neural correlates of recognition and naming of musical instruments

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Neuropsychology Neural Correlates of Recognition and Naming of Musical Instruments Amy M. Belfi, Joel Bruss, Brett Karlan, Taylor J. Abel, and Daniel Tranel Online First Publication, February 22, 2016. http://dx.doi.org/10.1037/neu0000273 CITATION Belfi, A. M., Bruss, J., Karlan, B., Abel, T. J., & Tranel, D. (2016, February 22). Neural Correlates of Recognition and Naming of Musical Instruments. Neuropsychology. Advance online publication. http://dx.doi.org/10.1037/neu0000273

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NeuropsychologyNeural Correlates of Recognition and Naming of MusicalInstrumentsAmy M. Belfi, Joel Bruss, Brett Karlan, Taylor J. Abel, and Daniel Tranel

Online First Publication, February 22, 2016. http://dx.doi.org/10.1037/neu0000273

CITATION

Belfi, A. M., Bruss, J., Karlan, B., Abel, T. J., & Tranel, D. (2016, February 22). Neural Correlates ofRecognition and Naming of Musical Instruments. Neuropsychology. Advance online publication.http://dx.doi.org/10.1037/neu0000273

Neural Correlates of Recognition and Naming of Musical Instruments

Amy M. BelfiUniversity of Iowa College of Medicine

Joel Bruss, Brett Karlan, and Taylor J. AbelUniversity of Iowa College of Medicine

Daniel TranelUniversity of Iowa and University of Iowa College of Medicine

Objective: Retrieval of lexical (names) and conceptual (semantic) information is frequently impaired inindividuals with neurological damage. One category of items that is often affected is musical instruments.However, distinct neuroanatomical correlates underlying lexical and conceptual knowledge for musicalinstruments have not been identified. Method: We used a neuropsychological approach to explore theneural correlates of knowledge retrieval for musical instruments. A large sample of individuals with focalbrain damage (N � 298), viewed pictures of 16 musical instruments and were asked to name and identifyeach instrument. Neuroanatomical data were analyzed with a proportional MAP-3 method to createvoxelwise lesion proportion difference maps. Results: Impaired naming (lexical retrieval) of musicalinstruments was associated with damage to the left temporal pole and inferior pre- and postcentral gyri.Impaired recognition (conceptual knowledge retrieval) of musical instruments was associated with amore broadly and bilaterally distributed network of regions, including ventromedial prefrontal cortices,occipital cortices, and superior temporal gyrus. Conclusions: The findings extend our understanding ofhow musical instruments are processed at neural system level, and elucidate factors that may explain whybrain damage may or may not produce anomia or agnosia for musical instruments. Our findings also helpinform broader understanding of category-related knowledge mapping in the brain, as musical instru-ments possess several characteristics that are similar to various other categories of items: They areinanimate and highly manipulable (similar to tools), produce characteristic sounds (similar to animals),and require fine-grained visual differentiation between each other (similar to people).

Keywords: musical instruments, naming, recognition, brain lesions

Retrieval of lexical (names) and conceptual (semantic) informa-tion about items, both unique (e.g., famous faces, landmarks,melodies) and nonunique (e.g., tools, animals, musical instru-ments) is often impaired in individuals with neurological damage.Certain categories of items have been associated with specificneuroanatomical correlates; for example, impaired naming ofunique entities has often been associated with the left temporalpole (LTP; Belfi & Tranel, 2014; H. Damasio, Grabowski, Tranel,

Hichwa, & Damasio, 1996; Drane et al., 2008; Gorno-Tempini &Price, 2001; Tranel, 2006). A long track of research, in fact, hasshown that individuals with focal brain damage can develop re-markably specific category-related defects in retrieving lexical andconceptual information for various items (Crutch & Warrington,2003; Hart, Berndt, & Caramazza, 1985; Hillis & Caramazza,1991; Warrington & Shallice, 1984).

One category that has been frequently included in studies ofobject naming is musical instruments. However, research on mu-sical instruments has been inconclusive, perhaps owing to theunusual aggregation of attributes in the musical instrument cate-gory. One striking example is that musical instrument naming doesnot always follow the well-established living/nonliving distinction.In classic work of this type, it was frequently found that individ-uals who are impaired at naming living entities (e.g., animals,fruits/vegetables) are often unimpaired at naming nonliving enti-ties (e.g., tools, vehicles). However, the category of musical in-struments often does not track in orderly fashion with the living/nonliving dichotomy. For example, individuals who showimpairments in naming living entities often show impairments inmusical instruments, while they are unimpaired in other nonlivingitems (Basso, Capitani, & Laiacona, 1988; A. Damasio, 1990;Dixon, Piskopos, & Schweizer, 2000; Gainotti, 1996; Gale, Done,& Frank, 2001; Masullo et al., 2012; Stewart, Parkin, & Hunkin,1992; Warrington & Shallice, 1984). At the same time, somestudies have identified patients with abnormal naming of living

Amy M. Belfi, Interdisciplinary Graduate Program in Neuroscience, andDepartment of Neurology, University of Iowa College of Medicine; JoelBruss and Brett Karlan, Department of Neurology, University of IowaCollege of Medicine; Taylor J. Abel, Department of Neurosurgery, Uni-versity of Iowa College of Medicine; Daniel Tranel, InterdisciplinaryGraduate Program in Neuroscience and Department of Psychology, Uni-versity of Iowa, and Department of Neurology, University of Iowa Collegeof Medicine.

Amy M. Belfi is now at the Department of Psychology, New YorkUniversity.

We would like to acknowledge Ken Manzel for his help in collectingpatient data. This work was supported by McDonnell Foundation Collab-orative Action Award #220020387.

Correspondence concerning this article should be addressed to Amy M.Belfi, Department of Psychology, New York University, 6 WashingtonPlace Room 275, New York, NY 10003. E-mail: [email protected]

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Neuropsychology © 2016 American Psychological Association2016, Vol. 30, No. 3, 000 0894-4105/16/$12.00 http://dx.doi.org/10.1037/neu0000273

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items but intact musical instrument naming (De Renzi & Lucchelli,1994; Hanley, Young, & Pearson, 1989; Kolinsky et al., 2002; forreview, see Capitani, Laiacona, Mahon, & Caramazza, 2003).Perhaps because of this inconsistent evidence, the category ofmusical instruments has often been omitted from studies of objectnaming (Capitani, Laiacona, Barbarotto, & Trivelli, 1994; Cop-pens & Frisinger, 2005; Garrard et al., 2001; Garrard, Patterson,Watson, & Hodges, 1998; Laws, 1999). Due to the potentiallyunique nature of musical instruments, however, a thorough inves-tigation of the neural correlates of musical instrument recognitionand naming is warranted.

A previous large-scale study reported on the neural correlates ofrecognition and naming for five categories of items: people, ani-mals, tools/utensils, fruits/vegetables, and musical instruments (H.Damasio, Tranel, Grabowski, Adolphs, & Damasio, 2004). Indi-viduals with focal brain damage were shown pictures of items ineach of the five categories and were asked to identify the items. Ifa participant was unable to name an item, the participant was askedto provide information about that item, that is, defining featuresand characteristics. For example, if a participant was shown apicture of Abraham Lincoln and could not come up with the name,the participant might demonstrate accurate recognition by statingthat “He was the President of the United States during the CivilWar.” The categories of people, animals, tools/utensils, and fruits/vegetables were examined in considerable depth in the H. Damasioet al. study, and have also received detailed attention in otherstudies (e.g., H. Damasio et al., 1996; Gainotti, 2005; Grabowski,Damasio, & Damasio, 1998; Tranel, Grabowski, Lyon, & Dama-sio, 2005; Tranel, 2009). By contrast, the category of musicalinstruments received less attention, and the findings that werereported were not entirely definitive. Impaired naming of musicalinstruments was associated with the LTP, insula, and inferior pre-and postcentral gyri. Impaired recognition of musical instrumentswas associated with damage in the left insula and frontal opercu-lum, and the right angular gyrus and temporo-occipital junction(H. Damasio et al., 2004). While these results are suggestive andinteresting, they were explicitly not the focus of the analyses anddiscussion in previous publications, including the extensive H.Damasio et al. study. As such, a more systematic examination ofmusical instruments is warranted. Here, we replicated and ex-tended the findings of the H. Damasio et al. study in a sample ofnew individuals with focal brain damage, focusing specifically ondeficits in musical instrument naming and recognition.

Method

Participants

Participants were chosen from the Patient Registry of the Divi-sion of Behavioral Neurology and Cognitive Neuroscience in theDepartment of Neurology. Participants were divided into twogroups: those who were reported in the previous study (H. Dama-sio et al., 2004; n � 128; “old”) and those who are new to thecurrent study (n � 170; “new”). Combining the old and newgroups, a total of 298 individuals (159 male, 139 female) withfocal brain damage were included. Lesions were located in the lefthemisphere (n � 172), right hemisphere (n � 93) or bilaterally(n � 33) and were caused by cerebrovascular disease (n � 212),herpes simplex encephalitis (n � 10), head trauma with focal

contusion (n � 5), benign tumor resection (n � 19), or resectionfor medically intractable epilepsy (n � 51). Participants wereeither right-handed (n � 252), left-handed (n � 15), or of mixedhandedness (n � 31).

Patients in the old and new groups were derived from thesame basic population (mainly persons from Iowa referred tothe tertiary health care system at the University of Iowa Hos-pitals for definitive management of neurological injury), and assuch, the two groups are demographically very similar. The newgroup consisted of a total of 170 individuals (102 male, 68female) with focal lesions in the left hemisphere (n � 89), righthemisphere (n � 48), or bilaterally (n � 33), caused by cere-brovascular disease (n � 110), head trauma with focal contu-sion (n � 3), benign tumor resection (n � 19), or resection formedically intractable epilepsy (n � 32). Participants were eitherright-handed (n � 135), left-handed (n � 12), or of mixedhandedness (n � 23). Participants had on average 13.54 yearsof education (SD � 2.83). The old group consisted of a total of128 individuals (56 male, 72 female) with focal lesions locatedin the left hemisphere (n � 83) or right hemisphere (n � 45),caused by cerebrovascular disease (n � 102), herpes simplexencephalitis (n � 4), head trauma with focal contusion (n � 2),benign tumor resection (n � 1), or resection for medicallyintractable epilepsy (n � 19). Participants were either right-handed (n � 117), left-handed (n � 3), or of mixed handedness(n � 8). Participants had on average 13.26 years of education(SD � 2.98). Lesion overlap maps depicting lesion locations forthe old, new, and combined groups can be seen in Figure 1.

All participants were screened to ensure that none had generalintellectual impairment (participants with IQ scores below 80 wereexcluded; IQ was determined by Wechsler Adult IntelligenceScale–Third Edition and/or Fourth Edition testing; Wechsler,2008). All data were obtained in the chronic phase of recovery,when participants were at least 3 months post lesion onset. In thesame manner as previous studies, all participants were screened toensure valid cooperation with the experimental protocol. Somerecovered aphasics were included in the sample, although noparticipants had residual aphasia severe enough to interfere withtheir ability to produce scorable responses on the experimental task(see below). To define normal performance, we used data from 55normal comparison participants (as reported in detail in previousstudies; see H. Damasio et al., 2004). The current study wasapproved by the Institutional Review Board and all participantsgave informed consent in accordance with the requirements of theHuman Subjects Committee.

Stimuli and Procedure

The musical instrument stimuli (n � 16), which have been usedin previous studies of musical instrument naming and recognition,consist of 10 black-and-white line drawings and six black-and-white photographs (H. Damasio et al., 2004; Snodgrass & Vander-wart, 1980). For examples of stimuli, see Figure 2; a list of allstimuli is included in Table 1. Procedures used here have beenreported elsewhere (H. Damasio et al., 2004). Musical instrumentstimuli were included in a larger set of stimuli including famousfaces, animals, tools/utensils, and fruits/vegetables. The adminis-tration order was the same for all participants, but the ordering hada mixture of items from various categories (so that the 16 musical

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2 BELFI, BRUSS, KARLAN, ABEL, AND TRANEL

instruments were scattered among pictures of entities from theother categories). For each stimulus, participants were instructed toidentify the item. If the participant gave a vague response (e.g., “amusical instrument”) the experimenter provided a prompt (e.g.,“Be more specific.”). If participants could not name the item theywere asked to provide information about the item, as defining anddistinctive as possible. Responses were audio recorded and tran-scribed. The transcriptions were later scored by two independentraters blind to the experimental hypotheses.

Data Quantification and Analysis

Following data quantification procedures used in our previousstudies on naming and recognition, two scores were calculated foreach participant: a naming score and a recognition score (Belfi &Tranel, 2014; H. Damasio et al., 1996, 2004; Tranel, 2006, 2009;Waldron, Manzel, & Tranel, 2014). These two scores were createdas follows: If an item was correctly named, it was scored as bothcorrect naming and correct recognition. If an item was not namedcorrectly, two raters read the participant’s description of the item,and attempted to name the item from this description. If both raterswere able to generate the name of the item from the participant’s

description, it was scored as correct recognition; if one or none ofthe raters could name the item from the patient’s description, theitem was scored as incorrect recognition. We did not assess inter-rater reliability between the two raters for the current study;however, requiring that both raters correctly identify the item fromthe description required that descriptions be very specific anddetailed, and set a high threshold for accuracy. This approach toscoring naming and recognition has been used previously in stud-ies from our group and others and the rationale for this has beenexplained in detail elsewhere (H. Damasio et al., 2004).

The overall recognition score was calculated for each participantby adding together the number of correctly recognized items,dividing this number by the number of items in the category (16),and then multiplying this by 100 to get a percentage score. Theoverall naming score was calculated by adding together the num-ber of correctly named responses and dividing this number by thenumber of correctly recognized items, then multiplying by 100 tocreate a percentage. Therefore, the denominator in the calculationof the naming score was specific to each participant, and partici-pants were not penalized for failing to name items that they couldnot recognize. This procedure places naming scores on a commonmetric despite the fact that participants have varying levels ofrecognition. Participants who scored 50% or below on recognition

Table 1List of Musical Instrument Stimuli

Instrument Picture type

Accordion Line drawingBanjo PhotoBass PhotoBell Line drawingClarinet PhotoDrum Line drawingFlute Line drawingFrench horn Line drawingGuitar Line drawingHarp Line drawingPiano Line drawingSaxophone PhotoTrumpet Line drawingTuba PhotoViolin Line drawingXylophone Photo

Figure 1. Lesion overlap maps for old, new, and combined groups. The color bar codes maximal lesionoverlap, with “hotter” colors representing higher numbers of overlap. See the online article for the color versionof this figure.

Figure 2. Examples of musical instrument stimuli. Stimuli were eitherline drawings (A, C) or black-and-white photographs (B, D).

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3MUSICAL INSTRUMENT RECOGNITION AND NAMING

(n � 6) were excluded from the naming analyses, in order toeliminate participants in whom a recognition deficit was so ex-treme that there would be only a few items on which to judgenaming abilities, making the naming score susceptible to beingunreliable.

Following previous work, we classified each participant into an“impaired” or “unimpaired” group (H. Damasio et al., 2004).Specifically, we calculated for each participant how far their scoredeviated from the mean of the 55 normal comparison participants,in standard deviation (SD) units. Scores that were two or more SDsbelow the mean were classified as impaired. As mentioned in ourprevious work (H. Damasio et al., 2004), the classification intoimpaired and unimpaired groups based on scores greater than twoSD beyond the mean is somewhat arbitrary. In the present exper-iment, we tried various ways of dividing the groups, includingvisual inspection of the distribution of scores to find a naturaldivision point. Regardless of how the groups were subdivided, thefindings converged on the same structures. Therefore, we reporthere the groups divided using the 2-SD method.

Neuroanatomical Data Quantification and Analysis

Neuroanatomical analysis was based on data obtained during thechronic epoch of recovery. MRIs were acquired in a 1.5-T GESigna scanner (General Electric, Milwaukee, WI) with a two-dimensional spoiled gradient recalled echo sequence (1.5 mmcontiguous T1 weighted coronal cuts). If participants were unableto undergo MRI scanning (n � 30 participants in the presentstudy), computerized axial tomography data were collected. Le-sion maps were created using the MAP-3 method, in which lesionlocations are visually identified on MRI/computerized tomographyscans and manually transferred onto a normal reference brain (P.C.local standard space; resolution, 0.94 � 0.94 � 1.6 mm) based onthe identification of anatomical landmarks (Fiez, Damasio, &Grabowski, 2000; Frank, Damasio, & Grabowski, 1997). Lesiondelineation and transfer were done using Brainvox (Frank et al.,1997). This procedure circumvents the problems of interindividualregistration encountered with lesion data and the difficulties ofcombining participants scanned with different imaging modalities.An additional advantage of this approach is that it preservesanatomical boundaries in mapping lesions onto the reference brain,enabling group-level analysis. After manual transfer to normal

template space, the template brain was warped to the MontrealNeurological Institute (MNI152) standard 1-mm T1-weighted atlas(Collins, Neelin, Peters, & Evans, 1994; Evans, Dai, Collins,Neelin, & Marrett, 1991; Mazziotta et al., 2001) using BRAINS-DemonWarp (Johnson & Zhao, 2009). This transform, from thelesion template to the MNI152 template, was applied to each of thelesion maps.

To create voxelwise lesion proportion difference maps, we usedwhat we have called the “proportional MAP-3” (PM3) method(Rudrauf et al., 2008). PM3 expresses, for every voxel, the pro-portion of individuals whose lesion includes the voxel and whohave a deficit (NLD) relative to the total number of individuals witha deficit (ND), minus the proportion of individuals with a lesion atthe voxel and no deficit (NLnD) relative to the total number ofindividuals with no deficit (NnD). The formula can be expressedwith the equation Prob (L | D) – Prob (L | nD), the conditionalprobability of a lesion (L) given a deficit (D) minus the conditionalprobability of a lesion given no deficit (nD). It should be noted thatthe PM3 maps that we present are maps of descriptive, not infer-ential, statistics.

Results

All participants (N � 298) were included in the recognitionanalysis. After removing participants from the naming analysiswho scored below 50% correct recognition (n � 6), there were 292participants in the naming analysis. There were 78 participantswho were impaired in naming and 135 who were impaired inrecognition. See Figure 3 for overlap maps depicting impaired andunimpaired groups for naming and recognition.

Naming

PM3 maps for musical instrument naming for the old, new, andcombined groups are depicted in Figure 4. Overall, findings be-tween the old and new samples were very consistent. In our newsample, we replicated the previous finding that impaired naming ofmusical instruments is associated with damage to the LTP. We alsoreplicated the finding that impaired naming of musical instrumentsis associated with damage in the left inferior pre- and postcentralgyri. However, in our new sample, this finding was stronger thanin the previous sample. There was greater overlap in the inferior

Figure 3. Impaired and unimpaired naming and recognition for the combined group. See the online article forthe color version of this figure.

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4 BELFI, BRUSS, KARLAN, ABEL, AND TRANEL

pre- and postcentral gyri region. This is reflected in the combinedgroup, which shows strong overlap in this region. In addition, thenew group showed more overlap in left anterior superior temporalgyrus (STG), compared to the old group.

Recognition

For recognition performance there were more differences be-tween the old and new groups (Figure 5). In general, lesion overlapfor recognition performance was less focal, compared to the find-ings for naming. In our new sample, maximal overlap occurred inbilateral ventromedial prefrontal cortex (vmPFC) and occipitalregions, as well as right posterior STG. In the old group, maximaloverlap was seen in right posterior parietal and left frontal oper-cular regions.

Error Types

To get a more detailed sense of the errors patients were makingon this task, errors on individual items were investigated in themost impaired participants in the combined old and new groups.Specifically, we explored errors in patients who scored below 50%on recognition or naming, which was a total of 20 patients. Errorswere classified into six categories, based on those used by Corinaand colleagues (2010). The most common error type was semanticparaphasia (78% of errors). These occurred when participantssubstituted a semantically related word for the target word. Thesewere further classified into subcategories: coordinate—a differentitem from the same category, that is, a different musical instrument(e.g., “violin” instead of “bass”; 53% of semantic paraphasias);

associate—a different item that is associated with the target (e.g.,“band director” for “drum”; 2% of semantic paraphasias); andsuperordinate—an item that is a more general term (e.g., “musicalinstrument” for “piano”; 45% of semantic paraphasias). The sec-ond most common type of error was phonological (10% of errors).These occurred when a participant made an error in phonemeselection. There were three subcategories: substitutions occurredwhen a participant substituted a phoneme (e.g., “puba” for “tuba”;42% of phonological errors), deletions occurred when a participantdeleted a phoneme (e.g., “carinet” for “clarinet”; 29% of phono-logical errors), and other was used to classify those that did not fitinto the other categories (e.g., “planko” for “piano”; 29% ofphonological errors). Circumlocution errors occurred when par-ticipants talked around the item without naming it (e.g., “it issomething that you play” for “clarinet”; 8% of errors). Finally,some errors were classified into two types. For example, the item“juba” was given for “saxophone” and this was classified as botha semantic (coordinate; “tuba” for “saxophone”) and phonological(substitution; “juba” for “tuba”) error (4% of errors were a com-bination of the above categories).

Illustrative Case Reports

We briefly describe two cases to help illustrate the abovefindings. The first patient is a male with 16 years of education anda lesion to left hemisphere frontal/temporal area due to a stroke(see Figure 6A). He scored 94% correct for recognition and 33%correct for naming. His naming errors were a mix of phonological(e.g., “miolin” for “violin”) and semantic (e.g., “cello” for “bass”).The second case is a female with 12 years of education and a lesion

Figure 4. Subtraction map for naming. Hotter colors depict impaired naming, while cooler colors depictunimpaired naming. See the online article for the color version of this figure.

Figure 5. Subtraction map for recognition. Hotter colors depict impaired recognition, while cooler colorsdepict unimpaired recognition. See the online article for the color version of this figure.

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5MUSICAL INSTRUMENT RECOGNITION AND NAMING

to the right parietal/temporal area due to a stroke (see Figure 6B).She scored 100% correct for naming and 44% correct for recog-nition. Her errors were entirely semantic, with a mix of associative(e.g., “guitar” for “violin”) and superordinate (e.g., “musical in-strument” for “flute”).

Discussion

Here, we report the neuroanatomical regions associated withrecognition and naming of musical instruments. Our findings gen-erally replicate those of our previous work (H. Damasio et al.,2004) while expanding and sharpening those findings in a largersample. Regions supporting naming and recognition were partiallyseparable and distinct.

In this study, we demonstrate an association between LTPdamage and impaired naming of musical instruments. Our findingsupports and extends previous work reporting this association. Forexample, one patient with semantic dementia whose damage wasprimarily to the left anterior temporal lobe was severely impairedat naming, but not recognizing, musical instruments (Omar, Hail-stone, Warren, Crutch, & Warren, 2010). The LTP has also beenshown to play an important role in naming unique entities, such asfaces, voices, landmarks, and musical melodies (Belfi & Tranel,2014; H. Damasio et al., 1996; Tranel, 2006; Waldron et al., 2014).The naming impairment seen with LTP damage extends acrossmodalities (e.g., face or voice naming), which has led to the ideathat the LTP is a heteromodal convergence region containingmodality-invariant dispositions for naming. In fact, recent electro-physiologic recordings from the LTP demonstrate modality-invariant responses to naming faces and voices of U.S. presidents(Abel et al., 2015). Given this, we would expect that naming ofmusical instruments from their auditory presentation would showa similar association with the LTP. In fact, the patient mentionedabove was impaired at naming musical instruments in both the

auditory and visual modalities, supporting the theory that the LTPis a modality-invariant convergence zone for naming (Omar et al.,2010).

Because the LTP has typically been seen as a critical regionfor naming unique entities, it is interesting that musical instru-ments, which are nonunique entities (i.e., typically processed atbasic object level, outside of the rare cases in which a particularinstrument would be known uniquely by a particular person),are associated with this region. However, the similarity ofshapes within subcategories of musical instruments (e.g., thestring instruments, the woodwind instruments) may requiremore fine-grained discrimination between similar, but distinct,items. A similar process is necessary to differentiate manyunique entities, especially faces, which may potentially explainthe apparent neural overlap between musical instrument namingand famous face naming (the LTP).

An additional area that was associated with impaired naming ofmusical instruments is the left inferior pre- and postcentral gyri.These findings expand on results from the previous sample, butappeared more strongly in the present study (H. Damasio et al.,2004). The pre- and postcentral regions associated with impairednaming of musical instruments may be due to the importance ofmotor and sensory components of musical instruments. Musicalinstruments are rated more highly on manipulability than othercategories of items (Tranel, Logan, Frank, & Damasio, 1997), andmanipulation may be a critical aspect of naming musical instru-ments. The importance of manipulation for naming musicalinstruments may possibly explain why motor and somatosen-sory cortices are critical. The inferior frontal gyrus/precentralgyrus region is suggested to be important for naming objectswith characteristic actions (Grabowski et al., 1998), and, fur-thermore, for naming actions per se (i.e., verb retrieval; Kem-merer, Rudrauf, Manzel, & Tranel, 2012; Shapiro, Pascual-

Figure 6. Lesion locations for case studies depicting patients with severely impaired naming (A) andrecognition (B) of musical instruments.

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6 BELFI, BRUSS, KARLAN, ABEL, AND TRANEL

Leone, Mottaghy, Gangitano, & Caramazza, 2001; Tranel,Kemmerer, Adolphs, Damasio, & Damasio, 2003). Correctnaming of musical instruments may therefore require neuralstructures underlying movement. Damage to motor and somato-sensory cortices involved in playing musical instruments maytherefore lead to impairments in naming these instruments.

Our findings for impaired recognition of musical instrumentswere less consistent between the old and new samples. In the newgroup, impaired recognition was associated with damage to bilat-eral vmPFC and occipital regions. The reason we identified theseregions in our new sample may be due to differing exclusioncriteria between the old and new samples. The new sample in-cluded individuals with bilateral lesions while the previous studydid not. Notably, damage to the vmPFC and occipital lobe oftenoccurs bilaterally. Therefore, the inclusion of these individualslikely influenced our results.

In the new sample we also identified a region of maximaloverlap in posterior STG that was associated with impaired rec-ognition of musical instruments. Previous research has shown thatdamage to STG impairs musical instrument recognition fromsound (Peretz et al., 1994). This may have more to do withperceptual deficits than deficits in semantic representations ofmusical instruments. However, it is consistent with our findingsthat impaired recognition of musical instruments, even in thevisual modality, is associated with damage to the right STG. Arecent study used functional MRI to investigate the neural struc-tures involved in retrieval of conceptual knowledge of musicalinstruments in a population of musicians and nonmusicians (Hoe-nig et al., 2011). The authors identified a region in right STG thatwas more active in musicians when retrieving conceptual knowl-edge about musical instruments. The authors attribute this findingto increased familiarity of musical instruments in musicians, whichleads to richer conceptual knowledge representations in sensorycortices. While the musical experience of our current participantswas not evaluated, the stimuli used in the present experiment havebeen rated as highly familiar (mean rating of 3.74 out of 5); theselevels of familiarity are similar to those shown for other standardcategories (e.g., animals; Tranel et al., 1997). In addition, previousresearch has shown that viewing pictures of musical instrumentsactivates auditory association areas even in nonmusicians (Down-ing, Chan, Peelen, Dodds, & Kanwisher, 2006). Our findingssuggest that STG may be critical for recognition of musical in-struments, regardless of prior musical experience.

Our study has limitations. For one, we did not address howparticipants performed in other categories of items. While this iscertainly an interesting issue, to do this scientific justice is farbeyond the scope of the current paper. The current data are notmeant to illustrate regions that are associated only with deficits inmusical instruments, and not other categories, but provide evi-dence for neural regions that are critical for naming and recogniz-ing musical instruments in general. A second limitation of thepresent study is that the PM3 method provides descriptive, thoughnot inferential statistical maps. An additional limitation is thatmusical experience of the participants, which could influenceperformance on the task, was not systematically measured. Giventhat expertise can affect neural representation of items, we expectthat musical experience may influence the neural structures under-lying naming and recognizing musical instruments. A final con-cern is that of ceiling effects, which is acknowledged in our

previous work (H. Damasio et al., 2004). In the previous study,ceiling effects were particularly present in the category of musicalinstruments. However, the study presented here greatly expands onthe sample size and includes a larger number of patients perform-ing below ceiling. This allows for more meaningful division intoimpaired and unimpaired groups and provides a necessary im-provement on our previous work.

Overall, the findings from our current sample replicated andextended previous findings. Naming and recognition of musicalinstruments are served by partially separable neural structures,although the structures underlying naming appear to be moredistinctive than those for recognition. Structures underlying nam-ing were localized to the left hemisphere, while those underlyingrecognition were more bilaterally distributed. Musical instrumentnaming appears to share neural structures underlying namingunique entities, as well as structures important for motion andsomatosensation. Musical instrument recognition is associatedwith structures important for audition, such as the right STG.These findings illustrate that neural regions likely associated withplaying and listening to music are critical for naming and recog-nizing musical instruments. Overall, our results provide a morethorough account of the neural structures underlying musical in-strument knowledge than has been available in the literature todate.

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Received November 19, 2015Revision received January 22, 2016

Accepted January 25, 2016 �

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9MUSICAL INSTRUMENT RECOGNITION AND NAMING