M Y H 'A K p s

() E 'r

%ct. , >)y'''..,

. zu> qh %):. 42 jj jr jgj'7. è 't .. & o u g f...' !y ?:J. yjï>.2)':' ;11p 41:. ..

.. ).ï 1, 4'::7. o F!:. utu.gj..' G

.. /'y() . . '

. 1. ;

. 4 u E, w o R < M v . s9 R 4

j

DO E : ;h

.. ,, . ..v,. . . > .

, . . .., Y- hr N . . .ff .

*:#1% kxt$iii.%AW Tb %M Aùotl kftkis GBm 'z

# wldy.v px: mu, vgms'r s/ky Apop'y mtaV'

a . .. . . ft Ré' lx:j é à ?( ' ' '' ' a -. . a $ % YQU: .0 'E . T.. . ... , o-j *NNU, x . .

. J

. . ( 7:.i '

. . ,.% ., k L

.'

.. . . '1 t

. z%W * ' s . . ' 1. .;' . e . A :1. .. ..

... c .. , . $j4.. .z... 'i'îky, 1k; .y..

'rz. ... . ,. . 6 . . . j)y .. l . ' é,ç ... .. . + ,.. . . . . j. . . x k .'Y ' ' * 'C % ' ' ze .' A .1 '. . . . , j: .. 4 . . .' s . < ( 9t

. . . . ,

. . . .. .. C ;

x l .... J . . L . . .... . $ * ' t ' .

. > 5.% . '..t . .;, . . ) .;

i ' 4 i. . :. *ê . t ' .') . ' ' 1' '4. ,,.s .t$ c?: '' 3 ' C ' V ' D@

. q

..)' !j2 L. Nd it...

.:e- .

) . .. .

> . ''.*J' .e . . .' ' : 'f !; ,. . z.cbu . '.. ' r' . '.' !J1#M,-tt :t' '.'r:.. . ' 4 ' ,r'

s .. . 9! . .. . . ' . ,' ' N.. > N 7 ox . @ . : t);. $411 ?i3..b'l... ;.. .'''nqi'i' ' '# %i;ï k. '' l.'l .

., ë kti;k. . . . . ... ) 411jjj w . ' g ..y'. . . ,t ... :, .oks . .- . .. :p. '.

. if - , .* .

i ..+.' 1 '*> 'y . ..ê .. A (0 7,

t!.

''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''d

.. ' '

'( 2.

.. t'. I I . ).'..:), ' $.

,). j yy yyy.'. t y

'. I ';'. I , . .

. celebrate the DIY splrlt ''. w lth C RA FT. the f i rst .7ô' y'

project-based m agazine

)( dedicated to the growing7 com m unlty Of im aginative * -

t people revolutrorllzing the * 1$' w orl d of a rts a nd crafts

. . * 7

.t.v C .% ' ' h XJ.

. . . . 7 7 '

t. .'. . . ' '' J.. .t ! r : ?. . . . $ . . jr . .J 'x

. ' ..

' ' x -' .. .., ' ' *ENTER PR() M O CO DE' SD AN

. transforn,lr'g tradltkonal crafts''' OFFERVALID TFIROUGH o2zz8z()7 >

r . . . . . . . . . . . . . . . '

: : @ . : . . .

. . $ - J,. X.Q

S a ra h Utt e r E n cou ra g () L i: () r a c y Queen be e C reatio n s C a r ry I t

E m i Iy R yan Lerne r Ca p! tl re I t A1 I L ùt tl e Ot s u Yo u r L i f e Kee p Tr a c k

I z'

. iijsA ' j 1

.. y. ,j. :/.*

. 1 ( :'' . '* Q: X '' '' '' 'w ,.

= # z..! iN éJ .

> . zF.. ,

Nikki h! c Clure '. ''';'

1 ' .. ls' thq (1i a.I' that We a1l. y ,. . 7 . ,Qarry abotlt Vflth Qs. 'VSIZI' W lâe jtq: :

....x..,# .

A r .

. . n -' .= ' sg/c JL . nbzïf-' '

. - . . . -. vïùzL . . .

. J. > . . .j Q ' . ... . .- X.

.2- a. . ..j ... ...n . u .

- i a i e wa. 'rxan nnov t s: ptc cactuze momenis,'

t. .ilnd 1',x esel ge 2eZ1ol iesl Puz' rile OOWS 3x Qit-'' Vot Litzlnitto.t

:nskp sistit)tl

.com J .coM - scr W pboo k.com

' 5 - --' - -x . ..$' .. d

. i !t y ' . . ' ,< .q' -wl ; . ' 'T.1 .

,J 4 . .f. ' '>. .,. ( . .s,iï : j,

$ ,. . >

h z,,t : ..-.

a -.W : *1 e œ - - -

awoa sa a .

/o . b- zuu.u w r.nK ? & i

. A

k . xr -

2 . . $1j

A. . ); ... . j?k . . . .k '

: . :. :1 / / 4 y. .j j . ,. . . yt ,t: I . 'x @.

. . jym , z2. .. / !

aj #. t - < .'

' ' I , '' i' '.:

'

.. #

Jj - x< .-. j j ,4 . ,. w 'p,, , : ! t , .

W ' k V W '. . . ..

. .. hkqyy

kqyy.. .

'

'

'

'

IE i'

'

15ç..

'

i'..

'

'i.'' .

'

' '

' ''

'

''

'

'

'

1:.' uN . 1 ,..' ' uy '' ;'

t, ). jjrq . . /t. (..

. . . ' t !

. )1 ... j. 1 i, ... .4.!1 11 ..

. j. . ;. wppj,

.l; t.<.

... !kj jj

. . . .. :2 kb

, ,A. 4 .,

k. *' - ' 'e-p /

. à < ,

.. k

l

j

'

$ '.$ I .

. k., lI .N l zu- u

.. j ,s4.

.- . .- .

. . jjk .....x %. Ayy .. u -r- M .

k ' j .'* 'w* .4yp:/4- w/p 1 k-!1 ' vppko . a*hlT,.-x<.x . .. Y . 5 .: w .w. . x...s h j ls . ct . '. , ;L.g c...:j'Q . z

. '

. . .

. zx;y 'r' '. . . c! k.1 $ v ' # .v. I 'ï ' ''f S.'J'''x â t..rp . . . . r r ;

t -

w 'f

+ 23, .. ...ajjjj.

. y <..!14j#/. . . v''tt'v'

.

$

# +

'; . ! . .'.*. . u. # ..

% . h:.t . 7J

% .

k.

' A I #* - * * *''

. !j j ,. . p y! , -

l jI e 1j 1 .2

-

a j j w 1

c ra't 3 1

l %e

#

;' .z. J ' ' ''

.;

(rkj'r. ..' ... .' .

<C

m

. z C LO N ES

* .*

'

1-

,111s . .... y

' . e =' ''1 .L'. -N 1: '4z j -'< G éEr .t j. . yty j.? v. k

- ktj L yéï . g...yEjjj--

..J..F x V- y.IE.!Zk-'' q.'' tbc-#i,

. w

m, ...sp . j . . j . J s;: u#

'

g .. ..

.* j ' '

. . 'x4. .N x.

4 .. ' .

c.aft :;7

w < ** >*

* %

k, . = *W ' ' x.l

zd QNl:k

I

lw,1. #

' %&'' j. ' *!.. ky,;' . j+

G.

x D * i > f' - %

$ #$

,.xjjjj'1*

ï#

c I .1 . c. zî 6)

' /' d (' i!' f!!

-

j , + j, j. j. j , y. f t .';; .o , ) ,. . . .f ! ' ' ,

F p M ''- 3 * *' .

, w.. , . . y'. V X '@ : '

. . ' ,î .. 4

j . . !;,j ..., , . !y. ,, . . jx M' # ,'

# Q. > 7) . .

. .

,

. e '.- .a . .' e. .

'

. . '

..

,,,-,---,-,

'

,.,,,,.,,

'

-..-...-,.,.jj:y:;,, .

'

.

'

.

'

. -!!j:

'

f r rf,:.,,,r . . 4 '... f 1 - . .

. .P . . *

'

. :. t I J ('

.. )! . ., . N. . y,. , , p. . ?

. j j' '

,. . .v' '

. ., .-..-

- jj. . (. v

'

.

N ' - * .

t' . . -

' ' .'

'

'V* ' J1.1 !N ù ;jà;.q.

-

,

''

. J yg x ç. '< .. v . . ..; '..). . . . . x:

b . ? ;ïy' ïrr 7:: ' . , '. () ;i . ..f: s. . . . . .

. ,g . Yi.v

z#' '-r.

h

. . k:

RECYC LE PATTERN S A N D A . ;,Xhj xt.,

>,, L)PAIR OFJEANS TO CROCHET

. kA RETRO S H O ULD ER BAG. f ,l

91 r r 1 3 e 'JY p . 1' ' I I M f f'fo Iç

rReduce, reuse, and recyc Ie have ..p.,t, ,y.,u. ,..), .,u;,:s

I .

'

, ! r . t '

replaced reading. riting. and rithm etic ..,:,,e.ce,e.,t,uf'..,n.II,..è,

as the three Rs forem ost in people's

m inds. It w as in this spirit that I created 's-5W-. ' '. '', ' tY.q ,

, .t.

. .L .. o

. ! '.w ,L ' t r ;the follow ing pattern for a handsom e 7 -':? '.. '.-::'- .'7

, : . yy c .: .-Ishoulder bag com posed of repeated C':'.' >' ':' C' i' î

r ? J - , i :) - , ). y.. r : I

m otif s in randorn Iy changi ng colors. '$ zh . -:'. '7 .'.)tIu- ' . f % 7 w -

The Iining is m ade f rom oId jeans ''.''s' (''ot'.' c ,t,..and you can sew the change pocket in ''''' ''''''''' '''b'''' '''''

for a cellphone or ID pouch. The handle

is a cl othesl i ne that's been densely k ....

crocheted around - an environm entally '

friendly and econom ical choice, not 'to m ention that it m atches the bag '' -

perfectly. But m ore exciting than its

use of recycled m aterials is the bag s ''''''/'''''''''''n'' ''.' '' ''''

com bination of recycled design from ''' ' ' '''''' ''''''''''''''

the 1940s and 197Os. .,..,. s ..,.,, .,.I.t.,,,I, ,...

l ' ''''-''''-''''.'' ' '''' ''''''.'t.'

@gourmetamigururni.com)

cla. . t$ 3

REC REATE YO UR FAVO RITEI

.

PAINTING AS A FABRIC COLLAGE. ' t )%

19 W hen it com es to decorating, I ' ' i - '

icture exactlv w hat I w ant, then refuse - - - -

to settle for Iess Take m y Iiving room ' ''''o''-rt'r-'r-'tta='''''

After a year of f inding the perfect f urni- k-o,.,-tI,.,d., ...I.-,I,o,.aI

ture, I wanted to craft one Iast piece to e.o,-..<-c

com plete rny vision. I w as inspired by

a gorgeous print I saw in a restaurant . -' );

- a co I o rf u I , c u b i st pa i nt i ng of m u s i - . .'. .z

.- '

cians by Em anuel Vardi.

Ir th e 1'n 5t5 Juukr' euta' vI saw on TV how to stretch fabric on a r..- w..,-..,,..s.-,-w -...,.

Iternative to f ram ed art .,,..'..'..,,. .....,....,'....'-'. -...-.'..canvas as an a .

Could l pay hom age to the Vardi piece .''.'.'-' ''d'.'.' ',' .'' '.'.'''

and recreate it as a fabric collage?

W ith the help of m y laptop and a digital ,- - '

projector, l did just that. :: '.k: .

.EE j ,4 L) r l r ' ' ' ' ' I ' I '

j cc t

11 .. ... e. s * * *q . . )1q . ,1) . . c?rohlR 5tzf$t.3f. . .. . !! p ... . . . )j . . ,' , , . . 7 . . . . . ' . . . . . . . . . . . . c. . . . . . .. . - . . . . , 'J '

cl.I.c 7 1

. W W Wk :

-

à j à i 'x 4k + z

t t ,'k wNG-

. % .

N #

h #) (# %# v h

.j# e * Y t,

k j! - . . . . ... ... -..r.y L ---.7 4 'l. -' 4 t - k k ! ''* *

+ * +# h +.*. * + *. #+ +' * V * *- -*

+ * * -*-. # # . . -

i * > * . . .2 S' ' 6 . . .

STITCH A TRO PICAL .. .u. @!ij

. ,..24 . .:k,;.. -

,H EI RLOOM TO LAST v..,k *oz lt 42 .u1 .' -*', : 7,. qt tkf b.

: .1:/; jk'.FO R G EN ERAT IO N S.

'

. .. ; , .,,. ,

p .Ij . . jjl1f'1) (Y.l7

'$lJ2. .'...

* A Haw ai ian qui It is one of Haw aii's ,,10' S-''e'k'a'='e'c'sc'f'''''

s tlr' ' c r I à.;.'tb . u.f r . :7 . Ir I t h ' e 6'Z'%cherished heirloom s, passed dow n

through generations of fam ilies to tell

the story of the quilter, the designer,

a nd the receiver. Trad itiona I designs ,.tt,'''',

$'vj.

:thinclude papayas

, breadf ru it, ti Ieaves, p-27$..a.:J ok.ojz..'It ./y((5.. ' .. ..

.y..,1.... .. ,......;rt1ï.,(). .

.yr;:ïr y'..,. '. (j);..'it@)k7:jL .5.,.and taro roots, but can be anything ' k vy s-l !,.J

.) .that illustrates a Iove for nature, tradi- :.s,7

.#tions Iegends or events T -'''''''''-''''''''''-'' '

l recom m end that you explain your ,.....foI.... u., ,.

'

. .,,,.

intentions to the person you're m aking .

the quilt for, because w e believe that

if the receiver experiences the quilting

process w ith you, they know that the .! e''' - . v/v/quilt w as designed w ith Iove

, created - '''k: Jvvzr , .-

l w ith Iove, and given w ith Iove. , ,e,...,,,,cI,....,-., . ..a,

$p'1'!t.j . . . . . . . . . : . . . . :.r)9 . . . . . . . ! . . . . . . , . . . . . ,f

c I a . c 77

RECYC LE O LD PC BS TO M A KE

A CASE FO R STAS HA BLES.

> I n ou r consu m er society m ost ''$ ''

m ateria Is a re d iscarded once they 'b''''' '''-'t 't ''e''' ''Ss ''''z

11 k e '. h s r.' u' rl t 11 t .h a Iqbecom e oId or obsolete. M any of these

rejects have a hidden beauty that can

be brought back to life in a new form; j: .7S 7)Ldiscarded or never-used printed circuit . a' '

- f

boards ( PcBs) fall i nto this category. ' .LrJVI17<>t-/,P .A consequence of the high-tech -- -------

'

El'r 1'b r.r 11 F c u I b E' .1 .' Ir . î) 7 1.bubble bust of a few years ago is that ,,pr,...ao,,s..Lv..1eo..tv.1t..-

m illions of PCBS w ere never used and u..,a..,,.p..o, '

are now resting in w arehouses, waiting

for a new Iease on Iife. This projectshows how to m ake a z-drawer case 1,---.

yand veneer it w ith recycled PCBS. The i I

PCBS' coppery traces Iook Iike metallic i. . !jj petroglyphs, and the case Iooks great :.s....cn-,,., z..,.u,a.ei i n any modern I ivi ng room or off ice. u'x'' ''e'''s-.te. .,,sfu.,t...e'

è ' . 'Depending on the size the case can b'''.'''''.ea-e' T.''--'' 'w'e=; ' .Ir e a 113. : sturcly .A..I? > (r.t.t uf

.

1.J ) t u btplt .11) Ik ya ...ar ar.?.) :) hold precious papers, jewelry, stationery,1 pens ancl pencils

, or c Ds.i1.j . ' ' . 'g

.el IX C tltl ' ' ')

cla. . 11 5

N EED LEPO INT YO UR O W N czt?qf ;p .RETRO-CHIC FOOTWARE. 't '/V. zl ,

ç.g.y$yt.. ..;' .. . r.. ....,j ,

0 . ..,.. ; jf

% f u ' a o' ballplo .6 ' P c s 6) C. Ier

T hese si m ple yet eye-catch i ng ''''ftb''ok '''''-1'ç,'''e'''s'ee.''''e

sandals represent the m arriage of

uptown chic with downtown style. jt $-'60?. .

. .4I t j j

.Called ''w eekend'' sandals, they can be ' 4)g? , tiz, ..lti, jlr .jstitched one weekend, dropped at the fjAiti . '

cobbler on M onday, and w orn the -

follow ing w eekend to the farm er's

m arket or on a dinner date. Stitched in 11 , . . 1. . -

bam boo, si Ik, and m etall ic, the shoes I.acI,. s,I,s .o. ,p6 .,,...,,

1 1 b l O C I EISSJ/ a n d Ve rsat i I e '''''' ''?Sé1 X CO Frl O U Z r ! .

O nce you've stitched the straps you

can try m aking your ow n sandals or ''

take them to a shoem aker. M ost needle- /

point shops can also connect you with $it som eone w ho finishes needlepoint into .-)M shoes

. Cobblers tend to cost Iess than

J upscale needlepoint boutiques, and '.;,....'' ,'.....,. ....,.. .,... . .(' 1 ' ' v . I .. 11 . 1 L 1. )' ' 1, 1. I ( )'r I F! . @ )' .1 collaborating with artisans is fun

. '''' Fz'''' q'e' e'''''' '''

y1ty.49L.!?

cl.I.t 9 3

J .

:.

11 ' ' :- 's-' -. -h)-ô . J. .' ik

. t ('.. - y . ; ,

. . h'$.. ' p. . ;f. . /;x J N. y

'

.

. . . l '; . j f 'î . . w . .j..).. .

'* . ; 1 .. #f' : 4' j- S , - .. y

., ..' z( e .

- - - 4 /f ? $ .f ' t;' : . ' ' '' ''& . . (. . rs . . . ? $ ) . .,' V z1,r.t#z.x5...J.' '#J .:, ,L '

U SS

BY ARW EN O 'REILLY

om bucha Is on 1ts way to being the new ''1t'' drlnk. Thls

ferm ented tea is so popular that several brands are

avallable at upscale grocery stores, and 1ts W lklpedla

entry has tripled ln Iength since I f Irst checked. I've heard the

tea's culture - w hlch Iooks Ilke a rubbery pancake - called a

i'm other'' ''m ushroom '' ''starter'' and m ost accurately a ''scoby''

(symbiotlc culture of bacterla and yeasts)..7:.y W hatever lt is, kom bucha is enterlng a renalssance after m illen-

O n1a of use In China and centurles in Eastern Europe, from whencej.L aII good fermented thlngs com e. Its Ioyal followlng clalms healthS' benefits of aI! ilk, clting vltam Lns. m lnerals, enzym es, and problotic2 mlcroorganlsms present in the tea

. 1 Just IIke it because lt tastes!;

.g good (Ilke a sweet-sour sparkllng apple cider).

:.. 1 (1 l

V x, N

y . . . .e,tï '

wkl'. o k -,-

.* m - CN!

t. Nj$*

. ) .. . ,

jl 'v

p ; ' h%

)E

a an craft

BY SU SAN BRACKN EY

here's m agic In your f ridge - or at Ieast the m aklngs

of it. There, behlnd the OJ, there's a carlon of Grade A

power objects. (Alright, so at the moment they're justeggs, but with your help they could be so much morel)Turns out, w hat w e've com e to know as 'i Ukrainian Easter

eggs'' actually had thelr start as a klnd of pagan w ltchcraft. Fbr

.k thousands of years, Ukralnians have used colorfu 1 dyes and% carefully applied beeswax to transform the hum ble hen f rult into

E talism ans thought to attract good health, wealth, happlness,Q' fertllity

, and even love. And to thlnk you were just golng to make1'

1. omehets.

1p , .ô. R: :%o 'b

.8

c ra Il: 111 3

4%

re eze ra 0

BY LEAH KRA M ER

f you were a teenager ln the 90s Iike 1 was, you'll rem em berbeing a sentient being In a world wlthout the Galactic Inform a.tlon Superhighweb, or internet as we now know It. Before thls

age of enllghtenm ent, we suffered m any great hardshlps. I vlvldly

recall cobbllng together m y ow n T-shirts proclalm ing m y favorlte

bands, uslng a m asking-tape-and-fabrlc-paint technlque w lth

.j: aII too shoddy results. Today lt takes 5 mlnutes to Google a worldb of crafty people w ho share am azlng technlques, allow lng you tou

k create just about any T-shirt Image you'd Iike.Q M favorite Is freezer paper stenclllng

, whlch allows you to Iron'; Yj. your deslgn onto the TL securingthe stencll in place and ensurlngbt that palnt won't easily seep under It.7

.' 1.+c ra it: ! (1 ë;

7 .h .-- --v . . .. k

. '

j

w==k4

J) . ,e :%. ;. ) * '' '.*$ . 4

I.Q % '' *'. j . 2'- o > R

/ . , k/ï

- .b. . .

rrln s of a er an Ina

BY KATHY CAN O M U RILLO

ack of f unds should never be an excuse for skipping

out on creating jewelry. Anything with a sm 00th surfaceis fair gam e. Cigarette boxes, m int tins. oId sultcases.

em pty beer bottles, matchbooks - the Iist is endless.For exam ple, here are som e high.style/low.cost ideas for riven.

ing up those earlobes. These two jewelry designs cost pennies to

make and can be used to create not only earrings, but pendants, )bracelets. and rlngs as well. The first concept uses the insLde of a rdisposable cookie sheet as a substitute for craft tin, and the other 7

C.is a crafty recipe for easy watercolor paper earrings. Bend your j.brain to come up wlth other ideas - cardstock, cardboard. even #

1paper scraps can a1I be transformed into wearable art.

1 11! c rriu volafyle 0 2

. .

,,' --

,'s # .

. '

.,. cx ..z . . zr ' z>, . z j. ' .

' / ' ' ' '.z #' .

.g . e . ' I. .' ' $' . '

s J JX . t.. z,./' '

z/

.-z . ,'r

,

,'',, . ,. z . , ';' ./

, ;J/ '' y

-.'''''

.

,,-'''... '

'

r! lt

rr t I

BY ROSS O RR

f rlencl of m ine recently f I n Ished a deck rem odel ,

whose hlghllght (Iiterally) is a transparent corrugatedroof that dlff uses sunlight in a deI Ightf u I w ay. This

Inspired m e to f Ind som e way to contlnue that glow after sunset

In the forrn of a Iantern Iltum lnated by tea Ilght candles.

There are rnany colors and styles of corrugated roof Ing available

and whole 8-foot sheets (Sequentla brand) are $23 at my IocalIum beryard - that's enough m aterlal for 10 Ianterns. The kl nd

my f rlend used for the deck is f I berglass-rel nforced plastlc (tj(FRP). whlch diffracts Iight with a sparkly halo After some fevensh jexperim enting with cut-off scraps. I eventually cam e up wlth the .D

graceful Iantern desLgn shown here. @'I n the follow l ng steps. proceed careful Iy so you don't crack .j'

the plastlc, w hich is som ew hat brittle. cu

11* c rafk kolurni & 2

. . Jt. , . . . . . .J . ) :. . . , . . . . . .. J. . .

' #-l . .jy j.

ii . ,-.,.' ) (

<

. - . . .

=G.

ïk t .

y. s '

itc - cti n t rat

BY PAU RIC O 'CALLAG HAN

t's very rew ardlng to create a picture that conveys m ore

than w hat a single im age can capture. W hether the picture

is of baby's f Irst steps or an Olym pic gym nast's som ersault.the process at work conveys m otlon in a static im age

Stitching m u ItI pIe i m ages together Is a form of ti m e-la psephotography. 1 n traditlonal tim e-lapse the output Is a vldeo. But

here w e' 11 place each f ram e on top of the other. allow lng vlew .

ers to replay the actlon in thelr m inds Photo sequencing only

works when the object moves across a static background . Adog perform ing a serles of tricks at a show w orks well; a runner

directly approaching the cam era does not.

Subjects can be anything from a bird in flight to a snowboarder's

jump - al I you need I s a camera with a n Action Seq uencem ode. a cornputer, and the patlence to experim ent

cralt: 117

@ @

: *

' -z 7 f' . '

s !p ' ' (. ): l*M' '

.. ..jjk.:ii, .. $ : .,:bfb, ' .

.& . = . . w.lr

ety , ., ' , . pYo#y .

e '

11 ulllesooSculpt ulool into J'elted Jruits cnd uegetqbles(or qnything imqginable.l). iszsilooKsu'z''xu MoRlus

n unusual act of crafty repurposlng. needle feltlng Is

the art of sculptlng wool w lth a barbed needle. The

speclalty needle was adapted for art from Its orlglnal

use In Industrlal and autom otlve m achlnery. Needle.feltlng m a.

li chlnes. whlch can hold 250,000 needhes, are used to manufactureQ(1 aIr bags, oII and fuel f Ilters. and non-woven upholstery. ln the 1980s.=.l c ra f t e r s b e ga n u s I n g t h e n e e d ! e s m a n u a 1 1 y t o m a k e a rt

. A s a2j, medlum. carded.wool battlng can be manlpulated Into any shape.ii Inflndte varletles and colors of wool are avaklable to m ake flowers

,.: d

l nosaurs. cats. dogs. robots Iewelry. or any sculpture. Thej. 'j su pplles are lnexpenslve, and the technlques are slmple and fun.1 . .a. :. :.

*' *'

crnn: 119

é. , . .'ë l ' . ..' h

*

. .z# . .> . ' '. o... .y , . z . ..' . .

c . 4 y. u : y . -.kt. )' i $ --.

- , ..-z- - .

t : 2.c . v 'J. .j, , '..k, . ' . .+ .. .. xpy,jl T, yxr.é- ' . . . .

* . . L ;#

. . tw . . . t . . .a t k. , py.t :t . ',t ; .. k.$ .. .. *

'

p* 5 ' . ' . '6 4 . ' vt '. . . . ..s. .

$ r . . ex .a ''% . .;... .. k..' . ' r. .# y '' XX

t ' .* 2 tp < ' '.

...

'

,y x. t . r.z y .. vw z .. .. t . y . . .

.. :..'. gs7>. .r . . : ' .4 .

/..9: . r g r;r . . . CNl;;y*i! ' k'knLL* '!&

. 'k . .t.>. k y..; ., ..;s .. . ; &r

, 34sz. t...A> .. . .. . . 'rry . . . . -. ,. # t ' .k xqxkr . h : s.kl t-x -' fx.;à. . :5 . Q . . . . - 'tl.- .

I I

Sharpen your ulfts (cnd needles)'

th this creepy pincushion. BvcAsEv ooucuupavw l

tray plns can be a dangerous m atter especlally to those

who share your craft space. W hlle m any people have the

Iuxury of a separate craft room , I Ilke to be out w here the

actlon Is. Fortunately, I haven't yet shared m y pln-cldents wlth 0th.

ers. but 1 can't deny that there have been som e close calls. Tlred of

the just.old.fashloned tom ato and straw berry. I declded to glve a .t?%&

voodoo doll plncushlon a try. No two alike, the voodoo doli uses up (ëlfabrlc scraps. keeps your plns sharp wlth steel wool stufflng. and l

. 1Tsaves your and your Ioved ones skln..ù'2

>'+ . .8!

11? 2 c raft kolului U 2

*. @ .

t

BY CA SEY DOU GH ERTY

olesklne notebooks have been popular for som e

tlm e now. and for good reason: they are sm all

a nd convenlent. and can help even the m ost

scatterbralned people stay organlzed. Of course. no M olesklne

ls com plete w lthout som e personallzlng m od Iflcatlons but

w hy rely on a few stlckers to do the Job w hen you can m ake .ythe w hole notebook from scratch? 2

%CConslder these Instructlons as a baslc startlng point for your (!

own w allet.slzed notebook Potentlal m ust-have m odlflcatlons

are endless: a pen Ioop. a clasped pocket, a page m arker .. you .%'

get the Idea. In addltlon to numerous personallzatlon posslbllltles, '1l' to transfer the booklet between covers to accommodate 1It s easy

!your changlng styllstlc and functlonal needs. f

11? dI c ratt volurne 0 2

. . . ,.. - G1 . x - . ... . f wkdj

. . '> ' %/ w ;.. @. . .

: ? A,tk2. . > ' . . .!l .. ' .J.qnr . ) ,. . ... * 1jj jjj. .ë .r ïz.. ï

'

n p

'

. . T ' . .

' . .1 . & .. ,.

. .,1. . , ,jj: , . ,r. . t <

1 . ' . . G r .* ' x. é ' '. ,'*? *

. .. . ; .;tr., , .

l . ' : . ' ' 'k . . = 7

; Yt .. j .. k'', . i . , .r ,. ,I ; . .j t ., k. .

è .*

. .7* '.;. . . r. . . x s 1J . . . f z ' .eë .6 .. #t!' $ Cp.

s.1. , .. f j 'p. . :- s .c lk. , ; . ..'f' t ::.z ..:k.f.(.# . y . . . . ,.. . ik . . ak .

. . .

..

r . & . (,p . . ï, s.t ... t . '' . ! . . .' : . ..j ' ... . a 1, a ;.!) j z:. >. . d . û !'

l , ''.; . ' ' à ., '* '. . .j t .. ..,. . % a # . . '. . . j : . si (.

. , . . .?. . i;ljj . fj . . jk ' h;. . . y .. . . .k . ! . . i .. '

t. t .. r . 111). -.-. j;' t . rk. . ., ; .; . .. ,.

. . . ' . . .. w ; tlc . '. q . i 5 ..

..4 r $ j . < a; ..%jxu.. .. k,' kif 1

. .t> ! . y . . k, ' pjj. . , , t N. . . . :k. z # .' . y, . .. .L. :kf .. .. 1 . j. . j . . . ' 1!. . , . 1 i .' t .- .:n

. $t. . . .

. . .,. . t î . . ,

.

4 l ,i

&b . .,. 4 ' '.. ,$ ,. yjyl

. : . .,

.. ,

); lj t I I y) (% . . gjf.. x. '.# . .

I - rt *1 I-Su rn

BY GARETH BRAN W YN

ears ago, I saw a TV lnterview wlth the m other of a teen

aId worker who'd been kllled by bandlts In Afrlca She

was prom otlng the publlcatlon of her son's Journals. An

accom pllshed artlst, he'd kept stunnlng scrapbook drarles, each

page a dense m élange of wrltlng. drawlng. collaglng. and ephem -

era collectlng. Polarolds, plane and bus tlcket stubs. w lne Iabels,

clgarette packs. m atchbook covers, and artlcles and Im ages torn

from newspapers and magazlnes aII found thelr way Into hIs dlary.11 .. ,,

qrj I was enthralled. M ore recently. I dId a Fllckr search on M olesklne,'i the brand of journal that's aII the rage

, and dlscovered dozens of

s% slm llarly lnsplring vlsual journals and scrapbooks. So I went out'

1. and bought a blank Modesklne journal, and have been bulklng up57 Its pages wlth pen

, palnt. and paper ever spnce.

rran: !27

* : : r'- '@ . xy, g y

. kvà . sm:' '.); - '. . ..$ 'q) , . k . . . ., .

. . 4,v .. . ' eic..!e.c .,o .'J' a u .e* 'p ''.?. w , .

. tï: . w) .?f x'z(. ' . ' p . . .. vu 4j . . . : .#( ; ' ' ;r ' . . ' - Je,> .'f !! e: ' ' . 1:'';?

's, k: . .# - !&.z t . #' ' '

' '

.,

'D z 1 , . .,*. '.. ''/ l (.z. > .

. . .. . . . .;.z.-

Jn . . i; f '. '' Lï' !1 ? ' 'jb.' iK '' '

j ,. ' : CT,1. ' . 4 - l >

. . 11$ ti j ' AU:: - ' .. . , x. .r . .::-. . .

'- vy lJ., . k%.' >'X<' :'i . '; ' % ' . ' V . W '','. ' . A ' *' . +' )r. t?y. . . . .;= / ' ' '

,. . . a . ..-u .-J-:yw c.z . < q ..- s -F Jw ' ' a '' > W -y.

' . è>

2,. . . -. v . .. f;ttb . - . ... :,bM. v . 1. . .

. . ! . .: z 0. . . . .. '

.ow... . . . . ; . '# . ' .. . ( . ' . .T. : . ' f. 711

: . ., . j. . . .. .4

. z . # ' -' . o' ,. .- .

'

.

*.

s.,>. . ...'

. ,

$ 1) xx,' y, tjvy'il, k., .'' ma . .. . , k . z 'r.s .y .P * - ' ' '

.; l k .u . % . '

s . . s . . jy., j( ..

.., yz . .. . . .. . . s .. v- . '; '.. d

1 - ,. b'- . . 'T

r

BY BRIAN SAW YER

art bookblndlng, part blbllovandalism part m lxed.m edla

collage. and part scrapbooking. the craft of altered books

Is becom lng Increaslngly popular and recognlzed as thedlstlnct art form It Is. bR

But w hat exactly I s a n a Itered book? Accord I ng to the I ntern a . tl

tlonal Soclety of Altered Book Artlsts (a Iter edùlookkarttbtsacorrl). (15It's ''any book, o1d or new. that has been recycled by creative .ù'

a;lm eans Into a w ork of art. They can be .. . rebound painted cut :

b u r n ed . f o I d ed , a d de d to, c () I I aged I rl , go I d .1 eaf ed , ru b be r .'2

stam ped. drllled, or otherwlse adorned ... '' u.

1 3 () c ft k I . a 2

I 1

> //' -.*. . ..

. u . / /. . .. . .

j/! j l '- .- 6/ .

VN .

: ' ' . .

b * ' ' *.. g . .> .

. , y 4. . . ..g 2. . G.'g . . . .e J'& ! '> ' ' - ''

Nk/h.. x . . . . .kK.. r ' . . %

*. H'X'%* .e *

.x..X ,

. wxp

I 3

k

i . . ysë . ' M > ' '. z N< ,r N

. . h . .. j

Ny 4 /

. r / .

# . ' ''.b> . ' # '. bg F >a.. y ,. x,<.. ,6 '

$ l .

lili'i'''s' '55

*

18t!1

*

''

'

'

'

. s . y. .y... % .T

:W * 3. < @. .Pnm .4'

s.. K

rq

. . .

.x .mz p . ' ' C P-..D . - -

. C X . ' X 'Z . . - .

. F. . x .er TwQ s p. > o K c a.'<'. . . .Li

. '

. r . zr.:J-...,,,. r'l 17:$'. '''*J -- - '' c -! -7 --r 'h . m .

' <e ' ' ' . '. K . . ï4 '.-' ' ' ' / '.. .. .. . ,, h.,

s x.-.x . h( '

. . V .. .

. . . . kx.xN

-. w

.-w ( px.vz . $

I x -'-c'h y z...x , v ,N' . k ' '

.

.(.. ' ;=- ., k..w tu.w '. ..> h A x

1. f W . . .. . u o . . .. ., j ..... 1..î . . ' -. i , .

-î ,- 1. 3:::7'- t--.--.

.

.i-/--- ' .181!6...- 3---'1.-- -....,-..

'fc'k .

'

.. ' .

' '

' '

.

-'

.

' '

' ' d-m - ?. f:r.' j1j:774r:7 ïus..qt '''.--,::;. '---'.-;;F-!E i'E'-jE----,- .-..,'.- ----,--''::'--t .- --. -' . '.' . . . ' ' . '.1 , w1 Cy 'A

. . N.'-.=,..' '' a jj c . . . , . . '. u .. .

, u. -.- 4. 'R . ! C.. > .c #... . , .l CX <' C . s.> r-<= r 7 X..JX '

..n f.z j.. . -r ... jx r . . = . . ..x N '

.. x ....- - z.xx q zsw-x..u.. ...

.''' . . . I .. ..

'

,....'

.'

. .. . .

''

x ; . y . h1 .

.

. . ',Ay y ' - h, , .

. , .? . y,) -.,j gz u y,.'ny qJ , ?, , ...- . ( y . .Ir! /. ' j . y j:h s...- . .,----7 . r t....v ..!- I y - . . , k . p .p ......

.. , - .)p

..

.

ht'$.)r C à. z --x--# 4

;! x I - N.- - , ow 'xj. ' tk ! x ...x r''y , v ,.'')-.. iEj;. (...

.

, ql,-; ,- . . 't. !E- 1.!i - . I

.. ,.,....'' '

- .

--.'

I(@ . o , . ; jl . ---' .. .. . tï , . ,. .. y x. , k , ,L .,:. . -. . , 1. 9.; hx . .

zpzz' h 'h . .17 '

- '. l l:i - A z' -'.. '7,. . - Iy , - /- ,q k

$ -y .,, ,, -,

,y '---kr

: x,. . j .. ( . , 4 ..- . A n Nu ....-= .

w ' .. ! ' a

. ) 'j N .. f ..'-= ' ' ' .a .

*. 1 # . . 'rk.'T .

' ... .w j . wz s' . , j' ,:7i@L.x..Azr e' ,JF- .

.p4, . - . -1.j xzs ' ;j. < Jéew . . 4 wa 'v?1!k *111' 6ïjrjj:.. VJ'- '' ' *Rv.. ...à%>v .;l.r. . e . %. .. . ...$ .

'> I . . *WV

p > * s,. ç2 . ' . .; . . z .

x ë % ';d( ''

.Y . 'X: '

.* y . ar

Handm ade W ooden Shoes M od Dots lpod Cover Artist's Celored Pencil Setwww.mohop.com www.kerberadeslgns.com w- .plnklovesbrown.com

< ' Ak. ..o w. .n

. . u . #'. .

. * J j. .. . .. . . z .t. . y

. v. % , . .

. ... .2

Budhi Pallien Goddess Bag 80's Roc;k Bangle Green chirimen pinwheel hairclipwww.apzcreativedesigns.com www.erlcaburnsdeslgns.com www.felstyelle.com

www. Indlefinds.com

l i /' .. ..) J .,' 2 . .'

'

j: jf

d

T

'

;' .4.

*

'

/ f # .1 f! . '

/ (, ;/ E t*hj .t p,o y/. ) 1tf

. -' tâ' s

elnitially Yourse Necklaces Floral B ra nc h Ring Tulip Dro psets- .ca slocreztions.conl hœev.purplepiBka ndorange.conl vavv/.bdina.conl

2T$.'' -''ï 'd' L. . .;yr.. ;,. , j ûs,.. . .. . ..

:'.'. .. .jL:L..': j!'b' . (; .:

. .. . t

, !r . v .'i.

Pink Jade Petal PIn Brown Diamonds on 14K Gold Assofted Glass eBenesnwwm creativbeedeslgns.com www.peggyll.com www.loriola.com

Craft: M arketplace

# s . '-.).

,

. y y. . , j ,Uet&o ihspiked v .. . ,.+., . , .,,; ... 1tqbkiL (>d

. -* ' ''

.

papet jijts. . . .p. .. . . .

XM ' /W ' W y ( ; 1j .1.. .L. . . . ... . . )zçr kîl',.?o .. ,q .. .. .....: ' ...

www.dolcemia.com Branch '' '

%%'œz't f . ' . ,*..

.

., ' x-:-' . .

. < '

-: '-- .

,

,e v' j . .jrr 'j .t . . .. . - w:z S j.

. xu (. . j''

.xr) ç' j . .h a n (1' m a d e '

. . . . , .. ,.n.' 2'X'% ' V .'w îvm Lamgasttymlsc.om . f ??, ,-' 'J .

. . 7

ïour qlaee fof ,Ilaiquelx iand.yptm Yara y o

& t'other Zaadmal Gootsl w w w

. ki ku-co.com

b I u e p> mL A M P n I : M E R ,. . :yo $. ; >

cp -.. . . : . ;'

. l '< .t . ' ' : . . X . <' 2 iL ?) .t'r z''

''

TEXTILES't''îIà Ct t a :llr r: C)yl !'

ho m eofthesa m p lencom 'Sam ples from hundreds of INTERNATIONAL FASHION MACHINES

independent crafters www ifmachines.co m

c I .1 ' ' 155

C raft: M arketplace

# ''='' 'k i 1 ..- ','

- -'''- '

î-- $k. .cz :t :% ' .

. . ,

- . y sk &k, , . .. .>./. ,,

, #y . .

i ù z . s

'

. .

.

.

' '

.

$ ' Y ïV.> ;L> . ' ..

$ .h .s 'îf. . ) , .;k) ? '. '.L

... . . . $ <,çi;t Jl . .r . q-

''.

'sy' . tr7 h 181129 - . . . h î.'> d' ? --- h..,. ,?', ,( ï. ----. - - $ . . g

./

'

. . . . l '

. , y œ . ., yy . y' . * ''è O .. s G ,yluw . js'' da TA s :9 s-z - k

.s . '

. . , .., f (. . . . ..

..,

, ; , k, r ))

. , . ''%h ... ' .

'-

...A-,-: ) x,.y..--y.-,-,

-..irccl

-'

'

8EA. DW OI?II APRIL. .

..

, . . -;.. ,v , 11-15! . t s ' r .

, .. : t . : p. XVyz .j x.w.;..z.-. sz ..')k.a....t.'> . . ;gg7.. y . gZZP 4: VAGJ'W ' N'

. . CRAFT ExTRl

Oaklancl CA/E X I::> O East BakArea. .

..s , rru s a.ù. . t ? . B uy b ead s

x..kt t SUNDAY ti'i*<-* $ EVERY MONTH h * C reale iGW GIWç . . so jnspiroa!;#

v fls PORTLA N D. OR'

..' '' 2 BAZAAF * WORKSFOF'S @ SYM?OSIUM

* .> w w w.beadexpc.com

ww W .CRAFTVwIIXDERt.AxD.CnM

1EEEir-I.F11Z''i'=i 111- Er)U1 i'EEE.I'-C-'IIEEE''EEE. 1 '

I

'. . .

Iuptop, ipod, phone, gadget ' . ' '. .

Ioser eiching ' - .x$new york cîly, new york & p

Aofu . '

dufruit.com/luser l .WWW.Q

l5G c f' ''l . a

Craft: M arketplace

A M A X IR IC. . . . . 4 v w o x av a

,: (:! . j.j . . . . . :#- -..li-.x' r jx'q' Yk W $71 oises. Rods, cubes. e

jlstes spheres.

' . !! x' * ** * om o

rea

zt '

f9ogr

SclaDftssloj koss s ,es11 vj,..kath i.116F' ' V snaps, catchess. c

Laje

tr

c

go

heesjxNgmrjme s'rsatgs) ,QTYOV h; ç) fl eIIn g . a n f1

'$''.''A 74 hlrr' C; 14 ' tr) ' ' ! t 'f' .. ' f '' ra I ' d

w w w .am azingm agnets.com

B a se ba I I C u f f $2sk x. # @F

t .X **' Uzkk s--N-- kA

wk.

.

:a- . - * - .

--.

--w x

.::x; . > . - - . . .% w v *1:%

. xw'.o .z%' . -fe eJy

xotv

@ @ @

w w w .elsew ares.com

; .

# #

Fun and funkyxx ;%$ x.

-- . . recycled and4 z ot.ik f-'. -k-4 : 4 : 4 .'h + h repurposed4 : 4 ax svsa . . qxdsforyou4 4 : 4 p ,,''-

and your petsl4 : z a 4 : xxo ,/ -.s4 - '*': 4 # xîf L..'ï ' -.-,''eko I

o l4 4 *# 4 'V4 4

Experimental designsjustforyoul

iraftystientisttom

cl.l.c 1 ë;7

r I r 1-

1 I craf tu . .. ac , Ia ,

..'.. .!.) . . 11

/ '1 Z

'

. #

,@'

. rr.4.; . z h

. ( r.4 '

. Ej

. . . ... . . g, , $:.

. , . .. , . .t jt(. k's ) .

. . o 1 ./

q > '. .) .4 ?.=>

n. J . . '..

'. E . . .

ê ,.?3111 .j

ot '

4 1.; *;.., 4 > j v 2 l u

. h1 :h Y A i? E 3% : :1 a y 1 9 LL ? (; . ;? O 0 7SA N M ATEO FA IRG RO UN D S

'

J$. LJ :$ 7' I ,'1 ' () () i qt 8 ) t? r .? 6) 1). ;' 7.. ;? () fjt'/ft'/:' TRAV IS CO UNTY FA IRG RO U N DS

. M akerFaire-com. .Y

' r! ! ..' us $14

.:2 cAN $1.,.22h <' I ISH&-10: 0-596-51056-:

<q . IsH&-13: 978-0-596-51056-5! .

' .Vi' uY' .

I I I 1 11 I I I I 11 11 I I I I I 11 III I III 11 11$ 1111 .'111 $711 67119 780596 510 565