Download - Test 1 Study Guide
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Barnett Newman. Cathedra.
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Wheel of Time. Tibetan sand mandala.
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Blackfeet Parfleche.
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STONEHENGE. Wiltshire, England.
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Rembrandt van Rijn. SELF-PORTRAIT.
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Romare Bearden. PREVALENCE OF RITUAL: TIDINGS.
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Edward Weston. PEPPER #30.
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Leonardo da Vinci. A MAN TRICKED BY GYPSIES.
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Simon Rodia. NUESTRO PUEBLO.
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James Hampton. THRONE OF THE THIRD HEAVEN OF THE NATIONS’ MILLENIUM GENERAL ASSEMBLY.
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William Harnett. A SMOKE BACKSTAGE.
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Ray Beldner. THIS IS DEFINITELY NOT A PIPE.
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CHILKAT BLANKET. Tlingit.
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Auguste Rodin. THE KISS.
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Constantin Brancusi. THE KISS.
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Georgia O’Keefe. JACK-IN-THE-PULPIT NO. V.
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Albrecht Durer. THE KNIGHT DEATH AND THE DEVIL.
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Mandala:A sacred circle.
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Purposes and Functions of Art:
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Purposes and Functions of Art:
• Communicating Information
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Purposes and Functions of Art:
• Communicating Information• Day-to-Day Living
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Purposes and Functions of Art:
• Communicating Information• Day-to-Day Living• Worship and Ritual
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Purposes and Functions of Art:
• Communicating Information• Day-to-Day Living• Worship and Ritual• Personal Expression
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Purposes and Functions of Art:
• Communicating Information• Day-to-Day Living• Worship and Ritual• Personal Expression• Social Causes
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Purposes and Functions of Art:
• Communicating Information• Day-to-Day Living• Worship and Ritual• Personal Expression• Social Causes• Visual Delight
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The same artwork may have several purposes simultaneously.
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Terms• Mandala• Medium• Aesthetics• Taste• Beauty• Folk art• Outsider art• Representational (objective)• Abstract (non-objective)• Trompe l’oeil• Form• Content• Iconography• Style• Stylized
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Taste
Taste as an aesthetic, sociological, economic and anthropological concept refers to cultural patterns of choice and preference regarding aesthetic judgments.
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Art:The expression of creative skill and imagination, especially through a visual medium such as painting or sculpture.
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Medium:A particular material, along with its accompanying technique.
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Creativity1. Wonder and curiosity2. Openness3. See things in a new way4. Take advantage of the accident5. Flexibility6. Generalize from particulars in order to see broad application7. Synthesize, integrate-find order in disorder8. Sensitivity9. Analyze and evaluate10. Support your ideas in the face of criticism11. Take risks12. Persistence
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Eric Fromm on Creativity:
• In talking about creativity let us first consider its two possible meanings: creativity in the sense of creating something new which can be seen or heard by others, such as a painting, a sculpture, a symphony, a poem, a novel, etc., or creativity as an attitude, which is the condition of any creation in the former sense but which can exist even though nothing new is created in the world of things…..
• What is creativity? The best general answer I can give is the ability to see (or to be aware) and to respond.
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CREATIVITY IS AN ATTITUDE
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Aesthetics:
• An awareness of beauty or to that quality in a work of art or other manmade or natural form which evokes a sense of elevated appreciation in the viewer.
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Aesthetics:
• What do we consider “beautiful” and why?
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Outsider Art:
Art made by untrained artists who are largely unaware of art history or current art trends and fashions.
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Folk Art:
• Art of people who have had no formal, academic training, but whose works are part of an established tradition of style and craftsmanship.
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Representational (objective) Art :
Art in which it is the artist’s intention to present again or represent a particular subject; especially pertaining to realistic (naturalistic) portrayal of subject matter.
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Trompe L’oeil:
• French for “fool the eye.” A two-dimensional representation that is so naturalistic that it looks actual or real (or three-dimensional).
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Abstract Art:
(1) Works of art that have no reference at all to natural objects (non-objective).
(2) Works that depict natural objects in simplified, distorted, or exaggerated ways.
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Style:
A characteristic handling of media and elements of form, which give a work its identity of a particular person, group, art movement, period, or culture.
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Stylized:
Simplified or exaggerated visual form that emphasizes particular or contrived design qualities.
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Content:
Meaning or message contained and communicated by a work of art, including its emotional, intellectual, symbolic, thematic, and narrative connotations.
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Form:
The total effect of the combined visual qualities within a work, such as its size, shape, materials, color, and composition.
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Iconography:
The symbolic meanings of subjects and signs used to convey ideas important to particular cultures or religions, and the conventions governing the use of such forms.
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Content:
Meaning or message contained and communicated by a work of art, including its emotional, intellectual, symbolic, thematic, and narrative connotations.