Download - [K-12] MAPEH 8 - Peking Opera of China
![Page 1: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/1.jpg)
Peking Opera of ChinaA Report by Group I of 8 - Centrioles
![Page 2: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/2.jpg)
China is known for their traditional theater art form, the Peking opera, or Beijing opera which combines music, vocal performance, pantomime, dance, and acrobatics.
![Page 3: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/3.jpg)
It started in the late 18th century and became fully developed and recognized by the mid-19th century.
During the Qing Dynasty court, it became extremely popular and came to be regarded as one of the cultural treasures of China.
![Page 4: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/4.jpg)
Pupils were often handpicked at a young age by a teacher and
trained for seven years on contract from the child’s parents.
Daytime was spent learning the skills of acting and combat and
senior students performed in outside theaters in the evening.
After 1911, training took place in more formally organized schools.
Students of these schools rose as early as five o’ clock
in the morning exercises.
![Page 5: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/5.jpg)
Characters and Roles
![Page 6: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/6.jpg)
ShengPeking Opera’s main role.
There are three kinds.
![Page 7: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/7.jpg)
XiaoshengActors are often involved with beautiful women by virtue of the handsome and young image they project.
![Page 8: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/8.jpg)
It is a martial character for roles involving combat. They are highly trained in acrobatics and have a natural voice when singing.
Wusheng
![Page 9: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/9.jpg)
LaoshengA dignified older role. These characters have a gentle and cultivated disposition and wear sensible costumes.
![Page 10: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/10.jpg)
DanIt refers to any female role in Peking Opera.
There are five kinds.
![Page 11: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/11.jpg)
LaodanAn old woman.
![Page 12: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/12.jpg)
WudanA martial woman.
![Page 13: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/13.jpg)
DaomadanA young female warrior.
![Page 14: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/14.jpg)
QingyiAn elite, virtuous woman.
![Page 15: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/15.jpg)
HuadanAn unmarried, vivacious woman.
![Page 16: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/16.jpg)
JingJing is a painted face male role who plays either primary or secondary roles.
This type of role entails a forceful character, which means that a Jing actor must have a strong voice and be able to exaggerate gestures.
The red color denotes loyalty and goodness, white denotes evil, and black denotes integrity.
![Page 17: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/17.jpg)
ChouA male clown that usually plays secondary roles.Chou, meaning “ugly”, reflects the traditional belief that the clown’s ugliness and laughter could drive away evil spirits.
![Page 18: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/18.jpg)
Visual Performance
ElementsPeking opera performers
utilize four main skills such as the following.
![Page 19: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/19.jpg)
Song
Dance-Actingpure dance
Speech
Combat
pantomime
other types of dances
acrobatics
fighting with all manner of weaponry
![Page 20: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/20.jpg)
A review on
Peking Opera’s Facial Makeup Colors and
Their Meanings
![Page 21: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/21.jpg)
Black
fierceness........
........
roughness
![Page 22: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/22.jpg)
Blue
loyalty
fierceness
sharpness
................
........
![Page 23: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/23.jpg)
Green
impulsive
stubbornessviolence
........
........
........
![Page 24: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/24.jpg)
Purplesophistication
cool-headedness
uprightness
...........
.....
........
![Page 25: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/25.jpg)
Red
devotion
courage
bravery
loyalty uprightness........
........
........
........ ........
![Page 26: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/26.jpg)
Reddish Purple (Magenta)
just................
nobility
![Page 27: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/27.jpg)
White
craftiness
dangerousness
........
........
........
suspiciousness
![Page 28: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/28.jpg)
Yellow
ambition
cool-headedness
fierceness
........
......
..
........
![Page 29: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/29.jpg)
XiaohualianIt is a small patch of chalk on around the
nose.
Clowns of traditional drama who wears this special
makeup show any mean and secretive character.
![Page 30: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/30.jpg)
Aesthetic Aims and Principal
MovementThe highest aim of performers in Peking opera
is to put beauty into every motion.
The art forms, gestures, settings, music, and character types are
determine by long help conventions.
Conventions of movement include the following.
![Page 31: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/31.jpg)
Walking in a large circle always symbolizes
travelling a long distance.
![Page 32: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/32.jpg)
A character straightening his or her costume and headdress symbolizes that an important
character is about to speak.
![Page 33: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/33.jpg)
Pantomimic is the opening and closing of the doors
and mounting and descending of the stairs.
![Page 34: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/34.jpg)
Staging and Costumes
![Page 35: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/35.jpg)
StageThe stage are composed of square platforms, action on stage is usually visible from at least three sides; stages were built above the line of sight of the viewers, but some modern stages have been constructed with higher audience divided into two parts by an embroidered curtain called shoujiu.
![Page 36: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/36.jpg)
CostumesXingtou, popularly known as Xifu, in Chinese origins of Peking opera. Costumes can be traced back to the mid-14th century. They enable the audience to distinguish a character’s sex and status at first glance – if noble or humble, civilian or military, officials or private citizens, give expressions to sharp distinctions between of good and evil or loyal and wicked characters.
![Page 37: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/37.jpg)
CostumesOblong wings (Chizi) attached to a gauze hat indicate a loyal official. In contrast, a corrupt official is made to wear a gauze hat with rhomboidal wing.
![Page 38: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/38.jpg)
The play utilizes very few props, will almost always have a table and at least one chair, which can be turned to convention into such diverse objects as a city wall, a mountain, or a bed. A whip is used to indicate a horse, and an oar symbolizes a boat.
Props
![Page 39: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/39.jpg)
They are visible to the audience on the front part of the stage.
Musicians
![Page 40: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/40.jpg)
They immediately move to the center north upon entering the stage. All characters enter from the east and exist from the west.
Performers
![Page 41: [K-12] MAPEH 8 - Peking Opera of China](https://reader035.vdocuments.mx/reader035/viewer/2022081415/55cdb22cbb61eb20328b4741/html5/thumbnails/41.jpg)
End of report.Thank you for listening!A Report by Group I of 8 - CentriolesB1 Agcamaran, Patrick JosephB2 Asence, Erick JustinB3 Batuhan, Mark AljoB4 Besmonte, John MichaelB5 Borabien, Miguel AngeloB6 Camasis, Karl EmmanuelG1 Alvarez, Ashley MaeG2 Atienza, Paulinne ViancaG3 Bumanglag, Julia ShaaneG4 Carpio, ComeiG5 Coronel, IrishG6 Deuda, Angela CamilleG7 Embile, Aleeyah JasmineG8 Evale, ExcellaG9 Gutierrez, Urielle Rosalynne