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Full Score
Henry Purcell
Come, ye Sons of ArtZ 323
Birthday Ode for Queen Mary, 30 April 1694
Edited by Philip Legge
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Contents
[Symphony] 3
Come, ye Sons of Art (solo and chorus) 12
Sound the trumpet (duet) 18
Come, ye Sons of Art (chorus) 21
Strike the viol (solo) 29
The day that such a blessing gave (solo and chorus) 36
Bid the Virtues (solo) 43
These are the sacred charms 47
See Nature, rejoicing (duet and chorus) 50
This edition is © 2008 Philip Legge, under the Creative Commons Attribution=Share Alike 3.0 licence. You are free:• to Share — to copy, distribute and transmit the work• to Remix — to adapt the workUnder the following conditions:• Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).• Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same, similar or a compatible license.For any reuse or distribution, you must make clear to others the licence terms of this work. The best way to do this is with a link to the web page,http://creativecommons.org/licenses/by-sa/3.0/Any of the above conditions may be waived if you obtain permission from the copyright holder.Nothing in this licence impairs or restricts the author's moral rights.This is a human-readable summary of the Legal Code; for the full terms of the licence, please visit the Creative Commons website.
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[Symphony]
[Symphony]
(Birthday Ode for Queen Mary, 30 April 1694)
Z 323Come, ye Sons of Art
Poem byNahum Tate?
Henry Purcell(1659–1695)
Trumpet 1
Oboe 1
Violin 1
Violin 2
Viola
Instrumentalbass
Continuorealisation
6
3
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[Allegro]
[Allegro]
11
3
3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3
15
3 3
3 3 3 3 3
3 3
3 3 3
3 3
3 3
3 3 3 3 3
3 3
4
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19
3 3 3
3 3 3
3 3 3 3
3 3
3
3 3 3 3
3 3 3
3
3
23
3 3 3
3
3
3 3
33 3 3
3 3
3
5
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27
31
6
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34
37
3 3
3
3 3
3
7
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40
[Adagio]
[Adagio]
44
8
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49
54
9
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60
67
10
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74
81
11
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88
Come,
COUNTERTENOR SOLO
come,
ye
Sons of
Art,
come,
come a
way,
come,
come,
ye
Sons of
Art,
come,
come a
95
way,
tune
all your
voi
ces and
in stru
ments
play,
to
ce
le
brate,
to
ce
le
brate
this
102
tri um
phant day,
tune
all your
voi
ces and
in stru
ments
play,
to
ce
le
brate,
to
109
ce
le
brate
this
tri um
phant day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
12
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116
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
Come,
CHORUS
come,
ye
Sons of
Art,
come,
come
a way,
Come,
come,
ye
Sons of
Art,
Come,
come,
ye
Sons of
Art,
come,
come a
way,
come,
come,
ye
Sons of
Art,
Come,
come,
ye
Sons
of Art,
come,
come
a
way,
Come,
come,
ye
Sons
ofArt,
Come,come,
ye
Sons
of Art,
come,
come
a
way,
Come,come,
ye
Sons
ofArt,
13
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122
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
come,
come
a way,
tune
all your
voi
ces and
in
stru
ments
come,
come a
way,
tune
all your
voi
ces and
in stru
ments
come,
come
a
way,
tune
all your
voi
ces
and
in
stru ments
come,
come
a
way,
tune
all
your
voi
ces
and
in
stru ments
14
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127
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
play,
to
ce
le
brate,
to
ce
le
brate
this
tri
um
phant
day,
tune
all
your
15
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133
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
voi
ces and
in
stru
ments
play,
to
ce
le
brate,
to
ce
le
brate
this
voi
ces and
in stru
ments
play,
to
ce
le
brate,
to
ce
le
brate
this
voi
ces
and
in
stru ments
play,
to
ce
le
brate,
to
ce
le
brate
this
voi
ces
and
in
stru ments
play,
to
ce
le
brate,
to
ce
le
brate
this
16
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138
tri um
phant day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
tri um
phant day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
tri um
phant day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
tri
um
phant
day,
to
ce
le
brate,
to
ce
le
brate
this
tri
um
phant
day.
17
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144
[High countertenor]
Sound
the
[Countertenor]
[Instrumental bass]
f
p
148
trum
pet!
Sound
the
trum
pet!
Sound,
sound,
Sound
the
trum
pet!
Sound
the
trum
pet!
Sound,
sound,
152
sound the
trum
pet,
till
a
round
sound the
trum
pet,
till
a
round
You
make
the
list
’ning
shores
re
bound,
18
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155
You
make
the
list
’ning
shores
re
bound,
re bound,
the list
’ning
shores
re
you
make
the
list
’ning
shores
re
bound,
re
bound,
the
list
’ning shores
re
158 1.
1.
2.
2.
bound.
bound.
On
the
bound.
bound.
On
the
spright
ly
haut
boy,
the
160
spright
ly
haut
boy,
the spright
ly
haut
boy play.
All
the
spright ly
haut
boy
play,
the spright
ly,
spright
ly
haut
boy play.
19
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163
in
stru
ments
of
joy,
all,
all,
all,
all
the
in
stru
ments
of joy,
All
the
in
stru
ments
of
joy,
all, all,
all,
all
the
in stru
ments
of
joy,
of
166
of joy,
That skill
ful
num bers
can
em ploy,
To cel
e
brate,
to
cel
e
joy,
That skill
ful
num
bers
can
em
ploy,
To cel
e
brate,
to
cel
e
169
brate
the
glo
ries
of this
day,
the glo
ries,
the glo
brate
the
glo
ries
of this
day,
the glo
ries,
the
20
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172 1.
1.
2.
2.
ries
of
this day.
day.
glo
ries
of
this day.
On
the
day.
175
[Trumpet 1]
[Oboe 1]
[Violin 1]
[Violin 2]
[Viola]
[Instrumental bass]
21
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181
186
22
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192
197
23
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203
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
Come,
CHORUS
come
ye
Sons of
Art,
come,
come
a way,
Come,
come,
ye
Sons of
Art,
Come,
come
ye
Sons of
Art,
come,
come a
way,
come,
come,
ye
Sons of
Art,
Come,
come
ye
Sons
of Art,
come,
come
a
way,
Come,
come,
ye
Sons
of Art,
Come,come
ye
Sons
of Art,
come,
come
a
way,
Come,come,
ye
Sons
of Art,
24
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209
come,
come
a way,
tune
all your
voi
ces and
in
stru
ments
play,
to
come,
come a
way,
tune
all your
voi
ces and
in stru
ments
play,
to
come,
come
a
way,
tune
all your
voi
ces
and
in
stru ments
play,
to
come,
come
a
way,
tune
all
your
voi
ces
and
in
stru ments
play,
to
25
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215
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
voi
ces and
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
voi
ces and
ce
le
brate,
to
ce
le
brate
this
tri um
phant day,
tune
all your
voi
ces
and
ce
le
brate,
to
ce
le
brate
this
tri
um
phant
day,
tune
all
your
voi
ces
and
26
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221
in stru
ments
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant
in stru
ments
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant
in
stru ments
play,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant
in
stru ments
play,
to
ce
le
brate,
to
ce
le
brate
this
tri
um
phant
27
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226
Tr. 1
Tr. 2
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
day,
to
ce
le
brate,
to
ce
le
brate
this
tri um
phant day.
day,
to
ce
le
brate,
to
ce
le
brate
this
tri
um
phant
day.
28
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231
[Treble recorder 1]
[Treble recorder 2]
[Countertenor]
Strike
the vi
ol,
strike
the vi
ol,
[Instrumental bass]
237
touch,
touch, touch,
touch, touch,
thelute,
Wake the
harp,
29
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243
wake the
harp,
wake the
harp,
in spire
the flute,
249 1.
1.
2.
2.
wake the
harp,
in spire
the flute,
flute,
Sing
your
30
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254
pat
ton
ess’ s
praise,
Sing
your
pat
ton
ess’ s
260
praise,
sing,
sing,
sing,
sing,
In cheer
31
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265 1.
1.
ful
and
har mon
ious
lays.
269[Ritornello]
[Ritornello]
2.
2.
[Violin 1]
[Violin 2]
[Viola]
lays.
32
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275
281
33
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287 1.
1.
2.
2.
290
34
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297
303 1.
1.
2.
2.
35
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308
[Violin 1]
[Violin 2]
[Viola]
The
day
that such a bless
313
ing
gave,
No
com
mon,
com mon fes ti val
should
be,
No,
no,
no,
no,
no,
36
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320 1.
1.
2.
2.
no,
no,
com mon fes ti val
should
be.
be.
What
it
just
ly,
what
it
326
just
ly,
it
just ly seem’d
to
crave,
Grant,
oh
grant,
grant,
oh
grant,
and let it
37
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333 1.
1.
have,
let it, let it have,
let it, let it have
The
hon our of
a
Ju
bi lee.
What
it
334 2.
2.
CHORUS
The
day
that such a bless
ing, such a
The
day
that such a
The
have,
let it haveThe hon
our
of a Ju
bi
lee.
38
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340
bless
ing
gave,
No
com
mon,
com mon
bless
ing
gave,
that
such
a
bless
ing
gave,
No
com
mon,
com mon
day
that sucha bless
ing,
a
bless
ing
gave,
No
com
mon,
com mon
The
day
that such a bless
ing
gave,
No
com
mon,
com mon
39
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346
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
fes ti val
should
be,
no,
no,
no,
no,
no,
no,
no,
com mon fes ti val
should
fes ti val
should
be,
no,
no,
no,
no,
no,
no,
no,
com mon fes ti val
should
fes ti val
should
be,
no,
no,
no,
no,
no,
no,
no,
com mon fes ti val
should
fes ti val
should
be,
no,
no,
no,
no,
no,
no,
no,
com mon fes ti val
should
40
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1.
1.
352 2.
2.
be.
The
be.
What
it
just
ly,
what
it
just
ly,
it
just ly seem’d
to crave,
be.
be.
What
it
just
ly,
what
it
just
ly,
it
just ly seem’d
to crave,
be.
be.
What
it
just
ly,
what
it
just
ly,
it
just ly seem’d
to crave,
be.
be.
What
it
just
ly,
what
it
just
ly,
it
just ly seem’d
to
crave,
41
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359
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
Grant,
oh
grant,
grant,
oh
grant,
and let it have,
let it, let it have,
let it haveThe
Grant,
oh
grant,
grant,
oh
grant,
and let it have,
let it, let it have,
let it haveThe
Grant,
oh
grant,
grant,
oh grant,
and let it have,
let it, let it have,
let it haveThe
Grant,
oh
grant,
grant,
oh
grant,
and let it have,
let it, let it have,
let it haveThe
42
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365
[Oboe 1]
hon
our
of a Ju
bi lee.
[Soprano]
Bid theVir
tues,
bid theGra
hon
our
of a Ju
bi lee.
hon
our
of a Ju
bi lee.
hon
our
of a Ju
bi
lee.
370
ces,
bid theGra
ces To
the sa
43
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373
cred shrine
re
376
pair,
Round
the al
tar take,
take
their
379
pla
ces,
Round
theal
tar take,
44
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382
take
theirpla
ces,
Bless ing with re turns
of pray’r,
Bless ing with re
385
turns ofpray’r
Their great
de fen
der’s care,
Their great,
388
Their great
de
fen
der’s
45
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391
care,
WhileMa ri
a’s
roy
al zeal
Best in structs
youhow
to pray,
how
to
395
pray,
how
to pray,
Hour ly from
herown, herown
Con vers
ing,
con vers
ing
399
con vers
ing with
the E
ter
nal, the
E
ter
nal
46
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402
Throne.
406
[Bass]
These,
these,
theseare the sa
cred charms,
theseare the sa
cred charmsthat
409
shield
Her dar
ing he
ro in
the field,
412
these,
theseare the sa
cred charms,
theseare thesa
cred charmsthat shield
Her dar
47
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415
ing he
ro in
thefield,
Her dar
418
inghe
ro in
the field;
Thus
shesup ports
421
his right
eous cause,
thus,thus,
thus, thus,
thus, thus,
shesup ports,
shesup
424
portshis right
eous cause,
Thus, thus,
thus, thus
tohis aid
im mor
tal pow’r,
48
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427
im mor
tal pow’r,
im mor
tal pow’r,
shedraws,
thus,
thus,
430
thus,
thus
to hisaid
im mor
433
talpow’r
she draws,
Thus,
thus,
thus
436
to hisaid
im mor
talpow’rshe draws.
49
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440
[Soprano]
See
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
See
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
447 1.
1.
2.
2.
in
no
cent
rev
els
to
wel
come the day.
See,
day.
The
tune
ful grove,
and
in
no
cent
rev
els
to
wel
come
the
day.
See,
day.
The
tune
ful grove,
and
453
talk ing
rill,
The
laugh ing
vale,
the
re ply ing
hill,
With
charm
ing
talk
ing
rill,
The
laugh ing
vale,
the
re ply ing
hill,
With
charm
ing
50
![Page 51: Come, ye Sons of Art · 2008-10-10 · [Symphony] [Symphony] (Birthday Ode for Queen Mary, 30 April 1694) Z 323 Come, ye Sons of Art Poem by Nahum Tate? Henry Purcell (1659–1695)](https://reader033.vdocuments.mx/reader033/viewer/2022041611/5e3791f8b97494617a1c0833/html5/thumbnails/51.jpg)
460
har
mo
ny
u
nite,
The
hap py
sea son
to
in vite.
Thus
har
mo
ny
u
nite,
The
hap py
sea
son
to
in
vite.
Thus
467
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
in
no
cent
rev
els
to
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
in
no
cent
rev
els
to
475
wel
come the day.
Whatthe Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
wel
come
the
day.
Whatthe Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
51
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482
light
andour
du ty to pay.
Thus
Na
ture, re
joic
ing,
has
shown
us the
light
andour
du
ty
to
pay.
Thus
Na
ture,
re
joic
ing,
has
shown
us the
488
way,
With
in
no
cent
rev
els,
with
in
no
cent
rev
els
to
wel
come the
way,
With
in
no
cent
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
52
![Page 53: Come, ye Sons of Art · 2008-10-10 · [Symphony] [Symphony] (Birthday Ode for Queen Mary, 30 April 1694) Z 323 Come, ye Sons of Art Poem by Nahum Tate? Henry Purcell (1659–1695)](https://reader033.vdocuments.mx/reader033/viewer/2022041611/5e3791f8b97494617a1c0833/html5/thumbnails/53.jpg)
494
Tr. 1
Tr. 2
Timp.
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
day.
CHORUS
Thus
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
Thus
Na
ture,
re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
Thus
Na
ture, re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
day.
Thus
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
[Tutti]
53
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500
Tr. 1
Tr. 2
Timp.
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
rev
els,
with
in
no
cent
rev
els
to
wel
come the day.
Thus
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
day.
Thus
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
day.
Thus
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
day.
Thus
54
![Page 55: Come, ye Sons of Art · 2008-10-10 · [Symphony] [Symphony] (Birthday Ode for Queen Mary, 30 April 1694) Z 323 Come, ye Sons of Art Poem by Nahum Tate? Henry Purcell (1659–1695)](https://reader033.vdocuments.mx/reader033/viewer/2022041611/5e3791f8b97494617a1c0833/html5/thumbnails/55.jpg)
505
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
Na
ture,
re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
rev
els,
with
Na
ture, re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
rev
els,
with
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
rev
els,
with
55
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511
Tr. 1
Tr. 2
Timp.
Ob. 1
Ob. 2
Vl. 1
Vl. 2
Vla
S.
C-t.
T.
B.
B.c.
Cont.
in
no
cent
rev
els
to
wel
come the day.
The
tune
ful
in
no
cent
rev
els
to
wel
come
the
day.
The
tune
ful
in
no
cent
rev
els
to wel
come
the
day.
The
tune
ful
in
no
cent
rev
els
to
wel
come
the
day.
The
tune
ful
56
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516
p
f
p
f
p
f
p
f
p
f
grove,
the
talk ing
rill,
The
laugh ing
vale,
re
ply ing
hill,
With
grove,
the
talk
ing
rill,
The
laugh
ing
vale,
re
ply
ing
hill,
With
grove,
the
talk
ing
rill,
The
laugh
ing,
the
laugh ing vale,
re ply
ing hill,
With
grove,
the
talk
ing
rill,
The
laugh ing
vale,
re
ply ing
hill,
With
57
![Page 58: Come, ye Sons of Art · 2008-10-10 · [Symphony] [Symphony] (Birthday Ode for Queen Mary, 30 April 1694) Z 323 Come, ye Sons of Art Poem by Nahum Tate? Henry Purcell (1659–1695)](https://reader033.vdocuments.mx/reader033/viewer/2022041611/5e3791f8b97494617a1c0833/html5/thumbnails/58.jpg)
523
charm
ing
har
mo
ny
u
nite,
The
hap py
sea son
to
in
charm
ing
har
mo
ny
u
nite,
The
hap
py
sea
son
to
in
charm
ing
har
mo
ny
u nite,
The
hap
py
sea
son
to
in
charm
ing
har
mo
ny
u
nite,
The
hap py
sea
son
to
in
58
![Page 59: Come, ye Sons of Art · 2008-10-10 · [Symphony] [Symphony] (Birthday Ode for Queen Mary, 30 April 1694) Z 323 Come, ye Sons of Art Poem by Nahum Tate? Henry Purcell (1659–1695)](https://reader033.vdocuments.mx/reader033/viewer/2022041611/5e3791f8b97494617a1c0833/html5/thumbnails/59.jpg)
530
vite.
Thus
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
vite.
Thus
Na
ture,
re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
vite.
Thus
Na
ture, re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
vite.
Thus
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
59
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536
rev
els,
with
in
no
cent
rev
els
to
wel
come the day.
What the
rev
els,
with
in
no
cent
rev
els
to
wel come
the day.
What the
rev
els,
with
in
no
cent
rev
els to wel
come
the
day.
What the
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
day.
What the
60
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541
Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
light
andour
du ty to
Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
light
andour
du
ty
to
Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
light
andour
du ty to
Gra
ces
re
quire,
Andthe Mu
ses in
spire,
Is at once
our de
light
andour
du
ty
to
61
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548
pay.
Thus
Na
ture, re
joic
ing,
has
shown
us the
way,
With
in
no
cent
pay.
Thus
Na
ture,
re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
pay.
Thus
Na
ture, re
joic
ing,
has
shown
us
the
way,
With
in
no
cent
pay.
Thus
Na
ture,
re
joic
ing,
has
shown
us the
way,
With
in
no
cent
62
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554
rev
els,
with
in
no
cent
rev
els
to
wel
come the day.
rev
els,
with
in
no
cent
rev
els
to
wel come
the day.
rev
els,
with
in
no
cent
rev
els to wel
come
the
day.
rev
els,
with
in
no
cent
rev
els
to
wel
come
the
day.
63