Download - Lucci Mirra Pignatelli - Laurea 08.06_LD
Computational morphogenesis and FabriCation
oF an aCoustiC shell For outdoor Chamber musiC
università degli studi di napoli FederiCo iidipartimento di arChitettura
gabriella luCCi
gabriele mirra
eduardo pignatelli
relatore
sergio pone
Correlatori
alberto pugnale
seraFino di rosario
soFia Colabella
bianCa parenti
tesi di laurea
1
2
IDENTIFYING
THEMATIC AREA
STATE OF THE ART
METHODOLOGICAL
HYPOTESIS
EXPERIMENTAL
APPLICATION
THE ESSENCE OF SOUND WAVES
THE PROBLEMS OF AN OPEN AIR CHAMBER MUSIC CONCERT
3DESIGNING AN ACOUSTIC CHAMBER FOR OUTDOOR
.THE SOUND WAVE
.SOUND PROPAGATION
.GEOMETRICAL ACOUSTICS
.FREE FIELD
.REVERBERANT FIELD
ACCORDING TO MUSICIANS
.ACCORDING TO AUDIENCE
.WHAT ARE GOOD ACOUSTICS
.ACTIVE ACOUSTIC SYSTEMS
.PASSIVE ACOUSTIC SYSTEMS
1
2
EXAMPLES OF SOLVED PROBLEMS
3RESONANT STRING SHELL - RES.THE RESEARCH PROJECT
.RESONANT STRING SHELL 1.0
.RESONANT STRING SHELL 2.0
.RESONANT STRING SHELL 3.0.RESEARCH STATE AND
FUTURE PURPOSES
.SOUNDFORMS
.SIEBEIN ASSOCIATES
.SUONOVIVO
.HOLLYWOOD BOWL SHELL
.SPECIALITY THEATRE
.AALBORG ACOUSTIC PAVILION
1
2
FROM DIGITAL MODEL TO REAL MODEL
STRUCTURAL DESIGN PROCESS
.HOW TO REALIZE COMPLEX FORMS
BUILDING SITE AS AUTOMATED INDUSTRY
HIGHTECH DESIGN/LOWTECH CONSTRUCTION
.PREREQUISITES
.CONCEPT
.EXPLORING SOULTIONS
TENSEGRITY SHELL
SELF BEARING SHELL
RECIPROCAL STRUCTURE
CABLE-STAYED STRUCTURE
3ENGINEERING THE STRUCTURE
.EXECUTIVE PROJECT
OPTIMIZATION OF THE CUTTING PROCESS FROM TRUSS TO BOX BEAM
KNOTS DEFINITION
4SIMPLIFYING CONSTRUCTION SITE
PROGRAMMING INSTALLATION PHASES
CONSTRUCTION MACHINERY’S DESIGN
3THE OPTIMIZATION PROCESS
1COMPUTATIONAL MORPHOGENESIS
.WHAT IS COMPUTATIONAL MORPH
.THE MORPHOGENETIC PROCESS2RES 4.0 - THE ALGORITHM
.ALGORITHM OVERVIEW
.INPUTS
.COMPLEX FORMS FROM SIMPLE ELEMENTS
.DESIGN VARIABLES (RES ANALISYS).RES 4.0 GENOME (VARIABLE AND STABLE)
.INPUT POPULATION
.MODELING THE NATURE OF SOUND
THE IMAGE SOURCE METHOD
THE RAYTRACING METHOD
.THE PROCESSING CORE
THE CODE
.USEFUL OUTPUTS
SOUND PRESSURE LEVEL
.OPTIMIZATION AS AWARENESS TOOL
FIRST DOMAIN SETTINGS
SECOND DOMAIN SETTINGS
THIRD DOMAIN SETTINGS
.ARCHITHECTURAL SETTING
PALAZZO GRAVINA
THE MUSICIANS
THE AUDIENCE
.FINAL OPTIMIZATION
.RESULTS ANALYSIS
.CILIA SYSTEM
THE EVOLUTION OF DESIGN METHODS
.FROM ANALOG DESIGN TO PARAMETRIC APPROACH
.A SIGNIFICANT EXAMPLE FROM ANALOG TO DIGITAL DESIGN
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
T H E E S S E N C E O F S O U N D W A V E S
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
f frequency = c / λ T cycle = 1 / fc sound speed in air = 343 m/s
λ wavelenght
x [m
]
y [m]
a
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
WAVE FRO
NT
SOURCE
FROM ACOUSTIC WAVE TO ACOUSTIC RAY
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
24 rW
SWI
π== 1120log(rLL WI )−−=SOUND INTENSITY SOUND PRESSURE LEVEL
r
a
aa
a
a
a
a
a
a
a
a a
a a
2r
3r
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
FFFFFF
D I R E C T R AY R E F L E C T E D R AY
SOURCE
IMAGE SOURC
E
R E F L E C T I V E S U R F A C E
ACOUSTIC REFLECTION MODEL
θ1 θ2
SNELL LAW : θ1 = θ2
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
Free Field
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
reverberant Field
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
the problems oF an open air
Chamber musiC ConCert
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
THE PROBLEMS ACCORDING TO MUSICIANS
MUSIC
PERCEPTION
ACOUSTIC
PARAMETER
MUSICIANS CANNOT HEAR EACH OTHERS ENSEMBLE STAGE SUPPORT
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
THE PROBLEMS ACCORDING TO MUSICIANS
MUSIC
PERCEPTION
ACOUSTIC
PARAMETER
MUSICIANS CANNOT HEAR EACH OTHERS ENSEMBLE STAGE SUPPORT
EARLY DECAY OF SOUND
FOR CHAMBER MUSICSUBJECTIVE
REVERBEARLY DECAY TIME
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
LOW SOUND INTENSITY NO MUSICSOUND PRESSURE
LEVEL
THE PROBLEMS ACCORDING TO AUDIENCE
MUSIC
PERCEPTION
ACOUSTIC
PARAMETER
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
LOW SOUND INTENSITY NO MUSICSOUND PRESSURE
LEVEL
THE PROBLEMS ACCORDING TO AUDIENCE
MUSIC
PERCEPTION
ACOUSTIC
PARAMETER
SPATIALIZATIONINTERAURAL CROSS
CORRELATIONNON-UNIFORM SOUND FIELD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
What are good aCoustiCs?
[...]the Composition, the ConduCtor, the orChestra, and the hall . it is vital to distinguish among these ingredients and to understand
What eaCh Contributes to the totality.
l.l. beranek - ConCert hall and opera houses, 2004
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
designing an aCoustiC Chamber For outdoor
aCtive aCoustiC systems
passive aCoustiC systems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
passive aCoustiC systems
designing an aCoustiC Chamber For outdoor
aCtive aCoustiC systems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
soundForms_arup
the regular siZe (21m x 14m)
-75 mq oF platForm area
-10m Wide at the Front
-8m Wide at the baCk
-7m deep
the regular is aCoustiCally optimiZed For 18 – 23 musiCians
the medium siZe (17m x 27m)
-98 mq oF platForm area
-13m Wide at the Front
-8.5m Wide at the baCk
-9m deep
the medium is aCoustiCally optimiZed For 36 – 50 musiCians
the large siZe (20m x 33.5m)
-231 mq
-16m Wide at the Front
-10.4m Wide at the baCk
-11.2m deep
the large is aCoustiCally optimiZed For 75 – 100 musiCians
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
aCoustiCal design oF the band shell or enClosure
• Design anD shape the ceiling anD walls to proviDe natural acoustic projeCtion oF sounds From the enClosure to the audienCe
• integrate sounD system components to proviDe weather protection a Well as enhanCe aCoustiCal direCtivity For loudspeakers
• proviDe a network of wall anD ceiling panels to proviDe sounD reFleCtions so perFormers on stage Can hear eaCh other and
play in ensemble
Containment of SoundS within faCility to meet noiSe ordinanCe requirementS at faCility Perimeter
• natural barriers anD partial enclosures such as walls, berms, hills, planters, landsCape elements, etC. as part oF
arChiteCtural design oF FaCility
• location anD Directionality of louDspeakers to minimize sounD spills out oF audienCe area
• use of a greater number of smaller louDspeakers or Digitally con-trolled line array speakers With Controlled direCtional
patterns to minimiZe sound spills outside oF audienCe area
• automatic control of volume anD frequency response through Dsp (digital signal proCessing) Controllers
siebein assoCiates shell
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
outdoor panels_suonovivo
the suono vivo outdoor aCoustiC Chamber Consists oF panels in lexan polyCarbonate Featuring outstanding sound reFleCtionproperties.has a modular struCture that adapts to the stage needs oF large
orChestras and also individual soloists. it is quiCkly assembled and disassembled.is WeatherprooF.
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
the aCoustiC reFleCtor has aproximately the same area as the orChestra risers and is positioned roughly 9.14 m above the orChestra to provide the CritiCal 30-mseC dispersed relFeCtions; in its Final Form, the reFleCtor asumes the shape oF a longitudinally positioned ellipse, inClined about 10 degrees above oriZontal.the stage Canopy is Composed oF a tennis-Court-siZed aluminium and Fiberglass ring spanned by Folding, transluCent polyCarbonate panels.
hollyWood boWl shell
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
examples oF solved problems
inFlatable shell_speCiality theatre Small Shell
depth: 4 mheight: 4 mWidth: 8 mFootprint area: 32 mq
shipping Weight: 166 kg
medium Shell
depth: 6 mheight: 6 mWidth: 13 mFootprint area: 78 mq
shipping Weight: 266 kg
large Shell
depth: 8 mheight: 8 mWidth: 16 mFootprint area: 128 mq
shipping Weight: 359 kg
8 m
4 m
4 m
13 m
6 m
6 m
16 m
8 m
8 m
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
aalborg aCoustiC pavilion the aCoustiC pavilion Was designed as a stage For eleCtroniC and experimental musiC. it is Created From evolutionary algorithms that searCh the opti-mum Form and reFleCtive environment For eleCtroniC musiC Within the Context oF aalborg’s harbour Front. it enCloses the musiCal spaCe From the City and opens to the Water aiming at Creating an intimate sound based milieu Within an open publiC realm. the aCtu-al design proCess Was based on numerous experiments ConCerned With Form, materials, struCture, and aCoustiCs that aided by Com-putational algorithms generated the Final shape as Well as the pointy Wood Components.
examples oF solved problems
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
analog design vs parametriC approaCh
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
resonant string shell
a signiFiCant example oF evolution
From analog to digital design
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 1.0design methods
• totally analog proCess
aCoustiC deviCes
• main shell
• array system
• Cilia system
• reFleCtive bottom
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 1.0aCoustiC perFormanCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 2.0design methods
• First digital design proCess
• restriCted Form improvement proCess
• panel orientation optimiZed by COVERING AREA
aCoustiC deviCes
• main shell
• array system
• Cilia system
• reFleCtive bottom
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 2.0aCoustiC perFormanCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 1.0design methods
res 3.0design methods
• digital design proCess
• restriCted Form improvement proCess
• CustomiZable aCCording to musiCians setups
• Computational improvement oF the Form by number
oF reFleCtions
aCoustiC deviCes
• main shell
• CustomiZable array system
• elongated Cilia system
• diFFusive bottom
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
res 3.0aCoustiC perFormanCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
researCh state and Future purposes
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
What is Computational morphogenesis?
the morphogenetiC proCess involves: the ConstruCtion, the analysis and the evaluation oF a Certain topologiCal spaCe, designed For one or
more objeCtives.it FolloWs a reCursive paths, perForming a Continous improvement oF the
Form:1. deFining the most perForming ConFiguration oF the spaCe
2. providing a landsCape oF solutions For the aWareness oF the problem
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
the morphogenetiC proCess
DEFINITION OF DESIGN VARIBALES
INPUT SYSTEM
INDIVIDUALSELECTION
RESULTINGINDIVIDUALS
CROSSOVER
MUTATION
NEWPOPULATION GEOMETRY
FITNESS ACOUSTIC SIMULATION
PROCESSING COREEVOLUTIONARY-BASED OPTIMIZATION
REPRESENTATION OF THE ACOUSTIC SHELL
OUTPUT SYSTEM
RANDOM GENERATION OF THE 1ST POPULATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
algorithm overvieW
input
proCessing Coreoutput
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
1st ring1st ring1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
1st ring1st ring1RINGS
THE SMOOTHNESS
2nd ring2nd ring
1st ring1st ring
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
1st ring1st ring1RINGS
THE SMOOTHNESS
2nd ring2nd ring
1st ring1st ring
3rd ring3rd ring
2nd ring2nd ring
1st ring1st ring
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
3rd ring3rd ring
2nd ring2nd ring
1st ring1st ring
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
3rd ring3rd ring
2nd ring2nd ring
1st ring1st ring
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
3THE SOURCE GEOMETRY
PANELIZATION
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
3THE SOURCE GEOMETRY
PANELIZATION
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
R1
R24THE SOURCE GEOMETRY
PROPORTIONS
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
1RINGS
THE SMOOTHNESS
3THE SOURCE GEOMETRY
PANELIZATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
5THE SOURCE GEOMETRY
CURVATURE
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
5THE SOURCE GEOMETRY
CURVATURE
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
INPUT VARIABLE DESIGNRES 3.0 ANALYSIS0PHENOTYPE
LAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
0PHENOTYPELAST RES
2THE SOURCE GEOMETRY THE SHAPE
3THE SOURCE GEOMETRY
PANELIZATION
4THE SOURCE GEOMETRY
PROPORTIONS
5THE SOURCE GEOMETRY
CURVATURE
6THE SOURCE GEOMETRY
DEPTH
1RINGS
THE SMOOTHNESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
1DEPTH
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
21DEPTH
RINGS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
21DEPTH
RINGS
3RATIO
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
INPUT VARIABLES DESIGNRES 4.0 GENOME
21DEPTH
RINGS
3RATIO
4RADIUS
5POSITION
6SCALE0
7SCALE1
8SCALE2
9SCALE3
10PANEL1
11PANEL2
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
input variables designres 4.0 topologiC spaCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
input variables designres 4.0 topologiC spaCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
input variables designres 4.0 topologiC spaCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
modelling
the physiCal nature oF soundpropagation models
alvar aalto - aCoustiC studies For viipuri muniCipal library
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
0DEFINE N ACOUSTIC RAYS:EX N = 100DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
1CHOOSE ONE ACOUSTIC RAY
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
3MIRROR THE SOURCE ON SURFACE A
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
5INTERSECT WITH THE NEXT SURFACE
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
m_Sac
6MIRROR THE MIRRORED SOURCE ON SURFACE C
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
m_Sac
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
m_Sa
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S
A
B
C
R
9REPEAT THE PROCESS FOR EACH RAY
0DEFINE N ACOUSTIC RAYS:EX N = 10
2EXTEND UNTIL IT WILL INTERSECT A SURFACE
3MIRROR THE SOURCE ON SURFACE A
4DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
5INTERSECT WITH THE NEXT SURFACE
6MIRROR THE MIRRORED SOURCE ON SURFACE C
7DRAW A LINE BETWEEN THE MIRRORED SOURCEAND THE INTERSECTION POINT
8INTERSECT WITH THE NEXT SURFACENO INTERSECTION!
9REPEAT THE PROCESS FOR EACH RAY
1CHOOSE ONE ACOUSTIC RAY
RAY TRACING METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
S R
0DEFINE A BOUNCES NUMBEREX N = 2
A
B
C
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
S
A
B
C
R
1CHOOSE A BOUNCES COMBINATION EX SACR
BOUNCES NUMBER: 2
POSSIBLE COMBINATIONS:SABR SACRSBAR SBCRSCAR SCBR
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
2MIRROR THE SOURCE ON SURFACE A
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
3MIRROR THE MIRRORED SOURCE ON SURFACE C
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
5INTERSECT WITH SURFACE C5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
7INTERSECT WITH SURFACE A
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
m_Sa
m_Sac
8DRAW A POLYRAY BETWEEN THE POINTS
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
9REPEAT THE PROCESS FOR EACH COMBINATION
5INTERSECT WITH SURFACE C
7INTERSECT WITH SURFACE A
9REPEAT THE PROCESS FOR EACH COMBINATION
0DEFINE A BOUNCES NUMBEREX N = 2
1CHOOSE A BOUNCES COMBINATION EX SACR
3MIRROR THE MIRRORED SOURCE ON SURFACE C
4DRAW A LINE BETWEEN THE TARGET ANDTHE LAST MIRRORED SOURCE
6DRAW A LINE BETWEEN THE INTERSECTION POINT AND THE PREVIOUS MIRRORED SOURCE
8DRAW A POLYRAY BETWEEN THE POINTS
2MIRROR THE SOURCE ON SURFACE A
IMAGE SOURCE METHOD
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
S R
A
B
C
S R
A
B
C
S
A
B
C
R
S
A
B
C
R
METHODS COMPARISON
PROCESSING CORE
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
#IMAGE SOURCEDEFINING TRASFORMATION MATRIX
DirectionMove_L = []SrfCenter_L = []for i in ReflectSrf:....SurfaceCenterPoint = rs.SurfaceAreaCentroid(i)[0]....SrfCenter_L.append(SurfaceCenterPoint)....SurfaceUV = rs.SurfaceClosestPoint(i,SurfaceCenterPoint)....DirectionMove_L.append(rs.SurfaceNormal(i,SurfaceUV))
MirrorMatrix_L = []for srfIN in range(len(ReflectSrf)):....MirrorMatrix_L.append(rs.XformMirror(SrfCenter_L[srfIN] ,....DirectionMove_L[srfIN]))
#DEFINING MIRRORED SORCE POINTS UNTIL INFINITE ORDER
def graftlist(List):....MainList = []....Void = []....MainList.append(Void) ....GraftList = []....for i in range (len(MainList)):........for j in List: ............Sub = []............Sub.append(j)............GraftList.append(Sub)....return (GraftList)SrcPtsGraft = graftlist(SrcPts)
ObjList = []ObjList.append(SrcPtsGraft)def RecursiveMirror(SrcPtsGraft,gens):....Macro = []....for i in range (len(SrcPts)):........List = []........for j in range (len(SrcPtsGraft[0])):............for k in range(len(ReflectSrf)):................List.append(rs.TransformObjects(SrcPtsGraft[i][j],................MirrorMatrix_L[k],True)[0])........Macro.append(List)....if gens != 0:........ObjList.append(Macro)....if gens > 0:........RecursiveMirror(Macro,gens-1)....return(ObjList)
Nmax = max(n)mSrcN_full = RecursiveMirror(SrcPtsGraft, Nmax )
#REMOVE FROM MIRRORED SOURCE POINTS LIST ALL DUPLICATES
def PointsConversion(coordinate):....Converted = []....for i in range (len(mSrcN_full)):........Csub1 = []........for j in range (len(SrcPts)):............Csub2 =[]............for k in range (len(mSrcN_full[i][j])):................Csub2.append(round(rs.PointCoordinates(mSrcN_full[i]................[j][k])[coordinate],2))............Csub1.append(Csub2)........Converted.append(Csub1)....return(Converted)
mSrcN_x = PointsConversion(0)mSrcN_y = PointsConversion(1)mSrcN_z = PointsConversion(2)
def RecursiveCull(mSrcN_full,gens,empty):....if Nmax >= 2:........mSrcN = []........for j in range (len(SrcPts)):............SubM1 = []............for k in range (len(mSrcN_full[gens][0])):................if gens >= 2:................if ((round((rs.PointCoordinates(mSrcN_full[gens]................[j][k])[0]),2) in (mSrcN_x[(gens-2)][j]))................and(round((rs.PointCoordinates(mSrcN_full[gens]................[j][k])[1]),2) in (mSrcN_y[(gens-2)][j]))
................and(round((rs.PointCoordinates(mSrcN_full[gens]
................[j][k])[2]),2) in (mSrcN_z[(gens-2)][j]))):
....................SubM1.append(None)
................else:
....................SubM1.append(mSrcN_full[gens][j][k])
............mSrcN.append(SubM1)
........empty.insert(0,mSrcN) #Ordine n
........if gens > 2:
............RecursiveCull(mSrcN_full,gens-1,empty)
........return(empty)
....elif Nmax == 1:
........empty.append(mSrcN_full[0])
........empty.append(mSrcN_full[1])
........return(empty)
....else:
........empty.append(mSrcN_full[0])
........return(empty)empty = []mSrcN = (RecursiveCull(mSrcN_full,Nmax,empty))if Nmax >=2:....mSrcN.insert(0,mSrcN_full[1])....mSrcN.insert(0,mSrcN_full[0])
#FINDING INTERSECTION PTS AT ORDER N
def CodeExecution (n):....#1 FAKE RAYS ORDER N....fRays = []....for i in range(len(TgtPts)):........fRay_Sub = []........for j in range(len(SrcPts)):............fRay_Sub2 = []............for k in range(len(mSrcN[n][0])):................if mSrcN[n][j][k] != None:....................fRay_Sub2.append(rs.AddLine(mSrcN[n][j][k],....................TgtPts[i]))................else:....................fRay_Sub2.append(None)............fRay_Sub.append(fRay_Sub2)........fRays.append(fRay_Sub) ....#2 INTERSECTION ORDER N ....ReflectSrf_t = []....for i in range (int(len(ReflectSrf)**(n)/len(ReflectSrf))): ........for Srf in ReflectSrf:............ReflectSrf_t.append(Srf) ....#per n = 3 appende 36 volte la lista di 6 per ramo di src ....Intersection = []....for i in range (len(TgtPts)):........sub1 = []........for j in range (len(SrcPts)):............sub2 = []............for w in range(len(ReflectSrf_t)):................if fRays[i][j][w] != None:....................Int = rs.CurveBrepIntersect(fRays[i][j][w],....................ReflectSrf_t[w])................else:....................Int = None................if Int is not None:....................sub2.append(Int[1][0])................else:....................sub2.append(None)............sub1.append(sub2)........Intersection.append(sub1)
#FINDING INTERSECTION PTS FROM ORDER N-1
RECURSION ....def RecursiveIntersection (IntPts, gens, IntList):........if n != 1 : ............fRayN = []............for i in range (len(TgtPts)):................sub1 = []................for j in range (len(SrcPts)):....................sub2 = []....................for k in range (len(mSrcN[gens-1][0])):........................h = k * int((len(Intersection[0][0]))/........................(len(mSrcN[gens-1][0])))........................for x in range(int((len(Intersection[0][0]))/........................(len(mSrcN[gens-1][0])))):............................if (IntPts [i][j][x + h]) and ............................(mSrcN[gens-1][j][k]) != None:................................sub2.append(rs.AddLine(IntPts[i][j]................................[x + h],mSrcN[gens-1][j][k]))
............................else:
................................sub2.append(None)
....................sub1.append(sub2)
................fRayN.append(sub1)
............ReflectSrf_p = []
............for i in range (((int((len(mSrcN[gens-1][0]))/
............(len(ReflectSrf)))))):
................for Srf in ReflectSrf:
....................for j in range (int((len(IntPts[0][0]))/
....................(len(mSrcN[gens-1][0])))):
........................ReflectSrf_p.append(Srf)
............Pt = []
............for i in range (len(TgtPts)):
................sub1 = []
................for j in range (len(SrcPts)):
....................sub2 = []
....................for k in range(len(ReflectSrf_p)):
........................if fRayN[i][j][k] is not None:
............................Int = rs.CurveBrepIntersect(fRayN[i]
............................[j][k],ReflectSrf_p[k])
........................else:
............................Int = None
........................if Int is not None:
............................sub2.append(Int[1][0])
........................else:
............................sub2.append(None)
....................sub1.append(sub2)
................Pt.append(sub1)
............IntList.append(Pt)
........if gens == n:
............IntList.insert(0,Intersection)
........if gens > 2:
............RecursiveIntersection (Pt, gens-1, IntList)
........return(IntList)
....
....IntList = []
....RecInt = RecursiveIntersection(Intersection, n, IntList)
#DRAW POLYRAYS ....RList = []....for i in range (len(TgtPts)):........Rsub1 = []........for j in range (len(SrcPts)):............Rsub2 = []............for k in range (len(ReflectSrf)**n):................Rsub3 = []................for w in range (len(RecInt)):....................Rsub3.append(RecInt[w][i][j][k])................Rsub2.append(Rsub3)............Rsub1.append(Rsub2)........RList.append(Rsub1) ....for i in range (len(TgtPts)):........for j in range (len(SrcPts)):............for k in range (len(RList[0][0])):................RList[i][j][k].insert(0,TgtPts[i])....................RList[i][j][k].append(SrcPts[j])....polylines = []....for i in range (len(TgtPts)):........Plsub1 = []........for j in range (len(SrcPts)):............Plsub2 = []........for k in range (len(RList[0][0])):............if (None in RList[i][j][k]) == True :................Plsub2.append(None)............else:................Plsub2.append(rs.AddPolyline(RList[i][j][k]))........Plsub1.append(Plsub2)....polylines.append(Plsub1)
#OBSTACLE CHECK ....#1 FIND SEGMENTS....SegmentsList = []....for i in range (len(TgtPts)):........SLsub1 = []........for j in range (len(SrcPts)):............SLsub2 = []............for k in range (len(polylines[0][0])):................if polylines[i][j][k] != None:....................SLsub2.append(rs.ExplodeCurves(polylines[i]....................[j][k])) ................else:....................SLsub2.append(None)
............SLsub1.append(SLsub2)
........SegmentsList.append(SLsub1) ....#2 FIND INTERSECTION COUNT LIST ....SegmentIntlist = []....for i in range (len(TgtPts)):........SILsub1 = []........for j in range (len(SrcPts)):............SILsub2 = []............for k in range (len(polylines[0][0])):................SILsub3 = []................for w in range (n+1):....................for x in range (len(ReflectSrf)):........................if SegmentsList[i][j][k] is not None:............................Int = rs.CurveBrepIntersect............................(SegmentsList[i][j][k][w],ReflectSrf[x])........................else:............................Int = None........................if Int is not None:............................SILsub3.append(Int[1][0])........................else:............................SILsub3.append(None)................SILsub2.append(len(SILsub3) - SILsub3.count(None))............SILsub1.append(SILsub2)........SegmentIntlist.append(SILsub1) ....#3 BUILD NEW POLYLINES WITH NEW CONDITION ....polyrays = []....for i in range (len(TgtPts)):........Prsub1 = []........for j in range (len(SrcPts)):............Prsub2 = []............for k in range (len(RList[0][0])):................if (SegmentIntlist[i][j][k]) > (2+2*(n-1))................or (None in RList[i][j][k]) == True:....................Prsub2.append(None)................else:....................Prsub2.append(rs.AddPolyline(RList[i][j][k]))............Prsub1.append(Prsub2)........polyrays.append(Prsub1)
#CALCULATE SPL AND TIME ....time = []....SPL = []....for i in range(len(TgtPts)):........time1 = []........SPL1 = []........for j in range(len(SrcPts)):............time2 = []............SPL2 = []............for h in range(len(RList[0][0])):................if polyrays[i][j][h] != None:....................time2.append((rs.CurveLength....................(polyrays[i][j][h]))/343)....................SPL2.append((111-(20*math.log10....................(rs.CurveLength(polyrays[i]....................[j][h])-1))-11)*(r**n))................else:....................time2.append(None)....................SPL2.append(None)............time1.append(time2)............SPL1.append(SPL2)........time.append(time1)........SPL.append(SPL1)....return (SPL,polyrays)
if Compute == True:....FINAL = []....for i in range (len(n)):........FINAL.append(CodeExecution(n[i])) ....RAYS = [] ....for i in range (len(n)):........SPL.append(FINAL[i][0])........RAYS.append(FINAL[i][1]) ....a = SPL....b = RAYS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
SOURCES: 1TARGETS: 25REFLECTIVE SURFACES: 6
PROCESSING CORE - RAYS SHOOTING
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
BOUNCES: 0
POTENTIAL RAYS: 25TOTAL RAYS: 25min LENGHT: 6,56 m
SOURCES: 1TARGETS: 25REFLECTIVE SURFACES: 6
PROCESSING CORE - RAYS SHOOTING
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
BOUNCES: 1
POTENTIAL RAYS: 150TOTAL RAYS: 98min LENGHT: 7,42 m
SOURCES: 1TARGETS: 25REFLECTIVE SURFACES: 6
PROCESSING CORE - RAYS SHOOTING
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
BOUNCES: 2
POTENTIAL RAYS: 900TOTAL RAYS: 103min LENGHT: 10,25 m
SOURCES: 1TARGETS: 25REFLECTIVE SURFACES: 6
PROCESSING CORE - RAYS SHOOTING
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
BOUNCES: 3
POTENTIAL RAYS: 5400TOTAL RAYS: 154min LENGHT: 11,22 m
SOURCES: 1TARGETS: 25REFLECTIVE SURFACES: 6
PROCESSING CORE - RAYS SHOOTING
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
d =14 mSPL[dB] = Lw - 20log10(d) - 11
PROCESSING CORE - SPL CALCULATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
SPL COMBINATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
SPL COMBINATION
DIRECT SOUND LEVELS
TOTAL SOUND LEVELS = 10^DS/10+10^RS/10
REFLECTED SOUND LEVELS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
SPL COMBINATION70 75 80 85 90 95 100 [dB]
DIRECT SOUND LEVELS
TOTAL SOUND LEVELS = 10^DS/10+10^RS/10
REFLECTED SOUND LEVELS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
THE OPTIMIZATION PROCESS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
the morphogenetiC proCess
DEFINITION OF DESIGN VARIBALES
INPUT SYSTEM
INDIVIDUALSELECTION
RESULTINGINDIVIDUALS
CROSSOVER
MUTATION
NEWPOPULATION GEOMETRY
FITNESS ACOUSTIC SIMULATION
PROCESSING COREEVOLUTIONARY-BASED OPTIMIZATION
REPRESENTATION OF THE ACOUSTIC SHELL
OUTPUT SYSTEM
RANDOM GENERATION OF THE 1ST POPULATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 1
SOURCE
TARGETS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 1
SOURCE
TARGETS
DMIN = 1.5M
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 1
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 11509.90 dB SPL SUM = 11623.23 dB SPL SUM = 11700.00 dB SPL SUM = 11727.82 dB SPL SUM = 11738.34 dB
51 15 30 50
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 1
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 11738.34 dB
50
INEFFICIEN
T PAN
ELS
RED DOTS = BOUNCING POINTS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 2
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 11522.07 dB SPL SUM = 11660.27 dB SPL SUM = 11880.88 dB SPL SUM = 11953.26 dB SPL SUM = 12022.27 dB
51 15 30 50
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 2
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 12022.27 dB
50
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 3
SOURCES
TARGETS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 3
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 12176.96 dB SPL SUM = 12247.44 dB SPL SUM = 12479.16 dB SPL SUM = 12613.90 dB SPL SUM = 12626.06 dB
51 15 30 50
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION 3
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 12626.06 dB
50
EXTENDED PANELS
3,6
11
1,6
2
0,6 0,4
ARCHITECTURAL SETTINGMETHOD APPLICATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
18,66
A = 262m2
18,82
ARCHITECTURAL SETTINGMETHOD APPLICATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
18,66
A = 262m2
18,82
ARCHITECTURAL SETTINGMETHOD APPLICATION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION A - FITNESS FUNCTIONRANDOM SHELL SPL MAP
1x M *100
N
iif −= ∑
=
δ
Where:
- N is the total number of targets; - xi is SPL value on the ith target;
- M is the Number of SPL Values smaller than 90dB
FITNESS FUNCTION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION A
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 18070.97dB SPL SUM = 18297.18 dB SPL SUM = 18532.14 dB SPL SUM = 18577.21 dB SPL SUM = 18580.11 dB
51 15 30 80
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
OPTIMIZATION A
70 75 80 85 90 95 100 [dB]
GENERATIONS
SPL SUM = 18580.11 dB
80
8.00 m4.30 m
4.40 m
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
70 75 80 85 90 95 100 [dB]
SOU
ND
PRE
SSU
RE L
EVEL
[dB]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
ALL
SOU
RCES
SPL
MA
P
BACK
SOU
RCES
SPL
MA
P
MID
DLE
SOU
RCES
SPL
MA
P
FRO
NT S
OU
RCES
SPL
MA
P
ALL
OPTIMIZATION A - RESULT ANALYSIS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
70 75 80 85 90 95 100 [dB]
SOU
ND
PRE
SSU
RE L
EVEL
[dB]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
ALL
SOU
RCES
SPL
MA
P
BACK
SOU
RCES
SPL
MA
P
MID
DLE
SOU
RCES
SPL
MA
P
FRO
NT S
OU
RCES
SPL
MA
P
ALL
BACK
MIDDLE
FRONT
OPTIMIZATION A - RESULT ANALYSIS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
70 75 80 85 90 95 100 [dB]
SOU
ND
PRE
SSU
RE L
EVEL
[dB]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
ALL
SOU
RCES
SPL
MA
P
BACK
SOU
RCES
SPL
MA
P
MID
DLE
SOU
RCES
SPL
MA
P
FRO
NT S
OU
RCES
SPL
MA
P
ALL
BACK
MIDDLE
FRONT
CRITICAL DECAY
OPTIMIZATION A - RESULT ANALYSIS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
FORM FINDING - CILIA
α 0°<α<60°
DEFINE 1m TRANSLATION VECTOR FOR EACH SEGMENT1 EXTRUDE EACH SEGMENT AND BUILD NEW SURFACES2 ROTATE EACH SURFACE BY DIFFERENT ANGLES3
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
FORM FINDING - CILIASO
UN
D P
RESS
URE
LEV
EL [d
B]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
FRONT SOURCES SPL MAP
NO CILIA
2
1)(1 xx
N
N
iif −= ∑
=
δ
Where:
- N is the total number of targets; - xi is SPL value on the ith target;
- x is the arithmetic mean of the xi ;
- 2)( xxis −=σ is the measure of the variance of the data structure and represents the simple spread relative to the mean value.
FITNESS FUNCTION
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
FORM FINDING - CILIASO
UN
D P
RESS
URE
LEV
EL [d
B]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
FRONT SOURCES SPL MAP
NO CILIA
CILIA
OPTIMIZATION RESULT
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
FORM FINDING - CILIASO
UN
D P
RESS
URE
LEV
EL [d
B]
DISTANCE [m]80
82
84
86
88
90
92
94
96
98
100
102
0.5 2.4 4.3 6.2 8.1 10.0 12.0 13.9 15.8 17.7
FRONT SOURCES SPL MAP
NO CILIA
CILIA
OPTIMIZATION RESULT
OPTIMIZATED TARGETS
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
DIMENSIONS ND
STAGE ND
INSTRUMENT ND
RANGE 4M
THROW 60 PEOPLE
DIMENSIONS 8 X 4 X 4 MSTAGE 20M2
INSTRUMENT 10RANGE 10M
THROW 150 PEOPLE
DIMENSIONS 8 X 4 X 4 MSTAGE 20M2
INSTRUMENT 10RANGE 4M
THROW 210 PEOPLE
DIMENSIONS 7 X 5 X 4STAGE 22M2
INSTRUMENT 15RANGE 4M
THROW 250 PEOPLE
DIMENSIONS 8 X 5 X 5STAGE 27M2
INSTRUMENT 20RANGE 4M
THROW 600 PEOPLE
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
From digital model to real model
landesgartensChau exhibition hall
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
hoW to realiZe Complex Form_building site as automated industry
dragon skin pavilion / emmi keskisarja, pekka tynkkynen & lead
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
.Computer-aided maniFaCturing methods
.reverse engineering and digital sCanning
.Computer numeriCally Controlled equipments
-tWo dimension CnC Cutting
-three dimesional CnC FabriCation
hoW to realiZe Complex Form_building site as automated industry
bilbao guggenheim /gehry partners, llp
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
the Caad sWissbau pavilion/ eth ZüriCh
hoW to realiZe Complex Form_building site as automated industry
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
hoW to realiZe Complex Form_high teCh design / loW teCh ConstruCtion
timber seasoning shelter ConstruCtion / aa design&make experienCe
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
eladio diestegridshell.it
aa design&make experienCe
hoW to realiZe Complex Form_high teCh design / loW teCh ConstruCtion
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
struCtural design proCess
the use oF Wood
preserve shell geometry
Composition oF Flat elements
respeCt For eCologiC prinCiples
re-use materials
prerequisites
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
struCtural design proCess ConCept
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
aCoustiC shell
reCiproCal struCture
selF-bearing shell
tensegrity shellCable-stayed struCture
struCtural design proCess exploring solutions
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
selF bearing shell
+ pros
landesgartensChau exhibition hall
insp
irin
g
.the aCoustiC ConFiguration resulting From the projeCt isn’t resistent Form
.material eConomy
.ConstruCtion site seimpliFiCation
.strong CharaCteriZation oF the arChiteCtural objeCt- Cons
physiCalsimulation
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
tensegrity shell
physiCalsimulation
landesgartenshau exibition hall
. mismatCh betWeen optimal aCoustiC and struCtural perFormanCes
insp
irin
g
g30 summer pavilion 03
+ pros .material eConomy
.ConstruCtion site seimpliFiCation
.strong CharaCteriZation oF the arChiteCtural objeCt- Cons
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
reCiproCal struCture
leonardo’s bridge
insp
irin
g
.need to siZeable Cross-seCtion to avoid stability problems
.extremely simple to realiZe
.ChanCe to modiFy the struCture aCCording to diFFerent shell ConFigurations
physiCalsimulation
+ pros
- Cons
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
Cable stayed struCture
langkaWi sky bridge
insp
irin
g
physiCalsimulation
.heavier than other struCtures
.bukling problems
+ pros
- Cons
.possibility to shape struCtural Form on the aCoustiC shell
.great Flexibility oF the system
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
engigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
optimiZation oF the Cutting proCessengigneering the struCture
C2b
M0
M1
M2
G0
G1
G2
M0
M1
M2
G0
G1
G2
C0a
C2a
C1a
C2a
C1b C1a
C0b C0a
Pannelli shell acustica
G2
G2
M1 M1
G0
M2G1M0
M0
G0C0b C0a
C2a
C2a
C0a C1a
C1b C2b
M2
G1
C1a
Ca cig
G cig
M cig
Ca cigG cig
M cig
Ca cig
Ca
cig
Cb
cig
Ca
cig
G c
ig
M c
ig
G c
ig
M c
ig
Pannelli shell acustica
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Arr
Pannelli Array
Elementi ricavati da pannelli dilegno truciolare grezzo 3760 x1860 x 40
PIANO DEI TAGLI
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
optimiZation oF the Cutting proCessengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
Fromtruss to box beamengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
Fromtruss to box beamengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
Fromtruss to box beamengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
knots deFinitionengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
knots deFinitionengigneering the struCture
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site ConstruCtion maChinery design
phase 1
phase 2
phase 3
liFt up system
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site ConstruCtion maChinery design
phase 1 phase 2 phase 3
liFt up system
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases
IdentyfIng thematIc areathe essence of sound Waves
the Problems of an oPen aIr concert
desIgnIng an acoustIc chamber for outdoor musIc
examPle of solved Problems
evolutIon of desIgn methods
resonant strIng shell - res
comPutatIonal morPhogenesIs
res 4.0 - the algorIthm
the oPtImIzatIon Process
from dIgItal tI real model
structural desIgn Process
engIneerIng the structure
sImPlIfyIng constructIon sIte
state of the art methodologIcal hyPotesIs exPerImental aPPlIcatIon
simpliFying ConstruCtion site programming installation phases