the 67th hong kong schools music festival - 香港電台

MARCH 2015 二零一五年三月號

The 67th Hong Kong Schools Music Festival 第六十七屆香港學校音樂節

All photos taken at the Hong Kong Schools Music Festival 2014, courtesy of the organiser.

樂壇新秀2015召集Calling for YMMers 2015

In 2011, for the first time, Young Music Makers (YMM) took the

format of openly inviting applications. Potential YMMers were

expected to possess performance standard of a professional or pre-

professional level. After the auditions rounds, selected candidates

were invited to record a recital at Radio 4. Our TV section also

featured each of them in a documentary. Through the interviews

and performances in these programmes, coupled with internet

polling and the Final Concert, listeners and viewers were able

to come in touch with these young musicians from different

perspectives.

When submitting their applications, some of the YMMers were

secondary school students, and some were studying music full time.

A few years past, some YMMers have embarked on professional

careers, playing as full time or freelance musicians in orchestras

both local and abroad. Quite a few of them are furthering their

studies in performance programmes. Some others have taken a non-

music programme at university, yet are still active as performers.

Whatever they pursue, YMMers generally find it enlightening to

have taken part in this multi-platform project, and experienced the

unique pathway in becoming a professional performer.

I am pleased to tell all budding instrumentalists and singers, that

after a 3-year hiatus, the project is returning this year. If you are an

accomplished musician who enjoys performing on stage, in front of

microphones and cameras, and would like to further excel in music,

you are welcome to sign up for Young Music Makers 2015. You can

be a soloist or perform in an ensemble, as an instrumentalist or

vocalist, in Western or Chinese repertoire. For more information,

please refer to page 12. Please also visit our website to see what

the previous YMMers have achieved. The application form is

also available for download (rthk.hk/ymm2015). Deadline for

application is 21 May. Act now!

Jimmy Shiu Head, Radio 4

2011年，「樂壇新秀」首次以公開接受報名的方式，透過嚴

格的甄選過程，發掘優秀的年青音樂家。他們的演出須達到

或接近專業水平。第四台為入圍的每位參加者錄製節目，電

視部則為他們各自拍攝專輯。透過當中的訪問和演出，再加

上網上投票及閉幕音樂會，聽眾和觀眾可以全面地認識每一

位年青音樂家。

有部份「樂壇新秀」在報名時仍是中學生，也有是音樂學院

的學生。幾年過後，他們有些已踏上專業演奏的道路，以全

職或兼職樂手的身份受聘於本地和海外樂團；有好幾位正在

本地以及海外進修演奏或演唱；亦有在大學裏選修非音樂主

科，卻仍然熱衷於演出的。無論如何，多位新秀均表示透過

參加這個跨平台的大型項目，他們有機會親身經歷作為一位

專業音樂家的過程，除了獲益良多，箇中感受亦畢生難忘。

很高興告訴各位年輕樂手和演唱者，繼2011及2012年兩屆之

後，「樂壇新秀」今年捲土重來。如果你具備優秀的音樂才

華，享受在台上、咪前和水銀燈下演出，又想給自己一個發

揮的機會，請即報名參加樂壇新秀2015 ─ 獨奏、獨唱、合

奏、合唱、中樂、西樂均可，有關詳情請參閱第12頁。你可

登入rthk.hk/ymm2015下載報名表格，以及欣賞兩屆新秀的

演出和個人特輯。截止報名日期為5月21日，請即行動！

第四台節目總監　蕭樹勝

Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for further information during office hours.

香港電台第四台謹向以下贊助者的慷慨支持致以最深謝意。有興趣成為「美樂集」贊助者的朋友，可在辦公時間內致電 9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

PLATINUM PATRON 白金贊助者 Anonymous 無名氏

SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士

SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !

掌台人隨筆From The Desk of HR4

FOREWORD 前言

Vivian Yau was one of the candidates who performed at the Final Concert of Young Music Makers 2011 在2011年「樂壇新秀」閉幕音樂會中參與演出的女高音邱芷芊

▲

March 2015 | FINE MUSIC 1

March 2015 二零一五年三月號

CONTENTS 目錄

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿05 RTHK Quartet Concert at Lingnan University

香港電台弦樂四重奏嶺南大學音樂會

COVER STORY 封面故事06 吳朝勝暢談箇中樂趣

09 The 2nd RTHK Radio 4 Chinese Instruments Scholarship 第二屆「香港電台第四台中國樂器獎學金」

11 The 67th Hong Kong Schools Music Festival 第六十七屆香港學校音樂節

12 Growing Up with Radio 4 … Young Music Makers 2015 青蔥歲月停不了⋯⋯ 樂壇新秀2015

COLUMNS 專欄14 Sunday Opera 歌劇世界

19 Songs of the Earth 大地之歌

21 HK’s Key Figures 香港鍵將

23 New Releases 碟碟不休

25 Concert Highlights 音樂會轉播精選

29 Main Programme Chart 節目時間表

31 Programme Highlights 節目精華

43 ‘FM’ Classified Board 《美樂集》分類廣告

44 Coda

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RTHK Quartet Concert at Lingnan University Ticket Request Form

「香港電台弦樂四重奏嶺南大學音樂會」門票索取表格

Date 日期：24/3/2015(Tue 星期二)

Time 時間：7:30pm

Venue 地點：MBG06 (Lam Woo Lecture Theatre) Lingnan University, Tuen Mun, N.T. 新界屯門嶺南大學MBG06(林護演講廳)

Programme 節目： Brahms: Quintet in B minor, Op.115* 布拉姆斯：B小調五重奏，作品115* Ravel: String Quartet in F 拉威爾：F大調弦樂四重奏

Guest Musician 演出嘉賓：Andrew Ling (viola)* 凌顯佑（中提琴）

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)

Please return the completed form to:Radio 4, P.O. Box 70200 Kowloon Central Post Office請郵寄至九龍中央郵箱70200號，香港電台第四台

Fax傳真：23396427 Enquiries查詢：23396425

SPECIAL FEATURES 特稿

RTHK Quartet Concert at Lingnan University

The RTHK Quartet will re-visit the Lingnan University on 24 March

(Tue). After teaming up with pianist Colleen Lee last year, the four

members of the Quartet, Le Hoai-nam, Selena Choi, Elvis Chan and

Laurent Perrin will work with another guest musician at the campus

concert this year. Andrew Ling, an outstanding local violist, will join

the Quartet in the performance of Brahms’ Quintet in B minor, Op. 115

(originally written for clarinet and string quartet). The Quartet will also

play Ravel’s String Quartet in F.

香港電台弦樂四重奏在3月24日再度到訪嶺南大學。繼去年邀請

鋼琴家李嘉齡携手合作之後，四位成員李海南、蔡芷穎、陳子信

和貝樂安今年會與本地中提琴家凌顯佑合作，演奏布拉姆斯的

B小調五重奏(原為單簧管及弦樂四重奏而寫)，並會送上拉威爾

的F大調弦樂四重奏。

Raymond Chung 鍾子豪

© K

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香港電台弦樂四重奏嶺南大學音樂會

▲Andrew Ling (viola) 凌顯佑(中提琴)


李：李德芬吳：吳朝勝

從聽戲曲開始 ⋯⋯

李：你的音樂事業是從中樂開始的。當年為什麼選擇中樂？

吳：我在新界較偏僻的村落出生，接觸正規的音樂比較困難，整

條村都沒有鋼琴。那時，我媽媽愛聽戲曲，小時候我也喜歡

隨著她一起聽，所以從小對中樂較有興趣。到了中五，大埔

區有樂器班，經同學介紹，我就參加了其中一班。

李：最初學習的是琵琶？

吳：對，學了兩年琵琶後，剛巧有朋友把他的揚琴放在我的家

裡，我覺得很有趣，於是便自學揚琴。之後發現，揚琴似乎

更好玩。1985年，我入讀香港演藝學院時就是主修揚琴，

副修琵琶。

李：演藝學院畢業後，你入讀香港教育學院。當時你對於音樂教

育是否有很強烈的信念，希望年青一代可以多了解和學習中

樂？

吳： 1997年，教職全面學位化，我們都要進修。當初入職時沒

有教育文憑，所以我要在教育學院讀三年夜師課程，修讀教

育理論。

李：你多才多藝，集演奏、指揮、教學及作曲於一身。你的作曲

啟蒙又是從哪裡來？

吳：當時在新界，我們這群音樂發燒友曾組織樂團，不過只有

十多人，而且樂譜資源比較少。我常常聆聽錄音，並記錄配

器，也嘗試編配。那時候覺得，原來編配音樂是非常有趣

的。後來，我在清華書院學習音樂理論，漸漸對作曲產生興

趣。

香港的中樂發展和演奏水平

李：你擔任香港學校音樂及朗誦協會執行委員已有二十年，負責

的範疇主要在中樂方面。你認為在過去二十年裡，香港學校

的中樂發展有甚麼變化？

吳：一方面是環境的變化，另一方面是曲目選擇和比賽規則的

制定。現在，有很多新的中樂作品出現，獨奏和合奏都有。

評判選材之後，我們會邀請香港的音樂家和教授器樂演奏的

專家協助評定哪首作品適合比賽。我們注意到，在大陸和台

灣，甚至新加坡和馬來西亞，中樂水平提升得很快，尤其是

台灣的水平更為突出。香港的中樂發展和演奏水平相對地提

升得較慢。所以，在選材方面，我們會挑選較深及程度較高

的曲目，希望香港中樂演奏的整體水平能夠提升。

李：香港電台第四台今年再度舉辦「中國樂器獎學金」比賽。去

年我也有出席比賽，覺得水平真的不錯。你覺得呢？

吳：是的，同學的表現相當不錯。五位入選的同學其實已有很好

的成績，因此都算是精英。

▲ 1985年就讀清華書院音樂系二年級的吳朝勝，學了揚琴（洋琴）兩年，就以「蘇武」一曲，獲得公開組的冠軍。（華僑日報1985年3月7日）

吳朝勝暢談箇中樂趣現為香港學校音樂及朗誦協會執行委員的吳朝勝，是作曲家、指

揮、演奏家和教育家，多年來培育了不少國樂新秀，並致力介紹

及推廣中國民族音樂，以及協助組織學校中樂團，對香港音樂教

育貢獻良多。他與李德芬分享當年如何接觸音樂⋯⋯

COVER STORY 封面故事


Arts Happenings 藝壇快訊

比賽最重要的是⋯⋯

李：我知道你參加過校際音樂節比賽，當年的情

況是怎樣？

吳：我曾經贏得香港學校音樂節揚琴組公開組的

冠軍。當時只有幾個學生參加。我選了一首

適合我演奏的自選曲，想給自己一個機會，

看看水準如何，獲得冠軍當然很高興。之

後，有一年我還獲得作曲組的冠軍呢！

李：你樣樣皆能，所以便投入作曲、演奏、編曲

和教學生？

吳：教學生是往後的事。教育學院畢業之後，我

們始終要找工作，而且我的興趣就是教學。

李：今年有不少同學參加音樂比賽，你對他們有

什麼寄語？

吳：我時常跟同學說，比賽是一個渠道，一方面

讓自己清楚達到哪個水平，是多年努力的一

個回報；另一方面就是交流切磋，多留意人

家的長處。我希望今年參加比賽的同學盡力

而為，盡量表現自己，而且不要太在意輸

贏。比賽中獲得的心得和經驗才是最重要。

文字整理：箬笠

The 67th Hong Kong Schools Music Festival will be held from 2 March to 1 April 2015. Tune in to Radio 4 for highlights from the Festival every Sunday at 8pm, with repeats on Fridays at 2pm. Please refer to the broadcast details on P. 11.

第六十七屆香港學校音樂節正密鑼緊鼓安排在3月2日至4月1日舉行。第四台會轉播今年學校音樂節的精選內容，節目於逢星期日晚上8時播出，隨後的星期五下午2時重播。詳情請參閱第11頁的播放時間表。

Although the Cloud Gate Dance Theatre (Cloud Gate) has been one of the foremost modern dance companies in Taiwan for the past 40 years, their administrative buildings and rehearsal studios were located in old apartments and worn-out basements spread across several locations. In 2008, a fire burned down Cloud Gate’s rehearsal studio located in the Bali District and all their audio equipment, costumes, props, and production archives were destroyed. With support from the government, Cloud Gate took over former site of Radio Taiwan International and with approximately 4,000 donations from local communities, they built a new theatre, rehearsal studios, offices, and workshop rooms at the new site. On 29 January, Cloud Gate officially moved out from its 17-year-old home in Cloud Gate Lane to the Cloud Gate Theatre in Tamsui near the Hobe Fort.

Since the Cloud Gate Theatre is surrounded by beautiful mountains and seas, the Troupe’s Founder and Artistic Director Lin Hwaimin joked that reporters would be making a special excursion for the long way to visit Cloud Gate. He expressed that the Cloud Gate Theatre is not limited only to long-time Cloud-gaters. By inviting young troupes to perform and organising literary workshops, Lin hopes that the new site will nurture and provide a platform for fresh artistic creations. In April Spring Riot 2015 will be presented by its young division troupe Cloud Gate 2 to mark the Cloud Gate Theatre’s grand opening.

雖然「雲門舞集」成立已經四十年，是台灣著名的現代舞蹈團體，但其辦公室和排練場地卻分隔在不同地區的舊公寓和鐵皮屋內。2008年位於八里烏山頭的排練場因為失火而被燒毀，所有音響器材、鋼琴、歷年的資料、製作圖件、服裝和道具等化為烏有。在四千多項民間捐款以及在政府的協助下，「雲門」得到中央廣播電台在淡水原址的使用權，建造擁有劇場、排練場、辦公室和工作坊的全新劇場。「雲門」1月29日正式告別十七年「雲門巷」的老家，進駐位於淡水滬尾炮台後方的「雲門劇場」。

「雲門劇場」背山面海，景色優美，與環境融合。創辦人和藝術總監林懷民笑言，以後記者探訪「雲門」如出外郊遊。他更表示新劇場並不限於「雲門」使用，日後會邀請更多新劇團演出，並設立文學講座以培育年輕藝術家以及提供不同類型的創意平台。「雲門劇場」將於4月正式開幕，揭幕節目是由年輕劇團「雲門2」演出的《春鬥2015》。

遇祝融後「雲門」遷入淡水「雲門劇場」

Blessing in Disguise:‘Cloud Gate’ that survived the great fire is moving into Cloud Gate Theatre in Tamsui

▲ Cloud Gate Theatre in Tamsui, Taiwan 位於台灣淡水的「雲門劇場」

© 溫明書

Rachel Lai 黎慧因



Raymond Chung 鍾子豪

RTHK Radio 4 Chinese Instruments Scholarship is one

of the highlights in this year’s Schools Music Festival. This

competition is presented by the Hong Kong Schools Music

and Speech Association, with full support from RTHK Radio 4.

Last year, five finalists came to RTHK TV House studio to

perform in front of the Chinese music experts and audiences.

It was a very good experience for these young music talents

to learn from each other. Erhu player Luen Long-yuet was

awarded First Prize. She also received an RTHK trophy and a

scholarship prize.

This year, the competition will take place on 20 March (Friday)

afternoon at RTHK Studio One, Broadcasting House. We look

forward to seeing you there.

由香港學校音樂及朗誦協會主辦，香港電台第四台全力支持

的第二屆「香港電台第四台中國樂器獎學金」將於3月20日

(星期五)下午在香港電台一號錄播室舉行。去年的首屆比賽

吸引了眾多年輕優秀中樂好手參與。他們的演奏水平甚高，

演奏曲目亦相當廣泛。演奏二胡的倫朗悅憑著精湛技巧，豐

富的音樂情感，勇奪冠軍並獲頒香港電台獎杯和獎學金。

今年的賽事亦同樣精彩，幾位晉身是次決賽的同學曾經歷多

番考驗，在入圍賽事中大顯身手。相信透過這個獎學金的活

動，年輕音樂愛好者可互相觀摩，一起進步。我們誠邀你一

同分享他們努力的成果，一同見證新一屆冠軍的誕生！

RTHK R4 Chinese Instruments Scholarship Ticket Request Form

「香港電台第四台中國樂器獎學金」門票索取表格

Date 日期：20/3/2015(Fri 星期五)Time 時間：2:30pm Venue 地點：Studio One, Broadcast House, 30 Broadcast Drive, Kowloon Tong, Kowloon 九龍塘廣播道30號香港電台廣播大廈一號錄播室

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 4) (請列明數量，最多四張)

Please return the completed form to:Radio 4, P.O. Box 70200 Kowloon Central Post Office請郵寄至九龍中央郵箱70200號，香港電台第四台

Fax傳真：23396427 Enquiries查詢：23396425

▲Erhu player Luen Long-yuet was awarded the First Prize last year 演奏二胡的倫朗悅於去年的首屆比賽贏得冠軍


You can also visit our website for the archive 你亦可登入「節目重溫」: rthk.hk

First broadcast Repeat broadcast Programmes 首次播出日期重播日期節目 (Sun 日, 8pm) (Fri 五, 2pm)

22/3 27/3

RTHK Radio 4 Chinese Instruments Scholarship Finals 香港電台第四台中國樂器獎學金決賽

29/3 3/4 RTHK Radio 4 Chinese Instruments Scholarship Finals

香港電台第四台中國樂器獎學金決賽

5/4 10/4 RTHK Radio 4 Chinese Instruments Scholarship Finals

香港電台第四台中國樂器獎學金決賽 Primary School Choir Finals (HK & Kowloon Regions) – Junior 小學合唱決賽（香港及九龍區域）─ 初級組

12/4 17/4 Primary School Choir Finals (HK & Kowloon Regions) – Intermediate

小學合唱決賽（香港及九龍區域）─ 中級組

19/4 24/4 Primary School Choir Finals (HK & Kowloon Regions) – Senior

小學合唱決賽（香港及九龍區域）─ 高級組

26/4 1/5 Secondary School Choir Finals – Junior’s Choir Section (First Division)

第一組別中學合唱決賽 ─ 初級合唱組

3/5 8/5 Secondary School Choir Finals – Boys’ Choir Section (First Division)

第一組別中學合唱決賽 ─ 男聲合唱組

10/5 15/5 Secondary School Choir Finals – Girls’ Choir Section (First Division)

第一組別中學合唱決賽 ─ 女聲合唱組

17/5 22/5 Secondary School Choir Finals – Mixed Voice Choir Section (First Division)

第一組別中學合唱決賽 ─ 混聲合唱組 24/5 29/5 優勝者音樂會 Prize-winners’ Concert

31/5 5/6 優勝者音樂會 Prize-winners’ Concert





Hong Kong Schools Music Festival 香港學校音樂節From March to July, Radio 4 brings you highlights from the 67th Hong Kong Schools Music Festival.

Please refer to the following schedule.

第四台於3月至7月轉播第六十七屆香港學校音樂節的精選節目，詳情如下：


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Young Music Makers 2015樂壇新秀 2015

Radio programme 電台節目

TV documentary 電視專輯

Performance clips shown on RTHK’s website / social media 演出上載於港台網頁 / 其他社交平台

Public polling 公眾投票

Final Concert (broadcast live) 閉幕音樂會(現場直播)

Here are some project highlights:

• Application is open to candidates who have a HKID card.

• Candidates should be instrumentalists or vocalists performing Western or Chinese fine music repertoire. Instrumental candidates must be born on or after 21 May 1992. Vocal candidates should be born on or after 21 May 1987. For ensembles, the maximum number of members is 12, excluding conductor and accompanist.

• Candidates will audition by sending in a good-quality audio CD, which contains at least two works in contrasting styles with total duration of 10-15 minutes. Please include a list of the composers and titles of the works being performed.

• Short-listed candidates will be invited for a live audition.

• Candidates who pass the live audition will be invited to perform a programme of 15-17 minutes in an RTHK studio. Up to 16 candidates/ensemble groups will be selected. This performance will be recorded. Successful candidates will each be featured in a radio programme, a TV documentary and on RTHK’s website. Subsequent to a public polling and adjudication, up to four candidates will be invited to perform at the Final Concert.

活動概要如下：

• 凡持有香港身份證者均可報名。

• 參加者須以樂器或聲樂，演繹西方或中國美樂作品。器

樂參加者須於1992年5月21日或以後出生；聲樂參加者

須於1987年5月21日或以後出生。若以合奏或合唱的形

式參加，每組人數除指揮及伴奏不能超過十二位。

• 參加者須錄製一張試聽光碟，並演繹最少兩首不同風格

的作品，總長度為10 - 15分鐘。請隨光碟附上演奏曲目

及作曲家名稱。

• 通過光碟錄音試聽的參加者，將獲邀出席現場試聽。

• 通過現場試聽的參加者將獲邀到香港電台錄播室，演出

15 - 17分鐘的音樂。香港電台會從錄音節目中選出最多

十六個參加單位；入圍新秀將亮相於電台節目、電視專

輯及香港電台網頁。經過公眾投票及評審後，最多四位

新秀將獲邀在閉幕音樂會中演出。

Kathy Lam 林家琦

A multi-platform showcase for young musical talent年青音樂家大展才華的多元舞台


Deadline 截止報名日期 : 21/5/2015 Enquiries 查詢 : 2339 6425

Email 電郵 : [email protected]

Schedule 時間表

Arts Happenings 藝壇快訊

Dutoit Returns冰釋前嫌

Charles Dutoit, who bitterly resigned his position from the Montreal Symphony Orchestra (Orchestre S y m p h o n i q u e d e Montréal, OSM) 13 years ago, may return as Guest Conductor. Artistic Director Kent Nagano and Chief Executive Madeleine C a r e a u e x p r e s s hopes that this will be possible. ©

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Rachel Lai 黎慧因

The Swiss conductor Charles Dutoit became the Artistic Director of OSM in 1977. During the twenty-five years of his leadership, the longest tenure in OSM’s history, the Orchestra became an internationally acclaimed ensemble. In 2002, Dutoit initiated dismissal actions against two orchestra members which led to unrest in the Orchestra and musician’s union intervention. Dutoit resigned suddenly in a fit of temperament.

The announcement of Dutoit’s return has brought mixed responses from Orchestra members. Violinist Richard Roberts hopefully said that it would be a sign of healing, while a player who wished to stay anonymous said, ‘the good that he did has been equalised by the hurt that he caused.’

A Dutoit reunion with the OSM is what music lovers all over the world look forward to.

蒙特利爾交響樂團藝術總監長野健和行政總裁卡蘿宣佈，於十三年前離任的杜托華，或會重返樂團擔任客席指揮。

瑞士指揮杜托華1977年接任蒙特利爾交響樂團藝術總監一職達二十五年之久，成為樂團歷史上任期最長的藝術總監兼指揮。在他的領導下，樂團的聲譽漸隆。2002年杜托華因解僱兩名樂手而惹來樂團和工會的不滿，工會更發出公開信指責杜托華管理不善，杜托華一怒之下突然辭去其總監的職位。

樂手對於杜托華重返蒙特利爾交響樂團的消息持有不同意見。小提琴手李察‧羅拔士對於事情感到樂觀，表示這代表雙方關係的癒合，亦有匿名樂手認為他的功績和所帶來的傷害同樣深遠。

相信全世界的樂迷都期待杜托華與蒙特利爾交響樂團再度合作，重現當年樂團的風采。

rthk.hk/ymm2015


Deadline for Application 21 May 2015 (Thu)

截止報名日期 2015年5月21日(星期四)

Live Audition 4 Jun 2015 (Thu), from 6pm

現場試聽 2015年6月4日(星期四)，下午6時後

Briefing Session 5 Jun 2015 (Fri), 5 - 7pm

簡報會 2015年6月5日(星期五)，下午5時至7時

Radio Recording From 9 Jun 2015

電台錄音由2015年6月9日起

TV Filming From early Jun 2015

電視錄影由2015年6月初起

Photo-taking Day 19 Jul 2015 (Sun), whole day

造型照拍攝日 2015年7月19日(星期日)，全日

Broadcast of Radio and 2 Aug - 26 Sep 2015 TV programmes

電台及電視節目播出日期 2015年8月2日至9月26日

Online Polling 1 Aug - 30 Sep 2015

網上投票 2015年8月1日至9月30日

Final Concert cum 12 Nov 2015 (Thu) Prize-presentation Ceremony

閉幕音樂會暨頒獎禮 2015年11月12日(星期四)

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Lo King-manSUNDAY OPERASundays 2:00pm

This month, Hong Kong opera lovers will be able to enjoy two live productions: a Russian tragic melodrama in the Hong Kong Arts Festival and a famous Viennese operetta at The Hong Kong Academy for Performing Arts, on which Rupert Chan will offer us his witty comments and insightful observations. We will also have the chance of enjoying a rare comic heroic drama, a French lyrical romance, and a hilarious comedy bursting with stunning vocal virtuosity.

1 March : Rimsky-Korsakov’s The Tsar’s Bride

▲ Johann Strauss II ▲ Nicolai Gedda

▲ The death of Marfa in the opera’s 1899 premiere

Nikolai Rimsky-Korsakov (1844 - 1908) joined the Russian naval service at the age of 18. He did not receive a conservatory education and pursued his musical interests mainly through private study and self-learning. In his early twenties, he became one of the five young composers, nicknamed ‘The Mighty Handful’, under the leadership of Mily Balakirev, the other three being Modest Mussorgsky, Alexander Borodin and César Cui. This group advocated the development of a national Russian style in music. Among them, Rimsky-Korsakov was best known and most admired for his superior craftsmanship and brilliant orchestration.

In 1868, The Tsar’s Bride, a play by Lev Mey, was suggested to Rimsky-Korsakov by Balakirev as a suitable subject for an opera. Rimsky-Korsakov, however, was not able to follow up with this idea until many years later due to his heavy commitments as composer, orchestrator, editor, and especially because of his appointment, from the age of 27, as Professor of Composition at the St. Petersburg Conservatory. Another factor was his marriage in 1872 that led to the fatherhood of six children. Eventually, the opera was written in 1898, performed for the first time in Moscow the following year, and moved on to the great Mariinsky Theatre of St. Petersburg in 1901. The composer was then 57 years old.

The Tsar’s Bride is a melodrama full of intrigues motivated by jealousy arising from political rivalry and frustrated love. Marfa is the beautiful daughter of a wealthy family. She is in love with a young nobleman named Lykov. Gryaznoy, a member of the royal bodyguard who desires Marfa’s affection, plans to win her love with a magic potion. Lyubasha, Gryaznoy’s abandoned mistress, learns of his plan and secretly swaps the love potion with a deadly poison. On the day of the engagement of Marfa to Lykov, everyone is surprised to learn that the Tsar has chosen Marfa to be his own bride. In the meantime, the poison begins to take effect on Marfa. It causes her to lose her mind and die at the end of a moving mad scene.

In our complete recording, the role of Marfa is sung by soprano Ekaterina Kudriavchenko. Gryaznoy is portrayed by baritone Vladislav Verestnikov. Lyubasha is interpreted by mezzo-soprano Nina Terentieva; and Lykov by tenor Arkady Mishenkin. Each of these principal singers has at least one important aria to perform. The Tsar as a character does not appear in the opera. The Sveshnikov Russian Academic Choir and Moscow Bolshoi Theatre Orchestra provide brilliant support under conductor Andrey Chistiakov.

A production of this work by the Bolshoi Opera will be presented at the Hong Kong Arts Festival later this month.

8 March : Johann Strauss II’s Die Fledermaus

For the second Sunday Opera programme of the month, Rupert Chan will present the ever-popular Viennese operetta, Die Fledermaus (The Bat) by Johann Strauss II (1825 - 1899). This light-hearted, sparkling and somewhat frivolous but extremely pleasing piece for the theatre was first performed in April 1874. It remains the most successful box-office hit of the so-called Golden Age of Operetta represented by the works of Johann Strauss the younger.


Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

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▲ Jules Massenet ▲ A painting by Henri Meyer illustrating the first scene of Act three of Manon

Already enjoying an enormous reputation as the King of the Viennese Waltz at a relatively young age, Johann Strauss was said to have been advised by Jacques Offenbach, who created the vogue for comic operettas in Paris, to turn his attention to the stage rather than concentrating solely on dance music, waltzes, and polkas. It was Strauss’ wife Jetty who took up the advice seriously and persistently drove her husband on to create a special brand of Viennese operettas. In Die Fledermaus, this potential was realised with immense success. Today, this work stands firm on the international repertoire for every season in every major opera house especially during the New Year and other festive occasions.

The whole plot is one great joke played for the amusement of a bored aristocrat, Prince Orlofsky. The joke itself is an act of revenge against the wealthy gentleman of leisure Eisenstein, who once left a friend in a public square drunk and dressed as a bat; hence the title of the operetta. From overture to finale, the score abounds in delightful moments, notably the mock farewell trio in Act I; the laughing song, czardas, friendship chorus and the famous Fledermaus waltz in Act II; and the hilarious slap-stick prison scene with the high-spirited champagne celebration at the very end.

The recording chosen for your enjoyment features tenor Nicolai Gedda as Eisenstein, soprano Anneliese Rothenberger as his wife Rosalinde, tenor Adolf Dallapozza as her admirer Alfred, soprano Renate Holm as her maid Adele, and mezzo-soprano Brigitte Fassbaender as Prince Orlofsky. The Vienna State Opera Chorus and Vienna Symphony Orchestra give a brilliant performance under the baton of Maestro Willi Boskovsky.

A production of Die Fledermaus staged by The Hong Kong Academy for Performing Arts will be performed at the Academy Drama Theatre later this month.

15 March : Massenet’s Manon

Jules Massenet (1842 - 1912) was admitted to the Paris Conservatory of Music when he was 11 years old. He studied composition under the tutelage of Ambroise Thomas, one of the most distinguished French composers of the mid-19th century. On graduation at the age of 21, Massenet won the prestigious Grand Prix de Rome and went on to become the most prolific and successful opera composer in France, producing a total of 34 works for the theatre, many of which were extremely popular during his lifetime. Manon is his 14th opera. It was completed in 1883, during the composer’s tenure as professor of composition at the conservatoire.

Based on Abbé Prévost’s famous novel The Story of Chevalier des Grieux and Manon Lescaut, the opera was premiered at the Opéra-Comique of Paris in January 1884. By its centenary year, Manon had been given more than 2,500 performances in the French capital alone. It is without doubt Massenet’s most successful and musically near-perfect creation for the operatic stage.

Set to a libretto by Henri Meilhac and Philippe Gille, the plot centres around the fate of two young lovers who meet in Amiens and elope to Paris, where Manon succumbs to the temptation of luxurious living as mistress to a rich nobleman. Des Grieux attempts in vain to rescue her from her dissipated way of life, but Manon’s obsession with wealth causes her inevitable downfall. Finally arrested and sentenced to deportation to the new world, Manon dies on the road to Le Havre in the arms of her one true love, Des Grieux.

The fine recording to be presented has a fabulous cast led by Romanian soprano Angela Gheorghiu in the title role, displaying a rich voice of velvet quality. Partnering her in the role of Des Grieux is Corsican tenor Roberto Alagna who has a bright timbre and a passionate temperament. The Symphony Orchestra and Chorus of the Théâtre de la Monnaie, Brussels, are conducted by Antonio Pappano.


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▲ Paris Opéra-Comique in 1840 ▲ Marie and the sergeant of the troop in the premiere of La fille du régiment

22 March : Haydn’s Orlando Paladino

In 1782, Joseph Haydn (1732 - 1809) received an order from his employer, Prince Nikolaus Esterházy, to compose a new work to celebrate the visit of the Grand Prince of Russia. Haydn produced this comic heroic drama, which has won critical acclaim as the composer’s funniest opera. It was very popular during his lifetime.

Set to an Italian libretto by Nunziano Porta, taking inspiration from episodes describing the adventures of Charlemagne’s Christian knight Roland in the famous epic romance, Orlando Furioso, by the important Renaissance poet Ludovico Ariosto, the opera tells the story of how Orlando, driven insane by his unrequited love for Angelica, the lovely princess of northern China, is rescued from mortal danger by the kind-hearted sorceress Alcina. The score reveals many instances of Haydn’s lively wit and subtle humour.

A recent recording will be presented for your enjoyment, with Nikolaus Harnoncourt directing the Concentus Musicus Wien and a cast led by tenor Michael Schade in the title role, soprano Patricia Petibon as Angelica and mezzo-soprano Elisabeth von Magnus as Alcina.

29 March : Donizetti’s La fille du régiment

On the last Sunday of this month, we shall all share the great fun and high-spirited comedy in the wonderful performance of the great Italian tenor Luciano Pavarotti and the stupendous Australian coloratura soprano Dame Joan Sutherland in La fille du régiment (The Daughter of the Regiment) by Gaetano Donizetti (1797 - 1848). This is the composer’s first opera set to a French libretto, shortly after he left his native Italy to settle in Paris. The work was first performed by the Paris Opéra-Comique in February 1840. After its initial cold reception in the French capital, it soon became widely popular all over Europe. Following a series of revivals in the 1960s, this opera has in fact become one of the greatest box-office hits in the international repertoire today.

Marie, an orphan girl abandoned near a military camp up in the Alps, has been brought up by the French regiment stationed there and assigned duties as their canteen girl. She falls in love with Tonio, a Tyrolean boy who, in order to marry her, must first become a member of the regiment and then have the consent of all the soldiers in the troop, who are her collective fathers. Further complications arise when the Marquise of Birkenfeld arrives to claim Marie as her illegitimate niece and wants to transform her into a high-born lady qualified to be the bride of a duke. The entire regiment comes to her rescue and brings a joyful ending to the opera.

Our recording was made in 1967 as the result of a famous

production staged the year before by the Royal Opera

House at Covent Garden, London, featuring Dame

Joan Sutherland as Marie, Luciano Pavarotti as Tonio,

mezzo-soprano Monica Sinclair as the Marquise, and

baritone Spiro Malas as the sergeant of the regiment.

The Orchestra and Chorus of the Royal Opera House

perform under the baton of Richard Bonynge. This was

the opera that established the superstardom of Pavarotti

with his astounding delivery of nine glorious high-Cs at

the climax of a single aria.


Taking traditional music in the widest sense of the term including everything from folk music to ethnic music,

this show will bring such diverse styles as traditional polyphonic Malimba music from the Hadza bushmen

of Tanzania, classical Radif Persian repertoire with Iranian singer Parissa, southern Indian temple music with

the Chidambaram Periya Melam Temple Ensemble, traditional Tarling music from Cirebon Indonesia from

composer and self-taught musician Embie C. Noer, and much more.

In addition to sampling various songs from around the world, the show will also focus on musical themes

with a selection of different musicians to highlight the particular style or even regional events chosen. As

an example of such explorations, here are a few of the musical themes and events we can focus on in this

month’s shows:

Pierre Tremblay

▲Parissa, Iranian Classical vocalist

▲Valiha player in Ambohimahassoa, Madagascar

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Sundays noon

Songs of the Earth

• The ‘Découvertes Tunisie 21’ Festival held annually at the El Jem

Amphitheatre in Tunisia features the best traditional and fusion

musicians and composers of the country. The Festival also includes

noted musicians from the international scene. Various formations

may highlight traditional instruments such as the bender, ney,

luth, oud and qanun on their own, and also in combination with

modern electronic keyboards and samplings to amplify the range

and create new sounds. Other performers will blend traditional

Tunisian songs with styles ranging from jazz to Gnawa music in an

exuberance of virtuosity.

• Romany or Gypsy music from East Europe. Based on the Balkan

fanfare instruments of violins, brass instruments, and accordions,

travelling Rom bands also make unique wooden spoon and mouth

percussion, and, depending on their location, even a milk churn.

Their highly skilled techniques have been perfected through

centuries of performances in Eastern European villages and courts

of the local nobility. And as a people, the Gypsies’ origins are the

subject of legends.

• Modern traditional compositions from Finland. The capital Helsinki

is home to many Finnish musicians inspired by both traditional

Finnish folk songs and traditional songs of the Sami people living

farther north in the Arctic Circle. They combine the traditional with

jazz, avant garde inspirations and varying instruments to come up

with surprising results. Performers can combine anything from

the saxophone and the accordion to voice as an instrument and

keyboard samplings.

• Contemporary traditional music from Madagascar. This large island

off the Eastern coast of Africa in the Indian Ocean has a long and

complex history of peoples, cultures, and influences coming from

South-East Asia, South Asia, and East Africa. These make up its 18

different ethnic communities, each with their own language, culture

and traditional songs. Although Salegy

has emerged as the main musical style

of the whole ‘Red Island’, many other

styles abound. The instrumentation is

unique to the island and their ‘Bals-

poussières’, French for ‘dust dances’,

as well. Varying artists will perform

on the Valiha, a bamboo tubular

zither, or the Sodina, a bamboo flute

similar to the Arab Ney flute, as well

as variations of these.

Looking at other musical themes that

will feature on this month’s programmes,

on any given week you may hear

musicians highlighting a selection of

classic Egyptian songs from the 60s,

various vibrant music styles from Naples,

traditional French songs from different

regions around France, traditional music

styles from Madrid, and so on.

Editor’s Note: Join Pierre Tremblay in Songs of the Earth every Sunday at noon for a mixture of traditional and ethnic music from all over the world.

Pierre Tremblay 會再度主持「大地之歌」 (英語)，於 3月份逢星期日中午12時帶大家體驗多樣化的傳統民族音樂，包括坦桑尼亞的多聲部音樂、由伊朗歌手演唱古典風格的波斯樂曲，以及印度南部寺廟音樂等。

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2 - 6 /3

Hailed by the late Vlado Perlemuter (Ravel’s long-time pupil) as ‘one of the most gifted pianists of her generation’, and praised by the late Lord Yehudi Menuhin as having ‘a captivating poetical quality to her playing’, pianist Mary Wu is a highly sought after soloist, chamber musician, and teacher. Not surprisingly her professional training started early. By the age of 11 she had become a boarder at the Yehudi Menuhin School, a specialist music school that gave her plenty of fond memories and some rather terrifying ones, too - just imagine waking up early on a cold winter’s morning to be given a pre-breakfast music dictation! Hear the stories of daunting experiences, funny encounters, and inspiring moments along Mary’s musical journey

during the first week of HK’s Key Figures.

香港鍵將

與多位嘉賓的訪談中，既能找到別具教育意義的分享，亦有富啟發性的獨到見解和有趣的個人經歷。以下四位著名鋼琴家會亮相3月份的香港鍵將。

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Tune in to HK’s Key Figures (a segment of Four for Classics hosted by Eunice Chow) from Monday to Friday at 4:30pm to explore the delightful world of the keyboard.

逢星期一至五下午4時30分，周琬婷在四時行樂節目中會帶來香港鍵將環節，與四位鋼琴家一同解構有趣的鍵盤世界。

HK’s Key Figures Eunice Chow 周琬婷

Educational facts, enlightening insights and fascinating stories - all revealed in conversations with prominent pianists: HK’s Key Figures!

Mondays - Fridays, 4:30pm

9 - 13 /3

擔任伴奏的鋼琴家不等同一碟伴菜 ─ 他 / 她絕對不是可有可無。演出經驗甚為豐富的曾華琛是本地最「搶手」的鋼琴家之一，合作夥伴多以歌唱家為主。何謂好的鋼琴伴奏？一位好的伴奏須具備哪些條件？「力度彈得大就是差，彈得輕就能突出獨奏／獨唱家的演出」 ─ 這種說法又正確嗎？除了一同排練和演出外，實際上伴奏也要作為聲樂指導，更正歌者的咬字發音，也需要隨時把伴奏樂譜移調，以配合不同歌者的音域。這樣刺激和多元化的工作，相信並不是每位鋼琴家都能勝任。

16 - 20 /3

楊習禮是首位獲奧地利政府頒發最高獎學金的本地鋼琴家。他曾勇奪羅馬國際鋼琴大賽雙鋼琴組別冠軍及四手聯彈銀獎，也是鋼琴四重奏Piano Extravaganza 的創團成員。這位「貝森朵夫」鋼琴家 (Bösendorfer

artist) 會分享室樂合奏、教學和擔任評審的準則，定能讓各位鋼琴「發燒友」大開「耳」界！

23 - 27 /3 壓軸的「鍵」將羅乃新是一位「超能人」。她擁有超凡的精力，也是位全能的藝術家。她的演奏和主持的電台節目伴著不少音樂愛好者成長。更令人佩服的是，她同時也當上作家和演員，還定時到赤柱監獄與在囚人士一同奏樂！羅乃新有數之不盡的故事與你分享，想知道她活得有多精彩？密切留意3月份第四週的「香港鍵將」！

▲ Timmy Tsang 曾華琛

▲ Mary Wu 吳美樂

▲ Raymond Young 楊習禮

▲ Nancy Loo 羅乃新

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Eunice Chow and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

周琬婷和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk

Eunice Chow 周琬婷New Releases 逢星期一及五下午5時30分Monday and Friday 5:30pm

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Date 日期 Highlights 重點推介

5/3 (Thu 四) 8:00pm

10/3(Tue 二) 2:00pm

Repeat 重播

13/3 (Fri 五) 8:00pm

18/3(Wed 三) 2:00pm

Repeat 重播

Alwyn and Vaughan WilliamsOnly after William Alwyn was sure of his technical abilities did he

start to tackle his first symphony in his mid-forties. His Symphony

No. 1, described by himself as ‘an optimistic challenge’, is

presented in this concert along with Vaughan Williams’ Overture

from The Wasps, ballet music for Job, and one of his best-loved

works The Lark Ascending. Sakari Oramo conducts the BBC

Symphony Orchestra, joined by violinist Janine Jansen.

艾雲與佛漢威廉士

英國作曲家艾雲至四十多歲才自信有能力完成首部交響曲，作

品據他形容是「懷着樂觀而作出的挑戰」。節目中除了演出艾

雲的第一交響曲，亦包括同國作曲家佛漢威廉士的《黃蜂》序

曲、芭蕾舞音樂《約伯》以及他其中一首最廣為人喜愛的作品

《雲雀高飛》。指揮奧拉姆領導英國廣播公司交響樂團，聯同

獨奏小提琴的楊臣，送上是次演出。

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

Sakari Oramo, conductor 指揮：奧拉姆

Janine Jansen, violin 小提琴：楊臣

Jaap van Zweden and HK Phil 梵志登與港樂Ning Feng, violin 小提琴：寧峰

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HK Phil Europe Tour - EindhovenIn its exciting European tour in February and March 2015, the Hong Kong Philharmonic gives concerts in seven

cities in five countries (Vienna, Austria; Zurich, Switzerland; Eindhoven and Amsterdam, The Netherlands; Berlin,

Germany; London and Birmingham, England), appearing in renowned concert halls with prize-winning violinist Ning

Feng under the baton of Jaap van Zweden. We bring you the recording of the Eindhoven concert, made available by

Radio 4 of Netherlands Public Broadcasting, in which they perform Hong Kong composer Fung Lam’s Quintessence,

Beethoven’s Violin Concerto and Prokofiev’s Symphony No. 5.

港樂歐洲巡演 — 燕豪芬

香港管弦樂團踏上歐洲巡演之旅，到訪五個國家七個城市（奧地利維也納、瑞士蘇黎世、荷蘭燕豪芬和阿姆斯

特丹、德國柏林、英國倫敦和伯明翰），在多個國際著名的音樂廳演出。第四台為你轉播港樂於燕豪芬的音樂

會，由音樂總監梵志登帶領，聯同獲獎無數的小提琴家寧峰，演奏香港作曲家林丰的《蘊》、貝多芬的小提琴

協奏曲及浦羅歌菲夫的第五交響曲。是次錄音由荷蘭公共廣播第四台提供。

COLUMNS 專欄


Date 日期 Highlights 重點推介

20/3 (Fri 五) 8:00pm

25/3(Wed 三) 2:00pm

Repeat 重播

World Orchestra for PeaceThe late Sir Georg Solti founded the World Orchestra for

Peace in 1995, believing in ‘the unique strength of music

as an ambassador for peace’. The ideal is shared by British

composer Roxanna Panufnik in her Three Paths to Peace,

which employs elements from Christianity, Judaism, and

Islam. The programme, conducted by Valery Gergiev, is

completed with Richard Strauss’ Symphonic Fantasy from Die

Frau ohne Schatten and Mahler’s Symphony No. 6.

28/3 (Sat 六) 8:00pm

2/4(Thu 四) 2:00pm

Repeat 重播傳統的魅力XI — 粵樂情懷

香港中樂團上一樂季全院滿座的節目，

今個樂季載譽歸來。由香港中樂團民間

音樂小組以及樂團多位獨奏家，攜手帶

來一系列廣為人知的廣東音樂，在粵樂

專家兼高胡大師余其偉的藝術指導下，

讓樂迷感受粵樂的獨特魅力。

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes —三分鐘錦囊 Topic 內容 Host 主持

星期一 : 音樂傳情黎慧因星期二 : 樂在神州楊偉傑 Wed : Zooming In Eunice Chow Thu : Arts News Jonathan Douglas Fri : The Golden Voices Lo King-man 星期六 : 今日話當年馬盈盈星期日 : 碟碟不休 / New Releases 周琬婷 / Eunice Chow

Valery Gergiev conducting the World Orchestra for Peace 葛濟夫指揮世界和平樂團

Hong Kong Chinese Orchestra Folk Music Ensemble 香港中樂團民間音樂小組

Yu Qiwei, gaohu 高胡：余其偉

A Legacy of Exotic Lyricism XI – There’s a Song in My HeartThe Hong Kong Chinese Orchestra’s sold-out programme returns this season, with its Folk Music Ensemble and

soloists joining hands in beloved Cantonese tunes that reveal the unique charm of this important local music

heritage. Explore traditional Cantonese music in this concert curated by Artistic Adviser Yu Qiwei, veteran Cantonese

music expert and gaohu virtuoso.

世界和平樂團

已故指揮大師蘇提於1995年成立世界和平樂團，深信「音樂具備宣揚和平的獨特能力」。有此信念者不只一

人，英國作曲家羅姍娜‧巴奴芙力融合基督教、猶太教及伊斯蘭教的音樂元素，寫下《通往平安的三條路徑》。

同場節目亦可以欣賞到選自李察‧史特勞斯的歌劇《沒有影子的女人》中的交響幻想曲，以及馬勒的第六交響

曲。音樂會由葛濟夫擔任指揮。

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COLUMNS 專欄

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Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas 清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics美樂無休

Bethan Greaves / Synthia Ko 紀碧琳 / 高德儀

Play by Ear 週末隨想Synthia Ko

高德儀

Early Music早期音樂

Tina Ma 馬盈盈

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Songs of the Earth 大地之歌

Pierre Tremblay

News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Daphne Lee / Kathy Lam / Raymond Chung / Tina Ma / Shing Chun-hay 李德芬 / 林家琦 / 鍾子豪 / 馬盈盈 / 成俊曦

Piano Exams 2015 鋼琴考試講座Julie Kuok 郭品文

Piano Exams 2015 鋼琴考試講座Julie Kuok 郭品文

Live on 4 第四台音樂會

(Repeat 重播)

Music of Friends 室樂雅敘 (Repeat 重播)

R4 Buddies四台插班生

Raymond Chung鍾子豪

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Chu Siu-wai 朱紹威

Four for Classics with Eunice Chow 四時行樂周琬婷

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Rebecca Siu 彭禮傑 / 蕭程佳明

Children’s Corner 親親童樂日

Nancy Loo 羅乃新New Releases (Mon ﹠ Fri) 碟碟不休 (星期一及五) News at Six

Arts News 藝壇快訊Tunes to

Remember人約黄昏後

Emma Liu廖碧楨

Jazz and more... with Kathy Lam

不太古典林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

BBC Features英國廣播公司專輯

Live on 4 第四台音樂會

Music of Friends 室樂雅敘

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文

Nocturne with Tina Ma 夜心曲馬盈盈

Chamber Fragrance

寫意室樂Helen Cha

查海倫 Jazzing Up

爵士靈感 Ben Pelletier 彭禮傑

Bilingual 雙語B Cantonese 粵語C English 英語E

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Music Exploration擴闊音樂領域

Concerts音樂會時段

Artnews藝術資訊

Education教育節目

Religion宗教節目

News新聞

* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

C E

MAIN PROGRAMME CHART 節目時間表


節目精華Programme Highlights

德國波恩2014年貝多芬節音樂會馬勒室樂團 / 安斯涅斯（鋼琴及指揮）史達拉汶斯基：D大調弦樂協奏曲貝多芬：C大調第一鋼琴協奏曲，作品15 降E大調第五鋼琴協奏曲，作品73，「皇帝」

4/3/2015 (Wed 星期三)11:00am PROKOFIEV 浦羅歌菲夫Piano Sonata No. 9 in C, Op. 103 24’ Yefim Bronfman (p)C大調第九鋼琴奏鳴曲，作品103布朗夫曼（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Lincoln Center Jazz Orch. / Wynton Marsalis (tr & cond)Carter: Symphony in Riffs 5’ Marsalis: Jump 5’ O’Farrill: Carambola 7’ Foster: Shiny Stockings 5’Riley: Dreaming on a Washboard 13’and more

林肯中心爵士樂團 / 溫頓‧馬沙里斯（小號及指揮）卡達：爵士即興交響曲馬沙里斯：跳躍奧法利爾：開侖桌球科士達：閃亮的絲襪拉利：洗衣板上的夢及更多樂曲

8:00pm LIVE ON 4 第四台音樂會Jean-Efflam Bavouzet (p)Luxembourg Phil. Orch. / Emmanuel KrivineStravinsky: Firebird Suite (1919) 22’ Ravel: Piano Concerto for the Left Hand 22’ Dvořák: Symphony No. 7 in D minor, Op. 70 30’

1/3/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Rimsky-Korsakov: The Tsar’s Bride 140’

Marfa: Ekaterina Kudriavchenko (s)

Grigory Grigoryevich Griaznoy:

Vladislav Verestnikov (br)

Lyubasha: Nina Terentieva (ms)

Ivan Sergeyevich Lykov: Arkady Mishenkin (t)

Sveshnikov Russian Academic Cho.

Moscow Bolshoi Theatre Orch. / Andrey Chistiakov

林姆斯基－高沙可夫：沙皇的新娘瑪爾法：古迪亞夫珍高（女高音）格萊亞茲諾：韋拉斯特尼哥夫（男中音）柳芭莎：泰倫狄娃（女中音）里科夫：米珊健（男高音）史雲舒尼哥夫俄羅斯學院合唱團莫斯科波素爾劇院樂團 / 卓斯堤亞高夫

8:00pm MUSIC OF FRIENDS 室樂雅聚Michael Tsalka (hc)

Cabezón: Diferencias sobre el canto llano del

caballero 3’

D. Scalatti: Sonata in D, K. 119 3’

Soler: Sonata in D, R. 84 4’

Sonata in D minor, R. 24 2’

Bach: Contrapunctus I and XI from ‘The Art of

Fugure’, BWV1080 10’

Wanhal: Capriccio in E flat 8’

Ibarra Groth: Galopa de la mosca trapecista 1’

Recorded at RTHK Studio Two on 28/4/2014.

薩爾卡（古鍵琴）卡比桑：騎士之歌變奏曲D. 史卡拉第：D大調奏鳴曲，K. 119梭拿：D大調奏鳴曲，R. 84 D小調奏鳴曲，R. 24巴赫：第一及第十一首賦格曲，選自《賦格的藝術》，BWV1080 雲夏爾：降E大調隨想曲伊巴拉高羅特：舞動的空中飛人

2014年4月28日香港電台二號錄播室錄音。

2/3/2015 (Mon 星期一)11:00am BEETHOVEN 貝多芬Eroica Variations in E flat, Op. 35 23’

Sviatoslav Richter (p)

降E大調英雄變奏曲，作品35力克特（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Concert from the Chamber Music Society of Lincoln CenterCho-liang Lin (v)David Finckel (vc)Wu Han (p)Pacifica Quartet Smetana: Piano Trio in G minor, Op. 15 28’Janáček: String Quartet No. 2, ‘Intimate Letters’ 27’

林肯中心室樂協會音樂會林昭亮（小提琴）芬高爾（大提琴）吳菡（鋼琴）太平洋四重奏史密塔納：G小調鋼琴三重奏，作品15楊納傑克：第二弦樂四重奏，「心言」

8:00pm BBC FEATURES 英國廣播公司專輯Courtney Pine’s Jazz MakersWorld JazzA look at the development of jazz in Jamaica, South Africa, the Indian subcontinent and Scandinavia. With Ernest Ranglin, Hugh Masekela, and style pioneer Jan Garbarek.

葛特尼‧派恩介紹爵士樂大師國際爵士樂牙買加、南非、印度一帶和北歐的爵士樂發展如何？蘭吉連、馬沙基拿和風格前衛的嘉伯列克為你一一介紹。

3/3/2015 (Tue 星期二)11:00am BRAHMS 布拉姆斯Symphony No. 1 in C minor, Op. 68 44’Cleveland Orch. / George SzellC小調第一交響曲，作品 68克利夫蘭樂團 / 史奧爾

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Laura Hynninen (h)Finnish Radio Sym. Orch. / Hannu LintuR. Strauss: Don Juan, Op. 20 18’Ginastera: Harp Concerto, Op. 25 23’Sibelius: Lemminkäinen Suite, Op. 22 50’

軒蓮能（豎琴）芬蘭電台交響樂團 / 連圖李察‧史特勞斯：唐璜，作品20希納斯特拿：豎琴協奏曲，作品25西貝流士：列敏凱寧組曲，作品22

8:00pm LIVE ON 4 第四台音樂會Concert from the Beethoven Festival, Bonn 2014Mahler Ch. Orch. / Leif Ove Andsnes (p & cond)Stravinsky: Concerto for Strings in D 12’Beethoven: Piano Concerto No. 1 in C, Op. 15 34’ Piano Concerto No. 5 in E flat, Op. 73, ‘Emperor’ 39’

Leif Ove Andsnes 安斯涅斯

PROGRAMME HIGHLIGHTS 節目精華



小約翰‧史特勞斯：蝙蝠艾辛斯坦：基達（男高音）羅莎蓮特：羅丹保格（女高音）阿弗列德：狄拿波沙（男高音）亞德莉：賀姆（女高音）奧洛夫斯基王子：法斯賓達（女中音）維也納國家歌劇院合唱團維也納交響樂團 / 波士高夫斯基

8:00pm MUSIC OF FRIENDS 室樂雅聚 Michael Tsalka (p)Yevtushenko: Nocturne 3’Mozart: Variations on ‘Salve tu, Domine’ by Paisiello, K. 398 8’SanGregory: Étude 4’C.P.E. Bach: Fantasia No. 2 in C 7’Coral: Piano Sonata No. 4 11’


薩爾卡（鋼琴）艾夫杜辛高：夜曲莫扎特：根據柏斯艾奴的「萬福上主」而寫的變奏曲，K. 398 桑磊栢：練習曲C.P.E. 巴赫：C大調第二幻想曲哥路：第四鋼琴奏鳴曲


9/3/2015 (Mon 星期一)11:00am ELGAR 艾爾加Sea Pictures, Op. 37 24’Janet Baker (ms) London Sym. Orch. / John Barbirolli海之畫，作品37比嘉（女中音）倫敦交響樂團 / 巴比洛利

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 4/3/2015, 8pm節目與2015年3月4日晚上8時相同

8:00pm BBC FEATURES 英國廣播公司專輯Courtney Pine’s Jazz MakersLooking Back, Looking OutWynton Marsalis, Cassandra Wilson, Diana Krall, Jamie Cullum, Gilles Peterson and Soweto Kinch discuss ways of keeping jazz relevant today and in the future.

6/3/2015 (Fri 星期五)11:00am DVOŘÁK 德伏扎克String Quartet No. 11 in C, Op. 61 32’ Talich String QuartetC大調第十一弦樂四重奏，作品61塔力殊弦樂四重奏

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 1/3/2015, 8pm節目與2015年3月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Julia Fischer (v)Zurich Tonhalle Orch. / David ZinmanR. Strauss: Till Eulenspiegels lustige Streiche, Op. 28 15’Dvořák: Violin Concerto in A minor, Op. 53 31’Beethoven: Symphony No. 6 in F, Op. 68, ‘Pastoral’ 40’

茱莉亞‧費莎（小提琴）蘇黎世大會堂樂團 / 冼文李察‧史特勞斯：狄爾的惡作劇，作品28德伏扎克：A小調小提琴協奏曲，作品53貝多芬：F大調第六交響曲，作品68，「田園」

7/3/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Deborah York, Angharad Gruffydd Jones (s)Michael Chance, Charles Humphries (ct)James Gilchrist (t)Peter Harvey (b)Westminster Abbey Cho.St. James’s Baroque Players / James O’DonnellPurcell: Welcome to all the pleasures 18’ Love’s goddess sure was blind 24’ Come, ye sons of art 26’

約克、告菲鍾絲（女高音）贊斯、堪夫里斯（假聲男高音）基克里斯特（男高音）夏菲（男低音）西敏寺大教堂合唱團聖雅各巴羅克樂團 / 奧當納浦賽爾：歡迎一切愉悅愛的女神必然瞎了來吧，藝術之子

8/3/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界J. Strauss II: Die Fledermaus 110’Gabriel von Eisenstein: Nicolai Gedda (t)Rosalinde: Anneliese Rothenberger (s)Alfred: Adolf Dallapozza (t)Adele: Renate Holm (s)Prince Orlofsky: Brigitte Fassbaender (ms)Vienna State Opera Cho.Vienna Sym. Orch. / Willi Boskovsky

巴夫西（鋼琴）盧森堡愛樂樂團 / 克里雲史達拉汶斯基：火鳥組曲（1919年版本）拉威爾：左手鋼琴協奏曲德伏扎克：D小調第七交響曲，作品70

5/3/2015 (Thu 星期四)11:00am JARRETT 賈利特Elegy for Violin and String Orchestra 18’ Eleonora Turovsky (v)I Musici de Montréal / Yuli Turovsky為小提琴及弦樂團而寫的悲歌艾麗娜‧圖洛夫斯基（小提琴）蒙特利爾音樂家室樂團 / 若里‧圖洛夫斯基

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Freiburg Baroque Orch. / Petra MüllejansHandel: Sonata in G minor, Op. 2, No. 6 9’ Sinfonia in B flat 11’Corelli: La Folia 10’ Concerto Grosso in D, Op. 6, No. 1 11’and more

夫來堡巴羅克樂團 / 梅利甄韓德爾：G小調奏鳴曲，作品2，第六首降B大調交響曲柯里尼：霍利亞舞曲 D大調大協奏曲，作品6，第一首及更多樂曲

8:00pm LIVE ON 4 第四台音樂會Ning Feng (v)Hong Kong Phil. Orch. / Jaap van ZwedenFung Lam: QuintessenceBeethoven: Violin Concerto in D, Op. 61Prokofiev: Symphony No. 5 in B flat, Op. 100

寧峰（小提琴）香港管弦樂團 / 梵志登林丰：蘊貝多芬：D大調小提琴協奏曲，作品61浦羅歌菲夫：降B大調第五交響曲，作品100

Jean-Efflam Bavouzet 巴夫西

Michael Tsalka 薩爾卡


葛特尼‧派恩介紹爵士樂大師回望與展望溫頓‧馬沙里斯、威爾遜、歌羅、卡林、彼得遜和堅殊，一同探討如何讓爵士樂與現今及未來接軌。

10/3/2015 (Tue 星期二)11:00am GERSHWIN / HEIFETZ 歌舒詠 / 凱費茲 Porgy and Bess Medley 16’ Gil Shaham (v)Akira Eguchi (p)波姬與貝絲套曲沙咸（小提琴）江口玲（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Svetlin Roussev (v)Antoine Tamestit (va)Radio France Phil. Orch. / Myung-whun ChungR. Strauss: Till Eulenspiegels lustige Streiche, Op. 28 15’Bartók: Viola Concerto 22’R. Strauss: Ein Heldenleben, Op. 40 48’

羅瑟夫（小提琴）譚美斯狄特（中提琴）法國電台愛樂樂團 / 鄭明勳李察‧史特勞斯：狄爾的惡作劇，作品28巴托：中提琴協奏曲李察‧史特勞斯：英雄的一生，作品40

11/3/2015 (Wed 星期三)11:00am HAYDN 海頓 String Quartet in C, Op. 76, No. 3, ‘Emperor’ 23’ Tátrai QuartetC大調弦樂四重奏，作品76，第三首，「皇帝」塔卓爾四重奏


13/3/2015 (Fri 星期五)11:00am SCHUMANN 舒曼 Concert Piece for Four Horns and Orchestra, Op. 86 19’ Philharmonia Orch. / Christian Thielemann為四支圓號與樂團而寫的音樂會曲，作品86愛樂樂團 / 菲利曼


8:00pm LIVE ON 4 第四台音樂會Janine Jansen (v)BBC Sym. Orch. / Sakari OramoVaughan Williams: Overture to ‘The Wasps’ 9’ The Lark Ascending 14’ Job: A Masque for Dancing 40’Alwyn: Symphony No. 1 in D 40’

楊臣（小提琴）英國廣播公司交響樂團 / 奧拉姆佛漢威廉士：序曲，選自《黄蜂》雲雀高飛約伯：舞劇艾雲：D大調第一交響曲

14/3/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Anna Caterina Antonacci (s)St. James’s Baroque Players / Ivor BoltonCastello: Sonata terza from ‘Sonate concertate in stil moderno’ 6’Monteverdi: Lasciatemi morire, ‘Lamento d’Arianna’ 11’ Il Combattimento di Tancredi e Clorinda 19’Fontana: Sonata sexta for Violin and Continuo 6’Giramo: La Pazza 9’Marini: Sonata sopra la Monica, Op. 8 5’Purcell: Dido’s Lament 5’

安東納西（女高音）聖雅各巴羅克樂團 / 保頓卡斯特羅：第三奏鳴曲，選自《現代風格協奏奏鳴曲》蒙台威爾第：讓我死去，「阿莉安娜哀歌」湯克雷迪和克洛林達之爭馮塔納：第六小提琴及持續低音奏鳴曲吉拉默：瘋子馬連尼：莫尼卡詠嘆調奏鳴曲，作品8浦賽爾：狄多的哀歌

8:00pm LIVE ON 4 第四台音樂會Juan Manuel Cañizares (g)Luxembourg Phil. Orch. / Gustavo GimenoJ. Strauss II: Spanish March, Op. 433 6’ Ravel: Rapsodie espagnole 16’ Falla: El amor brujo (excerpts) 18’ Coll García: Hidd’n Blue 6’ Rodrigo: Concierto de Aranjuez 26’ Falla: The Three Cornered Hat, Suite No. 2 15’

卡利薩尼斯（結他）盧森堡愛樂樂團 / 茲曼奴小約翰‧史特勞斯：西班牙進行曲，作品433拉威爾：西班牙狂想曲法雅：魔法師之戀（選段）高爾加斯亞：隱藏的藍色盧狄高：阿蘭古斯協奏曲法雅：三角帽，第二組曲

12/3/2015 (Thu 星期四)11:00am SAINT-SAËNS 聖桑Symphony No. 3 in C minor, Op. 78, ‘Organ’ 35’ Philippe Lefebvre (o) Nat. Orch. of France / Seiji OzawaC小調第三交響曲，作品78，「管風琴」里法寶（管風琴）法國國家樂團 / 小澤征爾


8:00pm LIVE ON 4 第四台音樂會Olli Mustonen (p)Finnish Radio Sym. Orch. / Hannu LintuDebussy: La Mer 23’Prokofiev: Piano Concerto No. 3 in C, Op. 26 29’Varèse: Amériques 22’

梅斯東能（鋼琴）芬蘭電台交響樂團 / 連圖德布西：大海浦羅歌菲夫：C大調第三鋼琴協奏曲，作品26華夏斯：美國

Antoine Tamestit 譚美斯狄特

Anna Caterina Antonacci 安東納西

Juan Manuel Cañizares 卡利薩尼斯



15/3/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Massenet: Manon 155’Manon: Angela Gheorghiu (s)Des Grieux: Roberto Alagna (t)Guillot: José van Dam (b-br)Lescaut: Earle Patriarco (b)La Monnaie Theatre Sym. Orch. & Cho. / Antonio Pappano

馬思奈：曼儂曼儂：基柯基沃（女高音）格里奧：亞蘭尼亞（男高音）基沃：達姆（低男中音）雷斯高：帕特亞高（男低音）皇家鑄幣局劇院交響樂團及合唱團 / 柏巴奴

8:00pm MUSIC OF FRIENDS 室樂雅聚 Ivan Ilić (p)Bach: Preludes and Fugues from the Well-Tempered Clavier, Books 1 & 2 (excerpts) 18’Chopin: Etude in E flat minor, Op. 10, No. 6 4’Scriabin: Prelude in B, Op. 16, No. 1 3’Wollschleger: Music Without Metaphor 7’


伊里奇（鋼琴）巴赫：前奏與賦格曲，選自《平均律曲集》，第一及第二冊（選段）蕭邦：降E小調練習曲，作品10，第六首史嘉爾亞賓：B大調前奏曲，作品16，第一首禾舒利格：沒有隱喻的音樂


16/3/2015 (Mon 星期一)11:00am ALWYN 艾雲 Lyra Angelica 30’ Rachel Masters (h) City of London Sinfonia / Richard Hickox娜拉‧安祖妮卡馬斯達斯（豎琴）倫敦城市交響樂團 / 希覺斯


Ivan Ilić 伊里奇

8:00pm BBC FEATURES 英國廣播公司專輯The Mozart LegacyThe ‘Jupiter’ SymphonyIn the summer of 1788, Mozart wrote three amazing symphonies: the 39th in June, the famous 40th in July and the mighty ‘Jupiter’ – his last – in August. An incredible achievement for a 32-year-old.

莫扎特傳世之作「邱比特」交響曲1788年的夏天，莫扎特寫下三首精彩的交響曲，6月完成了第三十九首，7月寫成著名的第四十首，8月則寫成最後一首 — 偉大的「邱比特」交響曲。以他當年僅僅三十二歲來說，成就實在斐然。

17/3/2015 (Tue 星期二)11:00am MOZART 莫扎特 Violin Sonata in E flat, K. 481 23’ Frank Peter Zimmermann (v)Alexander Lonquich (p)降E大調小提琴奏鳴曲，K. 481法蘭‧冼米文（小提琴）朗奇卓（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Valentina Lisitsa (p)Radio France Phil. Orch. / Kristjan JärviPärt: Fratres 12’Grieg: Piano Concerto in A minor, Op. 16 30’ Peer Gynt Suite No. 1, Op. 46 17’Nielsen: Aladdin Concert Suite 23’

利薛莎（鋼琴）法國電台愛樂樂團 / 克利斯蒂安‧約菲柏特：兄弟葛利格：A小調鋼琴協奏曲，作品16 第一培爾‧金特組曲，作品46尼爾遜：阿拉丁音樂會組曲

18/3/2015 (Wed 星期三)11:00am BARTÓK 巴托 The Miraculous Mandarin, Op. 19 31’ Chicago Sym. Orch. & Cho. / Pierre Boulez神奇的滿洲大人，作品19芝加哥交響樂團及合唱團 / 布萊茲 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 13/3/2015, 8pm節目與2015年3月13日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Sylvia Schwartz (s)Detlef Roth (br)Luxembourg Phil. Orch. / Emmanuel KrivineSchubert: Symphony No. 5 in B flat, D. 485 26’Zemlinsky: Lyric Symphony, Op. 18 48’

舒華兹（女高音）羅夫（男中音）盧森堡愛樂樂團 / 克里雲舒伯特：降B大調第五交響曲，D. 485策姆林斯基：抒情交響曲，作品18

19/3/2015 (Thu 星期四)11:00am WALTON 華爾頓Variations on a Theme by Hindemith 23’ Bournemouth Sinfonietta / Vernon Handley亨德密特主題變奏曲伯恩茅斯小交響樂團 / 漢特利


8:00pm LIVE ON 4 第四台音樂會Finnish Radio Sym. Orch. / Herbert BlomstedtSchubert: Symphony No. 8 in B minor, D. 759, ‘Unfinished’ 25’ Symphony No. 9 in C, D. 944, ‘Great’ 47’

芬蘭電台交響樂團 / 比奧斯達舒伯特：B小調第八交響曲，D. 759，「未完成」 C大調第九交響曲，D. 944，「偉大」

Herbert Blomstedt 比奧斯達


Valentina Lisitsa 利薛莎


20/3/2015 (Fri 星期五)11:00am NIELSEN 尼爾遜 Springtime on Funen, Op. 42 17’ Various vocalistsStockholm Boys’ Cho. Swedish Radio Sym. & Cho. / Esa-Pekka Salonen菲因島之春，作品42多位歌唱家斯德哥爾摩男童合唱團瑞典電台交響樂團及合唱團 / 沙朗倫


8:00pm LIVE ON 4 第四台音樂會World Orch. for Peace / Valery GergievRoxanna Panufnik: Three Paths to Peace 12’R. Strauss: Symphonic Fantasy from ‘Die Frau ohne Schatten’, Op. 65 9’Mahler: Symphony No. 6 in A minor 80’

世界和平樂團 / 葛濟夫羅姍娜‧巴奴芙力：通往平安的三條路徑李察‧史特勞斯：交響幻想曲，選自《沒有影子的女人》，作品65馬勒：A小調第六交響曲

21/3/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Russian Patriarchate Cho. / Anatoly GrindenkoThe programme shows the richness of Russia’s sacred vocal tradition in Russian folksongs and chants from 16th to 18th centuries. Songs include: ‘Opening Vespers Psalm’, ‘Hymn of the Cherubim’, ‘Happy is the man’, ‘Te Deum’, ‘Let all flesh keep silence’, etc.

俄羅斯大主教合唱團 / 格連迪高節目展示俄羅斯豐富的宗教合唱音樂傳統，曲目包括俄羅斯十六至十八世紀的民歌及聖歌：《晚禱詩篇》、《基路伯讚美詩》、《喜樂的人》、《謝恩讚美頌》、《凡有血氣皆當靜默》等。

22/3/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Haydn: Orlando Paladino 143’Orlando: Michael Schade (t) Alcina: Elisabeth von Magnus (ms)Angelica: Patricia Petibon (s)Rodomonte: Christian Gerhaher (b)Concentus Musicus Wien / Nikolaus Harnoncourt

海頓：聖騎士奧蘭度奧蘭度：沙德（男高音）阿爾千娜：麥奴士（女中音）安祖莉卡：彼提邦（女高音）羅度曼第：葛哈爾（男低音）維也納古樂團 / 亞奴閣

8:00pm 67TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十七屆香港學校音樂節RTHK Radio 4 Chinese Instruments Scholarship Finals香港電台第四台中國樂器獎學金決賽

23/3/2015 (Mon 星期一)11:00am GLAZUNOV 格拉祖諾夫 Violin Concerto in A minor, Op. 82 22’ Leila Josefowicz (v) Montreal Sym. Orch. / Charles DutoitA小調小提琴協奏曲，作品82約絲科域芝（小提琴）蒙特利爾交響樂團 / 杜托華


8:00pm BBC FEATURES 英國廣播公司專輯The Mozart LegacyThe ‘Magic Flute’Written in 1791, just after the French Revolution and shortly before Mozart died, this was music for the people, not the nobility, and it was an immediate success in a theatre at the poor end of town.

莫扎特傳世之作魔笛《魔笛》寫於法國革命後，莫扎特去世前的1791年。此歌劇並非為貴族，而是為大眾平民而寫，在貧窮城鎮裡上演後隨即獲得空前成功。

24/3/2015 (Tue 星期二)11:00am LISZT 李斯特 Les Préludes 15’ Chicago Sym. Orch. / Georg Solti前奏曲芝加哥交響樂團 / 蘇提


8:00pm LIVE ON 4 第四台音樂會Hélène Devilleneuve (ob)Radio France Phil. Orch. / Frans BrüggenMozart: Symphony No. 31 in D, K. 297 18’ Oboe Concerto in C, K. 314 22’ Symphony No. 41 in C, K. 551, ‘Jupiter’ 38’

德韋奈芙（雙簧管）法國電台愛樂樂團 / 布魯根莫扎特：D大調第三十一交響曲，K. 297 C大調雙簧管協奏曲，K. 314 C大調第四十一交響曲，K. 551，「邱比特」

25/3/2015 (Wed 星期三)11:00am TCHAIKOVSKY 柴可夫斯基 Concert Fantasy in G, Op. 56 30’Bernd Glemser (p)Polish Nat. Radio Sym. Orch. / Antoni WitG大調音樂會幻想曲，作品56格林塞（鋼琴）波蘭國家電台交響樂團 / 域茲 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 20/3/2015, 8:00pm節目與2015年3月20日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Rudolf Buchbinder (p)Danish Nat. Sym. Orch. / Fabio LuisiBeethoven: Piano Concerto No. 3 in C minor, Op. 37 34’ Mahler: Symphony No. 1 in D, ‘Titan’ 54’

卜本德（鋼琴）丹麥國家交響樂團 / 路易斯貝多芬：C小調第三鋼琴協奏曲，作品37馬勒：D大調第一交響曲，「巨人」

26/3/2015 (Thu 星期四)11:00am SCHUMANN 舒曼Violin Sonata No. 1 in A minor, Op. 105 16’ Oliver Charlier (v)Brigitte Engerer (p)A小調第一小提琴奏鳴曲，作品105查利亞（小提琴）安潔艾（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Nikolaj Znaider (v)SWR Sym. Orch., Stuttgart / Stéphane DenèveSibelius: Lemminkäinen’s Return from ‘Lemminkäinen Suite’, Op. 22 7’ Violin Concerto in D minor, Op. 47 32’Bruckner: Symphony No. 4 in E flat, ‘Romantic’ 66’

哲尼特（小提琴）史圖格德國西南部電台交響樂團 / 丹理華西貝流士：列敏凱寧歸故鄉，選自《列敏凱寧組曲》，作品22 D小調小提琴協奏曲，作品47布魯克納：降E大調第四交響曲，「浪漫」

27/3/2015 (Fri 星期五)11:00am LARSSON 拿桑 Symphony No. 3 in C minor, Op. 34 33’ Helsingborg Sym. Orch. / Sten FrykbergC小調第三交響曲，作品34赫辛堡交響樂團 / 費力保格



2:00pm 67TH HONG KONG SCHOOLS MUSIC FESTIVAL (REPEAT) 第六十七屆香港學校音樂節（重播）Prog. as 22/3/2015, 8pm節目與2015年3月22日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Francesco Piemontesi (p)BBC Nat. Orch. Of Wales / Thomas SøndergårdR. Strauss: Tod und Verklärung, Op. 24 24’ Burleske in D minor 21’Mozart: Concert Rondo in A, K. 386 9’Nielsen: Symphony No. 5, Op. 50 35’

皮望堤斯（鋼琴）英國廣播公司威爾斯交響樂團 / 桑德格李察‧史特勞斯：死與變容，作品24 D小調戲謔曲莫扎特：A大調音樂會迴旋曲，K. 386尼爾遜：第五交響曲，作品50

28/3/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Yu Qiwei, Wong Lok-ting (gaohu)Zhang Chongxue (yehu), Luo Jing (zheng)Huang Yu-hsuan (sheng), Zhao Taisheng (xiao sanxian)Wong Yui-kiu (pipa), Chan Hung-yin (dizi), Lo Wai-leung (guan)HKCO Folk Music EnsembleCantonese tunes medley: The Nun Leaving the Nunnery, The Monk Thinks of Getting a Wife & Stairway to the CloudsAncient melody: Rain Spattering on Banana Leaves Lament of Lady Zhaojun Qiao Fei: The Remembrance Kang Jintian (Fang Jinlong arr.): Autumn Moon on a Placid LakeAncient melody (Lo Wai-leung arr.): Yang Cuixi Pacing Horses and more

Recorded at Sheung Wan Civic Centre Lecture Hall on 13/3/2015.

余其偉、黃樂婷（高胡）張重雪（椰胡）、羅晶（箏）黃郁軒（笙）、趙太生（小三弦）黃璿僑（琵琶）、陳鴻燕（笛子）、盧偉良（管）香港中樂團民間音樂小組廣東小調聯奏：尼姑下山、和尚思妻及上雲梯古曲：雨打芭蕉昭君怨喬飛：思念康錦添（方錦龍編）：平湖秋月古曲（盧偉良編）：楊翠喜走馬及更多樂曲

2015年3月13日上環文娛中心演講廳錄音。

29/3/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Donizetti: La fille du régiment 106’Marie: Joan Sutherland (s)Tonio: Luciano Pavarotti (t)The Marquise of Birkenfeld: Monica Sinclair (ms)Cho. & Orch. of the Royal Opera House, Covent Garden / Richard Bonynge

唐尼采第：軍中女郎瑪麗：修德蘭（女高音）唐尼奧：巴筏諾堤（男高音）伯勤費特侯爵夫人：冼加勒（女中音）高文花園皇家歌劇院合唱團及樂團 / 邦寧

8:00pm 67TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十七屆香港學校音樂節RTHK Radio 4 Chinese Instruments Scholarship Finals香港電台第四台中國樂器獎學金決賽

30/3/2015 (Mon 星期一)11:00am CHOPIN 蕭邦 Piano Sonata No. 3 in B minor, Op. 58 29’ Cécile Ousset (p)B小調第三鋼琴奏鳴曲，作品58奧西（鋼琴）


8:00pm BBC FEATURES 英國廣播公司專輯The Mozart LegacyThe ‘Requiem’Mozart died in the winter of 1791, leaving the ‘Requiem’ unfinished. Nevertheless it had a marked influence on future composers such as Beethoven and Verdi.

莫扎特傳世之作安魂曲莫扎特在1791年冬天還未完成安魂曲便病逝。雖然如此，此作品卻為後世作曲家如貝多芬及威爾第帶來顯著的影響。

31/3/2015 (Tue 星期二)11:00am FAURÉ 佛瑞 La Naissance de Vénus, Op. 29 23’ Various soloistsBirmingham Sym. Orch. & Cho.BBC Phil. Orch. / Yan Pascal Tortelier維納斯的誕生，作品29多位獨唱家伯明翰市交響樂團及合唱團英國廣播公司愛樂樂團 / 托替利亞


8:00pm LIVE ON 4 第四台音樂會Christina Landshamer (s)Marie-Nicole Lemieux (a)Radio France Cho.Radio France Phil. Orch. / Myung-whun ChungMahler: Symphony No. 2, ‘Resurrection’ 80’

蘭莎瑪（女高音）藍妙（女低音）法國電台合唱團法國電台愛樂樂團 / 鄭明勳馬勒：第二交響曲，「復活」

1/4/2015 (Wed 星期三)11:00am MENDELSSOHN 孟德爾遜 Piano Trio No. 1 in D minor, Op. 49 31’ Beaux Arts TrioD小調第一鋼琴三重奏，作品49美藝三重奏 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 27/3/2015, 8:00pm節目與2015年3月27日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Marc-André Hamelin (p)Danish. Nat. Sym. Orch. / Gustavo GimenoBrahms: Piano Concerto No. 1 in D minor, Op. 15 45’ Rimsky-Korsakov: Scheherazade, Op. 35 43’

亞姆蘭（鋼琴）丹麥國家交響樂團 / 兹曼奴布拉姆斯：D小調第一鋼琴協奏曲，作品15林姆斯基－高沙可夫：天方夜譚，作品35

Francesco Piemontesi 皮望堤斯

Myung-whun Chung 鄭明勳



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出版人：第四台之友協會有限公司九龍尖沙咀郵政局郵箱97497號「美樂集」乃香港電台第四台確認刊物編輯：劉建婷英文編輯：布慕蓮編輯助理：成俊曦美術總監：林思明行政經理：黃嘉欣製作：天邦廣告設計有限公司

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www.finemusic.org.hk

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9 MHz radio4.rthk.hk

2/4/2015 (Thu 星期四)11:00am KORNGOLD 哥高迪Suite from ‘Between Two Worlds’ 30’ Berlin Radio Sym. Orch. / John Mauceri天壤之別組曲柏林電台交響樂團 / 茅卓里


8:00pm LIVE ON 4 第四台音樂會Antoine Tamestit (va)Orch. della Svizzera Italiana / Markus PoschnerRossini: Overture to ‘La Cenerentola’ 12’Hoffmeister: Viola Concerto in D 20’Beethoven: Symphony No. 3 in E flat, Op. 55, ‘Eroica’ 52’

譚美斯狄特（中提琴）瑞士意大利語區電台樂團 / 寶斯拿羅西尼：序曲，選自《灰姑娘》賀夫米士特：D大調中提琴協奏曲貝多芬：降E大調第三交響曲，作品55，「英雄」

K E Y

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BBC RADIOINTERNATIONAL

European Broadcasting Union

3/4/2015 (Fri 星期五)11:00am D’INDY 丹第 Symphony on a French Mountain Air, Op. 25 26’ François-Joël Thiollier (p) Nat. Sym. Orch. of Ireland / Antonio de Almeida法國山脈交響曲，作品25科尼亞（鋼琴）愛爾蘭國家交響樂團 / 艾美達

2:00pm 67TH HONG KONG SCHOOLS MUSIC FESTIVAL (REPEAT) 第六十七屆香港學校音樂節（重播）Prog. as 29/3/2015, 8pm節目與2015年3月29日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Alisa Weilerstein (vc)Czech Phil. Orch. / Jiří BělohlávekJanáček: Prelude from ‘From the House of the Dead’ 6’Dvořák: Cello Concerto in B minor, Op. 104 39’Beethoven: Symphony No. 7 in A, Op. 92 39’

韋拿斯坦（大提琴）捷克愛樂樂團 / 貝勞拿域楊納傑克：前奏曲，選自《死屋手記》德伏扎克：B小調大提琴協奏曲，作品104貝多芬：A大調第七交響曲，作品92



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I listen to all sorts of music, as long as they

are pleasant to the ears. One thing nice about

working for the radio, is that I have access to a

library that’s very full of resources and I can listen

to music at all times! Whether it be classical,

original sountracks, musicals, pure instrumental,

jazz, or new age, as long as it has a nice tune, it

will be my favourite.

When the Head of Radio 4 asked me to present

a jazz programme at drive time, I was over the

moon. I was glad that I had a chance to share

some of my best loved numbers with listeners, but

the world of jazz is just enormous. Where should

I begin? Therefore, based on my ‘pleasant to the

ears’ principle, I play all tuneful melodies by

known and unknown composers and performers.

7 April is the 100th anniversary of the birth of

jazz diva, Billie Holiday. I look forward to sharing

some of Lady Day’s all time hits with you, as sung

by her or by some special artists. Don’t miss Jazz

and more ... this evening of blues and R&B!

我當初喜歡爵士樂，是因為聽時不需用腦。

我選音樂的原則很簡單，只要「好聽、順耳」就行了，懶理作

曲和演奏的是國際名家或無名小子。只要是好聽的，我都喜愛。

在電台工作的好處，是可以整天播著音樂：古典、爵士、電影

原聲、音樂劇、新紀元、跨界都可以聽到不眠不休。唱片房的珍

藏聽悶了，還有網上的大世界可供選擇，只怕時間有限、唱片

太多！

還記得當天第四台節目總監問我有否聽爵士音樂，有沒有興趣在

黃昏時段播放此曲種時，我心裏先是興奮了一陣子，接著便擔心

起來。我平日只是隨手拿來唱片就聽，並沒有記下演奏家和樂曲

名稱，怎樣做節目呢？於是我再次埋頭於我那無數的唱片叢，本

著「好聽、順耳」的原則，為聽眾帶來更多熟悉與不熟悉之作。

4月7日是爵士天后比莉哈樂黛的百歲冥壽，在黃昏6時15分的

「不太古典」節目，我會為你帶來 Lady Day 熟悉與不熟悉的

作品！

My private collection of jazz artists’ autographs我的爵士樂手親筆簽名私人珍藏

Kathy Lam 林家琦

▲ Jazz diva Billie Holiday 爵士天后比莉哈樂黛

▲

COLUMNS 專欄

Editor’s note: In the Jazzing Up series on Sundays at 11pm in April, Stacey Rodda

will further explore the iconic singer’s music, introduced to Stacey by her mother

who loved Billie’s jazz voice.

編者按：4月份逢星期日晚上11時，盧迪思亦會在「爵士靈感」介紹比莉哈樂黛

的音樂世界。原來盧迪思的母親是位標準哈樂黛迷。


the 67th hong kong schools music festival - 香港電台

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