film school confidential get in. make it out alive. tom edgar & karin kelly 2007

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Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

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Page 1: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Film School ConfidentialGet in. Make it out alive.

Tom Edgar & Karin Kelly2007

Page 2: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Introduction to the Second Edition

• 1st edition was already ten years ago!• During the course of ten years….

– The emerging of digital video as an accepted medium

– The growth of Internet & Cellphone culture

– MFA in film may be what the MBA was not long ago

– Revolution of Documentary

Page 3: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Film Schools and Hollywood : A Brief History

• Film schools were campus jokes.• Hollywood’s best and most influential films

were rooted in existential despair..(Think Bergman, Polanski, Kurosawa)

• In 1980 a pack of graduates from Southern California Film Schools got the chance to make movies. (Speilberg, Lucas)

• Their films became a hit, and so did the school

• The next megahit V.S. the low budget• In general, you don’t get to make a big

movie until you’ve made a small one.

Page 4: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Why go to film school ?– Time– Structure– Freedom– Guidance– Contacts– Insurance– Teaching Credentials– Community

Page 5: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

What about undergraduate film school ?

• It’s great if you’re going to college anyway

• But you may not be ready to make a film the time you get the opportunity

• Suggestion : don’t get both BFA & MFA in film.

Page 6: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

What about the film schools that advertise in the back of magazines ?

• “New York Film Academy” “Los Angeles Film School”

• Just a short course about how to use a camera

• Best as a prerequisite

Page 7: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

What about skipping film school entirely ?

• If you want to be a technician, move to Hollywood!

• If you want to be a director, go to Film School or make your first outstanding feature yourself, by..– Take some classes to write & direct SHORT

films– Take some acting classes– Direct a one-act play for the stage– Watch as many great movies as you can– Hire experienced crew & be willing to accept

their advice

Page 8: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Why are there so many film schools anyway ?

• Personal computer has made it much easier to be creative

• During the gold rush, few of the gold miners struck it rich, but the businessman did very well.

• Schools that do not offer classes in filmmaking are at a disadvantage in attracting new students

Page 9: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Four kinds of film school• Industry• Independent• Experimental• Documentary

Page 10: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Industry Film School

Page 11: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Independent Film School

Page 12: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Experimental Film School

Page 13: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Documentary Film School

Page 14: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

University of Southern California (USC)

($209,508 ext. total cost - Industry / Documentary)

• 4 years curriculum in directing, 2 years curriculum in screenwriting, producing, or production

• Oldest & Most famous film school in the U.S.• Technically flawless, a bit soulless• Best things : the name, the technical

training, better facilities, top-notch documentary program, well-prep. for Hollywood

• Worst things : it’s a program about the technology and business of film; any art that happens is usually incidental.

Page 15: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

New York University (most expensive - Independent)

• 4 years curriculum, est. total cost $216,740• Very demanding, very concerned with

storytelling• Best things : embodies the spirit of

independent filmmaking, best facilities*, graduate employable students with marketable skills, very prestigious, and living in NY can be a life-altering experience.

• Worst things : The bill and the stress.*24 Arriflex SRs, 1 Arriflex 35 mm, 8 Panasonic DVX100s, 4 Sony PD150s, 6 Avid Media

Composers, ADR Foley & Mixing stage, large soundstage, recording studios, two large state-of-the-art theaters

Page 16: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

California Institute of Arts (CalArts)

(most expensive - focused on experimental film & animation)

• 3 years curriculum, est. total cost $165,370• An Art School for creative, motivated

individuals with a strong personal vision, techno-cool

• Best things : small size & funky attitude, great atmosphere to be creative, strong programs in dance / design / computer animation, connection with Pixars

• Worst things : depressing town, too much freedom

Page 17: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

Florida State University (least expensive - Industry)

• 2 years curriculum, est. total cost $89,316• More about learning through hands-on

experience & collaboration• Best things : Students get a lot for their

money, graduate employment rate is very high, plentiful equipment, extremely active & supportive network

• Worst things : exhausting, no guarantee to direct a thesis film, a little bit too supportive for the real world

Page 18: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

University of New Orleans(least expensive - Independent)

• 2 years curriculum, est. total cost $53,720• Very strong connection with drama

program, not nearly demanding or fast-paced,

• Best things : The price, The equipment* is available when needed, Students could make a lot of film under a tight budget

• Worst things : Hurricane Katrina has complicated things, and the faculty is not always around to help

*few CP-16 , Arri SR, 6 Panasonic DVX100s, plentiful light & sound packages, 2 nice-sized soundstage, 7 Avid stations, Audio finishing Suite, Whisper room for Voice & ADR

Page 19: Film School Confidential Get in. Make it out alive. Tom Edgar & Karin Kelly 2007

More about the schools

Visit filmschoolconfidential.net

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