The role of intention in interpretation
Theory combined with empirical research on readingCecilia Therman, University of Helsinki
HERMES summer schoolPrague Jun 18th, 2015
Structure of the presentation
Intentions and understanding language / literature Intentions and writing Understanding of literary texts
Intentions and understanding language
Ludwig Wittgenstein: Philosophical Investigations §23
Understanding of language intertwined with understanding the activity in which language is used
Intentions are an integral part of understanding human activity, and language
Intentions in understanding literature
Claassen (2012): Readers will form an understanding of the author’s intentions whether they intend to or not
Asch (1952) Readers interpret the text differently depending on who they assume the speaker is (Lenin / Jefferson)
Gibbs (1991): Readers will work harder and find more interpretations if they assume a novel metaphor is written by a human in stead of a computer
Zunshine (2006): Reading involves using our Theory of Mind to interpret the characters
Intentions in writing
Searle (1983): Intention-in-action, e.g. driving to work
Flower (1988): empirical research of writers at work shows that intentions are a web of purposes, often not clearly articulated
Understanding of literary texts
Very few aspects of our understanding of a text are clearly articulated when we are finished with reading
Mainly our understanding is potential to form an opinion, if unprompted remains largely unarticulated Anderson & Pichert (1978): recall influenced by schema change even
after reading Zwaan & van Oostendorp (1993), Rapp & Kendeou (2007): spatial
representation not created, updating only partial Sanford & Emmott (2012): aspects of a text not processed in equal
detail Articulated understanding emerges in transaction with the text, the
reader, and the environment (cf. Rosenblatt)
Conclusion I
Intentions are an integral part of understanding literary texts Intentions during writing are intentions-in-action Ordinary reading results in an understanding that remains
largely as potential
Traditional literary interpretation which aims to give an explanation for every detail is a highly specialised practice
On a general level people agree with each other and the author, the more detailed the interpretation, the more likely it is to differ from articulated intentions or interpretations.
Conclusion II
Does not mean that tracing the author’s intentions is the only meaningful praxis for literary scholars
But interpretations become more interesting if they state clearly how they should be conceptualised vis-a-vis the author’s intentions
References
Anderson, R.,C., & Pichert, J.,W. (1978). Recall of previously unrecallable information following a shift in perspective. Journal of Verbal Learning and Verbal Behaviour, 17, 1-12.
Asch, S. (1952). Social psychology. New York: Prentice Hall.
Claassen, E. (2012). Author representations in literary reading. Amsterdam: John Benjamins.
Flower, L. (1988). The construction of purpose in writing and reading. College English, 50(5), 528-550.
Gibbs, R. W. (1991). Authorial intentions and metaphor comprehension. Journal of Psycholinguistic Research, 20(1), 11. Retrieved from
Rapp, D. N., & Kendeou, P. (2007). Revising what readers know: Updating text representations during narrative comprehension. Memory and Cognition, 35, 2019-2032.
Rosenblatt, L. M. (1978). The reader, the text, the poem: The transactional theory of the literary work. Carbondale: Southern Illinois University Press.
Sanford, A. J., & Emmott, C.. (2012). Mind, brain and narrative. Cambridge: Cambridge University Press.
Searle, J. R. (1983). Intentionality: An essay in the philosophy of mind. Cambridge: Cambridge University Press.
Wittgenstein, L. (1963). Philosophical investigations [Philosophische Untersuchungen] (G. E. M. Anscombe Trans.). (2nd reprint ed.). Oxford: Blackwell.
Zunshine, L. (2006). Why we read fiction: Theory of mind and the novel. Columbus: Ohio State University Press.
Zwaan, R. A., & van Oostendorp, U. (1993). Do readers construct spatial representations in naturalistic story comprehension? Discourse Processes, 16, 125-143.