ellesouthafricaoctober2015.pdf

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REGULARS

14 Editor’s letter16 Contributors18 Masthead20 Cover uncovered 22 ELLE digital60 Win a LISOF bursary128 Subscribe146 ELLE Club158 Horoscope159 Stockists160 Last Word

RADAR 26 Fashion What’s new now 34 ELLE Fashion Cupboard36 One to watch Reni Folawiyo 38 Talent tap Bontle Modiselle40 The book that changed my life by Thando Moleketsi41 Culture crunch a round-up of Africa’s October events42 ELLE Opinion44 ELLE Fella46 Meet our 2015 ERS finalists 50 Reportback Tamara Chérie for MRP collection52 Beauty Runway ready looks56 Insider Paco Rabanne Olympéa launch in Paris58 ELLE Beauty Closet SHOPPING

62 Shopping the trends68 Accessories: Back to black70 Luxe Decoded Prada

@ELLEmagazineSA

@ELLEmagazineSA

FASHION

96 Centre stage112 #ELLEOOTD

BEAUTY 134 Best buys136 Eau to know: Paco Rabanne Olympéa 138 One on One: Michael Kors140 Briefs: All about the brow144 Wellness: So long, sugar

L IFESTYLE

148 Global village152 Gili Islands 156 Menu: Tea party157 Inside Word how to build your capsule summer wardrobe

ON THE COVER

72 Keira Knightley: On milestones and motherhood86 #snapped: Life in the age of Snapchat 122 Six key looks for the season130 It’s in the bag142 Active: finding balance143 Win an adidas hamper worth R5 300

FEATURES

78 Inside the world of Viktor & Rolf80 Fashion flashbacks: items that have shaped us 88 Clothes maketh the character: TV series and style

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ON THE COVERKeira Knightley photographed by Paola Kudecki. Fashion: Samira Nasr; hair: Kevin Ryan forUnite; make-up: Romy Soleimani for Beauty.com; manicure: Charlène Coquard at ArtList Paris;Production: Octopix; fashion assistant: Yashua Simmons; Keira wears: Viscose dress, Chanel

Centre stage

Shopthe season’s trend

Contents.indd 18 2015/09/04 9:28 AM

Dear You,

I was asked recently to pick up my favourite item for the Design Indaba Most Beautiful Object in South Africa competition and ‘engage with the question: “What is beauty?”’

Now, that’s a difficult one. At the ELLE office, thanks to an often full and always

busy fashion cupboard, I get to see a lot of beautiful items. Take this issue for example: it is our big fashion edit, which means that the pages, and especially the fashion well, are literally filled with garments and pieces: there is the reversed tuxedo-dress from Tart, the geometric necklace by Belinda-Lee Ludek, the asymmetrical dress in re-fabricated material from Lara Klawikowski and the thick denim A-line skirt – Oath by Rich Mnisi; all of which we carefully selected and then failed not to fall in love with.

As the fashion team brought back garments and accessories from their sourcing trips and hung everything on the rails, our hearts danced, smiles widened, and the

list of possible ‘most beautiful object’ grew long. Add to the slate the moodboards of the eight finalists of the 2015 ELLE Rising Star Design Awards in association with MRP competition, and you have an array of design wonders.

Not everyone always agrees on which item is beautiful; it is fascinating to see who picks what up, which items get the wows and which ones are left aside. And although there seems to be a general consensus of what is ‘required’ to fit the beauty criteria, it is less about a trend than it is about an invisible alchemy between the item and the personality: the spark that burns inside us when our heart is touched. Beauty (for an object) must be the bliss that keeps residing in the heart once the eye has passed the message on: I see therefore I like (or not).

Give me a well-cut and -proportioned garment, intricate detailing, unusual draping or impeccable tailoring, and I see art. Show me a perfectly executed and cohesive collection with a strong vision, and I see poetry. I will have many words praising the great curve of an epaulette, the seamless discretion of the hem, the delicate silk of the lining. Italian designer Miuccia Prada noted, ‘[it] is instant language.’ Fashion and style excite me because it either instantly speaks to me or it doesn’t. And when it does, it is all music to my ears, and lightness for my soul.

So, of course, nominating only one ‘most beautiful object’ was challenging because it meant mentally paging through the thousands of items that have been happily transformed into a lasting bliss and joy in my heart. I finally found my one most beautiful object: it spoke to me about craftsmanship and stunning proportions, modernity and heritage, transformation and creativity. And while it may occupy the lofty perch only for a day or two, it still made a lasting impression on me.

I hope that this big fashion issue brings you a great deal of happy feelings and that your own list of ‘most beautiful objects’ will have grown even longer. What a wildly wonderful place to be: living with an abundance of beauty!

PHO

TOG

RAPH

: NIQ

UITA

BEN

TO

@emiliegambade

@EmilieGambade

TA L K T O M E

“ FA S H I O N I S I N S TA N T L A N G U A G E . ”

M I U C C I A P R A D A

EDITOR'S LETTEREDITOR'S LETTER

@ELLEmagazineSA14

Dear You,

I was asked recently to pick up my favourite item for the Design Indaba Most Beautiful Object in South Africa competition and ‘engage with the question: “What is beauty?”’

Now, that’s a difficult one. At the ELLE office, thanks to an often full and always

busy fashion cupboard, I get to see a lot of beautiful items. Take this issue for example: it is our big fashion edit, which means that the pages, and especially the fashion well, are literally filled with garments and pieces: there is the reversed tuxedo-dress from Tart, the geometric necklace by Belinda-Lee Ludek, the asymmetrical dress in re-fabricated material from Lara Klawikowski and the thick denim A-line skirt, Oath by Rich Mnisi; all of which we carefully selected and then failed not to fall in love with.

As the fashion team brought back garments and accessories from their sourcing trips and hung everything on the rails, our hearts danced, smiles widened, and the

list of possible ‘most beautiful object’ grew long. Add to the slate the moodboards of the eight finalists of the 2015 ELLE Rising Star Design Awards in association with MRP competition, and you have an array of design wonders.

Not everyone always agrees on which item is beautiful; it is fascinating to see who picks what up, which items get the wows and which ones are left aside. And although there seems to be a general consensus of what is ‘required’ to fit the beauty criteria, it is less about a trend than it is about an invisible alchemy between the item and the personality: the spark that burns inside us when our heart is touched. Beauty (for an object) must be the bliss that keeps residing in the heart once the eye has passed the message on: I see therefore I like (or not).

Give me a well-cut and -proportioned garment, intricate detailing, unusual draping or impeccable tailoring, and I see art. Show me a perfectly executed and cohesive collection with a strong vision, and I see poetry. I will have many words praising the great curve of an epaulette, the seamless discretion of the hem, the delicate silk of the lining. Italian designer Miuccia Prada noted, ‘[it] is instant language.’ Fashion and style excite me because it either instantly speaks to me or it doesn’t. And when it does, it is all music to my ears, and lightness for my soul.

So, of course, nominating only one ‘most beautiful object’ was challenging because it meant mentally paging through the thousands of items that have been happily transformed into a lasting bliss and joy in my heart. I finally found my one most beautiful object: it spoke to me about craftsmanship and stunning proportions, modernity and heritage, transformation and creativity. And while it may occupy the lofty perch only for a day or two, it still made a lasting impression on me.

I hope that this big fashion issue brings you a great deal of happy feelings and that your own list of ‘most beautiful objects’ will have grown even longer. What a wildly wonderful place to be: living with an abundance of beauty!

PHO

TOG

RAPH

: NIQ

UITA

BEN

TO

@emiliegambade

@EmilieGambade

TA L K T O M E

“ FA S H I O N I S I N S TA N T L A N G U A G E . ”

M I U C C I A P R A D A

EDITOR'S LETTEREDITOR'S LETTER

@ELLEmagazineSA14

ED's_letter.indd 20 2015/09/02 3:32 PMED's_letter.indd 20 2015/09/04 4:41 PM

Available at LACOSTE boutiques

www.surteegroup.com

+27 11 884 1425

Untitled-3 1 2015-08-13 04:20:15 PMELLE ad template.indd 3 2015/09/01 2:02 PM

LUKE KUISISKnown for his enviable skills in high-end fashion photography, Luke Kuisis photographed this month’s Summer Stand-Bys editorial.

MY FAVOURITE INSTAGRAM FILTERis Early Bird, it has always been my go-to option.THREE PHOTOGRAPHERS I LOVEinclude Peter Lindbergh, Giampaulo Sgura, Julia Hetta.

DIGITAL OR FILM?Digital for now, but I would like to move into film, too.WORDS I LIVE BY: ‘Be nice, work hard’.WHEN I WAS GROWING UP, I WANTED TO BE a chef.THE FIRST THING I DO IN THE MORNING is scroll through my Instagram.I’M CURRENTLY listening to The Doors.THIS SUMMER I CAN’T WAIT to do a road trip around South Africa.

PHO

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Welcome to October and ELLE’s Fashion issue, filled with new trends, local designs

and summer inspiration. This month we worked with performer Cathy Specific and

photographer Luke Kuisis

CONTRIBUTORSCONTRIBUTORS

CREATIVE SPACE @lukekuisis

@LukeKuisisPhoto

@cathayspecificsa

CATHY SPECIFICMadame Zingara’s resident aviation diva Cathy Specific boasts ‘calves of steel’ and a dynamite personality. For this issue, Specific stars in our Centre Stage shoot.

I CAN’T SURVIVE WITHOUT being tickled, my M.A.C. wipes, my bestie and my sister!I’M CURRENTLY LISTENING TOKathryn Swain’s Little Box of Memories.WHEN I WAS GROWING UP, I WANTED to be a pediatrician.MY STYLE ICON IS non-existent, but very much present in my own head.THE BOOK THAT CHANGED MY LIFE IS JAWS ‒ I never went swimming again!THE FIRST THING I DO IN THE MORNING IS have my probiotic.MY BEAUTY SECRET IS no secret at all... It’s NEO STRATA.MY BIGGEST FASHION FAUX PAS is still waiting to happen!RIGHT NOW I’M OBSESSED WITH spelt flour toast with mozzarella cheese and Bovril!WORDS I LIVE BY: ‘I’m not a one-in-a-million kind of girl... I’m a once-in-a-lifetime kind of woman.’THIS SUMMER, I can’t wait to flaunt my weight-loss!

Contributors.indd 1 2015/09/04 12:31 PM

SANDTON CITYVICTORIA & ALFRED WATERFRONT & PARTICIPATING STUTTAFORDS STORES

061.05.001 RSA Stuttafords Grazia 210x275 FW15.indd 1 14/08/15 14:17ELLE ad template.indd 1 2015/09/02 2:46 PM

ELLE (ISSN 1025-9791) October 2015. Editorial contributions are welcome and should be sent to The Editor, ELLE, PO Box 15793, Vlaeberg 8018. All due care will be taken with material submitted, but the magazine and publishers cannot be held responsible for loss or damage. ELLE assumes no responsibility to return unsolicited editorial, graphic or other material. All rights in letters and unsolicited editorial and graphic material will be treated as unconditionally assigned for publication and copyright purposes and material will be subject to ELLE’s unrestricted right to edit and comment editorially. ELLE is fully protected by copyright and nothing may be reprinted in whole or part without written permission from the publisher. While reasonable precautions have been taken to ensure the accuracy

of advice and information given to readers, the editor, publisher and proprietor cannot accept responsibility for any damage or inconvenience that may arise therefrom.

EDITOREMILIE GAMBADE [email protected]

ARTART DIRECTOR Veronica Exter [email protected]

SENIOR DESIGNER Jo Youens [email protected] DESIGNER Bonolo Ramathebane [email protected]

EDITORIALASSISTANT EDITOR PRINT Tidi Benbenisti [email protected]

ASSISTANT EDITOR DIGITAL Holly Meadows [email protected] COPY EDITOR Brittany Cost

CONTRIBUTING EDITOR Malibongwe Tyilo [email protected] INTERN Phethagatso Motumi

ONLINE INTERNS Boipelo Chababa, Jaime WaddingtonFASHION

FASHION DIRECTOR Tarryn Oppel [email protected] & FEATURES ASSISTANT Ntombenhle Shezi [email protected]

CREATIVE ASSISTANT Niquita Bento [email protected] INTERNS Paigh dos Santos, Jenna Maree-Kipling

BEAUTYBEAUTY EDITOR Nicole Newman [email protected]

BEAUTY INTERNS Jabulile Dlamini-Qwesha, Sarah Hilton-Barber

ADVERTISINGADVERTISING PRODUCTION CO-ORDINATOR Naazneen Baulackey [email protected]

ACCOUNTS MANAGERS (JHB) Thalia Pallotta [email protected] 011 485 3378

Jessica Fairman [email protected] 011 801 9077Tania Minnaar [email protected] 011 801 9171

ACCOUNTS MANAGER (CPT) Jacelize du Preez [email protected] 021 045 0124

MARKETINGMARKETING AND NEW BUSINESS DEVELOPMENT MANAGER Ryan Sorgente

MARKETING ASSISTANT Joanne Watson [email protected] Ayanda Molefe

SUBSCRIPTIONS Times Media (Pty) Ltd 0860 123 300 ONLINE mysubs.co.za/ELLE

MANAGEMENTPUBLISHER Gisèle Wertheim Aymés [email protected]

PERSONAL ASSISTANT Cookoo MoodleyBUSINESS MANAGER Louise Birkner [email protected]

MANAGEMENT ACCOUNTANT Robert Hood

ENQUIRIES POSTAL PO BOX 2316 Randburg 2125

EDITORIAL011 801 9120MARKETING 011 801 9077

DISTRIBUTION BY RNA, Bianca Davis 011 248 3607 PRINTED BY CTP Cape Town

REPRODUCTION BY Hirt & Carter, Cape Town TRADEMARK NOTICE The ELLE trademark and logo are owned in Canada by France-Canada Editions et Publications, Inc. and in the rest of the world by Hachette Filipacchi Presse (France),

each LAGARDERE ACTIVE Group companies. ELLE is used under licence from the trademark owners.

LAGARDÈRE ACTIVE CHAIRMAN AND CEO LAGARDÈRE ACTIVE Denis Olivennes CEO ELLE FRANCE & INTERNATIONAL Constance Benqué

CEO ELLE INTERNATIONAL Fabrice A Plaquevent CEO ELLE INTERNATIONAL media licences François Coruzzi BRAND MANAGEMENT OF ELLE Françoise-Marie SantucciSVP/INTERNATIONAL DIRECTOR OF ELLE Valéria Bessolo Llopiz

SVP/DIRECTOR OF INTERNATIONAL MEDIA LICENSES, DIGITAL DEVELOPMENT & SYNDICATION Mickael Berret ELLE INTERNATIONAL PRODUCTIONS Charlotte Deffe, Virginie DolataDEPUTY SYNDICATION TEAM MANAGER Thérèse Genevois SYNDICATION COORDINATOR Olivia Ciardi COPYRIGHTS MANAGER & DIGITAL SYNDICATION Séverine Laporte

www.ellearoundtheworld.comINTERNATIONAL AD SALES HOUSE: LAGARDÈRE GLOBAL ADVERTISING

CEO Claudio Piovesana [email protected]ère Global Advertising

POSTAL 124 RUE DANTON, 92300 LEVALLOIS-PERRET, FRANCE WORLD’S LEADING FASHION MAGAZINE – 46 INTERNATIONAL EDITIONS

Argentina - Australia - Belgium - Brazil - Bulgaria - Canada - China - Croatia - Czech Republic - Denmark - France - Finland - Germany - Greece - Hong Kong - Hungary - India - Indonesia - Italy - Japan - Korea - Mexico - Norway - Oriental - Poland - Portugal - Quebec - Romania - Russia - Serbia - Singapore - Slovenia - South Africa - Spain - Sweden - Taiwan - Thailand -

The Netherlands - Turkey - Ukraine - UK - US - Vietnam

ELLEMagazineSA

ELLEMagazineSA @ELLEMagazineSA

ELLEMagazineSA

@emiliegambade

@EmilieGambade

READ

ELLE (ISSN 1025-9791) July 2015. Editorial contributions are welcome and should be sent to The Editor, ELLE, PO Box 15793, Vlaeberg 8018. All due care will be taken with material submitted, but the magazine and publishers cannot be held responsible for loss or damage. ELLE assumes no responsibility to return unsolicited editorial, graphic or other material. All rights in letters and unsolicited editorial and graphic material will be treated as unconditionally assigned for publication and copyright purposes and material will be subject to ELLE’s unrestricted right to edit and comment editorially. ELLE is fully protected by copyright and nothing may be reprinted in whole or part without written permission from the publisher. While reasonable precautions have been taken to ensure the accuracy of

advice and information given to readers, the editor, publisher and proprietor cannot accept responsibility for any damage or inconvenience that may arise therefrom.

EDITOREMILIE GAMBADE [email protected]

ARTART DIRECTOR Veronica Exter [email protected]

SENIOR DESIGNER Jo Youens [email protected] DESIGNER Bonolo Ramathebane [email protected]

EDITORIALASSISTANT EDITOR PRINT Tidi Benbenisti [email protected]

ASSISTANT EDITOR DIGITAL Holly Meadows [email protected] CHIEF COPY EDITOR Erla Rabe [email protected]

CONTRIBUTING EDITOR Malibongwe Tyilo [email protected] Jabulile Sopete and Jaime Waddington

ONLINE INTERN Brittany CostFASHION

FASHION DIRECTOR Tarryn Oppel [email protected] & FEATURES ASSISTANT Ntombenhle Shezi [email protected]

CREATIVE ASSISTANT Niquita Bento [email protected] INTERNS Paigh dos Santos, Phethagatso Motumi, Ayanda Molefe,

Boipelo Chababa and Jenna Maree-KiplingBEAUTY

BEAUTY EDITOR Nicole Newman [email protected] INTERNS Eeden la Grange and Sarah Hilton-Barber

ADVERTISINGADVERTISING PRODUCTION CO-ORDINATOR Naazneen Baulackey [email protected]

ACCOUNTS MANAGERS (JHB) Thalia Pallotta [email protected] 011 485 3378

Jessica Fairman [email protected] 011 801 9077Tania Minnaar [email protected] 011 801 9171

ACCOUNTS MANAGER (CPT) Jacelize du Preez [email protected] 021 045 0124

MARKETINGMARKETING AND NEW BUSINESS DEVELOPMENT MANAGER Ryan Sorgente

MARKETING ASSISTANT Joanne Watson [email protected] Times Media (Pty) Ltd 0860 123 300

ONLINE mysubs.co.za/ELLE

MANAGEMENTPUBLISHER Gisèle Wertheim Aymés [email protected]

PERSONAL ASSISTANT Cookoo MoodleyBUSINESS MANAGER Louise Birkner [email protected]

MANAGEMENT ACCOUNTANT Robert Hood

ENQUIRIES POSTAL PO BOX 2316 Randburg 2125

EDITORIAL011 801 9120MARKETING 011 801 9077

DISTRIBUTION BY RNA, Bianca Davis 011 248 3607 PRINTED BY CTP Cape Town

REPRODUCTION BY Hirt & Carter, Cape Town TRADEMARK NOTICE The ELLE trademark and logo are owned in Canada by France-Canada Editions et Publications, Inc. and in the rest of the world by Hachette Filipacchi Presse (France),

each LAGARDERE ACTIVE Group companies. ELLE is used under licence from the trademark owners.

LAGARDÈRE ACTIVE CHAIRMAN AND CEO LAGARDÈRE ACTIVE Denis Olivennes CEO ELLE FRANCE & INTERNATIONAL Constance Benqué

CEO ELLE INTERNATIONAL Fabrice A Plaquevent CEO ELLE INTERNATIONAL media licences François Coruzzi BRAND MANAGEMENT OF ELLE Françoise-Marie SantucciSVP/INTERNATIONAL DIRECTOR OF ELLE Valéria Bessolo Llopiz

SVP/DIRECTOR OF INTERNATIONAL MEDIA LICENSES, DIGITAL DEVELOPMENT & SYNDICATION Mickael Berret ELLE INTERNATIONAL PRODUCTIONS Charlotte Deffe, Virginie DolataDEPUTY SYNDICATION TEAM MANAGER Thérèse Genevois SYNDICATION COORDINATOR Olivia Ciardi COPYRIGHTS MANAGER & DIGITAL SYNDICATION Séverine Laporte

www.ellearoundtheworld.comINTERNATIONAL AD SALES HOUSE: LAGARDÈRE GLOBAL ADVERTISING

CEO Claudio Piovesana [email protected]ère Global Advertising

POSTAL 124 RUE DANTON, 92300 LEVALLOIS-PERRET, FRANCE WORLD’S LEADING FASHION MAGAZINE – 46 INTERNATIONAL EDITIONS

Argentina - Australia - Belgium - Brazil - Bulgaria - Canada - China - Croatia - Czech Republic - Denmark - France - Finland - Germany - Greece - Hong Kong - Hungary - India - Indonesia - Italy - Japan - Korea - Mexico - Norway - Oriental - Poland - Portugal - Quebec - Romania - Russia - Serbia - Singapore - Slovenia - South Africa - Spain - Sweden - Taiwan - Thailand -

The Netherlands - Turkey - Ukraine - UK - US - Vietnam

ELLEMagazineSA

ELLEMagazineSA @ELLEMagazineSA

ELLEMagazineSA

@emiliegambade

@EmilieGambade

READ

74

Masthead.indd 1 2015/07/01 6:09 PMOctoberMasthead.indd 1 2015/09/04 12:19 PM

BEHIND THE SCENESBEHIND THE SCENES

UNCOVEREDThis month’s cover by numbers

@ELLEmagazineSA20

K E I R A K N I G H T L E Y

British actress Keira Knightley has graced the cover of ELLE around the world many times, but for ELLE USA’s 30th birthday, she appears not one but four times on the cover. In each and every single image of the shoot, she looks like she’s never looked before: from ‘80s neon pop diva to leather-wrapped Barbarella, Keira is nothing short of fabulous.

And as summer hits our shores, we couldn’t find a better picture to capture lightness, joie de vivre and exuberance than the one of Keira in her pink viscose Chanel dress. Whether it’s the pink on the cheeks, the large hoops or the curly hair left floating freely around her face, there is something in this image that says: be yourself, be alive, be playful.

And as October is also the time for us to unveil our fashion edit, we couldn’t think of a better way (visually) to tell you, our dear reader, what would fashion be, if it weren’t to have fun?

− Emilie Gambade

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Years married to rocker James Righton

Birthday celebrated in March this year while pregnant

Feature films she’s acted in

Chanel lipstick used in the shoot

Pairs of Balenciaga earrings used in the shoot

Award nominations for her role in 2014’s The Imitation Game

Pirates of the Carribean movies released... and counting

Days to shoot scenes for her current film, Everest

ELLE Cover_Uncovered.indd 1 2015/09/04 9:55 AM

@ELLEmagazineSA22

Behind the scenes with mother, model, mentor and our August #AfricaIssue cover star @pearlthusi - 424 likes

Leigh Schubert @afi _sa #MBFWCT15 - 300 likes

Follow us on Snapchat: ellemagazinesa for daily snaps from the ELLE team #seriELLE - 193 likes

Behind-the-scenes shooting #aerinfragrances #ELLEBeautyCloset - 185 likes

Don’t you just love this @instax #elleinstaxmoments - 548 likes

Settling in at the iconic @BevHillsHotel for a leisurely Saturday lunch in LA #DCmoments - 231 likes

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T W E E T > I N S T A G R A M > @ E L L E M A G A Z I N E S A > Y O U T E L L U S

#ASKELLEEditorial intern Brittany Cost answers your tweets.

@brittscost

@aishah10: What attributes do you need to be an ELLE editorial intern?It’s important to know how to work hard, pay attention to detail and learn quickly. And you need to be passionate about what you’re doing!@pennykathulani: Why did you choose ELLE, as opposed to another magazine?This is an easy one - ELLE has always been my favourite magazine!@realbiggie: How do you live up to the pressure of making sure readers love each issue?The thing is, if we love it, we hope our readers will love it, too. We always listen to our readers on social media and we fi ll the magazine with everything they’re excited about.@falzsa: Are there certain tasks and assignments that take priority in your role? As I write this I’m subbing articles, and that requires a lot of fact checking and takes priority at a certain stage in our monthly production cycle. @falzsa: Have you ever made any BIG mistakes? Not yet (hopefully I’m not jinxing myself)! With magazines, though, everything happens so quickly, and you can’t sweat the small stuff.

MUST-READ!Meet our model-of-the-moment and the star of our Summer Stand-bys shoot, Avril Guerrero

TOP @ELLEMAGAZINESA INSTAGRAM POSTS

WINEach month we’re giving away perfume to the best #ELLESelfi e. This month you could win 1 of 3 x 50ml Givenchy Dahlia

Divin EDT valued at R1 100 each.

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ELLE October Cover.1.indd 1 2015/09/04 8:27 PM

#ELLESELFIETweet or Instagram us your #ELLESelfi e featuring our October issue and we’ll publish the best on ELLE.co.za. Remember to

include @ELLEMagazineSA #ELLESelfi e

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OUR EDIT OF THIS SEASON’S HOTTEST FASHION AND BEAUTY TRENDS

Kope l Figgins put a dog in a dress for their ingenious

interpretation of KLÛK CGDT’s

SS’16 collection - just one of our favourite

fashion campaigns and collaborations of

the year

T H E

C A M P A I G N

I N T E R V I E W S

Radar_Opener.indd 1 2015/09/02 10:49 AM

• RADAR • RADAR • RADAR • R

ADAR

• RAD

AR • RADAR • RADAR •

FASHION

‘We were inspired by the long standing romance

between art and fashion and the necessity of

playfulness and adventure in their successful merging. Our inspiration is a woman whose love of luxury is an

art in itself. Her indulgence is so pure that it’s forgiven,

and, even, adored.’ — Julia Janse van Vuuren

Designers Malcolm Klûk and Christiaan Gabriël Du Toit recently

collaborated with Levi’s, a relationship that goes back to when the denim

brand first launched in SA, for their latest spring/summer 16 collection

L E V I S

K L Û K C G D T

X

‘We started in fashion to be expressive and creative and the challenge to re-invent a classic like Levi’s denim was too good to be true. Who wouldn’t enjoy taking a massive international factory in Cape Town that produces 23 000 pairs a day for the whole world and go wild with rivets and buttons and bleaches and washes?’ Klûk and Du Toit told ELLE.

The collection, which has a strong Asian influence, showed at Mercedes-Benz Cape Town Fashion Week and extended into

a collaboration with nine photographers: Simon Deiner, Betina du Toit, Julia Janse van Vuuren, Kope l Figgins, Sivan Miller, moreFIRE, Neil Roberts, Krisjan Rossouw, Trevor Stuurman and videographer Roice Nel. All the artists were tasked with reinterpreting the KLûK CGDT brand and collection in a series of images, as well as a fashion film, for the exhibition ‘Artisan.’ All prints are on sale at the Klûk CGDT flagship store in Cape Town, where 20% of the proceeds will go to the Sunflower fund.

‘Our concept changed slightly at the very last minute. We found a radical location in Cape Town (DELOS Antiques) and knew we wanted to do something weird and kind of street. We also wanted to touch on social issues and create something visually stimulating. So we took it from there. We wanted to create cool things to look at, and we played with different media through photography while experimenting with two and three dimensions. This was something we figured would stand out’— moreFIRE

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video

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Earlier this year Woolworths announced that they would be working with musician and entrepreneur Pharrell Williams. We chat to

Noni Gasa, Woolworths’ PR manager, about the ‘Are You with Us’ campaign

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@WOOLWORTHS_SA

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What was the concept behind the Woolworths ‘Are You With Us’ campaign? Pharrell is a global icon for environmental activism and education — two values at the core of Woolworths’ business. With his help, we are calling on South Africans to pledge their commitment to shopping sustainable products and to help us raise R100 million for schools in dire need of books, resources and financial aid.

Why did you choose to work with him?Pharrell is arguably the most prolific ‘edutainer’ of our time and occupies a unique space in pop culture: he is as conscious as he is cool. His involvement in eco initiatives,

‘ T H R O U G H T H I S C A M P A I G N W E ’ R E S A Y I N G I T ’ S C O O L T O C A R E ’

such as Bionic Yarn and Live Earth Concerts, coupled with his unrivalled fashion sense resonate with Woolworths’ brand values. We have collaborated to achieve common goals, including the development of an app called Earth Cred and a line of Bionic Yarn tees.

You also feature several of South Africa’s It girls in the campaign. What inspired you to work with them?Minnie, Pearl, Nandi and Chiano are not just gorgeous and talented – they share our vision for uplifting education in South Africa. These are celebrities who do not shy away from rolling up their sleeves for philanthropic work. In essence, we are saying it is cool to care and some of your favourite female stars think so too!

Let us talk about the other people behind the campaign.The campaign was shot by Belgian visual artist, Pierre Debusschere, the man behind the hauntingly beautiful Mine and Ghost videos from Beyoncé’s self-titled visual album. He’s also globally renowned for shooting striking campaigns for the likes of Louis Vuitton, Dior, Y3 and Hugo Boss, as well as magazine covers for CR Fashion Book, Numéro, Dazed & Confused and ELLE.

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The Supershell concept is the second collaboration between Pharrell Williams

and adidas Originals this year

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Inspired by Pharrell’s enthusiasm and passion for supporting young and upcoming creatives, the iconic shoe brand collaborated with The Sartists to bring the Supershell to life on a local level. ‘We have had them on our radar for a while,’ adidas Originals told ELLE. ‘Their passion for the product and the brand’s heritage is so inspiring, and we have been waiting for the perfect opportunity to work with them.’

The Sartists consist of Kabelo Kungwane, Wanda Lephoto and Xzavier Zulu. Their concepts are brought to life with the help of photographer Andile Buka, who also shot the campaign. Together they are documenting their lives and style with the aim to recreate and communicate untold and authentic African stories through fashion and photography.

@adidasza@wanda_pronto@kungwanheay@xzavierzulu@Andile_Buka

Describe your style? Individually we have different tastes and different appreciations, so our styles reflect our unique voices. As a collective our style is more classic, a reflection of our inspirations and individual references.You are often spotted wearing vintage adidas. How did it feel to be part of this collaboration?To be an original is something we’ve always carried with us; the love has always been there. To be able to collaborate with adidas Originals is a huge blessing, a milestone reached, and a dream come true.Did you bring any of your own ideas, thoughts or inspirations to the collaboration? As curators of the campaign we were responsible for coming up with ideas that would make the Supershell relevant to a local audience and tell their story.

@adidasza@wandalephoto@thesartists@XzavierZulu@buka_andile

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It was a family affair for Balmain’s 2015 autumn/winter campaign starring

model siblings Kendall and Kylie Jenner, Bella and Gigi Hadid, Erika and Joan Smalls and brother act, Armando

and Fernando Cabral

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Armando and Fernando, who were both born in Guinea-Bissau, moved to Portugal when they were very young. Older brother, Armando started his modelling career after being pushed into a runway class by his sister at the age of 17. Fernando quickly followed his older brother’s footsteps by entering the world of fashion. Both siblings are now

extremely successful, having appeared in fashion campaigns around the world.

After starring together in H&M’s holiday 2010 campaign, the brothers reunited for Balmain’s autumn/winter 2015 menswear

collection, lensed by Mario Sorrenti. Photographed in a church, the brothers sported black sneakers adorned with gold edges and gold-embellished blazers.

Here we get to know the model at the top of his game, Fernando Cabral, in this exclusive interview.

ELLE: How does it feel to front Balmain’s autumn/winter 2015 menswear campaign?FC: It was definitely a great feeling. Balmain is a very prestigious fashion house and it was a privilege for me to be alongside my brother.ELLE: What direction were you given for the shoot? FC: Mario Sorrenti and the producer wanted to portray strong characters.ELLE: Your brother, Armando, started modelling before you — did he influence your decision to pursue a career in fashion?FC: My brother was very supportive of my decision from day one. In fact, he was the one who helped me with a lot of my career decisions. Basically, he took me under his wing and introduced me to some agencies, photographers and so on. My big break actually happened right after our first campaign together for H&M. ELLE: You were born in Guinea-Bissau — what led you to move to Portugal?FC: I think one of the main reasons was the political instability the country was facing at the time, and my dad believed that is was important to move for the wellbeing of our family.ELLE: How is it being an African model in the international modelling scene?FC: The fashion industry is experiencing its best time so far in regards to diversity. Models from all over the world are being embraced and given the opportunity to work. I’m just happy that I’m working and getting my face out there for Africa. ELLE: What’s your favourite/least favourite thing about being a model?FC: The best part about modelling is the travelling — you get to meet new people and discover amazing places. And of course, you can earn a great income. My least favourite aspect is also travelling because you’re constantly away from family and friends. But other than that, I’m enjoying myself. ELLE: Where is the best place you’ve visited?FC: Paris is one of my favourites cities. I love the architecture, the buildings, and the food.ELLE: If you weren’t modelling, what would you be doing?FC: I’m studying International Relations at a university in Lisbon. Perhaps I would have been interning with a non-profit that aids sustainability programmes in Africa. ELLE: Any advice for aspiring African models?FC: My advice for any person who wants to model is to be patient, persistent, and believe in yourself. Modelling is not just about the looks now; you also need to have a great personality, and know how to carry yourself so that clients can see you as the ambassador of their brand. £

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ONE TO WATCH

@ELLEmagazineSA24

Dimeji Alara meets Lagos-based fashion lover Reni Folawiyo, who is hoping to change the world’s perception of African design with her new luxury concept store that offers Saint Laurent alongside Ituen Basi

It’s just past noon and I’m at the newly-opened contemporary African store, Alara, in Lagos. Interestingly, the store also shares my own last name, meaning ‘splendid performer’ or ‘one who is marvellous’ in Yoruba. Designed by famed architect David Adjaye, the space is opulent and inviting; it’s a fashion haven laden with designer labels from some of the world’s most coveted fashion capitals. Carrying a range of brands from Saint Laurent to Bottega Veneta, it’s bound to entice everyone in Nigeria (and outside), but what makes this shop unique is that alongside coveted international brands hang designs by some of Africa’s most creative visionaries.

That was CEO and founder Reni Folawiyo’s aim when she first envisioned this retail store.

@renifol

@ELLEmagazineSA36

The 49-year-old businesswoman is known for her passion for fashion, so it was only natural for her to create a place that caters to likeminded individuals.

Dressed in a Simone Rocha top and skirt paired with Pedro Garcia sandals and a statement ring by Paris-based Tunisian designer, Taher Chemirik, Folawiyo uses even her personal style to give life to her vision of international fashion. ‘I hope that Alara will change people’s perceptions of African designers,’ she says. ‘I hope that we can use this platform to encourage people to reevaluate how we see ourselves in the context of culture, reawakening and reevaluating both ourselves and what we have to o�er the world.

‘So far, in terms of African designers, we have Maki Oh, Ituen Basi, Ti�any Amber, Duro Olowu and Jewel by Lisa,’ she says, although she is quick to note that she has her eye on many more. ‘We have a lot of designers in the pipeline, too. There is Orange Culture coming in, which we are super excited about, and then there’s Re Bahia, who I absolutely adore. I love what she’s doing with hand-embroidered designs.’

Selecting the brands was no easy task. ‘Firstly, I chose them based on my personal taste, but then I also had to bear in mind that it’s a commercial space, and I needed to make my decisions based on what I think the market will want. We haven’t got all the designers we are expecting when it comes to the international brands yet,’ she notes.

However, Alara is not just a fashion retail space; it’s also home to other beautiful designs, including art and home furnishings, that come from Africa. ‘This is from Peter Mabeo,’ she points to a delicately handcrafted dining table and four sculptural stools. ‘This is South African, from Cape Town,’ Folawiyo shows me another piece of furniture. ‘We have a lot of interesting pieces from West Africa, too. We have furniture designers like Hamed Ouattara, along with Usman Bhai from Senegal, who makes furniture from recycled material. We have several others and a lot of traditional Nigerian pieces as well. The art is an exciting part for us because it’s something that I have been following for so many years. Contemporary pan-African art is very much something I would like to promote.’

Will Alara change the world’s impression of Africa when it comes to luxury?

‘That’s what we are here for,’ Folawiyo says softly. ‘To be able to show the world the other side they don’t get to see and to prove that their perceptions do not define us.’ £

R E N I F O L A W I Y O

GO ONLINEfor Reni’s top five

Nigerian designers

.CO.ZA


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BO N T L E M O D I S E L L EFrom dancing in her parents’ living room to playing

the lead in big screen productions, Bontle Modiselle is making serious moves as a dancer. Ntombenhle Shezi

gets to know the soaring star

GO ONLINEfor Bontle’s fitness

plan

.CO.ZA

THE DAY IT ALL STARTED

I remember receiving a Boom Shaka tape as a gift for my fifth

birthday from my late father. Pressing play on that tape always

made me come alive. My love for dance is rooted

all the way back to the days when I used to mimic Boom Shaka’s Lebo

Mathosa and Thembi Seete in my family’s lounge. They

introduced me to the physical interpretation of music, and that’s

all I wanted to do.

WORKING ONHEAR ME MOVE

Being the female lead in this movie has been one of my biggest

roles to date. The film received a great response both locally and internationally, screening at Cannes and the London Film Festival last year. Landing the

role is a case of stars aligning and simply being in the right place at the right time. It was never my

intention to audition for the film. After rehearsing next door for

a commercial, I popped into the film’s auditions for a quick chat with the choreographer, whom I

knew. When he saw me, the film’s director encouraged me to do an impromptu audition. Two months later, I was cast as the film’s lead.

UPCOMING PROJECTS

For the past few months, I have been busy filming all over the country for a new programme

called Showville, launching on SABC2 in November. I am also in the process of

choreographing a short film. I would love to create my own body of work and tell South

African stories on global stages. My words may be few, but I know that my work will

be valued.

BIGGEST ACHIEVEMENTSI have been lucky enough to see different parts of the world

including Holland and Germany, where I was selected to be part of the May Day Dance and Culture Exchange Programme. I have

performed in videos as well as on stage with major South African artists, like Mafikizolo, and Nigerian mega-stars Wizkid and Davido. Last year, I was featured alongside Candice Swanepoel as part of

Woolworths’ RE Jeans 2014 campaign. The list keeps growing.

THE DANCE INDUSTRYSome of the biggest challenges for me and my peers have been to constantly fight for dance to be respected as an art and as a career; people see dance as a hobby and it’s a struggle to

get paid what you’re worth. Most people don’t realise the long hours dedicated to creating and rehearsing a work of dance. Another challenge has been maintaining a healthy body. I am a curvaceous, young black woman. I’ve booked jobs because of that trait, and lost jobs for that same reason. Going to the gym frequently is something I have taken on, not as a result

of external pressure, but as a choice to nurture myself for my chosen craft and to feel good about my body.

@bontle.modiselle

@MsBornClear

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ELLE READS

T H A N D O M O L E K E T I

T H E B O O K T H AT

C H A N G E D M Y L I F E

What is the title and author’s name? I Know Why The Caged Bird Sings by Maya Angelou. It was the first in her six-volume autobiography.

How old were you when you discovered it? I was in my late teens or early 20s when I first started reading Maya Angelou’s works.

Who recommended it to you? I can’t recall whether it was recommended to me or not. But, I do recall buying a new copy of each of the six volumes in Maya Angelou’s autobiography.

What specifically gripped your imagination? Her story is written in a way that takes you back to a di�erent time and place. It is so vivid; it moved me and made me feel like I was experiencing it all myself.

What emotions did it inspire in you? For me, the story validated the things that my parents and family have always told me about endless

ALSO ON MY SHORT LIST…

Outliers by Malcolm Gladwell and The Zahir by Paulo Coelho, The Woman I Wanted To Be by Diane

von Furstenberg and Lean In by Sheryl Sandberg. All these books have

strongly impacted my view and approach to various

facets of my life: personal, professional and as someone

who someday may become a mother.

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possibilities and dreaming big. I speak here about the entire autobiography; it is inspirational, hopeful, comforting and validating.

What did you do after you had turned the last page?Literally, I promptly began reading her next book, Gather Together In My Name.

Did it influence the way you think about life? Maya Angelou is one of the women who has a�rmed my confidence and my belief that I deserve certain things, even when getting them seems di�cult at times. She is also a source of inspiration and guidance on my path to self-actualisation. Her writing confirms that we can create our own destiny and that we are not confined by our present circumstances.

Is there a quotation that left a lasting impression on you? I can’t pick one specifically because I draw on Maya’s words so often, be it Still I Rise or Phenomenal Woman. But this excerpt from Still I Rise stands out particularly: ‘Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise, I rise, I rise.’

Could you sum it up in a few words? This book introduced me to someone I would go on to consider as one of my life-long teachers, who would accompany me not only as an inspirational figure but also with words of wisdom on my journey toward becoming my truest self. £

This October, food blogger, writer and entrepreneur

Thando Moleketi talks to us about one of the books that has had a lasting impact in

her life

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C U L T U R E C R U N C HY O U R G U I D E T O T H E H O T T E S T H A P P E N I N G S I N A F R I C A


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OCTOBER/NOVEMBER

FILM RELEASES:

AYANDA (2 OCTOBER)This local production follows the vibrant Ayanda (Fulu Mugovhani), who finds love while trying hard to keep her late father’s garage out of debt. With one of Joburg’s oldest and most colourful suburbs (Yeoville) as the film’s backdrop, it’s a coming-of-age film co-produced by Terry Pheto and directed by Sara Blecher.

0 0 5 With a world full of cuisines at your disposal, dig in and enjoy fine dining, refined wines and shaken (or stirred) cocktails. With more than 1 000 guests expected, it’s a culinary outing that should be on your agenda. Thegifdmarket.co.bw

0 0 3 Music and arts come together in honour of one of Nigeria’s most iconic creatives, Fela Kuti. Celebrating his body of work with the help of some of the country’s and the world’s biggest artists, this is one felabration not to be missed. Felabration.net

0 0 2 In its 10th year, the unmissable Rocking the Daisies is back and this year’s line-up is out of this world! Showing across multiple stages and villages, Jack Parow, the Rudimentals, Milky Chance and the Kooks (yes, and many more!) are here to entertain. Get ready for the weekend of your life. Rockingthedaisies.com

0 0 1 The legendary outdoors music festival makes one last appearance with The Final Wave theme. Signing o� after more than a decade of premier parties and a host of impressive acts, this year’s event teams some of SA’s biggest DJs alongside Germany’s Super Flu and Holland’s Tony Cha Cha and Dyro. h2oparty.com

JOBURGMADAME ZINGARA

4.11.15 – 31.12.15

BOTSWANAGABORONE INTERNATIONAL

FOOD & DRINK FESTIVAL

31.10.15

0 0 4 Keen to see what your winter 2016 wardrobe is set to include? Then diarise SA Fashion Week, showcasing the Autumn/Winter 2016 collections in Rosebank. One of SA’s premier fashion events, it’s a celebration of local talents and trends spotting. Safashionweek.co.za

JOBURGSA FASHION WEEK

22.10.15 – 26.10.15

NIGERIAFELABRATION

12.10.15 – 18.10.15

BOKSBURG H2O THE FINAL WAVE

10.10.15

CAPE TOWNROCKING THE DAISIES

01.10.15 – 04.10.15

STRAIGHT OUTTA COMPTON (23 OCTOBER)If you’re a hardcore old-school rap fan, don’t miss Straight Outta Compton, which chronicles the rise and demise of trailblazing N.W.A. Rebelling against police brutality in downtown LA and giving a voice to a generation that was oft-times silenced, N.W.A. remains one of music’s most influential groups.

0 0 6 Having already performed on Cape Town’s Grand Parade, Madame Zingara’s fantastical new production, The Celebration, opens this month in Joburg. Expect to see pole artists, acrobatics and contortionists, as you enjoy a delicious, four-course meal. This surreal circus is one experience you’ll never forget!theatreofdreams.madamezingara.com

STAND THE CHANCE OF WINNING

a girls’ night out at Madame Zingara, The Celebration, in Joburg.

Prize includes a table for four, dinner and a show. Enter by tweeting your

favourite photo from our fashion shoot ‘Centre Stage’ to

@Madame_Zingara @ELLEMagazineSA #MZGirlsNightOut

WIN! MADAME ZINGARA:

Culture Crunch.indd 1 2015/09/02 3:31 PM


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ELLE OPINION

@ELLEmagazineSA42

Although it’s prolif ic and highly prof itable, Nollywood is often criticised when it comes to its storylines, which, to be frank, are usually the same. It’s always a clichéd story about occultism, witchcraft, prostitution, amorous love, a wicked stepmother, a married woman under pressure to have a child by her husband’s family, etc. You can almost predict the end of a fi lm fi ve minutes into it. What’s more, Nollywood has also done a very poor job in its portrayal of women, who are most times presented as materialistic, desperate and shallow. I think Nollywood is in need of a makeover.

And changes are already underway. Nigerian actor-turned-producer Kunle Afolayan’s f ilm, October 1st, was praised for its production design, cinematography and exploration of compelling themes. And it doesn’t stop there: the romantic comedy-drama produced by Rita Dominic and Mildred Okwo, The Meeting, received six nominations at the 9th Africa Movie Academy Awards, and I would say it’s one of the best movies to have come out of Nollywood to date.

And then there is the highly acclaimed rom-com, 30 Days in Atlanta, produced by famous Nigerian comedian Ayo Makun, which was one of the highest-grossing Nollywood fi lms of all time.

While putting the fi lm together, Makun told me that a lack of funding was a signifi cant obstacle. ‘Finance was a major problem, but I wasn’t ready to cut corners,’ said Makun. ‘I tried to get a loan and it didn’t work, so a lot of the funds came from my personal savings.’

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Rated the world’s second- largest film industry (after

India), Nollywood often gets a bad rap. But have no fear, says Dimeji Alara, because

a new crop of Nigerian producers and directors are

giving it a facelift

A N E W F A C E F O R

N O L LY W O O D

@dimejialara

Most film-makers I know say the same thing: f inance is a massive challenge. Investors are sceptical about putting their money behind the industry due to its lack of proper business structure and professionalism. There’s also the issue of piracy, as producers who invest immensely in their fi lms struggle to get their money back.

What most people don’t understand, I think, is that even when severely limited by funds, these film-makers are trying to reinvent Nollywood. Although many groups churn out low-quality fl icks on an almost daily basis, these new producers and directors are determined to change the scene. There are strong female characters, which wasn’t the case a couple of years back, and I have noticed a growing number of female producers and directors, including Rita Dominic, Stephanie Linus and Mildred Okwo, just to mention a few. Even the plots are becoming more sophisticated; Stephanie Linus’ recent fi lm, DRY, tackled vesico vaginal fi stula and child marriage.

When I look at Nollywood, I think it’s come a long way, but it still has a very long way to go. There are still too many inferior fi lms released on a daily basis, and producers need to understand that as much as this might provide regular income, it reduces the quality of their work and hinders Nollywood from moving forward. Film-makers need to explore and take more risks when it comes to their storylines and characters. That said, I’m excited that progress is gradually taking shape, and that more and more fi lms are being released into the market by a new set of innovative directors. Slowly, but steadily, these creatives are leading Nollywood to its next face. And I can’t wait to see it. £

RADAR_ELLE opinion.indd 42 2015/09/04 9:39 AM

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ELLE FELLA

@ELLEmagazineSA44

.CO.ZA

GO ONLINEfor Mali’s weekly

columns

I am no great student of psychology, but at some point, quite accidentally, I came across the ‘four stages of competence’ learning model. ‘Stage one: unconscious incompetence’ basically refers to the stage when you don’t know how to do something, and you also don’t know that you don’t know. That’s followed by conscious incompetence − when you know that you don’t know − and then, hopefully, you move on to the third stage, conscious competence, where you know that you know how to do it, but it still takes a lot of e�ort and concentration. The last stage is unconscious competence, when you understand and do something so well that it becomes second nature, and you no longer have to remind yourself about each individual step.

I remembered this model whilst reflecting on the shows at recent local fashion weeks. As is typically the case, there are lots of ‘okay’ collections that will no doubt sell well, and there is no shame in that, as fashion is after all a business. Then, there are a few spectacularly bad ones, and even fewer truly great shows, if any. Still, there is no question about it: runway shows are an incredible opportunity for designers to get their names out there, meaning into the media and into our collective consciousness.

While sitting front row might seem like an excuse to wear shades indoors for some, it is also a key opportunity for fashion journalists to get up close with the collections so that they can write their reviews. Ideally, these are written with care and the intention to encourage the designers, rather than to break

them down. However, excepting the occasional descriptive article that explains which colours and fabrics were used, there is currently a dearth of serious critique in the South African fashion world.

It doesn’t for a second escape me that I, too, am a fashion journalist who has also been complicit in this practice. I’ve made excuses, such as that it might be discouraging for young designers, that we’re still growing the industry, and that as more designers succeed, we’ll be able to o�er constructive criticism without putting their businesses at risk. Enough. Imagine for a second that you didn’t do something well and no one told you that you didn’t do it well; you would be stuck in a state of unconscious incompetence for much longer than you needed to be.

In my previous career as a fashion buyer, we would stand in front of the company’s CEO, directors, managers and other buyers to explain exactly how our area had performed over the previous quarter. Choices

had to be justified, right down to a button’s shape and shade, mistakes had to be analysed and answered for, and a clear plan to fix them had to be presented. Everybody that witnessed our presentation, often over 100 people, was welcome to chip in and add their opinions about our missteps. By listening to that constructive criticism and learning from it, I became a better buyer. It was how I became conscious of my areas of incompetence, which led me to eventually achieve conscious competence.

Admittedly, ours is a young design industry, with numerous structural issues like access to fabrics, production and funding. However, designers like Sindiso Khumalo, Laduma Ngxokolo, Chu Suwannapha, Lukhanyo Mdingi, Jenevieve Lyons, Thula Sindi, David Tlale, Rich Mnisi and many more prove that we have all the talent and creativity we need. That is not to say that they are perfect. I own a Laduma cardigan that doesn’t quite have the luxurious handle and return I expected at its price. I admire David Tlale greatly, but there have also been moments, like with his recent bridal collection, that I felt were more miss than hit. I love Chu’s Chulaap range: its brilliance literally brought tears to my eyes when it was launched earlier this year, but I am frustrated that it’s not being widely produced and made easily available for interested consumers.

I do not expect our designers to be flawless, but if we continue to deny them constructive criticism and continue to dish out standing ovations even in the absence of excellence, we are putting the future of local design at risk. We leave designers in limbo, between conscious incompetence and conscious competence, while potential consumers rush o� to H&M, Topshop, River Island, Zara and whatever other unconsciously competent brand has come to cut out a share in the market. For many of our local ready-to-wear designers, their main competition is international fast fashion retailers, instead of other more established, globalised designers. The time is coming when our designers can pose a challenge on the worldwide fashion scene, and there is a lot to sort out in preparation. As much as it is our duty to celebrate and uplift, it is also our duty to point out the missteps, because that front row seat is not just for selfies. £

A D E A R T H O F C R I T I Q U E

South Africa’s fashion industry could benefit from a little constructive criticism, says Malibongwe Tyilo

@MrTyilo

RADAR_ELLE Fella2.indd 24 2015/09/02 10:11 AM

MANGO.COMBEDFORD CLEARWATER EASTGATE GATEWAY MELROSE ARCH MENLYN SANDTON CITY V&A WATERFRONT WOODLANDS



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FIRST LOOK

@ELLEmagazineSA46

@ELLEmagazineSA

Meet our top eight finalists for this year’s

ELLE Rising Star Design Awards in

association with MRP

I N P U T

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+ Hand Knitted Cape Knee Length

+ Knotted Robe Dress Asymetrical Panels Sheer Sleeves Centre Back Zip

+ Turtle Neck Shirt Batwing

+ Lace Jumpsuit Low-cut Front Adjustable shoulder straps

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+ Waist length loose fitting shirt Adjustable should straps

+ Duvet wrap Skirt Calf length

+ Structured over skirt Different length side panels Centre Back Zip

+ Dropped Crotch leggings Pin tucks through the middle of the leg Pin tuck Panels on the knee

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ALEXIA HECHTER20, STELLENBOSCH

ELIZABETH GALLOWAY ACADEMY OF FASHION

DESIGN

Describe your collection in 3 words. Comfortable, organic

and lovely.What inspired your range?

The collection is called WOL and is inspired by nature and the use of organic materials such as cotton

and wool.If you could dress one designer

it would be… I would love to dress Marianne Fassler. I don’t think she would mind going out

in sleepwear.

BIANCA MESSINA24, CAPE TOWN, CPUT

Describe your collection in 3 words. Structure versus fluidity.

What inspired your range? The title of the collection Metamorphic

refers to the rock marble which is characterised by crystallised veins. My collection juxtaposes structured silhouettes with silky flowing fabrics

capturing the make-up of marble. Bauhaus influenced the shape, line and

form, with a balance between geometric and asymmetric.

If you could dress one designer it would be… Without a doubt,

Victoria Beckham.






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Bio

WOL

I am a third year student at El izabeth Galloway Academy of Fashion Design. I aim to work hard and to achieve my goals on time and in ful l .When I design, I design garments that would complete a relaxed and humble existence. Together with my mother’s Wool Duvet business I want to create a range that compliments the warm comfortable feel of being at home.WOL Ontwerp wil l eventually be one of my design labels. I plan to have a sleepwear/loungewear collection by the end of the year.

Swing Tag

Label

WOL

organic materials such as cotton

If you could dress one designer it would be… dress Marianne Fassler. I don’t think she would mind going out

+ Duvet Bolero Front Opening Magnetic Closure

+ Waist length Sheer Over-Coat Scooped Neckline Long Sleeves


+ Long Tie Skirt Asymetrical wrap Front


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Trend Board

+ Inner Sanctuary+ An inward-looking trend + cocooning comfort and soothing consolation of the blanket is used for design reference. + volume- wrapped designs, + merino wools + thick, enveloping layers + create an inner sanctuary






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+ Lace Jumpsuit Low-cut Front Adjustable shoulder straps

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C R E A T I V E The ELLE Rising Star Design Awards in association with MRP has seen the ascent of talented designers such as David Tlale, Anisa Mpungwe, Sindiso Khumalo and Nicholas Coutts, to name only a few.

Last year, we opened the competition for the fi rst time to the entire African continent; this year, we asked applicants to send us complete storyboards digitally only, increasing drastically the number of applications. In total, 155 aspiring designers from all over the continent entered the competition, from South Africa to Nigeria, Kenya and Mauritius. The judges, Joanne Frédéric, Amber Jones, Caileigh Davis, Tarryn Oppel, Dimeji Alara, Anita Stanbury and Laduma Ngxokolo went carefully through the moodboards to fi nally select eight contenders.

Today, we present you with the 2015 fi nalists’ sketched collections and we hope that, like us, you will be excited about what you see! – EMILIE GAMBADE

RADAR_ERS Fashion 1.indd 46 2015/09/02 3:00 PM

@ELLEmagazineSA47

@ELLEmagazineSA


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FIRST LOOK

CARA GEACH24, CAPE TOWN, CPUT

Describe your collection in 3 words. Less equals more.What inspired your range? Minimalist architecture, and

how architecture and fashion design share many similar design

principles and elements. If you could dress one designer

it would be… Ashley and Mary-Kate Olsen.

SIYABONGA NTINI22, DURBAN

DURBAN UNIVERSITY OF TECHNOLOGY

Describe your collection in 3 words. Punchy, clean,

conceptual.What inspired your range?

It’s about a femme fatale x rugby player that turns sport into a fashion

event and she wins it, eight times in a row.

If you could dress one designer it would be… I would love to dress a fellow Durban designer and friend,

Ngcebo Mnyandu. I think he’d look insane in

head-to-toe conversational print.


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J O I N T H E C O N V E R S AT I O N

@ELLEMagazineSA

@MRPFashion



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@ELLEmagazineSA

GO ONLINEfor more on

our eight finalists

.CO.ZA

48 @ELLEmagazineSA

6

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DAISIE JO GROBLER20, STELLENBOSCH

ELIZABETH GALLOWAY ACADEMY OF FASHION DESIGN

Describe your collection in 3 words. Honesty over perfection.

What inspired your range? I’m influenced by my heritage. My Ouma

used to sew, embroider and knit, and these techniques are a big part of my

range. I have fond memories of my Ouma, she still inspires me everyday and I put all of my emotions into my

work. It is how I express myself. If you could dress one designer

it would be… Definitely Marianne Fassler.

BLÜNKE JANSE VAN RENSBURG

21, STELLENBOSCH, ELIZABETH GALLOWAY ACADEMY OF

FASHION DESIGN

Describe your collection in 3 words. Kitsch, luxury, individualism.

What inspired your range? Bright harmonious colours. Kitsch prom dresses and fancy cakes. The contrast

between oversized and fitted garments. It’s about a not-so-secretive alter ego that wants

to step out and show the world who she is. If you could dress one designer it

would be… Vivienne Westwood, because she wouldn’t mind wearing whatever, and she might give me advice on how to get

where she is.

FIRST LOOK


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HAMZA GUELMOUSS DIANDRA HAUPT20, MOROCCO 27, PRETORIA

CASA MODA ACADEMY LISOF

Describe your collection Describe your collection in 3 words. Dark, edgy and avant-garde. in 3 words. Textured, confident,

What inspired your range? exciting.My range is inspired by the daily What inspired your range?

life of a post apocalyptic character How vulnerability is a catch-22 aspect that I created. The idea came from of human behaviour, we need to be a movie called The Road where a vulnerable to connect with others, yet

father and a son are surviving within a we also need to protect ourselves from deconstructed environment. becoming vulnerable.

If you could dress one designer If you could dress one designer it would be… it would be… Betsey Johnson, I think it

Definitely Ann Demeulemeester would be a lot of fun and I could or Rick Owens. go crazy.

49 @ELLEmagazineSA


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informs and influences my designs in different ways.TAMARA CHÉRIE DYSON

‘I loved Tamara’s mature approach to design and business and so appreciate her clarity on what her brand stands for and her appreciation for what we do at MRP. It was a great collaboration and meeting of minds that has resulted in a beautiful collection we are all proud of. ‘

JOANNE FRÉDÉRIC, TREND DIRECTOR AT MRP

PRESENTS

TAMARA CHÉRIE DYSON FOR MRP

Tee R89.99Skirt R139.99


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ELLE TALENT

Say hello to summer! Introducing a brand new collection by 2014 ELLE Rising Star Design Awards winner, Tamara Chérie Dyson exclusively for MRP

Denim Shirt R169.99Denim Skirt R139.99

Dress R169.99Bomber Jacket R189.99

Fashion_ERS Tamara.indd 50 2015/09/03 8:50 AM

@ELLEmagazineSA51

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I DECIDED TO

KEEP WITH THE

SAME CONCEPT OF

‘GEOMETRICS’ FROM

MY 2014 WINNING

COLLECTION,

but re-envisioned it in a completely

new directionTAMARA CHÉRIE DYSON

‘Tamara managed the sometimes very tricky task of translating a sophisticated high-end design signature into a commercially acceptable collection for the mass market with real aplomb. Her clarity of vision and incredible attention to detail was a real inspiration! We loved having her as part of our team!’

AMBER JONES, TREND EXECUTIVE AT MRP

Tamara Chérie Dyson’s collection is available in

select MRP stores and online at mrp.com

Dress R199.99Tee R89.99

Tee R89.99Shorts R139.99

Tee Dress R129.99


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ELLE TALENT

Fashion_ERS Tamara.indd 51 2015/09/01 3:42 PM

@ELLEmagazineSA52

F L A W L E S S F I N I S H

Not new to the world of beauty but more covetable than ever, dewy skin is here to stay. To create the perfect canvas, try using an illuminating cream as a base and enjoy the radiant results.

1. MAC Lightful C 2-in-1 Serum and Tint with Radiance Booster, R6502. Chanel Vitalumiere Aqua, R620

DONN

A KA

RAN

SS15

L I T T L E B L A C K L I N EA very simple and very effective update to your look — the

old-school use of a thin liner. Use a black crayon to draw a line onto the waterline of your eye, apply a light layer of mascara

and you’re channelling your inner Chalayan SS15.

1. Rimmel Special Eyes Precision Eyeliner in 161 Black Magic, R802. Lancôme Stylo Khol Kajal WP, R350

H

OUSE

OF H

OLLAND SS15

T I M E T O S H I N E Gold and silver featured at House of Holland, Giorgio Armani and Anna Sui. Let this shimmer create an instant update from daytime casual to night time chic. Remember, there’s no such thing as too much metallic, as long as it’s region-restricted.

Dior Diorshow Fusion Mono Long Wear Professional Mirror-Shine Eyeshadow in 551 Zenith, R445

1

1 2

2

B R I G H T E Y E S The SS15 runways brought brightly coloured eyeshadow back to life in the form of striking blues and punchy pinks. The trick to this trend? Keep the other elements of your make-up neutral and let your eyes speak for themselves — the bolder the better.

Calvin Klein Eyeshadow Quad Denim, R185

R E A DYS E TR U N W AY

Swing your beauty bag straight into summer with new

season inspiration from the SS15 runways


ADAR

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GO ONLINE for more runway make-up trends

.CO.ZA

S E T A N D S L E E KStraight out of the shower and into the shows, shiny wet locks dominated the Balmain and Versace runways. Easy to achieve with leave-in hair oil or wet-look gel, give this casual-cool hair trend a try.

1. Moroccanoil Styling Gel, R2502. Creightons Frizz No More Sleek & Shine Miracle Serum, R70

O F F - D U T Y H A I RThe no-make-up make-up

look for hair, natural waves and a textured mane is the

way forward for the new season. Whether for long locks or a short bob, this

look can be easily achieved with a good sea-salt spray

and our very own fingers for texturising. For heavier hair,

a curling iron comes highly recommended.

1. Davines More Inside Sea Salt Spray, R260

2. Captain Blankenship Mermaid Mane Sea Salt Spray, R140

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R E T U R N O F A C L A S S I CIf a woman’s secret weapon is a perfect red lip, then we have no doubt we will conquer the new season, thanks to Burberry’s runway looks. Keep a shade of red in your bag because you never know when this lip colour calling will come.

1. Elizabeth Arden Beautiful Colour Moisturising Lipstick in bold red, R2202. Lancôme L’Absolue Rouge in 134, R399

C O L O U R P O PNothing says fun-loving

quite like a bright lip. A bright pink, tangerine or even purple is the perfect

pop of colour to lift your day or night look. Go on, try it...we promise you’ll

never look back.

1. MAC Vamplify Lipgloss in Push Some Buttons, R3802. Calvin Klein Lip Pencil in

Punk, R190

VERS

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SS15

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ERRY

PRO

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Maybe Corpaci travels to Paris to uncover the alluring world of Paco Rabanne’s latest bold scent, Olympéa

SCENT O F A GO D D ES S

Paris, whether overcast or sunny, is always a good idea, and despite the grey cloud and soft rain that already hung over me, my first experience of the city synonymous with style, beauty and scents is made easier knowing that I am about to enter the creative space of one of fashion’s most cutting-edge and revolutionary maisons: Paco Rabanne.

The eponymous fashion brand, founded by the Spanish architect-turned-designer in the 1960s, is forever etched in our minds as daring, artistic, unconventional and futuristic. ‘Creativity is not about seduction; it’s about shocking. I try to create powerful moments because emotions speak only the truth,’ said the brand’s creator, known for conceptualising imaginative and experimental styles. As he was the visionary behind the house’s coveted chain-link dresses, it is no surprise that Coco Chanel loved to refer to Rabanne as ‘the metalworker’ for his groundbreaking take on costume design.

A dynamic trailblazer, Rabanne proved that clothes didn’t always need to incorporate only fabric and thread. From shiny, chain-link dresses to plastic accessories made in clear acetate, his mission was to revolutionise fashion. In the late ‘60s, he took the next logical step and ventured into the world of fragrances with Calandre, the product of a collaboration with the Puig brothers (Antonio, Mariano and Enrique, who in 1986 acquired the fashion house with a high-end clientele). From the runway to the big screen, Paco Rabanne has done it all: his influence runs the gamut from the ‘60s cult classic Barbarella (starring Jane Fonda in his daring designs) to modern day icons like Lady Gaga, Katy Perry and a slew of other high profile celebs; today, the house is still synonymous with avant-garde fashion.

‘SHE’S A MODERN-DAY CLEOPATRA, CHARACTERISED BY CHARM AND FEMININE POWER’

(from top) Luma Grothe and Maybe Corpaci at the Puig

office on Avenue des Champs-Élysées; perfumer Loc Dong

explaining the inspiration behind the salty vanilla accord; a detail shot of Paco Rabanne’s

famous chainmail dress

ELLE_InSider P Rabanne.indd 24 2015/09/04 2:04 PM

@ELLEmagazineSA57

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So when news broke that I would escape to Paris for the launch of Olympéa, I was itching to understand the concept and thought process behind this new scent. The first idea that comes to mind is that the fragrance must incorporate the synergy between the romantic, alluring city of Paris and the more outrageous, provocative philosophy of the Paco Rabanne brand. Crowned Olympéa, the fragrance made me envision the energy and power of classical Greece, and like Invictus, the male fragrance launched in 2013, Olympéa must be a scent that makes you feel invincible.

The beautiful and intimate Bourdelle Museum, located in the 15th arrondissement, is where the potent perfume was set to be unveiled. Home to a private art collection spanning the end of the 19th and early 20th centuries, the museum once served as an art studio for sculptor Antoine Bourdelle. Now, it houses 500 works, including copies of Greek statues and sculptures in marble, plaster and bronze, along with Bourdelle’s personal collection of works by the likes of Eugene Delacroix, Jean Auguste Dominique Ingres and Auguste Rodin. His perfume is classic and yet boldly modern, personified at the launch by gorgeous male models dressed in all white, intermingled amongst the statues.

After a short presentation, Olympéa was revealed and so was the idea behind it:

to create the ultimate scent for the modern woman, one that both mesmerises and inspires. ‘The brand challenged me to find new freshness, new sensuality. As an artist, everything you create is somehow linked to what you are as a person and your story. I grew up near the ocean in Saigon, Vietnam, where salt is harvested through the evaporation of seawater. Salt immediately appeared to me as the starting point for Olympéa, as it represents freshness as well as something unconventional in perfume creation that I had never used before, thus going hand in hand with the brand values,’ notes Loc Dong, one of the three perfumers from International Flavours & Fragrances Inc (IFF) that created the perfume.

‘SHE’S A MODERN-DAY CLEOPATRA, CHARACTERISED BY CHARM AND FEMININE POWER’

(from top) Paco Rabanne SS 2015 collection; Greek sculptures at the Musée Bourdelle; supermodel Luma Grothe and brand manager Jean Holtzman

presenting Olympéa

P A C O R A B A N N E S S

2 0 1 5

PACO RABANNE SCENTS

The brand values of power, seduction, strength and boldness all characterised the fragrance

ranges throughout the years:

* Calandre: the house’s inaugural fragrance in 1969.

* Black XS and Black XS for Her: created with the idea of feeling like the ultimate rock star

when wearing it.* 1 Million and Lady Million: feel luxurious and live the

fabulous life at the snap of your fingers * Invictus: embody the fantasy of

ultimate victory.* Olympéa: the latest fragrance for the bold and

modern woman.

Even though salt doesn’t have a unique scent, when paired with vanilla the aroma becomes richer and more sensual. In order to add a youthful, sophisticated touch, Dong chose ginger, lily and mandarin, as well as hydroponic jasmine, which grows in water rather than soil, and he finally rounded out the fragrance with sandalwood and ambergris. The creation of the perfume took the trio two years to complete. When tried on, the notes blend in but at the same time stand out; although the fragrance is balanced, you can still distinguish both the magnetic vanilla and the lightness of the floral accords, and the perfume has a particular, sultry power.

And what would a bold and seductive fragrance be without an equally alluring face to represent it? Enter 21-year-old Brazilian beauty Luma Grothe, who captivated the crowd of journalists as she made her way down the marble staircase at the launch. She’s a modern-day Cleopatra, characterised by charm and feminine power,’ notes Grothe, referring to the woman that inspired the scent. ‘To prepare for the campaign shoot, I channelled the confidence and seductive femininity of the “girl from Ipanema” typical of my Brazilian culture, and I drew strength from the women in my life.’

Whether it is thanks to the fresh and sultry alchemy of Olympéa or simply because of its powerful notes, the scent lingers softly on the skin and leaves you feeling wonderful. £

ELLE_InSider P Rabanne.indd 25 2015/09/02 2:56 PM

NICOLE NEWMANBEAUTY EDITOR

‘I am never without the Beauty Flash Balm in my

travel bag − it freshens my face and doubles as a mask.’

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(from left to right)Clarins Beauty Flash Balm, R435

Clarins Super Restorative Total Eye Concentrate, R825Clarins Eau Dynamisante, R495

Clarins Bright Plus Brightening Repairing Night Cream, R600Clarins Tonic Body Treatment Oil, R490

GO ONLINEto learn more about

the Clarins plant properties

.CO.ZA

F R O M T H E

#ELLEBEAUTYCLOSETS K I N S O L U T I O N

Foreseeing the potential of plants in the beauty world, Jacques Courtin-Clarins

became an innovator in the field of natural skincare

ELLE Beauty Closet_1.indd 44 2015/09/01 12:14 PM

5097 Rimmel Super Curler - ELLE 210x275 ctp.indd 1 7/9/15 4:02 PMELLE ad template.indd 3 2015/09/01 1:21 PM

C O M P E T I T I O N

@ELLEmagazineSA60

All queries should be directed to Cindy Cant at LISOF, 012 342 0069; lisof.co.za;

For full details and a downloadable entry form go to elle.co.za

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1. Submit one sketch (A3 size) with suitable fabric swatches for each of the following categories: Denim Couture and Denim Street.

2. Write a motivation (no more than 200 words) for your designs.3. Write a motivation (no more than 200 words) on why you would benefi t from winning the

ELLE Fashion Bursary.4. Send your entry in an A3 plastic sleeve with a cover sheet indicating your full name, date of birth

and full contact details to: ELLE Fashion Bursary Competition, PO Box 1284, Parklands, 2121. *Please include a certifi ed copy of your South African ID document.

F U T U R E

DESIGN

Win a fashion bursary with LISOF to ensure your future

in fashion

Do you want to join the fast-paced world of fashion? Then put yourself in line for a fi rst-class ELLE bursary to LISOF, whose graduates include the likes of Suzaan Heyns, Tiaan Nagel, Rich Mnisi and AKEDO’s Eleni Labrou. LISOF has cemented its reputation as the most progressive fashion school in the country with graduates populating the upper echelons of the South African fashion industry. This year marks LISOF’s 21st anniversary as a fashion educator.

Having started out educating designers, LISOF now sta� s the fashion industry with buyers, merchandisers, stylists and fashion academics. Shana Rosenthal, founder and director, explains the journey: ‘We never imagined LISOF would grow into such a dynamic and progressive

institution. I believe that our ability to engage in real conversations about what makes for great clothing and then to translate these is what sets us apart, creatively and educationally. We are always looking for the next big opportunity to move ourselves and the industry.’

LISOF o� ers a full-time BA in fashion, a BA Honours in fashion, a Diploma in fashion and Higher Certifi cate in fashion, as well as an exciting range of part-time short courses, from design to make-up and pattern construction.

Mktg Lisof Competition.indd 1 2015/09/01 12:55 PM

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A L L T H I N G S N E W . . .

Whether you want to stand out or blend in,

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SHOPPINGSHOPPING

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4

3 5

You’re a girl who can’t live without soft-to-the-touch suede, roomy blouses,

corduroy and crochet; someone who sticks to freshly squeezed juice and acoustic

tunes. Anything bespoke is your prized possession while your fresh-faced

beauty routine goes without question

8. Sunglasses, R5 300, Balenciaga at SDM Eyewear9. Sling bag, R18 000, Louis Vuitton10. Denim top, R999, Country Road11. Knit, R649, Gap at Stuttafords12. Jeans, R1 099, Sissy Boy13. Wedges, R1 995, Kurt Geiger at Spitz14. Suede dress, R859, Zara15. Watch, R3 799, Marc by Marc Jacobs at S. Keren Watch Group

1. Blouse, R700, Billabong2. Embroidered flats, R419, Bronx Women3. Knit dress, R140, MRP4. Tasseled sling bag, R499, Forever New5. Boots, R7 300, Vic Matie at Virgule6. Crochet top, R599, Mango7. Skirt, R5 895, MSGM at Callaghan

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15226050 Elle SA 210 x 275 Woman A Emerging.indd 1 17/08/15 17:24ELLE ad template.indd 3 2015/09/01 2:21 PM

@ELLEmagazineSA64

You’re a girl who loves silhouettes inspired by

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1. T-shirt, R199, Cotton On2. Watch, R9 950, TW Steel at Luxco3. Sleeveless denim jacket, R3 599, Calvin Klein4. Shorts, R799, Mari And Me5. Sunglasses, R1 350, Guess at SDM Eyewear6. Backpack, R1 599, Louenhide at Habits7. Shirt, R1 999, G-Star Raw8. Boots, R1 100, Palladium Boots9. Pants, R650, Sonja von Mellenthin

10. Vest, R899, Country Road11. Sneakers, R7 350, Louis Vuitton12. Shorts, R329, Forever 2113. Clutch, R899, Witchery14. Track top, R2 499, adidas x HYKE15. Sliders, R1 495, Kurt Geiger at Spitz16. Skirt, R899, Witchery

JIL

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SHOPPINGSHOPPING

@ELLEmagazineSA66

You’re a girl who can’t do without that pop of colour and a print to match (or mismatch). Stripes, dots and painterly designs take centre

stage, while streetwear elements play along, too. Your love for special accessories, artisan food

and top knots will never end, ever

T H E R U L E

Bomber jacket, R1 800, Gap at Stuttafords

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1. Top, R599, Mango2. T-shirt, R499, adidas3. Heels, R499, Call It Spring4. Dress, R3 399, Diesel5. Sneakers, R1 200, Dune London6. Bag, R7 790, Longchamp7. Heels, R759, Zara8. Sunglasses, R4 500, Face à Face at Virgule9. Culottes, R699, River Island10. Neck scarf, R2 100, Louis Vuitton11. Necklaces, R229 each, Lashongwe at Zando12. Sneakers, R999, Aldo13. Skirt, R1 699, Habits14. Cropped top, R349, Puma15. Wallet, R9 500, Burberry16. Shirt, R799, Trenery17. T-shirt, R400, Kingsley Heath18. Heels, R459, Bronx Women

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We’re still going classic in the sunnies department…

you should, too!

From the top:R1 830, Von Zipper

R1 185, Diesel at Moscon OpticsR2 699, Vera Wang at SDM Eyewear

R1 799, RetrosuperfutureR2 405, Persol at Luxottica

B A C K T O

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It’s already a must-have for every arm, but even so, Prada’s ‘Inside Bag’ prides itself on a subtle design. All the more daring once you get a closer look, the

structured handbag seamlessly hides another bag inside

COLOUR COMB I NAT I ON

BECAUSE I T ’ S CRA F T ED TO SU I T E V ER Y TAS T E , Y OU CAN A LSO CHOOSE A UN I QUE HUE FOR YOUR PRADA I NS I D E BAG , W I T H

T H E OP T I ON O F A T ONE - ON -T ONE OR A CON TRAS T I N SHADES .

A TASTEFUL TWO

DUAL V I S I ONChic and convenient,

the trendy Prada Inside Bag also has a boxy feel

that shows off a flair for artisanal work.

I N S I D E OU TGet the outer layer in

crocodile, calf or ostrich, while the inner bag, always encased in luxurious nappa

leather, peeps out the top. This dual feature is

definitely worth showing off!

L EATHER L AUNCHPrada’s story begins

back in 1913 when it was founded by Miuccia Prada’s

grandfather, Mario, in Milan. What started out as

a simple family business has now become a highly

coveted international brand, producing men and women’s

leather goods, clothing and footwear that combine cutting-edge sophistication

and one-of-a-kind, sublimely-crafted products.

ASSEMBLY L I N EThink you know quality craftsmanship? Check out the bag’s leather zip covers for outer and inner assembling, its handle bases sewn on the front of the bag and its folds sewn onto the outer line. Plus, it’s built without an internal frame and there is a seam that anchors the body of the Prada Inside Bag’s lining, too.

BAGGAGE C LA IMIf you think crafting luxury goods is easy, think again! The entire process of creating a product takes from four to six weeks, and it’s not just a job, it’s a career: most of the employees have been with the brand for about 20 years. Every piece of the production process is closely monitored, so you can be sure that each Prada product is absolutely flawless.

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56 NEW STRIKING COLOURS OUT NOW.

@ELLEmagazineSA72

COVERCOVER

by Holly Millea

Who better to embody the

ELLE spirit than

Keira Knightley?

EVERYTHING IS

I L L U M I N AT E D

BEAUTIFUL, talented,

well-read, open-minded,

opinionated,

FEMINIST,

fashion-forward, and full of life

ELLE Cover_Keira.indd 72 2015/09/02 11:42 AM

Leather jacket and belt, both Ralph Lauren Collection; rose gold and diamond earrings, Pomellanto; silver-plated brass cuffs, Jennifer Fisher; silver cuff, Saskia Diez

Opposite: Silver-tone, rhinestone and pearl drop earrings, all Balenciaga

photographed by P A O L A K U D A C K I

styled by S A M I R A N A S R

ELLE Cover_Keira.indd 73 2015/09/04 3:01 PM

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COVERCOVER

‘I love the grubby bits that make us human.

I love to dig into characters and find the weirdness and bring them out and

make them shine’

Whenever Keira Knightley is talking, she does so with the urgency of having just witnessed a robbery attempt. No matter the topic, you can feel her need to say what she needs to say concisely and clearly, in a rush of words wrapped and ribboned in a thick Middlesex English accent. Everything sounds all very exciting. It’s a genetic trait – the D in her DNA being drama. Two years married to the dapper indie rocker James Righton, with whom she has a new baby anointed Edie, the actress celebrated her 30th birthday in March, the events of which she’s regaling us with uninterruptable speed: ‘I was heavily pregnant, I couldn’t drink – what is the point of having a 30th birthday if I couldn’t get phenomenally drunk? But, my husband took over, arranged a lovely lunch at one of my favourite restaurants, 20 of us, and they were all being so sweet, like, ‘Look, you can have a great time and be sober!’ And it’s fine apart from the fact that they started drinking at about one. Then, they came back to our house – they’d covered it in balloons that said my name and happy birthday and all that – and they got completely obliterated. They were there until two or three in the morning, absolutely drunk, and I was there eight months pregnant, completely sober. So it was lovely, but it wasn’t what I’d imagined a 30th birthday was going to be.’

Then she says something surprising: ‘My 20s were pretty crap.’ Really? With those mink eyes, the golden-ratio bone structure, the rosebud mouth, and perfectly imperfect teeth? With 35 films and two Oscar nominations (for 2005’s Pride & Prejudice and last year’s The Imitation Game)?

‘My career was absolutely amazing; in fact, I don’t think my career will ever get better than it was in my late teens, early 20s,’ Knightley says. ‘But as a person, you’re changing so much and you’re trying to figure stu� out. Some people go wild and have a great time and throw caution to the wind, and I was the complete opposite. I was very shy. It took me a lot of years to try and stop pleasing a lot of people and allow myself to have fun. It’s the di�cult thing of getting out of your own head. To stop going, “Oh, there’s something I should be doing, there’s a way I should be behaving, I should be dressing….” All of those shoulds, you can drown in them.’

Let’s discuss the curious case of Keira Knightley: the cool phenomenon of seeming older when young, and younger now that she’s turned 30. She was only 17 when writer-director Richard Curtis cast her as the newly wedded Juliet in Love Actually – already a veteran with 18 screen credits, but at the same time, ‘She didn’t seem to be this actress,’ says Curtis, who wrote Four Weddings and a Funeral, Notting Hill and Bridget Jones’ Diary. ‘The great problem with actors is that they get formal or become a heightened version of themselves.’ He chuckles. ‘We were having lunch the last day of shooting [Love Actually] and she was describing “some pirate thing” she was going to do. No idea whether or not it would be good, and no particular interest. Just the idea she was going to be able to fight with a sword.’

Eager to explore extremes, a just-barely-20 Knightley went from Pirates of the Caribbean’s cutlass-carving damsel to literary heroine Elizabeth Bennet to the real-life drug-addicted bounty

hunter Domino Harvey in such quick succession that Pride & Prejudice director Joe Wright recalls watching his star ‘wearing her empire dress out on the lawn, practicing her nunchucks.’ Wright went on to cast Knightley in his adaptations of Atonement and Anna Karenina, chronicling her growing up on screen, ‘from a girl, to a sexualised woman, to someone liberated and brave.’ It’s not unlike watching fancy home movies in exquisite period garb. ‘She always connects those period characters to the present,’ says indie filmmaker Lynn Shelton, who directed Knightley as an emotionally stunted slacker in the underrated Laggies. ‘You feel that physicality and modern spirit in all her roles. She’s very real.’

Such is her facility and screen impact that it took the actress only five days of shooting six scenes to break our hearts in Everest. Knightley portrays Jan Hall, whose husband, Rob, a professional climber and guide, did not survive the 1996 Mount Everest disaster and famously called his pregnant wife via satellite phone from the top of the mountain, where he was stranded in a storm, to say goodbye. ‘When Keira’s on screen, she’s us,’ says the movie’s director, Baltasar Kormákur. ‘She’s at home with a child, and the guy is dying on the mountain. You need an extremely strong actor to do that in the moments she gets.’

At 30, Knightley is adventuring into a more interesting phase of life and career. Of all her characters – setting aside Elizabeth Bennet ‘because everyone sees herself as Elizabeth Bennet,’ Knightley says – she identifies most closely with ‘a combination of [the women she played in] Laggies and Begin Again,’ the latter casting her as a Norah Jones-y singer-songwriter dumped by her burgeoning rock-star boyfriend played by Adam Levine. (‘It was my favourite film of the year,’ Curtis says. ‘To take on the singing! I absolutely adored it.’) The films complement each other, showcasing the inner, rather than outer Knightley. ‘I’ve been terrified of doing that kind of naturalism because I never really wanted to explore me,’ she admits. ‘So very literally these characters were my way of trying to explore myself.’

In them, she possesses a lightness of being reminiscent of her earliest years in front of the camera. She’s full of hurt – and possibility. It’s so great seeing her in civilian clothes, stumbling on the problems of people in the real world. It’s great to see her in America! ‘I love the grubby bits that make us human,’ Knightley says. ‘I love to dig into characters and find the weirdnesses and bring them out and make them shine.’


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COVERCOVER

Double jersey dress, pin, leather gloves, all Prada; silver-tone, rhinestone and pearl drop earrings, studs, all Balenciaga


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ELLE: You star in lots of films based on novels. What books do you personally hold dear?KEIRA KNIGHTLEY: Somerset Maugham, the one about Gauguin…oh, you can tell I’ve got serious baby brain! The Moon and Sixpence. Then Jeanette Winterson – huge influence. That kind of almost magical realism she creates and the gender bending and the droll female character. And The Fountainhead. As much as I’m not for the Ayn Rand politics, the idea of the Howard Roark character for anyone creative is an incredibly inspiring thing. I could go with Tolstoy – but that’s so obvious. I read War and Peace when I was 18 and again when I was about 25. As much as everybody says it’s the best book ever written – I think it is the best book ever written – you feel like such a wanker when you read it. My husband read it last year, and it took him ages. He’s like, “If I take this on the tube, people are just going to think I’m a wanker!” But you read it and you just think, Yes, this sums up the whole of humanity.

ELLE: What films are your touchstones?KK: Lost in Translation was a big one. I love that musical that Björk’s in – Dancer in the Dark. I remember seeing it when I was making the second Pirates, so I reckon I was about 21, and I just sat there and sobbed in a very vocal way that I’d never done watching a film before. It’s a painful experience watching that, but it’s also kind of so unbelievably… not life a�rming because she dies at the end, but it has that incredible cathartic quality, which is why I’ve always loved drama so much. I love that thing of being forced to feel empathetic for people you don’t know in situations you can’t really comprehend. You’re taught how to comprehend them through a film. It is manipulating your emotions, but in a way that allows you to grow if you let it. It’s magical.

ELLE: I suppose acting can be a form of therapeutic acting out.KK: I had a certain little bit of work where I was really interested in exploring the things in myself that I really didn’t like, like jealousy being a big one. So Never Let Me Go, the character in that, I used her in a way to examine that emotion. I suppose in a funny way to try and expel it.

ELLE: You don’t strike me as the jealous type.KK: I played it before I was 25, and I’d watched people who were so, so amazingly… oh God… happy , maybe? [Laughs] And I’d go, How the f*#k did that happen? How can you be such a sorted human being? Probably I was jealous of that. Compare yourself to anyone, and you’ll always find yourself wanting. You imagine that other life. You feel jealous of that person or thing you’re imagining. I definitely fell into that – and do fall into that trap. In almost any other human emotion you can find something positive. But jealousy in itself becomes entirely corrosive.

ELLE: Have you ever been in therapy?KK: Oh, yeah! I highly recommend it. I don’t do it at the moment. But in my early 20s when I found everything completely overwhelming, I did it! I think when you’re in those moments in your life, and you want to get through them… you have to do whatever it is to help you get over it.

ELLE: I recommend drinking.KK: I have to say actually, at a certain point, going out, having a good dance, getting drunk, and falling over, can really

fix a whole load of problems. I mean, until you turn into an alcoholic because that’s the way you’re coping with everything. Obviously that’s a whole other problem. But yeah, getting a load of girlfriends and going for a really stupid dance and getting drunk is an excellent thing!

ELLE: You’ve been married for a little over two years. How did you know you were in love?KK: I don’t know…Um, probably when you just want to spend all of your time with somebody? I think that’s it, really. Yeah. It’s someone you feel entirely comfortable being yourself with. That’s it, really, isn’t it? James and I were talking about this last night: We both have this nervous thing about silences. Particularly

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COVERCOVERif we’re going out to have a good time around dinner tables, we find that we just talk the whole time, and we were actually thinking that maybe we’re going to be that couple that people stop inviting. Because we’re just talking, and we’re being really boring.

ELLE: You said that when you met, it wasn’t love at first sight. KK: It was probably lust at first sight! [Laughs] Love comes afterward. I think it’s humour. Humour is the big one. It’s funny what attracts you to somebody. I have no idea what that thing is. You can’t put it into words, can you? Have you ever tried to set two friends up? It never works. These two people like the same things; they like going to the same places; we’re friends, so they like the same people. That doesn’t mean there will be anything between them. So it really is a mystery what makes people get on. We always think that we can control everything, and you can’t at all. I think it’s very romantic.

ELLE: Tell me about life with Edie.KK: The love thing is astonishing. It’s a very primal, primal love. That’s quite extraordinary. And the ability to have no sleep and continue going. It’s not pleasant. I never thought that I could actually do it for the amount of time that I’ve done it. Also, I have to say, as a woman, you hate certain parts of your body. You go through those periods where you look in the mirror and you think, Oh, if only I had di�erent legs or arms or whatever. You go through pregnancy and labour and then feeding the kid and you go, ‘Wow, my body is totally amazing, and I’m never going to not like it again, because it did this’, and it’s extraordinary!

ELLE: You’re fine with going topless on film, yet you won’t show your bottom. KK: I have no idea! I’m so small, I just never had a problem [showing my breasts], and also I always used to go on holidays in Europe, and if you go to the beaches, everybody’s topless and my mum was always topless. I’ve always been completely fine with the top but not the bottom. And I still am, particularly now that I’m breastfeeding because they’re just out the entire time. It’s a whole other

thing with the bum. It’s just one step too far. I do understand that it makes no sense. Humans, we’re nonsensical beings.

ELLE: I find it telling that when you were little, you thought you’d grow up to be a man.KK: I thought that’s the way it works. Did you ever notice boys and girls playing? Girls are always in charge, very little ones; it changes when they’re about 11. But before 11, the girls are always the bossy ones – they come up with the games. The boys generally follow the girls. One of my best friends was a boy – he’s a man now, we’ve been best friends since we were two – and I would always boss him around and tell him what to do and I still do! [Laughs] So clearly girls grow up to be men and boys grow up to be women!

ELLE: Much more fun to be a woman — the clothes, the make-up, the multimillion dollar beauty contracts…. Honestly, do you wear Chanel’s Coco Mademoiselle?KK: I do! It was my perfume before I signed to be the face of it. It was the first women’s perfume I’ve ever worn because I always found them too sickly and sweet. I always wore men’s scents before, and then a friend bought me Coco Mademoiselle for my 20th birthday. And I signed with them at 21, and I’ve worn it ever since. And I’m not lying – it’s lovely! I even got to go and see how it’s made.

ELLE: Then there’s that other side to you and your life. You started doing charity work from a young age for UNICEF, Oxfam and Comedy Relief.KK: We went to Ethiopia, into the slums, when I was 18. Walking through – I had never seen poverty like it. Dire poverty. And it began to rain and so many people came out of their houses and invited us in for co�ee and shelter from the rain. I thought, these are people with nothing: no running water, no sanitation, no access to medical aid – nothing. And they saw that it was raining and said, ‘Do you want to come in, take shelter, have a cup of co�ee?’ Often I go to these places and I feel very unhelpful, because you go through a refugee camp in South Sudan and people think that you’re a doctor – because that would be helpful – or an aid worker, and you’re like, ‘No, I’m an

actress.’ And that’s entirely unhelpful in a refugee camp. The only thing you can help with is to try to raise money.

ELLE: Where will we find you in 10 years?KK: The one goal I ever had was to become an actress and I did that. Set yourself goals, and you also set yourself up for disappointment. I’m much more like, Let’s see where the wind will take us.

ELLE: Wherever it is, you always end up in good company. Are you game for a game? What comes to mind when you think of your Pirates of the Caribbean costar, Johnny Depp?KK: Johnny Depp is lovely and has lots of really good red wine.ELLE: A Dangerous Method, Michael Fassbender.KK: Fun, fun, fun, fun, fun! With lots of exclamation marks!ELLE: The Imitation Game, Benedict Cumberbatch.KK: Awww, sweet. He’s my mate.ELLE: Begin Again, Mark Ruffalo.KK: One of the kindest men in the entire world and positive – so amazing.ELLE: Domino, Mickey Rourke.KK: I love Mickey Rourke. He taught me how to box.ELLE: Love Actually, Hugh Grant.KK: Driest wit ever. Terrifying if you’re on the wrong side of him and sensational if you’re on the right side of him.ELLE: Anna Karenina, Jude Law.KK: Lovely man, wonderful actor. He’s so ridiculously good looking. People don’t understand that he’s a character actor.ELLE: Bend It Like Beckham, Jonathan Rhys Meyers.KK: I nearly knocked him out with a football to the head and nearly gave him a concussion. So, I’m sorry! £

Keira Knightley’s new film, Everest, is currently on circuit

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INSIDERINSIDER

In an industry that highly values commercial achievement, Viktor & Rolf has persistently favoured wearable art over marketable collections, and their fragrances, an extension of their creative work, follow

the same path. Emilie Gambade flew to Paris to meet the designing duo

V I KTO R H O R ST I N G A N D RO L F S N O E R E N

FASHI O N ’S D ESI GN D U O

Outside the theatre of the Trianon in the 18th district the queue is growing; it is not 11pm yet, but the atmosphere is typical Pigalle: animated night life painted with decadent joie-de-vivre (the notorious cabaret le Moulin Rouge is just a stone away). Inside, spotlights colour in pink the hall of marble tiles and white walls, while pillars of real roses tower above the staircase. On stage, silent canons seem to aim at flowers; the Viktor & Rolf logo hangs from the ceiling like a metallic moon, a bomb of brightness against a backdrop of gleaming stars.

It is Flowerbomb’s 10th anniversary. The Dutch designers’ bestseller fragrance’s birthday has attracted over 800 rowdy attendees, and the night is likely to be one of celebration and fun. Viktor Horsting and Rolf Snoeren are usually hard to distinguish: they tend to dress the same and almost mirror each other’s manners; they both speak with a soft tone and complete each other’s sentences. But tonight, as they walk on stage to deliver a short speech that is anything but overly prepared (they unfold a small piece of paper and start reading in front of the audience, looking ever more like playful teenagers at a birthday party), they are sporting two different jackets, bringing to mind a statement made during an interview with the Guardian about 10 years ago that said, ‘We are one brain, one person, one designer.’ Tonight, Viktor & Rolf are two talented individuals, design partners who celebrate not only the success of their fragrance, but also their long-lasting relationship and outstanding design achievements.

Around them, numerous muses and friends, from photographers Ellen von Unwerth, Inez van Lamsweerde, Vinoodh Matadin to the owner of the brand since 2008, Renzo Rosso (also owner of Diesel, Marni and Maison Margiela). The famous ginger-haired American singer Tori Amos is leaning over a grand piano and switching from time to time to play on a electric keyboard behind her, singing Flying Dutchman, Hey Jupiter and Happy Birthday.

This is no unusual set for the Dutch design duo: known for their theatrical

THE PARTYViktor and Rolf strike a pose for Flowerbomb’s 10th anniversary with the evening’s star performer, Tori Amos

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exploration of fashion, Viktor & Rolf have self-subbed their label as ‘conceptual glamour’ and have been experimenting with shows, clothes and technical skills since the beginning of their career.

In 1998, the designers staged an unauthorized show with only one model, the Twiggy-like Maggie Rizer, dressed in 10 outfits on top of each other. Inspired by matryoshka dolls, the duo performed ‘the Russian Doll’ act on stage, dressing up Rizer with layers of couture dresses (a mastery of design work), eventually leaving out only her head. She was a vulnerable, turtle-like human trapped in an oversized coat; innovative, surprising and impeccably executed, it attracted enough interest to establish the duo as the new avant-garde of European fashion.

Since then, the two designers have repeatedly impressed the fashion planet with a laboratory of ideas that might not, at first glance, have appeared commercial but have confirmed the label as one born from artistic and creative genius. They kept pushing the boundaries of creation through their ready-to-wear and couture collections until recently, when in February, Snoeren and Horsting announced that they would cease producing and showing ready-to-wear to focus only on couture. ‘We feel a

INSIDERINSIDER

starting a creative process. Now that we’ve presented this collection, the next one needs to make sense; it needs to say something that’s always a challenge, a good one.’

When I ask them if they could give any advice to upcoming designers, Viktor says: ‘We always say: try do something that no one else is doing.’

‘Don’t try to imitate or do anything because you think it needs to be done. People will follow you as the designer if you do the things you really want to do,’ adds Rolf.

‘Rather stick to your feelings,’ says Viktor.

And that’s a double dose of wisdom, in a small, brilliantly designed bottle. £

F L O W E R B O M B I N T H E W O R D S O F

V I K T O R & R O L F

The shape of the bottle: ‘It’s a weapon of love. For us, we believe you can always make

a change; anything you create is for a change. Thoughts are really powerful.’

The power of the scent: ‘We wanted an explosion of flowers and when we spoke to the

noses, we mentioned gun powder quite a lot in connection to flowers. We wanted to show the duality between something romantically

feminine and something hard and edgy.

The making of: ‘The perfume itself is emotional. It’s the same intuition and gut

feeling you have when designing clothes. You can go from hundreds of variations saying no and then suddenly it’s the one. It starts with language, but the end product is always an

emotional choice.’

strong need to refocus on our artistic roots,’ they said.

True to their words, the day before the event at the Trianon, the duo once again shook the establishment by presenting a col lect ion of, l iteral ly, Wearable Art, a range so perfectly interspersing art and fashion that buyers from both the fashion and the art world placed orders.

The day following the party, Snoeren and Horsting are conducting interviews in a hotel not too far from the Champs Elysées. Today again they wear two di�erent jackets from their label (a simple black jacket for Viktor and one with different prints for Rolf ); yet, they still ‘look’ the same. It might be their stance, as both are seated quite upright, or the mix of gentleness in the voice and soft confidence on the face that speaks ease and intimacy; or the matching spectacles, simple and elegant black rectangles; or the short hair on top of angular traits. Whatever it is, their bond and resemblance don’t seem to have been eroded by time passing by. Twenty years later, both still agree: ‘For us, it’s always about our friendship and the bond that we have. It really never changed. It seems to get stronger and stronger.’

Their bond is naturally fuelling their creative force and their decisions; when they chose not to develop ready-to-wear collections anymore because they felt the process all the more restrictive and

constraining, they did it together. When they make a statement or conduct interviews, they do it together. And when they go on the runway to dress up their models as they walk down the ramp or simply perform, they do it together. Their tie seems unspoiled and powerful; their

collections new and surprising even in a world of fashion cycles and repeats; they seem to work effortlessly together, solid thanks to each other’s presence.

‘There will always be challenges regardless of the level, especially when

THE SHOWLeft and below left: Pieces from the duo’s acclaimed Fall 2015 couture collection, ‘Wearable Art’; below, the designers at the same presentation

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Some clothes are more than just clothes: they are reminders of special experiences. Nine style-laden South Africans share their

photos and reflect on pieces with emotional value

f a s h i o n

f l a s h b a c k s

T H EBE MAGUGU

FASHION DESIGNERMy matric dance suit was a strange hybrid between Lady Gaga’s general image in 2008 and Prada’s looks from this past season. I’m still undecided on whether I looked good or not. The suit was navy blue, cropped 10cm up from the hem and

raised about 22cm on the shoulder – my mother called it ‘edgy’. Later on, I realised that she was actually referring to its sharpness and not its style. Either

way, I had one of the most fulfilling nights of my life – stepping outside my comfort zone by not only donning an Andy Warhol weave but going with a male

friend of mine to prom. It was the o�cial start of my journey toward self-discovery. So, whether I looked horrible or not, it didn’t matter – that suit was an

exoskeleton of the confidence I like to live my life by today. It’s like what Marc Jacobs said: ‘Clothes mean nothing until someone wears them.’ So, even if that

suit will never see the light of day again, it will forever stay in my [now minimalist] wardrobe.

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MORNÉ V I SAG I E

ARTIST When I was six years old my mother gave me a silver St. Christopher necklace. Out of fear of losing it and for safe keeping (and possibly my obsession with secret treasures), I buried it in our garden under the banana tree. Sadly, I could never find it again. Some of my clothes might have meaning and a specific function on the particular day that I choose to wear them, but what happens to them tomorrow is not important. Naturally, I take care of all the items in my cupboard, but I’m not precious about them.

LU FUNO C LA I R E SATHEKGE

WARDROBE STYLIST FOR VUZU TV/ TURNUP ON CHANNEL OTwo dresses that my mother wore when she was younger hold great memories for me. The first is a striped, o�-the-shoulder grey dress, with cute little pockets and a low back which hugged my mother’s figure so well. The second dress is one that my mother wore for all three of her pregnancies. It is an African print dress, with a similar silhouette to the grey dress, which I re-styled to help fit my personal taste and body type. Out of all of my mother’s clothes, these two items I fought to keep. They are my most prized possessions and have completely defined my style as I know it today. Because of these dresses, I get to feel and understand what it’s like to be a stylish woman, just as my mother was and still is. They are not only memories; they are still on a journey with me now. The thought of being able to pass these dresses onto my nieces or own daughter with my memories woven into them warms my heart.

@LufunoLove

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@ArmandDicker

@KyleBoshoff27

ARMAND D I CKER

FASHION DESIGNERWhen I was three years old, I received a pair of denim dungarees. My mum bought them for me and I remember never wanting to take them o�. At one of my birthday parties, which was a proper old school ‘partytjie’, held in my gran’s kitchen where my mum baked the cake, dressed as the clown and filled up lucky packets with Nik Naks and those cheap-tasting juice boxes. I remember really hating clowns as a child; they were terribly scary. Yet as frightening as the clown was, I had a huge smile on my face in every single picture from that birthday party. My dungarees were my companion. Although I haven’t worn dungarees in years, they taught me one thing: I love denim. I love denim on denim accompanied by a basic black or white item. Looking at my closet now it is filled with denim. Those little blue dungarees have certainly left their imprint on my personal style today.

KY L E BOSHOF F

FASHION PERSONALITY AND CURATOR-IN-CHIEF OF INSTAGRAM’S @TRIBE011I love the rush of the theatre. There’s a special kind of magic in watching a live performance: the lights, the raw emotion, the applause of the audience and the costumes! I remember going to a performance of Andrew Lloyd Webber’s Joseph and the Technicolour Dreamcoat when I was 12 and falling in love with the main character’s bright and multi-coloured jacket. I left the show and looked everywhere for something similar but left every store empty-handed. Eventually, I convinced my grandmother to make a version of the jacket, just for me. Finally, I had my own ‘technicolour dreamcoat’ – just in time for my next trip to the theatre. I felt on top of the world, more confident than I had ever felt. This little jacket, which was carefully created for me from a sketch I’d done in crayons, had such an impact on my adult style. It was the first time I remember falling in love with colour, the first time I fell in love with print. Ultimately, it encouraged a sense of boldness in dressing – a boldness that has stuck with me to this day. My style is about being bold; it’s about living life in technicolour.


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CR YS TA L B I RCH

FASHION STYLIST AND MILLINERMy entire wardrobe as a child was filled with bold prints and cheeky styles. My mum was a dancer back then, she had a perm and dressed super racy in khaki shorts. She would always style my siblings and I in matching bold outfits – it made me feel like part of a gang. We grew up in Tzaneen, which has a tropical climate, so we swam all the time. When I was five years old my mum bought me a neon polka dot bikini with a plastic Mickey Mouse sewn on it. One day I glued my fingers to my bikini with super glue, trying to fix my paper dolls. You know when paper dolls’ heads tilts forward? It was traumatic. I also had a white tracksuit with five fashion dolls embellished on the front with polka dot track-pants. I would team the tracksuit with an o�-centre ponytail, held-up by the humble scrunchie. Because I grew up in such a hot climate, everything was colourful, frilly and fun. I have always loved colour and clashing prints and I still have fun with them today.

@TheCrystalBirch

@HollyMeadowsSA

HOL LY MEADOWS

ELLE ASSISTANT EDITOR: DIGITALWhen I think about the style that shaped me, I think of only one person, and that’s my Ouma. Still today, at the ripe old age of 93, she is the chicest lady I know. I remember her holding everyone up on family outings because she was still rummaging through her closet for the perfect handbag to match her crocodile skin shoes. And, I remember her many gold bangles and rings, clicking around her arms and fingers as a sure sign that Nelly Vreedenburgh was about to enter the room. Even before I was alive, my mother would tell me stories about her frying up nasi goreng on the stove for that evening’s supper, a cigarette in one hand, a glass of wine sloshing in the other, and a head full of roller pins setting curls to complete her look for the next day. There is one particular memory that holds a special place in my heart, and that’s from when I was six years old on holiday with my parents visiting Ouma and Oupa at their home in Italy. They had all gone out for supper in the Piazza below the apartment. I was meant to be sleeping, but instead I was in my Ouma’s dressing room, with her pearls draped around my neck, red Chanel lipstick smudged across my lips, and my tiny feet swimming inside her Prada heels. That night, I clippety-clopped my way downstairs and climbed atop of their dinner table for all to see. I thought I was the most fashionable woman of all, and it was all owed to my ultimate style icon, my grandma.


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flashbacks

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@MrTyilo

@yasminfurmie

YASM I N F URM I E

MODEL Memories of fashion are woven into the fabric of my DNA. When I looked at a few old photographs, what stood out to me is that my parents clearly took great care in dressing me – even if it was merely for playing on a swing in our yard. Of course, memories relating to this photograph are not mine; they were told to me by my mum, but as I grew older they were certainly very vivid in my mind. My attachment to clothes, shoes and jewellery are all illustrated in this photo, where I am trying on new shoes and snow-white crocheted socks, but what made me happiest was the chance to play with my mum’s necklace. When I recall the special items that made me incredibly happy, all the best gifts from my parents, grandparents and aunt were jewellery. I just have to look at the many boxes in my wardrobe with their abundant contents of costume jewellery to know that the very early attachments to these items have shaped me today. I know that the ease with which I navigate these very fickle paths called ‘style’ and ‘fashion’ was brought about by the two very stylish and fashionable people I call my parents. £

MAL I BONG WE T Y I LO

CO-FOUNDER OF THATSKATTIE.COM AND ELLE CONTRIBUTING EDITOR The fashion item growing up that held the most emotional significance for me was a pair of flared quilted pants. I made them myself in fashion school when I was 18 years old. I had a few metres of black satin quilted for a dress I was making for the Smirno� Fashion Awards, which was a huge student fashion competition back in the ‘90s. Random fact: that was the first time my work appeared in the pages of ELLE, back in 1997. With the leftover fabric I made myself a pair of quilted flared pants. I wore those for a full year, and I got so many compliments that I eventually supplied a few of them for a boutique shop in Sandton. I felt hot, stylish and fierce. At the time, I also used to own a pair of those ‘Spice Girls’ style platform sneakers. The combination made me feel on top of the fashion pile. Back then, the feedback gave me confidence in my style and in my design ability, and that’s a confidence that still informs my approach to style.


@ELLEmagazineSA85

FLIP-FLOPS with the

November issue

UNWIND THIS SUMMER WITH

AND A PAIR OF BEACH-READY

COLOURS TO CHOOSE FROM

MKTG_Flipp Flops Next Month in ELLE.indd 1 2015/09/04 5:01 PM

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Holly Meadows steps into the secretive, snap-thirsty world of the

Gen-Z-ers

SNAPCHAT

If Facebook is where your friend’s snoopy mum lives and Twitter where wordsmiths show o� in 140 characters, then Snapchat is where Generation Z have found their social media identity. The app, which launched in 2011, allows you to share videos and pictures (known as snaps) in real time, in case you didn’t already know. Snaps get purged into the ether and disappear once shared, and a feature called Stories allows you to string snaps together into narrative feeds with each storyboard clip vanishing after 24 hours. It’s being touted as the best way to reach 13-34 year olds, with 100 million daily active Snapchatters and 3 billion video views every day. When I first heard about Snapchat, I thought it was a space where teens went to send each other scribbles, selfies and sexts. That, along with its logo, dubbed Ghostface Chillah, based on Ghostface Killah of the Wu-Tang Clan, was enough to make me roll my eyes. But although snaps are short-lived, the app has become one of the most relevant social media speakeasies on the market.

Its co-founder and CEO, 25-year-old Evan Spiegel, is an uncanny parody of Facebook’s Mark Zuckerberg, only minus the nerd factor... He is good looking, and he’s got a penchant for fast cars, designer clothes and dating women like Taylor Swift and Miranda Kerr. Zuckerberg, on the other hand, learns Mandarin and reads tech books in his free time, while posting pictures on Facebook with his Harvard graduate wife Priscilla Chan, and their newborn. Similar to Zuckerberg, however, Spiegel also dropped out of an Ivy League college, conceived Snapchat in his Stanford dorm room, went to court with a co-founder and friend, and walked away from a hefty acquisition o�er; in Spiegel’s case, he rejected Zuckerberg’s o�er to buy Snapchat for $3 billion back in 2013.

In a recent keynote, Spiegel implied that Snapchat has succeeded partly because it has surpassed the outmoded Facebook in terms of social media’s evolution. Snapchat has an ability to tap into an Internet Everywhere age, where the commonly (yet ill conceivably) dubbed post-PC era is actually the very opposite – a more personal PC era where man and machine are part and parcel of the same identity. ‘Traditional social media required that we live experiences in the o�ine world, record those experiences, and then post them online to recreate the experience and talk about it,’ says Spiegel.

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And, while this traditional social media allows us to create a published identity where, for example, our Instagram #foodporn and #wishyouwerehere holiday snaps become the virtual reality of our disconnected world, and a projection of our lives lets others interact with us even if we’re not logged in, Snapchat offers a different type of existence where ‘we are who we are today, right now. We no longer have to capture the “real world” and recreate it online – we simply live and communicate at the same time.’

If you’re a sceptic like me, the radical transparency of real time might just scare you o�. What if my snapchat selfie angles up at my double chin? What if I say something really awkward and dumb? I am horrified at the thought of playing model at the best of times, yet the idea of not being able to put the best me forward – the chance to sift, edit, crop, filter and select – terrifies me senseless. Scratch only the surface of the world of snaps and you’ll soon find there’s no room for vanity or self awareness, because the point of Snapchat is to let loose and be you, without the threat of an impending web of judge-y stares. Today, there’s a new generation of web users coming of age; they’ve grown up online and they’ve been forced to live in public connectivity, where the post, the like, the share and the hashtag are the way it’s always been. Tech experts theorise that these

digital natives now crave intimacy, a space where the web is delete-able and not cluttered by search engines, a space to rebel and be themselves without the consequences of track-able digital data. It’s a concept known as the Ephemeralnet, and it’s exactly what platforms like the somewhat anonymous and untraceable Bitcoin currency sought after.

Spiegel and his Snapchatting army want to be invincible, unrecorded and o� the hook; they want to live in the moment, they don’t feel the need to create an everlasting persona, nor do they want that to haunt or hinder their now-ness. ‘Snapchat discards content to focus on the feeling that content brings to you, not the way that content looks,’ says Spiegel. It’s the opposite of a well-curated lifestyle blog; it’s real, raw and unapologetically authentic. It’s unattractive, too, with a design interface that looks like a cross between kitsch Japanese emoticons and a land of yellow Mr. Blobbys. But maybe that’s the point? To make you feel like your snaps can be just as ugly too... But who cares how much gross or goof factor you let on, because Snapchat gives you the right to be forgotten, and perhaps there’s a lot to be learnt from this new age of social media, because now you can embrace the moment and be as weird and wonderful as you want to be. £

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magazine #SeriELLE

S N A P C H AT H O W - T O

To take a photo Snap, tap the centre circle button once.

To record a video Snap, press and hold the centre circle button.

To delete your photo, tap the X button in the top left corner.

To draw on your Snap, tap the pen icon in the top right corner.

To add a caption, tap the middle of the screen and enter text.

To add a sticker to your snap, tap the turning page icon in the top right corner

of the preview screen and swipe.

Add different filters, time and location to your snap by swiping your finger left or right after

recording a snap.

To save your image or video before sending it, tap the downward-pointing arrow at the

bottom of the screen.

Once you’ve taken a snap tap the rectangle icon with a plus sign located on the bottom

of your screen to add to your story.

7 S N A P C H AT S TA R S T O F O L LO W

1. kristina_bazan – get with the cult of Kristina and follow this superstar snap-chatter for a round the world eye into

life as a fashion blogger.

2. hadiaghaleb – Egyptian Instagram sensation, Hadia Ghaleb is now on Snapchat. Follow her for style and song

from Cairo and beyond.

3. man_repeller – the always witty Leandre Medine gives us sneak peeks of her new book and front row passes to

fashion weeks the world over.

4. diplo – feel like you’re permanently hanging out backstage with this State-side DJ and cool cat. Expect

live set snaps and candid tour shenanigans.

5. poppyismyname5 – our favourite SA DJ posts ‘run yum’ snack ideas, lays it all bare with no make-up

mornings, and gives us fitness centric style inspiration.

6. aishabakerxo – want to vote what colour to dye local Snapchat addict, Baked The Blog’s hair? She’ll take the

challenge and more.

7. brittanyjfurlan – she’s one foul-mouthed female, but this LA comedian and internet personality is a very funny

lady that’s taken Snapchat by storm.

ELLE_Buzz.indd 69 2015/09/04 2:59 PM

@ELLEmagazineSA88

ZEITGEISTZEITGEIST

While the names of costume designers are sometimes lost in the credits, Ntombenhle Shezi explores how their work brings our favourite

characters to life

C H A R A C T E R

T H E

C L O T H E S M A K E T H

Marilyn Monroe in The Seven Year Itch

Marilyn Monroe in

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@ELLEmagazineSA89

ZEITGEISTZEITGEIST

Alicia Silverstone as Cher in Clueless

Spike Lee’s Do the Right Thing

Carter ultimately worked on the director’s third full-length feature fi lm, Do the Right Thing. Released in ’89, it depicts an unbearably hot day in Stuyvesant, Brooklyn, as boiling racial tensions threaten to consume the residents. While it’s a stunning fi lm, the clothes are nothing to underestimate, either. In a mad mixture of vibrant colours and Afrocentric prints, the baggy summer clothes and African-inspired pendants complement the outspokenness of the younger characters and the menacing pressure on the American melting pot.

‘With Do the Right Thing, Spike wanted to embrace the Afro-culture of the time, while also showing the tensions and dichotomy between the two communities in Brooklyn,’ says Carter.

Carter’s costumes extend into more recent territory as well. Have you ever seen Being Mary Jane? What fan of the hit BET series could ever forget when Mary Jane, played by Gabrielle Union, has an altercation with a close friend at a gallery exhibition? I will forever remember that moment because of what Mary Jane wore: a black cut-out Michael Kors Spring/Summer 2013 dress. Throughout the series, Mary Jane goes on to make some of her worst decisions in the best of styles. And the series has helped to craft a new image for powerful women; when most formidable women on TV wear rigid lines and dark colours, Mary Jane, a successful journalist, constantly exudes power and femininity, thanks to Carter.

For the upcoming third season of Being Mary Jane, Carter admits that she’s working with a new colour palette. ‘This season we give her a lot of creams, greens and browns. She is a bit more sophisticated, with a new hairstyle to boot, as she enters a new period in her life,’ Carter says, giving us a sneak peek.

Since she’s worked alongside big-name directors (hello, Spike Lee!), I ask her whether she has the freedom to impart her own vision on the different projects she takes on. According to Carter, it’s not about freedom, but communication and trust. ‘You have to be clear about where you are going in the beginning so that everyone understands.’ For Selma, a lot of

It’s their behind-the-scenes magic that makes the most popular series and fi lms of our time come to life; their names often unknown, they are still the ones layering our shows with metaphors and meaning. Not only do they bring us closer to our favourite characters, costume designers f lesh out the characters’ attitudes and emotions in everything they put on, right down to their feet. Who can forget Alicia Silverstone aka Cher’s knee-high socks from ‘90s teen cult f ilm, Clueless? Or Marilyn Monroe’s iconic halter dress from the 1955 classic, The Seven Year Itch? Often, it’s the clothes as much as the characters that make a fi lm truly unforgettable.

After working for over 20 years in Hollywood as a designer to the stars (star characters, that is), Ruth E. Carter has a long list of films and two Oscar nominations to her name. She spent years interning and working at various theatres, but it was while at the Los Angeles Theatre Centre that things shifted. That’s where she met hit guerrilla film-maker Spike Lee, and her career really took off. Lee was hanging out backstage at a show Carter was working, and he suggested that she branch out into fi lm. At the time, all Carter wanted to do was design for the theatre. But, ‘there were rumours that his fi rst movie, She’s Gotta Have It, was going to the Cannes Film Festival, and he was going to get a big studio deal. We were like “wow... he is going to make it big time”,’ she recalls. And he did, bringing Carter on board to share a slice of his success.

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ZEITGEISTZEITGEIST

her inspiration came from the trench coats and attire worn by men and women during the American Civil Rights movement, as well as from the artist Romare Bearden. Even when the topic is heavy, the clothing doesn’t have to be. ‘Bearden put some light and colour into his dark paintings,’ she notes. In the fi lm, it’s obvious that colour motivated the clothes. As the marches gain strength, we see bigger and bolder strokes of colour.

‘In Amistad, I showed of f Djimon Hounsou’s beautiful skin tone in a pumpkin orange shirt,’ an inspiration Carter took from a portrait of a former slave and Hounsou’s character in the fi lm, Joseph Cinquez.

While Carter plays an important role in the (underrated) world of costume design, she

is by no means the only player in the game.

Edward K. Gibbon styled Maggie Gyllenhaal in The Honourable Woman, which left an impression on me.

The f irst scene opens like this: Nessa Stein (played by Gyllenhaal) accepts her new title of Baroness, dressed in a leopard print Roland Mouret dress.

Things star ted w ith a bang, according to Gibbon, referring to the political series. First shown on BBC and then

Netf lix, the British spy-thriller tells the story of businesswoman and philanthropist Stein, that’s not to be messed with, who gets caught up in a dark world of espionage despite her best intentions. And it’s not just me who’s captivated by the fashion; the series has received a lot of attention for Gibbon’s conceptualised wardrobe.

His work always starts with a screenplay: ‘When you read a script like The Honourable Woman, it throws up all sorts of questions and gaps in your knowledge!’ Gibbon went on to research the history behind the story while talking often with Hugo Blick, the show’s writer, producer and director. For Gibbon, costume design doesn’t begin with the clothes. ‘It starts with all the other things circling round the clothes, like research, and then finally when we’re fitting it becomes about the clothes,’ he tells me.

‘ S h e u s e s h e r c l o t h e s

a s a r m o u r t o p r o t e c t

h e r s e c r e t s ’

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Even from the opening scene, the Roland Mouret dress confirms Stein’s position as a powerful woman operating in a patriarchal world, but she never once loses her feminine qualities. ‘The Roland Mouret dress was not an obvious choice, but it felt so right, even down to the way Maggie stands in it,’ says Gibbon. In another episode, Gyllenhaal pursues her son’s kidnappers on foot in the black dead of night, clad in a luxurious dark evening gown. ‘We knew we wanted something incredibly elegant but simple, and I love the way Maggie wears the dress as though she is just wrapped in some beautiful silk. It looks so easy.’

Colour and material are constantly at play throughout the series. The blush camisoles and delicate lingerie that she wears to sleep at night in her panic room show Stein’s vulnerability. The white suit she dons before a bomb attack makes her seem angelic, as we wait to see whether or not she survives the drama. ‘We wanted her to stand out, and for her clothes to represent a very considered intelligent choice. She uses her clothes as armour to protect her secrets.’

The clothing of Atika Halabi, the show’s pro-Palestinian fighter disguised as a housekeeper, helps us to understand her true identity: ‘Atika is someone who doesn’t have time to think about what she is wearing. She is playing a part and just needs her clothes to help her pass,’ says Gibbon. Halabi’s wardrobe is simple and slightly French, although the aim is to give her the appearance of a global citizen, someone who could come from anywhere. ‘Her clothes are pared down and minimal, so she could take off at any time and disappear into the crowd.’

Both Gibbon and Carter make up just a part of the current school of costume designers who are creating the worlds that our favourite characters inhabit. On the responsibility of a costume designer, Carter adds, ‘I want to bring as much truth to everything I do; this is my legacy that I am leaving behind.’ Like any other behind-the-scenes trade, even though our names may slide under the radar, it’s our work that makes us unforgettable.

H O M E - G R O W N L O O K S

South African costume designer Pierre Vienings has brought scripted characters to life on both local and international sets. Here, he shares his

creative work with us

D r u m ( 2 0 0 4 )Drum was the first time the essence of Sophiatown was captured in a

feature film. We had such a particular colour palette for this project, as we tried to capture the mood as we imagined it to be. The Drum archive was an incredible point of visual reference. What I did was simply bring

the photographs to life in technicolour. Drum sparked fashion trends that can still be seen on our streets today.

T s o t s i ( 2 0 0 5 )I worked with another designer on this. The budget was almost non-

existent, but in hindsight this was a blessing in disguise, as Tsotsi went on to win an Oscar. It most certainly cast a spotlight on the South African

motion picture industry.

W i n n i e ( 2 0 1 1 )Winnie was probably one of the most challenging projects to design. I just wanted to make sure that Jennifer Hudson stood out as the lead

in every scene. Starting in the 1930s, it chronicles Winnie Mandela’s life through seven decades, so we did a lot of research. One of my greatest achievements was winning a South African Television and Film Award

(SAFTA) for the costume design.

G a l l o w w a l k e r s ( 2 0 1 2 )This was an American science fiction-slash-western feature. I put in

so many fine details for the clothes; I wanted the wardrobe to echo the fury that served as the tempo of the film. For one of the leads, played by Wesley Snipes, I created a kind of rib cage on his jacket using thin strips

made of red leather.

T h e C h e m o C l u b ( c u r r e n t l y i n p o s t - p r o d u c t i o n )

The Chemo Club is a feel-good local comedy and a design dream come true. After I read the screenplay, the visuals simply flowed through my mind’s eye. The very first source of inspiration was former ELLE editor Jackie Burger, whose style I caught a glimpse of when I was sourcing

for costumes years ago at The Space. For the movie itself I focused on retro pieces from the 70s – even though not obvious and in your face,

you can see this in simple details – a flair, a pattern, a collar – all very subtle…but it’s all there. £

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Pierre Vienings’ illustrations from Gallowwalkers


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Zinio.indd 1 2015/09/04 8:29 PM

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SSp96 CENTRE STAGE p112 #ELLEOOTD p122 SIX KEY STAND-BYS

From theatrics to everyday life(style), fashion is your place for feeling fanciful

From theatrics to everyday life (style), fashion is your place

for f

eelin

g fan

cifu

l

I N T H E M O O D

Fashion_Opener .indd 69 2015/09/01 2:03 PM

@ELLEmagazineSA96

W h e n t h e s h o w i s o v e r , m o m e n t s a r e c a p t u r e d , a l l o w i n g

l o c a l d e s i g n t o t a k e

centre stage

fashion T A R R Y N O P P E L

photography K O P E | f i g g i n s

Fashion_Madame.indd 96 2015/09/01 1:28 PM

@ELLEmagazineSA97

Dress, R3 500, Habits


@ELLEmagazineSA98

Dress, R28 000, Stefania Morland


@ELLEmagazineSA99

Dress, R2 120, Lara Klawikowski


@ELLEmagazineSA100

Blouse, R8 500, David Tlale; earrings, R9 425, Kirsten Goss

Dress, R1 280, Tart


Dress, R1 280, Tart


@ELLEmagazineSA102

Jacket, R3 890, Oath by Rich Mnisi


@ELLEmagazineSA103

@ELLEmagazineSA103

Dress, R2 560, Lara Klawikowski; heels, R999, Steve Madden


@ELLEmagazineSA104

Ella wears: Shirt, R980, Adriaan Kuiters + Jody Paulsen; necklace, R905, Belinda-Lee Ludek;

Melanie wears: Shirt, R800, Mo’ko Elosa; necklace, R905 Belinda-Lee Ludek

oppositeDenim dress, price on request, Klûk CGDT


@ELLEmagazineSA105


@ELLEmagazineSA106


@ELLEmagazineSA107

Cape, R2 500, and pants, R1 899, both Habits


Dress, R2 450, and men’s jacket, R1 400, both Leigh Schubert;

heels, R999, Steve Madden


Melanie wears: Jacket, R3 480, and jumpsuit, R1 280, both Adriaan Kuiters + Jody Paulsen; sandals, R899, Country Road; Ella wears: Top, R1 780, and skirt, R1 280, both Adriaan Kuiters + Jody Paulsen; sandals, R899, Country Road


@ELLEmagazineSA110

Jacket, R4 190, and skirt, R1 890, both Oath by Rich Mnisi; heels, R559, Madison

oppositeMelanie wears: Top, R9 500, and skirt, R3 200, both Marianne Fassler; heels, R999, Steve Madden; Ella wears: Dress, R17 500, Marianne Fassler; heels, R1 699, Mimco

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GO ONLINEfor behind-the-scenes

footage

.CO.ZA


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Vest, R899, Country Road; boyfriend jeans, R499, Mango; gold bangle, R699, and block ring, R299, both Country Road; silver bangle, R550, Christy Anne Jewellery; sliders, R1 495, Kurt Geiger at Spitz

# @ELLEmagazineSA @ELLEmagazineSA

112

FASHION Instagram.indd 98 2015/09/02 10:34 AM

Top, R449, Sissy Boy; jacket, R4 399, G-Star Raw; skirt, R649, Witchery; watch, R3 999, Emporio Armani at S. Keren Watch Group; sling bag, R3 900, Calvin Klein; sneakers, R4 300, Acne Studios at Maison Mara

K E E P S N A P P I N G Y O U R L O O K S A N D S H O W T H E W O R L D W H A T Y O U L O V E W H E R E V E R Y O U A R E

fashion T A R R Y N O P P E L

photography N I Q U I T A B E N T O

#O O T D

@ELLEmagazineSA113

@ELLEmagazineSA

FASHION Instagram.indd 99 2015/09/01 6:59 PM

Denim dress, R559, Zara; watch, R1 295, Sissy Boy at CJR Gifts; straw bag, R349, Country Road; wedges, R599, Zoom

@ELLEmagazineSA @ELLEmagazineSA114


Dress, R759, Zara; pumps, R1 199, Topshop; bag, R15 000, and bag charm, R2 800, both Louis Vuitton;bangle, R399, Country Road

@ELLEmagazineSA115

@ELLEmagazineSA


Skirt, R769, Topshop; sling bag, R9 300, Burberry; bangle, R699, Country Road; heels, R2 399, Aldo Rise



Jeans, R1 099, Sissy Boy; silver bangle, R550, Christy Anne Jewellery; pearl bangle, R199, and cuff, R299, both Harbor at Jo Borkett; rings, stylist’s own; mules, R1 499, Aldo

@ELLEmagazineSA117

@ELLEmagazineSA


Playsuit, R3 300, Lalesso; sling bag, R5 495, Michael Kors at Callaghan; espadrilles, R1 350, Superga x Gala Gonzalez



Silk shirt, R4 995, Equipment at Cloth & Label; denim shorts, R549, Country Road; belt, R499, Mango; rings, R549 (for set of four), Country Road; chain bag, R6 400, Heimstone at Maison Mara; pearl bangle, R140, Tessa Design; watch, R4 999, Michael Kors at S. Keren Watch Group;

espadrilles, R5 300, Chloé at Maison Mara

@ELLEmagazineSA119

@ELLEmagazineSA


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Ruffle top, R250, Kelso at Edgars; jacket, R1 499, H&M; jeans, R899, Guess; watch, R499, Minx at Sterns; ring, R750, Robyn Murray; bag, R1 799, Guess; sandals, R3 900, Kenzo at Maison Mara



Suede top, R899, Topshop; suede skirt, R1 299, Forever New; sterling silver bangles, R1 384 each, both NWJ; bag, R17 690, Longchamp; gladiator sandals, R1 399, Zara

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@ELLEmagazineSA121

@ELLEmagazineSA

LOG IN ON INSTAGRAM

Share your #ELLEOOTD on Instagram tagging @ellemagazinesa

and we’ll regram our favourites


@ELLEmagazineSA122

fashion P A I G H D O S S A N T O Sphotography L U K E K U I S I S

SU

MM

ER S

TAN

D-B

YS

Si x key pieces to m i x a nd

match a l l sea son

FASHION Key pieces.indd 98 2015/09/01 1:25 PM

@ELLEmagazineSA123

THE MIDDLE SLIT SKIRTShirt, R1 999, Zara; skirt, R2 299, H&M; espadrille platforms, R1 249, bangle, R699, necklace, R699, and ring, R399, all Country Road

oppositeTHE SOFT TRENCHTrench coat, R1 399, Mango; vest, R279, Jo Borkett; dungarees, R4 499, H&M; sandals, R699, Melissa


@ELLEmagazineSAXX

THE BOHO BLOUSEBlouse, R700, and shorts,

R700, both Billabong; scarf, R4 600,

Louis Vuitton; jacket, R11 699, Tiger of Sweden;

bangle, R699, and necklace, R399, both

Country Road


@ELLEmagazineSA125

THE VERTICAL STRIPED SHIRTShirt, R399, Zara; pants, R899, Forever New; wedges, R1 995, Kurt Geiger at Spitz; sling bag, R2 199, Boo Radley at Stuttafords; bangle, R699, Country Road


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THE BUTTON-UP DENIMDress, R809, Topshop;

Shirt, R3 985, Current/Elliot at Cloth & Label; bangle, R699,

Country Road


GO ONLINEto meet model,

Avril

.CO.ZA

GO TO ELLE.CO.ZAto meet Avril, the

model

.CO.ZA

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@ELLEmagazineSA127

THE CROPPED DENIMJacket, R1 099, H&M; vest, R699, Witchery; capri pants, R599, H&M; sneakers, R499, Levi’s; necklace, R399, Country Road


A 12-month printed subscription in South Africa costs R258. The monthly debit order rate is R27 per month. This offer is limited to SA residents only and is valid until 31 October 2015.Terms and conditions: Each SMS costs R1.50, free minutes do not apply and errors are billed. Overseas subscriptions are an all-inclusive rate of R1 000 (first-class mail) and may not include

all promotional items packaged with the magazine. For the full terms and conditions, turn to Address Book.

DISCOVERY VITALITY MEMBERS can subscribe to ELLE for only R198 for 12 issues. Visit VitalityShop on discovery.co.za to get this great saving. You can use your Discovery Miles and/or Discovery Card to pay. DISCOVERY VITALITY (PTY) LTD IS AN AUTHORISED FINANCIAL SERVICES PROVIDER. REGISTRATION NUMBER:

1999/007736/07. Terms and conditions apply.

@ELLEmagazineSA128

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SMS ‘ELLESUB’, your name, cellphone number and email address to 33871 (Each SMS costs R1.50)CALL 0860 123 300 EMAIL [email protected]

online go to mysubs.co.za/ELLE and choose to get your ELLE in the mail or za.zinio.com (digital)

S U B S C R I B E T O

O F F E R VA L I D U N T I L 3 1 O C T O B E R 2 0 1 5 . S U B S C R I B E T O D AY F O R R 2 5 8 !

Spring will soon make way for summer and there’s no better way to celebrate the new season’s arrival than with

a new fragrance. Viktor & Rolf’s Flowerbomb eau de parfum is like summer in a bottle. With notes of freesia,

Centifolia rose, osmanthus and Sambac jasmine, supported by patchouli, nothing says summer quite like it. Full of

evocative notes, Viktor & Rolf Flowerbomb is a floral explosion that will delight your senses.

Please call 0860 123 300 or email ‘hand delivery’with your contact numberin the subject line to [email protected]

and we will contact you.(Hand delivery option available on existing routes only.)

S P E C I A L O F F E R

Subscribe to ELLE for 12 months or simply renew your subscription and

stand a chance to WIN one of 18 50ml Viktor & Rolf Flowerbomb

fragrances valued atR1 450 each

MKTG_subscribe .indd 1 2015/09/01 12:57 PM

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p130 IT’S IN THE BAG p134 BEST BUYS p140 BEAUTY BRIEF

BEAUTY

(clockwise from top)Chanel Correcteur Perfection, R610;Smashbox 24H CC Spot Concealer, R320;Dior Diorskin Star Concealer, R435

FO

U

N D A T I O N P H A SE

Thank

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hese

clev

er co

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we’re one step

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achi

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Beauty_Opener.indd 1 2015/09/04 1:13 PM

I T ’ S I N T H E B A G

by N I C O L E N E W M A Nphotographs N I Q U I T A B E N T O

@ELLEmagazineSA130

F R E S H T A K E

WATERPROOF MAKE - UP FOR THE DAY AND A SOF T SUMMER SCENT I S A L L YOU NEED TO KEEP LOOK ING GOOD AND CASUALLY CAREFREE AT A L L T IMES

…and there’s something for everyone. Take a look inside and indulge in the products that define you

(CLOCKWISE FROM TOP) 1. MAC MINERALIZE CHARGED WATER, R300; 2. CLARINS ECLAT MINUTE INSTANT LIGHT LIP BALM PERFECTOR, R250; 3. THALGO SOURCE MARINE PERFECT GLOW PRIMER,

R416 ; 4. DOLCE & GABBANA LIGHT BLUE SUNSET IN SELINA, R1 195; 5. RIMMEL EXTRA SUPER LASH WATERPROOF MASCARA, R80; 6. LANCÔME GENIFIQUE YEUX, R900; 7. MAC PRO LONGWEAR NOURISHING WATERPROOF FOUNDATION, R380; 8. KIEHL’S LIP BALM #1 PETROLATUM SKIN PROTECTANT IN CRANBERRY, R119;

BAG: HONORÉ 404 HANDBAG, R7 790, LONGCHAMP

Beauty_Main.indd 98 2015/08/31 6:16 PM

@ELLEmagazineSA131

by N I C O L E N E W M A Nphotographs N I Q U I T A B E N T O

(CLOCKWISE FROM TOP)1. LANCÔME DREAMTONE CORRECTEUR, R950; 2. CHANEL VITALUMIERE 30, R705; 3. LANCÔME HYPNOSE MASCARA, R390; 4. CLINIQUE CHEEK POP BLUSH IN 03 BERRY POP, R300; 5. LANCÔME LA VIE EST BELLE, R1 035; 6. MAVALA NAIL COLOUR CREAM IN 272 BEGONIA AND 273 HORTENSIA, R72 EACH; 7. ELIZABETH ARDEN BEAUTIFUL COLOUR MOISTURIZING

LIPSTICK IN 29 ELECTRIC PINK, R220; BAG: SMALL LEATHER AND HOUSE CHECK CROSSBODY BAG, R15 250, BURBERRY

F E M I N I N E F R O N T

YOU SM I LE AS YOU F L I P OPEN YOUR SOF T, LADYL I KE BAG . YOU KNOW SOMETH ING NO -ONE E LSE DOES…THESE PRE T T Y PRODUCTS ARE YOURS TO KEEP

Beauty_Main.indd 99 2015/09/02 10:47 AM

@ELLEmagazineSA132

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(CLOCKWISE FROM TOP)1. YVES SAINT LAURENT SUPREME BOUQUET, R2 900; 2. ESSIE NAIL LACQUER IN WATERMELON, R125; 3. LANCÔME GRANDIOSE MASCARA, R440; 4. DIOR FIX IT 2-IN-1 PRIME AND CONCEAL, R460; 5. LANCÔME TEINTE MIRACLE BARE SKIN FOUNDATION SPF15 IN 10 PRALINE, R535; 6. KIEHL’S CRÈME DE CORPS, R410 FOR 200ML; 7. CLARINS BEAUTY

FLASH BALM, R435; 8. CHANEL ROUGE COCO SHINE IN 112 TÉMÉRAIRE, R505; BAG: SANTA MONICA CLUTCH, R19 900, LOUIS VUITTON

C L A S S I C C O L L E C T I O N

IF THE LBD I S YOUR OU T F I T O F CHO ICE , TH I S I S THE BEAU T Y BAG THAT GOES W I TH I T – KEEP THESE I T EMS CLOSE AT HAND…ALWAYS

GO ONLINEfor other scents from

the YSL Oriental Collection

.CO.ZA

Beauty_Main.indd 100 2015/08/31 6:17 PM

@ELLEmagazineSA133

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(CLOCKWISE FROM TOP)1. DIOR 5 COULEURS COSMOPOLITE EYESHADOW PALETTE 766 EXUBERANTE, R820; 2. LANCÔME LA BASE PRO PRIMER, R560; 3. REVLON COLORSTAY GEL ENVY LONGWEAR NAIL

ENAMEL IN 600, R119; 4. CALVIN KLEIN CK1 LIPSTICK IN 610 BITE ME, R190; 5. DIOR ONE ESSENTIAL CITY DEFENSE, R745; 6. MAC POWDER BLUSH IN A LITTLE LUSTY, R245; 7. L’ORÉAL INFALLIBLE 24H MATTE FOUNDATION, R190; 8. GOSH NO LIMIT LASH MASCARA, R135; BAG: SMALL BUCKET BAG, R11 750, EMPORIO ARMANI

U R B A N B E A U T Y

YOU ’RE A S TREE TW ISE , S TRONG -W I L LED , LOOK-AT-ME K I ND OF WOMAN – S TAY A S TEP AHEAD W I TH THESE PUNCHY P I CKS

Beauty_Main.indd 101 2015/09/02 10:44 AM

BEAUTY

@ELLEmagazineSA106

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GO ONLINEfor five of our favourite

facial oils

.CO.ZA

@ELLEmagazineSA134

MULTI-TASKING MARVELA staple in many French handbags, this adaptable product can be used as a luxurious face and body treatment or as a hair oil to control fly-aways and soften dry ends. Apart from its multiple beauty benefits, the vanilla and hazelnut scent is what puts this oil on top of our best buys list. Nuxe Huile Prodigieuse Multi-Purpose Dry Oil Face, Body, Hair, R225 for 50ml.

SUNTAN SAFEGUARDA far cry from the baby oil people used in the past, Lipidol’s Suntan Oil supplements the skin’s natural oily layer that gets stripped away when our skin is exposed to the elements. With added UVA and UVB SPF20 protection it also provides a barrier against the sun’s harmful rays. Lipidol Suntan Oil, R80 for 125ml.

OVERNIGHT SENSATIONThis lightweight elixir

contains botanical lipids such as Evening Primrose and Lavender oils (similar to natural skin lipids) that

provide a boost of essential moisture to the skin.

Overnight, this magic potion works to repair skin after

daily damage and leaves it supple, soft and hydrated.

2-3 drops is more than sufficient per application.

Kiehl’s Midnight Recovery Concentrate,

R700 for 30ml.

ITALIAN INDULGENCEAll the way from Firenze,

Italy, this luxurious Bath Oil is a non-soapy, lather-free

detergent that gently cleanses without depleting

the skin’s natural layer of oils. Pour 1-2 teaspoons into

the bath water, and feel your dehydrated skin start

to restore its natural health and outer glow.

Santa Maria Novella Firenze Gardenia

Bath Oil, R800

best buys The benefits of oils on our bodies have been recognised from (literally) top to

bottom – whether for hair, face, body or bath, indulge in these forms of fluid for a beauty boost

B E A U T Y

Beauty_Best Buys.indd 106 2015/08/31 6:20 PM

Lipidol is a range of six new oils for daily skincare. Featured product: Lipidol Cleansing Body Oil 200ml. Washes off dirt without stripping the skin’s natural oily layer. Available at selected Clicks stores at the recommended retail price of R79.95. lipidol.com

L i p 1 0 5 _ C B O - 1 2 0 1 5 - 0 8 - 0 7 T 1 0 : 3 6 : 2 2 + 0 2 : 0 0


eau TO K N O W…

@ELLEmagazineSA136

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Paco Rabanne Olympéa, R925 for 50ml

Fresh and romantic, Olympéa inspires feminine strength and sensualitySPRITZ IT ON a summer’s day walking the streets of Santorini WEARING a sheer shift dress and strappy leather sandals IT ALSO PAIRS WITH head-

to-toe white and fine jewellery YOU’LL WANT TO SPLURGE ON silk scarves, jewel-drop earrings and a coastal cruise POUR YOURSELF a Negroni with

a sliver of orange AND TURN UP On the Greek Side of my Mind or Reflection by Demis Roussos THIS FRAGRANCE WILL INSPIRE an all-girls holiday and

late evenings of fine dining and wine STROLL DOWN THE STREET THINKING ‘Great victory requires great risk.’

THE SYMBOL: The Greek laurel wreath

THE INSPIRATION: A modern-day Greek goddess

THE FACE: Brazilian supermodel,

Luma Grothe

THE RUNWAY MUSE: Paco Rabanne

spring/summer 2015

HEART NOTES: Salted vanilla

AQUATIC TOP NOTES: Fiery ginger lily and

water jasmine

FRUITY TOP NOTE: Sparkling green mandarin

BASE NOTES: Sandalwood, cashmere

and ambergris

Beauty If This Bottle Could Talk.indd 1 2015/08/31 6:32 PM

O N E - O N - O N E

Michael KorsInternational designer to the stars, Michael Kors recently sat down with ELLE South Africa to discuss his latest

Gold Fragrance Collection. Here’s what he had to tell us

about the new line

Gold Collection fragrances,

available in Rose Radiant, White

Luminous and 24K Brilliant, R1 125 for 100 ml and R980

for 50 ml

What inspired you to create the Gold Collection? I’ve always believed in everyday glamour and with the Gold collection, we’ve given our fans the opportunity to feel a little more luxe. For me, there’s nothing richer or more opulent than a hint of gold.

Is your approach to beauty influenced by your fashion collections?They’re all designed for the same woman; she’s a jet setter, she’s always on the go, and she needs clothes, accessories and beauty products that can keep up with her.

Can you tell us a little about the packaging?When it comes to packaging, I always think of perfume bottles lined up in the bedroom or in the bathroom. Beautiful products can become a part of the décor. For that reason, these bottles are sleek and sophisticated with a hint of glamour. What’s your own beauty regime?I’m so low-key. I use Klorane chamomile shampoo (every blonde’s best friend) and then Kiehl’s Ultra Facial Moisturiser, maybe some Jergen’s Tinted Moisturiser if I’m trying to stretch the tan and a swipe of La Mer lip balm, and then I’m out the door.

What do you look for in a fragrance?For me, it’s about being clean and crisp, not overly musky or spicy, and it shouldn’t be overpowering. In a women’s fragrance, I always love a hint of jasmine and a touch of something spicy or woody that keeps them guessing.

What’s your fondest fragrance memory?I love that blast of jasmine you smell the minute you step o� the plane in a lush, tropical resort. £

.CO.ZA

GO ONLINEfor more fragrance

collections

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BEAUTYBEAUTY

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BEAUTYBEAUTY

T H E S T R A I G H T B R O W

Although it’s not an obvious choice for your brows, the straight shape is extremely

effective and highly underrated, especially if you’re opting for a soft look that says

youthful innocence: think Natalie Portman, Rooney Mara or Thandie Newton. In order

to pull off this style, Eyelure Brow Stencils, R65, are a great option, especially if you’re

a first timer to the trend. Use a chalky brow pencil or powder combo that is no darker

than your hair colour to achieve this fresh look.

TIP: To make sure the straightness stays in tact, a brow wax will be your best friend.

T H E P O W E R B R O W

With the likes of Cara Delevingne and Kendall Jenner

flooding our Instagram feeds and ruling the runways,

full brows are undeniably a top choice this season.

If you were naturally blessed with thick brows, this

trend will be easy to achieve. Brush up your brows

and set them with a clear brow gel. For added effect,

opt for a brow gel with a tint, like Benefit Gimme

Brow, R295. If your brows are naturally sparser or you

belong to the generation that overtweezed, try using a

brow or coconut oil to promote growth at night.

TIP: Use a soft brow pencil to fill in brows with feather

light strokes that imitate fuller arches.

T H E P E R F E C T A R C H

Nothing says sophistication more than a perfectly groomed pair of arches.

First thing’s first, go for a professional shaping – preferably using the threading

technique. Just be sure to tell your beautician to keep within the confines of your

natural shape because once you take away too much, they’re much harder to grow

back. Once you have the shape, fill in sparse hairs with an eyebrow crayon; Inglot’s Brow

Shaping Pencil, R209, is a great choice, thanks to its thickness.

TIP: Apply a highlighter underneath the arch to lift the look. £

T H E B E S T

of browsEssential in creating symmetry and balance, our

eyebrows should never take a back seat in our beauty routines. Whether you’re going for a bold brow or a subtle arch, here’s how we recommend keeping

yours in shape and on trend

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2. Eylure Brow Control and Shape Gel, R953. Sensai Brow Crayon, R280

4. Benefit Gimme Brow, R295

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@ELLEmagazineSA142

It might seem simple but leading a balanced life is not as easy as it sounds. We get caught up in crazes, sucked into the systems that make up our days, weeks and months, and before we know it our life-scales have been tipped too much on one side.

We work too hard, sleep too little, exercise every once in a while (or excessively), and eat whatever is easiest – whether that means following a strict diet or not. When the scales are unevenly tipped, exercise and our eating routines fall away, and yet the former plays a crucial part in our daily (or at least weekly) routine. Exercise gives us the chance to step out of our fast-paced lives and not only refl ect on ourselves but connect with others, thanks to the rise of H.I.I.T (high intensity interval training), such as Cross Fit, Sweat 1000 and Switch. This form of group fi tness is also a good way to get back into an exercise routine as we get encouragment from the friends we sign up with. It allows us to focus on something other than ourselves while also, psychologically, keeping us happy thanks to the release of endorphines. Exercise not only benefi ts the mind but also our skin. It acts as a detoxifi er – granted you wash the toxins o� with a good cleanser, like Dermalogica Special Cleansing Gel, R480 for 250ml, post training.

F I T

notesWant to know the secret to a well-balanced lifestyle? Well, as Nicole Newman

tells us, it’s balance

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GO ONLINEfor five of

our favourite superfoods

SMOOTH MOVE

Smoothies are a great go-to for a healthy (and delicious) breakfast and will also give you the chance to include immune-boosting

ingredients into your diet. Opt for elements such as frozen banana, almond milk, superfruit powder, cocoa nibs and raw eggs (for protein).

Or make a shot of ginger root, water and lemon for an immediate skin-rejuvenating intake.

ALL-ROUNDER

r e s t o r eTake time out away from the city at Abalone House and Spa situated in the seaside village of Paternoster. A five-star boutique hotel with adjoining wellness centre, the Healing Earth Spa, that uses only organic products. abalonehouse.co.za.

r u n

Up the ante with adidas’ newest addition to

the Boost range, the Ultra Boost, R2 499.

Using a range of engineered technologies as

well as a dual-density TORTION® SYSTEM, it

offers stability and support.

www.sorbet.co.za

But exercise is only one side of the scale. We also need to take time out to look after, and be kind to, ourselves and our bodies. Eat well, live well, love well. Book yourself a spa treatment every once in a while – a mani, pedi, massage, whatever works for you – this will also give you a chance to disconnect from constant communication on your smartphone. Better yet, spend time with a friend and book yourselves side-by-side pedicures like the ones done at Sorbet.

We’ve all heard that a healthy body equals a healthy mind. Include superfoods such as avocado, eggs, goji berries, salmon and walnuts in your diet ‒ even if these are a post-lunch snack. And by no means does this mean giving up your glass of wine at night. A good way to counteract the alcohol intake is to drink water at the same time to help hydration. Keep yourself in check: the benefi ts of balance are not hard to reach.

r e p l e n i s h

A high-speed, blender-type

contraption, the Nutribullet,

(nutribullet.co.za), R1 995, breaks

food down into a juice, paste or

smoothie consistency but, unlike a

regular juicer, keeps all the fibre

that the ingredients contain.

Fast-working and easy-to-use, this

is your one-stop-shop for quick,

healthy snacks and sauces. £

like the ones done at Sorbet.

ACTIVEACTIVE

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C O M P E T I T I O N

TO ENTER SMS ‘ELLEADIDAS’ followed by your full name, physical address and email address to 34975.

Each SMS costs R1.50. Entries close on 26 October 2015. For more terms and conditions, turn to Address Book.

K I C K O F F T H E N E W S E A S O N I N S T Y L E W I T H A N A D I D A S H A M P E R V A L U E D A T R 5 3 0 0 !

Leading a fast-paced life? No problem! The Urban Runner Timepiece combines fashion and wearability with the functionality to track pace, distance, steps taken and calories burnt within a given time. You can do everything at once plus get your workout in and it will track your routine. To be the part, you have to look the part, and thanks to adidas you can. Team your Urban Runner timepiece with the latest Supernova Glide Boost 7 for that superlight feeling while running, as well as a runner’s hamper with tights, a fitted tank or a t-shirt. Now, that’s how you kick off the new season in style.

Getting fit this spring just got a fashionable new edge with adidas’ must-have hamper, comprising its new Urban Runner timepiece, the Supernova Glide Boost 7 running shoes and a running hamper, all valued at R5 300 each.

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S O LO N G ,

S UG A R It’s affecting our skin, our health,

and even our sleep. Nicole Newman shares the not-so-sweet

story about sugar – and what you can do about it

WELLNESSWELLNESS

Beauty_Wellness.indd 122 2015/09/02 11:33 AM

DID YOU KNOW?

The realisation that more and more of our regular items contain too much sugar resulted in England’s Chief Medical Officer, Sally Davies,

call for a proposed ‘sugar tax’ in 2014 to try to curb manufacturers from including these high-fructose additives.

@ELLEmagazineSA145

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GO ONLINEfor five foods to curb your sugar craving

INSIDE OUTIf the wrong kinds of sugar are doing damage to the inside of our bodies, what is happening on the outside? Sugar, or food that converts to sugar (sadly including bread and pasta), causes a spike in our blood sugar levels, which results in the storage, rather than burning, of fat cells. Sugar also a�ects our skin. When it attaches to the good fats and proteins in our skin, a process called glycation takes place and the proteins that are most likely to undergo this process are collagen and elastine – yes, you read correctly – the very same proteins responsible for our youthful complexion. But, it’s not all bad news, salmon or cod liver oil can help counteract the process of glycation as the proteins found in these supplements feed our skin cells.

SLEEP ON ITSleep is one of the most important processes our bodies go through in order to restore and recharge; so ensuring that we are getting a high-quality level of sleep is crucial. When we sleep we burn fat and carbohydrates, as this process is long and slow our bodies require a full night’s work in order to regain energy and recharge for the next day. If we’ve been consuming sugars and short-chain carbs during the day, our bodies don’t have the su�cient energy to allow for the long and slow fat burning process, instead we are only capable of delivering short bursts of energy. Sleeping peacefully through the night becomes impossible for those of us with a sweet tooth. It’s a vicious cycle especially when you start consuming more fructose-full products in order to try and find energy to stay awake, artificially.

BYE-BYE, SUGARThe first step towards weaning your body o� sugar might sound simple but it requires dedication to, and awareness of, the no-sugar (or at least low-sugar) cause.

• Be vigilant when it comes to product labels: take time out to read the contents of the products you buy, and check out the sugar percentage.

• Research your city for specialist shops o�ering wholesome, sugar-free products. Avoid processed foods and focus instead on eating whole foods and good fats, such as grains, beans, nuts, eggs, non-starchy vegetables (zucchini, green beans, bak choy, cucumber, celery, etc.), fruits (in moderation because you can find all that goodness in vegetables), meats and dairy products (cheese contains lactose so you’re good there).

• Crisps and sweets are a no-no, but popcorn gets the thumbs-up, and so does polenta cake, which is easy to make or, if you prefer, bought ready-made from specialist shops.

• As with all things in health and beauty, prevention is better than cure, so the sooner you cut down on the sweet things the better. I will if you will… £

We all know that feeling when we get together with our girlfriends for tea in order to catch up, having promised to avoid the pastel-hued cakes or carb-filled cucumber sandwhiches but, when the tea-time treats arrive on the table, the reality is that we’ll have that “one bite”…and there will be no turning back. Once we’ve had that first taste, we have fallen victim to the sweet and silent seduction of sugar. Thanks (or not) to the processed foods so readily available today, sugars are present in more forms of food than we’d like to admit: salad dressings, breads, sauces (light mayonnaise can include up to 30% sugar), cereals and even yoghurt can contain more sugar than a scoop of ice-cream. Opting for a fruit juice as the healthy option? Might as well reach for the fizzy drink. With every bit of pleasure we get from consuming these foods, our bodies are fighting an opposing battle. So what’s the sweet spot hitting that we seem to be missing?

THE SCIENCE OF SUGARSugar is addictive. It’s called a sugar high for a reason and as much as we think we are not a�ected by it, we are. Di�erent foods contain alternate forms of sugars, but the element of sugar that is addictive is fructose, which can be found in a wide variety of (palate appealing) foods.Fructose is also the main component of corn syrup, which is used in soft drinks, sweets, burger patties and buns. A study conducted by Professor Francesco Leri of the University of Guelph in Canada found that addiction to fructose could be seen in direct comparison to cocaine addiction. Fructose is said to a�ect our appetite control, which could explain our desire for more of it, once we’ve tasted it.

Beauty_Wellness.indd 123 2015/09/04 3:44 PM

Yo u r m o n t h l y m e n u o f d i s c o u n t e d o f f e rs a n d t re a t s . I t ’s y o u r r e w a r d , j u s t f o r r e a d i n g E L L E !

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p148 GLOBAL VILLAGE p152 GILI ISLANDS p156 TEA PARTY

LIFESTYLE

T R E A S U R E

T R O V E

Indian keepsakes make for décor that’s

filled with memories in this Cape Town home

LIVING_Opener .indd 1 2015/09/01 1:48 PM

L I G H T

reliefWhen this Swedish couple left Stockholm for the rural charms of a tiny seaside village, they gave

fresh life to an 1857 shop-cum-home that honours their heritage while celebrating new beginnings

LIVINGLIVING

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G L O B A L

V I L LA G EA contemporary home in Cape Town’s City Bowl celebrates the local beauty surrounding it while

embracing treasures from the East

production S V E N A L B E R D I N G

text A L I C E B E N N E T T

photographs W A R R E N H E A T H

@ELLEmagazineSA148

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@ELLEmagazineSA149

raise the single-level structure to include a further one-and-a-half floors so that the Table Mountain views just out of reach could be framed to their best advantage. It’s not a strict one-up-and-one-down format, however, and this adds to the uniqueness of the structure – the dialogue between the double-volume and double-storey

Casey van Embden’s passion for travel, and

more specifically her in-depth knowledge of India,

led her to form a specialist travel company

Originally raised, the kitchen was brought

down to the same level as the living room to

create a larger and all-inclusive open-plan

space. Very much a social space, it’s a mix

of freestanding and built-in units and leads

onto a braai area

When Casey van Embden and Dan Berkowitz returned from living in India, they didn’t leave it behind entirely. Owner of a bespoke luxury travel company, Casey and her advertising creative director husband had been based in Delhi for three years and had fallen under its spell. Consequently, when they returned home and settled in the sought-after suburb of Tamboerskloof in Cape Town, they brought more than just a few memories back with them.

Although originally the house wasn’t much to look at, it had a stunning location in its favour (it’s surrounded by a small forest with mountain views) and quirky 1970s character, a winning combination that ultimately tipped the scales.

To get the house into shape, they asked architect Eric van den Berg to fulfill a brief that set out to celebrate the current location and its jaw-dropping views. First order of business was to


LIVINGLIVING

sections of the house creates an interesting sense of pace, with living taking place downstairs, relaxing in the middle family room and sleeping up another flight of stairs.

The elevation served yet another purpose – the house shares a boundary wall with the neighbouring property, and the added height allows in more light as compensation. Eric further extended the indoor-outdoor connection by using masses of glass, adding skylights and devising areas with immediate access to the garden. After opening up the family room upstairs, the room now flows onto a braai patio and the forest behind it. ‘He achieved amazing things with a very challenging site. He has a great understanding of space,’ notes Casey.

One of the primary objectives – aside from light and views – was that it be a contemporary space that would allow the mosaic of treasures the couple has amassed on their travels to stand out. Eric’s answer to this was an almost industrial approach, not unlike a gallery, in which he restricted the palette to neutral surfaces with interesting textures – black aggregate, o�-shutter concrete. ‘Colour is such an integral part of Indian culture. Certain cities are actually defined by them, like Jaipur, which is known as the “pink city,” and most of the pieces we brought back are bright or bold, so we needed the structure to set them o� but not fight with them,’ explains Casey. As well as bearing Casey and Dan’s possessions in mind as objects to fill the space, Eric integrated many of them into the structure itself, allowing them to become part of the building’s identity. An exquisitely ornate wooden door frame from Udaipur announces your arrival, a spiral staircase found in Jaipur twisting up to Casey’s study is a major focal point in the living room, and weathered blue doors in the master bedroom act as shutters, opening onto the mountain views.

Although from scattered locations, these features do have one thing in common – history, a trait that Casey and Dan, despite having often diametrically opposed tastes, are fully in

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agreement on. Above the dining table in the open-plan living area hangs a chandelier that belonged to Casey’s grandfather. In a similar vein, the blue barber chair in the family room upstairs is an Indian antique and was given by Casey to Dan as a gift. It’s now one of his favourite pieces in the house.

The mixture of décor the couple brought back from India also illustrates the wealth of diversity it has to offer as a country because different regions cultivate di�erent crafts, cultures and even cuisines. Within the walls of their home, it’s not only the artful Indian souvenirs but also the personal touches that set the design apart; the couple’s personal treasures give their home its distinct personality. £

A square basin and pared-down faucet are super-modern silhouettes in the bathroom, the copper tone offering a warmth to the starkness of the space. On the floor, countless five-cent coins embedded in cement are yet another example of the couple’s quirkiness


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Dan has been collecting toys since he was

13 and still can’t resist buying them.

The collection is occasionally rearranged

to act out scenarios

The master bedroom has the best position in the house. Facing the

mountain, but surrounded by trees, it’s a peaceful and scenic space that the foldaway doors further enhance

by opening fully onto the view. A set of blue doors from India – their weathered effect a nice change of pace from the clean shell – is used

as screens to create privacy and cool the room down

The beautiful arched doorframe from Udaipur transforms the linear façade of the house into something remarkable and unique. The house is surrounded by informally planted trees that further

soften the effect

T he couple’s persona l t rea su res g ive thei r

home its d ist i nct persona l it y


@ELLEmagazineSA152

T H E

G I L I I S LA N D SJaime Waddington indulges her five senses

on Indonesia’s coastline

I’m sure you’ve seen the clichéd screensaver – the classic shot of a turquoise sea, pearly white beaches and palm trees under a clear blue sky. I never understood why this screensaver was so popular because I never believed that places could look so sublime in real life. I was always sure they were the result of some tech-savvy genius that knew how to flawlessly play with lighting and enhance colours. Water could never be that blue, nor sand that powdery, and a beach could never be fringed so perfectly with luminous palm trees. My cynical ideas all changed once I visited Indonesia’s Gili Islands.

The Gilis are a set of three miniscule islands o� the coast of Bali and Lombok, each with their own unique character. The first is Trawangan (or Gili T), known as the ‘party island’ for its stylish bars and all-night raves under the full moon. The smallest and most upscale of the three is Meno, which is also the most remote: its population is only 300. Finally, there is Air, and although it doesn’t have much nightlife, it has an ample amount of restaurants and bars, making it a happy medium between the other two islands.

Everyone says that the Gili Islands are what Bali used to be 10 years ago: the raw, hedonistic daughter to the now mass-tourist destination. Only

reachable by boat, these seductive islands o�er a variety of accommodation, from bungalows and homestays to high-end resorts. These are the islands most people plan to visit for a few days and end up staying a month, the islands you pass through from Australia to Thailand, only to end up coming back to spend just a few more days under their spell. Even though I never expected it, this trio of tiny, tropical islands changed my perception of paradise.

Gili Air

‘Gili’ simply means ‘small island’ in Sasak, the indigenous language of Lombok. As a result, most of the islands off the coast of Lombok include ‘Gili’ in their names

Jaime Waddington

Gili Trawangan

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TRAVELTRAVEL

SMELLWithin seconds of jumping o� the boat, the smell of damp sand hit me. The time was late afternoon and the sun was just touching the sea. Gili T was the first stop on our tour of the islands, a trip I was taking with my two girlfriends. We had just taken a treacherous two-hour boat ride to the island from Padangbai, a port town in Bali, but had mistakenly taken the boat the day after a full moon, and the shifting tides made for a bumpy ride. My spirits (and imminent nausea) were immediately lifted by the smell of sand, sea and sunblock. In an attempt to live in the moment, we hadn’t booked accommodation, and ended up walking around the island with our heavy backpacks for hours, passing bungalows that all displayed the dreaded sign, ‘full’. After our fourth walk up the main road, our frustration was obvious, and a blonde woman approached us, her smell a mixture of coconuts and cigarettes. The woman told us to call her ‘mum,’ claiming she was the mother of Gili T. To help us out, she called up a few people and found us a place to stay, an adorable little bungalow nestled under the palm trees. We dumped our bags, thanked ‘mum’ and headed to the nearest bar.

L IS TENOn the islands, you’re bound to hear the sounds of jingling bells, rattling harnesses and the loud footfalls of horses. This can only mean that a cidomo is nearby, one of the small, horse-drawn carriages that make up the only mode of transportation on the islands. Brightly coloured and decorated with bells, the carriages are heard from all over the islands. After trekking all over Bali the past few days, visiting temples and mountain biking through the forests, we were determined to keep things low-key, so we hopped onto a passing cidomo and headed straight to the beach. Once seaside, we ordered three piña coladas, found a shady spot under some colourful umbrellas and dug into our books. After falling asleep three pages into my novel, I heard the humming of the global island-life brand ambassador, Bob Marley. His soulful tunes echoed from almost every bar, each filled to the brim with bronzed locals and tourists sipping Bintang beers. The crashing of the waves and the blowing of the palm trees exquisitely matched the rhyme and rhythm of Marley’s tunes. Listening to his music now, I still feel as if a part of each song were missing.

Halo hello Selamat tinggal goodbye Ya yes Tidak no Permisi excuse me Terima kasih thank you Maaf sorry

Berapa harganya? How much is it? Hari baik Have a nice day

LOCAL L INGO

Gili Air

Gili Trawangan

Living_Travel Gili Islands.indd 153 2015/09/04 3:34 PM

@ELLEmagazineSA154

TRAVELTRAVEL

CURRENCY The local currency is Indonesian Rupiah (IDR). The current exchange rate is 1 070 Rupiah to the Rand, but US dollars are also

accepted at most restaurants and hotels. LANGUAGE Bahasa Indonesia is spoken in Bali and on the Gili Islands, but English is widely spoken

throughout. FLIGHTS To Bali range from R7 000-R 10 000 (return). BOATS From Bali to the Gili Islands range from R500-R700 (return).

VISA 7-day ($10) and 30-day visas ($25) are available on arrival for South African passport holders.

WEATHER Rainy season starts from November to April. The best months to visit are January, February, September and October.

SEEOn the Gili Islands, the main attraction isn’t indoors; it’s underwater. You can find diving schools on each of the islands and snorkelling gear is available to rent for as little as R50 all along the beach. My friends and I were a little nervous to hit the diving scene just yet, so we opted for some laid-back snorkelling instead. We booked a day trip at one of the many snorkelling tour kiosks for R200, which took us to three stunning spots scattered around the three islands. To get to the islands, we hopped on a glass-bottom boat, where we could see

30 metres down to the ocean bottom, thanks to the islands’ crystal-clear waters. A window into everything from parrotfish and seahorses to turtles and stingrays, the glass-bottom boat is your aquarium-view into the great blue. We started out in shallow waters, swarmed by schools of butterflyfish swimming around us and tickling our chins.

Next, we headed to Turtle Beach o� the coast of Gili Meno, which had much deeper and more dangerous waters. Our local guide free-dove at least 20 metres toward a pair of giant hawksbill turtles, and he tapped them on their shells to force them to swim to the surface for air. Although they were about three quarters the size of an adult human,

the turtles swam right past us with grace and poise. Indonesia’s large biodiversity of marine life was on show at our last location, appropriately called the ‘Garden of Fish’. All sorts of sea life were out and about in the coral reef, painted the most vivid colours that I couldn’t believe existed under the sea. I felt so carefree swimming beside schools of angelfish until my eyes spotted a long, blindingly white sea snake! I rushed to the surface, but my heart rate slowly steadied as I realised that it was paying absolutely zero attention to me. Then, after dark, we cosied up at Gili T’s mini cinema, where films are projected outside onto a big screen each night on the beach while movie-goers snuggle with bean bags and blankets under the stars.

GO ONLINEto see our

top five islands off Bali

.CO.ZA

Indonesia is in the heart of the Coral Triangle, a marine area which straddles the Equator, splitting the Indian and western Pacific Ocean. With over 3 000 species of fish, it is an unparalelled underwater paradise

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TRAVELTRAVEL

‘ORANGE HUES MELTED INTO PINK AND YELLOW, FLOODING THE SEA AND SKY AS THE LAST BIT OF SUNLIGHT KISSED OUR SKIN’

TASTEBarbeques! No, not the American version with steaks on a gas grill. These barbeques serve up seafood only, cooked on a humble wood fire. The freshest and widest array of seafood is on o�er at all restaurants along the beach. From mahi-mahi and barracuda to prawns and squid, the choice is yours! I had never tasted snapper and was determined to try one after watching countless episodes of MasterChef Australia, which always made them look so appetising. At one of the many restaurants, I enjoyed a beautiful red snapper, grilled to a crumbled skin and served with a tangy lemon and garlic butter on a bed of coconut rice. My snapper had been caught that very afternoon, according to the waiter, and the dish was a favourite at the restaurant. We paired the snapper with an aromatic and fruity white wine, one acidic enough to stand up to the tartness of the snapper. It was the perfect meal for a cool evening. After the meal, I ordered a traditional Balinese dessert: black rice pudding. Black rice, also known as forbidden rice, is a sticky, Indonesian rice made from heirloom plants. The black rice is glossy in texture and both sweet and smoky in taste. Teamed with coconut milk and jackfruit, it was creamy, silky and unbelievably divine. For an even more native experience on Gili T, you can head over to the night market, where you won’t only experience incredible food, but you will save a few bucks too. A wide range of local food is available to try, such as Nasi Campur (mixed rice served with side dishes) and Nasi Goreng (Indonesian fried rice) as well as delicious Balinese fruits, including Salak, Rambutan and Durian, all perfect for dessert.

TOUCHSince the Gilis are renowned for their immaculate coastline, it’s important to walk the islands and feel the ground beneath you. It takes only an hour to walk around the island of Gili Air, the only one of the three whose beaches stretch all the way around. Because the island is so small, you can only see the sunset from the western side. Each night we had made a plan to trek to the other side of the island for the famed sunset; yet somehow, each night, we would get distracted by snorkelling, lounging in the pool or simply enjoying some of the Gilis’ finest cocktails. Now, this was our last day and we couldn’t miss the sunset. The abundant mangroves and wild birdlife boasted a rugged, untouched beauty. We reached the western beach just in time to see the sunset, and it was everything our fellow travellers had described and more. Orange hues melted into pink and yellow, flooding the sea and sky as the last bit of sunlight kissed our skin. It was a storybook ending for our perfect adventure on Indonesia’s three pristine islands. And can you guess what my screensaver is now? £

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T E Aparty

Joburg food blogger Angie Durrant shares her recipe

for floral-infused cupcakes

WHO IS ANGIE DURRANT?

Angie runs Lucky Pony and Jobest. The former is a personal blog

about all the best things in her life (including what she bakes), and the latter is a travel blog about

what to do in Joburg and beyond.

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@miss_luckypony

TIPMAKE SURE YOU INVITE A

FRIEND OR TWO OVER AFTER YOU’VE FINISHED BAKING

BECAUSE, IF LEFT ALONE, YOU WILL DEFINITELY EAT TOO MANY.

YOU HAVE BEEN WARNED!

ROSEWATER CUPCAKESMakes ±20 cupcakes

INGREDIENTS

80g unsalted butter (softened) 280g caster sugar 240g plain flour 1T baking powder 1/4t salt 1T rosewater 240ml whole milk 2 large eggs

METHOD

1 Pre-heat the oven to 180°C and line a cupcake tin with cupcake liners.2 Using an electric whisk or a freestanding mixer with the paddle attachment, whisk the butter, sugar, flour, baking powder and salt on a low speed until the mixture resembles breadcrumbs.3 In a jug, whisk (by hand) the rosewater, milk and eggs together. Pour three-quarters of the milk mixture into the dry mix on a low speed to combine. Increase the speed to medium and continue to mix until smooth and thick. Scrape down the sides, add the remaining milk and continue to mix until the mixture is once again smooth.4 Divide the mixture into the cupcake cases, filling them to just under 3/4 of the way. Bake for 18-20 minutes or until well risen and springy to the touch. Mine came out quite golden, but still nice and soft.

ROSEWATER ICING

500g icing sugar 160g unsalted butter, softened 3T rosewater 50ml milk

METHOD

1 Combine the butter and icing sugar using an electric whisk or a freestanding mixer with the paddle attachment. At the beginning, the mixture will be quite powdery.2 Mix the rosewater with the milk in a small jug and while the machine is still running, gradually pour in the mixture.3 Increase the speed to high and mix until light and fluffy. I added a small dash of light pink food colouring gel to mine.4 Decorate the cooled cupcakes and then be prepared to eat two to three in a row! £

GO ONLINEfor five minutes with

Angie Durrant

.CO.ZA

HER THREE FAVOURITE FOODIE INSTAGRAMMERS1. @cupcakerichard

2. @local_milk3. @tifforelie

LIVING_Menu.indd 128 2015/09/01 2:01 PM

ON THE BEACHInvest in statement swimwear, especially a full-piece as it’s on trend and can easily transition from beachwear to casualwear. When teamed with denim shorts, a one-piece can take you from the beach to the beach bar in seconds. Look for unusual detailing like crochet, beading and interesting prints to help find your signature look. Choose a cut that suits your body shape and a colour that complements your skin tone.

@ELLEmagazineSA157

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MAXIMUM STYLESummer wouldn’t be summer without a romantic, billowing maxi dress. Even though they’re incredibly flattering for most body types, you should opt for natural textiles that breathe easily, like bamboo, silk or cotton, and you’ll feel more comfortable on those sweltering hot days. A versatile style, the maxi dress can be worn to the beach, a wedding and even an al fresco dinner.

GO ONLINEfor our top five full-piece picks

.CO.ZA

SHADY BUSINESSSunglasses are an absolute must for summer and complete

a look. Invest in a quality pair that suits your face shape and make sure that the lenses are UV-protected. We love local brand Ballo’s wooden sunglasses since they’re great

lenses that come in classic shapes.

INSIDE WORDINSIDE WORD

ALL-IN-ONEPlaysuits and jumpsuits are here to stay, so get on board! So versatile, they can be worn almost

everywhere, anytime. An all-in-one look that’s ideal for summer ‒ just put it on and head out the door.

SHOE-INSummer is all about sandals, so buy a comfortable pair that will see you through the season. Go for neutral hues, like gold and camel, as they’ll work well with all your warm-weather outfits, and the gold adds an extra shimmer to your look. If you’re a fan of heels, invest in espadrille wedges; classic and chic, they are super comfortable and can be worn with anything from jeans to playsuits.

A new season calls for a new capsule wardrobe, but how do

you put it together? Lalesso’s Alice Heusser and Olivia Kennaway

share their key pieces for this season

CREATE A CAPSULE SUMMER

WARDROBE(HINT: IT’S ALL ABOUT VERSATILITY!)

H O W T O

JUST ACCESSORISEAccessories are a must and add that extra something to your outfit. Choose pieces that reflect your personality and are comfortable to wear. But, whatever you do, don’t over-accessorise: it’s either the long earrings or the neckpiece, but never both. We love SA’s Black Betty for their stack rings, semi-precious stone earrings and delicate gold necklaces. This black onyx stone ring is already on our wish list!

Ring, R775, Black Betty

Sungura swimsuit, R1 280, Lalesso

Living_Inside Word.indd 157 2015/09/04 9:33 AM

HOROSCOPES

@ELLEmagazineSA158

HOROSCOPES

(September 24 – October 23) New beginnings are underway this month, while the dark moon in your court and the launch of your solar year strongly encourage our Libra to design a quiet, healthy environment to support your study and research. Add meditation, yoga and healthy eating to the mix and watch the inspiration flow.

SCORPIO (October 24– November 22) When confronted by events that force you to assess what’s worth fi ghting for and what you’re ready to give up, remember the impressive reservoir of resources at your fi ngertips, the qualities and skills you’ve carefully cultivated – not to mention those loyal friends.

ARIES (March 21 – April 20) Getting the green light to move ahead with partnership plans does add to your growing list of responsibilities, but somehow an over-arching sense of optimism and abundance is shining on your daily grind. Remember, there’s nothing half-hearted about your commitment.

TAURUS (April 21 – May 21) Finding comfort in things that stand the test of time is one thing, but holding fast to opinions just because you’ve always had them limits your options. This is a great month to investigate those core beliefs to see if they’re still relevant and capable of moving you forward.

GEMINI (May 22 – June 21) When you channel impatience with children or agitation with your partner towards fi xing the things you need and recycling what you don’t, you succeed in creating a healthy and aesthetically pleasing nest and opening up lines of communication that have been dormant for too long.

CANCER (June 22 – July 23) Jewels right under your nose? When was the last time you ventured out of the shell to explore urban or rural public spaces? They’re accessible on foot or by driving short distances and are so very rich in beauty and cultural signifi cance. Go on, grab a loved one and expand your world.

LEO (July 24 – August 23) Whether you’re self-employed or managing someone else’s accounts, this month is audit time. A deteriorating bottom line may require you to dig a little deeper to get a handle on income and expenses. Weed out what doesn’t allow for new growth, and start planning for the future.

VIRGO (August 24 – September 23)Big changes are afoot, generating energy, passion and the promise of edgy new avenues for your creativity. The challenge will be to keep your head above water fi nancially because, although there’s a lot of promise in your endeavours, for the moment income is a mere trickle.

SAGITTARIUS (November 23 – December 22) When it comes to generating income, this month’s cheque has your name written all over it. By reining in that potent personality and taking advantage of your healthy capacity for hard work, you can prepare for future needs with confi dence and optimism.

CAPRICORN (December 22 – January 20)Your authentic power is best modelled by creative action, without the need to dominate anyone with your opinions. Better to channel that passion by mastering new techniques to enhance the value of your work. That’s sure to impress your friends rather than alienate them.

AQUARIUS (January 21 – February 18) October’s task, should you choose to accept it, is to let go of what no longer serves you. As much as you might resist, it’s time to measure output. Be precise, methodical and practical. It’s best not to waste time or precious energy on what doesn’t give back in equal measure.

PISCES (February 19 – March 20) You’re set to swim full tilt this month, partner in tow, eyeing the future and articulating strategies to get there. Together you are a committed, determined and discerning duo, which has friends nodding in appreciation. Don’t sweat the small stu� .

Feel that a private session might be helpful? Email

[email protected]

She launched her career with Rolling Stone, and in 1973 became head photographer at the youthful age of 23. Since then she’s captured popular culture and celebrities with a bold style and intimacy that no other portrait photographer can match – a fact that’s made this Libran a celebrity herself. Many happy returns to the iconic Annie Leibovitz.

.CO.ZA

GO ONLINEfor your weekly

horoscopes

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By THE GALACTIC GOGO

Horoscope.indd 1 2015/09/02 1:08 PM

Sensai 021 442 7700 Sissy Boy 021 421 4208 Smashbox 0860 692 274 Sonja Von Mellenthin 083 659 3877 Sorbet 021 434 3902 Spitz 011 707 7300 Stefania Morland 021 422 2609 Sterns 021 938 1250 Steve Madden 021 552 3722 Stuttafords 011 879 1000 Superga 011 608 0023

T Tart 021 447 5619 Tessa Design 011 268 0997 Thalgo 011 880 3850 Tiger of Sweden 011 784 0561 Topshop 011 685 7070/ 021 419 5900 Trenery 021 405 4300

V Virgule 076 211 8898 Von Zipper 042 200 2600

W Witchery 021 418 9893

Y Yves Saint Laurent 0860 102 491

Z Zando 021 200 7600 Zara 021 446 870 ZOOM 021 555 2021

Luxottica 021 486 6100

M MAC 011 516 3000 Madison 021 510 4510 Mango 021 418 0916 Mari & Me 021 424 5446 Marianne Fassler 011 646 8387 Mavala 0860 254 257 Moroccanoil 011 305 1600 Maison Mara 021 418 1600 Maybelline 021 673 1487 Melissa 010 225 2833 Mimco 021 418 9893 Mo’ko Elosa 079 511 1370 Moscon Optics 011 483 8001 MRP 021 551 4416

N Nuxe 021 701 2900 NWJ 021 595 4752

O Oath 079 066 9515

P Palladium 021 551 2369 Prada 011 326 0800 Puma 021 555 2145

R Revlon 011 971 0800 Retrosuperfurture [email protected] Rimmel 0860 254 257 River Island 021 555 3691 Robyn Murray 082 557 9353

S S. Keren Watch Group 021 418 0045 Santa Maria Novella 021 425 8181 SDM Eyewear 011 334 7020

E Edgars 0860 692 274 Elizabeth Arden 021 597 1700 Emporio Armani 0860 692 274 Essie 021 555 4677 Eyelure 0860 347 2436

F Forever 21 021 555 3324 Forever New 021 555 3713 Fossil 021 418 0045

G Gosh! 0800 203 925 G-Star Raw 021 418 9000 Guess Jeans 011 883 8391/ 021 421 0110

H H&M 021 447 3919 Habits 021 671 7330

J Jo Borkett 011 883 7240

K Kiehl’s 011 685 7000 Kingsley Heath 031 813 5770 Kirsten Goss 021 424 3453/ 011 447 3324 Klûk CGDT 083 377 7780

L Lalesso 072 899 7185 Lancôme 011 286 0700 Lara Klawikowski 021 447 4730 Leigh Schubert 071 679 9953 Levi’s 021 403 9400 Lipidol 021 201 1310 Longchamp 021 418 2056 L´Oréal 011 286 0700 Louis Vuitton 021 405 9700 Lux Co LTD 011 448 2210

@ELLEmagazineSA159

TERMS AND CONDITIONS Each SMS costs R1.50 incl VAT. Additional VAT charges may apply. Free SMSs do not apply and errors will be billed. Bill payers’ permission required. All entrants must be 18 years or older. Usage is entirely at your own risk. The client and its associates/partners cannot be held liable for any loss or damage suffered as a result of entry into a competition/taking up a service. By entering this service/competition, users consent to receiving further marketing and/or promotional messages. Recommended retail pricing and information correct at time of going to print.

Prices and availability were checked at the time of going to press. ELLE cannot guarantee that prices will not change or items will be in stock at the time of publication

A adidas 021 442 6200 Adriaan Kuiters 021 424 5502 Aldo 011 884 4141 B Belinda-Lee Ludek 083 270 7359 Benefit 021 419 8766 Billabong 042 200 2600 Bronx Women 021 590 7000 Burberry 011 325 5923/ 021 425 8933

C Call It Spring 021 418 2491 Callaghan 021 683 1716 Calvin Klein 021 418 1185 Captain Blankenship www.beautylink.co.za Chanel 0860 692 274 CJR Gifts 011 257 6010 Clarins 0800 203 925 Clicks 0860 254 257 Clinique 0860 692 274 Cloth & Label 011 326 5702 Cotton On 021 552 0726 Country Road 011 290 5200 Christy Anne Jewellery 072 621 1266 Creightons 021 658 1000

D David Tlale 083 583 2635 Davines 011 791 3385 Dermalogica 011 268 1001 Diesel 011 783 0882 Dior 0860 692 274 Dis-Chem 011 589 2200 Dolce & Gabbana 021 419 8766 Dune London 021 529 1870

ADDRESS BOOKADDRESS BOOKPH

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011 685 7070/ 021 419 5900 Trenery 021 405 4300 Virgule 076 211 8898 Von Zipper 042 200 2600 Witchery 021 418 9893 Yves Saint Laurent 0860 102 491 Zando 021 200 7600 Zara 021 446 870 ZOOM 021 555 2021

PRICE ERROR

On page 74 of our August 2015 issue fashion shoot, Simply Her,

with Pearl Thusi, we included a price for an Emporio Armani

leather jacket that was incorrectly listed as a Zara garment. We

apologise for any inconvenience that this may have caused.

For more information on Emporio Armani, please call Emporio Armani

Johannesburg Hyde Park Corner, 011 268 0219, Emporio Armani Cape

Town V&A, 021 425 7083, or visit surteegroup.com

addressbook.indd 154 2015/09/04 2:51 PM

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ME, MYSELF & FEMINISM

LAST WORDLAST WORD

female prime minister in Israel; Pakistan’s Benazir Bhutto, the first female to lead a Muslim nation; Margaret Thatcher the first female Prime Minister in Britain; our very own Miriam Makeba, although not a politician but an important and influential voice, sang from the heart and became the symbol of resistance and equality for all, both at the height of apartheid and beyond. And then there is Malala Yousafzai, a Pakistani activist fighting for girls’ education.

Perhaps humanism is the new face of feminism: activism that is more holistic, less about agressive gender bashing and acts of defiance, but more about progression, agency and egalitarianism. Like Emma Watson and the #HeforShe campaign: fighting for feminism can be done with grace. As Lorraine Candy, Editor-in-Chief of ELLE UK, once said, ‘fiercely intelligent, with a razor-sharp mind. She has a new found confidence so forceful she may well change the world.’

I don’t attend rallies but I do exercise my freedom – a freedom achieved in part thanks to the defiance of many unsung heroines here in South Africa and beyond – by voting.

My freedom is also inspired by how I was raised. I come from a family of equal everything. My grandmothers and grandfathers raised independent, open-minded, empowered children, who have subsequently done the same for the next generation of Amar and Benbenisti heirs. I was raised with the belief that life will be challenging not because of my gender, but because there are billions of us walking a similar path. Instead, I was encouraged to pursue my dreams with the knowledge that how I apply myself to them will ultimately determine my evolution. Feminism was neither taboo nor promoted; hating men was never going to be the solution or a way forward to achieving (gender) equality. My beliefs don’t make me less of a feminist; maybe, they make me a more compassionate human being. I am a humanist, who believes in equality for all, and achievement based on merit. I happen to love my bra and men too. £

@TidiBenbenisti

So what makes one a feminist, asks Tidi Benbenisti?

I recently read an article about the 2016 US presidential race that detailed how one candidate is getting flak for some poor choices (Hillary Clinton’s private email security breach). The commentary was polarising; some believed she was being crucified because she is a woman, while others felt the opposing side was merely crying wolf. I mentioned the article to a friend via email and it yielded some baff ling revelations. My friend agreed with the former and added that because I am a woman, it’s a given that I must support a female candidate. Not me, I replied. ‘So you’re not a feminist!’ she signed o� with a P.S. ‘Guess you’ll never part ways with your bra!’ Bra-vo, I thought.

So, who is judge and jury when it comes to measuring my level of, and commitment to, equality – for all? It’s all about merit, I say. I don’t want to be handed down anything besides vintage pieces. I don’t want my success to be based on someone else ‘letting’ me have something. If it resonates with me, it has my support, gender isn’t a factor.

Do I think women and men are being treated equally? No, I don’t, not always. Should I therefore shout hateful things about men to men because they earn more and dominate the political/corporate/ entertainment arenas the world over? Will it do me, you, us or our sisterhood any good? I doubt it. But, does that mean I think that the fervent feminist movement of the ‘70’s or those before it were wrong? Not at all. Have I ever flung my bra as an act of defiance? No. I don’t think non-perky breasts equal quicker access to powerful, influential positions. And I still don’t get that symbolism of an undergarment, a brassiere, as restraining, confining and disempowering. On the contrary, I can only run with support gear because 34C is not an easy size to keep steady.

For me, feminism is when women defy and break down cultural and religious barriers, barriers that are so deeply entrenched they seem impossible to change. These women are the trailblazers, and there have been many, who’ve redefined a woman’s place in society. Golda Meir set a precedence as the first

what does feminism mean today?

@ELLEmagazinesa

J O I N T H E C O N V E R S AT I O N

ELLE_Last Word2.indd 1 2015/09/04 1:25 PM

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