editorial leadership 2012 part 2

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Writing and editing Story leads avoid beginning with the whenangle unless the whenis unusual or the most important angle. Stories are developed with an accurate sense of the importance of detail. Important information is not buried in the story. Most stories are developed with the most important and timely fact first, and then least important facts last.

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Here's part two (of two) of the slideshow shown at NSPA's Summer Workshop (Editorial Leadership)

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Page 1: Editorial leadership 2012 part 2

Writing and editing

•  Story leads avoid beginning with the “when” angle unless the “when” is unusual or the most important angle.

•  Stories are developed with an accurate sense of the importance of detail. Important information is not buried in the story. Most stories are developed with the most important and timely fact first, and then least important facts last.

Page 2: Editorial leadership 2012 part 2

Writing and editing •  The “why” aspect of a story is

reported adequately. •  Reporters write all news, news-

features and sports in the third person, impersonal. Some leads may include second person pronouns. Quotes with first person pronouns do not contradict this rule. Staff editorials are written in the second person; opinion columns in the first person; analysis, clearly labeled, in first, second or third person.

Page 3: Editorial leadership 2012 part 2

Writing and editing •  Copy is edited and proofed

carefully to check: spelling, the accuracy of numbers and other facts, sentence structure, agreement, grammar, usage and syntax.

•  Captions are written with a present tense verb, identify all prominent and recognizable persons, and give information that is not found in an accompanying story.

Page 4: Editorial leadership 2012 part 2

Writing and editing •  The headline varieties are

acceptable: sentence-style headlines with a subject, verb and object or receiver of the action; feature-style headlines with any reasonable phrase, question or words that are clever or playful. Serious stories may require a traditional sentence-style headline. The verb in a sentence-style headline is usually in present or future tense; passive voice is acceptable.

Page 5: Editorial leadership 2012 part 2
Page 6: Editorial leadership 2012 part 2

28 the communicator feature story

what’s the dam issue?

katie o’brien

Oxygen: Rivers are less

oxygenated with a dam in

their way, and since oxy-

gen supports animal life,

the more oxygen there is,

the more animals there

are.

Loss of Recreational

Center: If the dam is

removed Argo Pond will

become a small stream.

The rowing crews would

lose their practice area and

residents would lose the

Argo Canoe livery.

Erosion: The opening

and closing of the dam’s

gates sends abrupt rushes

of water downstream,

increasing the erosion of

riverbanks and destroying

fish nests.

Toxic Contamination:

Toxic chemicals from a coal

gasification plant are now

buried where the river used

to flow. If the dam goes,

the river will resume its old

course and contaminate

Ann Arbor’s waters.

PHOTOS tanner depriest ILLUSTRATIONS kayla stoler

feature story the communicator 29

“I think that the Argo Dam should

stay...the recreational benefits war-

rant keeping the dam regardless of

the fact that there is nothing wrong

with it. I grew up playing in and

around Argo Pond... it was here

before Ann Arbor was here and be-

fore Michigan was a state.”

tom kraftHURON CREW HEAD COACH

Water Temperature: Wa-

ter temperatures are higher

with the dam in the way

than without it. Water tem-peratures affect the type of animals that can live in the river.

Sediments: Sediments and

nutrients could flow more

freely through the river with-

out the dam. However, this

could be negative, because

some sediments are harmful

to the health of the river.

Hydroelectricity: City

Council passed a plan for

the dams which includes

a resolution to have Argo

produce hydroelctricity. If it

stays Ann Arbor could run

on more clean energy.

Fish: Fish and mussels

could maneuver and

migrate much more easily

without the dam.

Page 7: Editorial leadership 2012 part 2

Photo, art and graphics

Page 8: Editorial leadership 2012 part 2

A variety of photos—action candids, mugs, groups, objects—is published if relevant. Overuse of mugs or groups is discouraged. There is evidence of on-the-spot photo coverage of news and sports events.

Page 9: Editorial leadership 2012 part 2

Photo, art and graphics •  Photos are cropped to

emphasize the center of interest in each one.

•  Photo content is newsworthy, significant or unusual.

•  Photos have the proper contrast, and are neither too dark nor too light.

•  Color photos are reproduced with accurate color values.

Page 10: Editorial leadership 2012 part 2

Express, Blue Valley Northwest HS

Page 11: Editorial leadership 2012 part 2

Photo, art and graphics •  Photos are free of

scratches, dust, lint, water spots or other technical flaws.

•  The center of interest in each photo is focused.

•  An information graphic includes illustrations or graphics to represent and visually interpret the accompanying facts and figures.

Page 12: Editorial leadership 2012 part 2

Photo, art and graphics

Page 13: Editorial leadership 2012 part 2
Page 14: Editorial leadership 2012 part 2
Page 15: Editorial leadership 2012 part 2

Photo, art and graphics •  Editorial cartoons are simple with concise text to quickly convey

their message. •  Graphics—rules, dingbats, typographic devices—support but

don’t overwhelm and detract from editorial or pictorial content. Screens placed over copy are light enough to allow for easy reading.

•  Column headings are consistent in design, use the same typeface to support overall newspaper design continuity. Typeface family variations, such as weight and posture, are acceptable.

Page 16: Editorial leadership 2012 part 2

Photo, art and graphics •  Original story art is attractive, appropriate for the

content, and contributes to the reader’s comprehension of the story.

•  Clip art is appropriate for the age of the readers and matches current styles unless otherwise desired.

•  Images taken from websites are properly credited as such.

Page 17: Editorial leadership 2012 part 2

Layout and design •  Ads should be

placed on inside pages, building in modular blocks from the lower corners upward.

•  Generally, a photo or art should not separate a story from its headline.

Page 18: Editorial leadership 2012 part 2
Page 19: Editorial leadership 2012 part 2

Layout and design •  Modular or mostly

modular page makeup is used throughout the publication. Modular is characterized by rectangular shapes—horizontal and vertical—and some squares. All elements are four-sided.

Page 20: Editorial leadership 2012 part 2

Layout and design

•  Elements—text, headlines, photos, graphics, art—are balanced informally to avoid a page that is off-balanced. Photos, rules, headlines, screens, and art carry heavy or black weight. Text is gray weight or medium. Blank space, such as column gutters, is white space or weight. Sometimes the placement of the lead and second story on a newspapers page creates a top-heavy look. That may be unavoidable.

Page 21: Editorial leadership 2012 part 2

Layout and design •  Ads should be

placed on inside pages, building in modular blocks from the lower corners upward.

•  Generally, a photo or art should not separate a story from its headline, but look ...

Marshfield Times, Marshfield HS (Ore.)

Page 22: Editorial leadership 2012 part 2

Layout and design •  Facing pages inside a

newspaper or newsmagazine should be designed as one unit for overall balance even though the content may not be related.

Page 23: Editorial leadership 2012 part 2
Page 24: Editorial leadership 2012 part 2

Layout and design •  A page one with a photo

or art as its only element such as in a newsmagazine, needs an accompanying headline, caption, and a reference to where the related story is printed inside if there is and accompanying story.

Page 25: Editorial leadership 2012 part 2

•  Opinion pages may vary in design from the other pages to signal the shift from objective reporting on the news-feature-sports pages subjective writing on the opinion pages.

Page 26: Editorial leadership 2012 part 2
Page 27: Editorial leadership 2012 part 2

•  Photo essays can be handled as posters or as full page or spread collection. Generally, photos of various sizes, with one clearly the focal point because of its dominant size, are grouped with consistent margin space among them. A headline, some text, and captions complement the photos.

Page 28: Editorial leadership 2012 part 2

Layout and design •  A serif typeface for text

is preferred by readers according to various reader studies. Text is often set in either nine- or 10-point type, with one or two points leading between lines. Captions are often set in either a size one point larger than text or in a contrasting bold or medium face.

Page 29: Editorial leadership 2012 part 2

Layout and design •  Original, student-produced

ads include a simple and direct selling message relevant to the readers, a visual such as a photo or artwork, and a complete advertiser name, address, phone and hours of operation.

Page 30: Editorial leadership 2012 part 2

Spartana, Homestead HS Epic, Lynbrook HS

Page 31: Editorial leadership 2012 part 2

Lion’s Tale, Oviedo HS

Page 32: Editorial leadership 2012 part 2

Editorial Leadership Staff expresses concern for the welfare of the school, students,

community (outside school), faculty and staff through their thoughtful and constructive

commentary in editorials and opinion columns, making

recommendations for improvement when applicable.

Page 33: Editorial leadership 2012 part 2

• Staff expresses appreciation for extraordinary accomplishments by students, faculty, staff and community members in its editorials. • Page one generally contains material that is the most significant and worthwhile of all content within the publication. • Effort to thoughtfully cover issues relevant to minority or underrepresented individuals and groups is apparent. • Students use accepted journalistic forms and style. Any deviation is made because it is appropriate and valuable to readers. • Students follow ethical practices, accept professional standards, and adhere to press and copyright laws in all aspects of their work.