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Points of view: reflections on a virtual world in a classroom
Cathy BurnettGuy Merchant
Sheffield Hallam University
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Defining the virtual
Hine (1998)‘not strictly the real thing’‘uncertainty of relation to time, location and
presence’
Miller & Slater (2000)‘the capacity of communicative technologies
to constitute rather than mediate realities’
Sakr (2008) ‘a negotiation between materiality and
information’
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New media and ‘immediacy’
Bolter & Grusin (2000) Remediation: Understanding New Media.
•trace a desire to ‘put the viewer in the same space as the objects viewed’ (p.11)
•virtual objects are foregrounded and the medium, as well as the process of mediation, recede from our awareness
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The logic of transparent immediacy
• the screen is essentially a surface for displaying the virtual world
• the viewer(s) actively create the virtual in a variety of overlapping spaces
• (new) media extend classroom spaces or overlay them with the virtual
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Ongoing construction of on/offline space
Classroom-ness’ of making meaning across on/offline
Reflexive and recursive relationships between material and immaterial
Fluidity and hybridity of spaces produced
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'hypercomplexity of space...embracing as it does individual entities and peculiarities, relatively fixed points, movements and flows and waves - some interpenetrating, others in conflict, and so on.' (Lefebvre, 1991: 88)
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'scrumpled geographies' & 'the work that goes into mobilising and stabilising certain situations as contexts' (2009: 496, Edwards, Ivanic and Mannion)
places folded into places
different spaces for literacy latent within each space being produced
(Im)materialities (Burnett, Merchant, Pahl & Rowsell, forthcoming)
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Chris Bailey, Karen Daniels, Jemma Monkhouse, Emma Griffin, Julie Rayner,
Roberta Taylor
Points of view: virtual worlds in classrooms
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On screen...• Running alone• Temporary gangs
Off screen...• Running commentaries• Locating self• Greetings• Providing support
Laptops...• surface• proxy• boundary-maker
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Mass radiation, Zombie Apocalypse or simply stuck in
the castle
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Joe: World (s) of His Own
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So what?
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• multiple perspectives• ‘layered presence’ (Martin et al.,
forthcoming)• array of resources for meaning making• complex movement between different
spaces and materialities• blurring of the actual and the virtual
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Complexities: Social Studies of Knowledge Practices (Law & Moll, 2002)
First the historic baroque insists on a strong phenomenological realness, a 'sensuous materiality'. Second, this materiality is not confined to, or locked within a simple individual but flows out in many directions, blurring the distinction between individual and environment. And third, there is also the baroque inventiveness, the ability to produce lots of novel combinations out of a rather limited set of elements, for instance as in baroque music. (Chunglin Kwa, 2002:26)
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So what?
Disturbing the taken-for-granted……
-Focus of learning
-Role of teacher
-The lesson
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References
Burnett, C., Merchant, G., Pahl, K. & Rowsell, J. (2014). The (im)materiality of literacy: the significance of subjectivity to new literacies research. Discourse: Studies in the Cultural Politics of Education, 35, 1.
Lefebvre, H. (1991). The Production of Space. Trans. Donald Nicholson-Smith. Oxford: Blackwell.