Download - ATS2499 18231_1 Reader.pdf

FACULTY OF ARTS

School of Applied Media & Social Sciences

ATS2499/ATS3499

AUTHORSHIP AND WRITING

READER

Unit Advisers: Graham Jones & Paul Atkinson

18231/1

Compiled by: Paul Atkinson for the School of Applied Media & Social Sciences, Faculty of Arts, Monash University, Gippsland Campus in conjunction with Monash Print & Design Gippsland, Monash University Published and Printed by: Monash Print & Design Gippsland Monash University Churchill, Victoria, Australia, 3842 First Published September 2003 Revised & Printed January 2006 Revised & Printed January 2007 Revised & Printed January 2009 Revised & Printed January 2010 Revised & Printed February 2011 Revised & Printed February 2012 Copyright 2003 NOT FOR RESALE. All materials produced for this course of study are protected by copyright. Monash students are permitted to use these materials for personal study and research only. Use of these materials for any other purposes, including copying or resale may infringe copyright unless written permission has been obtained from the copyright owners. Enquiries about the further use of this material should be addressed to the appropriate publishers identified on the cover sheet for each extract.

C O N T E N T S

Topic 1: Introduction: Studying Authorship?

1.1 Bennett, A. Authority, Ownership, Originality 1

Topic 2: Romanticism and Authorship

2.1 Harding, D.W. The Character of Literature from Blake to Byron 15

2.2 Shelley, P.B. A Defence of Poetry 33

2.3 Coleridge, S.T. Kubla Khan 49

2.4 Keats, J. Ode to a Nightingale 53

2.5 Wordsworth, W. Lines 57

2.6 Wordsworth, W. Resolution and Independence 65

2.7 Stevens, D. Approaching Romanticism 73

Topic 3: The Implied Author

3.1 Beardsley, M.C. & Wimsatt, W.K. The International Fallacy 97

3.2 Booth, W.C. General Rules, II: All Authors Should be Objective 109

3.3 Wellek, R. & Warren, A. Literature and Biography 117

Topic 4: Psychoanalytic Criticism

4.1 Orr, L. Psychoanalytic Criticism 121

4.2 Wright, E. Classical Freudian Criticism: Id-Psychology 145

4.3 Storr, A. Art and Literature 161

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Topic 5: Sartre: Writing, Intention and the Unconscious

5.1 Boul, J-P, The Infant Prodigy 169

Topic 6: Structuralism and the Death of the Author

6.1 Barthes, R. The Death of the Author 183

6.2 Eagleton, T. Structuralism and Semiotics 189

Topic 7: What is an Author?

7.1 Foucault, M. What is an Author? 209

7.2 Williamson, D. Critiques of Authorship 231

Topic 8: Autobiography

8.1 Lejeune, P. The Autobiographical Pact 243

8.2 OBrien, T. How to Tell a War Story: 273

8.3 Auster. P. The Red Notebook 289

Topic 9: The Autobiographical Novel? (Marguerite Duras The Lover)

9.1 Hill, L. Images of Authorship 309

9.2 Edson, L. & Staley, J.S. Objectifying the Subjective: The Autobiographical Act of Durass The Lover 331

Topic 10: Auteur Theory

10.1 Buscombe, E. Ideas of Authorship 345

10.2 Crofts, S. Authorship and Hollywood 359

Topic 11: Hitchcock as Auteur

11.1 Rothman, W. Some Thoughts on Hitchcocks Authorship 375

11.2 Kapsis, Robert, E. Reputation Building and the Film Art World: The Case of Alfred Hitchcock 391

11.3 Leitch, T. Hitchcock and His Writers 413

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Topic 12: The Signature Work: Psycho

12.1 Rebello, S. The Screenplays: Writing is Rewriting 425

12.2 Truffaut, F. Psycho 447

12.3 Wood, R. Psycho 459

Copies of extracts made on 9 February 2012

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Reading 1.1

Bennett, A. (2005) Authority, Ownership, Originality in The Author, Routledge, Oxon, pp.29-54.

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Reading 2.1

Harding, D.W. (1982) The Character of Literature from Blake to Byron in B. Ford (ed.), From Blake to Byron, Penguin Books, UK, pp.35-66.


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Reading 2.2

Shelley, P.B. (1977) A Defence of Poetry in D.H. Reiman & S.B. Powers (eds), Shelleys Poetry and Prose: Authoritative Texts and Criticism, Norton, New York, pp.480-508.


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Reading 2.3

Coleridge, S.T. Kubla Khan in J. Leonard (ed.), Seven Centuries of Poetry in English, Hodder and Stoughton, London, 1994, pp.286-287.


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Reading 2.4

Keats, J. (1994) Ode to a Nightingale in J. Leonard (ed.), Seven Centuries of Poetry in English, Oxford UP, Melbourne, pp.248-249.


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Reading 2.5

Wordsworth, W. (1977) Lines in T. Crehan (ed.), The Poetry of Wordsworth, Hodder and Stoughton, London, pp.104-109.


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Reading 2.6

Wordsworth, W. (1977) Resolution and Independence in T. Crehan (ed.), The Poetry of Wordsworth, London, pp.155-160.


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Reading 2.7

Stevens, D. (2004) Approaching Romanticism in Romanticism, Cambridge University Press, Cambridge, pp.11-32.


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Reading 3.1

Beardsley, M.C. & Wimsatt, W.K. (1972) The Intentional Fallacy in D. Lodge (ed.), 20th Century Literary Criticism: A Reader, Longman, London, pp.334-344.


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Reading 3.2

Booth, W.C. (1961) General Rules, II: All Authors should be Objective in The Rhetoric of Fiction, University of Chicago Press, Chicago, pp.67-77.


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Reading 3.3

Wellek, R. & Warren, A. (1975) Literature and Biography in Theory of Literature, Harcourt Brace Jovanovich, New York, pp.75-80.


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Reading 4.1

Orr, L. (1991) Psychoanalytic Criticism in Dictionary of Critical Theory, Greenwood, New York, pp.322-344.


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Reading 4.2

Wright, E. (1998) Classical Freudian Criticism: Id-Psychology in Psychoanalytic Criticism: A Reappraisal. Polity Press, Cambridge, pp.33-77.


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Reading 4.3

Storr, A. (1989) Art and Literature in Freud: A Short Introduction, Oxford University Press, Oxford, pp.91-104.


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Reading 5.1

Boul, J-P, (2005) The Infant Prodigy in Sartre, Self-Formation and Masculinities. Berghahn Books, New York, pp.10-33.


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Reading 6.1

Barthes, R. (1977) The Death of the Author in R. Williams (ed.), Image Music Text, William Collins, Glasgow, pp.142-148.


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Reading 6.2

Eagleton, T. (1983) Structuralism and Semiotics in Literary Theory: An Introduction, Blackwell, oxford, pp.91-126.


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Reading 7.1

Foucault, M. (1984) What is an Author? in P. Rabinow (ed.), The Foucault Reader, Penguin, London, pp.101-120.


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Reading 7.2

Williamson, D. (1989) Critiques of Authorship in Authorship and Criticism, Local Consumption, Sydney, pp.24-42.


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Reading 8.1

Lejeune, P. (1989) The Autobiographical Pact in On Autobiography, University of Minnesota Press, Minneapolis, pp.3-30.


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Reading 8.2

OBrien, T. (2003) How to Tell a War Story in The Things They Carried, Flamingo, New York, 2003, pp.67-80.


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Reading 8.3

Auster, P. (1997) The Red Notebook in The Art of Hunger, Penguin Books, New York, pp.345-379.


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Reading 9.1

Hill, L. (1993) Images of Authorship in Marguerite Duras: Apocalyptic Desires, Routledge, London, pp.1-39.


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Reading 9.2

Edson, L. & Staley, J.S. (2001) Objectifying the Subjective: The Autobiographical Act of Durass The Lover, Critique, 42 (3), 287-298.


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Reading 10.1

Buscombe, E. (1981) Ideas of Authorship in J. Caughie (ed.), Theories of Authorship: A Reader, Routledge, London, pp.22-34.


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Reading 10.2

Crofts, S. (2000) Authorship and Hollywood in J. Hill & P. Church (eds), American Cinema and Hollywood: Critical Approaches, Oxford UP, Oxford, pp.310-324.


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Reading 11.1

Rothman, W. (1999) Some Thoughts on Hitchcocks Authorship in R. Allen & S. Ishii-Gonzals (eds), Alfred Hitchcock: Centenary Essays, BFI, London, pp.29-42.


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Reading 11.2

Kapsis, Robert E. (1989, Spring) Reputation Building and the Film Art World: The Case of Alfred Hitchcock, Sociological Quarterly, 30 (1), 15-35.


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Reading 11.3

Leitch, T. (2208) Hitchcock and His Writers: Authorship and Authority in Adaptation in Authorship in Film Adaptation, University of Texas Press, Austin, pp.63-84.


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Reading 12.1

Rebello, S. (1990) The Screenplays: Writing is Rewriting in Alfred Hitchcock and the Making of Psycho, Mandarin, London, pp.31-50.


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Reading 12.2

Truffaut, F. (1978) Psycho in Hitchcock, Granada, London, pp.335-354.


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Reading 12.3

Wood, R. (1960) Psycho in Hitchcocks Films Revisited, Columbia UP, New York, pp.142-151.


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Download - ATS2499 18231_1 Reader.pdf

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