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YXMM8_Using Stanley Kubrick’s 2001: A Space Odyssey (1968) and Andrey Tarkovsky’s Solaris (1972), discuss myth in Cold War cinema as a new form of cosmological reckoning. by Eugenia Ellanskaya WORD COUNT 2186 CHARACTER COUNT 13009 TIME SUBMITTED 13-DEC-2012 01:29AM PAPER ID 20209900

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Page 1: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning

YXMM8_Using Stanley Kubrick’s 2001: ASpace Odyssey (1968) and Andrey

Tarkovsky’s Solaris (1972), discuss mythin Cold War cinema as a new form of

cosmological reckoning.by Eugenia Ellanskaya

WORD COUNT 2186CHARACTER COUNT 13009

TIME SUBMITTED 13-DEC-2012 01:29AMPAPER ID 20209900

Page 2: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 3: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 4: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 5: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 6: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 7: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 8: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 9: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning
Page 10: Tarkovsky's Solaris and Kubrick's Space Odyssey 2001: Myth in Cold War cinema as a new form of cosmological reckoning

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