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se the ground
te having an a
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act that your
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works.
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n digital camer
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what settings y
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could brighte
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e I was able to
er any details
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exposed, nor
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nge” in photo
ra sensors – t
while, you mo
take a pictur
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n up one area
e both, all du
and ended up
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from it. In th
y blowing out
r, was unable
mal and over‐
image, where
ography, whic
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ost likely ran
re and parts o
on your came
ng just right.
a, which wou
e to the large
p with the foll
pose the sky,
e second ima
t the sky. It w
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r‐exposed ima
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age, I tried to
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situation as
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hotographs:
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correctly
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posed? That’s
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ot
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or High Dynam
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ograph. The re
of the image
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mic Range Ph
e scene shot a
esult is an ima
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at the human
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ges. In this ar
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hutter speeds
most amount
eye would se
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ethods of cre
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them all into
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it is ideal to u
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to do both.
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and bright
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5. Nois
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tomatix Pro o
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ugh you could
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ple exposures
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ting tool
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r Noise Ninja (
od by shooting
ill recommend
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following too
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g hand‐held in
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would lose a p
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portion of the
nd let HDR
o get the best
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t
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ot frames quic
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than Photosh
some other to
t Photomatix
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JPEG article t
same betwee
t to have imag
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cene. This will
f your camera
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oshop’s built‐i
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hop and is ver
ools out there
Pro can offer
he following:
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ou should be s
so I recomme
erent depths o
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dle exposure
n 2 EV steps if
xample: ‐2, ‐1,
ass/trees, wh
uds in the fram
ionality or thi
tomatix Pro, b
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ree & open so
shooting in R
end shooting i
of field.
let the camer
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hich will screw
me.
rd party
because it
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w up your final
7. Watc
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parts
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prese
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sting artifacts
an create HD
of the image
e should not b
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room. In orde
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a look at the f
her moving ob
s, it is still best
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ble. Keep in m
ou are not goi
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Lightroom.
following ima
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t if movemen
m a single ima
at recoverabl
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only use imag
mind that RAW
ing to see wh
data, you wou
age that I took
Single shot w
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ts are minima
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while the dark
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tix Pro has a b
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means, is that
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properly expo
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rightest and t
t your brighte
he image sho
sed with as m
t+ RAW image
om Photoshop
ecrease the e
nal Park:
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ould not be
many details
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exposure
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e
While
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other
e the exposure
nd the dunes.
ame time I can
creasing and
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r third party H
e seems to be
I can get mo
n get plenty o
increasing ex
I can then us
HDR tools. Her
e way off, the
re details out
of details from
xposure, I can
e all five imag
re is what I go
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e RAW image
t of the sky by
m the sand by
n extract a tot
ges to create
ot after runnin
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actually cont
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tal of 5 image
a single HDR
ng the 5 imag
posures
ains plenty of
the exposure
he exposure b
s from the ab
image in Pho
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f data of the
to ‐1 and at
by +3:
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otoshop or
matix Pro:
e:
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make sure tha
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ple – decrease
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and select th
re data within
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hat will ask w
at your norma
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xt, open Phot
he extracted T
n the files is id
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elow:
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ter speed, ap
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ou will be pres
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ve the
ch
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ge will look ve
k the “Tone M
default HDR i
each individua
presented wit
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nd “Attempt
re analyzed, a
ery crappy, bu
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mage will loo
al HDR image.
h a new wind
t exposures fr
to reduce gh
an HDR image
ut it is OK, bec
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cause you hav
ft side of the i
ge. That’s bec
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ve not done a
image to open
cause you nee
nes shot came
ow below:
e is no need t
he default set
any tone map
n a new wind
ed to modify s
e out with def
to check “Alig
tings. The firs
ping on it yet
dow.
some settings
fault settings
gn
st
t.
s
:
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ks OK, but not
e is what I use
t the result I w
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Some
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ngs to suit yo
k the “Process
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n the image in
little and you
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e people migh
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better. Obvio
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s” button for
e HDR file. Go
n Photoshop,
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ht argue that d
gle RAW withi
ok and feel to
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remove the e
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also play with
ove is silly, be
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cause we can
ainly prefer to
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n recover a sim
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e, sharpen it
ded.
milar amount
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compare:
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why I say tha
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out the need
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l to it when co
HDR images s
HDR from a s
publish on ou
at below.
ut using mult
o much detail
ges! Just three
can only supp
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e an HDR ima
our images rea
to use the or
the DNG/TIFF
mage format
to convert th
s brings up so
image, while
nd +2 on the
ompared to a
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single image j
ur website. Th
iple images to
from a single
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ort three brac
ts, set EV to a
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ady, load them
iginal RAW fil
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the image on
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a regular imag
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just for fun –
he reason is si
o generate an
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t at 2 EV (‐2, 0
ckets, set the
single stop, w
e files.
m into Photom
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Lightroom in 1
feed those im
tions – white
n the right is f
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ge. Let’s move
I almost neve
imple – I do n
n HDR – the ri
k of how muc
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e exposure dif
which will let
matix Pro by
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can see, the
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er use the abo
not like HDR t
ight way to d
ch detail we co
work great fo
fference to tw
you shoot ‐2,
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into the appl
color profiles
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with multiple
ove technique
hat much.
o HDR. If we
ould recover
or most cases
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