturgical Studies in the Department of Theology, University of Notre Dame. Her current work explores the worship of the Church as human ritual.

Most Rev. Joseph R. BinzerAuxiliary Bishop of the Archdiocese of Cincin-nati. Cincinnati native, ordained to priesthood in 1994 and to the episcopate in 2011.

Amanda Plazek BruceDirector of Music at St. Mary of the Mount in Pitt sburgh, Pennsylvania. Master's candidate in music history and literature.

Blake CallahanAssociate organist, St. Peter in Chains Cathedral, Cincinnati.

E. Louis Canter, oefA music minister for more than 40 years, travels the United States, taking his ministry of hope and harmony to parishes near and far.

Craig ColsonMusic & Liturgy Director at Saint Francis Xavier Catholic Church in Phoenix, Arizona. Featured speaker for LifeTeen music conferences and NPM conventions.

Jaime CortezPastoral musician, liturgical composer, and clini-cian who currently serves at Holy Cross Church, Mesa, Arizona. NPM Pastoral Musician of the Year 2015.

Jeannie CotterLiturgical composer, author, parish mission director, and singer-songwriter; active with the North American Forum on the Catechumenate; has been the master teacher and coordinator of the Keyboard and Ensemble Schools for NPM.

Michael CotterProfessional storyteller whose wit, wisdom, and whimsy weave vivid pictures of a life fi lled with “experiences from a unique time and place.”

Kate CuddyChoir director and vocal arranger, professional studio singer, instrumentalist, and arranger.

Kristin DabaghianOrganist and Director of Music at St. Paul Church in Ramsey, New Jersey. Served previously at Sacred Heart Cathedral, Newark, and at St. John, Hillsdale. She has accompanied many Broadway artists & theater companies, & has conducted at the NYC Fringe Fest.

Chris de SilvaComposer, arranger, and recording artist, Associate Director of Music and Liturgy at Loyola Marymount University.

Kathleen DeJardinDirector of Music Ministry, Holy Trinity Catholic Church (Georgetown), Washington, DC. Faculty member, NPM Choir Director Institutes.

188188

RE

FE

RE

NC

E

Kathleen DemnyComposer, conductor, pianist, and singer with over 30 years experience in the Archdiocese of Houston. Currently Associate Director of Music at St. Ignatius of Loyola, Spring, Texas.

Preston DibbleOrganist and Director of Music, Immaculate Conception Church, Montclair, New Jersey; Diocese of Paterson Director of Music.

Anthony DiCelloMusic Director at the Cathedral of St. Peter in Chains; Director of Music for the Archdiocese of Cincinnati.

Kelly Dobbs-MickusEditor, MorningStar Music Publishers; Organist, Our Lady of Mt. Carmel Parish, Chicago.

Mark DoerriesConductor, composer, and performance artist, University of Notre Dame; Mellon Post-Doctoral Research Fellow in Music and Interdisciplinarity, and Lilly Conductor for the Notre Dame Children's Choir.

Dennis DoyleProfessor of Religious Studies at the University of Dayton, specializing in ecclesiology.

Msgr. Ray EastPastor, St. Teresa of Avila Parish, Washington, DC.

Chris EstrellaMusician, director, composer, liturgist, presenter, and youth minister from San Bernadino, Califor-nia.

Bonnie FaberHighly respected and accomplished voice teacher, singer, and choral director; has been involved in pastoral music ministry in parishes for over 35 years.

Christopher FerraroDirector of Music at Our Lady of Perpetual Help Church, Lindenhurst, New York; organist, adjunct instructor, and director of the Liturgical Music Institute at the Seminary of the Immacu-late Conception. Member of the Diocesan Litur-gical Commission.

Katherine FlorianDirector of Music at St. Brigid of Kildare Parish in Dublin, Ohio. Master of Liturgical Arts in Liturgical Music from St John's Univeristy, Collegeville, Minnesota.

Rob GloverImproviser, singer, guitarist, pianist, organist, accordionist, composer, arranger, recording artist, and conductor. Known for his fi ne choral conducting skills and techniques as well as facilitating refl ections and prayer.

Christopher GokelmanDouble degree student in viola performance and psychology at Oberlin College and Conservatory of Music; instrumentalist at Sacred Heart Catho-lic Church, Oberlin.

Lena GokelmanDirector of Music Ministries and Organist for the University of the Incarnate Word, San Anto-nio, Texas. Placement Chair Alamo AGO; NPM Board of Directors.

William GokelmanProfessor of Music and Chair of the Music Department at the University of the Incarnate Word, San Antonio, Texas, where he directs the Cardinal Chorale and Cardinal Singers, and teaches piano, vocal coaching, and diction; composer; liturgical musician.

Kathleen Harmon, snd de nMember, NPM Board of Directors.

Marty HaugenLiturgical composer, workshop presenter, performing and recording artist, and author.

189189 RE

FE

RE

NC

E

Ray HendersonDirector of liturgical music and organist, Our Lady of Hope Parish, Carle Place, New York. Lecturer in Gregorian Chant and past Dean of the Suff olk, New York, AGO Chapter.

Lorraine HessSinger, songwriter, and recording artist, with 30 years experience in music ministry. Music Minis-try Director at Divine Mercy Parish and Cantor at St. Catherine of Siena in the Archdiocese of New Orleans.

Msgr. Rick HilgartnerPastor, St. Joseph Parish, Cockeysville, Maryland; Past President/CEO NPM; Past Executive Direc-tor, Offi ce of Divine Worship, USCCB.

M. Roger Holland, IILiturgical music consultant for the Offi ce of Black Ministry in the Archdiocese of New York and artist-in-residence at Union Theo logical Semi-nary, New York, New York.

Roger HoltzWorship leader, parish music director, and a composer with International Liturgy Publica-tions.

Barry HudockPublisher for the parish market at Liturgical Press.

James HughesDirector of Music Ministries at St. Catherine of Siena Catholic Church in Orange Park, Florida, and a composer-artist with International Liturgy Publications.

Bob HurdTeacher, composer, and liturgist in various pas-toral and academic sett ings, currently teaching in the Graduate Pastoral Ministries Program of Santa Clara University, California.

Steve JancoWell-known composer of liturgical music, writer, and teacher.

ValLimar JansenKnown for her work with contemporary Christian styles, spirituals and traditional organ-based choral music, she has served as a cantor, principal vocalist, lector, workshop presenter and/or emcee.

Thomas JeffersonRespected pianist, accompanist, composer, arranger, and music transcriber. Holds a DM from Northwestern University. Serves on faculty at North Park University, Chicago, and Sher-wood Community Music School.

Dr. Robert JonesDirector of Choral Activities at the University of Dayton, where he directs the UD Chorale and Chorale Union, and teaches courses in music education.

Columba Kelly, osbMonk of St. Meinrad Archabbey, former choir master, working composer and author on English chant.

Tom KendziaLiturgical musician, composer, speaker, perform-er, author, and music director at Christ the King Catholic Church in Westerly, Rhode Island.

Anne KetzerChair, NPM Board, co-chair and chair of three NPM conventions; pastoral musician, Cincinnati, Ohio.

Donna KinseyRetired music educator from both public and Catholic schools, now continuing in music min-istry at St. Francis de Sales Parish, Morgantown, West Virginia.

Peter KolarSenior Editor of Hispanic Resources for World Library Publications; Director, El Paso Diocesan Choir; Board Member, Southwest Liturgical Conference, Tepeyac Institute Music Ministry Formation Program, El Paso, Texas.

190190

RE

FE

RE

NC

E

Mark LawsonPresident of MorningStar Music Publishers, ac-tive as a clinician, writer, and conductor, producer of many recordings of choral music and hymn festivals. Former conductor of The Gateway Ringers, an auditioned community handbell group; has also conducted numerous youth choir and handbell festivals in several states.

Diana MacalintalA writer and speaker on liturgy, music, prayer, and the catechumenate; see TeamRCIA.com.

Amy McEnteeExecutive Director of the National Catholic Young Adult Ministry Association.

Susan McGurganDoctorate in Preaching from Seabury Western Theological Seminary; Director of Lay Ministry and Assistant Professor of Pastoral Theology at the Athenaeum of Ohio/Mount St. Mary’s Seminary.

Rafael MorenoSinger and composer of Catholic music.

Danielle NoeM. Div; editor at Liturgy Training Publications.

Mike NovakCantor for over 40 years in Washington, Mobile, Milwaukee, and Chicago.

Francis Patrick O'BrienOver 35 years of experience as accompanist, choir director and, since 1985, presider.

Tim O'MalleyDirector, Notre Dame Center for Liturgy; Concurrent Professor, Department of Theology, University of Notre Dame.

Wm. Glenn OsborneOrganist, composer, and expert in improvisa-tion, currently serves as the director of music for the Cathedral and Archdiocesan Liturgies at the Cathedral of Mary Our Queen in Baltimore, Maryland.

Matthew PhelpsMinister of Music at West End United Methodist Church in Nashville, Tennessee. At West End, conducts the nationally renowned Chancel Choir on a weekly basis and performs major concerts with orchestra.

Mary Lynn PleczkowskiEditor, The Liturgical Singer; Former Chair, NPM Interest Section for Cantors.

Philip RobertsEditorial production manager, GIA Publications, Inc., and national board member of Handbell Musicians of America.

Pedro RubalcavaDirector of Hispanic Ministries at OCP; pastoral musician and composer who promotes deepen-ing understanding and communion in the diver-sity of the Church.

Michael RuzickiEditor and liturgical training consultant at Litur-gy Training Publications and director of music at Notre Dame de Chicago Parish, Chicago, Illinois.

Berta SabrioDirector of Liturgy and Music at St. Francis of As-sisi Catholic Church, Fulton, Maryland; Chair of the Liturgical Music Committ ee, Archdiocese of Baltimore; Co-Chair 2018 NPM Annual Conven-tion, Baltimore, Maryland.

Greg SchafferPrincipal Organist and Choirmaster at the Cathedral Basilica of the Assumption, Covington, Kentucky.

Dan SchutteComposer-in-residence at the University of San Francisco and composer of some of the most cel-ebrated songs for worship, including “Here I Am, Lord,” “City of God” and "Sing a New Song”—to name a few.

Audrey SeahDoctoral canidate in theology, liturgical studies at the University of Notre Dame.

191191 RE

FE

RE

NC

E

Roy SpicerDirector of Liturgy and Music for St. Barbara Parish at Old Mission Santa Barbara in Santa Barbara, California.

Curtis StephanMusic director for St. Ann’s Parish in Coppell, Texas; 2006 Unity Award winner.

Emily StrandCampus Minister and Director of Liturgy at the University of Dayton for 7 years, including teach-ing courses on Catholicism and Catholic liturgy. Serves on the Worship Commission for the Archdiocese of Cincinnati; speaks at parishes on liturgy and the Paschal Mystery, and serves her parish in Columbus, Ohio, as a lector and choir member.

Jane TerwilligerProducer, composer, arranger, and editor of music for worship; parish music leader.

Rita ThironExecutive Director of Federation of Diocesan Liturgical Commissions, formerly of Diocese of Lansing, Michigan, where she served in the Offi ce of Worship. Received master's in liturgical studies from the University of Notre Dame.

Lynn TrappConcert organist, liturgical pianist, conductor, composer, author, Director of Liturgy and Music St. Joseph Church, Baltimore, Maryland.

Gordon TruittSenior editor for NPM’s publications; has worked for liturgical renewal at the parish, archdiocesan, and national levels; holds a doctorate in sacred theology from the pontifi cal faculty at The Catho-lic University of America, Washington, DC.

Paul TurnerPastor of St. Anthony Parish in Kansas City, Missouri, and director of the Offi ce of Divine Worship for the Diocese of Kansas City-St. Joseph.

Lou ValenziDirector of Music Ministries, St. James Parish Sewickley, Pennsylvania.

Chris WalkerComposer, conductor, liturgist and world-travel-ing speaker.

The NPM Youth Music Ministry Institute is a collaborative effort between the Archdiocese of Cincinnati

and NPM. We hope this youth institute will be the first of many as we seek to inspire and draw into the

NPM family future pastoral musicians.

192192

RE

FE

RE

NC

E

193193 RE

FE

RE

NC

E

NPM 2017 CONVENTION ACKNOWLEDGEMENTS

Magnificat Concert Sponsor Robert and Debra Chavez

Musical Safari Sponsors Phyllis Doerger Reverend Terence HamiltonReverend Norman LangenbrunnerCarrie and Marcus Yearwood

YMMI Donors Community of the Good Shepherd Choir Jeff Dundon Jack Garner Knights of Columbus, St. Maximilian Kolbe Memorial Donors for Rick Foegler and Janet Poulin

General Donors Bernadine Hafner Fr. Hilarion Kistner, ofm, Franciscan Friars of St. John the Baptist Province

Gifts In-Kind Chipotle Choristers Guild Earthsongs Choral Music Federal Equipment Company (Alex Helmes, Doug Ridenour) GIA Kroger Lorenz Publications Marklin Candles Meyer·Vogelpohl Company Millennium Business Systems Planes Moving and Storage Skyline Chili Snyders of HanoverTwigtree, LTD.Verdin & Co. (Jim Verdin, Dewey Kuhn)

Special Thanks To our anonymous donors—you know who you are!

To the Archdiocese of Cincinnati central offi ces and to the many members of the local Churches of Cincinnati and Covington for all their hard work in making NPM 2017 a fantastic convention.

194194

RE

FE

RE

NC

E

To the many parishes, schools, and other institutions who lent us equipment, banners, furnishings, and so much more.

To Fr. Jan Schmidt, the staff and parishioners of St. Peter in Chains Cathedral for the use of their facilities throughout the week.

To St. Maximilian Kolbe Parish, for tremendous hospitality in the convention planning process.

To our local churches who hosted events for the convention: • Liturgical Space Tour – St. Boniface, St. Michael, St. Francis de Sales, St. Columban • Organ Crawl – Christ Church, Hyde Park Community United Methodist Church, Plum Street

Temple, St. Peter in Chains Cathedral • Sacred Music to Fill a Sacred Space – Covington Cathedral Basilica • Lunchtime Organ Recital and Organ Master Class – Christ Church Cathedral • Notre Dame Children’s Choir – First Covenant Presbyterian Church • Magnifi cat and Youth Music Ministry Institute Concert – St. Peter in Chains Cathedral

To the many, many committ ee volunteers who put in numerous hours of their time planning, organizing, and creating in preparation for the convention.

To the following convention leaders (Core Committ ee members, with Chair in bold): • Facilities: Paul Bresciani, Janet Bresciani, Matt Spencer • Liturgy: Mary Bellman, Fr. Steve Walter, Brian Bisig, Michael Johnson, Susan Quirk • Hospitality: Ellen Garmann, Cathy Magness, Diana Goett emoeller, Rachel Sagona, Michele

Goodpaster • Registration/Convention Bag/Banking: Tim McManus, Julie Borgerding, Velma Lehmann,

Pam Wurtz ler, Pam Chiappone • Showcases/Publicity: Carol Quackenbush, Steve Homan, Angie Willman, Jan Martin • Special Events: Kevin Samblanet, Fr. Bernie Weldishofer, Fr. Tim Kallaher, Michael Dailey,

Blake Callahan, Ed Winkofsky • Core Committ ee Support/Convention Offi ce: Mary Ella Wielgos & Kathy Schmidt • Stewardship/Volunteers: Ron Miller, Alex Bonner, Amy Noykos, Katie Barton, Jeff Dundon • Archdiocesan Director of Music: Anthony DiCello • Musical Safari: Chuck Ciccia & Tammy Silvestri • Youth Music Ministry Institute: Bob Wurzelbacher & Noelle Collis-DeVito • Handbell Festival: Helen Mondi • Clergy Day: Fr. Ed Burns & Fr. Ross Kelsch • Convention Chairs: Karen Kane & Jeremy Helmes

We also thank our industry partners who have supported us for these fi rst 40 years. The partner-ship and support of these friends allows us to bring a quality convention to you, our members. Please stop by their exhibit booths and thank them for their support.

195195 RE

FE

RE

NC

E

Steinway & Sons, and Peter Wagner for pianos used throughout the Convention Center and Millennium Hotel.

The Verdin Company and Dewey Kuhn for the organ used in the Grand Ballroom in the Convention Center, the NPM Bell, digital pianos for ambient music, and the Carillon used in the Convention Center.

Allen Organ Co. for the organ used in the Junior Ballroom for the Handbell Festival.

Johannus Organs–US for the organ featured in breakouts.

Rodgers Organs for the organ featured in breakouts.

Peter and Elias Bahou and Peter’s Way Tours for their generous sponsorship of the DMMD Social, and the coff ee and donuts fellowship at the NPM Members’ Meeting.

Litt le Books of the Diocese of Saginaw, Inc. for sponsoring the convention tote bag, and the coff ee and donuts fellowship at the NPM Members’ Meeting.

John Hale and Corporate Travel for their generous sponsorship of the Chapter Directors' Luncheon and the DMMD Members’ Luncheon.

Dr. John Gennantonio, and Sea of Smiles Pediatric Dentistry for generously printing the program for the Peace! Concert.

GIA Publications, Inc. for sponsoring event 02-01 The Old Gravel Road: Story Telling and Songs from the Heartland with Jeanne Cott er, Michael Cott er, and Tony Alonso, Taizé Prayer, and the presence of Tony Alonso, David Anderson, Jeanne Cott er, Kate Cuddy, Chris de Silva, Bonnie Faber, Marty Haugen, Francis Patrick O’Brien, Philip Roberts, and Lynn Trapp.

ILP Publications, Inc. for sponsoring event 04-02 Peace! Concert with E. Louis Canter, oef, and James Hughes and the presence of E. Louis Canter, oef, Roger Holtz , and Jane Terwilliger.

The Liturgical Press for sponsoring the presence of Barry Hudock, Diana Macalintal, and Paul Turner.

Liturgy Training Publications for sponsoring the presence of Christopher Ferraro, Danielle Noe, and Michael Ruzicki.

MorningStar Music Publishers for sponsoring event 04-01 Notre Dame Children's Choir Concert with Mark Doerries and the presence of Kelly Dobbs-Mickus, Mark Doerries, Mark Lawson, and Lynn Trapp.

OCP for sponsoring event 05-01 Praise and Worship Evening: Curtis Stephan, Iván Díaz with Spirit & Song artists, and the presence of Jaime Cortez, Bob Hurd, ValLimar Jansen, Columba Kelly, osb, Pedro Rubalcava, Dan Schutt e, Curtis Stephan, and Chris Walker.

World Library Publications for sponsoring Event 01-02 In Spirit and Truth: A Gospel Music Expe-rience with Cliff Pett y, Thomas Jeff erson, Richard Cheri, and Friends, and the presence of John Angott i, Craig Colson, Kathleen Demny, Peter Kolar, Mary Beth Kunde-Anderson, Rafael Moreno, and Mike Novak.

196196

RE

FE

RE

NC

E

Exhibitors at our 40th Annual Convention for the tangible expression of your faith in this Association and its purpose, by being an important part of this gathering and providing service to NPM members.

NPM members, associates of the music and arts community, clergy, and other convention participants for your vital support in this national eff ort to improve the quality of music and worship in our parishes.

All these and countless others without whose help, guidance, and encouragement this annual gathering of pastoral musicians and clergy could never have taken place.

Copyright Permissions NPM gratefully acknowledges all of the publishers and copyright holders who have granted us permission to reprint their music in this program book. No further reproduction may be made of any music contained in this booklet without the direct permission from the copyright holder. Every possible eff ort has been made by NPM to determine copyright holders and to secure their permis-sion to reprint the music contained in this program book. If any such rights have been inadvertently infringed, proper restitution will be made.

197197 RE

FE

RE

NC

E

INDEX TO ADVERTISERS

We would like to thank our many advertisers who made thisProgram Book possible, and we encourage you to review their ads,

and see how their services can support your music ministry!

Advertiser Page₍s₎ Allen Organ 158 Berning Publishing 6 Calvin Institute 26 Corporate Travel 76 Diapason 138 Digital Hermosa 196 Diocesan Publications 52 Johannus US 72 Liturgical Press 134 Meyer·Vogelpohl 66 Millennium Business Systems 118 Ministry Scheduler Pro 192 Notre Dame Sacred Music 68 OCP 16 Patrick J. Murphy 178 Peter's Way Tours 12 Rodgers Instruments 48 Twig Tree 52 The Verdin Company 172 Wicks Organ Company 71

The National Association of Pastoral Musicians off ers many specialprograms to support our members and others in music ministry.

See our ads throughout this program book.

198198

RE

FE

RE

NC

E

SEE YOU IN BALTIMORE, MARYLAND: JULY 9-13, 2018PRAISE GROW SERVE: BUILDING ON OUR HERITAGE

NPM National Convention

History

Year Location Theme1978 Scranton, PA Musical Liturgy Is Normative1979 Chicago, IL Prayer: Performance and Participation1981 Detroit, MI Claim Your Art1983 St. Louis, MO Remembering into the Future1985 Cincinnati, OH Blessed Are the Music Makers1987 Minneapolis/St. Paul, MN As Grain Once Scatt ered...1989 Long Beach, CA How Can We Keep From Singing1991 Pitt sburgh, PA Singing A New Church1993 St. Louis, MO The Rhythm of Time...in Faith1995 Cincinnati, OH As A Story Handed Down1997 Indianapolis, IN Sing The God Of Justice1999 Pitt sburgh, PA “Now is the Acceptable Time...”2001 Washington, DC Musical Liturgy Transforms2003 Cincinnati, OH Christ Present...When the Church Prays and Sings2005 Milwaukee, WI That Your Joy May Be Complete2007 Indianapolis, IN That All May Be One2009 Chicago, IL Sing to the Lord!2010 Detroit, MI Hope & Harmony2011 Louisville, KY Sing a New Song2012 Pitt sburgh, PA Renew the Face of the Earth2013 Washington, DC Participation: Liturgy, Life, Mission2014 Saint Louis, MO Proclaim Good News2015 Grand Rapids, MI Called to Joy and Hope2016 Houston, TX The Church Sings La Iglesia Canta2017 Cincinnati, OH Formed As One: Union of Voices, Unity of Hearts

M B !

Immediately following Convention Eucharist with optional seating

by Chapter

NEW M

B ! 75 minute in-depth presentations and

discussions offered in varying formats

KEYNOTES

Fr. James Martin, Author, editor of “America” Magazine @JamesMartinSJ

ValLimar Jansen Singer, composer, storyteller vallimar.com

Robert Feduccia Speaker, author @robertfeduccia

Bishop Frank Caggiano Bishop of Bridgeport, Connecticut @BishopCaggiano

Deacon Thom Winninger Speaker, author Winninger.com

CONCERTS G M F M. Roger Holland, II Clinician and Conductor

C A B

performing at America’s first cathedral under the direction of Ed Polochick DMMD I Jerry Blackstone, Grammy award winning clinician and conductor, joins the Director of Music Ministries Division for the culminating event of their institute at the Cathedral of Mary our Queen

NPM 40th ANNUAL CONVENTION

SCHEDULE AT A GLANCE

Pre-Convention EventsSaturday, July 8 Page9:00 am Handbell Festival Begins

Sunday, July 99:00 am Handbell Festival, continued4:00 pm Registration Opens 11

Monday, July 108:00 am Liturgical Space Tour (board buses at 7:30) 188:00 am Organ Crawl (board buses at 7:30) 189:00 am Pastoral Liturgy Institute 19 Children's Choir Director Institute 19 Master Classes and Clinics 20 Leadership Retreat 21 Young Adult Retreat 2110:00 am Music Industry Showcase I 2210:00 am NPM Chapter Directors’ Meeting and Luncheon 22noon Orientation for First-Time Att endees 23noon Cantor Certifi cate Writt en Adjudication 232:00 pm NPM Interest Section Meetings 25

Opening of the Convention3:00 pm Convention Opening and Eucharist 295:00 pm Fostering the Art: A Celebration! 495:00 pm College-Age Gathering 497:00 pm Events 1 508:30 pm Events 2 5010:00 pm Opening Gala/Late-Night Expo 52

Tuesday, July 11 ~ T-Shirt Day7:00 am Mass Available, St. Peter in Chains Cathedral8:15 am Morning Prayer 559:00 am Plenum: Challenges to Unity 6510:00 am Exhibits Open10:30 am Breakout A ₍ends at 11:30 am) 69 Institutes, continued ₍end at noon₎ 67 DMMD Institute Begins ₍ends at 11:45 am) 67noon DMMD Members’ Meeting 73noon Cantor Brown Bag Lunch 7312:30 pm Lunchtime Organ Recital 7312:30 pm Lunchtime Piano Recital 731:30 pm Plenum Showcase I: WLP 773:00 pm Cantor Certifi cate Singing Adjudication 773:00 pm Piano Certifi cate Adjudication 773:00 pm Music Industry Showcase II 784:30 pm Plenum: Uniting the Body of Christ 805:30 pm Solemn Evening Prayer 816:30 pm Events 3 (Cincinnati Zoo) 90

Wednesday, July 127:00 am Mass Available, St. Peter in Chains Cathedral7:00 am Fun Run/Walk 938:15 am Morning Prayer 939:00 am NPM Members' Meeting 10310:30 am Exhibits Open

Wednesday, July 12 (continued) Page10:45 am Breakout B ₍ends at 11:45 am) 104 Institutes, continued ₍end at noon₎ 104 DMMD Institute ₍end at noon₎ 10412:30 pm Cantor Certifi cate Singing Adjudication 10712:30 pm Lunchtime Piano Recital 10812:30 pm Lunchtime Organ Recital 1081:30 pm Plenum Showcase II: GIA 1103:00 pm Breakout C ₍ends at 4:00 pm) 111 Institutes, continued ₍end at 5:30 pm₎ 111 DMMD Institute, Final Session

₍ends at 4:30 pm₎ 1113:00 pm Organist Master Class 1104:30 pm How to Form a Chapter 1134:30 pm Music Industry Showcase III 1147:00 pm Events 4 1169:00 pm Events 5 11710:30 pm Taizé Prayer 118

Thursday, July 13 ~ Clergy Day8:15 am Morning Prayer 1219:00 am Plenum: Union of Voices, Unity of Hearts 12810:00 am Exhibits Open, Final Session Silent Auction ends at 3:00 pm10:30 am Breakout D ₍ends at 11:30 am) 131 Institutes, continued ₍end at noon₎ 130noon Pastoral Musicians’ Luncheon 1331:30 pm Plenum Showcase III: OCP 1353:00 pm Cantor Certifi cate Singing Adjudication 1353:45 pm Events 6 1375:30 pm DMMD Social 1368:00 pm Convention Eucharist 139

Friday, July 148:15 am Morning Prayer 1619:00 am Plenum: Sing as Wayfarers Do. Move, but Keep on Singing! 16710:30 am Breakout E 169 Institutes, Final Session 172noon Closing and Re-Commissioning 173

RegistrationSunday 4:00 am–8:00 pmMonday 7:00 am–3:00 pm, 5:00 pm–8:00 pmTuesday 8:00 am–6:30 pmWednesday 8:00 am–5:00 pmThursday 8:00 am–5:00 pmFriday 8:00 am–9:00 am

Exhibit HoursMonday 10:00 pm–midnightTuesday 10:00 am–5:30 pmWednesday 10:30 am–6:00 pmThursday 10:00 am–6:30 pm

ennpm.org/wp-content/uploads/2017/08/programbook.pdf · en ’ l i nf o national ... npm has been,...

Documents