THE GLEN COLLECTION OF SCOTTISH MUSIC

Presented by Lady DOROTHEA RUGGLES ■ Brise to

the National Library of Scotland, in memory of her

brother, Major Lord George Stewart Murray,

Black Watch, killed in action in France in 1914,

28th January 1927.

GXi-ZLS Cx OlATi

i Price 6f= EnT.StA.H ALL. ” " BOUND IN CLOTH 7/=

PUBLISHED BY D.M9PHEE,

BAGPIPE MAKER, 17, ROYAL ARCADE.

Glasgow. JUNE 1876. HOME A MACDONALD, ENGRAVERS A PRINTERS, EQIN?

-SjSWSAL UB8ij> V OF SCOTLAND M

CONTEINTS

Instructions I. II. III. IV. V. VI. Bruce’s Address A Man’s a Man for a’ that 1 We will take the high Road March.. .1 Slow March. (l794) 1 Rejected Suitor Reel...2 Macphedran’s Dream March...2 The Balmoral (Royal) Highlanders. March...3 The black Cocks of Berridale Reel...4 Donald Mackinnon’s Birthday .March...4 Marchioness of Tullibardine March...!! Reel 5 John Mackechnie’s big Reel 6 Caithness Reel 6 The Alma March.. .7 Caledonian Society of London. Strathspey...? Reel 7 Duntroon Reel... .8 Prince of Wales Reel 8 The Falls of Clyde 9 The Boy’s Lament for his Kite 9 Burning the Piper’s Hut 10 Health and Prosperity Slow March. .10 Mackenzie’s Farewell March. .11 Rocking Stone at Inverness. Strathspey.. .11 Charlie’s Welcome Reel...11 I’m o’er young to marryr yet March. .12 Chisholm Castle March. .12 The Boatie rows March..12 Monymusk Strathspey. .13 Lochgilphead Reel. .13 Macbeth’s Strathspey 13 Glengarry’s Dirk Reel..13 Speed the Plough Reel..14 Deil among the Tailors Reel. .14 Dewar’s Fancy. March..14 Balmoral Castle Strathspey.. .15 Cluny’s Reel 15 Sleepy Maggie Reel..15 March 15 The Monkland B asin Strathspey. .16 Robert Campbell Strathspey. .16 Struan Robertson Strathspey. .16 Miss Martin’s Wedding Day Reel. .17 Charlie’s Welcome Reel. .17 March 17

The Duchess of Edinburgh ..18 Th is is no my Plaid Slow March. .18 Lady Louden .Strathspey...19 Perth Hunt Strathspey...19 Perth Hunt Reel...19 Alone, I weary Slow March...19 Annie of Ballintyu-e Quickstep..20 W!1.1 Mackay’s Farewell to the 74t^ March. .20 Meggerny Castle March. ..21 Arcadia Cottage March..21 Aspin Bank Strathspey...21 MF? Macdougall March. .22 Miss Lyall Strathspey. .22 Sir Charles Forbes of Edinglassie March. .23 Captain Jack Murray Strathspey. .24 Captain Jack Murray Reel..24 MrH Campbell’s Favourite Strathspey. .24 The Ho stler’s Daughter Reel. .24 The Ewie wi’ the crooked Horn Strathspey. .25 The Shepherd’s Crook Strathspey. .25 Athol Cummers Strathspey. .26 Cameron ian R ant Reel. .26 Jack Tar. Hornpipe. .27 The Foot of Garnock March. .27 Prince Albert’s March 28 Jenny’s Bawbee March. .28 Jessie Brown of Lucknow March..29 The barren Rocks of Aden March. .29 The Edinburgh Volunteers March. .30 The auld Wife ayont the Fire Reel..30 Meg Merrilees .Country Dance. .31 Triumph Country^ Dance..31 Persian Dance,or Petronella Country Dance..31 Traigh Ghrunard .Quickstep. .32 The Nurse’s Song 32 Captain Murray. Quickstep. .32 Strathspey. 33 Francis Fraser. Reel. .33 Bridge of Foss.. Reel. .33 The 25t^> King’s Own Farewell to Aden. March...34 Lady Macdonald Strathspey. .34 Black Water Bridge Reel..34 Corn Rigs March..35 Lord Lovat’s Lament 35 Ower the Muir amang the Heather 35

36 The Flaggon Reel.

Reel Will you go to the Isle of Skye Reel... The Day we were at Arran March... Yankee Hornpipe... The W ;aver and the Tail or Reel... The Smith of Chilliehassie Reel... Colonel Macbean Reel... Charms of Whisky. Reel.. Seaforth Highlanders March... Rosehaugh House .March... Mathieson’s Farewell to America. Hornpipe... Cam’yre by Athole March... March Kessock Ferry. Strathspey... The Christmas Carousing Reel... Stumpie Strathspey... Reel Kippen House Strathspey... Colonel Maeleod Reel.. The Lass of Richmond Hill March... Colonel Stuart of Garth Reel... Corn Bran Reel. . Duke of Perth Reel... The torn Kilt Reel... Loch Gilphead Fair Reel... The Islayr Ball Strathspey... The School House Reel.. Brahan Castle Strathspey..

M arquis of Tullibardine Reel. . The Marquis of Huntly’s Farewell Reel.. The merry Maids of Sandyrside Reel.. John Macfarlane’s Reel The Fyket Reel.. The Highlandman kissed his Mother. Reel.. My lovely black Maid Reel.. The Drover. Reel.. Reel Reel Willie Mackenzie Reel.. Roggart Volunteers March.. Colville’s Rant Reel.. Reel Kail and Pudding. Reel.. Reel Bowmore Fair Reel.. Woollen Cap Reel.. Reel

.36. .36 .37 .37 .37 .38 .38 .38 .39 .39 .39 .40, .40 .40 .40 ..41 .41. ..41. ..41.

12 .42 .42 .42 .43 .43 .43 .43 .44 .44 .44. .44 45

.45 .45 .45 .46

. 46

.46 .46 .47. .47 .47. .47 ..48, .48. .48. 48.

II

INSTRUCTIONS.

■——

Having a fixed scale, Bag Pipe music does not admit of transposition, therefore no signatures of Sharps

or Flats are required. There are only seven notes in music denominated by the following letters viz: G.

A. B. C. D. E. F and these notes are placed on and between five parallel lines called a Stave — and

counted from the bottom.

A musical character called a Clef is placed at the beginning of each stave; ^ There is only one

used in Bag Pipe music called the Treble or G clef which is written on the second line, and gives its

name to the notes on that line.

Single Bars, are represented by lines drawn across the stave, and are used for dividing a piece of mu-

sic into parts of equal duration according to the time marked at the beginning of the piece, - - --j |=

Double Bars, are represented by two lines, and are used to divide a piece of music into two or more

parts called measures. When dotted on one side it means to repeat. || ||

D F

Notes on the lines. p f ^1

G i? r.

Sp ace above the stave. ftp I

Notes on the spaces

Line above the stave.

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Semibreve.

NOTES AND THEIR RELATIVE VALUE.

Minim. Crotchet. Quaver. Semiquaver. Demisemi quaver.

J£5Z

16 32

Time is a very important feature in all music and must be carefully attended to. In Pipe music there are

five kinds of time viz: Common time (C) four Crotchets in the bar and eight bars in the measure. Two four

time (%) two Crotchets in the bar and sixteen bars in the measure. Three four time (%) three Crotchets in the bar and sixteen bars in the measure. Six eight time (%) two dotted Crotchets or six quavers in the bar

and sixteen bars in the measure. Nine eight time (%) three dotted Crotchets or nine quavers in the bar

and eight bars in the measure.

HI

SCALE. At this • the holes are closed.

At this O the holes are open.

G

Thumb. T5* Fing er. 21ld do. 3r_d do. ll1 do. 2nd do. 3rd dy. Little Finger.

B

o

C

Q Q

“o"

The fingers of the right or lower hand should be placed well across the chanter so that the little finger will cover th6 lowest or G note with ease.

D

Q O O

E

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o

F

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o

£

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G

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o

o

o

This Exercise should be practised by the pupil first with the plain notes according to the scale. When

he has mastered this let him strike the first of every four with the G finger, taking the last note, of the

previous four for the start note.

The following are a fewr explanations on the beats and shakes necessary in Bag" Pipe music.

m

l

Doubling of high A. Touch the thumb smartly as it is raised.

Doubling of G. Touch smartly the top or G finger once as you raise it.

Doubling of F. Strike F smartly twice with the G finger.

»— Doubling of E. Strike E with the G finger once and the F finger smartly after it. Be careful

— not to strike the G finger twice.

0.~ Doubling of D. Close the Chanter (which sounds low G) touching the D finger smartly as

— you raise it. Keep the little finger on the Chanter.

Doubling of C. Strike C with the D finger twice smartly. Be sure the little finger is kept off

Doubling of B. Strike B with the high G finger and Ihe D finger smartly after it.

Doubling of A. Strike A with high G finger and touch the little finger smartly after it.

P

r I ny

IV , GRIP OR ROUND MOVEMENT.

_ Strike A with high G finger then close the Chanter (which sounds G) and strike the D fin-

| U- ger smartly, lifting E with the little finger. Although D is written as a plain note in this

movement it is done as a grace note.

—sri—i'B— —r»— This is the same done from C.

i

This is the same done from B.

rzz In this D being the note that the movement is done from, B must be substituted. Care must

be taken that the B is done as a grace note.

i B-r

This is the same, D being again used as a grace note.

This is the same movement from F to F.

Th e same from G to G. isi

Th e same from A to A.

Wifi tag 5

This is Part of a DOUBLE CUT or TAORLUIDH.

[Tj- ~ Strike A with the high G finger then close the Chanter and strike the D finger smartly and ^ ^ '= raise the little finger. ^

By adding the E grace note smartly you sound the Double Cut or Taorluidh.

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A ROUND AND DISTINCT MOVEMENT.

The first notes being doubled be sure to put

on the second notes smartly with the E T' ii..? ■> p ; iff i1 w , l,"s'r- p r/ Vr c/ 1/1

The figure 3 signifies to be done in the time of two.

-NlJL This is the most difficult of the class. Three notes

being on the same line, care must be taken to strike

the second and third immediately after the first.

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A SHARP AND DISTINCT MOVEMENT.

s iz)The first note being- cut the value is put on the second.

• IThis movernent is done with the G and D fingers and care must ■ j} * j§.. J§. ■> ^ - .»

be taken, to strike the second note smartly with the D finger. BE ^■1 ^z-1

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^ \ > ^ In r..^ A DISTINCT AND ROUND MOVEMENT.

j- a~—p / This is very useful in playing Reels and Jigs; it

is done with the G, D and E grace notes. Care ^ ^ \ P ^ ^ ^ ^ ^

«zz:i must be taken to strike the E finger smartly after the D.

I | J# ^ _ 4 0 _ " # # " H Another note is added in Reel playing.

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The following Shakes are sometimes used instead of Doublings; ^ A ^ ^ ^ ^

- ^-dl

The little finger is greatly used among Pipers and it graces a tune very nicely, but care must be taken

to use it with discretion.

It is generally used in place of other executions according to taste, as; —

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DIRECTIONS FOR KEEPING THE BAG.

It is of the utmost importance to have the Bag perfectly tight, as without this a Pipe will never go well.

To keep the Bag in good order, mix two or three tablespoonfuls of Treacle to one of water and pour in.

Rub the Bag well and hang it up in a position that the Treacle will run into the Chanter Stock, then let

it out. This can be done immediately before using the Pipe but it is preferable to do it at night, so that

what the Bag does not take in may be dripped out by morning. In doing this it is necessary to take off

the cover and cork the Stocks securely.

YI

IMPORTANT HINTS TO THE PUPIL.

*

In commencing to learn the Scale and Exercises on the practising Chanter, the Pupil should, at the

same time, proceed to learn to blow the Pipe, so that by the time he can play a tune on the practising

Chanter, he will have little difficulty in playing it on the Pipe.

The winding, or preserving an equal current of air in the Bagpipe is of the utmost importance. With-

out this, the instrument cannot be correctly tuned. The Pupil, in commencing, must hold up the Drones

on the left shoulder with the right hand, and hold the Chanter having the fingers of the left hand clos-

ing the notes A. G. and F.

The Bag must then be blown full and put under the arm. The arm must be kept firm on the Bag, and

when drawing breath, press the arm so as to keep the Chanter and Drones going the same as when blow-

ing into the Bag, and so on, alternately blowing and pressing, and by a little practice he will be able to

keep the Pipe going. Two Drones ought to be stopped and only one used, (either of the small ones) until

such time as the Pupil has had sufficient practice to enable him to keep the Pipe going steadily.

DRONE REEDS.

In tuning, if the Drones seek too far out, then the Reed is too sharp, and the tuning string must be pulled

back, making the tongue of the Reed a little longer. If the Drone seek too far in, then the Reed is too flat;

but by pulling forward the tuning string, making the tongue of the Reed shorter, you sharpen the tone.

If the Reed is too long, a piece may be cut off, which will sharpen it without touching the tuning string.

CHANTER REEDS.

Tune the Pipe to low A, and prove it with high A; if they are in unison, the Chanter reed is right; but

if the Drone requires to be tuned out to suit high A, then the Chanter reed is too flat, and must be let

down; if the Drone requires to be tuned in, the Chanter reed is too sharp and therefore must be raised.

Great care must be taken in shifting the Chanter reed, as very little will make a great difference.

1 BRUCE’S ADRESS. Very slaw.

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4 THE BLACK COCKS OF BERRIDALE. Reel.

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CALEDONIAN SOCIETY OF LONDON. Strathspey. By W. Mackay

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By J. Maclauchlan Esq?

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16 THE MONKLAND BASIN Strathspey. By Arch4 Campbell

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ROBERT CAMPBELL Strathspey. By Arch^. Campbell

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STRUAN ROBERTSON Strathspey

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MISS martin’s wedding day. Reel. 17

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CHARLIES WELCOME,.

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18 THE DUCHESS OF EDINBURGH.

LADY LOUDEN.

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Strathspey. 19

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20 ANNIE OF BALLINTYRE Quickstep. ByD. McPhedran.

WE MACKAY'S FAREWELL TO THE 74^ March.

MEGGERNY CASTLE

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March . 21

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ARCADIA COTTAGE.

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March . By Colin Maclauchlan Esq?

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Strathspey ByT. Douglas

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22 Mrs MACDOUGALL March

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MISS IiYALiL. .

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Strathspey.

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23 SIR CHARLES FORBES OF EDINGLASSIE. March.

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24 CAPTAIN JACK MURRAY. Stralh spej.

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CAPTAIN JACK MURRAY. Reel.

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Mr? CAMPBELLS FAVOURITE. Strathspey.

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26 ATHOL CUMMERS. Strathspey.

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Hornpipe. 27

JACK TAR.

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28 PRINCE ALBERTS. March.

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JESSIE BROWN OF LUCKNOW March. 29

THE BARREN ROCKS OF ADEN. March.

30 THE EDINBURGH VOLUNTEERS. March.

THE AULD WIFE AYONT THE FIRE. Reel.

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MEG MERRILEES. Country Dance. 31

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32 TRAIGH GHRUNARD. Quickstep. Very old.

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CAPTAIN MURRAY. Quickstep.

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33 STRATHSPEY.

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FRANCIS FRASER. Reel

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BRIDGE OF FOSS. Reel

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34^ THE 25^ KING’S OWN FAREWTELL TO ADEN. March.

By P Macdonald. Pipe Major 25t)1 Regiment.

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LADY MACDONALD

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Strathspey. By P. Macdonald.

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By P. Macdonald

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LORD LOVAT’S LAMENT.

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OWER THE MUIR AMANG THE HEATHER. Very Slow.

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36 THE FLAGGON. Reel.

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REEL.

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WILL YOU GO TO THE ISLE OF SKYE. Reel.

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THE DAY WE WERE AT ARRAN.

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March. 37

By D. Macfedran. * ^ nir

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Hornpipe.

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THE WEAVER AND THE TAILOR. Reel.

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CHARMS OF WHISKY. Reel.

M

SEAFORTH HIGHLANDERS

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39 By D. Cameron.

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ROSEHAUGH HOUSE.

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Maroh. By D Cameron.

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MATHIESON’S FAREWELL TO AMERICA. Hornpipe.

40 CAME YE BY ATHOL. March.

KESSOCK FERRY

N^ZX_B_hm

Strathspey.

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By D. Cameron.

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THE CHRISTMAS CAROUSING. Reel.

Reel.

KIPPEN HOUSE. Si rathspey.

COLONEL MACLEOD. Reel. By W. Mackinnon.

42 THE LASS OF RICHMOND HILL. March.

COLONEL STUART OF GARTH. Reel.

I

CORN BRAN. Reel.

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DUKE OF PERTH. Reel.

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43

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THE TORN KILT.

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LOCH GILPHEAD FAIR. Reel.

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THE ISLAY BALL.

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Slral hspey. Bv D. McPhee.

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44 BRAHAN CASTLE

^ 3 Siraihspey. By D. Cameron.

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MARQUIS OF TULLIBARDINE. Reel.

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THE MARQUIS OF HUNTLY’S FAREWELL. Strathspey.

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THE MERRY MAIDS OF SANDYSIDE. Reel.

i

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JOHN MACFARLANE’S REEL. 45

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MY LOVELY BLACK MAID. Reel.

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THE DROVER.

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WILLIE MACKENZIE. Reel.

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COLVILLE’S RANT. Reel.

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KAIL AND PUDDING. Reel.

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WOOLEN CAP. Reel.

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REEL.

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By Betsy Mc Lachlan

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