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“Art is not what you see, but what you make others see” - Edgar Degas
Sara Salip, illustrator
ELEMENTS OF ART IN MOTION Unit Plan
Raquel Feliu i Ayala & Sara Salip i Vilanova TEACHER’S GUIDE
February 2018
“Art is not what you see, but what you make others see” - Edgar Degas
Table of contents
1 Introduction to the unit
2 Learning-teaching objectives
3 Content obligatory language
4 Evaluation
5 Resources & Materials
6 Preparation
7 Session by session
“Art is not what you see, but what you make others see” - Edgar Degas
PROJECT WORK: Developing a fashion collection
1 Student’s roles
2 Calendar
3 Materials & Resources
4 Start the engines!
5 Brainstorming
6 Terms to agree on terms
7 Ready to work individually
8 Final outfits
9 Oral presentation
10 Assessment & Self-assessment
11 Clothes samples
“Art is not what you see, but what you make others see” - Edgar Degas
1 INTRODUCTION TO THE UNIT
This unit is mainly about light and colour, but it is based upon a fashion collection project.
It begins by looking at prior knowledge related to shape, form, texture and line learners
studied in previous units. The next section includes task-based activities aimed at understand
the colour theory (colour wheel, colour combinations, additive and subtractive colours) and
explore the colour symbolism.
The unit then goes on to work on a major project. Project work offers a bridge to independent
learning for students. They will put into practise what they’ve learnt in the first sessions of the
unit by becoming fashion designers. First individually, and then in groups, they are going to
create a fashion collection based on a storyboard they must agree on.
2 LEARNING-TEACHING OBJECTIVES
TOPIC: ELEMENTS OF ART (Colour)
Course: 1st ESO (Year 8 UK/Grade 7 US) Timing: 11 sessions UNIT: Elements of art in motion
Previous units: lines, shapes, forms and textures
OBJECTIVE: Within this lesson, students will role play the job of a fashion designer by developing and designing their own clothing collection
Grouping: Individual & In pairs & In plenary & Groups of 4
CONTENT
List and explain 5 Elements of Art -line, texture, shape, form and colour- and apply them to their work
Discover how to use the Colour Wheel
Learn the basic rules of colour relationships, tints, and shades
Develop a basic understanding of how colour is perceived by the eye
TITLE: Elements of art in motion
TOPIC: Colour, light, shapes, fashion design
AUTHOR: Raquel Feliu Ayala & Sara Salip Vilanova
EDITED: February 2018
SUBJECTS: English, Art, Social science, and tutorship
LEVEL: 1st CSE (12-13 years) Lower Secondary Education
TIMING: 10-11 sessions
GROUPING: Individual & in plenary
“Art is not what you see, but what you make others see” - Edgar Degas
Distinguish between additive and subtractive colour schemes to effectively manage colours
Understand the different symbolic and cultural meanings of colours
Demonstrate drawing skills required for fashion design
Use English as a vehicular language as much as possible and develop a positive attitude towards learning Art in a foreign language
Write and organize simple paragraphs using English
Grasp the main meaning of texts (videos, descriptions)
Ask and answer, in simple English, questions and statements related to fashion
Review clothes, fabrics, patterns and accessorize in English
COGNITION
Methodological approaches: cooperative project & PBL project
● Activate students prior knowledge on contents they have learnt in previous units through an
online quiz (Kahoot)
● Look at the colour and how it affects the world they live by colouring colour wheels (additive and
subtractive colours)
● Review combinations and relationships between colours by colouring colour schemes
● Reflect on the colour symbolism and meaning in our own culture and others across the world
● Be introduced to top fashion trends from 1915 to today
● Design an outfit as a part of a fashion collection
● Defend their clothing line by preparing an oral presentation to their peers
CULTURE
-Awareness of the spectrum of colour symbolism
-Interest in discovering the history of fashion from 1915 to today through a video
FURTHER LEARNING:
1. How would you describe colours to a blind person?
https://www.youtube.com/watch?v=59YN8_lg6-U
2. Discussion of whether, by and large, top models are extremely thin
“Art is not what you see, but what you make others see” - Edgar Degas
3 CONTENT OBLIGATORY LANGUAGE
COMMUNICATION
LANGUAGE OF LEARNING
LANGUAGE FOR LEARNING
LANGUAGE THROUGH LEARNING
-Colour wheel
-Warm and cold colours
-Primary, secondary and tertiary
colours
-Hues, tints, shades and tones
-Monochromatic, polychromatic
and achromatic
-Colour harmonies and schemes:
complimentary and analogues
colours
-Colours of light vs. colour
pigment
-Specific colour names:
flamingo, peach, watermelon,
fuchsia, ginger, cantaloupe, etc.
ENGLISH CONTRIBUTION
-Clothes vocabulary: outfit, vest,
suspenders, overalls, tuxedo,
earrings, hat, etc.
-Clothes patterns: checked,
flowered, patterned, spotted,
striped
- Clothing materials: wool, silk,
leather, cotton, denim,
-Fashion adjectives: casual,
classic, formal, chic, glamorous,
feminine
How to describe the elements of
art in clothes
- We present a
womenswear/menswear
collection for summer/winter
2018
-The patterns/lines/shapes are…,
-It consists of…,
-It is composed by…,
-It looks…,
-It tends to…
-Our collection is inspired by/is
based on…
ENGLISH CONTRIBUTION
-Comparative and superlative
-Present simple
- Present continuous
- To have /to be
-We agree on… because…
-We did not agree on…
-We concluded that…/In
conclusion...
4 EVALUATION
Initiative evaluation includes group cohesion and trust-building activities, identification of
previous knowledge and familiarization with clothing and fashion terms.
Summative assessment includes the staging of the project work, either individual or group.
Formative assessment is present in each step of the unit plan.
Each stage of the project is evaluated by both the teacher and the students.
“Art is not what you see, but what you make others see” - Edgar Degas
ASSESSMENT
-Demonstrate an understanding of representing action/movement.
-Use a variety of colours, patterns and textures to create an exciting and cohesive clothing line
-Include appropriate accessories and jewellery
-Create a digital presentation to defend the collection
-Group involvement and behaviour
-Apply the theory lessons into the designs
30% Work habits & Behaviour
20% Project file
30% Individual Illustrations/sketches
20% Fashion collection presentation
(See Section 10: Assessment & Self assessment for further details)
5 RESOURCES & MATERIALS
MATERIALS & RESOURCES
-Warm-up Kahoot quiz to activate prior knowledge: https://play.kahoot.it/#/k/546740d2-2618-461e-
bbe3-a1dda099fd4f
- Fashion show video: https://www.youtube.com/watch?v=JZrHsEoQgxk
https://www.youtube.com/watch?v=E8tfyzsMTCw
-Videos to explain the colour theory:
The painter’s colour wheel with clones! https://www.youtube.com/watch?v=LO30zFqpj-c
The effect of colour PBS Digital Studios https://www.youtube.com/watch?v=nX0DHd5QNS8
-Worksheet 1 to review the theory of colour (answer key)
-Worksheet 2 to go through the colours of light and pigments (answer key)
-Worksheet 3 on colour symbolism (answer key): What do colours symbolize?
-Video + worksheet (answer key) https://www.youtube.com/watch?v=M4z90wlwYs8 to discuss about
women’s clothes through the last 100 years. Extra video:
https://www.youtube.com/watch?v=DaSkMWVlFUU (men’s clothes)
-Project file for students including rubrics
-Colour play (poster) https://agirlandherbrush.wordpress.com/2014/05/01/color-play/
-Picture dictionary for kids- Describing clothing
http://kidspicturedictionary.com/english-through-pictures/things-english-through-pictures/describing-
clothing/
-Clothes and mannequins samples from Internet
“Art is not what you see, but what you make others see” - Edgar Degas
6 PREPARATION
Classroom can be decorated with posters showing colour palettes, clothing vocabulary,
Elements of Art and fashion collections from magazines.
NOTE:
Students should have prior knowledge and basic understanding of the following
Elements of Art: shape, form, texture and line. After completing this unit, students
should go on to learn about value and space.
Although this is a CLIL project, teachers should not hesitate to mix learner’s mother
tongue and English for theory lessons and instructional purposes.
7 SESSION BY SESSION
SESSION 1:
Task 1: Warm-up your brain
TIME: 15 minutes
MAIN GOALS IN THIS SESSION
● to refresh what learners know about elements of art, line, shape, form and texture
● to introduce students to a new element of art: colour ● to connect prior knowledge to new knowledge ● to motivate the students and arouse their interest ● introduce new content on colour and help them make meaningful connections
RESOURCES & MATERIALS: Internet access, OHP & Kahoot quiz link
https://play.kahoot.it/#/k/546740d2-2618-461e-bbe3-a1dda099fd4f
INSTRUCTIONS FOR THE TEACHER: The teacher introduces the unit and uses a
Kahoot quiz to review what students know and remember about the elements of art
they learnt in previous units. A new element of art is introduced: colour.
Copy this playable link
https://play.kahoot.it/#/k/546740d2-2618-461e-bbe3-a1dda099fd4f on your engine
searcher and do the quiz with your students, taking turns to answer the questions. If
necessary, remind them the main characteristics of the elements of art.
You can use this quiz as an indirect measure to assess your students’ prior knowledge and skills.
“Art is not what you see, but what you make others see” - Edgar Degas
Q Questions Answers
Pre
vio
us u
nit-
revie
w
Q1 What are the elements of art? Line, shape, form, colour, value, texture and
space
Q2 What kind of line will we draw to express
aggression and anxiety?
Angled or angular lines
Q3 How can we describe what shape is? It’s a 2-dimensional area enclosed by line
Q4 Why are road signs bigger on motorways than on
city streets?
Drivers drive faster and need to see the
signs ahead of time
Q5 How can we give a sense of volume in a drawing? Using the technique of the chiaroscuro
Q6 What body senses are used in the perception of
texture?
Touch and sight
Q7 What adjectives can we use to describe texture? Smooth, rough, bumpy, hard
New
U
nit-
new
know
ledge
Q8 What is the reason why the ink colours in the printers
are cyan, magenta, yellow and black?
They are the primary pigments in the colour
wheel
Q9 What did Isaac Newton discover in reference of
light and colour?
White light was made up of 7 different
coloured rays
Q10 What is a tint? When a colour is made lighter by mixing it
with white
Task 2: The colour wheel (theory class)
TIME: 45 minutes
MAIN GOALS IN THIS SESSION
● to introduce the theory of colour and colour combinations ● to understand the layout of the colour wheel ● to explore the primary, the secondary and the tertiary colours ● to learn colour mixing ● to show understanding by filling their own colour boxes ● to learn vocabulary related to colour relationships (cool, warm, monochromatic,
polychromatic, achromatic, hue, colour discord and colour harmony)
RESOURCES & MATERIALS: Internet access & worksheet 1 & coloured pencils
INSTRUCTIONS FOR THE TEACHER: The teacher explains that the colour wheel or
colour circle is the basic tool for combining colours. The first colour diagram was
designed by Sir Isaac Newton in 1666. Focus attention on the colour wheel and explain
the vocabulary terms through the model. Point out how colours gradually change as
eye moves around the wheel. Talk about colours that mix together to create a new
colour. After it, explain the colour combinations (warm and cool colours, schemes and
scales). Allow the students colour the boxes in worksheet 1 and finally check answers
with the whole class.
The video below can support the teacher’s explanations and get all students engaged
in the new unit.
The painter’s color wheel with clones!
https://www.youtube.com/watch?v=LO30zFqpj-c
“Art is not what you see, but what you make others see” - Edgar Degas
THE COLOUR WHEEL (W1 Answer key)
COLOUR COMBINATIONS AND
RELATIONSHIPS
Pic courtesy of: www.mmprint.com
1 COLOUR TEMPERATURE
Cool colours: the hues (another word for colour) on the green/blue/ violet side of the
colour wheel.
They are related to cold.
Warm colours: the hues on the red/orange/yellow side of the colour wheel. They
evoke the feeling of warmth.
2 CHROMATIC SCHEMES
Harmonious Colour Scheme: Colours that are next to each other on the wheel.
We can see them in nature and they create serene and comfortable designs.
Discord Colour scheme: colours that are separated on the wheel. They are good for
creating drama and getting attention.
3 COLOUR SCALES
Monochromatic scale: shades and tints (tonalitat) of just one colour
Polychromatic scale: shades and tints of more than one colour
Achromatic scale: free from colour (white, black and grey)
“Art is not what you see, but what you make others see” - Edgar Degas
SESSION 2:
Task 1:Additive and subtractive colour mixing (theory class)
TIME: 40 minutes
MAIN GOALS:
● to reflect on the relationship between light and colour ● to introduce subtractive and additive colour systems ● to understand why there are different sets of primary colours and the functions
of each set ● to realize the power of colour as a design principle
RESOURCES & MATERIALS: Worksheet 2 & coloured pencils
Further information for teachers:
https://www.sciencelearn.org.nz/resources/47-colours-of-light
https://www.bbc.co.uk/education/guides/zq7thyc/revision/6
INSTRUCTIONS FOR THE TEACHER: The teacher encourages students to answer
the question “why everything we see has a colour”. Then he/she asks learners to focus
on the small images at the top and explains that light is the origin of all colour. Point out
the differences between colour of light and colour of pigment. Allow plenty of time for
students to complete worksheet 2, and colour the circles. Check answers.
“Art is not what you see, but what you make others see” - Edgar Degas
Why everything we see has a colour? (W2 Answer key)
We perceive light as it is white or colourless but actually light is a mixture of all colours of the spectrum. We can say colour
originates in light.
When light hits an object, depending on the object’s colour, its surface absorbs some of the light (wavelengths, ones de longitud) and reflects the rest of it.
The wavelengths of reflected light determine what colour you see.
“Art is not what you see, but what you make others see” - Edgar Degas
Task 2: Symbolism of colour: using colour for meaning
TIME: 15 minutes
MAIN GOALS:
● To use the Internet to research information ● To select information from different webpages ● To appreciate the peculiarities and differences between the foreign cultures and
their own in relation to colour ● To develop critical and reflective thought ● To describe and discuss other areas that colour affects our lives (moods,
fashion, personal products, automobiles, etc.) ● To work cooperatively ● to respect each other’s opinions ● to raise hand to speak and wait to be called on ● to exchange information and generate open discussion around colour meanings
RESOURCES & MATERIALS: Internet access & PC/laptops & worksheet 3 & coloured
pencils & blackboard
Further information for teachers:
http://www.incredibleart.org/lessons/middle/color2.htm
https://www.huffingtonpost.com/smartertravel/what-colors-mean-in-other_b_9078674.html
INSTRUCTIONS FOR THE TEACHER: Organize students in pairs to complete
worksheet 3 by finding out as much information as they can on colour symbolism on
the Net. Offer your students useful websites to begin their researches.
When they are working, go round, offering help and encouragement. If you are short of
time you can ask your students to finish the task at home.
Encourage students to report back on their findings on colour meanings. Answers will
vary and teacher should write down responses on board in the form of a brainstorming
web. Check answers to make sure that everyone has completed the table. Explain to
students that one aspect of fashion design that can have far-reaching and sometimes
unintentional effects on consumers is colour.
“Art is not what you see, but what you make others see” - Edgar Degas
WHAT DO COLOURS SYMBOLIZE? (W3 Answer key)
Colour symbolizes different things to various cultures and
countries. For us, black is associated with death and mourning. On the opposite, in other
Eastern cultures white is related to death.
Pair-up and get ready to surf the Net to discover what each colour represents and symbolizes.
COLOUR
MEANINGS
Nature, environment, healthy, good luck, spring, renewal, youth, generosity,
fertility, inexperience, misfortune, vigour, envy.
Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant,
demanding of attention.
Joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine,
summer, gold, philosophy, jealousy, dishonesty, illness, hazard, friendship.
Excitement, energy, passion, love, desire, speed, power, heat, aggression,
danger, fire, blood, war, violence.
In Japan, it symbolizes happiness.
Peace, tranquility, cold, calm, stability, harmony, trust, truth, unity, confidence,
security, cleanliness, order, loyalty, sky, water, technology, depression.
Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil,
unhappiness, depth, style, sadness, remorse, anger, anonymity, underground,
death in Western cultures.
Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision,
innocence, youth, winter, snow, good, marriage (in Western cultures), death (in
Eastern cultures), cold, clinical.
Visit http://www.incredibleart.org/lessons/middle/color2.htm and
https://www.huffingtonpost.com/smartertravel/what-colors-mean-in-other_b_9078674.html to know
more about colour symbolism and culture.
“Art is not what you see, but what you make others see” - Edgar Degas
PROJECT TIME: Developing a fashion collection
After some theory lessons on colour, students are ready to become fashion designers
in search of a new collection. They will have to demonstrate their knowledge on
elements on art in their designs, as when launching a new line, designers need to
consider the storyboard, colour scheme (monochromatic, polychromatic,
complimentary colours, cool, warm, etc.), texture, line and patterns, and form.
Students will also show their artistic skills and creativity in designing outfits that fit their
preferences with the whole team collection.
SESSION 3: BECOMING FAMILIAR WITH THE PROJECT
Task 1: Getting ready
TIME: 55 min.
MAIN GOALS IN THIS SESSION
● To create a welcoming, pleasant atmosphere in the class and to develop a relationship of trust and confidence
● To make students aware of the importance of their role in the project, thus involving them in the tasks
● To get students involved in the Art class and to start developing a positive attitude towards learning contents in English
RESOURCES & MATERIALS: the project file
INSTRUCTIONS FOR THE TEACHER: Give one project file to each student. Before
starting on the project tasks, the teacher spends some time looking at the project
organization and pointing out specific elements of the project file to enable learners to
find their way around on their own.
Devote some time reading the first part of the project: introduction, students’ roles,
calendar and material & resources. Introduce the project objectives, present the
activities and explain how they will be assessed.
Don’t forget to focus their attention on the orange key words. The boxes throughout the
project provide translations and useful expressions in English to help them when
carrying out tasks.
Make sure they all understand the project steps and use their mother tongue to check
whether they have understood what the final product is about.
Teacher can let learners organize the groups of 4 as they wish and pick their roles in
the project, but the groups should be balanced so that there is a strong student in each
group. They will fill in the project cover page and the chart 1 on student’s roles and
responsibilities. Let them plenty of time to discuss their roles.
The calendar can be completed as the groups move forward with the project, but the
teacher may want to set some deadlines for each task beforehand. The available time
can be negotiated but students must bear in mind that they will need to work together
outside of class to meet their deadlines.
“Art is not what you see, but what you make others see” - Edgar Degas
Developing a fashion collection
Group members:
Course and group:
FASHION COLLECTION THEME:
FASHION COLLECTION NAME:
(Decide the name after completing the outfits. Try to find an original name that reflects the essence of your clothing line)
Found on http://www.jlarkowskyillustration.com/illustration
“Art is not what you see, but what you make others see” - Edgar Degas
INTRODUCTION
In this project, you are going to be a fashion designer. In
groups of four, you will design a fashion collection based
on a specific theme. You have to agree on how the outfits
will be. Then, each student will draw one outfit for the
collection. You can use colours, fabrics, materials or
magazines scraps. Once you have the four outfits you will
prepare an oral defence of your clothing collection.
The project is divided into 11 sections, and some sections
include common phrases and expressions plus glossary
boxes to use when completing the project file.
1 STUDENTS’ ROLES
Here you will pick your roles for the project. Choose the roles according to your competences
and write them down.
2 CALENDAR
Don’t forget to describe your work habits: expectations, performance and homework schedule
on each session.
3 MATERIALS & RESOURCES
What type of materials and equipment will you need to complete your fashion collection
project? Make sure you have got all the materials before starting it!
4 START THE ENGINES!
Do you need to review clothing vocabulary and adjectives? Here's a quick video for uncovering
clothes vocabulary and learning on fashion trends through history.
Now don’t lose any detail because we are going to enjoy a real fashion show. Pay attention to
the background music, makeup and hairstyle, accessories and jewellery, to name but a few.
This activity will make you think, reflect and relate. Remember to take note of what you have
learnt to design your first collection!
5 BRAINSTORMING!
In this section, your team has to discuss and agree on colours, textures, lines and shapes for
your outfits. As a designing team you have to create the collection around the same theme.
Bring magazines, Internet images, fabrics and different materials to work in class.
Sketches by Brooke Hagel
“Art is not what you see, but what you make others see” - Edgar Degas
6 TIME TO AGREE ON TERMS
It is time to discuss and agree on the main features of the collection. What colour
scheme/palette will you use? What kind of fabrics will you choose? Are zig-zag lines or straight
shapes better for your collection?
7 READY TO WORK INDIVIDUALLY?
In this section, you will draw your ideas. It is a first sketch but don’t forget to include
accessories and jewellery, makeup and hair styles to complete an original outfit.
The outfit should include the common features (shapes, lines, texture, colours, forms) you
agreed with your team, because it is a fashion collection not an individual outfit.
8 FINAL OUTFITS
The fashion show is coming soon. Here you will express your ideas creating the last version of
the outfit following the requirements you agreed on. Develop a different and original outfit for
the team’s collection!
9 ORAL PRESENTATION
Prepare an oral presentation introducing your fashion collection to your peers. You can use
music, a background image and some guide notes to help you with the presentation.
10 ASSESSMENT & SELFASSESSMENT
This section includes the assessment criteria and grading percentage for the project tasks. The
total project grade will be based on your behaviour and work habits (30%), the performance in
the project file and your illustrations (40%) and the oral presentation of the fashion collection
(30%). You will use a chart to assess your behaviour and work progress to discover what you
are good at and where there is room for improvement.
11 CLOTHES SAMPLES (Page 11)
You can use this section to help you with your clothes illustrations
if you are running out of ideas.
GLOSSARY BOX
Theme: tema Agree on: posar-se d’acord Fabrics: teixits Magazine scraps: retalls de revistes Project file: dossier del projecte Role: funció Fashion show: desfilada de moda Features: característiques Sketch: esbós Makeup: maquillatge Background: de fons Run out of: quedar-se sense
“Art is not what you see, but what you make others see” - Edgar Degas
1 STUDENT ROLES & RESPONSABILITIES
WHO?
Recorder/Secretary: ● Fill in the calendar at the beginning and at the end of the lesson ● Take notes, draw and write in the project file ● Take care and keep the project file in his/her folder
Spokesperson
● Ask questions to the teacher, seek help and solve doubts –raising his/her hand
Summarizer/ encourager
● Read and get discussion moving often by asking the other group members questions
● Make sure that the group stays on track
● Provide a summary of the discussion for other students to approve or amend
Facilitator/mediator
● Register attitude and behaviour comments on the group members and their owns at the end of each lesson (see section 10)
2 CALENDAR
Date
What did we want to do?
Did we do what we
wanted? (Draw a tick or a cross)
Homework due to next
day & responsible
E.g April, 15th
We wanted to decide the students’ roles and start the brainstorming.
Bring magazines
USEFUL EXPRESSIONS TO ANSWER “What did we want to do?” We wanted to start/finish section number x/page number We wanted to draw… We wanted to complete… We wanted to find… We wanted to surf the Internet to…
“Art is not what you see, but what you make others see” - Edgar Degas
3 MATERIALS & RESOURCES
Below you will find the materials needed for the project.
The project file (one for each student)
Theory lesson sheets
Bilingual dictionaries
Your sketchbook
PC/laptops/tablets/mobile phones
Art supplies: colored crayons, pencils, felt tips, a glue stick, scissors, ruler
Magazines, fabrics, colored papers, etc.
Embellishments: buttons, sequins, pompons, etc.
4 START THE ENGINES!
SESSION 4:
Task 1: 100 years of women’s fashion
TIME: 35 min.
MAIN GOALS IN THIS SESSION
● to comment on women’s clothes through the last 100 years ● to review clothes vocabulary ● to grasp the main meaning of clothing descriptions ● To practise pronunciation and intonation when reading ● To motive students through interesting videos
RESOURCES & MATERIALS: Internet access & worksheet
“Art is not what you see, but what you make others see” - Edgar Degas
INSTRUCTIONS FOR THE TEACHER: Hand out one copy of the worksheet to each
student in the class. Read the instructions and fill in the glossary box with the whole
class. Tell them they get ready for a trip down fashion’s memory lane. Play the 2
minutes video https://www.youtube.com/watch?v=M4z90wlwYs8 in which top style
trends, from 1915 to today are highlighted.
Elicit students’ reactions and check the answers as a class. You may be interested in
watching 100 years of men’s style from 1945 to now at the following link:
https://www.youtube.com/watch?v=DaSkMWVlFUU
“Art is not what you see, but what you make others see” - Edgar Degas
100 YEARS OF WOMEN’S FASHION (Answer key)
1. Watch the video and match the fashion trends with the corresponding years:
DESCRIPTION ANSWER YEAR
A Fashion was glamorous. Women wore dresses with floral patterns. Makeup was chic and shoulder pads were important. They kept their hair close to their head.
C 1915
B Bright colours and a lot of hair spray were essential. The look was modern.
G 1920
C During the World War I there was a trend of simplicity, convenience and freedom in women’s dress. Plain clothes, no color, no decoration, no frills (volants)
A 1935
D Fashion was influenced by Asian designs. Tunics were very popular. Dresses were not too long, but not too short. Pearl collars were “a must”
F 1945
E A fashion revolution occurred in this year. Polyester was the material of choice and bright colors were everywhere. Men and women wore tight fitting pants and platform shoes. Later, most women wore high boots and low cut trousers.
D 1955
F Women always wore gloves, dresses and skirts. Fur and animal skins were very popular: wallet, suitcases, purses, collars...
I 1965
G After the First World War women’s fashion changed enormously. Dresses got shorter and the curves were replaces by straight dresses with no curves at all. Women smoke cigarettes and danced the Charleston
E 1975
H Women were less interested in provocative clothing. They wore flowery dresses, headbands and short and tight necklaces
B 1985
I The coloured suit was very fashionable. Collars and cuffs were very important and buttons were also accentuated.
H 1995
GLOSSARY BOX
Makeup: maquillatge
Shoulder pad: musclera
Convenience: comoditat
Frill: volant
To be “a must”: ser indispensable
Fur: pèl
Collar: coll d’una peça de roba
Cuff: puny de la camisa/jaqueta
“Art is not what you see, but what you make others see” - Edgar Degas
Task 2: Finding the inspiration
TIME: 20 min.
MAIN GOALS IN THIS SESSION
● To become involved in fashion design ● To see the importance of a coherent storyline in a fashion collection ● To use authentic material (a real fashion show) ● To become familiar with the topic ● To develop learners’ capacity for observation
RESOURCES & MATERIALS: the project file +
https://www.youtube.com/watch?v=JZrHsEoQgxk
INSTRUCTIONS FOR THE TEACHER: Prepare the students for the next class by
awakening their curiosity about fashion with a fashion show video. This task aims at
helping students identify what they have to take into account when designing a fashion
collection. Check answers in open class.
2. ANSWER KEY: Watch Alberta Ferretti fashion show and answer the
questions: https://www.youtube.com/watch?v=JZrHsEoQgxk. Look at
the details of the collection to find inspiration for your collection and get
ideas for your outfits.
1) What season does this clothing line show outfits for?
a) Spring-Summer
b) Winter
c) Autumn
2) What image can we see on the stage background screen?
a) Sandy Africa, Sahara
b) Rainforests
c) Savanna
3) How would you describe the background music from the first part
of the fashion show?
a) Vivid and joyful
b) Exotic and Arabian music
c) Techno and electronic music
Alberta Ferretti is an Italian fashion
designer and dressmaker
GLOSSARY BOX
Season: temporada
Joyful: alegre
Pearl: perla
Casual: informal
Bizarre: estrambòtic
Headwear: tocat del cabell
Lipstick: pintallavis
“Art is not what you see, but what you make others see” - Edgar Degas
4) What colour scheme/palette did the designer use?
a) cold colours: blue, turquoise, green
b) warm colours: beige, gold, yellow, orange, brown
c) Pink and red
5) What accessories are the top models wearing?
a) Big earing, belts, long necklaces
b) Hats, wide belts and rings
c) Pearl necklaces, umbrellas and bags
6) What cultural influences can we find in this collection?
a) Futuristic, sci-fi, cosmopolitan cities
b) Native, African, Greek
c) Japan and eastern cultures
7) How would you describe the collection?
a) Casual and sexy
b) Elegant and sophisticated
c) Seren
SESSION 5:
Task 1: Brainstorming!
TIME: 35 min.
MAIN GOALS IN THIS SESSION
● To cater for the different styles and fashion motivations of the students ● To use authentic materials, fabrics and embellishments in class ● To install the habit of putting knowledge into practise ● To make students responsible for their tasks ● To reflect on the difficulties and pleasures of the project work
RESOURCES & MATERIALS: the project file, fabrics, materials, magazine scraps,
embellishments (feathers, pompons, sequins, etc.), coloured pencils, scissors, a glue
stick, rulers.
INSTRUCTIONS FOR THE TEACHER: Individually, students complete section number
5 of the project file. Go through the instructions with the whole class.
Encourage them to add their own ideas and to let their imagination and creativity be
wild.
LET YOU BE CAPTIVATED BY A
SPECIAL FASHION COLLECTION:
Do you need ideas for your
collection? Enjoy the best
moments of Alexander Mcqueen,
with his bizarre ideas, strange
headwear, red lipstick and
exaggeration.
https://www.youtube.com/watch
?v=E8tfyzsMTCw
“Art is not what you see, but what you make others see” - Edgar Degas
5 BRAINSTORMING!
In order to agree on what characteristics your outfits must have, brainstorm and make a list of
ideas. Think about colours, images, shapes, textures, objects related to the theme of your
fashion collection.
Colour the rectangles with the colour palette related to the theme. Take into account the temperature, tones, shades, colour scheme, symbolism, etc. Check out the guide worksheets about colour completed in class.
Temperature: Tones, shades: Colour scheme: Symbolism:
Draw or find fabrics, materials, objects related to the theme of your collection. You can glue them below.
Draw the shapes related to the theme (vertical, horizontal, wavy, broken, curved, spiral, dotted, zig-zag, varied, organic and geometrical shapes, etc.)
“Art is not what you see, but what you make others see” - Edgar Degas
Draw or paste the clothes patterns you can use (a pattern is a repeated form or design used in textile fabrics). For example, striped, checked, plaid, polka dotted, flowered, plain, etc.)
Task 2: Time to agree on terms
TIME: 20 min.
MAIN GOALS IN THIS SESSION
● To review clothes vocabulary (colours, fabrics, accessorizes) ● To use useful expressions to assist them with the tasks ● To write and organize simple sentences in English ● To respect each other’s preferences in the selection of storylines, colours and
materials ● To cooperate and share work in groups ● To increase motivation towards learning English
RESOURCES & MATERIALS: laptops or PCs, bilingual dictionaries (Spanish-English)
INSTRUCTIONS FOR THE TEACHER: Students gather to share their ideas for the
fashion collection. They agree on the storyline, fabrics, colours, style, patterns, etc.
Each group writes the main features of the fashion outfits they are going to design to
develop a successful collection for a specific season and activity.
Teacher must be available to answer questions on language and to ensure that all the
members of the group give their opinions and are active.
“Art is not what you see, but what you make others see” - Edgar Degas
6 TIME TO AGREE ON TERMS
Now choose and agree on the common elements that you will use to make your fashion
collection coherent.
Write down at least 5 features that the fashion outfits will have in common. Select them from
the previous brainstorming list.
If you have problems with the clothes vocabulary, you can visit this picture dictionary
http://kidspicturedictionary.com/english-through-pictures/things-english-through-
pictures/describing-clothing/ to review clothes vocabulary.
1._______________________________________________________________
2. _______________________________________________________________
3. _______________________________________________________________
4. _______________________________________________________________
5. _______________________________________________________________
SESSION 6-7:
Task 1: Ready to work individually?
TIME: 110 min.
MAIN GOALS IN THIS SESSION
● To improve the ability to use materials, techniques and tools ● To develop increasing confidence in drawing ● To foster enjoyment and appreciation of the visual arts and a knowledge of
designers ● To apply the group’s decisions ● To work autonomously in class and at home ● To develop creativity and imagination
USEFUL EXPRESSIONS
One key characteristic is...
Our clothing collection tends to...
We chose x colours to communicate...
The textures of our outfits are...
Lines and patterns are...
Some adjectives to describe our collection are...
We use… because…
“Art is not what you see, but what you make others see” - Edgar Degas
RESOURCES & MATERIALS: the project file, fabrics, materials, magazine scraps,
embellishments (feathers, pompons, sequins, etc.), coloured pencils, scissors, a glue
stick, sketch paper.
INSTRUCTIONS FOR THE TEACHER: Individually, each student use the man
silhouettes to draw 4 different outfits taking into account the features and storyline the
group previously agreed on.
7 READY TO WORK INDIVIDUALLY?
First, cut along the lines carefully and use the man silhouette to draw your ideas individually.
You must apply the characteristics you previously agreed with the group (colour schemes,
theme, shapes, lines, textures and forms)
Use coloured pencils, felt tips, materials, magazines scraps, pieces of fabrics, photos and any
different techniques learnt in class, such as the frottage technique, to make texture more real.
The drawing must explain visually how you imagine the outfit.
Draw and colour it carefully.
You can label the outfit, add notes about the small details or make enlargements (larger
scale copies) of the buttons or the belt.
STEP BY STEP
1 Cut along the lines carefully and individually make lines around the model drawing a sketch
of your outfit
2 Add the basic outline of the dress
3 Draw the basic features of the face
4 Draw the hair as you like
5 Draw the details on the clothes and add more accessories if you like (gloves, necklaces, hats,
etc.).
6 Colour it.
7 Once your finish all the designs, glue the outfits on a sketch paper.
Let your imagination go wild.
GLOSSARY BOX
Apply: aplicar
Label: etiquetar
Enlargement: ampliació
Outline: contorn
“Art is not what you see, but what you make others see” - Edgar Degas
“Art is not what you see, but what you make others see” - Edgar Degas
SESSION 8:
Task 1: Final outfit
TIME: 55 min.
MAIN GOALS IN THIS SESSION
● To reflect on your teamwork opinions ● To develop confidence in making changes ● To improve drawing techniques ● To work individually ● To stimulates creativity and imagination
RESOURCES & MATERIALS: the project file, fabrics, materials, magazine scraps,
embellishments (feathers, pompons, sequins, etc.), coloured pencils, scissors, a glue
stick, sketch paper.
INSTRUCTIONS FOR THE TEACHER: Individually, each student draws the final outfit
making the necessary changes to adapt the outfit to the group collection.
Students can draw the model or trace a man/women silhouette on their sketchbook.
8 FINAL OUTFITS
Share your sketches with your group. Discuss the “pros and cons” and listen to your
team critical opinions. Are you really satisfied with the rough drawings of your fashion
design? The last step is to make the last changes in order that your group releases a
coherent collection. Get ready to draw the final outfit, the one a top model will wear
on a catwalk. If you don’t feel confident in drawing the model, you can go to the
window and trace the man or woman silhouettes on your sketchbook. Remember:
GLOSSARY BOX
Rough: borrador, primer esbós
Catwalk: passarel·la
Feel confident: sentir-se segur
Trace: calcar
You must center the drawing
Draw and colour it carefully.
It is the final version!Improve it!
“Art is not what you see, but what you make others see” - Edgar Degas
“Art is not what you see, but what you make others see” - Edgar Degas
“Art is not what you see, but what you make others see” - Edgar Degas
SESSION 9:
Task 1: Oral presentation plan
TIME: 55 min.
MAIN GOALS IN THIS SESSION
● To use visual and communicative strategies ● To organize an oral presentation ● To learn to share work with their classmates ● To display their artistic talents ● To make a personal commitment to the completion of the final product ● To get ready for the final task by rehearsing it ● To write simple paragraphs in English
RESOURCES & MATERIALS: PC, OHP, sketches
INSTRUCTIONS FOR THE TEACHER: This is the final task as well as the final group
assessment for the project work. Make sure learners are aware of this beforehand.
In groups, students devote this session to organize the oral presentation. They must
distribute the work within each group, so get them to fill in the grid with the tasks they
are personally responsible for. They need to decide what they are going to say and
who is going to say it. All members of the group should participate, so they must divide
up the work. Students will need to work together outside the class to finish the final
presentation.
9 ORAL PRESENTATION
It is time to present your fashion collection to your classmates. You have to accompany the
explanation/defense with a visual presentation with the following sections:
-Introduce your teamwork and comment your fashion collection’s name
-Present the collection theme and explain what the key words of your clothing line are. Talk
specifically about colours: Why did you choose these colours? What temperature? What is the
colour scheme? What do they symbolize?
-Talk about how you agree on the collection: Was it difficult? How did you do it? Did you have
problems to agree on everything?
-Show your collection and explain all the outfits (try to be original, choose some music
according to the storyline, some animations...)
-Comment what you have learnt through the project: What did you do well? What can you
improve? What mark do you deserve? Do you all deserve the same mark? Why?
Use this chart to prepare the oral presentation guide notes. Write down the group members
who will explain each section and choose the images
for the presentation.
GLOSSARY BOX
Deserve: Merèixer
“Art is not what you see, but what you make others see” - Edgar Degas
Image, slide, video Explanation Student who
speaks
Slide 1
Image:
We are going to present a womenswear/menswear
collection for summer/winter 2018 called… (name)
We are ... (students’ names)
Slide 2
Image:
The collection is based on... (theme). We chose it because...
Slide 3
Image:
First, we discussed on the main features of the collection.
They are:
-The color scheme is.... they symbolize...
-Textures:
-Shapes:
-Lines:
-Fabrics:
We agree on... but we didn’t agree on...
Slide 4
Image:
Now, we are going to explain each outfit.
The first model is wearing....
Slide 5
Image:
The second model is wearing...
Slide 6
Image:
The third model is wearing...
Slide 7
Image:
The fourth model is wearing...
Slide 8 Conclusions
Image:
In our opinion, our collection is...
We have learnt that...
We can improve...
We think that we deserve ... (mark) because...
Slide 9 Farewell
Image:
Thank you very much for your attention.
Do you have any question?
“Art is not what you see, but what you make others see” - Edgar Degas
SESSION 10-11:
Task 1: Oral presentation
TIME: it depends on the number of groups in class
MAIN GOALS IN THIS SESSION
● To learn to share work with their classmates ● To display their artistic talents ● To enjoy a fashion collection ● To become aware of the objectives achieved ● To provide feedback of the work done
RESOURCES & MATERIALS: PC, OHP, sketches
INSTRUCTIONS FOR THE TEACHER: If possible, try to arrange the presentation of
the collections in a large room. After the presentations, give students time to express
their feelings about how the work went, what the audience thought. They can use their
mother’s tongue if necessary.
Ask them to assess their performance and work by completing the assessment charts
in section 10.
10 ASSESSMENT & SELF ASSESSMENT
ART PROJECT RUBRIC Never Needs
to do
better
Almost
always
Always! Self Teacher
GROUP WORK HABITS AND BEHAVIOUR (30%)
● The group got on well and came to agreements. We listened while others were talking and worked cooperatively with others.
● Accepted responsibility for our roles
(secretary, spokesperson, summarizer and facilitator)
● We worked quietly, raised hand to
talk and stayed in seat
● We followed directions and used time wisely
● We distributed the tasks and worked
equally
“Art is not what you see, but what you make others see” - Edgar Degas
● We brought materials and kept them organized
● We helped each other in order to
get better results
PROJECT FILE (20%) ● No sections have been skipped
● Handwriting is neat
● There are no spelling mistakes
● The presentation is clear and easy-
to-understand
● We followed the project directions
ILLUSTRATIONS (30%) ● Drawings are clear and accurate
(centred on paper, good line, well-coloured)
● The final drawings keep the group’s
agreements
● We did our best and we tried to be creative and imaginative paying attention to details
ORAL PRESENTATION (20%) ● We planned the presentation in
advance following the guidelines we have
● Overall we did a good and an
effective presentation: look at the audience, speak loudly and clearly, use drawings, pictures and props, answer questions from the audience)
● We strongly believe all the group members deserve the same mark
“Art is not what you see, but what you make others see” - Edgar Degas
TEACHER’S GRID TO ASSESS THE PROCESS:
Students
Behaviour in class (Speak quietly, collaboration, good
contributions, facilitator, etc.)
Work done
- - - -
- - - -
- - - -
- - - -
- - - -
“Art is not what you see, but what you make others see” - Edgar Degas
11 CLOTHES SAMPLES AND SKETCHES
More sketches are available on Internet. Google “clothes sketches” to find more illustrations.