englishreading2eoc_2014

70
2014 TEXAS STAAR TEST END OF COURSE ENGLISH II Total Possible Score: 92 Needed Correct to Pass: 50 Advanced Performance: 79 Time Limit: 5 Hours This file contains the State of Texas Assessments of Academic Readiness administered in Spring, 2014, along with the answer key, learning objectives, and, for writing tests, the scoring guide. This document is available to the public under Texas state law. This file was created from information released by the Texas Education Agency, which is the state agency that develops and administers the tests. All of this information appears on the Texas Education Agency web site, but has been compiled here into one package for each grade and subject, rather than having to download pieces from various web pages. The number of correct answers required to "pass" this test is shown above. Because of where the "passing" score is set, it may be possible to pass the test without learning some important areas of study. Because of this, I believe that making the passing grade should not be considered "good enough." A student's goal should be to master each of the objectives covered by the test. The "Advanced Performance" score is a good goal for mastery of all the objectives. The test in this file may differ somewhat in appearance from the printed version, due to formatting limitations. Since STAAR questions are changed each year, some proposed questions for future tests are included in each year's exams in order to evaluate the questions. Questions being evaluated for future tests do not count toward a student's score. Those questions are also not included in the version of the test made available to the public until after they used as part of the official test. The test materials in this file are copyright 2014, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. Residents of the state of Texas may reproduce and use copies of the materials and related materials for individual personal use only without obtaining written permission of the Texas Education Agency. For full copyright information, see: http://www.tea.state.tx.us/index.aspx?id=6580 Questions and comments about the tests should be directed to: Texas Education Agency Student Assessment Division 1701 N. Congress Ave, Room 3-122A Austin, Texas 78701 phone: 512-463-9536 email: [email protected] Hard copies of the released tests (including Braille) may be ordered online through Pearson Education at http://www.texasassessment.com/publications/ or by calling 866-447-3577. When printing released questions for mathematics, make sure the Print Menu is set to print the pages at 100% to ensure that the art reflects the intended measurements. For comments and questions about this file or the web site, you can e-mail me at [email protected] . Please direct any questions about the content of the test to the Texas Education Agency at the address above. To download additional tests, go to www.scotthochberg.com . Provided as a public service by Former State Representative Scott Hochberg . No tax dollars were used for this posting.

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Page 1: EnglishReading2EOC_2014

2014 TEXAS STAAR TEST – END OF COURSE – ENGLISH II

Total Possible Score: 92 Needed Correct to Pass: 50 Advanced Performance: 79

Time Limit: 5 Hours

This file contains the State of Texas Assessments of Academic Readiness administered in Spring, 2014, along with the answer key, learning objectives, and, for writing tests, the scoring guide. This document is available to the public under Texas state law. This file was created from information released by the Texas Education Agency, which is the state agency that develops and administers the tests. All of this information appears on the Texas Education Agency web site, but has been compiled here into one package for each grade and subject, rather than having to download pieces from various web pages. The number of correct answers required to "pass" this test is shown above. Because of where the "passing" score is set, it may be possible to pass the test without learning some important areas of study. Because of this, I believe that making the passing grade should not be considered "good enough." A student's goal should be to master each of the objectives covered by the test. The "Advanced Performance" score is a good goal for mastery of all the objectives. The test in this file may differ somewhat in appearance from the printed version, due to formatting limitations. Since STAAR questions are changed each year, some proposed questions for future tests are included in each year's exams in order to evaluate the questions. Questions being evaluated for future tests do not count toward a student's score. Those questions are also not included in the version of the test made available to the public until after they used as part of the official test. The test materials in this file are copyright 2014, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. Residents of the state of Texas may reproduce and use copies of the materials and related materials for individual personal use only without obtaining written permission of the Texas Education Agency. For full copyright information, see: http://www.tea.state.tx.us/index.aspx?id=6580 Questions and comments about the tests should be directed to: Texas Education Agency Student Assessment Division 1701 N. Congress Ave, Room 3-122A Austin, Texas 78701 phone: 512-463-9536 email: [email protected] Hard copies of the released tests (including Braille) may be ordered online through Pearson Education at http://www.texasassessment.com/publications/ or by calling 866-447-3577.

When printing released questions for mathematics, make sure the Print Menu is set to print the pages at 100% to ensure that the art reflects the intended measurements. For comments and questions about this file or the web site, you can e-mail me at [email protected]. Please direct any questions about the content of the test to the Texas Education Agency at the address above. To download additional tests, go to www.scotthochberg.com.

Provided as a public service by Former State Representative Scott Hochberg.

No tax dollars were used for this posting.

Page 2: EnglishReading2EOC_2014

State of Texas Assessments of

Academic Readiness

STAAR®

English II

Administered April 2014

RELEASED

Copyright © 2014, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency.

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WRITING

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5HDG�WKH�VHOHFWLRQ�DQG�FKRRVH�WKH�EHVW�DQVZHU�WR�HDFK�TXHVWLRQ��7KHQ�¿OO�in the answer on your answer document.

Xavier recently read an interesting article about a famous cow. He has written this paper to share the story. Read Xavier’s paper and think about the revisions he should make. When you finish reading, answer the questions that follow.

Grady the Famous Cow

(1) In the 1940s it wasn’t unusual for a small-town newspaper to feature a

story about a cow. (2) People were interested in reading about cows that grew a

third horn, gave birth to triplets, or won a blue ribbon for producing especially

creamy milk. (3) But it wasn’t often that a news story about a cow was so

remarkable that it made national headlines for a week and the problem-solving

skills of people all over the country were engaged. (4) Ladies and gentlemen, meet

Grady.

(5) Grady the cow started out as a dependable, ordinary cow owned by a

farmer in Yukon, Oklahoma, named Bill Mach. (6) The six-year-old Hereford had

lived a peaceful life on Mach’s farm until one day in 1949 when Mach called in a

local veterinarian to assist Grady during a difficult birth. (7) Afterward Grady

became upset and ran toward the nearest source of light. (8) She probably

thought it was an exit from the barn. (9) Unfortunately, it wasn’t. (10) It was the

opening to a grain silo. (11) Remarkably, the 1,200-pound cow squeezed through

the tiny opening, which was as wide and tall as a newspaper page. (12) When they

peered inside the silo, they saw Grady calmly looking out at them. (13) Sadly, they

had no idea how to get her out.

(14) A local newspaper reporter,

concerned for the cow, wrote of

Grady’s plight and asked readers to

suggest ideas for freeing her.

(15) Surprisingly, hundreds of

suggestions came in from all over the

United States and Canada. (16) Some

people said that Mach should tunnel

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A Grain Silo

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into the silo. (17) Others thought he should tear down the silo or use a helicopter

to airlift Grady out.

(18) Three days into Grady’s ordeal, a Denver Post editor who specialized in

articles on farming phoned Mach. (19) The editor, Ralph Partridge, announced that

he was coming to Yukon to free Grady. (20) What was Partridge’s foolproof plan?

(21) He would smear Grady with grease and push her out the way she had come in.

(22) First Partridge built a ramp inside the silo from the floor to the door. (23) Then

he and an assistant climbed inside the silo and attached a thick leather strap, or

halter, to Grady. (24) They covered the halter, Grady, and the opening to the silo

with a thick coating of axle grease and attached ropes to the halter. (25) With a

push from behind and a pull from the front, Grady popped right out. (26) Aside

from some minor scrapes, she was just fine.

(27) Grady’s hometown just happened to be on Route 66, a highway famous

for its unusual tourist attractions. (28) Bill Mach decided to post a sign on the

highway, declaring Yukon Grady’s home. (29) In time Grady became a bit of a

celebrity. (30) She was the subject of two children’s books and was featured in

Time magazine. (31) For many years people told the story of Grady the cow.

(32) She was quite a cow, so people enjoyed telling her story.

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1 What is the most effective revision to make in sentence 3?

A But it wasn’t often that a news story about a cow was so remarkable that it made national headlines for a week, so the problem-solving skills of people all over the country were engaged.

B But it wasn’t often that a news story about a cow was so remarkable that when engaged, it made national headlines for a week with the problem-solving skills of people all over the country.

C But it wasn’t often that a news story about a cow was so remarkable that it made national headlines for a week and engaged the problem-solving skills of people all over the country.

D No revision is needed in sentence 3.

2 What is the most effective way to combine sentences 7 and 8?

F Afterward Grady became upset and ran toward the nearest source of light, probably thinking it was an exit from the barn.

G Afterward Grady, who became upset and ran toward the nearest source of light, probably thought it was an exit from the barn.

H Afterward Grady became upset because she probably thought it was an exit from the barn and ran toward the nearest source of light.

J Afterward Grady became upset and ran toward the nearest source of light, she probably thought it was an exit from the barn.

3 Sentence 12 lacks clarity. What is the best way to improve this sentence?

A Change When they to When Mach and the veterinarian

B Change peered to glanced

C Change they saw to he saw

D Change looking out to staring

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4 Xavier would like to add some sentences to help transition from the third paragraph (sentences 14–17) to the fourth paragraph (sentences 18–26). Which of the following could Xavier add after sentence 17?

F A helicopter could be dangerous. Obviously, it would be costly.

G Should they tear it down? Should they use a helicopter?

H People from all around the country had ideas that they wanted to share. Some were good; others not so much.

J Each suggestion had its own problems. And in the meantime Grady remained stuck.

5 Xavier realizes that he should have added the following sentence to the fourth paragraph (sentences 18–26).

One newspaper highlighted Partridge’s arrival, claiming that he was coming with “secret cow-freeing equipment.”

Where is the most effective place to insert this sentence?

A After sentence 18

B After sentence 19

C After sentence 22

D After sentence 24

6 Xavier would like to improve the closing paragraph (sentences 27–32) by replacing sentence 32. Which of the following could best replace sentence 32 and help strengthen this paper’s closing?

F Grady the cow had been such an unassuming animal.

G In fact, as you can tell, I’m telling the story of this magnificent and unusual cow even now!

H For the rest of her life, Grady lived on Mach’s farm.

J It was the unique tale of a cow’s rescue, but it was also an inspiring story of American ingenuity and determination.

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5HDG�WKH�VHOHFWLRQ�DQG�FKRRVH�WKH�EHVW�DQVZHU�WR�HDFK�TXHVWLRQ��7KHQ�¿OO�in the answer on your answer document.

Brianna read about an increase of skin cancer among young people. She wrote the following paper to persuade readers to protect their skin. Read Brianna’s paper and look for any revisions she should make. Then answer the questions that follow.

The Skin You’re In

(1) Throughout childhood, kids are encouraged to take good care of their

bodies by getting adequate rest, exercising regularly, eating healthful foods, and

drinking plenty of water. (2) But recently a new directive has been added to that

list. (3) Children and teenagers are now warned to protect their skin.

(4) Melanoma, an invasive cancer of the skin, is the second most common

form of cancer for people ages 15 to 29. (5) Unfortunately, the risk of developing

it has increased in recent years. (6) One of the most significant contributors to

melanoma is ultraviolet (UV) radiation damage. (7) Scientists think that some of

this damage is directly linked to the use of tanning beds. (8) Proponents of

tanning beds claim that they are safe because the lightbulbs these beds use

produce more UVA radiation than UVB radiation. (9) Early studies suggested that

UVA rays weren’t as harmful to the skin since they weren’t as likely to produce

sunburns. (10) Instead, scientists now know that both forms of radiation are

dangerous. (11) According to the World Health Organization’s International Agency

for Research on Cancer (IARC), the use of tanning beds before age 30 is associated

with a 75-percent increase in melanoma risk. (12) The IARC has recently moved

UV tanning beds to the highest cancer risk category, labeling them as “carcinogenic

to humans.” (13) They simply are not, as some enthusiasts suggest, a safe way to

tan.

(14) Clearly, avoiding tanning beds is one way teens can protect their skin, but

they must do more. (15) They need to protect themselves from too much sun

exposure as well. (16) Doctors say that to avoid overexposure to the harmful rays

of the sun, young people should stay indoors between 10 a.m. and 2 p.m., when the

rays are the strongest. (17) This is especially true for those who live in the South

or Southwest, since areas nearer to the equator are closer to the sun. (18) When

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teens have to be outdoors during these peak hours, they should use a broad-

spectrum sunscreen, one that provides maximum protection from both UVA and

UVB rays.

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(19) Prevention is the most effective weapon in the battle against melanoma,

but paying close attention to the skin is also vital. (20) Melanoma often begins as

a mole or a bump on the skin. (21) If it’s caught before it spreads below the skin’s

surface, it’s highly curable. (22) That’s why teens should watch for new moles and

note any unusual characteristics of or changes to existing moles. (23) If they see

anything that looks suspicious, they should make an appointment with a

dermatologist right away. (24) Although few moles actually develop into

melanoma, by carefully examining cells from the suspicious mole, only an expert

can determine under a microscope whether a person is at risk.

(25) Teens who continue to bake in the sun to achieve that perfect tan should

realize the potential consequences of their behavior. (26) Is a sun-kissed look

really worth the risk of melanoma? (27) It’s not too late to change your habits and

reduce your exposure to harmful UV rays. (28) Do something now.

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7 Brianna realizes that she did not include a position statement in this paper. Which sentence could follow sentence 3 and serve as the position statement for her paper?

A Teenagers must stop lying in the sun, or they will be sure to experience grave consequences.

B Overexposure to tanning beds and natural sunlight has caused huge problems for men and women.

C There are many ways that people can begin to learn more about protecting their skin.

D Skin cancer is on the rise among young people, and teens should make some basic lifestyle changes to help slow this trend.

8 Brianna has not used the most effective transition in sentence 10. Read the second paragraph (sentences 4–13) again. Which transition should replace the word Instead in sentence 10?

F Incidentally

G However

H Finally

J Additionally

9 Which sentence below would best follow and support sentence 15?

A Adequate protection is vital because just one blistering sunburn in childhood or adolescence greatly increases a person’s risk of developing melanoma later in life.

B So teens must learn to avoid tanning beds, but they must also learn to stay out of the sun during the summer.

C Sun exposure can be life threatening to people who have lighter skin, but everyone should learn to be cautious in the sun.

D There are many ways to achieve this goal that teens will surely want to investigate.

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10 What is the most effective revision to make in sentence 24?

F Although few moles actually develop into melanoma, only an expert can determine whether a person is at risk and is carefully examining cells from the suspicious mole under a microscope.

G Although few moles actually develop into melanoma, only an expert can determine whether a person is at risk by carefully examining cells from the suspicious mole under a microscope.

H Although few moles actually develop into melanoma, only an expert under a microscope can determine whether a person is at risk by carefully examining cells from the suspicious mole.

J No revision is needed in sentence 24.

11 Brianna is not pleased with the way she has closed her paper. Which of the following could replace sentence 28 and more effectively close this paper?

A It’s time to reduce your exposure, even if you don’t want to.

B In closing, it’s important that you make changes so that you won’t get melanoma.

C Everyone is doing it now, so join the crowd and protect yourself.

D Take action now to protect your skin and avoid this life-threatening disease later.

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5HDG�WKH�VHOHFWLRQ�DQG�FKRRVH�WKH�EHVW�DQVZHU�WR�HDFK�TXHVWLRQ��7KHQ�¿OO�in the answer on your answer document.

Natalia wrote the following essay in response to a history assignment. Read Natalia’s paper and look for the corrections she should make. Then answer the questions that follow.

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(1) With his flowing hair, thick mustache, and long goatee, the rider was an

impressive man. (2) Sitting high in the saddle on a white stallion, he made a grand

entrance. (3) The horse reared, and the man waved his Stetson hat to the

audience. (4) What a sight he was in his tall, polished boots, beaded gloves, and

fringed jacket! (5) As he dismounted and bowed, the crowd roared its approval.

(6) The spectators were cheering for “Buffalo Bill” Cody the ultimate showman and

the host of the renowned Wild West Show.

(7) An adventurous life led William Frederick Cody to the stage. (8) Born in

the Iowa Territory in 1846, he grew up on the prairie. (9) At age 14 he noticed an

ad for a pony express rider. (10) The ad stated that the rider must be willing to

risk death daily. (11) Cody landed the job and joined a team of brave young men

who carried packages and mail across dangerous western terrain. (12) When the

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Civil War broke out, he rode as a Union scout and later in the cavalry. (13) At age

21 he hunted buffalo to provide meat for the Kansas Pacific Railroad construction

crews. (14) In time, Cody was declared the most proficient buffalo hunter on the

plains, eventually earning the nickname Buffalo Bill. (15) An author who wrote

under the pen name Ned Buntline then made the character Buffalo Bill the hero of

their novels.

(16) In 1883, Cody took his larger-than-life personality to the stage by putting

together a spectacular show. (17) Part history lesson and part circus, the outdoor

pageant reenacted scenes from Americas’ frontier. (18) There were dramatizations

of stagecoach robberies, frontier battles, and buffalo hunts. (19) Cody cast some

of the West’s most well-known figures. (20) For example, Sitting Bull, the famous

Lakota Sioux chief, joined the show for a season. (21) Popular Texan cowboys Bill

Pickett and Buck Taylor were also part of the troupe.

(22) Cody created some new stars, too. (23) In 1885 his extravaganza

introduced a petite, young Ohio woman who was an expert sharpshooter.

(24) Phoebe Ann Moses took the stage name Annie Oakley and soon became an

audience favorite. (25) Oakley, who was nicknamed “Little Sure Shot,” toured the

world with the cast. (26) An advocate for women’s rights, Buffalo Bill made sure

that Oakley and the cast’s other cowgirls earned wages comparable to those of the

cowboys.

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(27) Buffalo Bill became a symbol of the West, and his spectacular show

became world famous. (28) It was a hit in Europe, in Canada, and across the

United States. (29) In Texas alone, the show played in Abilene, Austin, Dallas,

El Paso, Houston, San Antonio, Waco, and 40 other cities and towns.

(30) When the Wild West Show disbanded just before World War I. (31) It was

declared the most successful traveling show of all time. (32) Unfortunately,

however, Cody had been a far better showman than businessman. (33) Before his

death in 1917, he had lost almost all his money. (34) Although his fortune was

gone, he continued to take great pride in his accomplishments. (35) It was

reported that Buffalo Bill’s final words were “Let my show go on!”

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12 What change should be made in sentence 6?

F Insert he was after Cody

G Insert a comma after Cody

H Change renowned to renownned

J No change should be made.

13 How should sentence 9 be changed?

A Change noticed to notices

B Change for to it was for

C Change pony express to Pony Express

D Sentence 9 does not need to be changed.

14 What change should be made in sentence 15?

F Insert a comma after Buntline

G Change made to making

H Change their to his

J No change should be made.

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15 What change should be made in sentence 17?

A Change Part to It was part

B Delete the comma

C Change pageant to pagent

D Change Americas’ to America’s

16 What is the correct way to write sentences 30 and 31?

F When the Wild West Show disbanded just before World War I, it was declared the most successful traveling show of all time.

G The Wild West Show disbanded just before World War I. Having been declared the most successful traveling show of all time.

H The Wild West Show disbanded just before World War I, at that time it was declared the most successful traveling show of all time.

J The sentences are written correctly in the paper.

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5HDG�WKH�VHOHFWLRQ�DQG�FKRRVH�WKH�EHVW�DQVZHU�WR�HDFK�TXHVWLRQ��7KHQ�¿OO�in the answer on your answer document.

In response to a class assignment, Alisha has written the following literary essay. Read Alisha’s paper and look for any corrections she should make. When you finish reading, answer the questions that follow.

From Disappointment to Purpose

(1) I’m known for my determination. (2) If I want something, I go for it; I

refuse to give up until I succeed. (3) Over the years this attitude has worked good

for me and helped me achieve my goals. (4) For example, when I wanted to be on

the dance team at school, I learned all the dances and practiced until I could

barely move. (5) When I wanted to play an instrument, I borrowed my dad’s

guitar and sat for hours teaching myself the basic chords. (6) And when I wanted

money for a new computer, I washed cars, babysat, and walked dogs for all my

neighbors. (7) But this year everything changed, I had set my sights on a summer

job that I was determined to get. (8) I could already see myself depositing my

weekly checks and building up my savings. (9) Unfortunately, I wasn’t offered the

job. (10) But from that disappointment I learned a very valuable lesson.

(11) My friends and I had all planned to work at the Water Zone. (12) We had

visited this park every summer for the past several years and had dreamed about

working there together once we were old enough. (13) Park employees could go

on the water rides after their shift and get free food at the snack bar. (14) It was

the perfect job to have on hot summer days. (15) So just as I had attacked every

goal in the past, I set out to land a job at the Water Zone. (16) I completed the

application in my neatest handwriting, carefully prepared for my interview, and

gathered a stack of recomendation letters. (17) I was certain that no obstacle

could keep me from my dream job.

(18) Three days after my interview, the manager of the Water Zone calls.

(19) He told me that there had been so many applicants that he could hire only

those with experience in water safety. (20) I was devastated. (21) Apparently,

while I had been busy washing cars, babysitting, and walking dogs, my friends had

been earning their lifeguard certification and working at neighborhood pools.

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Page 18

(22) I would be the only one of us not working at the Water Zone. (23) I felt like a

failure.

(24) With no dream job secured, I let my neighbors know that I would again

be available for summer babysitting and other chores. (25) On the last weekend

before school ended for the summer, my piano teacher, Mrs. Keller, called me.

(26) She wondered whether I would be interested in an opening at her daughter’s

summer day camp. (27) I decided that I had nothing to loose, so I called the

manager and scheduled an interview. (28) She was impressed by my babysitting

experience and references and offered me a job on the spot. (29) In less than a

week, I had completely forgotten about wanting to work at the water park.

(30) Each time I comforted a little boy who missed his mother or a little girl who

needed help tying her shoes, I felt I was doing something significant. (31) I

realized that I had discovered my life’s purpose: to work with children. (32) I now

have a new goal. (33) I’m going to study to become an elementary school teacher.

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(34) Sometimes in life we don’t get exactly what we want. (35) Our dream

guy or girl may not be interested in us. (36) The coach may not select us for the

team. (37) A certain employer may not choose to hire us. (38) When something

like this happens, it’s natural to feel disappointed; I sure did. (39) But I also

learned an important lesson. (40) Occasionaly, when we don’t get what we want,

something even better is waiting for us around the corner!

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17 What change should be made in sentence 3?

A Change years to year’s

B Change good to well

C Change achieve to acheive

D No change should be made in sentence 3.

18 What change should be made in sentence 7?

F Change the comma to a period

G Change set to setted

H Change determined to determinned

J No change should be made in sentence 7.

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Page 20

19 How should sentence 16 be changed?

A Change completed to completted

B Delete the comma after handwriting

C Change carefully prepared to I carefully prepared

D Change recomendation to recommendation

20 What change should be made in sentence 18?

F Change days to day’s

G Change the comma to a semicolon

H Change calls to called

J No change should be made.

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21 What change needs to be made in sentence 27?

A Change I decided to Deciding

B Change had to hadn’t

C Change loose to lose

D Change an to a

22 What change needs to be made in sentence 40?

F Change Occasionaly to Occasionally

G Delete the comma after want

H Change even better to even more better

J No change needs to be made.

BE SURE YOU HAVE RECORDED ALL OF YOUR ANSWERS ON THE ANSWER DOCUMENT.Page 21

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WRITTEN COMPOSITION: Persuasive

Read the following quotation.

The more that you read, the more things you will know. The more that you learn, the more places you’ll go.

—from I Can Read With My Eyes Shut! by Dr. Seuss

Think carefully about the following statement.

According to Dr. Seuss, knowledge leads to new opportunities.

Write an essay stating your position on whether learning always has a positive effect on a person’s life.

Be sure to —

state your position clearlyuse appropriate organizationprovide specific support for your argumentchoose your words carefullyedit your writing for grammar, mechanics, and spelling

Page 22

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Page 23

USE THIS PREWRITING PAGE TO PLAN YOUR COMPOSITION.

MAKE SURE THAT YOU WRITE YOUR COMPOSITION ON THE LINED PAGE IN THE ANSWER DOCUMENT.

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Page 24

USE THIS PREWRITING PAGE TO PLAN YOUR COMPOSITION.

MAKE SURE THAT YOU WRITE YOUR COMPOSITION ON THE LINED PAGE IN THE ANSWER DOCUMENT.

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READING

Page 25

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Page 26

Read the next two selections and answer the questions that follow.

Tehuelcheby Gustavo Bondoni

1 “What’s wrong with her?”

2 “We don’t know.”

3 Dr. Alejandro Benetti shook his head in frustration. Every time an economic opportunity convinced him to leave the capital, it was the same story. Small-town nurses were always extremely willing and helpful, but their training left a lot to be desired. The further one got from Buenos Aires, the worse it became, and when one reached small resort towns in Patagonia, it was necessary to keep a close eye on the staff, for the patients’ sake.

4 “Is she showing any symptoms?”

5 “No, the people at the home brought her in because they say she wasn’t looking well. I looked her over, and she seems to be healthy—but very, very old.” Carlos Ramírez was one of the better nurses the doctor had encountered, but perhaps it was just his turn to show the gaps in his preparation.

6 “Did you ask her what was wrong?”

7 “Of course, but . . . She doesn’t speak any Spanish.”

8 “A foreigner?” It wouldn’t have surprised Alejandro at all. During the winter months, Esquel filled up with Brazilians and Europeans, though why an old lady would come to ski or practice extreme sports was beyond him.

9 “No. She was born ten kilometers away. She’s Tehuelche.”

10 “Tehuelche?”

11 He shrugged. “The natives that used to live here. They’re all gone now.”

12 “Let me see her.”

13 The old woman was just as advertised. Her dark face was lined with chasms and crevasses which deepened as she smiled. There seemed to be nothing outwardly amiss, yet the director of the nursing home had been adamant that there was something wrong with her.

14 Alejandro’s examination brought no obvious problems to light, and his questions, asked out of habit, received incomprehensible replies or sad

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smiles. Out in the corridor again, he cornered Carlos and the director of the nursing home. “Is there anyone who speaks Tehuelche?”

15 The director, a fiftyish woman with platinum hair, replied. “No. We’ve never needed it before, since she was speaking Spanish perfectly until yesterday. We don’t even know if what she’s speaking is actually even Tehuelche or just gibberish.”

16 Well, at least now Alejandro knew what had been disturbing the director so badly. When one of your patients suddenly forgets how to communicate with you, you look for an expert opinion.

17 “Well, does she have any family? Someone who might know how to talk to her?”

18 “She has one adult granddaughter who lives in Buenos Aires. We’ve gotten in touch with her and she’s flying in tomorrow.” The director hesitated. “We’d prefer it if she stayed in the clinic tonight.”

19 Alejandro sighed. The nursing home was covering its bases—if the old woman died, they’d have nothing to do with it. Worse, there was no point in arguing, because the director probably knew someone on the city council who had a cousin on the hospital’s board . . .

20 He just hoped the granddaughter could be of some use.

***

21 Designer clothes? Blue eyes? “You don’t look much like your grandmother.”

22 Jimena smiled. “A Welsh grandfather and an Italian mother will do that to you.”

23 “Have they told you the situation?”

24 She nodded. “I don’t think I can help much, but I want to be there for her.”

25 “Do you speak Tehuelche?”

26 Jimena laughed, a tinkling, pleasant sound that cut through her concern and brightened her features. “You don’t know much about the Tehuelche people, do you?”

27 “Well, I know what kills them, and how to keep that from happening. Everyone is pretty much the same on the inside, you know.”

28 Her face spoke her disbelief, and she went on. “Tehuelche is a dying language. A few years ago, there were four native speakers, all very old. I

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haven’t seen any new statistics lately, but it might be safe to assume that my grandmother is the last one alive. She’s ninety-three, you know.”

29 “I didn’t know. The home said she was in her late eighties.”

30 “Can I see her?”

31 “She’s right there,” Alejandro said, pointing towards the door to the only private room in the clinic. They hadn’t wanted to put her in a ward, and there were hardly any other patients in residence. “She didn’t touch her breakfast this morning.” And she looks a lot worse than she did yesterday, he didn’t say.

32 The woman nodded silently, the veil of concern down again. Impulsively, Alejandro followed her into the room and stood silently just inside the door as the woman spoke softly to the wrinkled woman on the bed. Jimena’s words were in Spanish, but the replies were impossible to understand.

33 No recognition shone in the grandmother’s eyes, and the smile was the same as the one she’d given the doctor. There was little time left to her, and nothing outwardly wrong that he could detect. Perhaps the bloodwork would show something, but it would be two days before that came back from Bariloche.

34 Then it hit him. The scratchy sounds the woman was making might represent the last time the Tehuelche language was spoken on the face of the Earth. How long had it lasted? A thousand years? Two thousand?

35 He wanted to take Jimena by the shoulders, shake her and tell her to appreciate the importance of the moment, to drink in every sound, to keep the woman talking as long as she could. But that would be inhuman: Jimena was losing her grandmother.

36 But what the world was losing was priceless. He was inured to death and illness, but had never been present at anything of this magnitude.

37 So Dr. Alejandro Benetti stood just inside the door in a tiny clinic, a thousand miles from Buenos Aires, and listened harder than he’d ever listened to anything in his life.

“Tehuelche” by Gustavo Bondoni, first published in EveryDayFiction.com, June 10, 2010. Copyright © 2010 by Gustavo Bondoni. Used by permission of author.

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Linguist on Mission to Save Inuit “Fossil Language” Disappearing with the Iceby Mark Brown The GuardianAugust 12, 2010

1 Stephen Pax Leonard will soon swap the lawns, libraries and high tables of Cambridge University for three months of darkness, temperatures as low as –40°C and hunting seals for food with a spear.

2 But the academic researcher, who leaves Britain this weekend, has a mission: to take the last chance to document the language and traditions of an entire culture.

3 “I’m extremely excited but, yes, also apprehensive,” Leonard said as he made the final preparations for what is, by anyone’s standards, the trip of a lifetime.

4 Leonard, an anthropological linguist, is to spend a year living with the Inughuit people of northwest Greenland, a tiny community whose members manage to live a similar hunting and gathering life to their ancestors. They speak a language—the dialect is called Inuktun—that has never fully been written down, and they pass down their stories and traditions orally.

5 “Climate change means they have around 10 or 15 years left,” said Leonard. “Then they’ll have to move south and in all probability move in to modern flats.” If that happens, an entire language and culture is likely to disappear.

6 There is no Inughuit written literature but a very strong and “distinctive, intangible cultural heritage,” according to Leonard. “If their language dies, their heritage and identity will die with it. The aim of this project is to record and describe it and then give it back to the communities themselves in a form that future generations can use and understand.”

7 The Inughuits thought they were the world’s only inhabitants until an expedition led by the Scottish explorer John Ross came across them in 1818.

8 Unlike other Inuit communities they were not significantly influenced by the arrival of Christianity in Greenland—so they retain elements of a much older, shamanic culture—and their life is not very different now to how it always has been. Many of the men spend weeks away from home hunting seals, narwhal, walruses, whales and other mammals. And while they have tents, they still build igloos when conditions get really bad.

9 Their language is regarded as something of a linguistic “fossil” and one of the oldest and most “pure” Inuit dialects.

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10 Leonard was yesterday saying goodbye to family and friends in Eastbourne. On Sunday he flies to Copenhagen—“it’s the only place you can buy a Greenlandic-Danish dictionary”—and then it’s off to Greenland, taking two internal flights to get to the main Inughuit settlement in Qaanaaq on the northwest coast of Greenland, north of Baffin Bay.

11 There, Leonard expects to hone his linguistic skills and build contacts for seven or eight months before moving to the most traditional Inughuit outpost in Siorapaluk, the most northern permanently inhabited settlement in the world, where about 70 Inughuit live. It will be here that Leonard hopes to hear the storytelling that lies at the heart of the culture.

12 Leonard’s interest in the Inughuits began 10 years ago when he read Marie Herbert’s book The Snow People, an account of life with the Inughuits, but it is only recently that he learned how imminent the threat is to their way of life and their culture.

13 “I just hadn’t realized how endangered the community was and this whole culture could simply die, disappear. Normally languages die out because it is parents deciding they don’t want their children to speak it.”

14 Leonard, who is 36, will have to adapt to many things, not least the extreme temperatures. Although the average temperature is –25°C, it can plummet to –40° or soar to zero in the summer. Then there is the Arctic darkness, with the sun expected to go down on October 24 and not rise again

.

.

Did You Know?

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until March 8. It is this time of year that elders talk and pass on their stories and poetry.

15 Nevertheless, Leonard admitted: “I don’t really know how I’m going to deal with it, to be honest.”

16 There appears to be a certain inevitability to the Inughuits being soon forced from their ancient homeland to southern Greenland, making Leonard’s mission all the more pressing. Climate change is already leading to a noticeable reduction in seal numbers and the ice will soon become so thin that it will be impossible to use dog sleds.

17 Leonard intends to record the Inughuits and, rather than writing a grammar or dictionary, produce an “ethnography of speaking” to show how their language and culture are interconnected. The recordings will be digitized and archived and returned to the community in their own language.

18 “These communities, which could be just years from fragmentation, want their cultural plight to be known to the rest of the world,” he said.

19 Although the climate change catastrophe facing the Arctic is well documented and the Inughuits are visited frequently, Leonard hopes his visit will be more meaningful than others.

20 “One thing I have been told is that they are tired of journalists popping in and reporting how awful it is that the icebergs are melting and then that’s it, so they are keen that someone comes and lives with them and reports back.”

Copyright © 2012 Guardian News and Media Limited 2010.

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Use “Tehuelche” (pp. 26–28) to answer questions 23–28. Then fill in the answers on your answer document.

23 In paragraph 36, the word inured means —

A frightened

B accustomed

C sensitive

D reminded

24 Why does Alejandro allow the old woman to stay in the clinic?

F He wants to be present when the old woman’s granddaughter arrives.

G He doesn’t want to release her until the results of her blood test arrive.

H He assumes that the nursing home director has political connections.

J He doesn’t trust the nursing home staff to know how to care for her.

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25 Which line suggests that Alejandro is sensitive to the feelings of others?

A And she looks a lot worse than she did yesterday, he didn’t say.

B Why an old lady would come to ski or practice extreme sports was beyond him.

C Dr. Alejandro Benetti shook his head in frustration.

D “Well, I know what kills them, and how to keep that from happening.”

26 Read paragraph 33.

No recognition shone in the grandmother’s eyes, and the smile was the same as the one she’d given the doctor. There was little time left to her, and nothing outwardly wrong that he could detect. Perhaps the bloodwork would show something, but it would be two days before that came back from Bariloche.

The tone of this paragraph can best be described as —

F outraged

G admiring

H resigned

J hopeful

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27 In paragraph 26, the description of Jimena’s laugh suggests that she is —

A horrified that a doctor could ask such a ridiculous question

B pretending to enjoy the doctor’s attempt to be witty

C scornfully mocking the doctor for his stupidity

D genuinely amused by a question she finds a bit naive

28 In paragraph 32, the author uses a metaphor to convey —

F Jimena’s emotions

G the grandmother’s confusion

H Alejandro’s professionalism

J the feeling in the room

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Use “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice” (pp. 29–31) to answer questions 29–33. Then fill in the

answers on your answer document.

29 Read paragraph 7.

The Inughuits thought they were the world’s only inhabitants until an expedition led by the Scottish explorer John Ross came across them in 1818.

The author’s purpose for including this information in the selection is most likely to —

A describe the history of Europeans traveling to Greenland in order to study the Inughuits

B suggest that Ross’s expedition indirectly caused the destruction of Inughuit culture

C support the claim that the Inughuits have a strong cultural heritage

D emphasize how geographically and culturally isolated the Inughuits once were

30 Which sentence supports the idea that the life of the Inughuits now is not very different from how it has always been?

F Leonard, an anthropological linguist, is to spend a year living with the Inughuit people of northwest Greenland. . . .

G Many of the men spend weeks away from home hunting seals, narwhal, walruses, whales and other mammals.

H “One thing I have been told is that they are tired of journalists popping in and reporting how awful it is. . . .”

J “Then they’ll have to move south and in all probability move in to modern flats.”

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31 What does Leonard predict will cause the Inughuits to move south?

A The end of their distinctive cultural heritage

B The desire to move into modern housing

C The loss of their traditional language

D The effects of climate change on their environment

32 Which of these best describes the author’s purpose for writing this article?

F To criticize the failure of linguists to document a language before it was nearly extinct

G To analyze the linguistic elements of one of the oldest and most pure Inuit dialects

H To inform the public of a researcher’s effort to document a disappearing language

J To argue that the Inuktun dialect will inevitably be lost in the next 10 to 15 years

33 Which of the following statements best characterizes the objective of the boxed information titled “Did You Know?”

A To provide multiple theories for why languages disappear

B To highlight the effects of climate change described in the article

C To provide facts about languages that are disappearing

D To suggest that it is possible to prevent languages from disappearing

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Use “Tehuelche” and “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice” to answer questions 34–37.

Then fill in the answers on your answer document.

34 Like the Tehuelche in “Tehuelche,” the Inughuit in “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice” are native people —

F in South America, with a small, aging population

G whose traditional land has become a popular tourist spot

H facing the end of their linguistic and cultural heritage

J whose way of life is threatened by climate change

35 Unlike Stephen Leonard in “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice,” Alejandro in “Tehuelche” is at first concerned with a little-known language only because he —

A doesn’t want an ancient culture to be lost

B is trying to gain a deeper understanding of a culture

C is committed to doing his job properly

D has trouble communicating with a patient

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36 Unlike Alejandro in “Tehuelche,” Stephen Leonard in “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice” travels to a remote region primarily to —

F conduct original research

G earn money

H pursue a professional opportunity

J save lives

37 In these selections, the Tehuelche people and the Inughuits are portrayed as —

A jaded

B isolated

C dangerous

D depressed

BE SURE YOU HAVE RECORDED ALL OF YOUR ANSWERS ON THE ANSWER DOCUMENT.Page 38

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SHORT ANSWER #1

DIRECTIONS

Answer the following question in the box labeled “Short Answer #1” on page 5 of your answer document.

How is the loss of language important in “Tehuelche” and “Linguist on Mission to Save Inuit ‘Fossil Language’ Disappearing with the Ice”? Support your answer with evidence from both selections.

BE SURE YOU HAVE WRIT TEN YOUR ANSWER ON PAGE 5 OF THE ANSWER DOCUMENT.

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Read the selection and choose the best answer to each question. Then fill in the answer on your answer document.

Trustby Susan Kinsolving

Trust that there is a tiger, muscular1Tasmanian, and sly, which has never been

seen and never will be seen by any humaneye. Trust that thirty thousand sword-

5 fish will never near a ship, that farfrom cameras or cars elephant herds livelong elephant lives. Believe that beesby the billions find unidentified flowerson unmapped marshes and mountains. Safe

10 in caves of contentment, bears sleep.Through vast canyons, horses run while slowlysnakes stretch beyond their skins in the sun.I must trust all this to be true, thoughthe few birds at my feeder watch the window

15 with small flutters of fear, so like my own.

“Trust” from The White Eyelash, copyright © 2003 by Susan Kinsolving. Used by permission of Grove/Atlantic, Inc.

1 The Tasmanian tiger was the largest carnivorous marsupial of modern times. The last known member of the species died in captivity in 1936. In the 1960s, naturalists searching northwesternTasmania found footprints and scat that may have belonged to a Tasmanian tiger, but no conclusive evidence has been found of the animal’s continued existence in the wild.

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38 Read the following dictionary entry.

trust \ıtr!st\ v1. to believe 2. to place in the care of another 3. to permit to do something without fear of consequences 4. to extend financial credit to

Which definition best matches the use of the word trust in line 1?

F Definition 1

G Definition 2

H Definition 3

J Definition 4

39 Which quotation can best be described as conveying the idea of freedom?

A thirty thousand sword-/fish will never near a ship,

B elephant herds live/long elephant lives.

C Through vast canyons, horses run

D the few birds at my feeder watch the window

40 In the first 12 lines, the poet uses imagery to describe —

F a world apart from human culture

G a hostile environment of predators and prey

H an ancient pre-human landscape

J a community of anthropomorphic animals

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41 In line 14, it is significant to the theme of the poem that the birds are at the feeder because this shows that they are —

A migratory animals

B dependent on humans

C symbols of freedom

D resistant to change

42 In lines 1 through 4, the tiger is a symbol for the speaker’s —

F love of wildlife in its natural habitat

G fear of facing mortality

H belief in realities beyond the reach of experience or proof

J desire to escape the confines and complexities of modern urban life

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43 Read this sentence from lines 7 through 9.

Believe that bees by the billions find unidentified flowers on unmapped marshes and mountains.

The reader can conclude that the speaker is —

A awestruck by nature

B fearful of nature

C confused by nature

D intimidated by nature

44 In the last three lines, the tone of the poem shifts from —

F strident to optimistic

G bleak to playful

H objective to moralistic

J hopeful to apprehensive

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Read the selection and choose the best answer to each question. Then fill in the answer on your answer document.

Is Criticism a Four-Letter Word?by Steven Frank

1 The movie was E.T. The moment we stepped out of the theater, my older brother asked the dreaded question: “What did you think of the film?”

2 Whatever opinion I held of the “film” was about to be shredded.

3 “I’ll tell you as soon as I go to the bathroom.”

4 He followed me in.

5 Turning away for maximum privacy, I confessed that I had liked the movie. It had moved me.

6 “Well,” my brother said, “I found it maudlin and manipulative. ‘E.T. phone home.’ Honestly, Steve.”

7 I spent the rest of my childhood keeping my opinions of books and movies to myself.

8 Since then, I’ve spent a lot of time wondering whether criticism is a four-letter word. Of course, I can count nine letters there, but is the spirit of the word offensive? I decided to ask my students what they thought, so I wrote criticism on the board, and we played the first-word-that-comes-to-mind game.

9 Judgmental, mean, nasty, and hurtful were the top four responses.

10 “Is all criticism negative?” I asked.

11 The consensus was yes.

12 I tried a different word: review.

13 Opinion, evaluation, advice, and guide, they responded.

14 It may be a question of semantics. People don’t like the word criticize because it’s what they think their parents always do: Your room could double for the city dump.

15 Is it any wonder that parents often hear their anguished teens shouting, “Why do you always criticize me?”

16 Suppose we swapped words—and attitudes. “Mom, I’d like you to review my room, please.”

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17 “Review it?”

18 “Yes. Evaluate it. Constructively. Sensibly.”

19 Then a conversation might take place. “Well, honey, I’ve noticed some specific hazards there. The DVDs on the floor, for instance, are slippery, and if you step on one in the middle of the night, you might fall. Further, that turkey sandwich you forgot to throw away is starting to grow mold. And if you wanted to invite a friend over, it might help if you cleared a space on your chair for him to sit down.”

20 Notice that in this scenario, the parent is supporting her opinion with concrete evidence. The criticism feels less, well, critical, because it makes sense. And that’s what a good piece of criticism ought to do.

21 Suppose you’re asked to write a critical evaluation of a book. Don’t just trashit. You should take an honest look at what works about it and what doesn’t. Start with an opinion, but be sure to back up that opinion by answering a few key questions: Are the characters credible? Do they think, feel, and act like human beings (even if they’re aliens)? The poet Marianne Moore once described what readers want in literature as “imaginary gardens with real toads.” The setting of a book can be as outrageous as a strange world down a rabbit hole, but the characters that live there must seem believable.

22 They should also be well rounded. Look for characters that seem real, not stereotypical. Good heroes have flaws; good villains have fans. Take Satan, for example, in John Milton’s Paradise Lost. He’s so charming, he’s hard to hate.

23 Also ask whether the main character evolves. Harry Potter gains confidence. Hamlet finds his voice (a little late). Alice learns how to read strangers in Wonderland. In a good book, the protagonist grows.

24 A book’s plot should be believable too. Do the turning points lead the reader to the next in a credible, even inevitable, chain of events? A plot with too many coincidences is contrived. Most action movies have contrived plots—the hero walks through a swarm of bullets and is never hit, then turns and fires a single shot to defeat his enemy. (Stories like that can be great fun; they’re just not great literature.)

25 A well-crafted plot surprises you with believable twists. I’m still thrilled every time I find out that Charlie inherits the chocolate factory, because everything leading up to that outcome has been quietly pointing the way.

26 The best critics don’t just spew their opinions; they help you form and deepen yours by examining an experience so carefully as to see it inside out.

27 In school, you’re probably most often assigned book reviews or movie reviews, but don’t let your critical eye glaze over on those familiar genres.

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Try writing a restaurant review (it’s a great excuse to go out to dinner). Review a video game, a blog, or a new album. Review a building that just went up downtown or a date you went on. And if your parents are being hypercritical, ask them if they wouldn’t mind a little constructive evaluation in the form of a parent review.

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28 It’s taken me 30 years to learn something critical about criticism. Criticism isn’t just an attack; it’s a defense. If I had been trained to think critically, I could have defended my opinion of E.T. I could have countered my brother’s dismissive “maudlin and manipulative” by saying, “Well, I think the movie is convincing. What lonely boy doesn’t need a friend, especially a friend with magic powers to heal wounds and make bicycles fly? And if you got lost a few billion miles from your family, wouldn’t you want to phone home too?”

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29 Why write criticism? Because if you write your opinions—and support them with good, logical thinking—you’ll be something that I wish I’d been as a teen.

30 Confident.

31 And that’s another nine-letter word.

By Steven Frank

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45 What is the primary purpose of the selection?

A To encourage readers to write reviews rather than criticism

B To offer readers a new perspective on criticism

C To document the harm suffered by the author because of criticism

D To suggest that good parenting requires criticism

46 The author mentions the movie E.T. in order to —

F support his opinion that good movies provoke good debates

G explain his inability to view movies with a critical eye

H provide context for his early experience handling criticism

J indicate that the events in his article took place long ago

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47 Read the following sentence from paragraph 14.

Your room could double for the city dump.

The author’s purpose in including this statement is to —

A provide an example of unconstructive criticism

B indicate how harsh parents can be

C show that his mother was as critical as his brother

D demonstrate the importance of clear, direct statements

48 What does the boxed information on constructive criticism have in common with the reading selection?

F It emphasizes the importance of defending yourself when you have been criticized.

G It reminds readers that different kinds of people respond differently to criticism.

H It offers specific pieces of advice for the reader to use.

J It employs the viewpoint of a sympathetic first-person narrator.

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49 The author refers to Charlie and the Chocolate Factory in order to —

A clarify the difference between reviewing and criticizing

B call attention to his favorite book

C offer a suggestion on how the book could have been improved

D provide an example of a good plot

50 Why does the author directly address the reader in paragraphs 21 through 27?

F He is offering praise for well-written books.

G He is scolding the reader for thinking too critically.

H He wants to engage and instruct the reader.

J He has changed his opinion about the purpose of criticism.

BE SURE YOU HAVE RECORDED ALL OF YOUR ANSWERS ON THE ANSWER DOCUMENT.Page 50

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SHORT ANSWER #2

DIRECTIONSDIRECTIONS

Answer the following question in the box labeled “Short Answer #2” on page 5 of your answer document.

In “Is Criticism a Four-Letter Word?,” how does the author feel about criticism? Support your answer with evidence from the selection.

Page 51BE SURE YOU HAVE WRIT TEN YOUR ANSWER

ON PAGE 5 OF THE ANSWER DOCUMENT.

STOP

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STAAR English II April 2014

TX866215 1 2 3 4 5 A B C D E Printed in the USA DPSS/ISD7194

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STAAR English II AAnnswswerer KeyKey 2014 Release

Item Reporting Readiness or Content Student CorrectNumber Category Supporting Expectation Answer

1 5 Readiness E.13(C) C2 5 Readiness E.13(C) F3 5 Readiness E.13(C) A4 5 Supporting E.15(A) J5 5 Supporting E.15(A) B6 5 Supporting E.15(A) J7 5 Supporting E.16(A) D8 5 Readiness E.13(C) G9 5 Supporting E.16(A) A10 5 Readiness E.13(C) G11 5 Supporting E.16(D) D12 6 Supporting E.18(B) G13 6 Readiness E.18(A) C14 6 Readiness E.13(D) H15 6 Readiness E.18(B) D16 6 Readiness E.17(C) F17 6 Readiness E.13(D) B18 6 Readiness E.17(C) F19 6 Readiness E.19(A) D20 6 Supporting E.17(A) H21 6 Readiness E.13(D) C22 6 Readiness E.19(A) F

Prompt 4 Readiness E.16(A) *23 1 Readiness E.1(B) B24 2 Readiness E.5(A) H25 2 Readiness E.5 Fig. 19(B) A2626 22 SupporSupportingting E 5(C)E.5(C) HH27 2 Readiness E.7 Fig. 19(B) D28 2 Readiness E.7 Fig. 19(B) F29 3 Readiness E.9(C) D30 3 Supporting E.9(B) G31 3 Readiness E.8(A) D32 3 Readiness E.8(A) H33 3 Supporting E.11(A) C34 1 Readiness Fig. 19(B) H35 1 Readiness Fig. 19(B) D36 1 Readiness Fig. 19(B) F37 1 Readiness Fig. 19(B) B

Short Answer 1 Readiness Fig. 19(B) *38 1 Readiness E.1(E) F39 2 Supporting E.3 Fig. 19(B) C40 2 Supporting E.7 Fig. 19(B) F41 2 Supporting E.2 Fig. 19(B) B42 2 Supporting E.7(A) H43 2 Supporting E.3 Fig. 19(B) A44 2 Supporting E.3(A) J45 3 Readiness E.8(A) B46 3 Supporting E.10 Fig. 19(B) H47 3 Readiness E.8(A) A48 3 Supporting E.11 Fig. 19(B) H49 3 Readiness E.8(A) D50 3 Supporting E.10(A) H

Short Answer 1 Readiness Fig. 19(B) *

Note: The first character of the Content Student Expectation designates English I or English II

* A scoring guide is used to determine the scores for the written composition and short answers.

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English II Assessment

Eligible Texas Essential Knowledge and Skills

STAAR English II Page 1 of 12

Texas Education Agency Student Assessment Division

December 2013

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STAAR English II Page 2 of 12

Texas Education Agency Student Assessment Division

December 2013

STAAR English II Assessment

Genres Assessed: Literary Informational • Fiction (Readiness) • Expository (Readiness) • Literary Nonfiction (Supporting) • Persuasive (Supporting) • Poetry (Supporting) • Procedural (Embedded, Supporting) • Drama (Supporting) • Media Literacy (Embedded, Supporting) • Media Literacy (Embedded, Supporting)

Reporting Category 1: Understanding and Analysis Across Genres The student will demonstrate the ability to understand and analyze a variety of written texts across reading genres.

(1) Reading/Vocabulary Development. Students understand new vocabulary and use it when reading and writing. Students are expected to

(A) determine the meaning of grade-level technical academic English words in multiple content areas (e.g., science, mathematics, social studies, the arts) derived from Latin, Greek, or other linguistic roots and affixes; Supporting Standard

(B) analyze textual context (within a sentence and in larger sections of text) to distinguish between the denotative and connotative meanings of words; Readiness Standard

(C) infer word meaning through the identification and analysis of analogies and other word relationships; Supporting Standard

(D) show the relationship between the origins and meaning of foreign words or phrases used frequently in written English and historical events or developments (e.g., glasnost, avant-garde, coup d’état); Supporting Standard

(E) use a dictionary, a glossary, or a thesaurus (printed or electronic) to determine or confirm the meanings of words and phrases, including their connotations and denotations, and their etymology. Readiness Standard

(2) Reading/Comprehension of Literary Text/Theme and Genre. Students analyze, make inferences and draw conclusions about theme and genre in different cultural, historical, and contemporary contexts and provide evidence from the text to support their understanding. Students are expected to

(A) compare and contrast differences in similar themes expressed in different time periods; Supporting Standard

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(9) Reading/Comprehension of Informational Text/Expository Text. Students analyze, make inferences and draw conclusions about expository text and provide evidence from text to support their understanding. Students are expected to

(D) synthesize and make logical connections between ideas and details in several texts selected to reflect a range of viewpoints on the same topic and support those findings with textual evidence. Supporting Standard

(Figure 19) Reading/Comprehension Skills. Students use a flexible range of metacognitive reading skills in both assigned and independent reading to understand an author’s message. The student is expected to

(B) make complex inferences about text and use textual evidence to support understanding. Readiness Standard

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Reporting Category 2: Understanding and Analysis of Literary Texts The student will demonstrate an ability to understand and analyze literary texts.

(2) Reading/Comprehension of Literary Text/Theme and Genre. Students analyze, make inferences and draw conclusions about theme and genre in different cultural, historical, and contemporary contexts and provide evidence from the text to support their understanding. Students are expected to

(B) analyze archetypes (e.g., journey of a hero, tragic flaw) in mythic, traditional and classical literature; Supporting Standard

(C) relate the figurative language of a literary work to its historical and cultural setting. Supporting Standard

(3) Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from text to support their understanding. Students are expected to

(A) analyze the structure or prosody (e.g., meter, rhyme scheme) and graphic elements (e.g., line length, punctuation, word position) in poetry. Supporting Standard

(4) Reading/Comprehension of Literary Text/Drama. Students understand, make inferences and draw conclusions about the structure and elements of drama and provide evidence from text to support their understanding. Students are expected to

(A) analyze how archetypes and motifs in drama affect the plot of plays. Supporting Standard

(5) Reading/Comprehension of Literary Text/Fiction. Students understand, make inferences and draw conclusions about the structure and elements of fiction and provide evidence from text to support their understanding. Students are expected to

(A) analyze isolated scenes and their contribution to the success of the plot as a whole in a variety of works of fiction; Readiness Standard

(B) analyze differences in the characters’ moral dilemmas in works of fiction across different countries or cultures; Supporting Standard

(C) evaluate the connection between forms of narration (e.g., unreliable, omniscient) and tone in works of fiction. Supporting Standard

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(6) Reading/Comprehension of Literary Text/Literary Nonfiction. Students understand, make inferences and draw conclusions about the varied structural patterns and features of literary nonfiction and provide evidence from text to support their understanding. Students are expected to

(A) evaluate the role of syntax and diction and the effect of voice, tone, and imagery on a speech, literary essay, or other forms of literary nonfiction. Supporting Standard

(7) Reading/Comprehension of Literary Text/Sensory Language. Students understand, make inferences and draw conclusions about how an author’s sensory language creates imagery in literary text and provide evidence from text to support their understanding. Students are expected to

(A) explain the function of symbolism, allegory, and allusions in literary works. Supporting Standard

(12) Reading/Media Literacy. Students use comprehension skills to analyze how words, images, graphics, and sounds work together in various forms to impact meaning. Students are expected to

(A) evaluate how messages presented in media reflect social and cultural views in ways different from traditional texts; Supporting Standard

(D) evaluate changes in formality and tone within the same medium for specific audiences and purposes. Supporting Standard

(Figure 19) Reading/Comprehension Skills. Students use a flexible range of metacognitive reading skills in both assigned and independent reading to understand an author’s message. The student is expected to

(B) make complex inferences about text and use textual evidence to support understanding. Readiness Standard (Fiction) / Supporting Standard (Literary Nonfiction, Poetry, Drama, Media Literacy)

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Reporting Category 3: Understanding and Analysis of Informational Texts The student will demonstrate an ability to understand and analyze informational texts.

(8) Reading/Comprehension of Informational Text/Culture and History. Students analyze, make inferences and draw conclusions about the author’s purpose in cultural, historical, and contemporary contexts and provide evidence from the text to support their understanding. Students are expected to

(A) analyze the controlling idea and specific purpose of a passage and the textual elements that support and elaborate it, including both the most important details and the less important details. Readiness Standard

(9) Reading/Comprehension of Informational Text/Expository Text. Students analyze, make inferences and draw conclusions about expository text and provide evidence from text to support their understanding. Students are expected to

(A) summarize text and distinguish between a summary and a critique and identify non-essential information in a summary and unsubstantiated opinions in a critique; Readiness Standard

(B) distinguish among different kinds of evidence (e.g., logical, empirical, anecdotal) used to support conclusions and arguments in texts; Supporting Standard

(C) make and defend subtle inferences and complex conclusions about the ideas in text and their organizational patterns. Readiness Standard

(10) Reading/Comprehension of Informational Text/Persuasive Text. Students analyze, make inferences and draw conclusions about persuasive text and provide evidence from text to support their analysis. Students are expected to

(A) explain shifts in perspective in arguments about the same topic and evaluate the accuracy of the evidence used to support the different viewpoints within those arguments. Supporting Standard

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(11) Reading/Comprehension of Informational Text/Procedural Texts. Students understand how to glean and use information in procedural texts and documents. Students are expected to

(A) evaluate text for the clarity of its graphics and its visual appeal; Supporting Standard

(B) synthesize information from multiple graphical sources to draw conclusions about the ideas presented (e.g., maps, charts, schematics). Supporting Standard

(12) Reading/Media Literacy. Students use comprehension skills to analyze how words, images, graphics, and sounds work together in various forms to impact meaning. Students are expected to

(A) evaluate how messages presented in media reflect social and cultural views in ways different from traditional texts; Supporting Standard

(D) evaluate changes in formality and tone within the same medium for specific audiences and purposes. Supporting Standard

(Figure 19) Reading/Comprehension Skills. Students use a flexible range of metacognitive reading skills in both assigned and independent reading to understand an author’s message. The student is expected to

(B) make complex inferences about text and use textual evidence to support understanding. Readiness Standard (Expository) / Supporting Standard (Persuasive, Procedural, Media Literacy)

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Reporting Category 4: Composition The student will demonstrate an ability to compose a variety of written texts with a clear, controlling thesis; coherent organization; sufficient development; and effective use of language and conventions.

(13) Writing/Writing Process. Students use elements of the writing process (planning, drafting, revising, editing, and publishing) to compose text. Students are expected to

(B) structure ideas in a sustained and persuasive way (e.g., using outlines, note taking, graphic organizers, lists) and develop drafts in timed and open-ended situations that include transitions and rhetorical devices used to convey meaning; Readiness Standard

(C) revise drafts to improve style, word choice, figurative language, sentence variety, and subtlety of meaning after rethinking how well questions of purpose, audience, and genre have been addressed; Readiness Standard

(D) edit drafts for grammar, mechanics, and spelling. Readiness Standard

*(15) Writing/Expository [and Procedural] Texts. Students write expository [and procedural or work-related] texts to communicate ideas and information to specific audiences for specific purposes. Students are expected to

(A) write an [analytical] essay of sufficient length Readiness Standard

that includes (i) effective introductory and concluding paragraphs and a variety of

sentence structures;

(ii) rhetorical devices, and transitions between paragraphs;

(iii) a thesis or controlling idea;

(iv) an organizing structure appropriate to purpose, audience, and context;

(v) relevant evidence and well-chosen details;

(vi) distinctions about the relative value of specific data, facts, ideas that support the thesis statement.

*Expository writing will no longer be assessed on STAAR English II. However, expository writing will continue to be the type of writing assessed on STAAR Modified English II, since April 2014 will be the last administration of that assessment.

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(16) Writing/Persuasive Texts. Students write persuasive texts to influence the attitudes or actions of a specific audience on specific issues. Students are expected to write an argumentative essay to the appropriate audience Readiness Standard

that includes (A) a clear thesis or position based on logical reasons supported by precise

and relevant evidence;

(D) an organizing structure appropriate to the purpose, audience, and context;

(E) an analysis of the relative value of specific data, facts, and ideas.

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Genres Represented in the Revision and Editing Sections of the Test: Literary Informational • Literary Nonfiction • Expository • Persuasive

Reporting Category 5: Revision The student will demonstrate an ability to revise a variety of written texts.

(13) Writing/Writing Process. Students use elements of the writing process (planning, drafting, revising, editing, and publishing) to compose text. Students are expected to

(C) revise drafts to improve style, word choice, figurative language, sentence variety, and subtlety of meaning after rethinking how well questions of purpose, audience, and genre have been addressed. Readiness Standard

(15) Writing/Expository [and Procedural] Texts. Students write expository [and procedural or work-related] texts to communicate ideas and information to specific audiences for specific purposes. Students are expected to

(A) write an [analytical] essay of sufficient length that includes

(i) effective introductory and concluding paragraphs and a variety of sentence structures; Supporting Standard

(ii) rhetorical devices, and transitions between paragraphs; Supporting Standard

(iii) a thesis or controlling idea; Supporting Standard

(iv) an organizing structure appropriate to purpose, audience, and context; Supporting Standard

(v) relevant evidence and well-chosen details; Supporting Standard

(vi) distinctions about the relative value of specific data, facts, and ideas that support the thesis statement. Supporting Standard

(16) Writing/Persuasive Texts. Students write persuasive texts to influence the attitudes or actions of a specific audience on specific issues. Students are expected to write an argumentative essay to the appropriate audience that includes

(A) a clear thesis or position based on logical reasons supported by precise and relevant evidence; Supporting Standard

(C) counter–arguments based on evidence to anticipate and address objections; Supporting Standard

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(D) an organizing structure appropriate to the purpose, audience, and context; Supporting Standard

(E) an analysis of the relative value of specific data, facts, and ideas; Supporting Standard

(F) a range of appropriate appeals (e.g., descriptions, anecdotes, case studies, analogies, illustrations). Supporting Standard

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Reporting Category 6: Editing The student will demonstrate an ability to edit a variety of texts.

(13) Writing/Writing Process. Students use elements of the writing process (planning, drafting, revising, editing, and publishing) to compose text. Students are expected to

(D) edit drafts for grammar, mechanics, and spelling. Readiness Standard

(17) [Oral and] Written Conventions/Conventions. Students understand the function of and use the conventions of academic language when [speaking and] writing. Students are expected to

(A) use and understand the function of the following parts of speech in the context of reading, writing, [and speaking]: Readiness Standard

(i) more complex active and passive tenses and verbals (gerunds, infinitives, participles); Supporting Standard

(ii) restrictive and nonrestrictive relative clauses; Supporting Standard

(iii) reciprocal pronouns (e.g., each other, one another); Supporting Standard

(C) use a variety of correctly structured sentences (e.g., compound, complex, compound-complex). Readiness Standard

(18) [Oral and] Written Conventions/Handwriting, Capitalization, and Punctuation. Students write legibly and use appropriate capitalization and punctuation conventions in their compositions. Students are expected to

(A) use conventions of capitalization; Readiness Standard

(B) use correct punctuation marks Readiness Standard

including (i) comma placement in nonrestrictive phrases, clauses, and

contrasting expressions; Supporting Standard

(ii) quotation marks to indicate sarcasm or irony. Supporting Standard

(19) [Oral and] Written Conventions/Spelling. Students spell correctly. Students are expected to

(A) spell correctly, including using various resources to determine and check correct spellings. Readiness Standard