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The Art of Bonsai Display
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The Art of Bonsai DisplayAn Introduction
Many elements of good bonsai display are based on the
elements of Keido. Keido is the Japanese school of formal
bonsai display. As bonsai enthusiasts once followed the
Japanese rules for creating bonsai, they also followed their
rules for display. However, things are changing around the
world in the art of bonsai. Contemporary display is being
used in more and more exhibits. However, many of the
elements of Keido are applicable to all good display and that
is why we should all be familiar with these elements.
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Kei Do - The Art of Bonsai DisplayWhy Formal Display?
• Enjoy and celebrate seasonal changes
• View a bonsai at the peak of its perfection
• Honor and please a visitor to one’s home
• See common items in uncommon ways
• Visualize and use space in new ways
• View nature in miniature using living things
• Enjoy the beauty of less, beauty with style
• Celebrate auspicious occasions
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Kei Do - The Art of Bonsai Display
In KEIDO we fill our space
with elegant staging to recreate
nature in miniature.
In a limited space we express our
appreciation of nature and living
things.
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Display imitates nature
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Kei Do - The Art of Bonsai Display
Bonsai display is one area often overlooked by the bonsai
hobbyist, yet it is one of the most critical aspects of the elements
that make up bonsai appreciation.
Elements of theme, balance, season, placement,
harmony, and emotion each deserve some thought when preparing
a bonsai display. Failure to do so may leave the viewer with the
elusive feeling of “something’s not quite right”.
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Theme (style)
3. So - very casual - flexibleBunjin style bonsai -also grass
plantings, suiseki, or accent plantings
Formal bonsai display consists of three themes.
1. Shin - formal - squareness and dignityFormal - bonsai with a straight or slanted
dignified trunk which gives an elegant impression. A moyogi conifer is acceptable.
2. Gyo - informal - softness and gentleness
Usually deciduous bonsai, such as maple,
hornbeam, and elms.
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Shin style - (formal)
A massive pine with
a powerful trunk is
characteristic of a
shin style display.
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Shin style - (formal)
The formal
structure of the
branches, as well
as the straight,
strong trunk,
exemplify the
shin style of
display for this
juniper.
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Gyo style - (informal)
Perhaps due to the
straight, strong
trunk, this display
could be placed in
the shin style, even
though the tree is
deciduous.
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Gyo style - (informal)
The gently rounded
form of this broom-
style zelkova, and the
rounded style of the
stand’s feet contribute
to the Gyo style.
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Gyo style - (informal)
The rounded forms
of each object in the
display exemplify
the Gyo style.
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So style - (casual)
This bunjin style
bonsai lends itself
well to the So style of
display.
Note the birds in the
scroll and the bird on
the tansu.
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So - (casual style)
Another bunjin,
or literati bonsai.
The scroll most
likely is a poem
appropriate to the
season.
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So style - (casual)
Suiseki may be used
in this style of
display.
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So style- (casual)
An arrangement of irises is appropriate for this style.
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Balance
The use of space is called “Ma”. Ma is a feeling, a sense that
the space is as important as the objects placed in it. Negative
space is another definition of Ma.
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The perfect display
The perfect display in the
Tokonoma
should give you the space where one
can play with time:
Near
Far
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Balance
The space between AB and CD should be uneven
as well as the space between EF and GH.
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Balance
Do not place both the main tree and the accent in a straight line
The spacing between CD and EF is too even.
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Balance
Never place the accent plant (A)directly in front of the main
tree(B). The main tree should either be to the left or the right
of center.
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Season
Each of the seasons, Summer, Winter, Spring, and Fall
may be represented in the display. Often one of the
objects in the display (either a scroll or an accent plant)
will celebrate the coming of the next season. An example
could be a bonsai in winter silhouette, an accent of dried
grass, and a scroll showing bamboo in leaf (anticipating
spring).
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Summer
A bright
summer’s moon
shines upon the
leaves of this
maple.
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Winter
The scroll
describes the
cold winter wind
in a poem.
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Late Winter
The scroll contains
a migrating bird, in
anticipation of the
coming spring.
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Late Winter - Early Spring
The quince
blooms very early
- spring may be
just around the
corner.
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Spring
The flowers on
both the azalea and
the accent have just
begun to emerge.
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Late Spring-Early Summer
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Summer
A summer
hawk soars
over fields
and flowers.
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Autumn
A grass planting -
the seed heads
indicate that fall
has arrived.
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Placement (location within the visual frame )
Is a triangle formed
in the composition?
Are the earth and
sky present?
Is the ratio of empty
space and occupied
space sufficient?
Are objects placed
appropriately to one
another?
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An example of proper placement - the branches point to
the right, and the half circle movement of the grass
swings to meet it
Placement
Incorrect - the movement of both objects
is going away from each other.
Improper placement - the flow of the grass
is going away from the main tree.
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Harmony (visual balance)
Do each of the objects in the
tokonoma compliment one
another?
Is the main focus on the tree?
Is there a pleasing relationship
between empty space and
occupied space?
Is each stand’s style appropriate
for the composition?
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Harmony
A tall graceful Bunjin bonsai
planted in a Kurama stone type
slab will need a thin natural slab.
A tall slender Bunjin on a heavy
slab looks overpowered.A round, simple, rustic old stand
is more suitable. An old wine
barrel bottom makes an unusual
one.
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Harmony
Which stand is
appropriate for
this bonsai?
A strong stand
supports this
massive tree.
The lines of the
stand compliment
the lines of the
tree.
Too delicate and
unstable
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Elements of Display
• Theme
• Balance
• Season
• Placement
• Harmony
• Emotion
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Emotion (color and motion)
The flowers of the scroll and those of the accent planting
add contrasting colors to this display.
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Emotion (color and motion)
This stark winter display shows the land bare and lifeless.
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Kei Do - The Art of Bonsai Display
Sources for this presentation:
Bonsai Techniques II: by John Naka
International Bonsai Magazine: Various Tokonoma
Displays
Bonsai (BCI magazine)- “Keido: The Way and
Appreciation” by Jerald Stowell
This PowerPoint presentation © Jim Brant
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One of the cultural differences concerning the display of bonsai
trees is, very basically, that traditional Japanese homes are
architecturally and characteristically designed so as to contain
within the structure itself a tokonoma or - a place of honor -
where bonsai are arranged and displayed on a seasonal and
celebratory basis throughout the year; while in a typical Western
style home, a bonsai display would, more likely than not, be
arranged outside or in an outside setting, because bonsai - and
the practice of displaying bonsai - is not culturally traditional in
the West (.yet!).
Kei Do - The Art of Bonsai DisplayA footnote.
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Contemporary display, or informal display, is
not as "rule-bound” as we ascribe to Keido, or
formal display.
Successful contemporary displays do however,
utilize the basic elements of display; theme,
balance, season, placement, harmony and
emotion.
Contemporary Display
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Contemporary Display #1
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Contemporary Display #2
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Contemporary Display #3
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Contemporary Display #4
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Contemporary Display #5
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Contemporary Display #6
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Contemporary Display #7
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Contemporary Display #8
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Contemporary Display #9
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Contemporary Display #10
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Contemporary Display #11
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Contemporary Display #12
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Contemporary Display #13
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Contemporary Display #14
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Contemporary Display #15
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Contemporary Display #16
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Contemporary Display #17