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E L E M E N T S O F F I C T I O NA D VA N C E D P L A C E M E N T E N G L I S H L I T E R A T U R E & C O M P O S I T I O N
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F U T U R E S U C C E S S N O - B R A I N E R
• If you already know the material included in a lecture — do yourself a favor and refrain from writing it down.
• If you know the material, but are unsure of whether or not you will remember it for a test — write it down.
• If you do not recognize the material at all — WRITE IT DOWN!!!
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F I C T I O N
• Fiction refers to any work of narrative, prose, or verse that is wholly or in part a work of the imagination.
• Examples: folklore, fairy tales, short stories, epics, plays, and novels.
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M I M E S I S
• In Poetics, Aristotle refers to the process of mimesis (or imitation).
• One of his contentions is that poetry imitates life. This is also true of fiction.
• However; when it comes to fiction literature we are discussing a reconstruction, or representation of life.
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L I T E R A R Y E L E M E N T S
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P L O T
• Aristotle — Plot is the arrangement of incidents to create an effect.
• Most plots have a beginning, a middle, and an end; not necessarily in that order, and conflict.
• : Can be external (human VS human or human VS environment) OR internal (human VS self)
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E X P O S I T I O N
• Basic background for the story.
• Author sets the time and place, introduces characters, and establishes the basic situation and conflict, or the potential for conflict.
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C O M P L I C AT I O N
• The complication (rising action) develops and intensifies the conflict.
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C R I S I S
• The moment of greatest conflict.
• This is the turning point.
• Leads to the resolution.
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FA L L I N G A C T I O N
• The action after the crisis in which the conflict moves toward resolution.
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R E S O L U T I O N
• Also referred to as the denouement, or conclusion.
• Outcome of the plot and the conflict.
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S H O R T F I C T I O N & T H E F I V E S TA G E S O F P L O T
• Usually, these five stages are present in short fiction.
• In novels,the action may repeat many times throughout the course of the work.
• In general, older, more traditional works use this order of plot.
• Some modern works do not.
• In medias res
• Author may deliberately refuse to employ a resolution and leave the action open-ended.
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O R D E R O F P L O T
• Usually chronological
• May begin at the beginning, the middle, or end, and work backwards.
• If it begins in medias res, the literary device of flashback is used to introduce information we would not get otherwise.
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C H A R A C T E R
• Refers to any individual within a story.
• Protagonist: central character
• Antagonist: character with whom the protagonist is in conflict with
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C H A R A C T E R D E V E L O P M E N T
• Flat/Static characters
• One type, one characteristic, stereotypes, or caricature
• Round/Dynamic characters
• Multidimensional characters with the capacity to grow or change
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M E T H O D S O F C H A R A C T E R I Z AT I O N
• Direct Characterization Methods
• Names of characters
• Appearance of character
• Characterization by the author
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M E T H O D S O F C H A R A C T E R I Z AT I O N
• Indirect Characterization Methods
• Characterization through dialogue
• Characterization through action
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S E T T I N G• Essentially where and when the action takes place.
• Functions:
1. Background
2. As an antagonist
3. For atmosphere
4. Means of revealing character
5. Means of reinforcing the theme
6. Time of day/historical time to make a point
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P O I N T O F V I E W
• Narrative Voice: speaker of the story; the one who tells. The speaker and the author are ALWAYS two separate entities.
• Point of View: the method of narration that determines the position or angle of vision from which the story is told.
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T Y P E S O F P O I N T O F V I E W
Participant Narrator:
• Writes in the first person ("I")
• Can be either a major or minor character.
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T Y P E S O F P O I N T O F V I E WNonparticipant Narrator:
• Writes in the third person ("he," "she")
• Can possess different levels of knowledge about characters
• All-knowing or omniscient (sees into any and all characters)
• Limited omniscience (sees into one character)
• Objective (does not see into any characters, reports events from outside)
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T Y P E S O F P O I N T O F V I E W
Innocent Narrator
• Also known as the naïve narrator.
• A character who fails to understand all the implications of the story.
• Unreliable Narrator
• The point of view is that of a person who we perceive, is deceptive, self-deceptive, deluded, or deranged.
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T Y P E S O F P O I N T O F V I E W
Stream of consciousness
• Phrase coined by psychologist William James to describe the procession of thoughts passing through the mind.
• In fiction: the presentation of thoughts and sense impressions in a lifelike fashion — not in a sequence arranged by logic, but mingled randomly.
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T H E M E• The central, overriding statement about life that
unifies and controls the work.
• The author's message in writing.
• Tend to be abstract:
• The unfailing corruption of power
• The unfailing power of love
• The fear of death or judgment
• The importance of identity
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S Y M B O L
• Something that stands for something else because of relationship, association, convention, or accidental resemblance.
• A visible sign of the invisible.
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T Y P E S O F S Y M B O L S• Traditional
• Accepted associations
• Common property of a culture
• Widely accepted as universal
• Original
• Derive meaning from the author
• Highly original to the author
• Can become traditional, but for the most part are largely confined to the context of the work
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U S E O F S Y M B O L S• Setting
• May stand for something more than the geographical or historical element
• Plot
• An event may be symbolic of something else
• Character and Symbol
• A character can stand for something through the use of names
• Objects characters use may also function as symbols
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A L L E G O R Y
• A type of literature in which the characters and frequently the setting and events represent abstractions such as ideas, qualities, or events.
• Frequently moral, religious, or political.
• Usually assigns a symbol to a character or event and uses it consistently.