duchess of malfi

Upload: edy-alex

Post on 14-Oct-2015

9 views

Category:

Documents


0 download

DESCRIPTION

Analysis

TRANSCRIPT

Duchess = sanguine (full-blooded, robust, full of life) The title character of The Duchess of Malfi is strong, independent, and noble. The heart of the story is the relationship between the widowed Duchess and her steward, Antonio, whom she secretly marries, defying both social convention and the wishes of her brothers, the Cardinal and Ferdinand, her twin. One of Webster's chief contributions to the development of the tale was his characterization of the major figures, particularly the Duchess herself. The Duchess stands in contrast to her brothers, but she is not flawless. In her scenes with Antonio, she is unabashedly sexual. She is passionate and sometimes haughty, though she is also maternally tender, dignified, and pious. During her torture and death at the hands of Ferdinand and Bosola, she demonstrates a Christian attitude of forgiveness and confidence in her salvation.The ambiguity of her character is crystallized when she says as she dies, I am Duchess of Malfi still, a line capable of various interpretations.Major ThemesThemes central to The Duchess of Malfi include identity, sexuality, and power, which are all closely intertwined in the tragedy. The theme of identity is carried through the play in several ways. The twin relationship between Ferdinand and the Duchess makes the characters mirrors for each other; the frequent presence of mirrors as stage props makes the metaphor explicit. The Duchess also battles with the issue of conflicting public and private identities: her status as an aristocratic lady contests with her love for the lower-born Antonio, and the connection between birth and identity is an open question throughout the play. Her brothers press upon her the identity of the virtuous widow, one that she is unwilling to accept. When she says, I am Duchess of Malfi still, it is not clear whether she is affirming or lamenting this identity. The theme of sexuality is tied to identity, particularly in regards to Ferdinand and the Duchess; his apparent desire for her is a perversion of socially acceptable sexuality as well as a kind of narcissism