edward locke video sequence analysis...assignment: youtube disney video sequence analysis student:...

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Page | 1 Assignment: YouTube Disney Video Sequence Analysis Student: Edward Locke Art 217 Storyboards, Spring 2018 East Los Angeles College Professor: Francis Glebas Wednesday, February 21, 2018 YouTube Disney Video Sequence Analysis Movie: Spirit of Forrest (URL: https://www.youtube.com/watch?v=3LiMCm3lLOI) The Selected 15 Shots and Analysis Shot No. 1 Framing of the action: Close up shot Angle of camera: Eye level shot Movement of camera: Dolly Shot No. 2 Framing of the action: Close up shot Angle of camera: Eye level shot Movement of camera: Dolly

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Page 1: Edward Locke Video Sequence Analysis...Assignment: YouTube Disney Video Sequence Analysis Student: Edward Locke Art 217 Storyboards, Spring 2018 East Los Angeles College Professor:

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Assignment: YouTube Disney Video Sequence Analysis Student: Edward Locke Art 217 Storyboards, Spring 2018 East Los Angeles College Professor: Francis Glebas Wednesday, February 21, 2018

YouTube Disney Video Sequence Analysis

Movie: Spirit of Forrest (URL: https://www.youtube.com/watch?v=3LiMCm3lLOI)

The Selected 15 Shots and Analysis

Shot No. 1

Framing of the action: Close up shot Angle of camera: Eye level shot Movement of camera: Dolly

Shot No. 2

Framing of the action: Close up shot Angle of camera: Eye level shot Movement of camera: Dolly

Page 2: Edward Locke Video Sequence Analysis...Assignment: YouTube Disney Video Sequence Analysis Student: Edward Locke Art 217 Storyboards, Spring 2018 East Los Angeles College Professor:

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Shot No. 3

Framing of the action: Close shot Angle of camera: Eye level shot Movement of camera: Dolly

Shot No. 4

Framing of the action: Full close up shot Angle of camera: Eye level shot Movement of camera: Pan

Shot No. 5

Framing of the action: Extreme close up shot Angle of camera: Eye level shot Movement of camera: Tracking

Page 3: Edward Locke Video Sequence Analysis...Assignment: YouTube Disney Video Sequence Analysis Student: Edward Locke Art 217 Storyboards, Spring 2018 East Los Angeles College Professor:

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Shot No. 6

Framing of the action: Extreme close up shot Angle of camera: Up shot Movement of camera: Tracking

Shot No. 7

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Zoom

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Shot No. 8

Framing of the action: Extreme close up shot Angle of camera: Eye level shot Movement of camera: Zoom

Shot No. 9

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Zoom

Shot No. 10

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Zoom

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Shot No. 11

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Dolly

Shot No. 12

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Dolly

Shot No. 13

Framing of the action: Full shot Angle of camera: Bird’s view shot Movement of camera: Tilt

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Shot No. 14

Framing of the action: Full shot Angle of camera: Eye level shot Movement of camera: Tracking

Shot No. 15

Framing of the action: Full close up shot Angle of camera: Eye level shot Movement of camera: Zoom

Conclusion:

1. For the framing of action, Full shots are the most frequently used to fully describe the motion of the animals.

2. For the angle of camera, eye level shots are the most frequently used to describe the motion of the animals in a “straightforward” or “natural” way.

3. For the movement of camera, tracking shots are the most frequently used to fully describe the motion of the animals in a dynamic way.