Download - EMC 3000 Lecture 3 - Within the Frame
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EMC / JOUR 3000 INTRO TO MOTION
PICTURES
Edward Bowen
Lecture Three – Inside the Shot
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Technology of Motion PicturesIntrashot Communication• Location - A real place chosen to shoot one or more
shots for a film. “Jaws” (1975)
http://www.youtube.com/watch?v=7cRpoMpUgC0
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Technology of Motion PicturesIntrashot Communication• Location - A real place chosen to shoot one or more
shots for a film. “Black Swan” (2010)
http://www.youtube.com/watch?v=sMOzjoC1n7Y
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Technology of Motion PicturesIntrashot Communication• Location - A real place chosen to shoot one or more
shots for a film. “Ana’s Playground” (2009)
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Technology of Motion PicturesIntrashot Communication• Set - A place built to specifications as an environment
for one of more shots in a film. “Phantom of the Opera” (2004)
http://www.youtube.com/watch?v=jAR54mNVh48
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Technology of Motion PicturesIntrashot Communication• Set - A place built to specifications as an environment
for one of more shots in a film. “Silent Hill” (2006)
http://www.youtube.com/watch?v=vzu1JR1-RFs
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Technology of Motion PicturesIntrashot Communication• Set - A place built to specifications as an environment
for one of more shots in a film. “Sweeney Todd” (2007)
http://www.youtube.com/watch?v=xzKu_mSVXlU
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Technology of Motion PicturesIntrashot Communication• Set - A place built to specifications as an environment
for one of more shots in a film. “The Garbage Pail Kids” (1987)
http://www.youtube.com/watch?v=0lXmuXVGidY
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Glass Shots and Hanging Miniatures.
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Foreground (hanging) miniatures. “Ben-Hur” (1925)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Foreground (hanging) miniatures. “Ben-Hur” (1925)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Mattes. “Ben-Hur” (1959)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Mattes. “Ben-Hur” (1959)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Mattes. “Ben-Hur” (1959)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Mattes. “Ben-Hur” (1959)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Mattes. “Ben-Hur” (1959)
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Technology of Motion PicturesIntrashot Communication• Set Extension - Extending or replacing various
elements within through various special effects.• Virtual extension.
http://www.youtube.com/watch?v=clnozSXyF4k
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Technology of Motion PicturesIntrashot Communication• Virtual Set - An environment created through digital
effects. “Tron: Legacy” (2010)
http://www.youtube.com/watch?v=uhyScbAZrFs
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Technology of Motion PicturesIntrashot Communication• Virtual Actors. “Sky Captain and the World of
Tomorrow” (2004) Laurence Olivier (1907-1989)
http://www.youtube.com/watch?v=AqGBt0124bY
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Technology of Motion PicturesIntrashot Communication• Virtual Actors. “Terminator Salvation” (2009)
http://www.youtube.com/watch?v=L7YYfgx_cHo
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
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Technology of Motion PicturesIntrashot Communication• Virtual Actors - The Uncanny Valley
http://www.youtube.com/watch?v=CNdAIPoh8a4
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Technology of Motion PicturesIntrashot Communication• Virtual Actors. “Sim0ne” (2002)
http://www.youtube.com/watch?v=salcZxwspxg
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Technology of Motion PicturesIntrashot Communication• Blocking - Placement of the actors and determination
of their movements within the location or set and shot, in relation to the camera.
http://www.tcm.com/mediaroom/video/11517/Citizen-Kane-Movie-Clip-The-Sacred-Cause.html
“Citizen Kane” (1941)
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Technology of Motion PicturesIntrashot Communication• Blocking - Placement of the actors and determination
of their movements within the location or set and shot, in relation to the camera.
“Citizen Kane” (1941)
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Technology of Motion PicturesIntrashot Communication• Blocking - Placement of the actors and determination
of their movements within the location or set and shot, in relation to the camera.
http://www.youtube.com/watch?v=8yuR_HjCLcw
“Citizen Kane” (1941)
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Technology of Motion PicturesIntrashot Communication• Blocking - Placement of the actors and determination
of their movements within the location or set and shot, in relation to the camera.
http://www.facebook.com/video/video.php?v=10150301284860612
“The Sound of Music” Robert Wise (1965)
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Technology of Motion PicturesIntrashot Communication• Blocking - Placement of the actors and determination
of their movements within the location or set and shot, in relation to the camera.
“Jaws” Steven Spielberg (1975)
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Technology of Motion PicturesIntrashot Communication• Framing - The perceived distance relationship of the
camera (viewer) to the subject
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Technology of Motion PicturesIntrashot Communication• Framing - Close-up: A shot framed to emphasize the
human head or face, or something of the same approximate size of the human head. Abbreviated CU.
• Variations: Extreme Close-up, Shoulder shot.
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Technology of Motion PicturesIntrashot Communication• Framing - Close-up
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Technology of Motion PicturesIntrashot Communication• Framing - Close-up
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Technology of Motion PicturesIntrashot Communication• Framing - Close-up. “La Passion de Jeanne D’Arc”
(1928) Carl Theodor Dreyer
http://www.youtube.com/watch?v=nAqnUPqj3JY
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Technology of Motion PicturesIntrashot Communication• Framing - Close-up. “A Place in the Sun” (1951)
George Stevens
http://www.youtube.com/watch?v=nAqnUPqj3JY
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FramingClose-ups - Extreme Close-ups
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FramingClose-ups - Extreme Close-ups
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Technology of Motion PicturesIntrashot Communication• Framing - Extreme Close-up. “Citizen Kane” (1941)
Orson Welles
http://www.youtube.com/watch?v=jipboWI9uiE
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Technology of Motion PicturesIntrashot Communication• Framing - Extreme Close-up. “Blue Velvet” (1986)
David Lynch
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=282728
http://youtu.be/nM975_Ld9S0http://www.youtube.com/watch?v=wDEzzFtrCTs
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FramingClose-ups - Shoulder Shot
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FramingClose-ups - Shoulder Shot
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FramingClose-ups – “Jaws”
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FramingClose-ups – “Jaws”
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FramingClose-ups – “Jaws”
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FramingClose-ups – “Jaws”
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Technology of Motion PicturesIntrashot Communication• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate size of the human head. Abbreviated CU. Variations: Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a significant portion of the person’s body. Variations: Waist shot, cowboy, knee shot.
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FramingMedium Shots - Waist Shots
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FramingMedium Shots - Waist Shots
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FramingMedium Shots - Cowboys
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FramingMedium Shots - Cowboys
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FramingMedium Shots – “Jaws”
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FramingMedium Shots – “Jaws”
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Technology of Motion PicturesIntrashot Communication• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate size of the human head. Abbreviated CU. Variations: Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a significant portion of the person’s body.m Variations: Waist shot, cowboy, knee shot.
• Full Shot (FS): Shows one or more full human forms from just below the feet to just above the head.
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FramingFull Shots
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FramingFull Shots
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FramingFull Shots
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FramingFull Shots
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FramingFull Shots
“Top Hat (1935) ”
http://www.youtube.com/watch?v=2poNEiVZNXQ
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FramingFull Shots – “Jaws”
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FramingFull Shots – “Jaws”
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Technology of Motion PicturesIntrashot Communication• Close-up: A shot framed to emphasize the human
head or face, or something of the same approximate size of the human head. Abbreviated CU. Variations: Extreme Close-up, Shoulder shot.
• Medium Shot (MS): Shows a person’s face and a significant portion of the person’s body.m Variations: Waist shot, cowboy, knee shot.
• Full Shot (FS): Shows one or more full human forms from just below the feet to just above the head.
• Long Shot (LS): Includes more of the environment, establishing more fully details of the surrounding mise en scene. Variations: Extreme long shot.
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FramingLong Shots
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FramingLong Shots
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FramingLong Shots
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FramingLong Shots - Extreme Long Shots
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FramingLong Shots - Extreme Long Shots
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FramingLong Shots - Extreme Long Shots
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FramingLong Shots - Extreme Long Shots“Lawrence of Arabia” (1962) David Lean
http://www.youtube.com/watch?v=FvBcl40QOhQ
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FramingLong Shots - Extreme Long Shots
“Troy” (2004) Wolfgang Petersen
http://www.youtube.com/watch?v=cCg8Ku7C5eI
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FramingLong Shots – “Jaws
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FramingLong Shots – “Jaws
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Technology of Motion PicturesIntrashot Communication• Camera Angle - The position/perspective of the
camera (viewer) to the subject.
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Technology of Motion PicturesIntrashot Communication• Camera Angle - The position/perspective of the
camera (viewer) to the subject.• Eye Level - Camera is placed face on to the subject
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Technology of Motion PicturesIntrashot Communication• Camera Angle - The position/perspective of the
camera (viewer) to the subject.• Eye Level - Camera is placed face on to the subject• Low Angle - Camera is below the subject looking up
on it. Since this is the child perspective of an adult, the low angle is thought to strengthen the subject. Anyone above your view is a superior, threatening or dominant.
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PerspectiveLow Angle
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PerspectiveLow Angle
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PerspectiveLow Angle
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PerspectiveLow Angle
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PerspectiveLow Angle
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=11517
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PerspectiveLow Angle – “Jaws”
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PerspectiveLow Angle – “Jaws”
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Technology of Motion PicturesIntrashot Communication• Camera Angle - The position/perspective of the
camera (viewer) to the subject.• Eye Level - Camera is placed face on to the subject• Low Angle - Camera is below the subject looking up
on it. Since this is the child perspective of an adult, the low angle is thought to strengthen the subject. Anyone above your view is a superior, threatening or dominant.
• High Angle - Camera is above the subject looking down on it. Since this is the adult perspective of a child, the high angle is thought to weaken the subject. Anyone below your view is subordinate.
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PerspectiveHigh Angle
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PerspectiveHigh Angle
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PerspectiveHigh Angle
“Footlight Parade” (1933) Lloyd BaconChoreography by Busby Berkeley
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PerspectiveHigh Angle
“Golddiggers of 1935” (1935) Busby Berkeley
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=319165
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PerspectiveHigh Angle
“Psycho” (1960) Alfred Hitchcock
http://www.youtube.com/watch?v=--v0-I0waqs
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PerspectiveHigh Angle – “Jaws”
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PerspectiveHigh Angle – “Jaws”
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PerspectiveCanted / Dutch / Oblique Angle
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PerspectiveCanted / Dutch / Oblique Angle
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PerspectiveCanted / Dutch / Oblique Angle
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=116306
“The Third Man” (1949) Carol Reed
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PerspectiveCanted / Dutch / Oblique Angle
“The Third Man” (1949) Carol Reed
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PerspectiveCanted / Dutch / Oblique Angle
“Batman” (1966) Leslie H. Martinson
http://video.google.com/videoplay?docid=-3016507337716192329#
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PerspectiveCanted / Dutch / Oblique Angle
“Being Human” (2010)
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PerspectivePoint of View (POV)
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PerspectivePoint of View (POV)
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PerspectivePoint of View (POV)
Kuleshov Experiment (1910s)
http://www.youtube.com/watch?v=4gLBXikghE0
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PerspectivePoint of View (POV)
“Rear Window” (1954) Alfred Hitchcock
http://www.youtube.com/watch?v=QLL8HY8MSPs
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PerspectivePoint of View (POV)
http://www.tcm.com/mediaroom/video/222833/Dr-Jekyll-and-Mr-Hyde-Movie-Clip-What-is-it-Poole-.html
“Dr. Jekyll and Mr. Hyde” (1932) Rouben Mamoulian
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PerspectivePoint of View (POV)
“Dr. Jekyll and Mr. Hyde” (1932) Rouben Mamoulian
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PerspectivePoint of View (POV)
http://www.tcm.com/mediaroom/video/34657/Lady-In-The-Lake-The-Original-Trailer-.html
“The Lady in the Lake” (1946) Robert Montgomery
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PerspectivePoint of View (POV)
“Halloween” (1978) John Carpenter
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PerspectivePoint of View (POV)
http://www.youtube.com/watch?v=cpb13mDBP1I
“Doom” (2005) Andrzej Bartkowiak
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PerspectivePoint of View (POV)
“Jaws” (1975) Steven Spielberg
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Technology of Motion PicturesIntrashot Communication -Lenses• Normal lens – A lens that creates an image similar to
way we normally see the world.
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Technology of Motion PicturesIntrashot Communication -Lenses• Wide Angle Lenses – Provide a wider field of view,
deeper focus, and exaggerated depth.
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Technology of Motion PicturesIntrashot Communication -Lenses• Wide Angle Lenses – Provide a wider field of view,
deeper focus, and exaggerated depth.• Fish eye lens – Extreme wide angle.
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Technology of Motion PicturesIntrashot Communication -Lenses• Wide Angle Lenses – “Seconds” John Frankenheimer
(1966)
http://youtu.be/VI86izb9Qkwhttp://youtu.be/DQhlCRpuX8Y
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Technology of Motion PicturesIntrashot Communication -Lenses• Telephoto Lenses – Provide a narrower, magnified
field of view, shallow focus, and compressed depth.
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Technology of Motion PicturesIntrashot Communication -Lenses• Telephoto Lenses – Provide a narrower, magnified
field of view, shallow focus, and compressed depth.• “The Graduate” (1967) Mike Nichols
http://www.youtube.com/watch?v=i9eIXN6Sp40
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Technology of Motion PicturesIntrashot Communication• Focus - An image that is sharp with details precisely
defined.
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Technology of Motion PicturesIntrashot Communication• Focus - An image that is sharp with details precisely
defined. • Deep Focus -When everything, or almost everything,
in a shot is clearly in focus, deep focus is achieved.
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FocusDeep Focus
“Citizen Kane” (1941) Orson Welles
http://www.youtube.com/watch?v=6UeqAXas-oA
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FocusDeep Focus
“Citizen Kane” (1941) Orson Welles
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Technology of Motion PicturesIntrashot Communication• Focus - An image that is sharp with details precisely
defined. • Deep Focus -When everything, or almost everything,
in a shot is clearly in focus, deep focus is achieved.• Soft Focus - Certain creative situations call for
images that are not harsh and sharp but muted. Soft focus is usually achieved by placing something in front of the lens (gauze), something on the lens (Vaseline), or slightly defocusing the lens. Older actors used to insist on gauze shots in closeups in order to hide the signs of their age.
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FocusSoft Focus
“Casablanca” (1942) Michael Curtiz
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FocusSoft Focus
“Vampyr” (1931) Carl Theodor Dreyer
http://www.tcm.com/mediaroom/video/82463/Vampyr-Movie-Clip-Shadows.htmlhttp://www.tcm.com/mediaroom/video/82468/Vampyr-Movie-Clip-Coffin.html
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Technology of Motion PicturesIntrashot Communication• Focus - An image that is sharp with details precisely
defined. • Deep Focus -When everything, or almost everything,
in a shot is clearly in focus, deep focus is achieved.• Soft Focus - Certain creative situations call for
images that are not harsh and sharp but muted. Soft focus is usually achieved by placing something in front of the lens (gauze), something on the lens (Vaseline), or slightly defocusing the lens. Older actors used to insist on gauze shots in closeups in order to hide the signs of their age.
• Selective Focus - Deciding which elements in a shot will be in and out of focus.
• Rack Focus - Shifting focus during a shot.
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FocusSelective Focus / Rack Focus
“The Young Victoria” (2010) Jean-Marc Vallee
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FocusSelective Focus / Rack Focus
“Apricot” (2009) Ben Briand