keeping freeform radio's hope alive

NEW MUSIC REPORT-1 w _ January 29, 20011www.cmj.com

PRE NIRVANA DEJA VU Assessing Alternative 10 Years After The Big Bang.

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1/29/2 001 Issue 699 • Vol 65 • No 5

FEATURES 8 Territorial Pissings With '90s alt-rock figureheads beginning to drop off the mainstream radar, industry players once crucial to the indie underground's commercial explosion look toward an uncertain future. Will the industry come full circle? Or are we moving into uncharted territory?

11 Groove Is In The Heart Rattled by the sudden loss of his brother

and partner, Joi's Farook Shamsher shakes off the gloom and celebrates a brilliant life cut short on We Are Three.

12 Idiot's Respite DJ Vin Scelsa's freeform ideals may have no place in today's commercial radio formats, but he's not going away — just changing his frequency.

DEPARTMENTS 4 Essential Spoon, Brassy, Donnas, and Drums & Tuba.

7 The Week All the industry news you need to know, bite-sized.

38 CMJ Radio 200 13.1 Harvey at No. 1.

36 Core Radio 75 PJ Harvey at No. 1.

37 Adds 8£ Going for Adds Honeydogs at No. 1.

7 On The Boards Hip-hop, record sales and the Grammys. Does Loud Rock have a home on the airwaves? CMJ readers duke it out on our online bulletin board.

14 On The Street Tracking down all you need to know about a local scene. This week: Halifax, Nova Scotia.

15 Aircheck A playlist in the life. This week: WSOU's Tom Rock Show.

16 Heard Here First Rufus Wainwright's sophomore disc is set for release, Vagrant Records goes signing crazy, another spoken-word release from Henry Rollins, and more.

17 Reviews Black Francis & The Catholics, BS2000, Death By Chocolate, Godhead, Bob Schneider, Unisex, and more.

22 Hip-Hop Q&A with Malice Grant, something funny about Discoverhiphop.com, new music from Lady Luck and G.Dep, and more.

2b Loud Rock Dying Fetus loses a member, Q&A with Sirius Satellite Radio's Jose Francisco Mangin, new releases from Downer, Flybanger, This Day Forward, and more.

28 RPM Fresh releases from the Orb and Air, the new Geology and Rarewerks comps, and more.

30 Jazz A report from this year's IAJE Convention, Q&A with IAJE's Bill McFarlin, new albums from Ben Allison and John Lewis, and more.

32 I.S1- Alternative Belated releases and victims of the bottom line, Q&A with La Gusana Ciega, the latest from La Oreja De Van Gogh, and more.

34 Triple A A brighter prognosis for Johnny Cash, a tribute to Gov't Mule's Allen Woody, new albums from Eddi Reader and Great Big Sea, and more.

44 New World Cristina Branco charms New York, Q&A with The Devil's Swing director Alan Govenar, new music from Donal Lunny, and more.

42 Internet Broadcast Web Habits: Offline with Columbia's Ted Dougherty.

46 Upcoming

48 Just Out

49 Airplay

70 Get A Job/Industry Shuffle

yin Scelsa photos by Brendan Moran

CMJ New Music Report (ISSN 0890 0795) is published weekly except the week of CMJ Music Marathon & MusicFest, the week of Thanksgiving, and the last two weeks of December. Published by The CMJ Network, Inc. with offices at 44 W. 18th St., 6th Fl.; New York, NY 10011. Sub-scription rates are $345.00 per year; 2 years, $575.00. Subscription offices: 44 West 18th Street, 6th Floor, New York, NY 10011. Tel 800.CMJ.WKLY (800.265.9559). Outside U.S. and Canada 646.485.6600. Periodicals postage paid at New York, NY and additional entry points. CMJ New Music Report is copyright 02001 by The CMJ Network, Inc. All rights reserved; nothing may be reproduced without written consent of publisher. Unless indicated otherwise, au letters sent to CMJ are eligible for publication and copyright purposes, and are subject to CMJ's right to edit and comment editorially. Unsolicited manuscripts, photos and artwork are welcome; please enclose a self-addressed, stamped envelope to facilitate return. Postmaster: send address changes to The CMJ Network, 44 W. 18th St., 6th Fl.; New York, NY 10011

3 CMJ JANUARY 29, 2001

THE WEEK'S ESSE

SPOON Girls Can Tell

(Merge)

1 t's only January, but one of 2001's best rock albums has already arrived, with a wealth of pop songwriting and instrumental acumen that sets the

bar intimidatingly high. Girls Can Tell 's opening track, the trance-induc-

ing "Everything Hits At Once" — with its meticulously sculpted hook and warm

production — sounds like a classic on first listen. In fact, somewhere, a major-

label A8(11 guy is kicking himself for letting this band go two years ago. Spoon's

industry woes have been well-documented. The Texas trio went from assorted

7-inch singles to a debut on Matador Records to a brief one-album stint with

Elektra. Its future looked uncertain until Merge took the band under its wing.

Behind all the drama, however, frontman Britt Daniel was fully sublimating his

influences, transforming an obvious love of Black Francis and Elvis Costello

into his own distinct musical voice, R.I.Y.L. : late-period Replacements,

which might just be a future touchstone the Attractions, the Pixies

itself. Among the many high points on Contact: The Syndicate

Girls Can Tell: the mounting tension of Phone: 888.666.2061 "Believing Is Art," the taut groove of Email: col [email protected]

"The Fitted Shirt," the new wave bounce Release Date: Feb. 20

of "Take A Walk," the gentle mellotron Add Date: Feb. 13

on "1020 AM," and Daniel's idiosyncratic Tour Dates: Atlanta (2/17); delivery on "Take The Fifth." Jacksonville, FL (2/19);

St. Petersburg, FL (2/20); Orlando, — Cheryl Botchick FL (2/21); Tallahassee, FL (2/22);

Athens, GA (2/23); Carrboro, NC (2/24); San Francisco (3/3)

BRASSY Got It Made (Beggars Banquet)

Led by Muffin Spencer, sibling of genre-bending Jon "Blues Explosion"

Spencer, Brassy concocts a careful mishmash of visceral punk rock

energy and bouncy hip-hop bravado. The formula might seem run-

of-the-mill by now, but the result is (thankfully) worlds away from the watered-down jock-hop of Limp Bizkit and its ilk. Got It Made, the quartet's

scorching debut, is closer to the carnage that might result if the Donnas were

ever to challenge Luscious Jackson and Princess Superstar to a musical battle

royale. The outfit switches between blistering guitar riffs and funky blue-eyed

beats with admirable dexterity. Spencer, however, stands as the group's

deadliest weapon, injecting her sassy attitude, nasal intonation and self-

aggrandizing lyrics — "I'm all that (oh yeah!)/ I got style (to spare!)" — into

the heart of each groove. Got It Made adheres a little too closely to its own

schematic at times: The ever-present

call-and-response vocal delivery and R.I.Y.L.: Luscious Jackson,

grainy production make some cuts Princess Superstar, Le Tigre

indistinguishable from the next. But Contact: Team Clermont

standouts like "B'Cos We Rock," "No Phone: 888.548.8326

Competition" and "Parkside" are Email: radioeteamclermont.com

addictive punk-funk. — M. Tye Comer Release Date: Jan. 22; at radio now Tour Dates: Vancouver, BC (3/9); Seattle (3/10); Portland (3/11); San Francisco (3/13); Los Angeles (3/14); Austin, TX (SXSW 3/17)

CMJ JANUARY 29, 2001

RITUAL NEW MUSIC

DONNAS Turn 21 (Lookout!)

DRUMS lk TUBA

Vinyl Killer (R ighteous Babe)

If the Donnas had been around the San Francisco scene 20 years ago, the punks at Mabuhay Gardens and the metalheads across the street at the

Stone would've realized there was no point beating each other up every

weekend. Punk rockers raised on '80s metal, these girls give a quick ampheta-

mine jab to both genres by doing little else than truly believing with their hearts

and souls that three-chord rock is still the rawest form of rebellion. Much like

the Ramones and Motürhead in their prime, the Donnas still make a stripped-

to-the-essentials, stuck-in-high gear formula sound subversive and wicked

several albums later. They're more enamored than ever of booze, boys, the road,

and other rock-life distractions on Turn 21. But unlike most of the spandexed

and ratted hair-metal bands they worship, their attitude to the whole R.I.Y.L.: Girlschool, AC/DC,

the Muffs sex/drugs/rock 'n' roll credo is so devoid Contact: AAM of cynicism it's practically wholesome. Phone: 212.924.3005 The Donnas are just as tough and funny Email: [email protected]

Release Date: Jan. 23; at radio on Turn 21 as they were before they were now legal. No doubt they could reduce even Tour Dates: Vancouver, BC (2/16); the Nuge to a furry heap as quivering Seattle (2/17); Portland (2/18);

West Hollywood, CA (2/22-23); and helpless as the prey he bow-hunts. Tempe, AZ (2/24); Albuquerque, — Deborah Orr NM (2/25); Austin, TX (2/28)

0 ne commonly criticized aspect of Ken Burns' ubiquitous documen-tary series, Jazz, is its blind-eye turn to any of the form's post-'60s outgrowths, including fusion, jazz-funk, avant-garde and the like. If

you had to give Burns one recording to demonstrate the era's influence on pre-sent-day forms, you couldn't provide a much more colorful example than Vinyl Killer. As created by the drums/guitar/tuba (and a few extras) trio of Drums & Tuba, the album takes an everything-goes approach to style appropriation — big-band marches, sci-fi sound effects and rubbery funk all easily intermingle here — but keeps the focus on its complex rhythmic drive. The result is a kind of post-

rock take on New Orleans groove, a heady, multi-textured workout whose furious interplay relies as much on the traditional precepts of jazz and funk as the space-synth whir of prog or punky chord-crunching. "Royronu" skips with all the loose-limbed, organic interplay of a jam-band

instrumental, despite the fact that its R.I.Y.L.: 5ive Style, Medeski three prime ingredients — a plump, Martin & Wood, Spaceheads slow-moving sousaphone belch; a hyper Contact: Jamie Canfield guitar noodle-a-thon, and sputtering, Phone: 716.852.8020 time-signature defying drum rhythm — Email: infoOrighteousbabe.com

Release Date: Jan. 9; at radio now all seem to come from opposing sources. This stuff is even more astounding live, Tour Dates: Pittsburgh, PA (2/7); where a rack of digital effects allows the Rochester, NY (2/9); Syracuse, NY

(2/10); Portland, ME (2/11); group to loop and layer its sounds in Burlington, VT (2/12); Boston real-time. Vinyl killer, indeed. (2/14); Washington, D.C. (2/15) —Colin Helms

5


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CMJ NEW MUSIC REPORT

EDITORIAL Editor Colin Helms

Senior Music Editor Cheryl Botchick

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Internet Editor Bill Konig

Jazz/New World Editor Tad Hendrickson

Loud Rock Editor Amy Sciarretto

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Staff Writers Lisa Hageman

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Edited By Lisa Hageman THE WEEK

Napster's Corporate Makeover Begins After entering into its partner-ship with Bertlesmann last year, we knew it was only a matter of time before Napster became a mere shadow of its former rene-gade self. Recent signs of the beginning of the end: new fea-tures in the latest version of its software, including an in-your-face link to CDNow. Part of the new Napster Beta 9 application, it kicks in when users download music. And it appears to say, in so many words, "YOU LIKE IT? NOW BUY IT." OK, we get it. Other features of the "new" Napster include instant messag-ing and chat rooms. How very... AOL.

U.K. Indie Institution Celebrates 25 Years To celebrate an impressive quar-ter-century of selling indepen-dent releases by an eclectic array of artists, London's Rough Trade Record Shops is planning several performances in February and March at venues around the city. Mute Records, meanwhile, will release Rough Trade — 25 Years, a three-CD

compilation that includes unre-leased and rare tracks from the likes of Mudhoney, Belle & Sebastian, Badly Drawn Boy and Sonic Youth. The album is scheduled to hit stores on March 3.

Rosa Blasts Ricky Martin's Inaugural Performance Robi Draco Rosa, the musician best known as Ricky Martin's producer and songwriter, recently issued a statement telling the hip-shaker how he really feels about Martin's deci-sion to perform "The Cup Of Life" at President Bush's inaugu-ration. "Singing 'The Cup Of Life' at George Bush's inaugura-tion is like playing the fiddle while Rome burns," said Rosa, who wrote the tune. "This is a very partisan act. This is a presi-dent who would have people in his cabinet who would obstruct the exercise of civil rights, human rights, consumer rights, the right to choose, the right to be free of gun violence, and the right to a clean environment. This is a betrayal of everything that every Puerto Rican should

stand for:' Not surprisingly, aside

from Martin and a few other notable guests, the Jan. 20 inau-gural ball reads like the marquee at the Grand Ole Opry, what with a little bit coun-try moving to Washington and a little bit rock 'n' roll moving out. Headlining were Lee Ann Womack and Asleep At The Wheel. (Drunk At The Wheel must've been booked already.)

Danielson Famile

Forget Corporate Sponsors, We Want Shoes! Indie Christian outfit the Danielson Famile has embarked on an interesting one-of-a-kind venture with Canadian shoe-maker John Fluevog. According to Jonathan Cargill, a rep at the band's label, Secretly Canadian, lead singer Daniel Smith wrote Fluevog to compliment him on the religious idiosyncrasies of his shoes. So, naturally, anyone

who can appreciate a shoe's spiritual essence deserves to have one designed especially for him. Fluevog is set to unveil the

"Familevog," a shoe inspired by the band, some-time in April. Along with the purchase of a pair, customers will get a copy of a new song (reportedly about feet but currently unti-tled), off the

band's upcoming album, Fetch The Compass Kids.

Just A Bite... So far, the new millennium isn't boding well for online music companies — and it's only been a month. Mere weeks after Musicmakencom closed up shop, fellow custom CD compa-ny Imix.com has closed. Emusic.com also announced plans to lay off one-third of its employees, and three of its top executives are leaving in an obvious attempt to abandon a sinking ship.

ON THE BOARDS

NMR #698

All postings are taken from CMJ's online bulletin board (www.cmj.com/bb). Readers are encouraged to log on and respond to any of the postings printed here or on the site, or to create their own topic.

Hip-Hop Grammy Nominees

Basically the Grammys seem to base most if not all of their nominations on record sales. Which, if that truly is the case, is sad. Eminem and Dre deserve to be there. But how does De La Soul get nominated for a single and not the whole album? How do people like OutICast, Xzibit, Jurassic-5, Dilated Peoples (I can go on forever) get over-looked? Record sales seem to be the only answer. The Grammys

are about biz and money and nothing else, especially when it comes to talent (Santana finally wins a Grammy last year for an outstanding record that sold millions. But what about all the past outstanding records that he's put out that didn't?). Big shout for Common getting nominated. Oh, and if Eminem doesn't win anything, then you know it's a sham.

timesover Posted Jan. 15, 2001, 1:11 p.m.

Loud Rock On The Radio

Now that it seems we are at the tail-end of the rapcore phe-nomena, [heavy] bands will start to see a little more expo-sure beyond what we all consid-er the underground. If At The Drive-In can be played on all

three major commercial active/alternative stations up here in the Boston area, I'm starting to get the feeling that anything can cross over. I real-ize it's still in another direction from some of the more extreme bands out there. I don't think the Haunted or Cephalic Carnage are going to get played any time soon. I do think that it opens a lot of doors. If you notice, many of these commer-cial stations' tastes are getting broader on an overall scale. This is a GOOD thing, because the more people hear it, the healthier it has to get. If you're gonna complain about selling out then I say, Whatever. All I've ever wanted was for these bands to be exposed to as large an audience as possible. Now, if goddamn MTV would just get with the program and start playing some videos, we would

really be all set.

the jackrabbit Posted Jan. 9, 2001. 7:34 p.m.

While I see a place for loud music on mainstream radio, I don't think it will ever really catch on there, or find as much of a niche as it does with college and specialty stations. But I think one of the true future places for metal radio is the Net It's the ultimate place for listener freedom. There doesn't have to be audio commercials broadcast; listeners have a vari-ety of stations, DJs, formats, etc. to choose from. As one of my friends put it: "If I don't like what's being played, I just click over to somewhere else."

Christ Daimon Wagner Posted Jan. 11, 2001, 11:07 p.m.


TERRITORIAL A few key industry players assess the state of alt-rock as it comes full circle. By Michael Hill

111 f the newly emancipated Billy Corgan were asked to comment on the current

state of music 10 years after the alt-rock revolution of 1991, he might quote one of his own Smashing Pumpkins tunes and say, "The end is the beginning is the end:'

A decade after Nirvana exploded onto the charts and the Lollapalooza Festival upended the concert industry, the present is looking an awful lot like the pre-Nevermind past. There's a Bush in the White House again. The continually merging major labels have once more backed away from the cutting edge. Indie labels accustomed to part-nering with majors are reconfig-uring themselves as... well, indies. Established alt-rock acts are questioning their motives or even calling it quits. And younger bands are wondering how, where and in what form they'll be putting records out.

Like other alt-stars whose careers lasted into the new mil-lennium, Corgan had a tumul-tuous year. But at least he had closure, bringing the saga of the Smashing Pumpkins to a bona fide finale at Chicago's Metro club, where the quartet had got-ten its start. Others didn't man-age to wrap up their year quite so neatly. Beck (rumored to be unhappy with the commercial

Alt-rock icons without a cause: (L-R) Billy Corgan, Kurt Cobain, Zack de la Rocha, and Beck.

performance of Midnite Vultures) abruptly left his man-agement company, G.A.S. Entertainment, an outfit helmed by two of the more significant alt-industry players, former Nirvana A8cR man Gary Gersh and Beastie Boys associate John Silva. Earlier in the year, Gersh and Silva lost Rage Against the Machine from their stable, a

band whose own troubles were just beginning. Around the same time that Beck made his move and Corgan orchestrated his swan song, Rage singer Zack de la Rocha announced his departure from the band to pur-sue a solo career.

And so, in the midst of a major upheaval in what was the alt-rock establishment, some industry figures who helped the underground storm the barri-cades took a moment with CMJ to assess where we stand today. While technology has advanced at dizzying speed and the para-meters of all things alternative have expanded to include metal, hip-hop and electronica, certain fundamentals remain. The artists at the margins are hus-

thing to be heard, the movers and shakers in the center want to stay hip, and everybody wants to know if the cutting edge still has commercial clout. Will the music biz, like history, soon be repeating itself? Or are we moving into uncharted terri-tory?

"For artists, I think it's come full circle back around to

where things were before Nirvana sold eight billion copies," explains Manhattan attorney Richard Grabel, who's worked with such indie-to-major darlings as the Lemonheads, Liz Phair, Sonic Youth and Built To Spill. "I think historically we're going to look back at the little period of a few years right after Nevermind as an anomaly. That and the success of Pearl Jam, the success of Soundgarden, caused the big record companies to go crazy for 'alternative: There was a moment when merely an asso-ciation with [it] could get you a record deal. That's gone.

"For a band that is 'alterna-tive' to get a corporate record deal [now], it's back to being

about songs and having a star performer up front. If you have songs that record company peo-ple identify as hits and a star performer to deliver them, you'll get a deal. And if you don't — you won't. A few years ago there was the possibility that people would say, Vow, they have potential: [Now] the signing based on potential doesn't exist. Record companies are looking for you to come in ready to go, ready to sell a lot of copies!'

And indie labels are expect-ing something similar, though more out of economic necessity than corporate expedience. According to Peter Jesperson of Los Angeles-based New West Records — a legend for his work at Minneapolis' Twin/Tone Records, where he launched the career of the Replacements — this wasn't always standard operating procedure.

"As a record company per-son, I don't want to hear from a band that says, 'Give us a record deal, and then we'll get on the

road and show you what we can do: I need to talk to people who say, 'We've already been out on the road; we've already got one or two self-released records on our own. Here's our brand-new

third album: You don't always get the kid who's writing in his bedroom or in his basement, who sends you a tape and you love the songs and you help him put together a band.

"With a company like mine, I can't count on radio. In certain instances, I think I'm going to get it and in certain instances I think I could get a lot of it — but I can't count on it. Without radio, my only other real tool to promote an artist is touring. I need somebody who can really go out there and do it. And it's not like Tom Waits did on Mule Variations — 40 shows worldwide. You need somebody who goes out and works it on a regular basis. We've got a band on the label from Denton, Texas, called Slobberbone, and


those guys probably do 18 to 20 shows a month. That's ideal!'

"I see indie labels trying to stretch [a little] money as far as they can," says Jo Lenardi, for-mer A&R head of Reprise, who now runs Sugar Free Records. "And you don't know if you're making a dent. I think that touring is a major factor for a lot of these bands. Bands like Jets To Brazil and At The Drive-In did so well because they toured their butts off for the last three or four years."

Economic constraints can limit how far an indie may now reach for new talent, Lenardi suggests: "There are so many great English indie bands and they're not getting a shot over here at all because people can't figure out how to afford to put their records out, how to tour them right now and do good by them"

Lenardi has found an ally in the Internet, though not in the way she might have initially imagined. "When I first took this job, I was inundated with phone calls from companies asking to give them music for their websites — like Abercrombie 8( Fitch, Urban Outfitters. I couldn't understand — why did they care? What did they want my stuff for? Then I got reports back on how many hits they got for Beulah. Like eight thousand people listened to Beulah in one month. That's pretty incredible. It used to be that I didn't have time for those people, but I have to now!'

Manager Janet Billig, whose Immortal Entertainment handles Evan Dando and oth-ers, agrees with Lenardi about the advantages of the Internet: "I'm a big fan of websites giving away free music as promotion. I see the Internet as a radio sta-tion. It's MTV again. If MTV is a giant Top 40 station, the Internet is just a giant radio dial!'

But Billig — who, as a manager at Gold Mountain Entertainment, worked with both Nirvana and Hole at key points in their careers — still believes in the DIY formula that once led to thriving local scenes

from Seattle to Chapel Hill, North Carolina.

"Create as much leverage as you can. Get as much going yourself as you can. You don't need a record company, man-agers, lawyers and accountants until you really need them," she says. "Get to a point where you need this stuff. Get to a point where you can sell a thousand tickets in your hometown, your coast, your tri-state radius. Get out there and do it."

Billig wonders, however, if local scenes can develop at their own speed in our accelerated pop culture: "Atlanta, Minneapolis, Seattle — all these places developed underground scenes [because] they had time to let bands percolate, to let

may have deeper pockets than New West or Sugar Free, but Kittie had already done the grass roots work — and arrived with an image, an album, and an audience.

"People were — and prob-ably still are — cynical about this band," says Michael Krumper, executive vice presi-dent of Artemis. "But they are self-created. There isn't this thing going behind them. In a lot of cases, they directed how they were marketed — and that makes perfect sense. They know how to reach the people who want to buy their records!'

Which is not to say that the fledgling Artemis didn't have to sweat to make it hap-pen. Krumper admits, "We

"A few years ago, there was the possibility that people would say, Vow, they have potential.' Now, signing based on potential doesn't exist. Record companies are looking for you to come in, ready to go, ready to

sell a lot of copies." them learn to be a band and become three dimensional. There can be absolutely be [another] uprising somewhere — I always think it's geographi-cal. But will it be able to happen before someone gets in there and plucks something too early and ruins the dynamic?"

Artemis Records, the indie label owned by Danny Goldberg, Billig's former boss at Gold Mountain and Atlantic Records, quickly established itself with the all-female punk-metal band Kittie, which went from the margins to the main-stream with the alacrity of a major's mid-'90s pick-to-click.

At the moment, Artemis

went for every bit of radio play that we could over a long peri-od of time, from specialty shows on. At the same time, we were really pushing hard online, being much more flexible than I think we could have been at a major in terms of giving a lot of music away. And the band kept getting perfect tours; from Sevendust on down, opening for the perfect bands. But in the end, they had a song that people connected with and there were a couple of really special things about them. They were unique!'

Grabel feels that the cre-ative belt-tightening at the majors represents a fresh oppor-tunity for indies. "The fact that

it's almost a policy that big labels are not in the artist devel-opment business should mean there's a whole level of business being ceded to the indies," he says. "Whether that's going to work in practice, it's too early to say!'

Manhattan-based A&R man Kevin Patrick understands the business from both the major and indie angles, working with bands like the Lo-Fidelity Allstars for Columbia Records while running Medicine, his own electronica-minded indie. He sees an upside in adversity, particularly for music that has evolved past guitar-bass-drums combos. "The state of our econ-omy, our political system and what mainstream radio chooses to play out of what the major labels release, is obviously form-ing a perfect platform, a spring-board for 'enough is enough, we have to do something fucking different:" says Patrick. "So the future is in good shape because the motivation is at its peak. The real ̀ Tomorrow's Sound Today' stuff is in dance and electronic music, sample-based and street-based music. But I have no idea if it will even con-tinue to be in the form it's cur-rently in!'

Jesperson, who walks a more traditional path with plainspoken, Dylan-esque singer/songwriters like Tim Easton, shrugs his shoulders. "I've been doing this long enough that I've seen what I do be trendy, then not trendy, then trendy again so many times that I can't be concerned whether it's hip this week or not," he says. "I just have to go with what my heart tells me to do:'

Billy Corgan would proba-bly agree with that final senti-ment. "Let this tale end as it began:' he wrote recently on the Smashing Pumpkins website. And he undoubtedly wouldn't shy away from the suggestion that his own circular story could be about the conundrum of alt-culture at large, its past and its present — a story about hope, risk, ambition, and that elusive instant when art and commerce can collide. MAR


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&RTEMIS RECORDS

A s Joi, brothers Haroon and Farook Shamsher

earned a place in the vanguard of the '90s Asian Underground scene for their trailblazing blend of dance music and tra-ditional Indian sounds. The duo hasn't dodged critical acclaim either, thanks to the early singles "Asian Vibes" and "Desert Storm," and its first album, 1999's One And One Is One.

But shortly after returning from a recording trip to Bangladesh, tragedy struck Joi when older brother Haroon died suddenly of a heart attack in July 1999. Farook took it upon himself to finish the duo's second album using the tracks he and his brother had begun recording together. The result, We Are Three (RealWorld-Virgin), is among the year's most striking albums — one made even more poignant by the loss that surrounds its creation.

"There were times, in pro-duction, when I'd hear my brother's voice on tape come booming out of the speakers in some studio, and it would obviously remind me of that session that he was doing there," Farook recalls. "In one case, these were the last words that I actually heard him speak. To have that happen while you're searching through some DATs in the studio can be pret-ty emotional. But at the same time, you turn that around and use it as a tool to help create something unique and deeper in a way that's really different and personalized."

In some cases it fell to Farook to create finished pieces

GROOVE IS IN THE HEART Joi Leader Farook Shamsher's Anglo-Indian Beat-clash Finds Musical Triumph In Personal Tragedy By James Lien

out of a shape or structure left unfinished by Haroon. "We would kind of mold things around these beautiful flute pieces that he had — or, say, recordings of a young girl from a village that we tried to struc-ture into a song [as heard on We Are Three's ̀ Preml," says Farook. "It was just a tribute, something I wanted to do, to keep my brother's memory alive. You know, it's about his last journey through Bangladesh."

Haroon traveled to

"Any artist from England or this part of the world — not just the Asian scene — could tell you that my brother was really talented on the decks and could really spin. He was one of the first — definitely, definitely — to fuse Indian music with western," Farook says, referring to his days as a wide-eyed kid watching his older brother work parties in the U.K. in the early '90s.

Born in Bengal and raised in London, the Shamsher brothers were among the first

"THERE WERE TIMES, IN PRODUCTION, WHEN I'D HEAR MY BROTHER'S VOICE ON TAPE COME BOOMING OUT OF THE SPEAKERS IN SOME STUDIO. IN ONE CASE, THESE WERE THE LAST WORDS THAT I ACTU-

ALLY HEARD HIM SPEAK."

Bangladesh with his mother to record various artists for the second album, and to link up with people who had played his musician father more than 30 years ago. "One journey took him three days to get to a vil-lage to meet this chap who played with my father," says Farook.

Clearly, the significance of this final trip was not lost on Farook. The image of the son retracing the steps of the father is a striking one, and it gives We Are Three added weight and resonance, especially on the opening track, "Journey?'

artists to emerge on the nascent Asian Underground scene. "[It] was very difficult then, because you're dealing with old vinyl 45s," remembers Farook. "The polyrhythms of the percussion — it's very difficult to synchro-nize. Some of those early live mixes were quite difficult. And the music [he made later] was obviously difficult. This last album was all original record-ings of people from Bangladesh who were very underground and very undiscovered."

Now that the new record is finished, Farook is already looking toward the future. First

on his list is reinventing Joi as a live band.

"I'm trying to show them the memory of my brother and what he created with me," Farook says. "Hopefully I can still continue to work on the music that we made together. I've got over 50 songs in suit-cases on old floppy discs and old computer formats — bins full of four-track tapes going back even further. He's left me a legacy and more. It's just up to me to maintain that."

Wherever Joi's music may go in the future, Farook intends to make sure it stays grounded in the roots of his family's musical traditions and in the unique modern perspective of his Indo-U.K. heritage. "My father passed away seven or eight years ago. So I have all of his records, and all of his instruments, and his tapes from years and years ago. It's quite meaningful for me now to kind of rework these things and to have them play a part in what I'm doing," says Farook.

Clearly he is now operat-ing from a place where the deep spirituality of the music is even more important — and that makes the Indian component of the music more than just madras-cotton win-dow-dressing to be laid over breakbeats.

"Before [my brother died], Joi was really deep and powerful and meaningful. But there wasn't really a cause apart from just wanting to be equal, wanting your music and culture to be accepted by other people," Farook says. "Now I have more of a focus into why I'm doing what I'm doing." no nn Ft

11


IDIOT'S RESPITF Vin Scelsa struggles to keep the freeform flame alive. By Lisa Hageman

Photo by Brendan Moran

N ew Year's Eve 2000 marked the last time DJ Vin Scelsa would

host Idiot's Delight on New York's WNEW-FM, effectively ending the acclaimed show's 15-year stint on the commercial air-waves. Dedicated to the ideals of freeform radio, Scelsa treated his listeners to everything from showtunes to U2, from poetry and philosophy to Bach and the Velvet Underground.

Scelsa's weekly four-hour program aired anything and everything, depending on his mood and muse — and radio was all the better for it. But his departure from the commercial airwaves, coupled with the

"The bottom line isn't the programming. Radio has

become an aural billboard available to the person who

is willing to pay the most for it. And the people who own the billboard don't really

care what you put up there." ongoing proliferation of format-ted and formulaic radio, begs the question, "Is freeform radio finished?"

Scelsa has been in radio since 1967 — that is, if you don't count the years he spent "playing radio" as a child, read-ing the news into an overturned cup that functioned as his microphone. He began his "offi-cial" career at WFMU-FM (then owned by Upsala College) in East Orange, New Jersey, with an all-night show on Saturdays called In The Closet — named so because, in the opening sequence, listeners heard a closet door open and records falling out on the floor.

"From the musical point of view, the real ideals of freeform are [that] you're not limited to the kinds of music you can play, and that you're picking and choosing from different genres. Take that and couple it with the

idea that the person on the other end is not just a DJ, but also an artist creating something from all this disparate stuff — like a painter," says Scelsa. "You have hundreds of records, and each one is a different color and you, as the DJ, are sitting there with an empty canvas."

As far as Scelsa is con-cerned, the late '60s were the "right place at the right time" for freeform radio — and for shows like his to blossom and gain mass appeal because of the social, cultural and political shifts that were taking place.

"Everything came together. It was one of the few moments in the 20th century where what was popular was also what was politically to the left and artisti-cally valuable," he says. "You can't think of too many other times when that happened."

But after Woodstock, Scelsa left WFMU. Everything had begun to change. What had once been the subculture of America became its mass culture. And with that shift came record com-panies, mass marketers, manu-facturers and advertising people feeding off the youth movement.

"What happened was that a lot of people abused radio. A lot of people didn't give any thought to what they were doing, and were more interested in getting high or getting laid than actually doing the show," he says. "The big corporate bosses came in and looked at radio, and decided they had to figure out a way to reach it and advertise on it, which meant to control it somehow. That's when the very first formats came into what was called <progressive radio."

As the '70s, '80s and '90s rolled on, radio became a tightly formatted entity dependant more on demographics and research than artistry. Among the more recent developments, Scelsa sees the conglomeration of radio stations as a major offender.

"I believe that what's hap-pened now with commercial radio is that, more and more, it is simply a cog in a wheel for these corporations to split up the advertising revenue," says


Scelsa. "The bottom line isn't the programming. Radio has become an aural billboard avail-able to the person who is willing to pay the most for it. And the people who own the billboard don't really care what you put up there. It's about the money, not the content."

With commercial stations more focused on advertising dollars than interesting or origi-nal content, Scelsa says it's up to noncommercial and college radio to keep those ideals alive. "The frequencies are so valuable at this point," he says. "With commercial radio abrogating its responsibility to play music, except for the hits — the most generic, the lowest common denominator of music — it's more and more important for non-commercial stations to broaden their sphere of influ-ence and their reference points."

Turning his back on com-mercial radio but not his fans, Scelsa has looked to new tech-nology and community radio to continue his life's work. He now hosts the freeform webcast Live At Lunch on ArtistEnt.com, and will soon resurrect Idiot's Delight Saturday nights on Fordham University's WFUV-FM. While Scelsa hopes his art will contin-ue to thrive in these mediums, he wonders if his future on non-commercial radio and the Internet will be short-lived.

"When my generation and the generation after me die out, will there be another generation who wants freeform radio and is big enough to support it? I don't know," Scelsa says. "But I do know that the Internet is a viable place to try to do it, and try to reach a community of kindred spirits that isn't bound by geography but still bound by certain common beliefs."

For now, Scelsa is content to simply play his music his way. And as for the next generation of DJs, Scelsa has this to say: "Sometimes college kids get caught up in the whole business end of it, and they forget that they're supposed to be creating and expressing. They forget that they're supposed to be having fun." NNIR

ON THE STREET

THE FIVE SPOT

WHAT I'M LISTENING TO

JUSTIN GRESSLEY Radio Promotions

AAM

RED HOUSE PAINTERS

Old Ramon (Sub Pop)

FOUR HUNDRED YEARS

The New Imperialism

(Lovitt)

'1R I IF

Enters The Colossus

(Def Jux)

CONVOCATION OF...

Convocation Of...

(Gold Standard

Laboratories)

RAINER MARIA

A Better Version Of Me

(Polyvinyl)

Halifax, Nova Scotia

111n the early to mid-90's, labels and the media paid close attention to

the exploding Halifax indie scene. Today, the microscope has been lifted, and most of the guitar pop bands of that era have either moved away or broken up. You might think Halifax's geographical isola-tion (Montreal and Boston are over 12 hours away), rainy climate and relatively high I' unemployment rate 8°'-

would translate into a desolate place to live. Instead, Halifax boasts a young,

I extremely diverse, thriving music scene driven by a creative art community that includes students from the renowned Nova Scotia College of Art and Design.

RADIO Affiliated with Dalhousie University, CKDU-FM (97.5; sta-tion manager Fiona York; music director Carol ElKurdi; 902.494.6479) is Halifax's only college radio station. CKDU's raison d'être seems to fall somewhere between its college and community roles. It offers everything from indie rock to underground hip-hop, as well as a great deal of eth-nic programming and infor-mation.

Halifax is home to seven commercial radio stations, five of which are managed by

the same people. Q104-FM (www.q104.ca) serves both classic and modern rock listeners. CIOO-FM (www.c100.net) used to be

.à"

adult-oriented, but is now directed toward a younger crowd. It mainly features light rock and pop hits.

RETAIL Surprisingly, there is no good place in Halifax for indie music of the rock persuasion. But the vinyl-friendly Revolution Records (5189

Halifax from the road

Prince St.; 902.492.3930) caters well to the hip-hop and techno communities. Sam the Record Man (1656 Barrington

St.; 902.422.7496), HMV (Atlantic City Centre; 902.425.1084), and CDPlus (1592 Barrington St.; 902.422.1559) all carry huge, diverse catalogs that include local releases and titles on such indie labels as Endearing, Hefty, GSL and Matlock, all made available through the Halifax-based No Distribution (www.nodistrib-

ution.com). DJs and other fans of rare, old vinyl call Taz (1588 Argyle St.; 902.422.5976) their mecca.

PRESS The Coast (902.422.6278), Halifax's 20,000-circulation weekly newspaper, often pro-files touring bands. Short CD reviews and listings appear every week, and more than 40

reviews are the norm in "Reverb," The Coast's monthly music pullout. Lezlie Lowe

([email protected]) works as music editor, and James Covey's ([email protected]) biweekly "Halifax On Record" column is noteworthy for its coverage of the Halifax music scene and select out-of-town bands.

The two daily newspapers in Halifax are fairly indie-friendly. The Daily News (www.hfxnews.southam.ca) runs Marla Cranston's (902.468.1222 ext. 274; [email protected] .ca) weekly cultural columns

on Saturdays. They typically feature a good overview of Halifax's artistic events. One of Canada's last family-owned


newspapers, the Halifax Herald (www.herald.ns.ca)

features Stephen Cooke's (902.426.3083; scooke@

herald.ns.ca) weekly "Nightclub Notebook" on Thursdays. Saturdays, the Herald offers Cooke's eclectic music review column, "Soundscapes."

NIGHTLIFE Back in the early

'90s, the Double Deuce was the only Halifax venue willing to host small shows. Today, there are more than a dozen such places. The venues listed

below are those most likely to cater to out-of-town bands (with some exceptions).

The Marquee Club (2031 Gottingen St.) is the city's big

rock club, though some DJs

have been known to perform there as well. Hell's Kitchen, situated downstairs in the Marquee, hosts shows in a

smaller, cozier setting. Greg Clark (902.429.3020) handles

booking at both places. The charming Khyber Club (1588

Barrington St.; for booking, contact Craig Ferguson at 902.492.3278) is so small its size forces the crowd to pay close attention to the bands.

The Pavilion (Halifax

Phot

os by

Erin

Gre

eno

Central Commons; for book-ing, contact Condon Macleod at 902.492.1112) is Canada's

longest-running all-ages club. All types of acts get a chance at the Pavilion, which is locat-

ed in the middle of the

Other Halifax venues include the Attic (1741 Grafton St.; 902.423.0909), a

rock bar that is part of the Liquor Dome (which features a dancefloor web-cam at

www.thedome.ca). Tiny, hot

Scenes from the Pavillion

Commons, a huge field with walking paths and a skate park. The sound may be bad,

and the decor is similar to that of a high-school gymna-sium, but it's a great place to

play and the regulars are attentive.

and smoky, Cafe Mokka (1588

Granville St.; 902.492.4036) hosts DJs and acoustic per-

formers. The New Palace (1721 Brunswick St.; 902.420.0015) is renowned for its hard-bodies and sexy-legs contests, caged dancers

and tribute bands.

LIFESTYLE

Around Halifax, one can go to the beach, hike, surf or enjoy the country, all within 15

minutes of the city. Walking by the harbor is also highly recommended. The city is known for its numerous cheap diners. One good example, The Mediteraneo (1571 Barrington St.; 902.423.4403), stands out due to its Lebanese selections. For healthier food, Heartwood (6250 Quinpool Rd.;

902.425.2808) serves great organic "pay by the pound" vegetarian food and baked goods.

Thrift stores in area include Value Village (209 Chain Lake Drive, Halifax;

902.450.5134; 42 Canal, Dartmouth; 902.463.4054),

Junk and Foibles (1533

Barrington St.; 902.422.7985), and Einsteins Clothesline (1678 Barrington St.;

902.429.3888), where you can rent great wigs and talk with

the nice elderly lady behind the cash register.

Finally, if you need music

gear, check out the vast selec-

tion at Musicstop (6065 Cunard St.; 902.496.6900) or the used, vintage guitars at Gig Street (6029 Cunard St.; 902.423.7813). — Alexandre Frenette

AIRCHECIC

WSOU 89.5 FM South Orange, NJ (Seton Hall University) Tom Rock Show, hosted by DJ Tom Rock. Playlist for Thursday, Dec. 4, 2000, 1:30-2:30 p.m.

EARTH CRISIS "Killing Brain Cells"

DARKANE "Convicted/Bound"

MESHUGGAH "Sickening"

PANTERA "Avoid The Light"

HAUNTED "Hollow Ground"

CRYPTOPSY "My Prodigal Sun"

LAMB OF GOD "Letter To The Unborn"

KREATOR "Phobia"

CANDIRIA "Work in Progress"

KILLSWITCH ENGAGE "Vide Infra"

VISION OF DISORDER "Watering Disease"

TEXAS IS THE REASON "Back and To The Left"

SICK OF IT ALL "America/Turn My Back"

FAITH NO MORE "Naked In Front Of The

Computer"

CAMP KILL YOURSELF "96 Quite Bitter Beings"

SUNK LOTO "Lift"

1


HEARD HERE FIRST Column by Cheryl Botchick

It's been two years since Rufus Wainwright thrilled critics and fans with his

refreshingly unique self-titled debut. Now his sophomore

Rufus Wainwright

effort is finally ready for release. With a street date of April 17 on DreamWorks, Poses will reportedly feature guest appear-ances from Melissa Auf Der Maur, Alex Gifford (Propellerheads), Rufus' sister Martha Wainwright, and Teddy Thompson. The latter two turn up on a cover of "One Man Guy," an '80s song from the

senior Wainwright, Loudon III.

It's only January, but indie label Vagrant Records is already hav-ing one hell of a year. Quickly

Hey Mercedes

following the completion of a manufacturing and distribution deal with TVT, the label got to

work. Dig these signings, all secured during the first weeks of 2001: Milwaukee's Hey Mercedes, which features most of the beloved, now-defunct

Braid, is now part of the Vagrant family. A full-length from the band is expected later this year, and a tour of the South and Midwest alongside the Anniversary and Hot Rod Circuit is in its planning stages. Dashboard Confessional signed on a day later. The band has plans to release a new EP in April and will hit the road in February on the Face To Face/H20/Snapcase tour. The now-signed Hot Rod Circuit will also join that tour in

the Midwest (though no specific information on the band's Vagrant debut is avail-able just yet) before it heads out for the aforementioned Hey Mercedes gigs. And last but hardly least, the label's Get Up Kids are supporting Green Day on a January tour, then opening for Weezer in late-February and early-March. No rest for the wicked.

Another year, another Henry Rollins spoken-word CD you say? Well, this one seems like a gem. If you're a fan of Hank's

manly, dry sense of humor (remember the bit about Ronnie James Dio?), then you should watch for A Rollins In The Wry, due Feb. 20 on Quarterstick Records. The

album's liner notes are quite a chuckle on their own (he refers to his manager as Richard "He'll

Do It" Bishop), and Henry seems to be in some particular-ly self-aware spirits: He finishes off the press release with, "Doesn't it piss you off a little that I keep pulling g this off every 77, year, and keep getting 1§ asked back, when you were so done with me years ago?" Only a little, Henry.

Get Up Kids

North Carolina lesbian and women-focused indie label Mr.

Butchies

Lady is beginning its year with a flurry of activity as well, start-ing off with From The Desk Of Mr. Lady, a new EP from Le Tigre. The disc features a remix by Rachel Kovacs of Home Wrecker Foundation, and is reviewed in next week's New Music Report. Also slated for the near future is a new Butchies album, titled Butchies-3, as well as a compilation called Calling All Kings 6, Queens. That 18-track disc will feature new or previously unreleased tracks by the likes of Le Tigre, Indigo Girl Amy Ray, Sleater-Kinney, the Butchies, and Gretchen Phillips. It's is due out on March 6.

Anyone on a press list in the

U.S. is certainly aware that

Universal/MCA has been vigor-ously reissuing its catalog dur-

ing the last year or two. Many of these releases are merely repackaging projects (noth-ing wrong with that, since many classic albums deserved to get

their full liner notes and art-work back), but a few "deluxe editions" are beginning to hit the streets. We weren't that excited to see the Frampton Comes Alive! reissue, despite its lush packaging and handful of previously unreleased tracks. But the deluxe edition of the legendary Blind Faith record is another matter. The 1969 supergroup effort featuring Eric Clapton and Steve Wmwood is augmented by

new mixes, previously unre-leased songs, and a second disc of jams from the recording sessions. Most exciting of all,

however, is the 30th anniver-sary edition of Marvin Gaye's

essential What's Going On, slated for release in February. The package includes the original recording, a very dif-ferent "Detroit mix" of the album that never made it to

The cover of Blind Faiths 1969 debut

release, and Gaye's live perfor-mance of the entire album at a 1972 Kennedy Center concert. Be sure to put it on your shop-

ping list.


REVIEWS

ULAN BATOR Ego: Echo (Young God) Ulan Bator's music has a lot more to do with its choice of collaborators (such as Faust's Jean Herve Peron; Swans domo Michael Gira produced Ego: Echo for his Young God label) than the Mongolian city that is the French art-rock trio's namesake. Moody, arresting

and at times both jarring and soothing, the trio's fourth album perhaps most resembles the latter-day work of Einstürzende Neubauten — although Gira's skillful production definitely brings out the best in the group. Much like newer Swans materi-al, the music is stately but intense, and meticulously crafted. Technically speaking, it's comprised mostly of guitars, bass, real drums and occasional keyboards. But it's about as far removed from a rock 'n' roll party as you can get. While the music is melodic and sometimes surprisingly pretty, the quiet menace of the vocals (which are all in French) and a hypnotic intensity maintain a dense air of tension throughout. — Deborah Orr

R.I.Y.L.: Einstürzende Neubauten, Swans, Young Gods Contact: Young God Records Email: [email protected] Release Date: October 2000; at radio now

FRANK BLACK let THE CATHOLICS Dog In The Sand (W.A.R.?) Frank Black, the genius cult hero behind the Pixies, is noth-ing if not skilled in the art of reinvention. So fans shouldn't be at all surprised to meet Frank Black the cowboy. Dog

In The Sand, his third album with the Catholics — the band that gave him back a Pixies-like edge after a few uneven solo albums — is a little bit country and a little bit rock 'n' roll. A familiar, ramshackle rock base and Black's signature, mind-reeling lyrics drive the album, but now they're accented by traditional country and western earmarks. "Blast Off," the seven-minute album opener, makes no bones about this, using loose, honky tonk piano and chugging bar-band guitar licks to create an undeni-able saloon atmosphere. Meanwhile, Rich Gilbert's pedal steel adds just the right ache to the self-deprecating "I'll Be Blue" and "Stupid Me." And dig the exquisite Mexican flavor of "Llano Del Rio," with its layers of acoustic guitar, pedal steel and bihuela. — Kelso Jacks

R.I.Y.L.: Pixies, 16 Horsepower, Whiskeytown Contact: Fanatic Promotion Phone: 888.349.4842 Email: jasonefanaticpromotion.com Release Date: Jan. 30; at radio now Tour Dates: Charlottesville, VA (1/29); Carrboro, NC (1/30); Arlington, VA (2/1); (1/30); Arlington, VA (2/1); Philadelphia (2/2); New York City (2/3)

OREF

TURL

BLENDERHEAD Figureheads On The Forefront Of Pop Culture (Tooth & Nail) Seattle punk outfit Blenderhead broke up in 1996 when gui-tarist Eben Haas quit after two albums. But thanks to some cajoling from Tooth & Nail, the band regrouped — without Haas — for a third album,

Figureheads On The Forefront Of Pop Culture. Apparently, the group spent the time off getting to know its sensitive side, reemerging as purveyors of emo — though only average ones. The 12 songs on Figureheads sport the sort of long-ass titles ("I Gave Her My Heart, She Gave Me A Pen," "The Divine Minus Outside The Brackets," etc.), melodic punk guitar melodies and whiny girl-hurts-boy rants that have come to typify the genre. While certainly sounding comfortable in this realm, Blenderhead simply doesn't do enough to put its own signature on a sound that's becoming increasingly more diluted. — Kelso Jacks

R.I.Y.L.: Get Up Kids, Anniversary, Juliana Theory Contact: Teresa Phone: 206.382.4910 Email: [email protected] Release Date: Dec. 19; at radio now

Broke

1/011110:01

AmeslleAmbs

BROKEBACK Morse Code In The Modern Age: Across The Americas (Thrill Jockey) Experimental music — partic-ularly Chicago-borne experi-mental music — has developed a reputation for being natty, inscrutable and altogether "dif-ficult." So rejoice, then, for Brokeback, the side project of

Tortoise's Douglas McCombs. Falling close beside Angelo Badlamenti's work for Twin Peaks, these three 10-minutes-plus improvisations are studies in mood and texture. Low guitar tones stumble forward beneath the lonely moan of a trumpet; organs wheeze out garbled notes as machine rhythms gurgle and pop in the distance. Jagged, meandering melody lines join briefly, accidentally. The whole of Morse Code In The Modern Age conjures up a sort of abstract sadness — all gray skies, falling fog, lonely figures silhouetted in the moonlight. It's spare and it's empty, swelling up at odd intervals into jubilant crescendos, only to collapse again to a slow simmer. Morse Code is music for nighttime, music for mist, music for mystery. — J. Edward Keyes

R.I.Y.L.: Tortoise, Labradford, Twin Peaks: Fire Walk With Me soundtrack Contact: Sam Hunt Phone: 312.492.9634 Email: radioethrilljockey.com Release Date: Feb. 20; at radio now


REVIEWS

BS 2000

simply mortified

BS2000 Simply Mortified (Grand Royal) There are albums like, say, Nine Inch Nails' The Fragile, wherein the pain and toil of the creative process — the doubt, the self-evaluation, the self-loathing — are apparent every second. Then there are albums like Simply Mortified.

As you may know, BS2000 is a creative sandbox for Beastie Boy Adam Horovitz and his pal, sometime drummer Amery Smith. While their '97 debut primarily featured the SP1200 drum machine, the sound here is dominated by an extremely cheesy organ that is perpetually on the verge of breaking into "96 Tears." The best tracks — "Better Better," "Boogie Bored" and especially "The Scrappy" — sound distinctly like hardcore Beasties moments performed on organ and drum machine (the vocals on the latter track sure sound like they came from the mouth of Beastie Adam Yauch, a.k.a. MCA). "The Dilemma" and "Buddy" find the duo getting a little more innovative, comparatively speaking. As for the rest, "goofy" is too kind a word. The mortification is all theirs. — Amir Hijazi

R.I.Y.L.: Beastie Boys, Ween, Jon Spencer's sillier moments Contact: Kenny "The Tick" Salcido Phone: 310.526.1950 Email: [email protected] Release Date: Feb. 6; at radio now

CHESTNUT STATION In Your Living Room (Drag City) The classic bubblegum music of yore was largely concocted by the same 10 or 15 musicians using various made-up pseudo-nyms, all of which were basically studio-bound entities aimed at parting pre-teen kids from their

allowance money. Well, Chestnut Station answers the proposition, "What if the world's great feel-good AM-radio bands came to your town and partied down?" Get ready to shake a tail feather! Chestnut Station (named after a movie palace that has since been torn down) is largely the project of the astonishing Rian Murphy and his mates. In Your Living Room was recorded by Steve Albini live on-site at happening Chicago nightspots, giving it an extra air of spontaneity and cheer. Check your bummers at the door: In Your Living Room is simply the perfect live bubblegum platter — enough to make even Joey Levine or Tommy Roe crack a smile. Its supporting lineup of blue-eyed soul players includes Rick Rizzo of Eleventh Dream Day, Paul Caporino of M.O.T.O., Edith Frost on perky backing vocals, and a sassy horn section that would make the folks at Stax fall out of their chairs. — James Lien

R.I.Y.L.: Paul Revere & The Raiders, Peanut Butter Conspiracy, Don Covay Contact: Miranda Lange Phone: 312.455.1015 Email: [email protected] Release Date: Jan. 23; at radio now

dean, 1,3, eitoeoIctie

DEATH BY CHOCOLATE Death By Chocolate (Jetset) Freeze-frame that scene in Willy Wonka & The Chocolate Factory — the one where the protagonists first enter, wide-eyed, into the candy wonder-land — and you'll have a good understanding of Death By

Chocolate's aspirations. Fronted by Angela Tillet, a teenage chanteuse whose dulcet tones conjure both Nico and Jean Seberg, DBC's debut functions as a sort of sweet shop Rough Guide. Tillet alternates unaccompanied monotone ramblings with monotone ramblings set to music, each monologue a cheeky litany of confectionary pleasures. And as thrilling as it is initially to hear her mod-girl recitations over swank bossa nova and gurgling go-go pop, Tillet's plainspoken delivery becomes somewhat tiresome. She sounds strangely bored delivering lyrics like "my friend Jack eats sugar lumps" with nary a trace of relish or excitement. And, real-ly, should it be so difficult to summon enthusiasm for sugar and cocoa? Even Willy Wonka broke into song every now and again. — J. Edward Keyes

R.I.Y.L.: Stereolab, France Gall, Songs For The Jetset compila-tions Contact: Will Simon Phone: 212.625.0202 Email: [email protected] Release Date: Jan. 23; at radio now

tur DELERIUM Poem (Nettwerk) It may surprise some people that Delerium springs forth from the mind of Bill Leeb. Its romantic electronic pop repre-sents the antithesis of his industrial alter ego, Front Line Assembly. In reality, though, the talented sound sculptor has immersed himself in numerous

forms of electronica over the years. On its third album — the first without longtime collaborator Rhys Fulber — Delerium's distinctly dreamy ethno-techno continues to evolve. The ensem-ble's modus operandi — assimilating sampled Gregorian chants, strings and a plethora of female voices amid spacey synths and bubbling beats — is augmented by live acoustic guitar, harp, strings, piano, and drums. The enhanced organic nature of the music imbues Poem with some refreshing twists. Guest singers/lyricists include Leigh Nash of Sixpence None The Richer, the Mediaeval Baebes, Sarah McLachlan, Joanna Stevens, and the surprise inclusion of Matthew Sweet. Leeb has explored this territory before, but his savvy programming skills and com-mand of flow and dynamics keep him a step ahead of the competition. — Bryan Reesman

R.I.Y.L.: Enigma, Deep Forest, Mythos Contact: Will Godoy Phone: 310.855.0643 Email: infoenettwerk.com Release Date: November 2000; at radio now


DIFFUSER Injury Loves Melody (Hollywood) This six-year-old NYC rock quartet changed its name from Flu 13 to Diffuser for its 1999 debut to escape the crowd of numerically named bands in the American rock mainstream. Loaded with feel-good har-monies, inviting choruses,

raspy vocals, and guitar-driven brawn, Injury Loves Melody strikes a nice balance between radio-friendliness and post-grunge intensity. Anthony Cangelosi and singer Tomas

Costanza's stacked guitars recall classic rock technique while maintaining a noisy indie-rock edge, and themes of coming of age and looking forward work as perfectly with the album's anthems ("Wide Eyes") as they do with the more intimate medi-tations on relationships ("The Way That I Feel"). "Karma" already appeared on the Mission Impossible: 2 soundtrack in 2000. As for the rest of Injury Loves Company, it could easily yield a series of radio hits. — Enrique Lavin

R.I.Y.L.: Blink 182, Foo Fighters, Sunny Day Real Estate Contact: Melissa Langer Phone: 800.603.3043 Email: [email protected] Release Date: Jan. 23; at radio now

TIM EASTON The Truth About Us (New West) Singer/songwriter Tim Easton did time in Ohio-based roots-rock outfits the Haynes Boys and Burn Barrel. Now based in L.A., he's emerged as a serious contender in the alt-country sweepstakes, with enough juice to lure Victoria Williams, for-

mer Jayhawk Mark Olson, and most of Wilco into the studio with him. Two of the standout tracks here — the eerie ballad "Bad Florida" and the homespun country singalong "Don't Walk Alone" — were written by Burn Barrel frontman J.P. Olsen. And while Easton's imagistic lyrics don't always connect, he's got plenty of tricks up his own sleeve. "Happy Now"s cavalcade of troubled characters are depicted in winning detail, while the lovelorn plaint "I Would Have Married You" is underpinned by a thrift-store rhythm machine and swooping steel guitar. Elliptical wordplay, sandpapery vocals, and a fusion of country/folk traditions with forward-looking arrangements mark Easton as a serious artist — not just another slacker with a Hank Williams collection. — Jim Allen

R.I.Y.L.: Richard Buckner, Burn Barrel, Lambchop Contact: Mark Pucci Phone: 770.804.9555 Email: [email protected] Release Date: Jan. 23; at radio now

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GODHEAD 2000 Years of Human Error (Posthuman-Priority) Black duds, pale makeup and electronica aside, Godhead is simply a rock band with a few gimmicks — the most crucial being the Washington, D.C., quartet's status as Marilyn Manson's first client on his Posthuman label. Needless acts

of subterfuge aside, Jason Miller's vocals are more melodic, if not stronger, than fellow electro-metal singer Jay Gordon's heavily enhanced purrs or Richard Patrick's manic shouts. His range and tones unfold on the pensive "Tired Old Man," where he admits, "I'm so tired of living here/ I'm so tired of giving here." It's a line that epitomizes the refreshing repertoire of sadness found through-out this 11-track major-label debut. Industrial keys and blips are clearly not an afterthought on 2000, and guitarist Mike Miller shows up not so much to carry each track as to offer depth where needed — especially on "I Sell Society" and "I Hate Today" Nothing here catapults Godhead into the cutting-edge bin. But if you're looking for a rocking, less obtrusive goth out-fit, it's right here. — Dylan P. Gadino

R.I.Y.L.: God Lives Underwater, Stabbing Westward, Machines Of Loving Grace Contact: Tom Maffei Phone: 800.235.2300 Email: [email protected] Release Date: Jan. 23; at radio now

GOSSIP That's Not What I Heard (Kill Rock Stars) You can take Olympia, Washington's the Gossip out of the deep South, but you can't take the deep South out of the Gossip. If ever that old saw held true, it does with this debut album and its bluesy soul/punk hybrid. Though

relocated to the Pacific Northwest, all three Gossip band mem-bers hail from Searcy, Arkansas. And you can hear the swampy blues, sweaty R&B and gospel shouters of the region woven into every track on That's Not What I Heard. A lot of the album's house-rockin' charm will be familiar to aficionados of the Crypt Records roster (especially the Gories), but there are also moments so exhilarating as to render unmissable. Take the opening shot, "Swing Low": Clocking in at a mere minute, 15 seconds, its Keith Richards-worthy riff and the soulful belting of frontwoman Beth (whose powerful pipes steal the show on these 14 songs) are down-right goosebump-inducing. Let's hope there's more of that magic stashed in the band's hip pocket. — Cheryl Botchick

R.I.Y.L.: Fireworks, Demolition Doll Rods, Blacktop, Bellrays Contact: AAM Phone: 212.924.3005 Email: [email protected] Release Date: Jan. 23; at radio now

19 CMJ JANUARY 29. 2001

GUN CLUB Fire Of Love (Ruby-Rhino) When Jeffrey Lee Pierce formed the Gun Club in 1979, it was something of an anom-aly. At the time, no one had ever thought to turn the blues inside out with the fury of punk. Originally released in 1981, Fire Of Love was the first shot from the band. And it's

also arguably the Club's finest effort. Ward Dotson's manic slide-guitar runs roughshod over the chord changes. The tempo sel-dom slows, even when the band brings down the volume so Pierce can howl and bark like a punk prophet speaking in tongues. Reissued a number of times over the years, Fire Of Love has found its proper home at Rhino. There are no new tracks or remastering involved here, but no matter. Fire Of Love is perfect the way it is. In classic blues fashion, Pierce died in 1996 at age 37 after years of hard living. This album will likely outlast us all. — Tad Hendrickson

R.I.Y.L.: Cramps, 16 Horsepower, Congo Norvell Contact: Bill Smith Phone: 310.474.4778 Email: [email protected] Release Date: Jan. 17

HOLMES BROTHERS Speaking In Tongues (Alligator) The four-decade-long odyssey of the Holmes Brothers has taken them from countless anonymous gigs played on street corners and in seedy New York dives to touring interna-tionally, performing for kings

and presidents, and even acting in movies (check out the motion picture Lotto Land). The trio — guitarist Wendell Holmes, bassist Sherman Holmes and drummer Popsy Dixon — is a stalwart insti-tution in the world of blues, soul and gospel music. This album finds longtime Holmes fan/friend Joan Osborne seated in the pro-ducer's chair and taking a turn in the vocal booth as part of the Precious Three backing vocal trio. The song selection ranges from several Ben Harper tunes ("Homeless Chile"! Want To Be Ready") to a handful of scorching originals to a healthy helping of traditional gospel. As always, it's the energetic interplay between the gruff and gritty voices of the Holmes Brothers that induces chills — a powerful reminder of how soul and gospel music can be tough and sweet at the same time. — James Lien

TAICAKO MINEICAWA Maxi On (EP) (Emperor Norton) On the her latest EP, Japanese singer Takako Minekawa juxta-poses bits of lo-fi electronic snippets with more organic tones for angular, Solex-like deconstructivist pop that's also a little reminiscent of Brit-

punk experimentalists Eyeless In Gaza. The King of Pop himself, Cornelius, helps out on Maxi On, as does Jeremy Novak of Dymaxion. But Minekawa's warm, inviting presence asserts itself all the more strongly in collaboration with others. Her dreamy (dreams are what most of the sparse, elliptical lyrics appear to be about) sound-collage technique seems clattery and off-putting on paper, but it morphs into something gently beguiling and memorable in practice. Minekawa should impress avant-heads

and fans of lilting French pop alike. — Deborah Orr

R.I.Y.L.: Solex, Liliput, Wisdom of Harry, Cornelius Contact: S.P.E.C.T.R.E Phone: 323.644.3778 Email: matthewespectreradio.com Release Date: Nov. 15, 2000; at radio now

R.I.Y.L.: Staples Singers, Al Green, Joan Osborne Contact: Craig Bonnell Phone: 773.973.7736, ext. 24 Email: craigOallig.,com Release Date: Jan. 30; at radio now Tour Dates: Northhampton, MA (2/18); New York City (2/24); Philadelphia (2/25)

LIMITED EDITION CD SAMPLER

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MINUS 5/ YOUNG FRESH FELLOWS The Minus 5 Vs. Young Fresh Fellows (Mammoth) Mammoth has decided to pit two of its brightest hopes against each other on a single, two-disc set. Interestingly, both

bands — the Young Fresh Fellows and the Minus 5 — are front-ed by Scott McCaughey. Long-in-the-tooth indie rockers already know that the YFF are underachievers — an inspired, excitable bunch that plays the bejesus out of a pop song but couldn't break free of a local scene. Then again, the album included here, Because We Hate You, sounds remarkably, uh, fresh thanks to a remake of the YFF chestnut "For the Love of a Girl," and the invigorating"I Wonder What She's Doing Tonite." On the flip side is the Minus 5, a rotating arkestra of players that includes

R.E.M.'s Peter Buck and mem-

bers of the Posies, Wilco and R.I.Y.L.: Beach Boys, Posies,

Fastbacks Contact: Michael Fang Phone: 212.453.0916 Email: [email protected] Release Date: Feb. 27 Add Date: Jan. 29

the Screaming Trees. The album's sweetly ragged pop songs are a perfect showcase for McCaughey's off-balance melodicism. — Bob Gulla


REVIEWS

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RAINEIFt MARIA A Better Version Of Me (Polyvinyl) In the short time that Rainer Maria has been around, much praise has accompanied its ele-gant rock. A Better Version Of Me — the trio's second album and unquestionably its most confident to date — is sure to

continue that trend. The sometimes too-precious sound of past efforts eases here as the band flexes some muscle for the first time. Kyle Fischer's guitar work is expansive and mesmerizing as he alternates between the luscious post-rock rambling for which he's known and gutsy rock licks (especially on "Hell And High Water") that expose a more rough-and-tumble side. Meanwhile, bassist Caithlin De Marrais checks in with her best vocal perfor-mance thus far, finding and maintaining the control that has sometimes eluded her in the past. Jump on the bandwagon now, before this little band from Madison, Wisconsin, becomes the next big thing. — Kelso Jacks

R.I.Y.L.: Curve, Lush, L'Altra Contact: AAM Phone: 212.924.3005 Email: [email protected] Release Date: Jan. 23 Add Date: Jan. 29 Tour Dates: Denton, TX (2/15)

11;

BOB SC-1-INEIDER Lonelyland (Universal) By many accounts, Lonelyland is the place where songsmiths go to write, where introspec-tive, creative types wallow in a little melancholy in hopes of finding their proper muse. By the sound of it, Bob Schneider, former frontman of Austin's

much-loved Ugly Americans, has been to Lonelyland. In fact, he's been there so many times he named his major-label debut after the place. And those visits have yielded a stunning, diverse record full of emotional poignancy and the kind of sublime tunes that don't go away quickly. But the best thing about Lonelyland is that it's not a typical singer/songwriter effort. Rather, Schneider allows his muse ample wandering space across a vast topography of melodic terrain. On the lurching "Jingy," he visits Tom Waits, complete with bullhorn-style vocals. The soul-styled "Bullets" brings the G. Love funk, while "Madeline" recalls the pacific etherealisms of Sarah McLachlan. When Schneider does settle back into his folksinger boots, as he does on the first single, "Metal And Steel," the results are gorgeous. — Bob Gulla

R.I.Y.L.: Ben Harper, Lowell George, Paul Simon Contact: Jessica Siracusa Phone: 212.373.0779 Email: [email protected] Release Date: March 13 Add Date: Jan. 29

TURBO AC'S Fuel For Life (Nitro) Is there really anything we could say about the Turbo A.C.'s that would tell you more about the band than glancing at the cover of Fuel For Life would? Trucks! Peroxide! Explosions! Bikinis! Hazardous materials! Stacked dames! What it all boils down to is a

greaser rock band with a Motórhead fetish. On their third album, New York City's brass-knuckled A.C.'s hit new heights of snarling three-chord fury. But Fuel For Life also marks the band's departure from by-the-numbers NYC punk. Cuts like "Hit 8t Run," "Last One Standing" and "Acceleratin'," are more melodic, even when the band's tearing through them like wolverines. And there are also a few surprises: Consider "The Curse," an instrumental number with a rockabilly heart that sounds like the Reverend Horton Heat with a raging hangover, and the roaring "Who Knows," with its Dick Dale-inspired

R.I.Y.L.: Lower East Side guitar leads. So maybe you Stitches, Nashville Pussy, Social can't quite divine all of the Distortion contents of Fuel For Life from the cover image. But that's nit-picking, isn't it? — Cheryl Botchick

Contact: Sean Ziebarth Phone: 714.842.8897 Email: [email protected] Release & Add Date: Feb. 20

UNISEX Stratosfear (Double Agent) England's Unisex sure sounds like a group that's been through the wars — world-weary, stung by reality and just a little bitter about it. Musically, the quintet adheres to a sonic sandcastle mentality, throwing up lavish, often imposing bulwarks of sound seemingly for the sheer

kicks of tearing them down again. Using layered guitars, an array of keyboards, and spoken and musical samples as their founda-tion, Unisex speckles Stratosfees exteriors with splotches of retro-color — theremin, bongos, groovebox, vibraphone, ebow, upright bass. If there is a downside to Unisex, it's in its occasional lack of definition. "Calmer" and "Somewhere Out In The Stratosphere" sound like OK Computer outtakes, while the gravity-defying, vocoder-treated "The Full Force Of the Sun" and "A Second Swell" wouldn't be out of place on a Spiritualized B-sides comp. But Unisex has been at it long enough to know that familiarity isn't always such a bad thing — especially when those you emulate aren't so much influences as they are contemporaries. — Hobart Rowland

R.I.Y.L.: Spiritualized, Spaceman 3, Radiohead Contact: Fanatic Promotion Phone: 888.349.4842 Email: [email protected] Release Date: Jan. 16; at radio now


HIP-HOP Section by Neil Drumming

DISCOVERHIPHOP.COM'S HILARIOUS INFOMERCIAL STUNT

If you haven't been to www.discoverhiphop.com, you're missing one of the

funniest stunts played on the all-too-serious genre in some time. The website features a 10-minute infomercial selling this amorphous, non-specific thing known as "hip-hop" to an eager Middle America.

The blatantly corny "Discover Hip-Hop" set comes complete with a tee shirt and visor, "freestyle" flashcards and gold fronts. The infomer-cial also aired on M2 last sum-mer. Last year, the Black Eyed Peas' Will.I.Am co-authored

the idea with his video direc-tor while trying to come up with a concept for "BEP Empire," the first single off of the trio's sophomore LP. They decided to sell hip-hop "because that's what these cor-porations are doing," says Will. "Half of the people who are responsible for the majority of record sales know nothing about the culture."

It's unclear whether or not the Peas have issues with hip-hop-ignorant people buy-ing and listening to the music and absorbing the culture — a

ridiculous and self-defeating conceit — or the corporations that repackage and sell that culture.

Either way, the rappers are up against two pretty powerful forces: crossing over and capitalism.

Fortunately, the Black Eyed Peas' confused and futile idealism in no way detracts from discoverhiphop.com's hilarity.

Black Eyed Peas

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MALICE GRANT Though her lifelong nick-name may imply otherwise, WOZQ-FM's Malice Grant is very much radio-friendly. The 23-year-old part-time poet joined the staff of Smith College's 91.9 in '97 as a freshman on-air personality — and "gopher." In '98, she became WOZQ-FM's urban director and remained in the position until this win-ter, when she graduated with a degree in American Studies. A little saddened by her departure and more than a little bit nervous about her future, Malice Grant looks back at her old job.

What was the most remarkable thing about being an urban director? Our situation was a little unique being the only all-female operated hip-hop depart-ment in the coun-try, and that in and of itself is a

little remarkable. I think my biggest task was that there basi-cally wasn't an urban depart-ment when I got here. There was one hip-hop show and a handful of people who played R&B or slow jams. Programming at that point in time totaled around eight to 10 hours. Since then we have increased programming from anywhere between 25 and 30 hours a week, which makes us one of the largest urban broadcasting colleges.

What were the special challenges of that "unique" position? Being all-female either works for or against you. It means either people don't think you're serious and you're on the radio because

you think you're cute or that you don't know what you're doing — which is a lot of what I ran into. But, then, the other thing is peo-ple are like, "That's hot. Can we come?" A lot of it was just me buckling down and getting my charts in order and going above and beyond and making sure that everybody knew I was han-dling business on this end.

And what were the more mundane specifics? Our staff overturns every semes-ter because we always offer the opportunity for new DJs to come in. So my duties included reviewing applications, training ins, on-air ethics.

On-air ethics? What does that entail? We had rather large scandal this year. We had a couple of women that were doing a show — which was very good. It fulfilled a niche that no one else was doing; sort of an urban gossip show, but they played music as well. But they took it to a per-sonal level and started calling out people on campus by name, insulting people on-air. That's the kind of thing we don't put

up with. While we are a campus affiliated radio station, we are [also] a community station. We're identified as "WOZQ Northampton," not "WOZQ Smith College."

Are you going to continue with radio now that you've graduated? The problem with radio is that as far as just being an on-air per-sonality, it doesn't even offer subsistence living. Everybody has to have a side hustle, but if you're relying primarily on just your on-air gig, you're probably going to need two side hustles. There's a lot of paying dues, which is difficult graduating from college because you need something more stable. I've had a couple of offers and they all require a lot of pro-bono time— and no benefits. I need health insurance.

And what is your advice to everyone else still doing col-lege radio? Have fun with it. If you're look-ing into going into radio as a career, it's the last time that you're going to have that much freedom.


LADY LUCK

(Def Jam-IDJMG) With the New Year's ball just barely touched down, it's too soon for the major labels to call upon their heavy-hitters. The Jay-Zs and Wu-Tangs are still picking second and third singles to rejuvenate the albums they dropped last year. In the mean-

time, the record companies roll out their second-stringers; promising newbies with little or no fan base hoping to blow up like Nelly. Does "R.U.S.H.," the first volley from Def Jam's long-time-coming, tough-talking lady rapper, have enough of the stomp-and-wiggle factor to hit in the clubs? Well, it might if it weren't already a song — from 1999, no less. The slow-humping track bears an unforgivable resemblance to Jay-Z's certified Tunnel-banger "Do It Again" from at least five seasons hence (minus Jay-Z's tongue-in-cheekiness, and Beanie Sigel's gummy gun-talk, of course.) Shit, "R.U.S.H." doesn't even have Amil's syrupy cooing to sell it. Instead, it has femme banal Lady Luck revisiting a long-dry well and dredging up cliché schlock like, "My whole squad hard and bank accounts is large/ Puff cron-cron, stay in Phat Farm and Sean John."

R.I.Y.L.: Eve, Lil' Kim, Redman Contact: John Rosenfelder Phone: 212.603.7871 Email: [email protected] Release Date: at radio now

G_DEP Let's Get It (Bad Boy-Arista) The ever-withering Bad Boy fam-ily tree now appears almost com-pletely barren, but just last year there was one branch that seemed ready to bear fruit. Black Rob was hardly the most talented thug in an overpopulated sub-sub-genre, but his debut, Life Story, rang true and was suffi-

ciently free of the usual Bad Boy frill. His associate G.Dep now chimes in with his first offering. Immediately, producer Yogi gets some credit for the pathological patch-job he worked on Al Green's "Love And Happiness." But G.Dep fails to fashion his voice (similar in grit to pal Rob) into a universally appealing anthem like Rob's "Whoa." His simple thoughts and uncomplicat-ed cadence cancel each other out, leaving the listener with the vague impression that this is just some guy rapping before — uh-oh! — Puffy's verse begins. With the possibility of prison staring him in the face, you'd think Puff Daddy would realize the serious-ness of his predicament and stop making reckless dares like, "I run this city. Send the cops, DA, the feds to come get me."

R.I.Y.L.: Black Rob, Shyne Contact: Kevin Cooper Phone: 212.830.0735 Email: [email protected] Release Date: at radio now

HIP-HOP Period Ending 1/16/2001 www.cmj.com

Contributing reporters this week 85 • See page 60 for a complete list of Hip-Hop airplay reports.

TW LW 2W PR WKS ARTIST + TITLE LABEL

1

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3

4

5

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1 OUTKAST StanKonia LaFace-Arista

2 12 TALIB KWELI AND HI-TEK Reflection Eternal Raw kus

2

5

6

3

8

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10

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11 DELTRON 3030 Deltron 3030 75 Ark

3 SMUT PEDDLERS "That's Smut" Raw kus

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5 WU-TANG CLAN The W Loud-Col umbia-CRG

2 BAD SEED "Uggggnnnhhh" J Grand-Rawkus

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1 DV ALIAS KHRIST "Rejuvenation" Tommy Boy

9 COMMON _ike Water For Chocolate MCA

10 SLUM VILLAGE Fantastic Vol. 2 Goodvibe-Atomic Pop

2 PUNCHLINE &WORDSWORTH EP Mona

2 XZIBIT Restless Loud

6 6 UNSUNG HEROES Unleashed Scenario-75 Ark

15 1 DJ HURRICANE Don't Sleep Don't Sleep-NT

4

14

18

19

5

13 JURASSIC-5 Duality Control/W.O.E. Is Me (EP) Interscope

4 MEMPHIS BLEEK The Understanding Roc-a-fella-IDJMG

1 ACEYALONE Accepted Eclectic Ground Contro l-Nu Gruv

1 4TH AVENUE JONES' "Respect" Interscope

CAPONE & NOREAGA The Reunion Tommy Boy

GURU'S JAllMATAll Vol. 3: Streetsoul Virgin 6 10 4 3

5

14 7 7 8 JAY-Z The Dynasty Roc La Familia Roc-a-fella-Def Jam-IDJMG

UP 16 POSITIONS

23 SNOOP DOGG "Snoop_Dogg" No Limit-Priority

- 24 1 BINARY STAR Masters Of The Universe Subterranean

916 1 13 DE LA SOUL Art Official Intelligence: Mosaic Themr Tommy Boy

11 5 EDO. G "Sayin' Somethin'..." Nu Gruv Alliance-Ground Control

9 MYSTIKAL Let's Get Ready Jive 12

11

9 4

36

32

24

9

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16

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1

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7

15

MICRANOTS Obelisk Movements

VARIOUS ARTISTS Lyricist Lounge Vol. 2

OUTSIDAZ "Keep On"

DA PAK "Armpits"

FREDRO STARR "Oat Be Dam"

VARIOUS ARTISTS Xen Cuts

SCHO011 OF THOUGHT "Worldwide MCs"

JA RULE Rule 3:36 Murder I

CREATORS The Weight

B-ONE "How We Live"

5 UGLY DUCKLING Journey To Anywhere

5 R.A. THE RUGGED MAN What The..,

40 1 OBIE TRICE "Mr. Trice"

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Rawkus

Ruffnation

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1500

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Chart information is based on combined airplay reports of hip-hop and urban releases from CM..I's panel of college, commercial and non-commercial radio stations.

ADDS 1 SELF SCIENTIFIC "Three Kings" Landspeeir

2 CAGE "Suicidal Failure" Eastern Conference-Rawkus

3 MR. SHORT KHOP "Dollaz, Drank and Dank" TVT

4 ACEYALONE Accepted Eclectic Ground Control-Nu Gruv

5 SADAT X Sadat X: State Of New York Vs. Derek.., Loud-Stimulated


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Section by Amy Sciarretto LOU D ROCK

, I I'

DOWNER Downer (Roadrunner) Downer is definitely not what it seems. First off, do away with the pesky Tool comparisons. Yes, we agree that Downer vocalist John Scott has a register similar to that of the inimitable Maynard James Keenan, but that's where the simi-larity ends. Downer's self-titled debut is more a cousin to post-

hardcore than it is to art-metal. The band hails from Orange County, California, the epicenter of perky, sunny pop-punk. Downer's sound is neither of the above. Rather, it's moody, seri-ous hard rock with a penchant for pensive lyrics (maybe they named themselves after a barbiturate on purpose). But fear not: Downer is no Luke Perry. Sharp, jagged riffs cut through the thickness, and "Flex," "Last Time," "Weed Eater" and "Born Again" bulge and burn minus the pretension you might expect from such an introspective outfit.

R.I.Y.L.: A Perfect Circle, Finger Eleven, Handsome, Quicksand Contact: Jen Meola Phone: 212.274.7545 Email: [email protected] P, Hase Date: Apr. 10; at radio now

FLYBANGER Headtrip To Nowhere (Columbia-CRG) Dirty jokes about insects aside, we aren't exactly sure what the hell Flybanger means. But we're certain this Canadian band knows how to get its radio-friendly rock on. Headtrip To Nowhere's gastronom-ical grooves and raucous riffs sound equally good in a bar and

an arena. With Pantera-like rhythms and a soulful vocal style similar to that of Sevendust's Lajon Witherspoon, Flybanger has positioned itself for a mammoth year. Don't be surprised to find the foursome on Ozzfest stages this summer. The overwhelming triple assault of "Cavalry," "Radical" and "Blind World" is enough to knock the wind out of you.

R.I.Y.L.: Sevendust, Pantera, Queens Of The Stone Age, Stone Temple Pilots Contact: Ted Dougherty Phone: 212.833.5118 Email: [email protected] Release Date: Feb. 20; at radio now

EARTH CRISIS Last Of The Sane (Victory) Earth Crisis has already forged a lengthy and successful career as a straight-edged vegan musical militia. And with a sound that's evolved from indignant metal-core into experimental rock, it seems the band's got nothing left to prove. On Last Of The Sane, ExCx sheds its full metal jacket

and covers rock 'n' roll classics — Black Sabbath's "Children Of The Grave," Led Zepplin's "The Wanton Song," the Stones' "Paint It Black." But that's not all. There's also the so-bad-it's-a-crime intro to Slayer's "Hell Awaits" and a righteous take on the Dead Kennedys' "Holiday In Cambodia." And all you straight-edgers out there should enjoy crossing your arms in an "X" to the unpolished demo version of ExCx's most notorious drug-free anthem, "Gomorrah's Season Ends." Whether you abhor or adhere to ExCx's agenda, there's no denying Last Of The Sane's sheer force.

R.I.Y.L.: Turmoil, Hatebreed, Buried Alive Contact: Jason Rudolph Phone: 888.447.3267 Email: [email protected] Release Date: Jan. 23; at radio now

ANATHEMA Judgement (Music For Nations) Anathema's Judgement is not being actively serviced to radio right now, so only serious metal-heads need apply. Judgement is pure Euro-prog — the Old World's answer to the likes of Fates Warning and Dream Theatre. Judgement is musician's

rock; its epic songs are definitely not for everyone. Still, you can't deny the appeal of artful, conceptual hard music.

R.I.Y.L.: My Dying Bride, Dream Theatre, Opeth Email: infoOkochint.com Release Date: 2000; at radio now

)0000TH'sleY,PnwA,R.°

THIS DAY ORVVARD

The Transient Effects Of Light On Water (Euology) Ask scenesters and chart-watch-ers what Loud Rock trend will dominate 2001, and most will probably answer "metalcore." Metalcore bands are out in droves, pushing a genre that is the equivalent of primal scream

therapy. The lyrics are somewhat meditative; the song titles can be kitschy and inside joke-ish; the blood-blistering guitars and head-popping vocals are often punctuated by brief melodic spurts. This Day Forward's The Transient Effects Of Light On Water is all that and then some. The Philadelphia quintet might make you question what's in the water in the City of Brotherly Love — these kids act like rabid animals. Choice breakdowns include "Cupid's Diary" and "If I Wore A Mask," which features Snapcase-like harmonic distortion.

R.I.Y.L.: Poison The Well, Cannae, Stretch Armstong, Shai Hulud Contact: Concrete Marketing Phone: 888.687.9663 Email: [email protected] Release Date: Jan. 23; at radio now

25


LOUD ROCK Section by Amy Sciarretto

IC ailing all Finnish prog-metalphiles (that includes the

Syndicate's Dave Ciancio, E-Magine's Tara Buzzell and WVUM's Bobby Tufino)! Amorphis has completed its fifth album, Am Universum. Tracks include "Drifting Memories," "Goddess (Of The Sadman)," "Grief Stricken Heart," and my personal

favorite, "Crimson Wave." (Hey, is that a reference to the female reproductive cycle? I sure hope so!) Anyway, look for the album in late spring. • Dying Fetus bassist/vocalist Jason Netherton has left the band. The death-metal mosh-ers are plugging the hole tem-porarily while they continue to tour with All Out War and

Diecast. No word yet about a new per-

Amorphis

manent lineup. • Endo's DV8-Columbia debut is coming in March, and if you get a chance to see the band live before then, I strongly encourage you to do so. For my last show of 2000, I was delighted to experience the onstage chaos of Endo and Nothingface in PhiIly. Mark my words, Endo is headed straight for the stratosphere. With their System Of A

Down-style rock, these Floridians exude a balance of energy and prettiness that's not easy to achieve in heavy music. "Malice" and "Leave Us Alone" are sure to make Endo

superstars. I've got noth-ing to say about Nothing-face — I've already said it all. • Divine

Recordings will issue a live Ozzfest disc in early spring. Its tracks were culled from the side-stage performances recorded at the Ozzfest finale in San Bernadino, California, last September. In addition to tunes from Kittie, Disturbed, Primer 55 and Soufly, the disc will feature "Ode To Clarissa," a previously— unavailable European B-side by Queens Of The Stone Age. As if that weren't enough, there will be a second disc, which is essentially the impossible-to-find Ozzfest Live album from 1997. • Biohazard is currently sequestered in its Brooklyn studio — lovingly called Rat Piss Studios — working on new material. It's been report-ed that hip-hoppers Cypress Hill and producer JIVEjones are working with the band, so I'm wondering if the new album will have more of a hip-hop edge. You gotta give Evan Seinfeld and his crew props for being one of the first NYHC bands to experi-ment with hip-hop. The new

118LA JOSE FRANCISCO MANGIN SIRIUS SATELLITE RADIO

What, in a nutshell, is Sirius Satellite Radio? Sirius will be providing cus-tomers with 100 channels of digital-quality music, sports, news, talk, and radio dramas in their cars and trucks — com-mercial vehicles, too — from our three satellites in orbit over the terrestrial United States for $9.95 a month. The 50 music-specialty channels will be com-mercial-free, 24 hours a day — seven days of week of amazing music, with DJs who are experts in their respective channels. Soon it will be a stan-dard radio dial, just like

AM/FM. It will be the third band of radio. By the way, how big is a nutshell?

You're doing the Latin and metal programming. Is the Loud Rock programming all new stuff or classics? Helping to create the sickest all-metal channel ever is defi-nitely way, way, way cool. My good friend and channel-for-mat manager Don Kaye brought me here to help with the programming duties. By putting our two metal-filled heads and lives together, we are hitting the entire metal spec-trum. We got the classics — like Black Sabbath, Death, Dark Angel, and Fates Warning — all the way to the "now," with bands like Nothingface, In

Flames, Cradle Of Filth, and Living Sacrifice. As long as it "ring rocks, we'll play it. We don't follow trends; we create them.

When does Sirius launch? We officially launched on Jan. 5 at the Consumer Electronic show in Las Vegas. It will become available in higher-end cars around March. In the third or fourth quarter of this year, it will become commerically available.

Will they be able to wire older-models cars with new technology to get Sirius? Yes. Adapters can be added to existing car stereos in order to get our service. Eventually, man-ufacturers will include satellite capabillites on all stereos.

I see all these TV commercials about how weather fucks up satellite TV transmission. Will it be hard to get Sirius when driving in rain or snow? No. Satellite TV carries much more data than satellite radio does. One of our biggest sell-ing points is that the con-sumer can get our transmis-sion from coast to coast with-out signal interruption.

Will Sirius be reporting to trades? How could we not report to the Queen of Metal herself? Yes, we will be reporting to mostly everybody. But we haven't figured out how we're going to be counted yet or when we'll start.


album should surface in the summer. • It's heavily rumored that hardcore pow-erhouse Boy Sets Fire has signed to Wind-Up Records, home to Creed and Finger Eleven. • Incantation, mean-while, has signed to Necropolis Records after a lengthy stint with Relapse. • Remember Century Media band Haste? The Alabama outfit released an album back in 1999 that featured two

vocalists, one of which sounded a lot like Karyn Crisis (though neither singer was female). Yeah, it was weird metalcore and difficult to digest. But then I saw Haste live at the 2000 New England Metal and Hardcore Fest, and I became a fan. The album's sub-par recording was hardly indica-tive of the band's emo-hard-core sound. When Reason Sleeps, the band's second album, captures the Haste I came to know and love. It's kinda like Codeseven meets Boy Sets Fire — screamy hardcore with a lot of emo

warmth, but with a Buried Alive-style moshability. Loud Rock-approved favorites include "Confessions Of A Lesser Known Saint," "Off Parting Sound" and "To My

Last Breath." Make sure you

give it a spin when it goes to radio in March. • Another post-hardcore band with a penchant for emo worth checking out is Minus. The Georgia band played the CMJ convention this year, and I got a hold of seven new songs that are extremely Deftones-ian. Minus works the quiet-loud formula well. "Anti-Vanity" is almost nine minutes long and features guest vocals from Far/Oneline drawing singer Jonah Matranga. • I've also heard some of Ill Nino's Roadrunner demos, tunes called "Nothing's Clear," "Disposed," and "Rumba" (a killer Ill Nino classic). I've been into this Latin-flavored New Jersey hardcore band since 1997, when I saw 'em at

Coney Island High (R.I.P.) in NYC with Hatebreed, Bloodlet and Entombed. Over the years, the band has changed singers — definitely a move for the better. No dis-respect to former frontman Jorge (formerly of Merauder), but newcomer Christian Machado works better. The gist of it? If you prefer Soul fly without the rappy-groovy elements, then you'll like Ill Nino.

ON THE CHART

The Haunted claims the top spot this week, with the

D2K soundtrack hot on its

tail. Annihilator's Carnival

Diablos, fresh off its add week, bullets into the top

10 while Obituary's

"posthumous" Anthology

shoots up another 16 posi-tions. Living Sacrifice's

chunk, The Hammering

Process, sneaks onto the

chart at No. 39 while

claiming the most added

honors with a staggering

120 adds. Several limited-servicing indie releases —

Abscess and Noctuary — also find their way onto the

chart, showing us that despite a lack of promo-

tion, solid metal can't be stopped.

LOUD ROCK Period ending 1/16/2001 www.c mj.c om

Contributing reporters this week: 192 • See page 57 for a complete ,

2 b

3 14

1 9

4 5

5 4 16 4 6

6 12 2 1 11

7 7 3

8 16 13 8 7

9 5 8 5 H

10 10 - 101 2

11

12 28 -

13,27 25 .1

14' 11 24 1'

15 10 5 5

16

17

18

19

20

21

22

23

24

25 21

26 24

27 R

28 30

29 22

30 -

31 .35

32 R

33 29

34 -

35 -

6 7

15 9

14 11

18 12

25

17

8

5

HAUNTED Made Me Do It

VARIOUS ARTISTS Dracula 2000

CRADLE OF FILTH Midian

HOPE CONSPIRACY Coldblue

SICK OF IT ALL Yours Truly

MORBID ANGEL Gateways To Annihilation

DYING FETUS Destroy The Opposition

CRYPTOPSY And Then You'll Beg

BRUJERIA Brujerizmo

10 POSITIONS

ANNIHILATOR Carnival Diablos

OVERKILL Rloodletting

OBITUARY Anthology

NONPOINT Statement

RAGE AGAINST THE MACHINE Renegades

VARIOUS ARTISTS Strait Up

UP 16 POSI1 IONS

NEVERMORE Dead Heart, In A Dead World

NEUROSIS Sovereign (EP)

15 NILE Black Seeds Of Vengeance

13 ' CANNAE Troubleshooting Death

DISEMBODIED Heretic

AMEN We Have Come For Your Parents

10 LINKIN PARK Hybrid Theory

• uplay reports.

Earache

Colurnbia-CRG

Koch

Equal Vision

Fat Wreck Chords

Earache

Relapse

Century Media

Roadrunner

Metal-Is-Sanctuary

Matal-ls-Sanctuary

Roadrunner

MCA

Epic

Immortal-Virgin

Century Media

Neurot

Relapse

East Coast Empire

Edison

I Am-Virgin

Warner Bros

ENSLAVED Mardraum (Beyond The Within) Necropolis

HAMMERFALL Renegade Nuclear Blast America

NOTHINGFACE Violence .

5 BOILER ROOM Can't Breathe

1 DOWNSET. Check Your People

1 18 SOULFLY Primitive

10 IOMMI lommi

DREADNAUGHT Dews Te 7prn

TVT

Tommy Boy

Epitaph

Roadrunner

Divine

The Music Cartel

31 . YNGWIE J. MALMSTEEN'S RISING FORCE Wai Spitfire

32 2 CARNAL FORGE Firedemon Century Media

6 12 CORROSION OF CONFORMITY America's Volume

34 1 FLYBANGER Scenes From Headtrip To Nowhere

35 1 ABSCESS Punishment and Crippled Reality

36 34 36 26 11

37 — — 37. 1

38 26 28 26 7

39 - - 39. 1

40 - - 40 1

FACTORY 81 Mankind

RHAPSODY Dawn Of Victory

GODSMACK Awake

LIVING SACRIFICE The Hammering Process

NOCTUARY When Fires Breed Blood

Sanctuary

Columbia-CRG

Gashed!

Mojo

Limb

Republic

Solid State

Lost Disciple

Chart information is based on combined airplay reports of Loud Rock releases from CMJ's panel of college, commercial and non-commercial radio statiors.

ADDS 1 LIVING SACRIFICE The Hammering Process

2 RHAPSODY 'lawn Of Victory

3 EARTH CRISIS Last Of The Sane

4 THIS DAY FORWARD The Transient Effects..,

5 COLD AS LIFE Declination Of Independence

Solid State

Limb

Victory

Eulogy

CTYC

2


RPM Section by M. Tye Comer

A mbient dub/house outfit the Orb (headed by the one

and only Dr. Alex Paterson) finally has a new album in the can. Cydonia, due for release on Feb. 27 on MCA Records, was completed in late 1998, but was caught up in record-label limbo stemming from 1999's Universal-Polygram merger. The album stands as one of the Orb's most accessible ventures to date: spacey, dub-inflect-ed excur-sions remain at the core Paterson's music, but the album's tracks forgo the pair's standard

The 15-minute instrumental epics in favor of four-minute tracks and a few vocal collaborations with chanteuses Nina Walsh and Aid Cydonia. "One More" will be released as the album's first single, and the vinyl will fea-ture remixes from the KLF's Jimmy Cauty, Mark Pritchard, Tom Middleton and Bedrock. Rumor has it that Danny Tenaglia's stellar remix of "Little Fluffy Clouds" is also to be included on the single • "Snowblind," a track from Compost recording artist Minus 8, has been chosen to appear in a television ad cam-paign for Apple computer's new Titanium Powerbook G4. Hey, if soundtracking com-mercials is good enough for Model 500 and Moby. • Speaking of Moby, the plat-inum one will follow in the footsteps of Puff Daddy and 'N Sync's Lance Bass when he appears on a special celebrity edition of ABC's popular "Who Wants To Be A Millionaire" game show. The show will be recorded on Feb. 1 in New York City. All of

Orb

Moby's winnings will, of course, be donated to charity. In other news, Moby has turned down an offer to pro-duce the forthcoming album from legendary new wave band New Order. Instead, he has returned home to New York to begin working on a follow-up to his ridiculously successful Play album. • French duo Air is set to release a new album in

spring 2001. JB Dunckel and Nicolas Godin have been recording the album in France and Los Angeles, and have collaborated with a diverse set of artists,

including Beck (who appears on two tracks), a member of Buffalo Daughter, singer Jason Falkner and drummer Brian Ftietzell (formerly of Redd Kross). The album will stand as the band's official follow-up to 1998's acclaimed Moon Safari, though the pair did score Sofia Coppola's The Virgin Suicides in 2000. • French producer Mirwais, best known for co-writing and pro-ducing a majority Madonna's Music album, will release Production, his solo album debut, on March 6. Set for release on Epic Records, it is a highly eclectic venture that favors stark, industrial-sound-ing dance tracks, bubbly synth-pop and moody ballads. And yes, Madonna does indeed make an appearance, but only on one track ("Paradise (Not For Me)"), which also appears on Music. • Finally, congratula-tions are due to Norman Cook and his wife Zoe Ball on the birth of their first son, Woody Fred. Woody was born on Friday, Dec. 15 and weighed in at eight pounds, five ounces.

EkA

In11111_ I IFrP

OF DELERIUM

Until recently, Bill Leeb was best known as half of Front Line Assembly and one of the original innova-tors of industrial music. But the more subdued and melodic textures of his Delerium project (started in 1986 with FLA partner Rhys Fulber) have given the Vancouver-based artist the most commercial and critical success of his career. All eyes are now on Poem, Delerium's latest and most accessible full-length effort (and first sans Fulber). Likewise, CMJ turns its ear to Leeb.

Why didn't Rhys Fulber collaborate with you on Poem? We have been working together for 12 years, and I think that after (1997's) Karma, he got really interest-ed in perusing a solo career. But it's funny that you men-tion that, because he just called me about a week ago and said he wants to go on tour and work on the next Delerium album with me.

How different do you think the album would have sounded had he been involved? I'm sure it would have sound-ed very different. I just took Delerium in what I personally thought was a good direction for the project, mixing in a bit more acoustic elements and so on. Thinking back on it now, it was probably a good

idea that we got a bit of space from each other. There was nothing internally wrong or anything weird. He just want-ed to get a bit more involved on the industry side of things and I felt like it was time to do another record.

"Silence," your 1998 sin-gle with Sarah McLachlan, is still getting tons of air-play. Are you surprised the single has been so successful? I thought it was a good track when we recorded it, but it went to number one in six countries last year and you can't predict success on that level. I just say "thank you" every day. It's a gift, as far as I'm concerned. Rhys and I have been working at this for a long time and...I guess the times just caught up with us.

Will Front Line Assembly permanently take a back-seat to Delerium? I think we took FLA pretty far considering the music we were representing, but I don't think it's that important in the scheme of things now. I think Delerium is the ulti-mate vehicle for me right now. The one problem with FLA was that we never got the chance to pull out all the stops. We were always on small indie labels that barely had enough money to run two ads in magazines. It was always a major uphill battle.

So you must really be dig-ging life right about now. Yeah. I'm very fortunate since I've seen so many talented people in this industry never have anywhere near the kind of success we've had. But I'm most proud that it happened because people came around to what we were doing. I guess there is something to be said for retaining your integrity.

?s't CMJ JANUARY 29, 2001

VARIOUS ARTISTS Rarewerks (Astralwerks) Too often, compilations of "rare material" are released just so the label/artist can make an extra buck and contain material that would have been best left on the cutting room floor. But Rarewerks, a collection of 11 previously unreleased tracks from

Astralwerks' heaviest hitting artists, has us wondering why some of these gems didn't make it into our collection earlier. Fatboy Slim's "How Can You Hear Us" is admittedly more rudimentary than Mr. Cook's most-famous fare, but its bombastic bounce and gritty acid-funk riffs makes it a must for the raving b-boys amongst us. Massive Attack's brooding remix of Primal Scream's "Exterminator" arguably eclipses the original, as does Cassius' bumping, blaxploita-tion version of its own "Foxxy" Must-hear mixes and unheard music from Q-Burn's Abstract Message, Air, Photek, Basement Jaxx, the Beta Band, and the extremely rare "Live In New York" from the Future Sound Of London also makes Rarewerks worth your time, and — above all — highlights the diverse assortment of sounds the Astralwerks imprint has embraced during the past couple of years.

R.I.Y.L.: Astralwerks' Amp compilations, Fatboy Slim, Air Contact: Clint Koltveit Phone: 212.886.7591 Email: [email protected] Release & Add Date: Jan. 23

VARIOUS ARTISTS Geology: A Subjective History Of Planet E Vol. 2 (Planet E)

The music of Detroit's Planet E label has always attempted to serve a dual purpose. On one hand, the artists strive to challenge the conventions of electronic music (resulting in some of techno's most innovative and original musical arrangements).

But they also realin that it's as crucial to move bodies as it is to move minds. With Geology...2, Planet E cleans out the vaults and presents a collection of hard-to-find and previously-unreleased grooves made between 1995 and 2000, and specifically designed to work both clubs and craniums. With Mike "Agent X" Clark controlling the wheels, G2 becomes a seamlessly-mixed journey of soulful, poignant dancefloor grooves that travels through classic Motor City techno (Paperclip People's "Steam"), jazz-inflected jaunts (Innerzone Orchestra's "People Make The World Go Round (Kenny Dixon Jr. Mix)"), tribal house (Ibex's "Bok Choy"), and tunes that simply defy categorization (Redoose's brilliant "Can't Take It"). But throughout its thematic twists and turns, the compilation remains a succulent and satisfying offering of modern techno-soul like only Planet E could deliver.

For Fans Of: Carl Craig, Recloose, Derrick May Contact: Rob Theakston Phone: 313.831.8775 Email: [email protected] Release & Add Date: Jan. 23

RPM Period Ending 1/16/2001 www.cmj.com

Contributing reporters this week: 125 • See page 58 for a complete list of RPM airplay reports.

TW

1

LW2IAI

2 2

PKWKSARTIST

1 9

+ TITLE LABEL

RONI SIZE/REPRAZENT In The Mode Island-IDJMG

1 6 FATBOY SUM Halfway Between The Gutter... Astralwerks 2 1 1

3 4 3 3 4 SUPA DJ DMITRY Scream Of Consciousness Wax Trax1-TVT

4 7 7 4 5 VARIOUS ARTISTS Cybonetix 2000 DSBP

5 6 9 5 4 CONVERTER Blast Furnace Ant-zen

2 5 GATECRASHER: GLOBAL SOUND SYSTEM Incredible-Epic 6 8 6

4 5 JAZZANOVA Remixes 1997-2000 Compost 7 5 8

8 - - 8 1

#1 DEBUT

DAFT PUNK One More Time (CDS) Virgin

9 19 21 9 8 DZIHAN & KAMIEN Freaks & Icors Six Degrees

10 13 36 10 4 KREIDLER Kreidler Wonder-Mute

11 40 16 2 12 TIMO MAAS Music For The Maass Kinetic

12 18 - 12 3 ADD N TO (X) Add Insult To Injury Mute

13 5 PEPE DELUXE Super Sound Emperor Norton 13 14 28

14 27 - 14 2 VARIOUS ARTISTS Dystopian Visions Dystopian

15 9 105 8 DIESELBOY The 6ixth Session Palm Pictures

16 15 22 12 5 VARIOUS ARTISTS Hi-Fidelity Lounge: Vol. 2 Guidance

17 3 4 2 10 VARIOUS ARTISTS Xen Cuts Ninja Tune

18 17 5 5 7 VICTOR DINAIRE Logic Trance 4 Logic

19 10 13 10 8 STATE OF BENGAL Visual Audio Six Degrees

20 - - 20 1

#2 DEBUT

FUNKSTAR DE LUXE Keep On Moving Hypnotic

21

22

34

-

- 21 2 CINEMATIC ORCHESTRA Remixes Ninja Tune

- 22 1 CRUCIFORM INJECTION Response Stimuli Negative Gain

23 26 35 23 5 CRIST1AN VOGEL Rescate 137 ellovamute-Mute

24 33 - 24 3 MOUSE ON MARS Instrumentals Thrill Jockey

25 12 29 12 3 SUICIDE COMMANDO Mindstrip Metropolis

3 30 23 23 3 VARIOUS ARTISTS Blunted Shadow-Instinct

27 - - 27 1 HPP Hard Pounding Percussion Possessive Blindfold

71 24 - 24 3 DOCKING SEQUENCE BSI Campaign Vol. I BSI

29 11 18 5 8 PAUL OAKENFOLD Perfecto Presents: Another... London-Sire

30 - - 30 1 1WIUGHT CIRCUS DUB SOUND SYSTEM Dub Plates Vol. 2 M

31 36 17 8 8 NIGHTMARES ON WAX DJ Kids Studlo K7

32 R 24 23 3 ANTILOOP Remixed Stockholm

33 R 27 25 7 RED SNAPPER Our Aim Is To Satisfy Red Snapper Matador

34 - - 34 1 SEKSU ROBA Electronic Future Porn Crippled Dick Hot Wax

35 - - 35 1 ' ASCHE Distorted Disco Ant-Zen

36 R 39 36 2 DECODED FEEDBACK Mechanical Horizon Metropolis

37 R 33 2 13 DJ? ACUCRACK Sorted E-Magine

38

39

R

37

14

-

13 5 GROOVERIDER Essential Rewindz Renegade Hardware

37 2 SUBZONE Paranoid Landscape_ Badman

40 - - 40 1 ZYMOSIZ Noiy Possessive Blindfold

Chart .nformation is based on combined airplay moods of RPM releases from CMJ's panel of college, commercial and non-commercial radio stations.

ADDS 1 FUNKSTAR DE LUXE Keep On Moving (It's Too Funky In Here) Hypnotic

2 VARIOUS ARTISTS Motion: A Six Degrees Dance Collection Six Degrees

3 DJ VENOM Houseblend 7 UC Music-Strictly Hype

4 STRYKE Staying In Sunrise-Strictly Hype

5 NOEL SANGER Ritual Sunrise

29


JAZZ Section by Tad Hendrickson

KEN BURNS A HOT TOPIC AT IAJE 2001

.... he 28th annual International Association of Jazz

Educators Conference looked to be another rousing success. More than 8,000 educators, industry folk and musicians from 35 countries converged in New York City Jan. 10-13 for a four-day schmooze-a-rama of workshops, panels and perfor-mances. This year's theme: "Jazz — An International Language." But it could well have been: "Ken Burns — Demon or Divinity?" Though there were workshops and panels on a wide variety of topics, the Burns film was on a lot of minds. And everyone seemed to have his or her own take on the impact of this gargantuan series — Burns' name was brought up countless times in just about every context possible (at least during the industry panels).

The general take on Burns' Jazz is that it's a good idea that will help lure more people to the music. But there were some sur-prises. During the "Major Labels Shake Rattle and Role" panel, former Verve president and cur-rent Transparent Records head Chuck Mitchell made a contro-versial point — that the series doesn't devote enough time to current artists, and so it's doubt-ful that it will help those trying to push the music forward. So while the Burns box set is cur-rently outselling the new Beatles compilation at the Amazon web-site, Mitchell's argument is that it's not going to do much for the evolution of the genre.

Radical poet/activist/jazz insider Amin i Baraka and educa-tor/musician Baikida Carroll actually had nice things to say about Jazz-man Wynton Marsafis, who has come to sym-bolize the genre's ivory tower. At the "When Jazz Had its Eyes on the Prize" panel — which addressed how activism and pol-itics were a part of jazz in the '60s and '70s — they asserted that if you don't like what

Marsafis or Burns are doing, take matters into your own hands and start something that addresses your own vision of jazz. Both said they were impressed with the work Marsalis and the rest of the J@LC organization has done through its educational outreach programs. They emphasized the rare opportunity afforded to jazz by the elevated forum of Lincoln Center. Still, the two were critical of the new artistic and social conservatism of the current scene.

Perhaps of most direct inter-est to CMJ radio folks, NPR's Jazz Radio Symposium featured five panels on various issues relating to jazz radio. While "To Play or Not to Play? That Is the Question" ostensibly addressed what does and doesn't make it on the air, it seemed like more of a "you should do more of what I'm doing" pissing match. Moderator Thurston Briscoe of WBGO didn't sound too inter-ested in adventurous program-ming, citing the success of his station's straight-ahead post-WWII format. But everyone seemed to agree that each sta-tion has to figure out its own magic formula.

No panel was a bigger disap-pointment than "The MTV Generation Of Jazz Radio," an obvious outreach ploy aimed at the younger generation. Sadly, none of the panelists had any-thing unique or interesting to say, sticking to the rote industry script of recited resumes and a few anecdotes. The panel was about as fresh as canned pineap-ple. To see something so uninspired from a group of young go-getters was a bit disheartening.

The more successful attempts at reaching young people were on the performance front. Medeski Martin And Wood did an abbreviated one-hour set that touched on material from both Tonic and The Dropper. The show's sound quality was sketchy, but the trio's formidable chops and organic approach to

improvisation reached both younger and older audience members. The John Pattitucci Quintet followed — and there was a lot of talk in the audience about group reedist Chris Potter before the band even hit the stage. Watch for Potter's Verve debut this spring; it appears that he's already got himself a healthy audience. Off-site, guitarist Charlie Hunter's two-night

Yusef Lateef & Randy Weston

stand at the Bowery Ballroom was not an IAJE-organized event. But there were plenty of conference attendees in the house for searing sets by Hunter and his group, which included a full horn section for part of the show.

This year's major closing-night event was the American

Jazz Master Awards Concert, which honored pianists John Lewis and Randy Weston and alto saxo-phonist Jackie McLean. Performances by Cassandra Wilson and the Smithsonian Masterworks Orchestra followed the presentation.

JAZZ Period Ending 1/16/2001 www.cmj.com

Contributing reporters this week:77. See page 61 for a complete list of Jazz airplay reports.

1

2

1 1 1 10 MEDESKI MARTIN AND WOOD The Dropper Blue Note

10 —

3

4

5

6

7

8

9

10

11

12

13

14

15

16

6

2

5

4

3

7

22

8

9

20

3

2

4

8

7

16

9

5

12

"2 JIMMY SMITH Dot Corn Blues Blue Thumb-Verve

3 2 ERNEST DAWKINS Jo'Burg Jump Delmark

1 13 ST. GERMAIN Tourist Blue Note

2 6 K.JARRETT/G. PEACOCK/J. DEJOHNETTE Whisper Nut ECM

4 7 ABBEY LINCOLN Over The Years Verve

3 2 VARIOUS ARTISTS The Best Of Ken Burns' Jazz Sony Legacy

6 6 FIVE DEGREES OF SOUL Esplendidos Casanegra

6 8 ' JIM BLACK AlasNoAxis

10 2 WALLACE RONEY No Room For Argument

9 5 SONNY ROLLINS This Is What I Do

1 12 PATRICIA BARBER Nightclub

9 2 VON FREEMAN & FRANK CATALANO You Talkin'

10 7 DON BYRON A Fine Line: Arias And Lieder

— 15 1

— 8 7

17

18

19

20

21

16

13

18

Winter & Winter

Concord

Milestone

Premonition-Blue Note

Delmark

Blue Note

#1 DEBUT

YUSEF LATEEF/ADAM RUDOLPH Beyond The Sky Meta

BRAD MEHLDAU Places Warner Bros.

17 2 TONY MALABY Sabino

11 3 SIR CHARLES THOMPSON Robbins' Nest: Live

14 4 BOBBY HUTCHERSON Mirage

20 1 MATTHEW SHIPP New Orbit

21

22

23. 24

25 23

R - 123 SOULIVE Turn It Out

R 152 10 SUN RA & HIS ARKESTRA Greatest He

-_231 DUKE EWNGTON Love Songs

- - 24r CHARLES EARLAND Stomp_

22 3 i VARIOUS ARTISTS Jam Miami

Arabesque

Delmark

32 Jazz

Thirsty Ear

Velour

Evidence

Sony Legacy

High Note

Chart information is based on combined airplay reports of Jazz releases from CMJ's panel of college, commercial and non-commercial radio stations.

Concord

30


Wilson — who is currently working on material for her upcoming album on Blue Note — offered a half-hour overview of her work. And in a bit of a bait-and-switch, Wilson band-leader Lonnie Plexico opened the set with a few funk-fueled tunes from his upcoming Blue Note debut. On the whole, it was great

to see so many jazz enthusi-asts in one place. It makes you feel like you're not out

there working alone. Jazz leg-end Quincy Jones, along with the above NEA winners and respected label executives like Bruce Lundvall, brought the luster of jazz's storied past into the here and now, and Pat Metheny's keynote address was certainly a call to arms. Next year's IAJE conference will be held in Long Beach, California. No doubt jazz folks will dig the warmer climate.

118LA BILL NICFARLIN IAJE Executive Director

The IAJE Convention adds a whole new perspective to jazz and the jazz community. The same could be said for successful conventions of any discipline or genre, when you are together with thousands of people who share the same passion. A lot of people actual-ly come here and get their fix for the year — to get that rein-forcement that what you're doing is valuable and impor-tant, and that you're not alone. Beyond that, you share ideas and concepts — and that also reinvigorates you because it helps you do your job even more effectively. That's what conferences are all about.

Did you find Burns' Jazz coming up in most conversations? Isn't it ironic that it premiered the week of the conference? That was not planned. I think the majority of the people think that it's going to have a very positive impact on the music and the industry. There are always important issues to clarify, and debate is healthy. I think that the results are posi-tive.

Are you going after the audience that is tuning in to the documentary? We're helping to position our members to do that. A lot of our members are attempting to

create audiences for presenting music in their own communi-ties. We were involved in writ-ing the curriculum for the teacher companion guide that goes with the series, which went to every music teacher in public schools in the United States. The Burns people did an NBA promotion for all 28 markets. There was a halftime program promoting the film and it closed with a local high school band performing for seven minutes. We helped get the Burns people in contact with the bands.

What were this year's high-lights for you? That we were able to present the Metropole Orchestra in the United States for the first time. They have a 40-year tradition. The Pat Metheny concert was another highlight — and the special group that Arnie Lawrence brought over from Jerusalem. The International Center for Creative Music was started by Lawrence [primary soloist in the Tonight Show Band] in Jerusalem five years ago. It's a mix of Arab and Israeli students — the parents are at war, but the students get together each day to play music. That they actually travel together and performed at this conference, even amidst all the turmoil at home, is amazing. I can't think of anything that more poignantly shows what our organization is all about.

BEN ALLISON Riding The Nuclear Tiger (Palmetto) Ben Allison's Dr. Cyclops Dream spent 16 weeks on the CMJ jazz charts, four of those weeks at No. 1. So it's doubtful there are too many readers unfamiliar with this talented arranger, composer and bassist. Minus oud player Ara Dinkjian, the group on Riding The Nuclear Tiger is the same tal-

ented crew that played on Cyclops, but the sound here is rooted more in jazz tradition. The top-notch rhythm section of Allison, drummer Jeff Ballard and pianist Frap,k Kimbrough provides a strong but graceful rhythmic foundation. The horn section plays with the sort of opulent sound that marked Miles Davis' groups. Its lovely melodies and intuitive harmonies add sophisticated support while creating lovely multi-layered heads. More mature, beautiful and soulful than past work, Riding The Nuclear Tiger is a significant next step in this great young musician's evolution.

R.I.Y.L.: Miles Davis' Birth Of The Cool, Vandermark 5, Herbie Nichols Project Contact: Terry Coen Phone: 800.725.6237 Email: terry.palmettoOthorn.net Release Date: Jan. 23

JOHN LEWIS Evolution II (Atlantic) Pianist John Lewis led the Modern Jazz Quartet for more than 40 years. Before that, he was writing the bebop handbook in the bands of Charlie Parker and Dizzy Gillespie. The followup to 1999's Evolution, Evolution II brings its predecessor's understated solo feel to a quartet setting. At age 80, Lewis shifts between new and classic originals and a few standards to come up with a lovely subdued album that might not grab a listener the first time around. Stay awhile with II, and the subtly and eloquence will capture your imagination. It's hard to say what the title implies, because this doesn't really break any new artistic ground. But all the same, it's a fine effort from one of jazz's living legends.

R.I.Y.L.: Modern Jazz Quartet, Bill Evans, Dave Brubeck Contact: New World & Jazz Phone: 732.290.3830 Email: [email protected] Release Date: Jan. 16; at radio now

CHARLES "BARON" MINGUS West Coast, 1945-49 (Uptown) While the singular genius of Charles Mingus is familiar to many, this collection of his first 13 dates as a leader (back when they called him the "Baron") won't be. Collected from five different labels, West Coast features Mingus in early bebop and R&B settings, with singers appearing on almost every track. Mingus' galloping bass lines and nimble solos are recognizable as those of the master, but fans will be surprised to hear it in such a conventional setting, without the usual moans and groans that everyone associates with his classic work. The sound is pretty good, but the real boon — besides the record-ings themselves — is the 96-page booklet with filled photos and information from the icon's early years.

R.I.Y.L.: Louis Prima, Charlie Parker, Milt Hinton Contact: Jim Eigo Phone: 718.437.3678 Email: [email protected] Release Date: Jan. 30


Ñ. ALTERNATIVE Section by Enrique Lavin

Better Late Than Never

BMG U.S. Latin has postponed the release of Colombian

trip-trop duo Aterciopelados' forthcoming album, Gozo Poderoso, to March 20. Singer Andrea Echeverri reports that she prefers that the album be worked properly than the half-assed way they've become used to at BMG. "In our early days, when we didn't know how to do things, we would make an album in 60 hours:' Echeverri says. "Over the years, we've learned that everything has its time.

The lines of communica-tion between Colombia and the U.S. might have diminished since the BMG offices in Colombia closed last year, but Aterciopelados has hardly been keeping quiet. Echeverri and bassist/programmer Héctor Buitrago continue to do inter-views for the international music press as they prepare for some dates Stateside come spring.

Another BMG release worth

Zurdok

looking forward to, Planeta Eskora, from Iberian anarchist ska outfit Ska-P, is due out sometime this year. Hailing from the Madrid suburb of Vallekas — known for its rep as a persistent thorn in dictator Franco's ass — the sextet com-bines its anti-establishment heritage with humor and a rich ska foundation. Its marginally successful second album, Vals del Obrero (The Worker's

Waltz), expanded that formula, adding elements of funk, hip-hop, reggae and Mexican ranchera music.

Ska-P's poignant rhymes make them as vital as Mexico's El Gran Silencio, and their "Cannabis" ("¡Basta ya de hipocresía!, ¡LE-GA-LI-ZA-CIÓN!") was an underground smash. Hopefully BMG will put some effort into building awareness about the group.

The Bottom Line Rumblings from within Universal Latino seem to be causing some industry indi-gestion. Word has it the label's 2000 rock/alternative releases didn't sell enough to warrant the backing of any new releas-es in 2001. A reduction in its tiny staff is also expected.

The move isn't unexpected. The other majors have all but abandoned Latin alternative. But if any major had a good reason to continue, it's Universal Latino. Nine of the label's releases made a show-ing on Ñ Alt's year-end chart, including Zurdok, Resorte,

Arbol, and La Vela Puerca — which were all in the top 10. Orishas might've been up there too if it had been released earli-er than October. Still, none of these — or strong 1999 albums

from Molotov, Control Machete and Illya Kuryaki, for that matter — made a large enough dent in U.S. sales to catch the attention of the top execs.

More bad news from Universal: La Gusana Ciega's self-titled live album won't be released in the States as I'd originally reported. And while Zurdok may be working on the followup to its break-

through Hombre Sintetizador, it's in jeopardy of being canned by the label, as well.

It's the same old tune: As top execs continue to play it safe with pop and traditional music, Christina, Ricky, Los Tigres del Norte and Son by

Four get priority. But this may be a good

thing for Virgin, which is just getting its feet wet in Latin alt, betting on music it under-stands (Titán, for instance). Manu Chao's second solo album is supposed to be out on Virgin some time this year, and it looks like Café Tacuba and (get this) Los Fabulosos Cadillacs might be picked up by the label.

So now that the three big-gies aren't investing in Latin alt, make way for those U.S. labels that know a thing or two about innovation, patience and vision. After all, imagine if V2 or Capitol — home to Grandaddy and Radiohead, respectively — grabbed Zurdok?

ALTERNATIVE Period Ending 1/16/2001 www.cmj.com

Coot hiding reporters this week 31 • See page 62 for a complete list of N Alternative airplay reports

KING CHANGO The Return Of El Santo SOUNDTRACK Amores Perros

ORISHAS A I n ['Alarm

LOS AMIGOS INVISIBLES Arepa 3000 JUANES ['pie Bien

PLASTILINA MOSH Juan Manuel

ZURDOK linmbre Sintetizador LOS RABANES Los Rabanes

JUMBO Restaurant

VARIOUS ARTISTS Mexamerica

JUUETA VENEGAS Bueninvento

GUSTAVO CERATI Bocanada

SLOVVRIDER Mas Alla

VARIOUS ARTISTS La Tejadora De Nubes

5 SIDESTEPPER More Grip

#1 DEBUT

RITUALES Otra Percepción

MIKEL EREN1XUN Te Dejas Ver

ORIXA 2012 e.d.

#2 DEBUT

VARIOUS ARTISTS Hijos De Borinquen

2 ELY GUERRA Lotofire

Luaka Bop

Surco-Universal Latino

Surco-Universal Latino

Luaka Bop Surco-Universal Latino

Astralwerks

Manicomio-Universal Latino

Crescent Moon-Sony Discos

BMG U.S. Latin

Angeline

BMG U.S. Latin

BMG U.S. Latin

De Volada

Nimboestatic

Palm Pictures

DLN-Liber

WEA Latina

DLN-Elegua

OM- Radical Sonica

EMI Mexico

21 1 LA MOSCA TSE-TSE Visperas de Carnaval 22 1 EL GRAN SILENCIO Chúntaros Radio Poder

11 EL TRI No Podemos Volar

R 24 2 LA GUSANA CIEGA Correspondencia...

25,16 24 2 32 BUNBURY Pequeño

EMI Latin

Virgin Mexico

WEA Latina

Universal Latino

EMI Latin Chart nformatron is based on combined airplay reports of N Alternative releases from CMJ's

panel of college, commercial and non-commercial radio stations.

32 CMJ JANUARY 29, 200 1

0.8LA

LA GUSANA CIEGA Mexico City power-pop out-fit La Gusana Ciega released its self-titled live album on indie label Manicomio, but a scheduled February release date on Universal Latino in the U.S. was put on indefinite hold. The quartet's last album, Correspondencia Interne, enjoyed limited commercial success in the band's home country while it was ignored in the States. Bassist Manuel Leyva offers insight on how La Gusana Ciega — "The Blind Worm" — has burrowed its way into the Mexican rock world.

You're sound has been compared to seminal Mexican rock group Caifanes (now Jaguares). Do you see them as an influence? Not really. Caifanes had a place in Mexican rock history, and they contributed to rock's pop-ularity in our country We have a lot of influence from classic rock — the Beatles, The Who, Kinks, Rolling Stones. But these are complimented with our influences from heavy metal, electronic music and recent bands like Portishead and Radiohead. Bottom line: We love melodic rock.

Are you more closely linked to Britpop than anything? Because of our influences, this it true. In high school, we would do covers of the Beatles and Led Zeppelin. But from then on, we sought our own sound. The current British bands have the same influ-ences as we do. And because we are a Mexican band, it's inevitable that we'd have some Mexican elements in our music — the language being the principal component.

So you appropriate the Britpop sound and make it Mexican? That is mostly apparent in our lyrics. We use the music as the backdrop to life in Mexico. At the same time, we don't tell stories — they are observa-tions of life in Mexico; they are introspective lyrics direct te the individual, seeking uni-versal truth. This is how we connect with people outside of Mexico.

Tell us about your self-titled live album. Like most live albums, it's a bit of a compilation. We have 10 songs from our previous three albums and four songs recorded in the studio. Three of the studio songs are new. We recorded the live songs in August at a student cultural center at a Mexico City uni-

versity. The studio songs were recorded in Los Angeles. Our producer is Benny Faccone, who won a Latin Grammy for a song he produced for Santana ["Corazón Espinado," featuring Mane I think we were able to capture the live energy we were looking for.

What about the new songs? For the first time, we recorded a song in English. The song is called "Sunday Fever," which is about someone who wants to be somebody that he can never be. We've wanted to record something in English for a long time. Singer Daniel [Gutierrez] thought up the

la oreja de van gogh el viaje de c,

song in English, so he finally had the courage to record it. Maybe this will help Anglo lis-teners get to know us.

Will you do more stuff in English? There is no way of literally translating our lyrics. But if the song comes out in English, then we'll do it.

R.I.Y.L.: Grandaddy, Zurdok, Jumbo, Pastilla Contact: Vicky Cabildo Email: [email protected]; lagusanaciega@ lagusanaciega.com.mx We bs ite : www.lagusanacie-ga.com.mx

LA OREJA DE VAN GOGH El Viaje De Copperpot (Sony Discos) Spielberg buffs might recognize the Goonies reference in El Viaje de Copperpoes title. In the film, Chester Copperpot was the doomed archeologist discovered by the "goonies" — a bunch of junk food-eating preteens — en

route to discovering the hidden treasure. Spain's La Oreja De Van Gogh, no doubt, uses the metaphor to poke fun at "seri-ous" rock artists. Following somewhat in the footsteps of American alt-rockers Belly, the group first emerged more than three years ago with its sugar-coated alt-pop release, Dile Al Sol (Tell The Sun). Many in the Latin-alt world thought these five college kids were poseurs. Roqueros, who took their rock very seriously, were befuddled by Van Gogh's Ear (the band's name in English). These days, La Oreja is a beneficiary of the growing commercialization of rock en español: Due Al Sol sold more than 700,000 copies worldwide. Still in their early 20s, the members of La Oreja seem to enjoy the irony of their silly pop, which is delivered with precision. Singer

Amaia Montero's cotton-candy vocals fill the vacancy left by Spanish vocalist Ana Torroja after her influential '80s synth-pop trio, Mecano, separated. Meshing folk-rock harmonies, power chords, dashes of electronica, and Montero's innocent-ly humorous lyrics, El Viaje De Copperpot is a feel-good album worth checking out — even if rockers do steer clear of it.

R.I.Y.L.: Belly, Catatonia, Mecano, Ely Guerra Contact: Sofia Alayon Phone: 212.445.2544 E-mail: [email protected] Release Date: Nov. 21, 2000


TRIPLE A Column by David M. Avery • Section coordinated by Kelso Jacks

G The first single from the Dave Matthews Band's

upcoming fourth album, Everyday, has officially been released via the controversial Internet file-sharing program, Napster. Although the new album from RCA isn't due until Feb. 27, "I Did It" was made available by the band itself through a special link in the napster.com Features sec-tion. DMB, who've allowed fans to record their live shows and swap tapes, were con-cerned about the low-qual-ity copies of the song already on Napster, and wanted a clean version available for free download. • R.E.M. has announced that its 12th studio release, Reveal, will be out on Warner Bros. sometime in May. The album will feature a

Johnny Cash

more lush production style than fans are used to hearing from the Athens, Georgia, quartet. • Johnny Cash's origi-nal medical diagnosis has been improved from the degenerative Shy-Drager Syndrome to autonomic neu-ropathy, which causes nerve damage to internal organs and other body structures. Cash's improved prognosis came out

of the fact that he has lived much longer than those correctly diag-nosed with Shy-Drager Syndrome. The singer indicated in the liner notes to his latest release, American III: Solitary Man, that the recording would be his

last. But now that he's feeling better, the Man in Black is already talking about another outing with producer Rick Rubin. Cash is currently win-tering at his second home in

Jamaica. • Several of the best bassists in music have agreed to perform on a tribute album for former Allman Brothers/Gov't Mule bassist Allen Woody, who died last year under mys-terious circum-stances. Surviving Gov't Mule members Warren Haynes and Matt Abts will play with the rotating crew of bassists on an as-yet-untitled album to be released in the fall. Performing on the album: Phil Lesh (the Dead), Les Claypool (Primus), Mike Gordon (Phish), Alphonso Johnson (Weather Report, Santana, the Other Ones), Jack Casady (Hot Tuna, Jefferson Airplane), Chris Squire (Yes), and Rocco Prestia (Tower Of Power). Former Allman Bros. keyboardist Johnny Neel, will also play on the disc. • Poses, the followup to Rufus Wainwright's self-titled 1998 debut, will be out April 17 on

Gov't Mule's Matt Abts

DreamWorks. It will feature production by longtime Sarah McLachlan cohort Pierre Marchand. On the album,

Wainwright covers One Man Guy, a song written by his troubadour father, Loudon Wainwright III. The elder Wainwright doesn't perform on the tune, but Rufus is joined by his sister, Marta Wainwright, and Teddy

Thompson, son of guitar wizard Richard Thompson. Other performers on Wainwright's sophomore album include Melissa Auf Der Maur, of Smashing Pumpkins and Hole fame, and the Propellerheads' Alex Gifford.

Send all music for review to:

David M. Avery

147 Powderhouse Blvd. #2,

Somerville, MA 02144.

phone: 617.666.6465

fax: 208.723.5895

email: DMAvery@aoLcom

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EDDI READER Simple Soul (Compass Records) With its artful arrangements, mostly acoustic rock and touching, intelligent lyrics, Eddi Reader's third album is her most compelling to date. It's also the most Triple A-friendly release yet from the eclectic Compass Records. Her carefully shaped vocal phrases

soar with pop appeal, even as she sings of an inability to find "peace of mind" in songs like "Wolves" and "The Wanting Kind." The best moment on Simple Soul is its simplest: "On Footsteps Fall", Reader — armed only with her voice and an acoustic guitar — gives up the goods on an absolute heart-breaker ("The loneliest sound of all/ Is the sound of love/ Through a stranger's wall"). And while Reader's choice of backing ensembles is unusual, her ability to incorporate toy pianos, frame drum and tamboura into something resembling a normal sound is equaled only by Merrie Amsterberg.

R.I.Y.L.: Merle Amsterberg, Patty Larkin, Emmylou Harris Contact: David Haley Phone: 800.757.2277 Email: [email protected] Release Date: Jan. 9; at radio now

GREAT BIG SEA Road Rage (Tidemark USA) Title aside, Road Rage is far from angry. Rather, this live album is a celebration of Great Big Sea's sweeping popularity in its native Canada. Playing over 200 shows a year since forming in 1993, the members of GBS have made it their business to spread their distinctively Canadian combination of Newfoundland folk and modern pop. Coming across as sort of a Celtic version of the Samples, GBS favors rich vocal harmonies and traditional sounds, throwing fiddle, bouzouki and accordion into the mix. Among Road Rage's many highlights: Zoe-Rounder recording artist Sarah Harmer joins GBS onstage for a stunning rendition of the traditional "Captain Wedderburn."

R.I.Y.L.: Samples, Tannahil Weavers, Pogues Contact: Tom Phone: 902.492.1646 Email: [email protected] Release Date: Jan. 8; at radio now

SHOOGLENIFTY Solar Shears (Compass) While Scotland's Shooglenifty ("shoe-gull-nifty") employs fid-dle, banjo, bass, mandolin, guitar, and percussion, its sound is far from traditional. The six-man instrumental outfit incorpo-rates looped beats, turntable scratching, and sampled industri-al sounds to create folk-ambient dance music. Songs like

"Igor's" are more folk then techno; other tracks, like "The Hijab," are more dance-focused. In general, though, Solar Shears' various influences are fully integrated.

R.I.Y.L.: Tannahil Weavers, Chemical Brothers, Phish Contact: David Haley Phone: 800.757.2277 Email: [email protected] Release Date: Jan. 29; at radio now 15

TRIPLE Period Ending 1/16/2001 www.cmj.com

Con ributing reporters this week: 28 • See page 49 for a complete list of Triple A airplay reports.

TIN LW 2W PK WKS ARTIST + TITLE LABEL

1 1 1 1 8 PJ HARVEY Stories From The City... Island-IDJMG

2 2 32 2 4 BLUR The Best Of Virgin

3 7 - 3 2 PIZZICATO FIVE The Fifth Release From Matador Matador

4 4 3 3 7 U2 All That You Can't Leave Behind Interscom

5 3 7 1 12 RADIOHEAD Kid A Capitol

6 11 11 6 4 SOUTHERN CULTURE ON THE SKIDS Li uored U... NT

7 5 2 2 9 JOHNNY CASH American Ill Columbia-CRG

#1 DEBUT

8 - - 8 1 TAKAKO MINEKAWA Maxi On Emperor Norton

9 6 - 6 5 FATBOY SLIM Halfway Between The Gutter... Astralwerks

#2 DEBUT

10 - - 10 I LOW Things We Lost In The Fire Kranky

11 8 4 4 i VARIOUS ARTISTS: Badlands: A Tribute Sub Pop

12 9 29 9 ' OUTKAST StanKonia LaFace-Arista

13 - - 13 1 CAUSEY WAY Causey Vs. Everything Alternative Tentacles

14 - - 14. DEATH BY CHOCOLATE Death By Chocolate Jetset '

15 17 - 1,, •. RAGE AGAINST THE MACHINE Renegades Epic

16 10 21 10. MEDESKI MARTIN AND WOOD The Dropper Blue Note

17 13 -113 : DELTRON 3030 Deltron 3030 _ 75 Ark

18 LIVING END Roll On EMI-Reprise.

19 23 5 5 R.L. BURNSIDE Wish I Was In Heaven... Fat Possum-Epitaph

20 27 - 20 : EUPHONE Hashin' It Out Jade Tree

21 - - 21 ' STARS 'liqhtsongs Le Grand Magistery

22 16 - 16' ; RONI SIZE/REPRAZENT In The Mode Island-IDJMG

23 15 - 15 2 POE Haunted Atlantic

24 12 31 12 5 COLDPUW Parachutes Nettwerk-Capitol

25 - - 25 1 JIMMY SMITH Dot Corn Blues Blue Thumb-Verve

26 - - 26 1 ERYKAH BADU Mama's Gun Motown

27 29 8 1 10 PAUL SIMON You're The One Warner Bros.

28 14 15 13 11 BADLY DRAWN BOY The Hour... XL-Beggars Banquet

29 21 13 11 7 MARTIN SEXTON Wonder Bar Atlantic

30 22 - 22 2 YO LA TENGO Danelectro CEP) Matador

31 - - 31 1 ADD N TO (X) Add Insult To Injury Mute

32 37 - 32 2 SONGS: OHIA Ghost Tropic Secretly Canadian

33 R - 13 13 JURASSIC-5 Quality Control/W.O.E. Is Me CEP) Interscope

34 - - 34 1 PONTIUS COPILOT Madagascar Hello

35 18 34 18 3 ELYSIAN FIELDS Queen Of The Meadow Jetset

36 38 10 2 15

_

JOHN HIATT Crossing Muddy Waters Vanguard

37 32 - 32 2 BRATMOBILE Ladies, Women And Girls Lookout!

38 - - 38 1 DRESSY BESSY The California EP Kindercore

39 - - 39 1 TWILIGHT CIRCUS DUB SOUND SYSTEM Dub Plates Vol. 2 M

40 - - 40 1 KREIDLER Kreidler Wonder-Mute

Chart information is based on combined airplay reports of Triple A releases from CMJ's panel of college, commercial and non-commercial radio stations.

ADDS HONEYDOGS Here's Luck

2 DONNAS Turn 21

3 GARY NUMAN Pure

ACETONE York Blvd.

DIFFUSER Injury Loves Melody

Palm

Lookout!

Spitfire

Vapor

Hollywood


CMJ RADIO 200 Contributing reporters this week: 325 • See page 49 for a complete list of airplay reports.

Period Ending 1 /1 6/2001

www.cmj.com

TW LW 2W PK WKS ARTIST + TITLE LABEL TW LW 2W PK WKS ARTIST + TITLE LABEL

1 1 1 1 8

#1 TRIPLE A

PJ HARVEY Stories From The City...

2 2 3 2 6

3 3 5 3 7

4 4 . 4 1 12

5 5 2 2 9

6 7 15 6 5

7 8 14 7 5

8 6 9 6 7

9 9 6 4 8

10 16 22 10 4

11 186 — 11 2

12 110 12 2

BLUR The Best Of

U2 All That You Can't Leave Behind

RADIOHEAD Kid A

JOHNNY CASH American III: Solitary Man

PIZZICATO FIVE The Fifth Release From Matador

SOUTHERN CULTURE ON THE SKIDS Liquored Up.

FATBOY SLIM Halfway Between The Gutter..._

OUTKAST StanKonia


Ur 175 POSITIONS

LOW Things We Lost In The Fire

TAKAKO MINEKAWA Maxi On

13

14

14

20

16 11

14

6

2

VARIOUS ARTISTS: Badlands

UVING END Roll On

15

16 10 10

15

10

1

7

#1 DEBUT

DEATH BY CHOCOLATE Death By_ Chocolate

DELTRON 3030 Deltron 3030

17 13 21 13 10 COLDPIAY Parachutes

18 12 20 12 7

19 —

20 11 12

19

9

1

8

21 24 31 21 6

22 124 22 2

POE Haunted

#2 DEBUT

CAUSEY WAY Causey Vs Everything

23 18 18 18 5

Island-IDJMG

Virgin

Interscope

Capitol

Columbia-CRG

Matador

TVT

Astralwerks

La Face-Arista

Epic

Kranky

Emperor Norton

Sub Pop

EMI-Reprise

Jetset

75 Ark

Nettwerk-Capitol

Atlantic

Alternative Tentacles

#1 JAZZ

MEDESKI MARTIN AND WOOD The Dropper

EUPHONE Hashin' It Out

STARS Nightsongs

YO LA TENGO Danelectro (EP)

24 30 37 24 4 ERYKAH BADU Mama's Gun

#1 RPM

Blue Note

Jade Tree

Le Grand Magistery

Matador

Motown

MARTIN SEXTON Wonder Bar

ARSON WELLES Inside The System Is The Spark

HELMS The Swimmer

Atlantic

Arson Welles

Kimchee

MOUSE ON MARS Instrumentals Thrill Jockey

EMILIANA TORRINI Love In The Time Of Science Virgin

WU-TANG CLAN The W Columbia-CRG

12 ' GREEN DAY Warning Reprisel

10 I PAUL SIMON You're The Ono Warner Bros.

SICK OF IT ALL, Yours Truly Fat Wreck Chords

KREIDLER Kreidler Wonder-Mute

HONEYDOGS Here's Luck Palm

EVERCLEAR Songs From An American Movie, Vol. 2 Capitol

INFLUENTS Check Please Adeline

Absolutely Kosher

Columbia-CRG

MOUNTAIN GOATS The Coroner's Gambit

OFFSPRING Conspiracy Of One

SUPERDRAG In The Valley Of Dying Stars

MATTHEW SWEET _Time Capsule 1990-2000...

UNION To Be Good At Something

MICROSTORIA Model 3, Step 2

BRATMOBILE Ladies, Women And Girls

Arena Rock

Zoo-Volcano

Ghostmeat

Thrill Jockey

Lookout!

BLITZHOSEN The Manual Transmission Slaphappy

GODSPEED YOU BLACK EMPEROR! Lift Your Skinny Kranky

NEW PORNOGRAPHERS Mass Romantic Mint

Burnt Hair MAHOGANY The Dream Of A Modem Day

BEVIS FROND Valedictory Songs Rubric

MAN OF THE YEAR The Future Is Not Now Tiny Beat-Loveless

JOHN HIATT Crossing Muddy Waters Vanguard

76 1 UNISEX Stratosfear Double Agent

CHART TOPPER

PJ

#1 DEBUT

25 21 11 11 8

26_35 28 26 8

27 15 17 10 9

28 28 1

29

30

31

23

27

17

23

29

30

2

1

17

14

27

5

RONI SIZE/REPRAZENT In The Mode Island-IDJMG

R.L BURNSIDE Wish I Was In Heaven... Fat Possum-Epitaph

PALO ALTO Palo Alto

#3 DEBUT

DAFT PUNK One More Time (CD5) Virgin

Columbia-CRG

BADLY DRAWN BOY The Hour Of... XL-Beggars Banquet

JURASSIC-5 Quality Control /W.O.E. Is Me (EP) Interscope

DASHBOARD CONFESSIONAL The Swiss Army... Drive-Thrti

32 19 7 5 8

33

34

35

50

43

52

32

45

48

32

34

35

8

6

4

ELYSIAN FIELDS Queen Of The Meadow

SONGS: OHIA Ghost Tropic

VARIOUS ARTISTS Strait Up

GARAGELAND Do What You Want

Jetset

Secretly Canadian

Immortal-Virgin

Foodchain_

36 40 19 7 9 DEATH CAB FOR CUTIE Forbidden Love ER

37

38

39

22

37

44

27

122

43

22

37

28

7

3

6

40 63 49 38 5

JOSEPH ARTHUR Live From The Gypsy

PONTIUS COPILOT Madagascar

AND NOT U No Kill No Beep Beep

DRESSY BESSY The California EP

41

42

29

32

92

24

29

16

7

7

43

44

76

39

78

8

43

5

5

10

45 33 25 13 8

46 36 36 11 10

47 47 1

PEPE DELUXE Super Sound

ADD N TO (X) Add Insult To Injury

Barsuk

RealWorld-Virgin

Hello

Dischord

Kindercore

Em_peror Norton

Mute

TWIUGHT CIRCUS DUB SOUND SYSTEM Dub Plates Vol. 2 M

NEW FOUND GLORY New Found Glory Drive Thru-MCA

LESS THAN JAKE Borders & Boundaries Fat Wreck Chords

GOMEZ Abandoned Shopping Trolley Hotline Hut-Virgin

#4 DEBUT

JIMMY SMITH Dot Corn Blues

48 48 ARCHER PREWITT Gerroa Songs

Blue Thumb-Verve

Carrot Top

77

78

79

80

81

82

83

100

70

163

66

96

42

45

51

80

115

44

124

42

70

79

57

81

42

45

5 NINE INCH NAILS Things Falling_Apart Nothing-Interscope

2 SOUNDTRACK 0 Brother, Where Art Thou? Mercury Nashville

5 SILVER SCOOTER Goodbye (EP) Peek-A-Boo

10

2

5

15

MARK KNOPFLER Sailing To Philadelphia Werner Bros.

ETTA JAMES Matriarch Of The Blues

VARIOUS ARTISTS Shanti Project Collection 2

EMMYLOU HARRIS Red Dirt Girl

84 75 82 75 5 FARAOUET The View From This Tower

Private-BMG

Badman

Nonesuch

Dischord

85

86

87

34

77 79

34

86

40

2

1

9

CAFETERIA Knee Deep

STEPHEN MALKMUS Who The Fuck...? (EP)

UNKIN PARK Hybrid Theory

88

89

150

60

59

94

59

60

6

7

HOPEWELL The Curved Glass

VARIOUS ARTISTS Stoned Immaculate

90 123 64 43 11

91

92

93

sa

95

96

97

98

99

91 1

90

175

65

158

82

71

74

141

71

164

38

74

93

94

65

5

73

82

19

6

1

4

2

13

11

2

9

100 53 84 53 5

CATCH 22 Alone In A Crowd

MATH & SCIENCE Math & Science

ASHTRAY BABYHEAD Radio

IMPOSSIBLES Return

BELLRAYS Grand Fury

Backbumer

Matador

Warner Bros.

Priapus

Elektra-EEG

Victory

Brick Red

Glue Factory

Fueled By Rumen

Vital Gesture

VARIOUS ARTISTS Dracula 2000 Columbia-CRG

HOOVERPHONIC The Magnificent Tree

SIGUR ROS Agaetis Byrjun

CORN SISTERS The Other Women

KARATE Unsolved

VARIOUS ARTISTS Hi-Fidelity Lounge: Vol. 2

Epic

Fat Cat-Bubble Core

Mint

Southern

Guidance

Daft Punk

#4 DEBUT

Jimmy

UP 175 POSITIONS

Low

Chart information is based on combined

airplay reports from CMJ's panel of col-

lege, commercial and non-commercial

radio stations. Statistics are compiled from

point totals tabulated from positions (1-30)

of artists on airplay reports, then multiplied

by station code factor (based upon market

size, market impact and market reach).

2000 The CMJ Network, 44 W. 18th St,

6th Floor, New York, NY 10011.

experience\ (jV new music@ RADIO CMJ

Tame mnanyvacinbcomfradiocmj

CORE RADIO

CORE RADIO Period Ending 1/16/2001 ww.cmj.com

Con ributing eporters this week: 78 • See page 49 for a complete list of Core airplay reports.

TW LW 2W PK WKS ARTIST TITLE LABEL TW LW 2W PK WKS ARTIST,TITLE LABEL

1 1 1 1

2 4 3 2

8 PJ HARVEY Stories From The City...

4 BLUR Best Of

3

4

6

2

4 3

2 2

5 5 10 5

6

7 14

6

7

Island-IDJMG

4 PIZZICATO FIVE The Fifth Release From Matador

JOHNNY CASH American Ill: Solitary Man Columbia-CRG

U2 All That You Can't Leave Behind Interscope

8

7

Virgin

Matador

ill DEBUT

1 LOW Things We Lost In The Fire Kranky

FATBOY SLIM Halfway Between The Gutter... Astralwerks

RADIOHEAD Kid A Capitol

6

8 3 12 1 11

9-

10 11 23

rin DEBI

9 1 TAKAKO MINEKAWA Maxi On Emperor Norton

10

11 10

12 13

13 8

14 -

15 9

16

17 12

18 74

19

29-

6

15

5

5

8

4

5

6

14 1

9 6 8

16 1

SOUTHERN CULTURE ON THE SKIDS Liquored Up... TVT

OUTKAST StanKonia

VARIOUS ARTISTS Badlands: A Tribute


nFRI

LaFace-Arista

Sub Pop

75 Ark

CAUSEY WAY Causey Vs Even/thing Alternative Tentacles

MEDESKI MARTIN AND WOOD The Dropper Blue Note

STARS Nightsongs Le Grand Magistery

12 e COLDPLAY Parachutes

- 18 LIVING END Rot On

EUPHONE Hashin' It Out

20 DEATH BY CHOCOLATE Death By Chocolate

20

21

22

35 17

Nettvverk-Capitol

EMI-Reprise

Jade Tree

Jetset

R.L. BURNSIDE Wish I Was In Heaven Fat Possum-Epitaph

14 7 7 1 YO LA TENGO Danelectro (EP) Matador

23 23 - MARTIN SEXTON Wonder Bar Atlantic

24 24 1 ARCHER PREWITT Gerroa Songs Carrot Top

25 33 54 25 3 RAGE AGAINST THE MACHINE Renegades Epic

26 46 33 26 8 SONGS: OHIA Ghost Tropic Secretly Canadian

27 56 41 27 5 TWILIGHT CIRCUS DUB SOUND SYSTEM Dub Plates Vol 2 M

28

29

34 8

30 25

8

12

30 25 18 3

31 55 31

32

33

34

35

36

20

42 -

20

33

41 40 34

15 26 _15

62 35 29

8 RONI SIZE/REPRAZENT In The Mode

5 û AND NOT U No Kill No Beep Beep

13 1BADLY DRAWN BOY The Hour Of...

H PAUL SIMON You're The One

2 HELMS The Swimmer

2 PONTIUS COPILOT Madagascar


6 POE Haunted

5 KREIDLER Kreidler

Island-IDJMG

Dischord

XL-Beggars Banquet

Warner Bros.

Kimchee

Hello

Foodchain

Atlantic

Wonder-Mute

37 47_59_37 3 ERYKAH BADU Mama's Gun

38

39

40

41

42

43

44

45

46

47

48

49

50

51

53 38 38 3 MAHOGANY The Dream Of A Modern Day

- - 39 1 DAFT PUNK One More Time (CD5)

51 75 40 5 JOHN HIATT Crossing Muddy Waters

32 13 4 7 ADD N TO (X) Add Insult To Injury

17 29 17 7 IPALO ALTO Palo Alto

39 - 39 2 BEVIS FROND Valedictory Songs

44 1 MOUSE ON MARS Instrumentals

26 - 26 2 ARSON WELLES Inside The System...

38 30 10 8 I BRATMOBILE Ladies, Women And Girls

R 49 47 2 MICROSTORIA Model 3, Step 2

70 19 6 9 DEATH CAB FOR CUTIE Forbidden Love E.P.

74 60 26 5 DRESSY BESSY The California EP

36 - 36 3 PEPE DELUXE Super Sound

19 71 19 13 EMMYLOU HARRIS Red Dirt Girl

52 - - 52 1

53 37 32 32 6

54 40 - 40 2

55

56

57

58

59

60 -

48 - 48 2

JIMMY SMITH Dot Corn Blues

Motown

Burnt Hair

Virgin

Vanguard

Mute

American-Columbia-CRC

Rubric

Thrill Jockey

Arson Welles

Lookout!

Thrill Jockey

Barsuk

Kindercore

Emperor Norton

Nonesuch

Blue Thumb-Verve

EMILIANA TORRINI Love In The Time Of Science Virgin

NEW PORNOGRAPHERS Mass Romantic

BLITZHOSEN The Manual Transmission

Mint

Slaphappy

16 27 15 5 MOUNTAIN GOATS The Coroner's Gambit Absolutely Kosher

60 - 1 15 JURASSIC-5 Ouality Control /W.O.E. Is Me (EP) Interscope

22 43 22 3 DASHBOARD CONFESSIONAL The Swiss Arm Drive-Thru

29 24 19 5 1JOSEPH ARTHUR Live From The Gypsy..

60 1 BELLRAYS Grand Fury

61 - - 61

62 18 28 18

63 67 74 30

641 43 67 12

65 - - 65

66 50 53 50

67

68

69

70

71

72

73

74

75

- - 67

R 72 68

- - 69

21 - 21

58 - 58 2

- - 72 1

R 46 46 3

R 39 39 3

44 21 5 11

5

8

8

1

4

UNISEX Stratosfear

VARIOUS ARTISTS Shanti Project Collection 2

MARK KNOPFLER Sailing To Philadelphia

GOMEZ Abandoned Shopping Trolley Hotline

HONEYDOGS Here's Luck

FARAQUET The View From This Tower

1 ABUNAI! Round Wound

2 SILVER SCOOTER Goodbye (EP)

1 INFLUENTS Check Please

2 CAFETERIA Knee Deep

Realworld-Virgin

Vital Gesture

Double Agent

Badman

Warner Bros.

Hut-Virgin

Palm

Dischord

Camera Obscura

Peek-a-boo

Adeline

Backburner

SOUNDTRACK 0 Brother, Where Art Thou? Mercury Nashville

DELGADOS The Great Eastern/No Danger Beggars Banquet

HOPEWELL The Curved Glass

WU-TANG CLAN rho W

Priapus

Loud-Columbia-CRC

GODSPEED YOU BLACK EMPEROR! Lift Your Skinny Kranky

38

CMJ JANUARY 29, 200 1

RADIO 200 ADDS Period En • www.cmj.com

POSITION TOTAL ADDS ARTIST + TITLE

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

10L

93

73

66

65

56

48

46

45

43

29

28

27

26

22

20

17

14

14

12

HONEYDOGS Here's Luck

DONNAS Turn 21

DIFFUSER Injury Loves Melody

GARY NUMAN Pure

LLAMA FARMERS El Toppo

RED TELEPHONE Cellar Songs

ACETONE 'furl< Blvd.

GENTLE WAVES Swansong For You

TINFED Tried + True

LABEL

Palm

Lookout!

Hollywood

Spitfire

Beggars Banquet

Raise Giant Frogs

MARGO GURYAN Take A Picture

GOSSIP That's Not What I Heard

ACTIONSLACKS The Scene's Out Of Sight

AZURE RAY Azure Ray

WHISTLER Faith In The Morning

CALL AND RESPONSE Call And Response

JOSHUA GABRIEL Mov_No.1: Addicted (EP)

SHIPPING NEWS Very Soon, And In Present Company

ELECTRO GROUP New Pacifica

VARIOUS ARTISTS Motion: A Six Degrees Dance Collection

WENT I rachute

Vapor

Jeepster-Never

Third Rail-Hollywood

Franklin Castle

Kill Rock Stars]

Self-Starter

Warm,

Wiiija-Beggars Banquet,

Kindercore

Joshua Gabriel

Quarterstick

Omnibus

Six Degrees

Aquamarine

GOING FOR ADDS www.cmj.corn

JANUARY 30 BIG CHIEF ELECTRIC Raygum And Bubblegum

BLAIR TEFKIN Shocked And Devestated

BONE NATION C'mon

CENTRO-MATIC

CLUTCH :001 EP

COUNT ZERO Robots Anonymous

EVIL BEAVER Lick It

FLYBANGER Headtrip To Nowhere

HOLMES BROTHERS Speaking In Tongues J. SCOTT Ravenous

MANIFOLD SPLENDOUR My Night Time Career

MATTHEW GOOD BAND Beautiful Midnight

MINUS 5 VS. THE YOUNG FRESH FELLOWS Let The War Against Music Begin

MISS FORTUNE Miss Fortune

MOUNT FLORIDA Arrived Phoenix

OLD 97'S Turn The Power On (EP)

RAINER MARIA A Better Version Of Me

,IUARY 6 BOB'S DAY OFF Precious

CHRONIC FUTURE 4 Elements

FROGS Hopscotch Lollipop Sunday Surprise

MELLOW Another Mellow Spring

LLAMA FARMERS El Toppo

LUNA Live

LUPINE HOWL 25

NORTEC COLLECTIVE The Tijuana Sessions Vol. 1

PROPAGHANDI Today's Empires, Tomorrow's Ashes STEPHEN MALKMUS Stephen Malkmus

THE DRIVE Too Damn Wasted

TRAM Frequently Asked Questions

VOLEBEATS

VOLANT

WILLARD GRANT CONSPIRACY Everything's Fine

Pagoda

BossyBoots

Bone Nation

Idol

Atlantic

SinAppleSap

4 Alarm

Columbia-CRG

Alligator

Consortium

Banda loop

Atlantic

Mammoth

What Kind Of

Matador

Elektra -EEG

Polyvinyl

Bob's Day Oft

Beyond

Scratchie

Higher Octave

Beggars Banquet

Arena Rock

Beggars Banquet

Palm

Fat Wreck Chords

Matador

EML

Jetset

Third Gear

Guilt Ridden Pop

Palm

HONEYDOGS

DONNAS

USER

Gary WureJn

GARY NUMAN

LLAMA FARMERS


RADIO 200

5 YEARS AGO

AMPS Pacer (4AD/Elektra-EEG)

SMASHING PUMPKINS Mellon Collie And The

Infinite Sadness (Virgin)

SUNNY DAY REAL ESTATE Sunny Day Real Estate

(Sub Pop)

VARIOUS ARTISTS Saturday Morning: Cartoon's

Greatest Hits (MCA)

NOISE ADDICT

Meet The Real You (Fellaheen-Grand Royal)

10 YEARS AGO

CHARLATANS UK Some Friendly

(Beggars Banquet-RCA)

VARIOUS ARTISTS Red Hot + Blue

(Chrysalis)

SISTERS OF MERCY Vision Thing (Elektra)

LUSH Gala (4AD-Reprise)

HAPPY MONDAYS Pills 'N' Thrills And Bellyaches (Elektra)

CMJ RADIO 200 Period Ending 1/16/2001 www.cmj.com

TW LW 2W PK WKS ARTIST + TITLE LABEL

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

78 151

153 193

68 199

106 103

111 174

127 61

92_ 57

125 90

101

57

93 _

74

99

87

162

126

121

119

138

135

76

66

113

42

171

117

73

78

102

68

91

105

1

7

89

i SONNY LANDRETH Levee Town

ABUNAI! Round Wound

SARAH HARMER You Were Here

KEB'MO' The Door

LIFEHOUSE No Name Face

BJORK Selmasongs

ELF POWER The Winter Is Coming

• EVERLAST Eat At Whitey's

8 SELF Gizmodgery

57 TALIB KWELI AND HI-TEK Reflection Eternal

93 DELGADOS [he Great Eastern/No Danger (CM)

21 DOVES Lost Souls

99 ROSE OF SHARON Even The Air Is Out Of Tune

114 DONNAS Turn 21

87 7 SWEARING AT MOTORISTS Number Seven Uptown

116 1 SHIPPING NEWS Very Soon, And In Present Company

117 1 GENTLE WAVES Swansong For You

51

91 50

63 63

7

3

10

9

4

15

12

7

14

9

5

10

3

1

9 MEAT PUPPETS Golden Lies

10 ORGY Vapor Transmission

5 SUNSHINE Velvet Suicide

86 86

140

106

112

92

31

69

3 NEIL YOUNG Road Rock Vol 1

7 GODSMACK Awake

10 VERSUS Hurrah

VARIOUS ARTISTS Xen Cuts

126

189

69

192

41

125 3

41

127

128

129

130

131

132

133

134

135

136

137

130

139

160

72

139

136

84

166

104

91

94

97

128

101 78

67 64

131

83

81

52

98

47

50

156

CINEMATIC ORCHESTRA Remixes

7 TUPAC SHAKUR The Rose That Grew From Concrete Vol

i BARCELONA ZeRo-oNe-INFINITY

8 VARIOUS ARTISTS Take A Bite Duna Rhyme

129 2

130

131

83

13

5

104

3

1

47

DAVID GRAY White Ladder

3 INHffE OCTAVE Style No. 6312

4 FIVE FOR FIGHTING America Town

5 PLACES The Autopilot Knows You Best

11 WESTON The Massed Albert Sounds

13 BLACK EYED PEAS Bridging The Gap

8 JOAN OSBORNE Righteous Love

14 SEA AND CAKE Oui

17 AT THE DRIVE-IN Relationship Of Command

8

128 5

140

141

142

143

144

145

146

147

148

149

150

83

105

183

151

55

115

149

135

152

185

128

54

70

154

72 6

141

83 4

105

99

19

124

54

4

5

12

5

8

70 8

66 7

— 150

VARIOUS ARTISTS We Thank You — Kindercore 50

BIKERIDE Summer Winners/Summer Losers

PENNYWISE Live g The Key Club

DR. DAN Dan On The Moon

KEPLER Fuck Fight Fail

SOUNDTRACK Genghis Blues

PAUL OAKENFOLD Perfecto Presents: Another World

BROADCAST Extended Play Two

MARILYN MANSON Holy Wood

A3 La Peste

MERLE HAGGARD If I Could Only Fly

ONEIDA Come On Everybody Lets Rock

GODHEAD The Reckoning (C05)

Sugar Hill

Camera Obscura

Die-Rounder

550-Epic

DreamWorks

Elektra-EEG

Elephant Six-Sugar Free

Tommy Boy

Spongebath

Rawkus

Beggars Banquet

Astralwerks

Espo

Lookout!

Secretly Canadian

Quarterstick

Jeepster-Never

Breaking-Atlantic

Elementree-Reprise

Big Wheel Recreation

Reprise

Republic

Merge

Ninja Tune

Ninja Tune

Amaru-Interscope

March

Republic

ATO

Deep Elm

Aware-Columbia-CRG

Absolutely Kosher

Mojo

lnterscope

Interscope

Thrill Jockey

Grand Royal

Kindercore

Hidden Agenda-Parasol

Epitaph

Terminus

Troubleman Unlimited

Six Degrees

London-Sire

Warp-Tommy Boy

Nothing-Interscope

Columbia-CRG

Anti -Epitaph

Jagjaguwar

Posthuman-Priority


CMJ RADIO 200 Period Ending 1/16/2001 www.cmj.com

Tw LW 2W PK wKS ARTIST + TITLE LABEL

151 80 109 80 8

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

98 87

- -

117 —

146 145

137 97

112 100

R 147

107 69

R 163

73

143

174

120

89

131

118

113

161

72

149

104

107

190

77

152

.43

154

71

145

97

100

53

49

109

162

72

83

114

71

107

168

68 77

131

1

17

4

4

6

8 4

7

1

WALLFLOWERS Breach

GOSSIP That's Not What I Heard

RICHARD BUCKNER The Hill

SOUNDTRACK Snatch

Interscope

Kill Rock Stars

Overcoat

NT

DAR WIWAMS The Green World

ECHOBOY Vol. 2

DWIGHT YOAKAM Tomorrow's Sounds Today

PAPER CHASE Young Bodies Heal Quickly, You Know

LIMP BIZKIT Chocolate Starfish And The Hot Dog Flavored VVdtur

DWEEZIL ZAPPA Automatic

INTERNATIONAL AIRPORT International Airport

JOSH JOPLIN Camera One + 2 (EP)

COLLIDE Chasing The Ghost

5 NATION OF ULYSSES The Embassy Tapes

7 ERIN MCKEOWN Distillation

10 REEVES GABRELS Ulysses

6

1

6

5

4

ORANGER i he Quiet Vibration Land

POP ART Really Blind Faith A Retrospective 1984-1990

STATE OF BENGAL Visual Audio

KLEENEX GIRL WONDER Why I Write Such Good Songs

AMY CORREIA Carnival Love

150

65

118

48

174

35

176

129 142 32

178

179

6

14

1

7

13

1

1

145

109

194

170

96

183 95 120

184

185

186

159

173

200

175

160

187

188

189 R

190 196

191 88

192 114

193 147

194 79

195 193

196

197

198

199

102

181

178

62

127

53

123

60

121

153

168

34

127

95

112

160

56

187

95

150

190

62

42

30

19

60

102

59

89

168

10 15

10

I 6

e

8 4

6

SPOON Loveways (EP)

RYAN ADAMS Heartbreaker

PALACE OF ORANGES Prepare To Greet A Guest

Razor &lie

Mute

Reprise

Beatville

Flip-lnterscope

Favored Nations

Overcoat

Artemis

Noiseplus

Dischord

Signature Sounds

E-marne

Amazing Grease

Stone Garden

Six Degrees

March

Capitol

Merge

Bloodshot

Rubric

MAGNETOPHONE I Guess Sometimes I Need To Be Reminded... 4AD

VARIOUS ARTISTS 1 he Best Of Ken Burn's Jazz Sony Legacy

WILLIE NELSON Milk Cow Blues Island-IDJMG

RIBBON EFFECT Slip Room Tone

DOWNLOAD Effector Nettwerk

SQUIRREL NUT ZIPPERS Bedlam Ballroom

PLASTILINA MOSH Juan Manuel

RICKIE LEE JONES It's Like This

DAVID HOLMES Bow Down To The Exit Sign

LENNY KRAVITZ Greatest Hits

PARIS COMBO Living Room

PEUCAN CITY Rhode Island

1 HOLGER HILLER Holger Hiller

7 COCO Coco

4

2

8 8

FRENCH KICKS Young Lawyer (EP)

ENYA A Day_Without Rain

JOY ZIPPER Joy Zipper

ALUMINUM GROUP Pelo

8 GURU'S JAZZMATAZZ Vol. 3: Streetsoul

16 ST. GERMAIN Tourist

6 SINCLAIRE Attention Teenage Girls

3 JOEL R.L PHELPS & THE DOWNER TRIO Inland Empires (EP)

7 JEJUNE RIP

7 ENEMYMINE The Ice In Me

4 JAZZANOVA Remixes 1997-2000

200 190 177 165 5 GOOD LIFE Novena On A Nocturn

Mammoth

Astralwerks

Artemis

1500

Virgin

Tinder

December Firstl

Mute

Star Time

Reprise

Bar/None

Hefty

Virgin

Blue Note

Sonic Unyon

Moneyshot

Big Wheel Recreation

Up

Comp_ost

Better Looking

15 YEARS AGO

HOODOO GURUS

Mars Needs Guitars!

(Big Time)

THE CULT

Love (Sire-WB)

ALARM

Strength I R )

LONG RYDERS

State Of Our Union

(Island)

ECHO & THE BUNNYMEN

Bring On The Dancing

Horses (Korova)

20 YEARS AGO

JOHN LENNON

& YOKO ONO

Double Fantasy (Geffen)

TALKING HEADS

Remain In Light (Sire)

ROCKPILE

Seconds Of Pleasure

(A&V1)

XTC

Black Sea (Virgin)

THE POLICE

Zenyatta Mondatta

(A&M)

41 CM..1 JANUARY 29, 2001

INTERNET

tUnsound www.insound.com

TOP25 SELLERS

(Period Ending 1/15/2001)

1. VERSUS Insound Tour Support Series,

Vol. 16 CD (Insound)

2. GET UP KIDS/ ROCKET FROM THE CRYPT

split 7" (Vagrant)

3. AT THE DRIVE-IN Hell Paso 7 (Headhunter/Cargo)

4. NEUTRAL MILK HOTEL Everything Is... CD/EP (Fire)

5. AISLERS SET/FAIRWAYS split T (Yakamashi)

6. DEATH CAB FOR CUTIE Something About Airplanes

CD/LP (Barsuk)

7. YETI Issue #1 CD/zine

8. ORCHID Dance Tonight! Revolution Tomorrow!

10" (Ebullition)

9. BEER FRAME Issue #10 zine

10. JEROME'S DREAM/ THE ONE AM RADIO

split 7" (Garbage Czar)

11. DEAD MEADOW Dead Meadow

CD/LP (Tolotta/Planaria)

12. SIGUR ROS Agaetis Byrjun CD/LP (Fat Cat)

13. IDA You Are My Flower CD (Last Affair)

14. HELMS The Swimmer CD (Kimchee)

15. STEPHEN MALKMUS Discretion Grove CD EP/7 (Matador)

16. PINBACK Pinback CD (Ace Fu)

17. LADYTRON Miss Black And Her Friends

CD (Bambini)

18. CONVOCATION OF... Convocation Of... CD/LP (GSL)

19. ASTERISK Dogma: Death of a Dromologist

LP (31G)

20. DISMEMBERMENT PLAN Emergency & I CD (DeSoto)

21. MAHOGANY Dream Of A Modern Day CD/LP (Clairecords)

22. VARIOUS ARTISTS Fortuna Pop Chrismas Gift

CD (Fortuna)

23. SMOG Mantarays Of lime CD/EP (Spunk)

24. LAIKA Good Looking Blues CD (Beggars Banquet)

25. LES SAVY FAV Cat And The Cobra

CD/LP (Self Starter/FrenchKiss)

INTERNET BROADCAST www.cmj.com

TW LW 2W PK WKS ARTIST + TITLE

3

4

5

6

7

8

9

10

11

12

13

14

2

3

4

5

8

7

9

3

1 7

2

7

2 1 12

21 6

16 7

13 8

5 3

'3 14 10

11 23 11

75

14

10

PJ HARVEY Stories From The City Stories From The Sea

BLUR The Best Of

U2 All That You Can't Leave Behind

RADIOHEAD Kid A

OUTKAST Stankonia


FATBOY SLIM Halfway Between The Gutter And The Stars

SOUTHERN CULTURE ON THE SKIDS Liquored Up And Lacquered Down

H JOHNNY CASH III. Solitary Man American-Columbia-CRG

4 PIZZICATO FIVE The Fifth Release From Matador Matador

3 POE Haunted Atlantic

LABEL

Island-IDJMG

Virgin

Interscope

12 2

15 15

16 16

17 12 24 , 12

18 70 8 5

19 - - 19

20 18 12 10

21 - - 21

22 16 15 12

23 23

24 17 19 17

1

3

1

6

1

5

4

UP 14 POSITIONS

LIVING END Roll On

COLDPLAY Parachutes


I ft1 DEBUT

TAKAKO MINEKAWA Maxi On

DEATH BY CHOCOLATE Death B_y_p_hocolat(

PALO ALTO Palo Alto

NEW FOUND GLORY New Found Glory

LOW Things We Lost In The Fire

RONI SIZE/REPRAZENT In The Mode

EUPHONE Hast/n' It Out

MEDESKI MARTIN AND WOOD The Dropper

ERYKAH BADU Mama's Gun

LESS THAN JAKE Borders & Boundaries

Capitol

LaFace-Arista

Epic

Astralwerks

TVT

EMI-Reprise

Nettwerk-Capitol

75 Ark

Emperor Norton

Jetset

American-Columbia-CRG

Drive Thru-Mca

Kranky

Island-IDJMG

Jade Tree

Blue Note

Motown

Fat Wreck Chords

Contributing eporters this week: 168 • See page 63 for a complete list of airplay reports.

WEB HABITS

Offline with... TED DOUGHERTY Columbia Records College Radio Promotion

What websites do you use for your job on a regular basis? • tv‘r w.allMusiC.Lorn • www.pollstar.com • www.thesyn.com • www.nme.com • www.ratethemusic.com • www.theprp.com • www.cmj.com

For what reasons? Mostly to keep informed on upcoming releases, tours, ad dates etc. Allmusic.com is just an amazing music resource. I like checking NME.com for record news, record reviews and tours in the U.K. ThePRP.com keeps me in the loop on the metal side. Pollstar, well, it's pretty much just tour dates, but still really useful.

desktop right now? I haven't really embraced the MP3 revolution like everyone else. I recently downloaded that Refused AC/DC cover — it rocks. And Anton Maiden, of course. That guy is always in rotation.

Internet radio. Do you listen? Yeah, all the time actually. Well, until I get knocked off at least. The stations I usually listen to are KCRW.org, WFMU.org and ICNAC.com. I'll usually hit all the stations I can't hear in NYC. I also listen to a lot of foreign stations like XFM in the U.K. and Triple J radio in Australia.

What MP3 files are on your 42


THE 2001 MJ DIRECTORY

YOUR DIRECT CONNECTION TO THE MUSIC INDUSTRY

OVER 15,000 LISTINGS! • Radio Station Contacts • Major & Independent Label Executives

• Artist Managers • Booking Agents • Music Publishers • Dot Corns Remember it's not what you know— but who you know. Don't accept cheap imitations!!!

ORDER ONLINE AT WWW.CMJ.COM/DIRECTORY

I want copies of the 2001 CMJ Directory- @ $99.00 each (Plus $5.00 U.S. Mail shipping & handling per book).

Check or money order for $ is enclosed. (Checks and money orders payable to CM Directory, U.S. funds drawn on U.S. banks only.)

Charge my credit card: ,Ji Mastercard Ui VISA CI American Express IJ Discover

Card Number: Expiration Date:

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Mail this to: CMJ Directory Sales, 44 West 18th Street, 6th Floor, New York, NY 10011

Or Fax it to 646.557.0010 Or Call 646.485.6600 for more info.

For more information contact us: directorvarmi corn

NEW WORLD Column by James Lien • Section coordinated by Tad Hendrickson

Twenty-eight year-old fado singer Cristina Branco made quite an

impression on the second and final night of her U.S. debut in New York City. The Jan. 6 per-formance opened with an instrumental performed by a stellar three-piece band led by Custódio Castelo, who plays the 10-stringed Portuguese

Cristina Branco

guitar and also writes much of Branco's music. Castelo set the tone with passionate leads, while the imaginative accom-paniment of an acoustic gui-tarist and bassist both main-tained the fado tradition and pushed at its edges. As the song ended, the beautiful Branco walked onstage dressed in a lovely black silk dress, looking every bit the part of radiant diva. And when she began singing, it was obvious she had the goods to back the image. Portugese for "fate," fado sets tragic poems of fleeting love and other clandestine topics to music from the Mediterranean tradition. Most of the audience couldn't understand the Portuguese lyrics, but Branco's impassioned performance, daz-zling technical skill and fine sense of drama conveyed the sad stories so expertly that there was seldom a doubt as to what she was singing. Hardly a femme fatale, Branco charmed the audience with between-song introductions in English that explained the songs' sto-

ries and provided background about the genre. Branco even cracked a few jokes at her own expense, claiming at one point that she couldn't remember the words to the final song and that the audience would have to help. But even at her most playful, the singer turned in a transcendent moment, leaving the microphone behind and walking to the edge of the stage to help the crowd sing along. It was at the edge of the stage that she sang the last lines of the evening, easily filling the mid-sized theater with her soaring voice and cementing the bond she'd forged with the audience. Post-Scriptum, Branco's second album, is due out in March on Harmonia Mundi. Hopefully, some well-deserved attention will bring the singer and her band back for more dates. Watch for a CMJ interview with Branco in the coming months. • Prague lost one of its greatest musical heroes on Jan. 5 when Plastic People Of The Universe founder Milan Hlaysa died of lung cancer. He was 49. A revo-lutionary rock band founded in the late '60s in the former Czechoslovakia, the Plastic People spoke out against the Communist government. Friends with famed poet and future president Vaclav Havel, they paired revolutionary music with strong convictions (several members were jailed in 1976 for their activities). The Plastic People originally broke up in 1984. But by 1989, the band members were being regarded as heroes, and they reunited to work above ground for the first time. The group toured the U.S. in 1999, play-ing the White House with Lou Reed. "Hlaysa was not only known for his legendary music, he was revered interna-tionally as a spokesperson of the Czech underground," says Heather Mount of Tamizdat, an organization that works to bring Eastern European music and musicians to Western

audiences. "He was a visionary artist, a good friend to many — a truly inspirational person who touched and changed the lives of people far and wide." •

Eddie LeJeune

Closer to home, Cajun accor-dionist Eddie Le jeune died Jan. 9 of a heart attack. He was 49. One of the last players to emerge from the Cajun dance-hall circuit, Le jeune was the

real deal, releasing three albums in the late '80s and early '90s. He refused to cave to outside pressure and get a rhythm section, preferring the authentic sound of accor-dion, fiddle and guitar. But LeJeune's insistence on artis-tic purity meant that he had to keep his day job as a mechanic. He was working construction at the time of his heart attack. No doubt the New Orleans Jazz and Heritage Festival will have a different feel without this local legend.

Send all music for review to: James Lien P.O. Box 15336, New Orleans, LA 70115 phone: 504.899.2502 email: [email protected]

NEW WORLD Period Ending 1/16/2001 www.cmj.com

Contributing reporters this week, 71 • See page 61 for a complete list of New World airplay reports.

TW LW 2W PK WKS ARTIST a TITLE

4

5

6

6

7

1

9

18

5 AMADOU ET MARIAFA Tje Ni Mousso

9 FRIKVIWA Collection 2

2 VARIOUS ARTISTS Carnival

1 5 SOUNDTRACK Genghis Blues

5

4

5 GJALLARHORN Sjofn

11 VARIOUS ARTISTS Afrobeat.. No Go Die!

4 23 4

8 — 8 1

9 19 15 9 3

10 25 — 10 3

11 , 4 ,

12 14 12 2 10

13 8 10 8 8

14 17 5 4 7

15 24 20 11 7

16 R - 16 3

17 5 8 5 5

18 10 - 10 2

19 12 22 12 3

20 - - 20 1

21 - - 211

22 - - 22 1

23 9 24 311

24 23 — 23 2

Circular Moves

Six Degrees

Putuma o

Six Dllgrees

Northside

Shanachie

OUMOU SANGARE Ko Sira

IEBUT

MARIA KALANIEMI & ALDARGEZ Ahma

AFRICANDO ALL STARS Mandali

UP 15 POSIT IONS

VARIOUS ARTISTS Strictly The Best Vol. 26

YOUSSOU N'DOUR Joko (The Link)

VARIOUS ARTISTS Ethiopiques Vol. 8

ISRAEL VIBRATION Power Of The Trinity

KING CHANGO The Return Of El Santo Lanka Bop

STATE OF BENGAL Visual Audio Six Degrees

VARIOUS ARTISTS Hi-Fidelity Dub Sessions Vol 2 Guidence

PARIS COMBO Living Room Tinder

VARIOUS ARTISTS Cajun Putumayo

World Circuit-Nonesuch

Northside

Stern's Africa

VP

Nonesuch

Anal!!

RAS

ZIGGY MARLEY & THE MELODY MAKERS Live Vol 1 Elektra-EEG

TANNAHILL WEAVERS Alchemy Green Linnet

ISAAC DELGADO La Formula Ahi-Nama

SUSAN MCKEOWN Lowlands Green Linnet

SIDESTEPPER More Grip Palm Pictures

GOPAL SHANKAR MISRA Out Of Stillness RealWorld

25 - - 25 1 PAPA NOEL Bel Ami Stern's Africa Chart information is based on combined airplay reports of New World releases from CMJ's

panel of college, commercial and non-commercial radio stations.

44


118tA rHE DEVIL'S

NG The Devil's Swing, a recent documentary by Alan Govenar, deals with La Junta De Los Rios, the area of central southwest-ern Texas and Mexico where the Rio Grande and the Rio Conchos join. To paraphrase from the film, "There's Mexico on one side, there's Texas on the other, and the people who live here belong to both and neither." CMJ recently spoke to Govenar about The Devil's Swing, the peculiar myths and legends of this region, and how they have translated to song.

For the uninitiated, what exactly is the The Devil's Swing"? The image and the title, "El Columpio Del Diablo," come from an old legend from the area, where they had this ball on which the devil sat, and it swung back and forth between Sierra de la Santa Cruz and Chinati Mountain. One day it dropped out of the sky. And in the town of Ojinaga, right there in the street, it's this big black iron ball, like a giant cannonball, which the people there believe dropped out of the sky. And it cannot be excavat-ed [archeologically] because

they believe it goes all the way down to hell.

Some of the corridos, the ballad songs on the CD, have ambivalent heroes. The bad guys seem like they're actually the good guys, and the songs don't seem to be rooting for the cops to win. Well, that just reflects the reality. A place where you have something like [drug dealer] Pedro Ramirez, who was equal parts robber baron and Robin Hood. I mean, there were people whom he helped immensely, local people. And then there were people who ceased living because of him. It's a real border town area. The myth of the devil swing-ing back and forth between Texas and Mexico is something of a metaphor: You have the drug trade going one way, and you have the arms and ammu-nition coming from the U.S. down into Mexico, another side of the same lethal coin. We have an amazing interview in the film with the grandson of the man who was Pancho Villa's arms dealer in Texas.

How were you drawn to this obscure region? 1 had some friends who had lived and traveled around through there. It started out as something more about the cul-ture around these rivers in the desert, and it kind of changed, perhaps into something more unfortunate. I don't want to say it's something darker. But, then again, it was a very good thing, in that it changed from something dealing with river culture as the last vestiges of the past, into something that sought to link up the past to the present. - James Lien

For more information on The Devil's Swing, go to www.docarts.com.

10 FT_ GANJA

Hillside Airstrip (ROIR) Hailing from upstate New York, this intriguing reggae collective is named in homage to Jamaica's own version of amber waves. The musicians in this posse have connections to other U.S. reggae groups, a few members having performed most notably as part of John Brown's Body and

Tribulation. Serving up deep authentic reggae heavy on the vibes, 10 Ft. Ganja Plant is basically a delightful anachronism, perform-ing in such a delightfully retro way that it's actually hard imagine that these tracks aren't 20 or 30 years old. As such, they're some-thing of a reggae analog to modern day soul/funk purveyors like Lee Fields, the Soul Providers, and the Daktaris. They show their reverence for the music of the past by doing their homework, learning the skills and playing it very much in the now.

R.I.Y.L.: Daktaris, Lee Scratch Perry, Scientist Contact: Lucas Cooper Phone: 212.477.0563 Email: infoOroir-usa.com Release Date: Jan. 16

DONAL LUNNY Journey: The Best Of Donal Lunny (Rounder) In Irish music, there are a select few who somehow hear into the depths of tradition, extract meaning, and then are able to bring that meaning out into the open to connect with new audiences. Donal Lunny is exactly that sort of performer, capable of bring-ing new life to the venerable tradition of Irish music. Sometimes, as on this wonderful two-disc retrospective, he encompasses the heart and passion of straight-up traditional music. Other times, he mingles old strains with contemporary flavors — one tune, "Cavan Potholes," almost sounds like an Irish take on smooth jazz. That it's a successful fusion makes it all the more remark-able.

R.I.Y.L.: Bothy Band, Chieftains, Lament compilation Contact: Daniel Gay Email: danielerounder.com Release Date: Jan. 23

VARIOUS ARTISTS Gypsy Caravan (Putumayo) The Putumayo label begins the new millennium with yet another strong conceptual compilation. This time, it's a survey of gypsy music from around the world. Avoiding the flamenco sidestep, Gypsy Caravan focuses on the authentic music of nomadic gypsies from Hungary, Serbia, Spain, and France for a well-thought-out compilation that accentuates the subtle ties to the music of European Jews. Indeed, there are distinct similarities to be heard here that unite this music with the various 1dezmer strains throughout Europe.

R.I.Y.L.: Gipsy Kings, Ivo Poposav, Ravel's "Bolero" Contact: Jennifer Daunt Phone: 415.701.1894 Email: jenniferOputumayo.com Release Date: Feb. 13


UPCOMING Please email upcoming release info to: [email protected], or fax us at 646.230.4401

JANUARY 27 BOREDOMS Vision Creation Newsun

JANUARY 29

Birdman

CAUSEY WAY Causey Vs. Everything

JANUARY 30


ADVENTURES IN STEREO Running (7")

ALICE COOPER Billion Dollar Babies

ANDREW WK We Want Fun APRIL VERCH Verchuosity

BIG CHIEF ELECTRIC Raygum And Bubblegun

BINGO TRAPPERS Juanita Ave. BUD POWELL Jazz Giant (reissue)

BUDDY RICH Wham!

CALL AND RESPONSE Call And Resonse

CHAMBER STRINGS Make It Through (7")

CHICO & COLDWADDA Wild N' Tha West

DAVE GRUSIN Two For The Road

DIVIDED BODY/DESERT CITY SOUNDTRACK Divided Body... (7" EP) DOUG KERSHAW Live: Still Cajun After All These Years

ELIZA CARTHY Angels And Cigarettes

FOREIGNER Foreigner (reissue) FRANK BLACK AND THE CATHOLICS Dog In The Sand

FREDDIE HUBBARD & JIMMY HEATH Live At The Left Bank


GENOVESE My Amercia

GLADYS KNIGHT At Last

HANGTOWN Eleven Reasons

HOLMES BROTHERS Speaking In Tongues

ubloan Osborne produces and lends backing vocals

JAPANCAKES The Sleepy Stranger

JEFF BECK You Had It Coming

JOHN ANDERSON Nobody's Got It All JOHN SCOFIELD Works For Me

JONNY POLONSKY filer's Something Wrong With You

JOHNNY RIVERS Back At The Whiskey JOHNNY WINTER Deluxe Edition

JEB LOY NICHOLS Just What Time It Is

JT MONEY Blood, Sweat & Years KARISSA NOEL Drama Queen

LARRY ELGART Let My People Swing

LARGE PROFESSOR Blaze Rhymez (12")

LAMBERT, HENDRICKS & ROSS Sing A Song Of Basie (reissue)

LE TIGRE From The Desk Of Mr. Lady

MAD LION Predator Or Prey

MATTHEW GOOD BAND Beautiful Midnight MEAT LOAF Bat Out Of Hell (reissue)

MOMUS Folktronic

MOUNT FLORIDA Arrived Phoenix

Bobsled

Rhino

Bulb

Rounder

Pagoda

Animal World

Verve

Label M

Kindercore

Bobsled

MCA

Verve

Animal World-Pehr

Era-K-tel

Warner Bros.

Rhino WAR.

Label M

Food Chain Universal

MCA

Black Dog

Alligator

Kindercore

Epic

Epic

Verve

Eggbert Soul City-K-tel

Alligator

Rykodisc

Priority

Epic

K-tel

Matador

Verve

Mr. Lady

Reprise

Atlantic

Sony Legacy

Le Grand Magistery

Matador

PROPAGANDHI Today's Empires, Tomorrow's Ashes DROPKICK NIURPHYS Sing Loud, Sing Proud

Feb.6 Feb.6

NAPALM Bomb Scare

NAT ADDERLY Introducing (reissue)

OSCAR PETERSON On The Town (reissue)

PSYCHEDELIC FURS Greatest Hits RAZ MESINAI The Unspeakable

RIC LOUCHARD Ragtime Romp (reissue)

RICHARD LLOYD The Cover Doesn't Matter ROCK COACHES Our Freshman Year At Rock Coach High

ROLAND KIRK Here Comes The Whistlemon

ROY BUCHANAN Deluxe Edition

SKI OAKENFULL Life Changes

SOUNDTRACK Down To Earth

SOUNDTRACK Sweet November

SOUNDTRACK Valentine

Hittinng music by Marilyn Manson, Orgy, Linkin Park and others

STARS Nightsongs

VARIOUS ARTISTS 7Years Of Bad Luck

VARIOUS ARTISTS Berklee College Of Music

VARIOUS ARTISTS Blockbuster: A70s Glam Rock Tribute VARIOUS ARTISTS Cheap Shots And Low Blows

VARIOUS ARTISTS Intimate Portrait: Women Of The Heartland

VARIOUS ARTISTS The Very Best Of Dr. Demento VARIOUS ARTISTS Trance Chronicles

VARIOUS ARTISTS Salsa Superhits VARIOUS ARTISTS Smooth Grooves: Steppers

VARIOUS ARTISTS WWF: Aggression Volume2

VITAMIN C More

FEBRUARY 1

Priority

Blue Note

Verve

Sony Legacy

BSI

Rhino

Upsetter

Animal World

Label M

Alligator

Sony

Epic

Reprise

Warner Bros.

Le Grand Magistery

Lunch

Epic

Conspiracy

TKO

Lifetime-Rhino

Rhino

Cold Front-K-tel

K-tel

Rhino

Priority

Elektra-EEG

ARCO Coming To Terms

FEBRUARY 6 Pehr

5 FOOTAZ Lifetime Restless

AGAINST ALL AUTHORITY Nothing New Subcity

w•Sin,glps and compilation appearance collection AND/ORS Will Self-Destruct Better Looking

ANDY VOTEL Styles Of The Unexpected Twisted Nerve-XL-Beggars Banquet ATOM AND HIS PACKAGE/HAR MAR SUPERSTAR Atom And His... (7" EP) Subcity

BAD ASTRONAUT Acrophobe Honest Don's ,• side-project

BABYFACE Lovers (reissue)

BABYFACE For The Cool In You (reissue)

BABYFACE Tender Lover (reissue) BABYFACE The Day (reissue)

BILL DOGGETT Wow! (reissue)

BING CROSBY AND BUDDY BREGMAN Bing Sings ... (reissue)

BLACK LABEL SOCIETY Live

CHARLIE RICH Behind Closed Doors (reissue) CHERISH THE LADIES The Girls Won't Leave The Boys Alone

CHILDREN OF BODOM Follow The Reaper

COMPAY SEGUNDO Las Flores De La Vida

DENGEE

DOUBLE TROUBLE Been A Long lime

Stevie Ray Vaughan's backing band's first solo album, with Ji

Willie Nelson, Dr. John, and others guesting

DROPKICK MURPHYS Sing Loud, Sing Proud

EDDIE COSTA Guys And Dolls Like Vibes (reissue)

ELECTRIC FRANKENSTEIN Annie's Grave

ELLA FITZGERALD Sings Broadway (reissue) FRED HERSCH Songs Without Words

t'Three-CD box set FROGS Hopscotch Lollipop Sunday Surprise

JACK COSTANZO Back From Havana

JOE MAPHIS Are On The Stings (reissue)

KRIS KRISTOFFERSON Kristofferson (reissue)

MASTERS OF REALITY Sunrise On The Suffer Bus MICHAEL BOLTON Love Songs

Sony Legacy

Sony Legacy

Sony Legacy

Sony Legacy

Verve

Verve

Spitfire

Sony Legacy

RCA

Nuclear Blast America

World-Circuit-Nonesuch

Beyond

Tone Cool

mmie Vaughan, Jowly Lang,

Epitaph

Verve

Victory

Verve

Nonesuch

Scratchie

CuBop-Ubiquity

Sony Legacy

Sony Legacy

Spitfire

Sony Legacy


MODE REKO

MOE Dither

NICHOLAS PAYTON Armstrong Tribute

OHGR Welt

ORANGE PEELS So Far

PROPAGANDH1 Today's Empires, Tomorrow's Ashes

P'TAAH Decompressed . ,11btor ,r lutes three new tracks

PUBLIC ANNOUNCEMENT Don't Hold Back

RAISINS IN THE SUN Raisins In The Sun ROBERT SCOTT The Creeping Unknown

• nt the Bats and The Clean

RODNEY CROWELL Diamonds And Dirt (reissue)

SARAH VAUGHAN Viva Vaughan (reissue)

SAVATAGE Live In Japan

SHINS (7")

SOILWORK A Predator's Portrait TAHITI 80 Extra Pieces TRAM Frequently Asked Questions

VARIOUS ARTISTS Death Is Just The Beginning, Vol. 6 WEAKERTHANS Watermark (EP)

iNaied uf) includes a video and live concert footage

FEBRUARY 12 DAVE FISCHOFF The Ox And The Rainbow

DIANOGAH —1

GEOFF FARINA Reverse Eclipse RICHARD YOUNGS Making Paper

FEBRUARY 13 AK1200 Mixed Live: AK!1200 With MC Navigator

ANDERS OSBORNE Ash Wednesday Blues

CHUCHO VALDES Solo: Live In New York CHUCK LOEB In A Heartbeat

DAN FOGELBERG The Very Best Of Dan Fogelberg trom his stint on Epic Records

DAVE BRUBECK Red, Hot & Cool (reissue)

DAVE BRUBECK Vocal Encounters (reissue) DAVE BRUBECK QUARTET At Carnegie Hall (reissue)

DAVE BRUBECK Quartet Jazz Impressions In Japan (reissue)

DIANNE REEVES The Calling: A Tribute To Sarah Vaughan

DJINI BROWN State Of Stagnation (12")

EARTH, WIND & FIRE Spirit (reissue)

EARTH. WIND & FIRE Open Our Eyes (reissue) ELAINE LUCIA Sings Jazz And Other Things

ELEMENT 101 Stereo Girl

EN00 Evolve

FLORA PURIM Perpetual Emotion GRADY CHAMPION 2 Days Short Of A Week

HARDCORE SUPERSTAR Bad Sneakers And A Pina Colada

HERB JEFFRIES Say It Isn't So (reissue)

HERBIE MANN Plays (reissue)

HESHER Hesher

JIM WHITE No Such Place JOHN CALE Vintage Violence (reissue)

JOHN FRUSCIANTE John Frusciante

diburn train Red Hot Chili Peppers' guitarist

MARK KOZELEK What's Next To The Moon?

MAURICE WHITE Maurice White (reissue)

MISTRESS BARBARA Relentless Beats

MONKEES Monkees Music Box

O'JAYS The Ultimate °lays

PREFAB SPROUT The Collection

REWAKE Carnival (CD5)

RILEY LEE Buddha's Dream

Blue Thumb-Verve

Fatboy

Verve

Spitfire

spinART

Fat Wreck Chords

Ubiquity

RCA

Rounder

Thirsty Ear

Sony Legacy

Verve


Sub Pop Nuclear Blast America

Minty Fresh Jetset


Subcity

Secretly Canadian

Southern

Southern

laglaguwar

Moonshine

Shanachie

Blue Note

Shanachie

Sony Legacy

Sony Legacy

Sony Legacy

Sony Legacy

Sony Legacy

Blue Note

7 Heads-Nu Gruv

Sony Legacy

Sony Legacy

Raw

Tooth & Nail

DV8-Columbia-CRG

Narada Jazz

Shanachie

Koch

Rhino

Rhino

Warner Bros.

Luaka Bop

Sony Legacy

Warner Bros.

Badman

Sony Legacy

Moonshine

Rhino

Sony Legacy

Sony Legacy

Yawn

Narada

RON CARTER When Skies Are Grey

SAVATAGE Poets & Madmen

SCIENCE PARK Disinformation

SHIRLEY BASSEY The Remix Album.. Diamonds Are Forever SLOTH The Voice Of God

STEPHEN MALKMUS Stephen Malkmus TANTRIC Tantric

members of Days Of The New

THE ORB Cydonia

THELONIUS MONK Live At The Jazz Workshop — Complete (reissue)

THELONIUS MONK Monk In Tokyo (reissue) TWIN PRINCESS The Complete Recordings

VARIOUS ARTISTS Café Del Mar, Vol. 7

VARIOUS ARTISTS Gypsy Caravan

VARIOUS ARTISTS On The Trail

VARIOUS ARTISTS Saxuality

VARIOUS ARTISTS This Is Solid State Vol.11 VARIOUS ARTISTS Untamed: Next Generation Celtic

VENA CAVA Saint Monday

FEBRUARY 14 HALF JAPANESE Hello

HOWARD ZINN Stories Hollywood Never Tells

FEBRUARY 15 A PERFECT CIRCLE Remixes

JOHN HAMMOND Wicked Grin

OLU DARA Neighborhoods

FEBRUARY 19

Blue Note


Obscure Nettwerk

Music Cartel

Matador

Maverick

MCA

Sony Legacy

Sony Legacy

Hidden Agenda-Parasol

MCA

Putumayo

Shanachie

Shanachie Solid State-Tooth & Nail

Narada World Yawn



Virgin

Virgin

Atlantic

HALF JAPANESE Home

FEBRUARY 20 ANNIE HAYDEN The Rub

BACKFIRE Still Dedicated BIS Music For A Stranger World (EP)

BOMFUNK MCS In Stereo BOY GEORGE Essential Selection

BUZZY LINHART Buzzy Linhart Loves You CHARLES MINOUS Tonight At Noon

CONTINENTAL DRIFTERS Continental Drifters (reissue)

DAVID THOMAS ANO TWO PALE BOYS Surf's Up

DAWN UPSHAW Angels Hide Their Faces

DIESEL BOY Rode Hard And Put Away Wet DUNCAN SHEIK Phantom Moon

FATAL FLYING GUILLOTINES The Now Hustle For New Diabolics

FLYBANGER Headtrip To Nowhere

FRENZAL RHOMB Shut Your Mouth

FRODUS And We Watched Our Weapons In The Sea •*Baiid's final album

GEOFF FARINA Reverse Eclipse OLU DARA Neighborhoods

Feb. 12 Feb. 15


Merge

Victory Lookout!

Epic

London-Sire

Razor & Tie

Label M

Razor & fie

Thirsty Ear

Nonesuch

Honest Don's

Nonesuch

Estrus

Columbia-CRG

Fat Wreck Chords

Fueled By Ramen

CMJ 47

JANUARY 29, 2001

JUST OUT

A.M.I. PO. Box 1386, Venice, CA 90291 RICK HERILESS — Hey Head (C051 120401

ALYOSHA 105 Fourth Ave., Ste. 46, Brooklyn, NY 11217 718.398.8709 DJANGO & THE REGULARS — Lying Low And Inbetween 11021

AMISH PO. Box 1841, New York, NY 10013 718.599.6533 ladabemsn.com METABOLISMOS — Spnebwartsdrall 10091

ANECHOIC 22-55 Crescent St., Astoria, NY 11105 BELLWETHER - I Can't Hear You [0031 EU.Z.Z. — EV11[0011 FOUR HUNDRED — The Four Hundred 10041 PANIC STRIKES A CHORD — I Can See Electricity At The Proper Distance 10021

ANONYMOUS 1236 Eighth St. NW, Albuquerque, NM 87102 MOTET - Play [0832]

BECKERESQUE 301 Baltic St, al, Brooklyn. NY 11201 CHRIS BECKER — 200 Birds (EP)

BEGGARS BANQUET 580 Broadway. New York, NY 10012 212.343 7010 [email protected] LLAMA FARMERS El Toppo 121/1

BOB PRESSNER 742 Castleman Or, Westfield, 111 87090 BOB PRESSNER BAND Riding The Wave

CJP PO. Box 393, Lomita, CA 90717 310.325.2881 NIKKI HORNSBY Reaching Out

CROW POINT 65 E. Cottage St.. Dorchester. MA 02125 [email protected] THE LUNE - Blameless 126351

DIADEM RO. Box 368, Madison, WI 53701-0368 EASTERN SUITE Dead Sea 111741

DILLON PO. Box 2173. Yorktown, PA 23692 STEVE DILLON — First Of NI

E-MAGINE 601 West 26th St., Ste. II, New York, NY 10001 212.924.8212 TENDER IDOLS — Distressor (610381

ENGINE PO. Box 1575, Stuyvesant Sta., New York, NY 10009 211.505.6929 JOSH ROY BROWN - Can') Look Back 1800251

EPITAPH 2798 Sunset Blvd.. Los Angeles, CO 90026 213 413 7353 infoOepitaph.com BOMBSHELL ROCKS — Cdyrats & Alleycats [Burning Head

820131 DEATH BY STEREO — Day Of The Dead 1865901

HALL OF RECORDS P.O. Box 69281, West Hollywood, CA 90069 FREEHEAT — Don't Worry. Be Happy [ 11041 SLEET — The Volume Drops 11103]

HEFTY 1658 N. Milwaukee. Ste. 287, Chicago, IL 60641 773.772.8069 SOUNDTRACK -- Scarlet Diva 10261

HOLLYWOOD 500 S. Buena Vista St., Burbank, CA 91521 818.560.5670 SOUNDTRACK Save the Last Dance 1622881

IDJMG 825 Eighth Ave., 24th Fl., New York, NY 10019 212.333.8000 LIONEL RICHIE — Renaissance (Island 548 225)

IRES 63 Perry St, 019, New York, NY 10014 212.243.5022 KAREN IRES — Karen Ires

KOCH 740 Broadway, New York, NY 10003 212.353.8800 VARIOUS ARITISTS — Totally Pokemon 189071

LAMINACK 8011 Navajo St., Philadelphia, PA 19118 LYNDON LAMINACK — You Are My Home 199011

LOOKIT MEEE! PO, Box 533, Athens, GA 30603 SHUT-UPS — The Shut-Ups 10021

MADE YA LOOK PO. Box 2761, Toluca Lake, CO 91610 888.487.2699 GOLDEN TICKET Inaginary Stars 127 751

MINTY FRESH P.O. Box 577400. Chicago, IL 60657 773.665.0289. [email protected] TAHITI 80 — Extra Pieces (EP) 1391

MR. LADY PO. Box 3189, Durham, NC 27715-3189 919.682.1150 LE TIGRE — From The Desk Of Mn. Lady (141

NETTVVERK 8730 Wilshire Blvd., Beverly Hills, CA 90211 310.855.0643 intoenettwerk.com TREBLE CHARGER Wide Awake Bored 1715991

OODISCS 261 Grovers Ave.. Black Rock, CT 06605-3452 203.367.7917 [email protected] BEISER/SCHICK - Caught By the Sky With Wire 1671

REASON BEING P.O. Box 68482, Schaumburg, IL 60168 TRADING BRAINS — Fear Of The Letter )

RED LODGE 154 Betasso Rd Boulder, CO 80302 PAUL EUGENE BECK — Of The Forest 133551

RIGHTEOUS BABE P.O. Box 95, Buffalo, NY 14205 716.852.8020 [email protected] DRUMS AND TUBA Vinyl Kite 10231

ROUNDER 1 Camp St., Cambridge, MA 02140 617.354.0700 CATHY FINK & MARCY MAR VER WITH BRAVE COMBO — All Wound Up, [Rounder Kids 80921

ROUTE 5 P.O. Box 310756, Newington, CT 06131-0756 GUY-MICHAEL GRANDE — Familiar Strangers 15159911

RUSSIAN RIVER c/o Rainmaker Publicity, 398 Columbus Ave.. P.M.B. Ht 83, Boston, MA 02116 2 BIG — Always In Trouble (CDS) (64121

UNIVERSAL 2220 Colorado Blvd, Santa Monica, CA 90404 310.865.5000 FLYING BLIND—Push (Republic 3681

VAGRANT 2118 Wilshire Blvd.. Ste 361. Santa Monica. CA 90403 310.396.9011 ROCKET FROM THE CRYPT/GET UP KIDS - - Rocket From the Crypt/Get Up Kids (7")

VICTORY 346 N. Justine St., Chicago, IL 60601 888.447.3267 [email protected] REACH THE SKY - Friends. Lies, And The End Of the World 11381

WARM P.O. Box 1423, Athens, GA 30603 AZURE RAY Azure Ray 11021

WHOLE 9 YARDS PO, Box 212, E. Molessey, Surrey ICTIL 97N United Kingdom VARIOUS ARTISTS - the Whole 9 Yards Volume One 1021

HIP-HOP

FLUID 11333 Moorpark St., 11412, North Hollywood. CA 91602 URBANITES — Pure Pressure 170081

TOMMY BOY 902 Broadway, New York, NY 10010 212.388 8300 JONZUN CREW — Lost In Space 110011 PLANET PATROL — Planet Patrol [10021

,JA77

DREYFUS 19 West 44th 07.11e 1718. New York. NY 10036 212.944.1630 MARTIAL SOLAL — Dodecaband Plays Ellington 1366131 PHILIP CATHERINE — Blue Prince 1366141

PALMETTO 71 Washington Pl., New York, NY 10011 212.673.6394 palmettneathorn.net BEN ALLISON Riding The Nuclear Tiger 120671

PARADIGM 67 Irving PI.. New York, NY 10003 212.387.8900 DAVID BENNETT COHEN — In The Pocket 184421

RAW 215 Englewood Ave., Englewood, NI 07631 201.871.6909 ELAINE LUCIA — Sings Jazz And Other Things 13011

STAR STAR STEREO PO, Box 070762, Milwaukee, WI 53207 SIXTO — Solo [40121

SIXTO

UBIQUITY 54 Washburn Street, San Francisco, CA 94103 415.864.8448, maileubiquityrecords.com VARIOUS ARTISTS — lana On The Latin Side ALL STARS: Vol. 2

1CuBop 030]

UPTOWN PO, Box 394, Whitehall, MI 49461 CHARLES MINOUS — West Coast 1945-49 1271

LOUD ROCK

AMONG THIEVES 660 Madison Ave., 10th FL, New York, NY 10021 AMONG THIEVES — 2001 Demo

DWELL P.O. Box 39419. Los Angeles, CA 90039 323.663.8098, infoOthvellrecords.com

EVOKEN — Quietus 11063] VARIOUS ARTISTS — Chamber Metal 110641 VARIOUS ARTISTS — Overload 2: Tribute To Metallica 110421

MUSIC CARTEL 106 W. 32nd St 3rd Fl.. New York, NY 10001 ELECTRIC WIZARD — Dopethrone 144] SLOTH — The Voice Of God [461

SPITFIRE PO. Box 1837, New York, NY 10009-8910 212.533.4824 BRUNO FOX — Long Way To Live 151111 PAUL DIANNO — The Beast - Live 151781

NEW WORLD

NORTHSIDE 530 N. Third St., Minneapolis, MN 55401 612.375.0233 [email protected] MARIA KALENIEMI & ALDARAGEZ - - Ahma 160531

VP 89-05 138 St, Jamaica, NY 11435 718.291.7058 VARIOUS ARTISTS — Reggae Lasting Love Songs 116061 VARIOUS ARTISTS — Total Togetherness Volume 111 16091

RPM

FORCE INC. 631 E. 11th St.. 822, New York, NY 10009 212.353.2656 AUCH — Remy Tomorrow Goodbye 10471 EXOS — Strength 110481

SOMA 953 E. Sahara, Ste. E15-A, Lou Reps, NV 89104-8571

310.247.8571 VARIOUS ARTISTS — Slam: Past Lessons/Future Theories [Distinctive Breaks 651

STUDIO K7 210 Fifth Ave.. New York, NY 10010 212.685.7161 [email protected] SOUNDTRACK Project Unison 1811

TRIPLE A

CMH P.O. Box 39439. Los Angeles, CA 90039 323.663.8073 [email protected] VARIOUS ARTISTS -- Long SRange Top( 17911

KOCH 740 Broadway, New York, NY 10003 212.353.8800 JOHNNY DOWD - Temporary Shelter 182051

MPRESS 61 E. 18th St., New York, NY 10003 877.87&7243 [email protected] RACHAEL SAGE — Painting Of A Painting 15454]


CIVIJ RADIO 200 AIRPLAY

REPORTING DATES' Jan. 26 - Jan. 30

Feb. 2 - Feb. 6

Feb. 9 - Feb. 13

NOTE TO REPORTERS: Printed playlists reflect airplay reported to" GNU two weeks prior to magazine's cover date.

REPORTING HOURS FAX, EMAIL OR WEB 6 a.m. Friday - 3 p.m. Tuesday EST

EMAIL: [email protected]

WEB: WWW.GMJ.GOM

ACRN Athens, Oli 99 3 FN MnsIssauga, ON 91 9 FM Oustm Grant %ctn. Bonanno 140.5936910 905 569 4712 ameoak.cals.ohicniAdu lewbaccamdtWahoo corn RADIOHEAD BI 0,5 BADLY DRAWN BOY CL/I,, BLUR LIVII, END MATTHEW GOOD BAND LI1 REEVES CAMELS SWEARING AT MOTOR SIERREN MALKMUS SONGS ODIA CAVIAR RAGE AGAINST THE HOOVERPHONIC DON B HARVEY ERYKAH BAOS LIZ MORE PLASTIC MEAT PUPPETS MONEEN POE CATCH 22 OFESPFUNG LAST DAYS OF ABRI FATUITY SLIM OUR LADY PEACE PHOENIX SNATCH V00000 GLOW MULL JURASSIC/5 WALLFLOWERS BEEF TERMINAL LLAMA FARMERS NEELY FURTADO RUSSELL WINS DEATH BY CHOCOLAT UGLY DUCKLING GODSPEED YOU FLAC ELYSIAN FIELDS RALPH COLDPLAY OUTIMST DONNAS DAFT PUNK NEW FOUND GLORY RUN DA< CREEPER LAGOON FORGOTTEN REBELS MOJAVE 1 SAPA LEE PALO ALTO DEATH BY STEREO GO-BETWEENS BOMBSHELL ROCKS DIMAHEAD MUGSHOT ',FRS, KARA,'

CFRE CHIC North York. ON 105 5 FM Reg Ina lohou 416.7315293 cbry0yorku.ca TALIO KWELI AND H BRASS AIUNK MOP ERWAH BADIJ SOLITA IR TUPAC SHAKUR MUSIQ SOULCHILD LEUDAS OUTRANT GOMEZ HOOVERPHONIC BABY BLUE SOUNDER BERNIE MAN WU-TANG CLAN DJIGU1 BLACK EYED PEAS SUGAR MINOU SLUM vILLAGE RAGE AGAINST THE LAZAH CURRENT BADLY DRAWN BOY ELEPHANT MAN SNOOP DOGO JOE DELTRON 3030 112 GURUS JAZZAIATAZZ RONISIZE/REPRAZE JIMMY REID

11,

CIBL Montreal, ONO 101 5 FM Sylwan tat remere 514.526.2581 Sylwanialromore FREEWORM CHII LU GONZALES BLUR I SPIED BIKE BROADCAST PI HARVEY QUATRE CEGAD SEPT CUIRA 8. THE C BS20C0 ZEND AVISTA YO LA TENGO OUTRANT ELYSIAN FIELDS MINSTRELS BRASSY GOOSMACK NEALE FURTADO FRANKIE SPARO FRANK BLACK 8. JOHNNY CASH HIGH LLAMAS DEATH BY CHOCOLAT HONEYDOGS ANDY VOTEL ADD N TO (X) DAVID HOLMES NIGO DIABLO PROJECT COMAS JOY DIVISION

CIXS Montreal. OC CC Ottawa, ON 93 1 FM Pablo Duran Wunder Tattersall 514931 8731 613 520 2698 Mooseammblyahoo.com ckneweb net BLUR KF PIER RAGE AGAINST THE STAND C.I. Fl HARVEY OUTLAST OUTLAST OH SUZANNA COLDPLAY JOHN SOUTHwORT1-1 BLACK EYED WAS CHRIS BROWN RONI S1ZE/REPRAZE JOE VENUT1/TONV R WESTON WU-TANG CLAN POE R KELLY U2 DAVE DOUGLAS GURU'S JAllMATAZZ TWILIGHT CIRCUS D WU-TANG CLAN DREAM WARRIORS PIZZICATO FIVE TALIO KWELI ANO H ERIK., BADE) JOHNNY CASH JUFMSSICE CREEPS JOHNNY CASH SAINT JOHNS FINE SOUTHERN CULTURE GRAVE CONCERN RADIOHEAD DE LA SOUL EMILIANA TOM., DOA NINE INCH NAILS JACOB TU TU PAUL OAKENFOLD FORGOTTEN REBELS DAFT PUNK NEW PORNOGRAPHERS RAMOS, SLIM MOUTHPIECE LIVING END FI HARVEY DREAM WARRIORS SUPA DJ DUD« TAKE A BITE OUTTA GREENFIELD MAIN JOHN FRUSCIANTE HENNESSY TABLA BEAT SC1ENC COSMIC JUICE GODHEAD YO LA TENGO CATCH 21 GEORGE SHEARING

CKCU CPR Poona, IL 90 3 GaFM Jim Vaughn 305.092 9217

l,ANY ',MAN AI THE DRIVE IN/S ASHTRAY BABYHEAD GODHEAD SUPERDRAG BLUE MEANIES MUDVATNE NONPOINT PJ HARVEY SIONEYDOGS DONNAS DAMAGE MANUAL GRAND THEFT AUDIO DWI,. 2000 LESS THAN JAKE BLUR RAD1OHE AD SELF MARILYN MANSON DASHBOARD CONFESS STRAIT UP SOUTHERN CULTURE DIVERJE NEW FOUND GLORY PRIMITIVE REASONS BS2000 CYBONETIK MOO INFLUENTS LLAMA FARMERS SERAPE

BALO Davenport IA 88 5 FM Dean Wirmer 319.333.6217

MUR Sioux Falls. SO 89 1 FM Brooke WInterleld ROS 30E kaurenstaugie. edu

1.11 RAGE AGAINS1 THE 111,01« OF POHILA JOHNNY CASH STEPHEN KIALKMUS BELLRAYS EINSTEIN'S SISTER COME? LORETTE VELVETTE PAUL OAKENFOLD DASHBOARD CONFESS PT HARVEY SPOONCAT1 RADIOHEAD BRAILLE STARS SOUTHERN CULTURE U1 DONNAS TRIBUTE TO NEB MEAT PUPPETS GIES FATBOY SLIM % HARVEY ROBERT BELFOUR ELECTRONIC YO LA TENGO BEEF TERMINAL LAMA 9 THE C SOUTHERN CULTURE WHITE STRIPES JUNO REACTOR STRAIT UP ACID JANA 2 NINE INCH NAILS OFFSPRING ELLIOT SMITH DEATH BY CHOCOLAT ALUMINUM GROUP R I BURNSIDE SPRAGUE BROTHERS CATCH 11 SUBIONE AUTUMN RED SNAPPER ALCHEMISTS PIZZICATO FIVE JUNCTION 18 PHOMAING EDISON BLUR FATBOY SLIM JOHNNY BOND GABE GORDON JOSH JOPLIN ALL NATURAL LEMON ACETONE JOHNNY CASH ARCHER PREW1TT AFTERTAX/RUSTY NA FLYBANGER PALACE OF ORANGES TRIPPING DAIS/ ELLIOTT ALLES WIE GROSS INFLUENTS Al GOSSIP DAFT PUNK TITAN GODSPEED YOU FLAC ULTRA JAKE WISTI AND TH ELEVENTH DREAM DA RED TELEPHONE GURUS JAZZAAATAZZ SCHEMA HOUSE BAND DRESSY BELLY JIM B. JENNy A FUNKSTAR DE LUXE GREEN DAY SCAR ROS SWEARING AT MOTOR HOPEWELL BRATMOB1LE wYZR TIME NEW FOUND GLORY TWILIGHT CIRCUS D FISH ALTIERI SILVER SCOOTER TAY RAI CO B T

K800 Portland, OR 90 1 FM Brandon Deberman 503 2311032

CUM CK01 KAFA CAMP KAZU KBUT Detroit. All 91.5 FM Ottawa, ON 96.9 FM USAF Academy. CO 104 3 FM Tucson. AZ 1570 AM Pacrfic Grove. CA 90 3 FM Crested Butte. COTO? F11 011110110n Gamer Darryl Fullloul Scott Beusch Brent Pampeelichelle Heinle Walker Alex Fenlon 519.971.3606 613.727.4723 719.3311144 520.626.44AO 131175.7597 970 349 5225 gagniesOuwindsorda crocktdealgonquinc on RO hampOkamp.amorea.edu madOkazu.n musicellibut orp FUD10111 AD RIPCORD, OUTKAST JURASSIC-S EMILIANA TORRINI FLU% TALIB RWIU U, . DRACULA 2000 DEATH BY CHOCOLAT FATBOY SLIM BADLANDS A TRIBU SOLIDLY ROSI SIZE/REPPMZE PAPER CHASE ERYKAII BANG /ORR. A nu., fr dr. RON HAWKINS SATANIC SURFERS WUTANG CLAN HOFEI.ESS4Y DEVOTE JOHNNY CASH ERyKAI I BADU PI HARVEY METE SHLIVEL DELTRON KM ELYSIAN FIELDS NEIL YOUNG FEIST DJ SERIOUS LYRICIST LOUNGE V DAFT PUNK MEDEMO MARTIN AN onAms, SMITH NEW PORNOGRAPHERS UGLY DUCKLING NONPOINT UNISEX CARTE BLANCHE VOL HOT TUNA DYING FETUS MARILYN MANSON U2 DR DAN BANCO DE CHIA TRAFFIC BLUR MOVIELIFE GURU'S JAZIMATAZZ OUTLAST FUTURE SOUNDS OF OUTKAST FORGOTTEN REBELS CATCH 22 DAFT PUNK SONGS OIL. PIASTILINA MOSH RUNAWAY TRUCK RIPEORDI ASTRENA RAGE AGAINST THE TAKAKO MINEKAWA JILL SCOTT ?NARK KNOPFLER SEA AND CAKE DELTRON 3010 JAY-? RONISIZE/REPEMZE DELTRON 3030 GRATEFUL. DEAD ELASTICA GODHEAD NOTHINGFACE FATBOY SLIM COLDPIM UNITED DOPE FRONT PIZZICATO FIVE POWERMAN S000 FATBOT SLIKI CALL AND REMONSE PONTIUS COPILOT TITAN DRESSY BESSE STAND GT (RERAN BADU MOUNTAIN GOATS LOW SOUTHERN CULTURE ALUMINUM GROUP TOOL BLACK THOUGHT ELECTRO GROUP TAKAKO MINEKAWA U2 SUN FMB HIS NEW FOUND GLORY GATECRASHER GLOB 6% PI HARVEY ROOMFUL OF BLUES GODSPEED YOU FLAC AT THE DRIVE/IN LINKIN PAM FIRE SHOW ECHOBOY EVERLAST ASHLEY PARK SLAVES ON DOPE TUPAC SHAKUR SHANTI PROJECT CO HI-FIDEL ITN DUBS MERLE SANDERS SOUTHERN CULTURE SAMIAM MTV THE RETURN 0 PEPE DELUXE SNATCH RAGE AGAINST THE VANCOUVER NIGHTS DOWNWAY JURASSIC-S HOLIDAY RA. LIE JOHNNY CASH DELGADOS STRAIGHT FACED BLUR MASCOTT RADIOHEAD TONY RICE UNIT MATES OF STATE SICK Of IT ALL DI MICRO COME? HI.RIDEI ITS LOUNG STATE OF GRACE CRIME [PLUS) PUNI BURNING HEADS RADIOHEAD LOW POE HANK WILLIAMS SR WE THANK YOU -- K BOMBSHELL ROCKS TAUB KYVELI AND H SPOON JOSEPH ARTHUR FUNKSTAR DE LUXE TRISTEZA LESS THAN JAKE GODSMACK SOUTHERN CULTURE BUTZHOSEN ROB WASSERMAN EUPHONE PRO-PAIN PRODIGY HI-FIDELITY LOUNG DONES PERSUASIONS DINNER IS RUINED 4TH AVENUE JONES POE DIESELBOY BLUR WILLIE NELSON SWEARING AT MOTOR RAISED FIST STRAIT UP MAHONE DEATH BY CHOCOLAT SILLY FURTACK, BROADCAST COSMIC ILIICE III ACV I VI DI'l A) FAI-Dr SKI MARTIN AN SAINT 1,1 EMAIL 11 ICKI H NOIS,

CFCR CFUV CHSR CISM CILO CKUA KAFM CAPO KBBI KBUX Saskatoon, SA 90 5FM Victoria, BC 101 9 FM Fredericton. NB 91 9 FM Montreal, Pfl 813 FM Montreal. PO 88.9 CaFAI Edmonton, AB 94.9 FM Grand fund«. CO 88.1 FM Arusa. CA 10c / FM Homer AK 890 AM Columbus. 011 91 1 FM moo knob Geraldine Sidman Candace Ropers Diem Roy tows If Ornar David Ward lackle Gisrlar Jake JarobrSlun Paulette Wellington 16Se rInch 308.664.6878 250.7211702 506 453 4985 514.343.7911 514.848.7401 800.444.2582 9/0.241 8801 626 815 3871 901.235 1121 614 1910436 dentffldrailUel 1808180819rAnnt ca [email protected] FusifflOcam.org altmd cdoeholmail con, ckwOommt.em Selma& net kapurrrapu edu kbbleralaska net iadloCrunderwound 1m NEW PORNOGRAPHERS MCX Am.. DELTRON 3030 PI HAW v é T I F STIR QUITZAU CORN SISTERS CORN SISTERS SWAI I OWING SHIT GROOVY AARDVARK OUTKAST o BROTHER. WHERE WCIM1155 WORLD VO1 If, uk PARIS (UN., SUN, IINE RALPH FFUNICIE SPARO BLUR lIEN CUTS GOB PAUL SIMON RODNEY CROWELL PIZZICATO f VE AS STEPHEN MALKMUS JOHNNY CASH DEATH CAB FOR CUT NEW PORNOGRAPHERS JORASE NEW PORNOGRAPHERS MARK KNOPFLER ETTA JAMES DEATH CAB FOR CUT RADIOHEAD DELTRON 3030 YO LA TENGO MOUSE ON MARS GRADE SEA AND CAKE BLUR STEVE PINEO BOTCHIT BREAKSPEE NEW FOUND GLORY ERYKAH BADU BELLRAYS KING COBB STEELIE TEGAN 13 SARA FEAR ABSOLUTE TITAN Ely PAN AM ELM MANDRIL JAZIANOVA HOPEWELL UE MARBLES SOUTHERN CULTURE BANCO DE CAJA LITTLE NICK,' RAGE AGAINST THE PALO ALTO NATIONAL DUST RICHARD CARD RADIOHEAC SOUTHERN CULTURE MILEMARKER BLUR SHIPPING NEWS DOA KLETKA RED RAGE AGAINST THE BJORN DENNY ZEITLIN TRI WHITE OCTAVE PEPE DELUXE JURASSE-S SPRAGUE BROTHERS BADLANDS A TRIBU JORASE QUANNUM PRESENTS NEW FOUND GLORY BRENDA RUSSELL EVA C_ASSIDY PAUL OAKEISFOLD THE BEST OF KEN B GOURDS JOHN SOUTHWORTH JEAN SMITH P1 HARVEY SIGUR ROS SOUTHERN CULTURE DAN HICKS ,6 H SCREAMIN AND HOE LAMINA MOSH ETTA JAMES SWEARING AT MOTOR PI HARVEY MICROSTORIA OUTRANT KEPLER CORN SISTERS WENDY MCNEIL CELTIC TWILIGHT S TIMM SHAKUR PI HARVEY LORETTE VEINETTE DANION & NAC.MI JEGA FATBOY SLIM EKKOCENTRIC PENNYWISE JIMMY SMITH STRANGEFOLK JOY ZIPPER COLO..' EUPHONE OUTKAST YO LA TENGO OH SUZANNA SENOR COCONUT Y 1 KINGPINS RICKIE LEE IONES AMIE BONE PEPE DELUXE HYFIDEI ITT LOUNG SUPERSTAR ROOKIE MONSIEUR LEROC JEJUNE BRAT/6001LE UNFONIE FRANKIE SPARO THIEVERY CORPORAT CEDAR WIND PONTIUS COPILOT BLUR MASCOTT WACO BROTHERS BLACK EYED PEAS ERIN SMITH ENTOMBED AT THE DRIVE-IN GONDWANA RIPPINGTONS I DING END MATTHEW SWEET KING CHANGO PIZZICATO FIVE HEN CUTS CAPTURE THE FLAG FRANK BLACK & MATTHEW SWEET TIM WILLIAMS TONY FURTADO XI &RAKE, MILKAWA KIEDESKI MARTIN AN SOFA SURFERS CINERARM CEREBUS SHOAL MANHATTAN TRANSFE POCKET DWELLERS LESS THAN JAKE NUESLAND ROBIN TROWER ARLO DWIGHT YOAKAM Q AND NOT U MERLE HAGGARD PEPE DELUXE HOOVERPHONIC WITH NAIVE ASSURA GR.EHE TANIA MARIA JACK IF2/R0 BIKERDE STFMNGEFOLK KRE1DLER DEATH BY CHOCOLAT REFUSED nelEGADETH FLHNGER LIVING END GOD BLESS AFRICA ANCIENT CITY FASHION EXPO JAZZANOVA PARTY OF HELICOPT TAIMKO mINEKAWA NIGHTMARES ON WAX (APHONE MAGNETOPHONE FIRE SHOW AIMEE MANN OOKLAH THE MOL UNION INSTRUMENTAL ERYKAH BANG MATTHEW SWEET CALEXICO THEATRE OF THE MA MARCLAWYOSHIHIDE WEAKERIMANS EVERCLEAR VOODOO DOGS LLAMA FARMERS SAINT GERMAIN JOHN SHOUGH

HOPEWELL CARNIVAL VOCAL MUSIC IN CR ERYKAH BADU JURASSIC-S SONNY ROLLINS ROOMFUL OF BLUES LASSIE FOLNDATION HI.FIDELITY DUB S LA TFJEDORA DE Nr1 RICHARD BUCINER 90 DAY MEN BURT NEILSON BAND ELENI mANDELL RADIOHEAD ITALIAN MUSICAL 0 JORNIA KAUKONEN TIMMY BODY LOW MICROSTORIA BEVIS FROND ABBE PRO PAIN PARIS. TEXAS SICK OF IT ALL EVA CASSIDY STATE OF BENGAL SINCLAIRE ROSI SIZE/REPRAZE SEAN REASON ONEIDA FORGOTTEN REBELS LENN HAMMOND ANIMA STEREO ICE JACKSON MARGO GURYAN GENTLE WANES DEATH CAB FOR CUT DAVID HOLMES STRAIT UP KARATE SIX STRINGS NORTH NIGHTMARES ON WAX WHITE OCTAVE OSCAR LOFEZ IAN HAMMER DIRT JEAN CAFFEINE HOPPY KAMIYANIA R L. BURNSIDE MOVIELIFE NINE INCH NAILS FLASHBACK CIN BADLANDS A TRIBU DAvE FRISHBERG WILLIAM CLARE HAWKSLEY WORKMAN POE SPIVENS HOOVERPHONIC STARMARKET DELTRON 1010 PIZZICATO FIVE CATCH 22 SLOBBERBONE LUI COLLINS EASTERN YOUTH UNION FARAQUET PEPE °KURE MAN OF THE YEAR CORN SISTERS TT AR GARDEN DAFT PUNK RACHELLE FERREL 1AKA HONEYDOGS TAKAKO MINEKAWA PAPER CHASE TITAN GREENFIELD MAIN POE : ,,PEED BIKE MONC COSY SHERIDAN SOLAS BADLAND A TRIBU STRAIT UP CRISTIAN VOGEL

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KTRM KWMR WBNY WDPS WFIT krksulle. MO 88 7 FM P1 Reyes. CA 905 FM Buffalo. NY 91.3 FM Dayton, 09 895 FM New York. MY 510 Mit Jared Irvarpa Kay Clements Theresa Petite Mike Fleur Ilus Miller 660 795 4596 415.663.8068 716.878.3080 937.226.6683 212.217.7798 Blini muslc@holmall com musiceloymr.org wbnyeholotail.com wiltOyaboo.torn

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KTRU Houston. TX 91.7 FM Holly Hinson 711348.4098 noiseettro.org

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KTUH Honolulu, III 90.3 FM Jolene Br al 808.956.1818

KWSB Gun... CO 91.1 FM Berhamin Decree 970 9413033

KXCI Tuscon. AZ 91 3 FM Burlington. WI 89 1 FM Ouncan Hudson Terry Havel 520613.1000 4147610195

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WBRS Waltham. MA 101.1 FM Jamie Ifinaldl 781 136 5277 munceeehrs

WBSD

WIUV Castleton. Y1 91 3 FM

Mulvaney-Stanak 801.468.1264 lorrywarreaM.corn HOW/DOGS LLAMA FARMERS DIFFUSER DAFT PUNN

WOSR WFNM WIXO Pittsburgh. PA 97 7 CaFM Lancaster. PA 891 FM Millersville. PA 91 7 FM Cody Kelm lustm SpenIllo Mal Arbogast 111.396.5773 117.2911098 711.8113333

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LLAMA FARMERS GARY NUMAN

WDST WFUV MSC Woodstock, NY IDO? FM Bronx, NY 90.1 FM Johnson, AT 90.7 FM Roger Menell Rita Houston Sean Fitzpatrick 914.679.7266 718.81/.1550 8026391355

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KTXT KXUA WBTY WDWN WGAI WAIL Lubbock. TX 88.1 Fil Fayetteville, All 88 3 Waltham, MA 530 AM Auburn, NY 89.1 FM Deerfield. MA 91.7 FM Lowell. MA 91.5 FM Eric Thompson Emily Tolfeleure Chuck Wasdeveskr le rey Sez lane Gish Erik Scott 806.111.3916 501375 4373 781.8911808 319255.1713 113.714.1812 978.931./975 Ittkettuedu etoffelemaituarkedu vblyinloebentley.edu wkwebotmail.Com vuuleumledt1 HONE YDOGS TAKAKCI MINE KAWA DONNAS DIFFUSER DONNAS DONNAS AZURE RAY DONNAS GENTLE WAVES HONEIDOGS RED TELEPHONE GOSSIP ACETONE LOW LLAMA FARMERS TINFED WHISTLER DIFFUSER LLAMA FARMERS SHIPPING NEWS HONEYDCGS JOSHUA GABRIEL LLAMA FARMERS AT TIONSI ICES

DEATH BY CHOCOLAT GARY NUMAN LLAMA FARMERS MTRGO GuRvAN

KUCR Riverside, CA 813 Al RYE WBZC WEBK WORK WKHS Darren Nolen' ChestertieldMO U.7 FM PembierWn. Ill 1119 AA Mifinglon. YT 105.3 Flà Glenview. 6 88.5 FM Worlon. MD 90 5 FM 101.101.3133 Bonnie Hart Dan Ewald Sharon N/Mandy Steve Krarnarck kltanlinkalletkelleeIn er.-wr. 609.894.9311 802.422.3156 847 486 4481 4107784249 GENTLE WAVES VAN MORRISON ELECTRONIC dkenedyeglenbrook112.,1 us LOW HoNEYDOGS DAVE mATTHEwS BAN DOUBLE TROUBLE ICI ICIICS jPLUs) BRASSY LLAMA FARMERS CURTIS SALGADO IEB LOI NICHOLS SMASH YOUR RADIO, CALL AND RESPONSE DIFFUSER BLUE HAZE THE SO /ONATHA BROOKE PATRIOT GOStIP GARY NUMAN Si) ERIN Mr r FOWN DIFFUSER

QUESTION OF HONOR WKNC RUGS KZMU WCBN WECS Raleigh, NC 88. I FM Bellingham. WA 89 3 FM Moab, U7 89 11M Ann Arbor, All 88 3 FM WIllimantic. Cr 90 I FM WGLS Necia i Sharma 11. m Aloe Laura Barley Glenn Port Carlos Souttront Johnny Sample Glassboro. DI 89.7 FM 919515.2101 360 650.2936 135.159.8821 131.763 3500 860 465 5354 PI Dielave [email protected] nms,c1thugs mg MUsIctitwcbo rig wecsaholmall com 856.863.9457 DONNAS

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KUMM KZOW WCCS WEFT WORE Morns, MN 891 FM Forest City, IA 91 9 FM Norton, MA 965 FM Champalgn, IL 90 I FM Greencastle. IN 91 5 FM Darren Renville V1Ck1 Doll Matt Murray Elon lbsbop Scott Thornburg 3205896016 515.583.81% 508.286.31119 317.359.9338 311.658.4631 kumme0cda.mrs.umwedu s, i tore HONE Y DOGS ACETONE JAPANCAKES TIMED , ioN,DOGS SMALLTOWN POETS MOTION A Sil DEC LLAMA FARMERS MONC ,1 AMA FARMERS CALL AND RESPONSE RED TELEPHONE FRANK BLACK ty POE RED TELEPHONE RED TELEPHONE DOWNER BLACKLIGHT MAUI 1011N FRUSOANTE WENT ACTIONSLACKS TINTED WHISTLER TIDEWATER GRAIN

WKWZ Syosset, NY 88.5 Fll

l570,367 '045

GARY NW...AN TOWED DONNAS CANTU WAVES

KUNI KZSC WCOB WEAL WGSU WLCA Cedar Falls, IA 90 9 FM Santa Cruz, CA 88.1 FM Albany. NY 90 9 FM Auburn, Al 91 I FM Genes., HY 89.3 FM Godfrey, IL 89.9 FM AI Schares Inn Friend Kevin Smith Ryan Hanssen/Paul Andrew Metier Niklu Strasen 319273.6100 031.459.2011 5181115261 334.814 1111 716.215.5186 618.4418936 [email protected] weRl@mall auburn edu w9suguno 9c genese edu yrke016961Lin

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KUNM MAINE PUBLIC RADIO WCKS WEIU WHCS WLFM Albuquerque.. 89.9 FM Blue Hill, ME Allendale, 141 1610 AM Charleston. IL 88.9 FM New York City. 590 AM Alllson Kulp Sara Welk Mlles CurtIss loe Neumann fume Eiankhn 505.277.8022 201374.5914 616.095.2811 217.5817310 kunmmuseunm edu saradjOacadia.net wekseriveritestLedu

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C, 111 ,141 INSTRUMENTAL GARY SUMAN LLAMA FARR% P., SAINT GERMAIN DIFFUSER AZURE RAI

BURE Ames, IA 88.5 FM Andrew Se% 5102911332 kureelastate.edu Tt AFT,11 GI NI, VV.,

Al M. Pr51,

WAIN Potsdam. KY 90.3 FM Seth Warren 315167.4848 walhOpotsdam.edu 1,51. SEMISONIC

VAST

WCNI WOE WHFR N. London. CT 91 1 FM Fort Wayne, IN 96.3 FM Dearborn, NI 891 FM Ion Lentz Phil Grosch Marie Caller 860 139 2853 219 717.1511 313115.9183 wcnieconncoltedu whir-m.11E1er net

MN, , ION TIME iloNSLA,S

WEOS KUWR WAIF WCWS Geneva. NY 897 FM WHRV , WY 91.9 FM Allred. MY 811 FM Wooster, 011 90.9 FM 00..00lu11 1,1 Wernstock Norfolk, VA 89.5 FM Mumc Director Emily Ken Walczak/Niter, 315 781.3812 Rollie Brislol

101871.2287 330163.3210 %Icel..% 757.889.9103 wevrtOacsAventeredu

HELLO DAVE DONNAS MARGO CURVAN WHISTLER GREAT BIG SEA HONEIllor, GARY NUMAN JOSHUA GABRIEL NEIL YOUNG GEORGE HARRISON GARY NM/AN RED TELEPHONE GENTLE WAVES TPA EASTON IONATHA BROOKE GOSSIP DONNAS RED TELEPHONE PI AINSON,-, IA, Ill F TROUBLE RED TELEPHONE DIFFUSER . r v,SIP

KVCU WARG WORK Boulder. CO 1190 AM Surma, IL 88.9 FM Blackwood. III 91.5 FM Denne Rogers KM Lela Dylan 301192./405 108 728 3222 609 227 7200 krcuecoloradoodu 'KATI, LOW EPITAPH BUYERS G WARLOCKS DEATH BY CHOCOLAT DIFFUSER JETT BRANDO CALL AND RESPONSE STEPHEN MALKPAUS THEE MICHELLE GUN FLU TOO GROUP DONNAS pA, Are- nr oR A 5,11 I E r JvER GENTLEMEN

WASU KVMR Boone, NC 90.5 FM Nevada City. CA 815 FM Patnck Sills MI. MacAllister 828 262 3170 530.265.5531 ahcebmuficenelscape.net FLuoTT SHARPS I AZURE RAI GENTLE WAVES 10EL R.L. PHELPS ACTIONSIACKS

WORM East bum% MI 88 9 FM Richard Stannard 517 353 4414 veribm891mepilot msu edu

WERG Erie. PA. PA 89.9 FM Binghamton, NY 90 5 FM Dem. Kolivesk John Lee 8118715811 607.777.2139 , wergegannen.edu whnvehinghamlon.edu DIFFUSER Gi NI, f ,Avt, TINEED OVIL AND RESPONSE RED TELEPHONE , , AMA TARMTRS

WHRW

WEBS WASH Boston, MA 88 9 FM Bangor ME 09.3 FM Jeff Goodman Mark %son 617 824 8462 2079731011 «err mesIreremeLL1n eau [email protected]

DI, i US( R L LAMA FARMERS

.ENTLE WAvLS HONEYDOGS TINTED

Appleton. WI 91 I FM liA Daley 920.8316567 elfm@lawrence edu

WLOZ Wilmington, NC 89 1 FM Angle Cooper 910 962 1210 [email protected]

WMBR Cambndge, MA 88 I FM Kedh Sawyer 617 253 /777

WMCO Nee Concord OH 90 7 FM Chus Evans 710.826 8377 wmcoOmuskingum edu DIFFUSER GOSSIP ACTIoNST ACES MARGO SARAOS GARY NUMAN

WMHB Waterville. ME 89 7 FM Brian twine 207672.3686 drmithol41.net GARY NUMAN DONNAS LLAMA FARMERS RED TELEPHONE AT ETON,

WAWL MICR WERU WARS WMHO KWAR Chattanooga. TN 91 5 FM Hanover. IIH 99 5 FM East Orland. ME 89 9/ Storrs, CT 91.7 FM Terre Haute, III 909 FM

'ElVtlekiegn " Don Ilieson 423.697.4470 Wrubel L Darrel Lund Enka ArtukovIch. Suzanne Reeve Overton

207 469 6600 Cindy 6. L Jesse R. 860.486.1007 11m FIncM7aud 812.877.8350 3193518209 1PUDDLESUPAOLCOM 603.646.3313 overton@acadla net WNUSFM0111100.COM wmhdtkosevc rose, kwarewarlburg.odu DIFFUSER 605511, holman.edu TANIRIL LLAMA FARMERS MART, GURyAN HONEYDOGS EVERLAST HONEIDCGS RED TELEPHONE SHIPPING NTV,., RED TELEPHONE COLLECTIVE SOUL DONNAS ACTIONSLACKS I dri ,1131,,, > I LAMA {A., , GARY NUMAN SUNDAYS BEST TINEED HONEYDOGS DONNAS DIFFUSER

WMHW Mt Pleasant, MI 91.5 FM Amber K. Miller 517.111.7397

LLAMA FARMERS 1171 WHISTLER = IriLFEWS ACETONE BEAUTIFUL SOUTH RED TELEPHONE DECOROSA 1 AS DIFFUSER TEENAGE FANCIER DONNAS LOW AZURE RAI LOW )09PLIA GABRIEL HAT CITY INTUTIV DONNAS HONEYDOGS TIM (ASTON

WRST Osbkosb. WI 90.3 FM plpfee Siebers 020.424.3103

WIlD 111 91.1 FM

MUM Sum Mart 1770119 ein

WMLN Melton, MA 81.5 FM Ben 611333.1368

HONEY DOSS G VTA NU MAN

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SECT 9 KY 15 FOR KENTUCK CELSIUS 9

WMSC Upper Montclair. NI 90 3 FM Kusten Anderson 9/3 655 1257

DONNAS HONEYDOGS LLAMA FARMERS DIFFUSER

WMSE Milwaukee, WI 91.1 FAI Mike "Bun. Bereiter 4140116942 vanseemsoe.edu BRASSY DONNAS GENTLE WAVES HONEYDOGS SIXTO

WMSR Orrferd. ON 89 I FM Ruebel 511519 1269 romsreemlayr

DONNAS ACTIONSLACKS RED TELEPHONE ACETONE HONEYDOGS

WMUH Odlent own, PA 91.7 FM 10. Clauser 610 821 3239 [email protected]

WNCW SpIndale, AC 88 7 FM loe Kendrick 8313 287 8000

WNEC Henniker, MI III FM kIloton Westheen 603.128.6393

MARGO CURVEN GENTLE WAVES ELECTRO GROUP LLAMA FARMERS ARLO

WNHU West Haven. CT 88 7 FM Tom Hogan 201931 88611

JOSHUA GABRIEL DONNAS DIFFUSER WHIS, FR

WARN Charlottesville, VA 91 9 FM 1,08104 FrIlm 801.971.4096 melfleehotmall tom HON E A DO< ,S DIFFUSER WHISTLER GODHEAD JOSHUA GABRIEL

WOXY Oxford. OR 97.7 FM Mike Taylor 513.523.4114 RAGE AGAINST THE

WPHS We're., MI 8111 FM

17 11. 119.5 37 rmIssearruitcorn

WRTC Trindy College. 89 3 FM Brian SInclatr

GARY NUMAN GARY NUMAN ACETONE HONEYDOGS TINTED AZURE RAY ACTIONSLACKS RED TELEPHONE SHIPPING NEWS CALL Ake) RESPONY

DONNAS

WTSR Ewing, MI 91 1 FM Andy Lame 609771.2420 lettetrAlbedli

WPSH WRUC Middletown, PA 88 7 FM Schenectady. NY 897 FM Dirty Sanchez Mher Nichols 111948.6396 518.3881154 [email protected]

WPTS Pittsburgh. PA 92 1 FM len Olmarczyk 112 640.1992 vrptserntLedu MARGo GUR1AN 111.11 TELEPHONE GARY NUMAN ACTIONSLACKS DIFFUSER

JURASSIC-5 RAGE AGAINST THE MARILYN MANSON ',NE INCH NAILS

WRVU NaShyllle.111 91 1 FM Dave Cash 615 322 3691

WTTU Cookeville, TN 88.5 FM TrEstessa Howard 931 372 3169 [email protected] ,

,ElISARI°.

WTUL New Orleans, U 91 5 FM OelrosarloAVang/Montoya 504 865 5881 vrtulemadhost.tcs tuLane edu AC I IONSCAC.

GENTLE WAVES YAARGOGURYAN MELD SERIES IdESHUA GABRIEL ACTION TIME A DATO/IT UWE SNIPPING NEwl

,.-JETE RAY WOAC WUAG Alma, 111 90.9 FM WSBF Greensboro, NC 103.1 FM Kelly PrIll 517463.7095 Clemson, SC 88 I FM

Scott Holtman 77r37e6138 864.6564010 wital.leuncg.edo

TINFED welOclemson.edu AZURE P.M' GARY NUBIAN MOTION ASEDAS CALL AND RESPONSE RED TELEPHONE DIFFUSER ACTION TIME DEATH BY CHOCOLAT CALL AND RESPONSE ACETONE DIFFUSER MARGO CURTAN MOTION ANODES

i i I CIRO GROUP

WOKE WUEV Plattsburgh. NY 93.9 FM WSBU Evansville, ID 11.9 ill Stephen Spatare St Bonreenture, NY 88.3 FM Sank Sandberg 518.564.2737 Joseph Smith 182.411.2132 wrikeeiname.com 716375.2301 ACETONE wsbuesbu.edu HONEYDOGS esetuA GABRIEL At_ TILENSLACKS TIMID GENTLE WAVES DONNAS ACEIONSLACKS LLAMA FARMERS GENTLE WAVES WENT MARGO GURVAN GOSSIP GARY NUMAN

GARY NUMAN WRAS WLIMD Atlanta, GA 88 5 FM WSGE Dearborn, MI Ch. FM Kathleen Carr Dallas, TX 91.1 Ill Mm/Swan 404 651 2240 Greg Mmond 313.513.5439 prascharts@hotmad com Weeld0111111:11.edu ,,AHT NuMAN TATAEG, MINERAVVA DONNAS UNDERWATER DONNAS ACTIONSLACKS GOSSIP LOW MARGO GOWAN CALL AND RESPONSE SHIPPING NEWS WENT GENTLE wAvEs DEATH BY CHOCOLAT WHISTLER

WRBB WSHI. WUMS Boston. MA 104 9 FM llorlb hem U111.3 211 Irnerersity, MS 92 1 FM Leon Bolivar Lisa lasso Ty Turn% 617 313 4339 5118.2382612 601 732 5395 wrbb-grrnertyrn neu edu pumsidolemus edu

DONNAS Ern Er_i,d9 ACETONE TINE ED RED TELEPHONE HONEYDOGS HONEYDOGS DONNAS MOTION A SIP DEG

WUNH WRBU WSHS Durham, POI 91 3 FM Peona, IL 88.1 FM Sheb%gan. WI 91 7 FM lack Loveless Dam Sander 6018612087 309.677.2231 et.„a81. musecewunh unh edu

DONNAS DONNAS GENTLE WAVES LLAMA FARMER, ACETONE ACTIONSLACKS RED TELEPHONE GARY NUMAN AZURE RAY MARGO CURVAN

WUPI WRFL WSIU Presque Isle, ME 92 I FM Leungton, ItY 88.1 FM lamalca, HY 590 MA Jessica Cook Cla. Burton Sal.. Nicollch 107.76E1.9711 606.257.1551 718.990.6563 ropieumpi.mame edu

HoNEYDOGS BROKEBACK DONNAS DIFFUSER CALL AND RESPONSE U_APAA FARMERS DONNAS AZURE RAY GARY NUBIAN TINTED WHISTLER RED TELEPHONE SHIPPING NEWS HONEYDCKS WUSB

WRENN WSMR Stony Brook. NY 9111 FM Enk Stembach

River Falls. Vil 88.7 FM Southborough, MA 530 AM 516.632.6500 Ryan Wales Chris Lorant wusbmdeaorcom 715.125.3887 5081896276 DONNAS Ac390vortedu fismrOstmarksschool org ENTFUSER HONEYDOGS LLAMA r AR si, P•. ACETONE DIFFUSER CALL AND RESPONSE GARY NUMAN DIFFusur MOTION A SIX REG TINTED TINFED DONNAS DONNAS WUSC

, SC _113 ill WNRS WRIU WSMU Soul» Derrick Sweet Briar, VA 899 FM Kingston, RI 90.3 FM North Dartmouth. MA 91 1 FM Iresietre, Byron /ones 401.8111919 Chns endues 508.9998119 MATTHEW SHIPP [email protected] wsmelkunlaseR% WHISTLER I. 're ,1,4 'GS RED IELEPHONE GOSSIP MARGO GURIAN

WARLOCKS ACTIONSLACKS AZURE RAY CALL AND RESPONSE LLAMA FARMERS

WRKC WHISTLER WIlkes•Barre, PA 111.5 FM RED TELEPHONE WUSM CatIty I. & Neill& IlattleskIMS 88.5 ER

WNSU 5/0.208.5931 WSOE Cfinten NI Fort Lauderdale. FL 88.5 FM e r.,01,,,,,,.,,,k, (loe College. NC 89.3 FM 601.256. 9 Ilme Moore DONNAS The Ant micleaM.dayisOusm edu 954.2628457 RED TELEPHONE 336.278.7211 GARY NUMAN wnsuelist.nova.edu HONEYDOGS LLAMA FARMERS TINFED GOSSIP HONEYDOGS DIFFUSER EPITAPH BUYERS G DIFFUSER RED TELEPHONE ACETONE DIFFUSER TIMED SHIPPING NEWS

WRLC ACTIONSLACKS WONC Piscataway.% 90.3 Fll DIFFUSER WUVT Naperulle. IL 89 1 FM Bnan Pacris Blacksburg, VA 90.7 Fk1 lorry Roth 733.115.1165 WSOU Andy knette 630.637.5%5 South Orange, NJ 895 FM 5407319880 wofkollefk1190016111111Le010 ,ecype,,sueovs Thomas Ketchum purl musrneytedu DONNAS GARY NUAAAN 971761.9768 LLAMA FARMERS wsouesternedu ACT TONE DIFFUSER WRRG LIVING SACRIFICE FEUER° GROUP RED TELEPHONE River Grove, IL 88.9 FM EARTH CRISIS PAN SONIC HONLYLELAyS lim Plachy COLD AS LIFE RED TELEPHONE

WOSP 108.1561300 WSUP WVFS

lacksonulle, FL DONNAS P1%1.110.111 995 FM tallahassee. FL 89.1 FM Rachel Shimp RED TELEPHOLL Erich Oemerath Chns Berry S14.628.2908 HONEYDO, U8.342.1165 650.644.1879

ACItur 4 wsupeorplatteclu muslcOwrIsisiredu DONNAS TIN1E1 ULTRA V MATTNEVV SHIPP LLAMA FARMERS AMERICAN HI Fl SHIPPING NEWS DIFFUSER WRSK MATTHEW GOOD BAND DELAROSA P. AS MARGO GURYAN Simper), Rock. PA 88 1 FM -MEET) GENTLE WAVES GENTLE WAVES HOE» YDO,S GOSSIP Corey Crab,'

721.738.2931 WOWL wrslesnr.ede VITCC WVIA Boca Raton, FL 91 7 FM ACTIONSLACKS Springfield MA 90.7 FM P1110100, PA 89.9 FM 1110,11 Wilhams ACIION TIME %Fe kW . George Graham 5611971759 GENTLE WAVES 113.781.6028 717.6562808

ELECTRO GROUP DIFFUSER CALL ANO RESPONSE ACETONE LAMB DOPE GARY NUMAN DONNAS HOINEY11., DONPLAS LLAMA FARMERS 1E9 LOT NICHOLS DEATH BY CHOCOLAT HONEYDOGS 100,1E DESHANNON LIVING END RED TELEPHONE PUTIMAAY0 PRESENTS


200 ADDS LOUD ROCK AIRPLAY WYKC Galesburg IL 90 7 FM Muller Fredenck/ Toby Cromwell 309.341.7266

VIllanoya, PA 89 I FM Angela DiFatho 610.519.7200 Invuevillanova.edu MARGO GUIMAN

HONETCOGS DONNAS DIFFUSER GENTLE WAVES GENTLE WAVES CALL AND RESPONSE DONNAS GARY ROMAN RED TELEPHONE

WYBC WVMW New Raven, CT 943 FM Scranton, PA 91 5 FM Sarn FrankMannah Mark Ruddy 203.432.4121 510.348.6202 umuel frankeyale Nu

MICERAEN DR< GEE STEPHEN MALKMUS wi re MUSSY

DELAROSA Y. AS WVOF PHOAMING EDISON Ferheld. CT 88.5 FM MIN Lovett WYSO 203.254.4111 Yellow SprIngs. MI 91 3 FM

VIRA edemas DEATH BY CHOCOlAT 937 767 6420 DONNAS vIckefflo.elli DIFFUSER WHISTLER LLAMA FARMERS DRUMS AND TUBA GARY MIMAN HONEYDOGS

ACETONE VAIIIII 105.10PLIN Wu& 91.3 Al

GARY NUBIAN HONE yDOC,S

WVUM Coral Gables. FL 90 5 FM Robert Rudas 305 384 6383 muswevivum.org SHIPPING NUNS ELECTRO GROUP GENTLE WAVES BROKEBACK ACETONE

WVVS Valdosta. II 81.8 FM Ed Pas 912.313.7314

GARY NUMAN TINFED EARTH CRISIS LIVING SACRIFICE DIFFUSER

wvYc York. PA 99.7 FM

nee' DONNAS MARGO GUI/VAN HONEYDOGS DIFFUSER GARY NULAAN

V,AVPV Colchester, VT 887 FM Emilee Romer 802 654 2334 Yropy@smcytedu

WWSP Stevens Point, WI 89.9 FM Wayne SemmerlIng 715141.9564 iewspernep edu

DRonFiF A moRpH oo AcE TONE RFD /DIRK-AN, DONNA,

WW UN West Hartford. CT 91.3 FM IR0n Tallo, 860 7614725

NILE WAVE, HoNEYDOGS JOSHUA GABRIEL MARGO GURYAN ACETONE

WV/VU lib= WV 11.7 II

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113.137.8387

RAMA FARMERS DONNAS HONEYDOGS DIFFUSER GENTLE WAVES

WXLV SchnecksvAle, PA 90 3 FM Truman Ingalsbe 610.799.4141 rratrehotnull.com RED TELEPHONE HONEYDOGS LLAMA FARMERS DIFFUSER WENT

WXOU Rochester, MI 88Z FM MNan Ellse 24s-110.2845

GENTLE WAVES CALL AND RESPONSE DIFFUSER AZURE RAY HISTLER

WXPL Fachbug. IAA 91.3 F61 Mike Daniels 978.165 3692 mole/1st edu wHISHLER TLAmA FARMERS RED TELEPHONE DONNAS GOSSIP

WZBC Chestnut RN, MA 90 3 FM Donny Mahoney 6125523511

GOSSIP ACETONE GENTLE WAVES WHISTLER

CFRC Kingston. ON 101.9 FM

CPR Peor Ia. I1903 CaFM

rren km Vaughn 309.682.9217

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KO UR Durango, C091 9FM Kyle Duran 971217.7268

stl Olortloyns.ndu OvE.111 SOULFLY CORROSION OF COPIO PRO-PAIN HALFORD BRUIERIA MUDVAYNE RAGE AGAINST THE lOmmo °RAO A 1000

11101 Honolulu. HI 1310 ALI Harvey Weinsten

KSLU Hammond. IA 90.9 FM Musty Rued 504549.1330 ksluOselu.edu

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CFRE KAFA KOVS KNON KSOC CUR WCOB WLIGR MusIssauga, ON 91 9 FM USAF Academy. CO IN 3 FM Own, CA 90 3 FM ren.7. él.13 FM Ashland. OR FM Ilinnapalit MI 83.7 Fla Alban KT 98.1 FM Mlamt FL 16000 NI CHROMO gner Sam Mdd Metal Mu IS, Nelson Nick Dads kW luan Carlos 909569.4712 719.333.1644 530.7529903 214.124.6813 5419518762 518.442.5262 MwbaccariestOgebouom nummdegtOlidvs.org labowskilehotmall.com CEPHALECTOMY DRACULA 2000 ,1, 'EFT UNDER MORBID ANGEL RAGE AGAINST THE MARTYR COLO) AS LIFE YNGWIE I MALMSTE ENSLAVED SHUVEL MORBID ANGEL DRACULA MOO HAUNTED TAPROOT EARTH CRISIS OVERKILL HAUNTED NONPOINT CRADLE OF FILTH OBITUARY NONPOINT TATTOO THE EARTH: LIVING SACRIFICE 10MAI UNETPECT RAGE AGAINST THE CENTINEX OVERKILL DRACULA 2000 SPINESHANK RHAPSODY LAEGADETH CORVUS CORA% NOTHINGFACE HAUNTED ABSCESS BRUIERIA DRACULA 2000 THIS DAY FORWARD DRACULA 2000 LONG WINTERS STA LINKIN PARK COALESCE/BOY SETS RYBANGER SICK Of IT ALL EARTH CRISIS TOOL ENTOMBED BEHEMOTH RETURN OF THE ROC EXHUMED EXCEL AMEN CANNAE OVERLOAD 1 TRIBU THEATRE OF TRACED MORTUARY DRAPE GODSMACY INCANTATION CRADLE OF FILTH GRAFFIX 420 OBITUARY EVOKER HAMMERFALL ABSCESS STRAIT UP ENSLAVED ANNIHILATOR lOmmo ANNIHILATOR OBITUARY RELATIVE ASH DEAD OF WINTER TARRoOT SONS OF CIMOS DYING FETUS FO/3D UNEARTH ABSCESS IN FLAMES

CHRW CALA KFJC KNSU KSAR KZMU WCKS WEIWN London. ON 91.7 FM °Hempen. IA 88.5 FM Los Attos Rills, CA 89.7 FM Thibodaux, LA 919 FM Mt. Vernon. WA 90.1 FM Moab, UT 89.7 FM Allendale, MI 1610 AM Auburn. NY 89.1 FM My Webb Chad Eng lason Biggs Rafael Llanos Luke Nansen Glenn Pead Ralf Richardson leffrey Sin 519.661.3601 319.333.6217 650.9493092 5011481447 360.116.7812 435.259.8124 816.895.3871 315.255.1743 chnenklkulientnvo.ca musicdepteklk.org musiceedgeplanet.com IMINIIIIa19770aol.com wckseriveritivsesidu wenlAholmail.com MADE DEVINE t lvoNG SACRIFICE BELLRAYS TAKE A ROTE OuTTA RAGE AGAINST THE HAUNTED NEUROSIS HAUNTED DRACULA 200E i AMR OF GOD ILLIANA GODSMACK GODSMACK BRIBERIA DYING FETUS DYING FETUS DYING FETUS EHHATEGOD DAMAGED LIMP BOOT LINKIN PARK DRACULA 2000 HAUNTED HOPE CONSPIRACY MORBID ANGEL NILE PIG DESTROYER STRAIT UP ULTRASPANK HOPE CONSPIRACY CRYPTOPSY CANNA( DISTURBED HAUNTED SLAVE ONE DRACULA 2000 ORGY MORBID ANGEL BRUIERIA CRYPTOPSY LIKE HELL EIGHTEEN VISIONS AMNESIA LITRE NICKS' NIUDVATNE CRADLE OF FILTH NILE MORBID ANGEL HAUNTED CANNIBAL CORPSE SKEPTICISM FASTBALL SOULFLY SPEEDEALER SICK OF IT ALL IMMOLATION NEVERMORE EARTH CRISIS HAUNTED MARILYN MANSON TAKE A BITE OUTTA N THE SIGN OF TH HOPE CONSPIRACY NEVERMORE SPEEDEALER DYING FETUS FRANCISCO LOPEZ reff.WAI f AT ATBOX OBITUARY PRO-PAIN NONPOINT STAGLAULAMER MORBID ANGEL DESEAD GRAFF1X 420 Cl 1 MN OF THE ROC DYING FETUS CANNAE CRADLE OF FILTH

CHSR RAMP COLT KP FT KTEK KZOW WCNI WECS Fredericton. NB 971 FM Tucson. AI 1570 AM Bozeman, MT 91.9 FM Houston, IX 90.1 FM Soccoro. NM 881 FM Forest City.16 91.9 FM New London. CT 91.1 F11 Willimanbc. CT 90.1 F14 Chnstlan MacFarlane AIN Shub Rob Parker Loud Rock 01100111 lusbn Pope Lee 10,01 Chris Oinoto Steve Baby. 506.4534985 520626.4460 406.994.6483 1115261000 505.835 6013 511582.8196 860.4312853 860.4615354 chsrmdembea kampOkamp.antonxedu keltmusOmontana Nu ktekOnmt edu wcnieconnoltedu wecsehotmail.com RAGE AGAINST THE NEVERMORE DRACULA 2000 TOMORROW THE WORLDWIDE TM STRAIT top HAUNTED HOPE CONSPIRACY SWALLOWING SHIT TYPE 0 NEGATIVE SICK OF IT ALL EvOKEN PINEAL VENTANA LINEEN RARE ENSLAVED SICK OF IT ALL LITTLE RICKY DYING FETUS STRAIT UP VITAL REMAINS VAS SPINESHANK HOPE CONSPIRACY HAUNTED GRADE HAUNTED NONPOINT LORD BELIAL OSIVA FACTORY 81 SICK OF IT ALL CANNAE FEAR ABSOLUTE BRUIERIA EIFFEL GARDENIAN ENSLAVED RAGE AGAINST THE BRUIERIA GRADE THEATRE OF THE MA CRYPTOPSY HOPE CONSPIRACY NOCTUARY SICK OF IT ALL 6 GIG CRADLE C. FILTH NEUROSIS LAEGADETH 10MAI SLAVES ON DOPE ANNIHILATOR DROWNINGMAN SUNK LOTO DRACULA 2000 NILE BRAT mOBILE OVERKILL 1081811 REIGN OF EREBUS AT THE DRIVE-IN GODHEAD DILEADNAUGFR DRACULA 2000 PRO-PAIN CRADLE Of FILTH ABS OvERLOAD 2- TRIBU ABSCESS GRAFFIX 420 OBITUARY ANNIHILATOR DOA YNGWIE1 MALLASTE FACTORY 81 VIOLATION LIVING SACRIFICE BOOK Of SHADOWS, ABSCESS CRADLE OF FILTH

CHOU KASF KLBC KRNL KTRM MUSIC CHOICE WCRX WEFT Ottawa, ON 89.1 FM Alamosa. CO 90.9 FM Long Beach. CO 1500 AM Mt Vernon. 11189.7 FM Kirksville, MO 88.7 FM We OrMlf O. NI cable îte.4.11$12 Clunspalp. IL 90.1 FM Matins Palaclos.Nardy Ello MunnIngs Eric Seoane Ion Lindbloom Sarah Venffl Adam Neiman hum 613.562.5965 119.597.7123 562.9384300 3118911131 880.105.4506 973.731.0500 312.883.1893 217.351.9331 chualmenotlawa ca kastbastardObotrnagem krnlOcornell-iowa.edu Mrin muslcOhotmellcom anokursOmuslcclusice.com STAND GT MACULA 2000 STRAIT UP RAGE AGAINST THE CRADLE OF FILTH AMEN DRACULA 2000 EPITAPH BUYER'S G PHATT BASTARD BOILER ROOM SICK OF IT ALL CATCH 22 HAUNTED NOTHINGFACE MARILYN MANSON DisikwELL 1000 LB LARRY NONPOINT DRACULA 2080 INSANE CLOWN FUSS DRACULA 2000 TAKE A BITE OUTTA NEVERMORE MACABRE CATCH 21 TYPE 0 NEGATIVE RAGE AGAINST THE LIMP BIZKIT MORBID ANGEL AT THE DRIVE-IN OBITUARY OBITUARY FORGOTTEN REBELS SICK OF IT ALL DREADNAUGHT COLDPLAY OBITUARY MISERY LOVES CO STRAIT UP DROPKICK MURPHY'S RHAPSODY BRUIERIA SLAVES ON DOPE LITTLE RICKY THEATRE OF THE MA DREADNAUGHT ENTOMBED SONG OF ZARATILUST Of NO AVAIL FOZZY MORBID ANGEL STRAIT UP ANNIHILATOR SOULFLY RAGE AGAINST THE ANNIHILATOR CLUTCH CRADLE OF FILTH CORROSION OF CONE CRADLE Of FILTH YNGWIE1. MALMSTE SHOVEL NEUROSIS EVOKER 5 LINE LEGACY SIX FEET UNDER HOPE CONSPIRACY HOPE CONSPIFaCe OVERKILL KITT1E CORROSION Of CONE PANDEMIA BRUIERIA HAUNTED LIVING SACRIFICE GODSMACK DYING FETUS NONPOINT SOUTELY SPIWYS

CIBL IASS KLPI CRUX KTXT WAIF WCSB WEGL Montreal, UNA 101.5 FM Casper WY 106.9 Ruston LA 811 FM Las Cruces, NM 911 FM Lubbock. 11118.1 NI Cluncinnalt 88 3 FM Cleveland, OR 813 FM Auburn, AL 91.1 FM Claude Moe limy kood Marc Stoll Ben Foentner NI« Wilson Angela "skullcrusher" Daes Mike Rubes Derek Dams 50526.2541 307265.1981 318.157.1852 505.6111640 806.742.3916 216.6871721 334.844.4114 SYLVIA,' LAFRENIERE mard.stollemall com krusenmso.edu ktsteltuddu musdirmosbOyahoo.com week:Wee auburn.edu RHAPSODY MACULA 2000 HAUNTED DYING II L.., CRADLE OF FILTH OPETH CARNAL FORGE TUI. 1X0,01, CRYPTOPSY ILAGE AGAINST THE CRYPTOPSY ommOo AlION AMEN GARDEN OF SHADOWS HAMMERFALL r pm,' oo Dol. CRADLE Of FILTH NEVERMORE DYING FETUS MORBID ANGEL HAMAERFALL MALEVOLENT CREATI DRACULA 2000 NEUROSIS DYING FETUS ANNIHILATOR HOPE CONSPIRACY DAMAGED BOILER ROOM REGURGITATOR DYING FETUS DEV1N TOWNT END MORBID ANGEL STRAIT UP CRADLE OF FILTH NOCTUARY DISEMBODIED ABSCESS HAUNTED HAUNTED HAUNTED NONPOINT SICK OF FT ALL CRYPTOPSY HAUNTED KOLD FUSION RHAPSODY KILLSWITCH ENGAGE MAJESTIC CORROSION OF CONE NEUROSIS OVERKILL ENSLAVED NOTH1NGFACE CRYPTOPSY IN FLAMES OVEREOLI GODSLAACK DRACULA 2000 BRUIERIA MACULA 21100 SOULELY CANNIBAL CORPSE NOVEMBERS DOOM GE, OBITUARY OBITUARY NILE SICK OF IT ALL MORBID ANGEI MORBID ANGEL CRYPTOPSY ANKH Fl -.ANGER ABSCESS r of UROSIS moREED APOGEO LENGSEL mAyHEM CEPHALIC CARNAGE

CIUT Toronto. 01189.5 FM essoula, MT 89.9 FM Baton Rouge, LA 91.1 TM Sacramento. CA 985 FM Inoon/ CA 88 9 FM Potsdam. AT 90.3 FM f redorna. NY 88.9 FM Charleston, IL 18.9 FM Ron Burd Brad Amos Ed Sutherland Che Brooks Harold Par% Seth Warren Mark Dunn Tom Mitchell 416.978.0009 106.243.5715 225.3884820 911334 7777 949 824 4561 315.267.1888 116.603.3420 217.581.7370 I bordOciutim chebooks@earthhT4 net muslcdirehumerg wallepotsdam.ado Nol F DRACULA 2000 SOULFLY GOODY LEE TOOL HAUNTED VOMITORY HAUNTED CORROSION°, COI, DEAD, By SIEREO 1,,,,,,,Moo oro FUG( AGAINST THE BRUIERIA SICK OF IT ALL FLESH FEAST NONPOINT NILE DEATH CAB FOR CUT CRADLE OF FILTH LITTLE RICKY DRACULA 2000 STRAIT UP CRiPTOFSY SOULFLY 1084841 OPETH BEHEMOTH HOPS CONSPIRACY CANNAE HOP( CONSPIRACY UN( ORD FLYBANGER DRACULA 2000 TURBO AC'S NEVERMORE IN FLAMES HOPE CONSPIRACY DRACULA 2000 HOuWITSER LIVING SACRIFICE NOTH1NGFACE STEPHEN LAALKMUS HAUNTED TAKE A BITE OUTTA STRAIT UP NONPOINT DARk THRONE HOPE CONSPIRACY TYPE 0 NEGATIVE LIVING END CARNAL FORGE GODHEAD SICK OF IT ALL DREADNAUGHT NLVCRLAORE SERAPE MORBID ANGEL I HATE MYSELF LOST SOUL VBS CRADLE OF FILTH DISEMBODIED TPA LJEIA VICTIM KD RHAPSODIES IN SUA OBITUARY LE TIGRE IN BLACKEST VOLVE UNKIN PARK 101.811 DYING FETUS SIX FEET UNDER RAGE AGAINST THE A SIRE TRIBUTE TO HAUNTED ENSLAVED GODSMACK FACTORY 81 NEUROSIS

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ULM CROO IIMNR RAll CURE WAIF WC VII WEOS Detroit MI 91.5 FM Portland, OR 90.7 FM Rolla. MO 89.7 FM Wichita. 96.3 Ell Ames. IA 84.5 FM Allred. NY 89.7 FM nimble«. NI 90.5 FM Genera. NY 897 FM Adam Mohamed Brandon Lieberman Chris Bryen Nerk Cud Mike Street, Abbi Allan/Emnulle Illeclas SJ 01 Sante Woe loe Wyatt 519171.3606 503.2311032 573.341.4173 $15.294.1332 607.871.2287 9118.782.9595 311781.3811 gagnesOuwindsocca kmnrOurnredu kureOlastate.edu imossghesedu CHING FETUS HISTORY Of PORTEA NEVERMORE DRACULA 2000 STRAIT UP HOPE CONSPIRACY SOULFLY HAIJNTED CRYPTOPSY BELLRAYS SICK OF IT ALL STRAIT UP DRACULA 2000 HAUNTED RAGE AGAINST THE MORBID ANGEL E 551 AVID GITS GODOY LEE SLAVES ON DOPE NONPOINT DISEMBODIED LITTLE RICKY DISEMBODIED CANNIBAL CORPSE BRATMOBILE 10.,11 AMEN LINKIN PARK MORBID ANGEL (HED) PLANET FART DREADNAUGHT CRADLE Of FILTH OLD SEARS AND UPS HAUNTED BRUIERIA BRUIERIA CRADLE Of FILTH DISTURBED OVERKILL RAGE AGAINST THE THUG MURDER YNGWIE 1 MALMSTE RAGE AGAINST THE TATTOO THE EARTH SICK Of IT ALL 'ARKIN PARK SICK OF IT AU NILE DISARMING vIOLENC LINKIN PARK SICK OF TT ALL DIRT DRACULA 2C00 GREEN DAY OBITUARY DAMAGED RATOS DE PORAO HALAMERFALL DREADNAUGHT SICK OF IT AU, NEUROSIS ORGY MACULA 2000 TOOL CROM HOPE CONSPIRACY CORROSION Of COI* GRALFIX 410 RAGE AGAINST THE AGAINST ALL ALTERO DIRT RHAPSODY SONG Of ZARATHUST RAGE AGAINST THE OBITUARY OlIN BRUIERIA QUEERS CARNAL FORGE

CJSR KCFV KMSU KSCR COCU WASU WCYJ WERG Edmonton, ABOIS FM St Louis, MO 815 FM . ND 790AM Los Mplas. CA 1580 AM Bouldef, CO 1190 AM Boone, NC 90.5 FM Waymsburg. PA 882 FM Ene, PA, PA 89.9 FM Craig Mott lean•Paul Soto Charles lonassmnt Elk Fat Pat Onion Chros Keener Charlotte MeNenne7SmIley Chns Ti Jason 1 181015244 314.5951463 213.7413727 303.492.7405 828 2623170 724 627 4157 81487158AI sisrfneapitsmalbertaxa ksereluse.com kyclecolorado.edu wcyilmewaynesburg.edu wergegarmon.edu CRUSTY COMPILATIO LINGN PARK JURASSIcoS BRU1ERIA HAUNTED o IVING SACRIFICE SICK 0111 ALL GODSMACK RIFF RANDELLS NONPOINT OUTYAST ENSLAVED NEVERMORE BRUIERIA HOPE CONSPIRACY NEvERMORE MY RUIN DRACULA 2000 DAUB KWELI AND H CRYPTOPSY NEUROSIS CRADLE OF FILTH ANNIHILATOR CRADLE OF FILTH BLACK HALOS COLD 4TH AVENUE TONES' HAUNTED LOWRIDER OBITUARY DRACULA 2000 LINKIN PARE CATCH 22 SLAVES ON DOPE APURA 40 GRIT ENTOMBED HAUNTED NONPOINT HAMMEREALL TRICKY WOO SOULFLY BLACK EYED PEAS HOPE CONSPIRACY MUSHROOM RIVER BA ANNIHILATOR CANNAE NONPOINI NILE TAPROOT LIU ZANE CORROSION Of CONE PRO-PAIN MORBID ANGEL DREADNAUGHT LIZZY BORDEN HAUNTED (HER) PLANET EART WU-TANG CLAN SLAVES ON DOPE ENSLAVED NILE STRAIT VP HAUNTED EXPLODERS DUST FOR LIFE GURUSIAZZAAATAZI CRAVING THEO CRADLE OF FILTH DISEMBODIED SI Y. o oo PAN DOPE RETURN Of THE ROC SHUT UPS UNION UNDER:P.1ND E-40 EVEHATEGOO YLIGVWE 1 MALLASTE HOPE CONSPIRACY CIII PRO-PAIN

WSW KCSU KMTR KSJS IWSC WBCR WORK WERS Calgary AB 90.9 FM Forl Collins. CO 90 5 FM Houston. 94.9 FM San lose. CA 905 FM St Cloud, MN 88.1 FM Irooklyt 110 590 AM Blackwood. 111 91 5 FM Bostoe MA 889 FM Joshua Wood ChM "Clegger Skutchan Enc Wdhams Daniel Severn, Paul IlichOIS leni 11801m Rose A Eric Fernald 4012293902 970.491.7711 408.9244549 320.255.3126 718.8591314 601227.7200 617 8248463 cjeremeucalgary.ca knumusellotareNcenne edu lisiseksjs.org musicelivsc.org Wen 111101c@emerson edu ENTOMBED FLYBANGER RAGE AGAINST THE BRUIERIA FIFTEEN HAUNTED GEMEFIX 420 HAUNTED FIAMMERFALL HOPE CONSPIRA( i DREADNAUGHT DAMAGED LUNGFISH DRACULA 2000 DISEMBODIED CRYPT°, CRADLE OF FILTH DRACULA 2000 SICK OF IT ALL DYING FETLY) SONG OF ZARATHUST HOPE CONSPIRACY BOILER ROOM NILE SYMPHONY X DISEMBODIED FLYBANGER CRADLE OF FILTH PAPER CHASE NONPOINT SYSTRAL UNEARTH TIZZY BORDEN HAUNTED MACULA 2000 ABSCESS HEAR ANNIHILATOR LIMP B1ZKIT CRADLE OF FILTH CARNAL FORGE FACTORY 81 NONPOINT CORROSION OF CONE ENEMEMINE MORBID ANGEL RUDIMENTARY PENI MORBID ANGEL RHAPSODY ENTOMBED BOILER ROOM CANNAE HOPE CONSPIRACY NEVERMORE LAMBS HOPE CONSPIRACY NEVERMORE BRUIERIA GODHEAD USURPER DROwNINGMAN SLAVES ON DOPE UNDEROATH LIVING SACRIFICE , 1P rpTOPSY PUNY HUMAN STRAIT UP IMMOLATION HEADGRENADE YNGWIE J. MALMSTE ANNIHILATOR NEVERMORE ,,,Arx)w KEEP AMEN LINKIN PARE FEEHATEGOD HIDDEN CHORD El:MANGER LIVING SAE-RIEKE ANNIE«, A/OR

CKCU KCWU KMUD KSLC KWHL WBTY WORM WEAL Ottawa, ON 931 FM Ellensbu,g. WA 881 FM Redway, CA 91.1 FM McMinnville, OR 90 3 0M Anchorale. AK 106.5 FM Waltham. /01 530 AM East Lans mg. MI 889 FM 60011ng Green, OH 680 AM Jennifer Tatlersell Ryan Buske Kate Klein Andrew 'Big he Brawley 804110d 101 Lang Kell Ted Andrew Smetek 013.520 1 .2898 5019612246 707.922513 503.434.2550 907.3441621 181.891 3608 51715 14414 :11.M.Ï195 ckcuthieb.net md@cweedu mdekmud.org yrkyinlokbentley.edu WDBMWELYWPILOT.MSU.E p REF, CAGrom NONPOINT OBSESSIVE COMPULS DU DRACULA 2080 C,RAvE , oNP ERN ANN.!, AToR RAF/ AGAINST THE RAGE AGAINST THE FLYBANGER CANNAI HAUNTED CRAVING THEO DOA OBIT <JAR,- 110PC CONSPIRACY DRACULA 2000 DOwNSET. DISEL860.11, AMEN NONPOINT FORGOTTEN REBELS DRACULA 2000 BOILER ROOM DOWNSET LAUDVANNE NEUROSIS BRUIERIA HOPE CONSPIRACY MOUTHPIECE HAUNTED DRACULA 2000 SICK OF IT ALL NONPOINT DYING FETUS CRADLE OF FILTH DIRT MORBID PAIN DYING FETUS PEACHES AT THE DRIVE-IN SHEAVY EIGHTEEN VISIONS DRACULA 2000 CRADLE CF FILTH RIPCORD/ MACABRE FARINA, MARILYN MANSON GODSKUCK SHUTDOWN SHUTDOWN NEvERLACRE MEAT PUPPETS BRUIERIA BOOK OF SHADOWS STRAIT UP MACULA 2000 NILE STRAIT UP HAUNTED ENSLAVED MORBID ANGEL 101Am RELATIVE ASH CRADLE OF FILTH DROwNINGMAN COLD AS LIFE 1084811 CHELSEA NEUROSIS SINERGY 1084141 PANTERA MORBID ANGEL FACTORY 81 GODSLAACK


LOUD ROCK AIRPLAY RPM AIRPLAY WFNM Lancaster, PA 89.1 FM Justin Spenillo 711/911098

WITR Rochester. NY 891 FM Ron Naurule 1161751000

WKWZ Syosset. NY 88.5 FM lames Annucm 5163615745

WMPG Portland, 90.9 FM Steve Cain

WOW Chlcago. U. 88.9 FM John Denman 312.561.3067

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WFWM Frostburg. MD 91 9 FM Unwersdy Heights. 011 18 I FM Louisville. KT 1590 AM Milwaukee. WI 91 7 FM West Aleffhw PA 91.1 Fll Tom Bill Peters Chostal Glover Laura Dalle -Valle Fluers 301.687.4143 116 391.4437 502.852.6966 414 177.6942 417.516.9365 whiiimOtrosiburg edu wicuricu edit wmsermsoe.edu wersradiorwestmitIlin.com HAUNTED PRAT Ut A DID, DPP Ms .:. E, E.FvERMORE CARNAL FORGE ANNIHILATOR MORBID ANGEL CIRCLE OF DEAD CH HAMMERFALL SICK OF IT ALL HAUNTED CRADLE OF FILTH HARAKIRI RHAPSODY CRADLE OF FILTH MORBID ANGEL NINE INCH NAILS HOPE CONSPIRACY FOZZY DAING FETUS CRADLE OF FILTH SICK OF IT ALL HAUNTED ANNIHILATOR NOCTUARY NEVERMORE LIVING SACRIFICE EIGHTEEN VISIONS YNGWIE I MALMSTE NEVERMORE LIZZY BORDEN HAUNTED CRYPTOPSY CRADLE OF FILTH ABSCESS CRYPTAICKER OVERKILL NILE HAUNTED OBITUARY ENVI HUED GODHEAD CANNIBAL CORPSE IOMMI ANNIHILATOR NILE DRACUT', 2000 LAMB OF GOD SIX FEET UNDER

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WGCC WHIL WLFM WMTS WPSH Batavia, NY 90.7 FM Lowell, 111911 FM Appleton. WI 91.1 FM Murfreesboro, TN 813 FM Middletown, PA 88.7 F11 Stese Reicher Erik Scott Ciimitnje llostic James Palmer Matt Ahrens 716.343.0055 978.934.1975 920.8316567 615.896.2136 717 948 6396 miccesonygenesae.cc.nsus .800.46 edil wlimelawrence.edu wmtsOtrank.mtstredu bim23549pswedu GRAFFIX 420 HAUNTED HAUNTED DRACULA 2000 LAMB OF GOD BRUIERIA HOPE CONSPIRACY MORBID ANGEL LONG WINTERS STE DISEMBODIED HOPE CONSPIRACY CRYPTOPSY HYPOCRISY GODHEAD HAUNTED SOULFLY CRADLE Of FILTH BRUIERIA STRAIT UP NONPOINT AMEN MORBID ANGEL IMMOLATION TATTOO THE EARTH HOPE CONSPIRACY NONPOINT DISEMBODIED 10A4MI DIVA BRUJERIA DRACULA 2000 BRUJERIA CRYPTOPSY CRADLE OF FILTH LIVING SACRIFICE FACTO. 81 SICK OF IT ALL DISEMBODIED MORBID ANGEL RELATIVE ASH SHOVEL SYSTRAL DAMAGED COLLIDE COLD AS LIFE TYPE 0 NEGATIVE CANNAE CARNAL FORGE ABSCESS SICK OF IT ALL

VIOLS WKDU WLHS WMUA WPUP Glassboro, 111 89 7 FM . PA 91 7 FM Needy Township, OH 19.9 FM Amherst MA 91.1 FM Nuns. CA 183.7 FM Pl Blelevrta Tim Duff Chris Hopson Mike Barrett Kris Harris 856.863 9451 2118912580 513.759.4163 413.545.2876 bie174210rowan.edu TATTOO THE EARTH TOTAL FUCKING DES COPTOPSY HAUNTED LINKIN PARK CANNAE BRUJERIA HAUNTED HOPE CONSPIRACY COLD MACULA 2000 NEUROSIS CRADLE OF FILTH MELVINS LIMP WAIT SICK OF IT ALL HAUNTED MORBID ANGEL CANNAE FAMILY VALUES TOU HAUNTED DYING FETUS HYPOCRISY GOATSNAKE IOMMI HOPE CONSPIRACY CRYPTOPSY ENSLAVED CUTTHROATS 9 STUCK MCGO IN FLAMES NAPALM DEATH HAMMERFALL BORN DEAD ICONS GODSMACK NEUROSIS LOST SOUL NEVERMORE NEUROSIS CORROSION OF CONE RAGE AGAINST THE OBITUARY DYING FETUS OBITUARY FOZZY TYPE 0 NEGATIVE SYSTRAL MACULA 2000 SYSTRAL MARILYN MANSON

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THE CMJ NETWORK 44 West 18th Street, Sixth Floor, New York, NY 10011 Tel: 646.230.4400 Fax: 646.230.4401 www.cmj.com

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CMJ NEW www.cmj.commewmm/

CMJ ARTIST SERVICES www.cmj.comiartistservicesi

CMJ NEW MUSIC REPORT www.cmj.cominewmr/

"ITS www.cmj.comieventsi

The CMJ Network connects music fans and music industry professionals with the best in new music through print, interactive media and live events.

Chairman of The Board Of Directors Glenn S. Meyers Chief Executive Officer Tom Hunter Founder & Publisher Robert K. Haber President Chet Van Wert Executive Vice President, Treasurer Jeffrey J. Kaplan Vice President, General Counsel & Secretary Robert C. Lewis Vice President, Content Scott Frampton Creative Director James Gallagher

CMJ EVENTS CMJ Events produces live music events and con-ferences, including the CMJ Music Marathon, the largest music industry event of its kind.

Founder Joanne Abbot Green Producer Michelle Thomas Operations Manager Kevin McCullough Showcase Manager Chris White Executive Assistant Liz Arguelles

CMJ.COM CMJ.com harnesses the interactive and multi-media capabilities of the Internet to offer a rich music-discovery service, information resources, and a community to new music fans, professionals and artists.

Producer Steve Ciabattoni Associate Producer Peter Orlov Senior Art Director Joe Fortunato

Production Assistants Matthew Chang Alex Smith

CMJ NEW MUSIC MONTHLY CMJ New Music Monthly connects music fans with the best new music. The first consumer magazine to include a bound-in CD sampler, New Music Monthly offers its readers multi-media opportunities to discov-er new music in print, on monthly CDs, and online at CMJ.com.

Editor-In-Chief Scott Frampton Managing Editor Neil Gladstone Associate Editor Adrienne Day Assistant Editor Dylan Siegler Reviews Editor Matt Ashare Editorial Coordinator Nicole Keiper EditoriaVCopy Assistant Tom Mallon

Art Director/Designer Mery Production Manager Bob Green Photo Editor Jamie Vance Associate Art Director Brendan Moran

ARTIST SERVICES CMJ Artist Services offers musicians online services that empower them to build careers and reach an audience of both consumers and music business professionals.

VP, Artist Services John Mrvos Director, Artist Services Ben Lazar Artist Services Coordinator John Sopkia

CUSTOMER SERVICE Manager, Customer Service Lynn Spector Customer Service Representatives Ryan Romana

CMJ NEW MUSIC REPORT CMJ New Music Report is the music industry's con-nection to the issues and ideas effecting the discov-ery of new music, as well as a comprehensive guide to the best new music in a range of genres. New Music Report is the weekly source for proprietary charts of non-commercial, college and internet radio airplay. Its subscribers can also access customized reports based on this data online at cmj.com.

Editor Colin Helms Senior Music Editor Cheryl Botchick Managing Editor Hobart Rowland Associate Editor Kelso Jacks Beat Box Editor Neil Drumming Jazz/New World Editor Tad Hendrickson Loud Rock Editor Amy Sciarretto N Alternative Editor Enrique Lavin RPM Editor M. Tye Comer Staff Writers Lisa Hageman

Contributing Editor Peter Orlov

Art Director Sara Brownell Associate Art Director Drew Goren Production Artist Kimberly Reinhardt

CMJ DIRECTORY CMJ Directory is the source for the most com-plete and accurate contact information on the music industry.

Editor-In-Chief Paul Cartellone Associate Editor Brad Filicky

MAR Director, Grassroots Marketing Chris Elles Director, Marketing Julie Levitt Director, Consumer Marketing Suzanne Passavant Manager, Regional Marketing Network Barb Rubenstein

nEVr! OPMENT Senior VP, Business Development Paul Mladineo Director, Business Development Michael Dub

SALES National Advertising Director James Belzer

Sales Representatives B.J. Bernard Greg Corrao Chad Feinstein Greg Maniha

Senior Online Sales Representative Kristina Sruoginis

Sales Coordinator Andrea Munroe

TECHNOLOGY Chief Technology Officer Tony Mele System Administration Aaron Clow James Davidson Database Administration Rayzel Azer Shelley Rosen Programming Justin Camp John Yen

A. flM I N STRATI VE Human Resources Melissa Leahy Office Manager Susan Lieberman Reception Damara Greene

CMJ DIRE ORY www.cmj.com/directory/

GET A JOB

Daniel Di Salvo

Lisa Hackman

Sheila Richman

INTERNSHIPS

Planetary Group in Boston is seeking interns for the spring semester to work for credit, fun and CDs. Do things that are important and not lame. Contact Doug at [email protected], or call 800.254.2543.

Roadrunner Records is seeking a marketing department intern in its New York City office. Applicants must work in exchange for school credit and be available at least 10 hours per week (NYC residents pre-ferred). Those interested must have an unconditional willing-ness to learn and work hard. Fax resumes to Veronica Vallado at 212.505.7469; email [email protected].

New York City-based Jive/Jive Electro is seeking an excep-

tional intern who wants to help start a college radio and marketing department. Looking for a smart self-starter with extensive music knowl-edge and communication skills. Two-days-per-week min-imum (half days OK); college junior or senior preferred. For more information, email [email protected].

Select Records is seeking col-lege-age (college enrollment not mandatory) interns for a variety of positions, including radio promotion, publicity and production, and other assorted clerical functions. Candidates must be willing to commit to 10-20 hours per week in return for reimbursement for trans-portation. A great opportunity to get hands-on experience at an established independent label. Email resumes to

[email protected] (subject: internship).

LABELS

Kinetic Records is seeking paid college marketing reps in the following cities: Boston, Chicago, Denver, Los Angeles, Miami, New York, San Francisco, and Seattle. Reps will assist with regional club, radio and retail promotion duties. Ideal candidates should love electronic music and be familiar with their local scene. College credit is offered. Email Matt at mattkinetic@ hotmail.com.

Smithsonian Folkways Recordings is seeking an experienced Marketing Director for North America. Candidates must have passion, integrity and a proven track record in executing comprehensive

marketing campaigns — sales, publicity, radio, and Internet and advertising components targeting retail, direct-mail and mail-order consumers. Visit www.sihr.si.edu for full posi-tion description and applica-tion procedure, or call 202.275.1089, TTY 202.275.1110. Applications must be received by Feb. 16.

Razor & Tie Entertainment seeks brilliant self-starter to assemble/manage a national college marketing network and coordinate independent mar-keting. Candidate should have some record marketing,/pro-motion experience, creative agility, and great communica-tion and organizational skills. Happening company, great people, miserable pay. Email resumes to tmcneil@ razorandtie.com.

INDUSTRY SHUFFLE

Daniel Di Salvo has been named Director of New Media for Latin America at Sony Music International. He was formerly Director of English Language Product. • Edie Lundee has been named Director of Regional Promotion and Marketing for Virgin Records America. She was formerly Los Angeles Local Promotion Manager for Atlantic Records. • Lisa Hackman has been named Director of National Promotion for Virgin Records America. She was formerly Director of Regional Marketing. • Enrique Ongpin has been named Director of National Promotion for Virgin. He was formerly West Coast Promotion Manager for Interscope Records. • Sheila Richman has been named VP of Media and Artist Relations for the Island Def Jam Music Group and will relocate to the company's West Coast office in February. She was formerly the com-pany's Senior Director of Media and Artist Relations. • Doug Smiley has been named Marketing Director at Studio K7 Records. He was formerly Director of Retail for Beggars Group.

COME SIT ON OUR LAPS: Grandaddy and friend Howe Gelb (front and center) of Giant Sand.

EVERYBODY SAY "CHEESE":

(L-R)Trish Keenan of Broadcast, Darren Beckford and friend, James Cagrill of Broadcast.

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