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8'& ｴｴ ɆɂɅɈɒ ɀɂȼɄɈȼɂȶ ȼɢɡɚɧɬɨɥɨɲɤɢ ɢɧɫɬɢɬɭɬ ɋȺɇɍ Ȼɟɨɝɪɚɞ Ɉɪɢɝɢɧɚɥɧɢ ɧɚɭɱɧɢ ɪɚɞ 2ULJLQDO VFLHQWLILF SDSHU ɂɤɨɧɚ Ȼɨɝɨɪɨɞɢɰɟ ɫɚ ɏɪɢɫɬɨɦ ɢ ɋɜɟɬɢɦ ɇɢɤɨɥɨɦ ɢɡ ɦɚɧɚɫɬɢɪɚ ɋɜɟɬɟ Ɍɪɨʁɢɰɟ ɭ ɉʂɟɜʂɢɦɚ ɉɪɢɥɨɝ ɩɪɨɭɱɚɜɚʃɭ ɫɥɢɤɚɪɫɤɨɝ ɨɩɭɫɚ Ɇɚɤɫɢɦɚ Ɍɭʁɤɨɜɢʄɚ * 1 ɋȺɀȿɌȺɄ Ɋɚɞ ʁɟ ɩɨɫɜɟʄɟɧ ɢɤɨɧɢ Ȼɨɝɨɪɨɞɢɰɟ ɫɚ ɏɪɢɫɬɨɦ ɢ ɋɜɟɬɢɦ ɇɢɤɨɥɨɦ ɢɡ ɪɢɡɧɢɰɟ ɦɚɧɚɫɬɢɪɚ ɋɜɟɬɟ Ɍɪɨʁɢɰɟ ɭ ɉʂɟɜʂɢɦɚ ɇɚ ɨɫɧɨɜɭ ɫɬɢɥɫɤɢɯ ɨɞɥɢɤɚ ɢɤɨɧɚ ɫɟ ɩɪɢɩɢɫɭʁɟ Ɇɚɤɫɢɦɭ Ɍɭʁɤɨɜɢʄɭ ɢɤɨɧɨɩɢɫɰɭ ɢ ɦɨɧɚɯɭ ɐɟɬɢʃɫɤɨɝ ɦɚɧɚɫɬɢɪɚ Ɋɚɡɦɚ ɬɪɚʁɭ ɫɟ ɭɡ ɬɨ ɦɨɝɭʄɢ ɢɤɨɧɨɝɪɚɮɫɤɢ ɭɡɨɪɢ ɢɤɨɧɟ ɚ ɨɩɪɟɡɧɨ ɫɟ ɩɪɟɬɩɨɫɬɚɜʂɚ ɞɚ ʁɟ Rɧɚ ɦɨɝɥɚ ɧɚɫɬɚɬɢ ｱ ɝɨɞɢɧɟ ɭ ɦɚɧɚɫɬɢɪɭ Ⱦɭɛɨɱɢɰɢ ɤɨɞ ɉʂɟɜɚʂɚ ** Ʉȴɍɑɇȿ Ɋȿɑɂ ɢɤɨɧɚ Ȼɨɝɨɪɨɞɢɰɟ ɫɚ ɏɪɢɫɬɨɦ Ɇɚɤɫɢɦ Ɍɭʁɤɨɜɢʄ ɛɨɤɨɤɨɬɨɪɫɤɚ ɫɥɢɤɚɪɫɤɚ ɲɤɨɥɚ ɋɜɟɬɚ Ɍɪɨʁɢɰɚ ɉʂɟɜɚʂɫɤɚ ɦɚɧɚɫɬɢɪ Ⱦɭɛɨɱɢɰɚ ɫɪɩɫɤɚ ɭɦɟɬɧɨɫɬ ;9,,, ɜɟɤɚ ɪɫɡɤɪɣɡ ɩɞɭɤɞɣɪ ʀɧɱ ɬɛɞɣ ɥɧɟɞ ɛɩɞɚəɫɡ ɡɠ ɨɧɪɫɪɞɥɡɧɫɡɰɣɞ ɚɬɪɡʀɞ ȳɚɫ ȿɥɫɧɟɪ .ɚɨ ɪɟɬɤɨ ɤɨʁɢ ɦɚɧɚɫɬɢɪ ɢɡ ɝɪɭɩɟ ɨɧɢɯ ɱɢʁɢ ɫɟ ɠɢɜɨɬ ɡɚ ɜɪɟɦɟ ɬɭɪɫɤɟ ɜɥɚɫɬɢ ɧɚɞ ɧɟɤɚɞɚɲʃɢɦ ɫɪɩɫɤɢɦ ɡɟɦʂɚɦɚ ɨɞɜɢʁɚɨ ɩɭɧɢɦ ɢɧɬɟɧɡɢɬɟɬɨɦ ɦɚɧɚɫɬɢɪ ɋɜɟɬɚ Ɍɪɨʁɢɰɚ ɉʂɟɜɚʂɫɤɚ MH ɞɨ ɞɚɧɚɲʃɢɯ ɞɚɧɚ ɫɚɱɭɜɚɨ ɫɜɟ ɧɚʁɜɚɠɧɢʁɟ ɭ ɧɟɤɨɥɢɤɨ ɟɬɚɩɚ ɭɨɛɥɢɱɟɧɟ ɟɥɟɦɟɧɬɟ ﾄɦɚɧɚɫɬɢɪɫɤɨɝ ɝɪɚɞɚｳ Ɂɚɯɜɚʂɭʁɭʄɢ ɫɤɪɨɜɢɬɨʁ ɥɨɤɚɰɢʁɢ ɭ ɧɟɩɨɫɪɟɞɧɨʁ ɛɥɢɡɢɧɢ Ɍɚɲɥɢʇɟ ɉʂɟɜɚʂɚ ｱ ɚɞɦɢɧɢɫɬɪɚɬɢɜɧɨɝ ɫɪɟɞɢɲɬɚ ɏɟɪɰɟɝɨɜɚɱɤɨɝ ɫɚɧʇɚɤɚ ｱ ｱ ɢ ɧɟɲɬɨ ɩɨɜɨʂɧɢʁɟɦ ɫɬɢɰɚʁɭ ɢɫɬɨɪɢʁɫɤɢɯ ɨɤɨɥɧɨɫɬɢ ɨɜɚ ɫɜɟɬɚ ɨɛɢɬɟʂ ɧɢɤɚɞɚ ɧɢʁɟ ɡɚ * Ɋɚɞ ɫɚɞɪɠɢ ɞɟɨ ɪɚɡɭɥɬɚɬɚ ɢɫɬɪɚɠɢɜɚʃɚ ɭ ɨɤɜɢɪɭ ɩɪɨʁɟɤɬɚ ȼɢɡɚɧɬɨɥɨɲɤɨɝ ɢɧɫɬɢɬɭɬɚ ɋȺɇɍ ɛɪ ｱ ﾄɌɪɚɞɢɰɢʁɚ ɢɧɨɜɚɰɢʁɚ ɢ ɢɞɟɧɬɢɬɟɬ ɭ ɜɢɡɚɧɬɢʁɫɤɨɦ ɫɜɟɬɭｳ ｱ ɤɨʁɢ ɩɨɞɪɠɚɜɚ Ɇɢɧɢɫɬɚɪɫɬɜɨ ɩɪɨɫɜɟɬɟ ɢ ɧɚɭɤɟ Ɋɟɩɭɛɥɢɤɟ ɋɪɛɢʁɟ Ʉɚɞɚ ʁɟ ɨɜɚʁ ɬɟɤɫɬ ɜɟʄ ɛɢɨ ɩɪɢɩɪɟɦʂɟɧ ɡɚ ɲɬɚɦɩɭ ɨɛʁɚɜʂɟɧ ʁɟ ɪɚɞ ɭ ɤɨʁɟɦ ɫɭ Ɇɚɤɫɢɦɭ Ɍɭʁɤɨɜɢʄɭ ɩɪɢ ɩɢɫɚɧɚ ʁɨɲ ɧɟɤɚ ɞɟɥɚ Ɇ ɀɢɜɤɨɜɢʄ Ʌəʂɞ ɨɧɠɦəɫɞ ɡ ɦɞɨɧɠɦəɫɞ ɡɣɧɦɞ ɡɠ ɩɡɠɦɡɯɞ ɥəɦəɪɫɡɩə Ɉɩəɪɣɛɡɯɞ ɝɞɤə ɪɤɡɣəɩə ɉəɝɬɤə Ƚɡɥɡɫɩɡʀə ɡ Ʌəɣɪɡɥə ɋɬʀɣɧɛɡʃə Ɂɨɝɪɚɮ ｱ Ɍɟ ɧɨɜɟ ɪɟɡɭɥɬɚɬɟ ɧɚɲɢɯ ɢɫɬɪɚ- ɠɢɜɚʃɚ ɧɢɫɦɨ ɭɜɪɫɬɢɥɢ ɭ ɨɜɚʁ ɪɚɞ 9

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Page 1: The Icon of Virgin with Christ and St. Nicholas in Holy Trinity Monastery in Pljevlja, Zbornik za likovne umetnosti Matice srpske 41 (2013)

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Predavanje: Afričke umetnosti: konteksti i reprezentacije 30.04.2015

Državni arhitekta – poslušnik ili stvaralac? Zbornik seminara za studije istoriju moderne umetnosti Filozofskog fakulteta 10, Beograd 2014, 69-77

Likovne-umetnosti-osnovne-studije_final.pdf - Универзитет

Feministički pokreti i žensko delovanje kroz žensko pismo u umetnosti na prostorima uže Srbije i Vojvodine u periodu od 1878. do 1937. godine

Metodika nastave likovne kulture: Kabinet čuda - NSK

Soupis patrocinií na jižní Moravě (A register of dedications in south Moravia), Časopis Matice moravské 132, 2013, pp. 113-149

Vloga žensk v črni umetnosti / The History of printing in Slovenia - The Role of Women in the Black art and the first Slovenian Books

"Moderna arhitektura Beograda u osvit Drugog svetskog rata: sajam, stadion, logor" u Istorija umetnosti u Srbiji XX vek, tom 2. Realizmi i modernizmi oko hladnog rata

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STOLAČKO KULTURNO PROLJEĆE Godišnjak Matice

Koraci i raskoraci: Kratak pregled institucionalne koncepcije i izlagačke politike Muzeja savremene umetnosti 2001-2007

LEŠINARNIK - PITANJE IDENTITETA I ODNOSA PREMA SEĆANJU U RELACIJI UMETNOSTI I DRUŠTVA

Aristotel - O Pesnickoj umetnosti

Marković, N. 2013. Kult svetog bika Apisa u dinastičkom Egiptu / The cult of the sacred bull Apis in dynastic Egypt. Zbornik Matice srpske za klasične studije / Journal of Classical

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Silaški, N., & Đurović, T. (2011). The NATURAL FORCE metaphor in the conceptualisation of the global financial crisis in English and Serbian. Zbornik Matice srpske za filologiju

A note on the ktetorship and contribution of women from the Branković dynasty to cross-cultural connections in late medieval and early modern Balkans, Zbornik za likovne umetnosti