case study of mang'elete 89.1fm - uon repository
TRANSCRIPT
i
Commercialized Media Environment and Sustainability of Community
Radio: Case Study of Mang’elete 89.1FM
James Mailu Singa
Reg. No.: K50/79294/2012
A Research Project Submitted to the School of Journalism and Mass
Communication in Partial Fulfillment of the Requirements for the
Award of the Degree of Master of Arts in Communication Studies, at
the University of Nairobi.
November 2014
ii
DECLARATION
This dissertation is my original work and has not been presented in and/ or to any other
forum or audience, in any other university or examination body.
Signed…………………………………… Date…………………………..
Name: James Mailu Singa,
Reg. No.: K50/79294/2012
I confirm that the work presented in this dissertation was carried out by the above named
candidate under my supervision.
Signature ………………………………… Date…..………………………..
Dr. Hezron Mogambi
Supervisor
iii
ACKNOWLEDGEMENTS
I am immensely indebted to many people who made it possible to undertake this
research. I May not enumerate all of them here, but I reserve special mention for the
following:
Dr. Hezron Mogambi, my mentor and supervisor; my Masters degree programme course
instructors: Dr. George Gathigi, Dr. Silas Oriaso, Dr. Samuel Kabuu, Dr. Samuel Siringi,
Dr. Elias Mokua, Dr. Haron Mwangi, Dr. Kiptiness; Esther Mulekye Venzi, research
assistant (Data analyst); Samuel Mwendwa Matevu, Research assistant (Data analyst);
Phillip Nzangi, my Research assistant; Redempta Nthia, the founder and the current
Executive Director, Mang‘elete Community radio project; Meshack Nyamai, the station
Manager, Mang‘elete Community Radio;…. And to GOD ALMIGHTY.
iv
DEDICATION
To Esther Mulekye Venzi, my wife;
To Lawrence Mwendwa Mailu, our son;
To my family;
To all communications professionals and students.
v
TABLE OF CONTENTS
DECLARATION ................................................................................................................ ii
ACKNOWLEDGEMENTS ............................................................................................... iii
DEDICATION ................................................................................................................... iv
TABLE OF CONTENTS .................................................................................................... v
LIST OF FIGURES ............................................................................................................ x
ABSTRACT ....................................................................................................................... xi
ACRONYMS AND ABBREVIATIONS ......................................................................... xii
CHAPTER ONE: INTRODUCTION ............................................................................. 1
1.0: Introduction .................................................................................................................. 1
1.1: Background .................................................................................................................. 1
1.1.1: Radio Broadcasting Medium in South Eastern Kenya ................................. 3
1.1.2: About Mang‘elete FM .................................................................................. 4
1.2: Problem Statement ...................................................................................................... 5
1.3: General Objective ........................................................................................................ 6
1.4: Specific Objectives ...................................................................................................... 6
1.5: Research Questions ...................................................................................................... 6
1.6: Rationale and Justification ........................................................................................... 7
1.7: Scope and Limitations ................................................................................................. 7
1.8 Operational Definition of Terms and Phrases ............................................................... 8
CHAPTER TWO: LITERATURE REVIEW AND THEORETICAL
FRAMEWORK ................................................................................................................. 9
2.0: Introduction .................................................................................................................. 9
vi
2.1: Empirical Review ........................................................................................................ 9
2.1.1: Legal versus operational definition: Community radio ................................ 9
2.1.2: Concept of sustainability ............................................................................ 11
2.1.3: Commercialized media environment .......................................................... 13
2.1.4: African Case Review: Community radio in East Africa: An impact and
sustainability assessment of three community radios within the EACMP (2007) 16
2.2: Research Gap ............................................................................................................. 18
2.3: Conceptual framework ............................................................................................... 19
2.4: Theoretical Framework .............................................................................................. 20
2.4.1: Public Sphere Model:.................................................................................. 20
2.4.2: Participatory Communication Model: ........................................................ 22
2.4.3: Systems Theory of Management ................................................................ 24
CHAPTER THREE: METHODOLOGY .................................................................... 26
3.1: Research design ......................................................................................................... 26
3.2: Research Population .................................................................................................. 26
3.3: Research Approach; Sampling and Sampling Techniques ........................................ 27
3.4: Data Collection Instruments and Techniques ............................................................ 30
3.5: Data Instrument Pretesting......................................................................................... 30
3.6: Data Analysis ............................................................................................................. 31
CHAPTER FOUR: DATA ANALYSIS AND INTERPRETATION ......................... 32
4.0: Introduction ................................................................................................................ 32
4.1: Respondents‘ Response ............................................................................................. 32
4.2: Findings and Discussion ............................................................................................ 34
vii
4.2.1: Effect of commercialized media environment on Community radio: ........ 34
4.2.2: Listener preference: Commercial radio stations versus Community radio
station .................................................................................................................... 39
4.2.3: Operational Sustainability - Programming: Mang‘elete FM versus
Commercial radio stations .................................................................................... 41
4.2.4: Financial Sustainability: Balancing Donor funding against local community
involvement: ......................................................................................................... 43
4.2.5: Institutional and organizational sustainability - Leadership, management
and community participation: Commercial radio versus Community radio ......... 50
4.2.6: Social Sustainability: Goodwill Support from Local community: ............. 52
CHAPTER FIVE: SUMMARY, RECOMMENDATIONS AND CONCLUSIONS 56
5.0: Introduction ................................................................................................................ 56
5.1: Summary of findings ................................................................................................. 56
5.2: Recommendations ...................................................................................................... 58
5.2.1: Enhancing local community‘s participation in managing community radio
project ................................................................................................................... 58
5.2.2: Understanding the local community interests, tastes and needs ................. 58
5.2.3: Tapping into local community‘s goodwill .................................................. 59
5.2.4: Develop network & collaborations- community radio networks................ 60
5.2.5: Need for a comparative research on sustainability of community radio
stations in a commercialized media environment ................................................. 60
5.3: Conclusion ................................................................................................................. 61
REFERENCES ................................................................................................................ 62
viii
APPENDICES ................................................................................................................. 66
Appendix I: Location of the Makueni County in Kenya ................................................. 66
Appendix II: Makueni County Administrative units/political units ................................ 67
Appendix III: Interviews Programme As Conducted .................................................... 68
Appendix IV: Listener‘s Survey Questionnaire............................................................... 69
Appendix V: Advertisers‘ Survey Questionnaire ............................................................ 71
Appendix VI: Interview Schedules ................................................................................. 72
ix
LIST OF TABLES
Table 4.1: Respondents‘ analysis ...................................................................................... 33
Table 4.2: Listening frequency: Makindu, Mtito Andei and Kibwezi clusters
combined ............................................................................................................... 40
Table 4.3: Advertisers‘ preference to advertise: ............................................................... 49
Table 4.4: Listeners‘ preferred radio station for charity support ...................................... 53
x
LIST OF FIGURES
Figure 2.1 Conceptual Framework ................................................................................... 19
Figure 4.1: Respondents per Gender ................................................................................. 33
Figure 4.2: Media Consumption Habits in Kenya (2011)................................................. 34
Figure 4.3: Radio Consumption Kibwezi, Mtito and Makindu ........................................ 35
Figure 4.4 Total frequency of listenership: ....................................................................... 37
Figure 4.5 Radio access .................................................................................................... 37
Figure 4.6: Total radio medium access: ............................................................................ 39
Figure 4.7 Listeners programming interest ....................................................................... 42
Figure 4.8 Radio Presenters Popularity ............................................................................ 47
Figure 4.9 Total Presenter popularity: .............................................................................. 49
Figure 4.10 Advertisers‘ Preference To Advertise ........................................................... 50
Figure 4. 11: Listeners‘ preferred radio station for charity support .................................. 54
Figure 4.12: Advertisers‘ preferred radio station for charity support ............................... 54
xi
ABSTRACT
The liberalization of broadcasting airwaves in Kenya in 1990s saw proliferation of the
private FM radio stations. These radio stations have commercialized the media
environment with throat-cut competition, where even the programming must have
commercial value, to attract the right audience in order to attract advertisers. The public,
private and community radio stations are competing for the same or similar audience. As
a result, this has created a challenge on the sustainability of the community radio projects
in Kenya, which usually depend on donors to fund their operations.
This study was therefore aimed at exploring how sustainable is the community radio in
such competitively commercialized media setting. The study also sought identify
challenges and opportunities for the same in order to remain sustainable and viable,
without losing focus of its development agenda to empower local community by
remaining a participatory media tool for the community, by the community. The research
drew lessons around sustainability of community radio by focusing on a case study on
one of Community radios in Kenya, Mang‘elete FM, in Nthongoni, Kibwezi, Makueni
County. It adopted a mixed qualitative and quantitative research methods to collect
information through questionnaires, Focus Group Discussion, one-on-one interviews and
Document reviews, which were analyzed and presented as narrative, frequency
distribution tables, graphs and charts from which inferences and conclusions were drawn,
and research report compiled for presentation.
The study found that the sustainability of community radio is highly challenged by
growing commercially oriented radio stations. Faced by poor leadership and management
as well as low community participation, the community radio projects have been unable
to withstand shocks of donor exit. Nevertheless, this study found that community radio
stations such as Mang‘elete Radio still enjoy consider considerable goodwill from local
communities who identify with stations due to their proximity which brings about sense
of local ownership. The study recommends that, together with these opportunities, the
community radio stations can improve their chances of sustainability by using volunteer
programmes involving the local community.
xii
ACRONYMS AND ABBREVIATIONS
AMARC: Association Mondiale Des Radiodiffuseurs Communautaires (World
AMREF: The African Medical and Research Foundation
Association of Community Radio Broadcasters)
CCK/ CAK: Communications Commission of Kenya/ Communications Authority
CRAK: Community Radio Association of Kenya
EACMP: East African Community Media Project
ENA : EcoNews Africa
KBC: Kenya Broadcasting Corporation
KCOMNET: Kenya Community Media Network
MCIDP: Mang‘elete Community Integrated Development Project
of Kenya
PSB: Public Service Broadcasters
RMS: Royal Media Services
SIDA: Swedish International Development Cooperative Agency
UNESCO: United Nations Educational, Scientific and Cultural Organization
USSR: Union of Soviet Socialist Republic
1
CHAPTER ONE: INTRODUCTION
1.0: Introduction
This chapter presents the historical context and justification for development and growth
of community radio globally, in Africa and locally, in Kenya. It then establishes the
challenge on community radio sustainability posed by growing commercial media in
general and private radio in particular. This forms the basis for the problem statement in
this research from where the general and specific objectives, justification and the
significance of the study are derived.
1.1: Background
World over, radio medium and especially in the third (developing) world is the most
easily accessed, and affordable and portable medium, since it is a medium that does not
require high literacy level of the audience, especially in the contemporary media
environment where radio is regionalized, broadcasting in local dialects world over, as
compared to other media outlets such television, which is more expensive, need a source
of electricity to operate, or the print media which require higher literacy level whereby,
consumers of such medium need to able to read (Kanyegirire, A., 2002). More so,
compared to other media such as Television, the production costs of radio programmes
are relatively low, making it easy to manage.
Historically, in most of Europe, radio broadcasting began in the 1920s as an activity
organized by the state. According to Mytton, G. (1999), Radio was run either as a public
service more or less independently of the government or directly by the government as an
2
instrument of the State. Thus, in Britain, the Scandinavian countries, the Netherlands,
Switzerland and a few others, broadcasting was legislated for as a public service provided
for by a non-governmental agency, independent of political authority, but established by
the State. In the communist countries, such as Russia (Former USSR), China, North
Korea and also in France and some other European states, broadcasting was (and is) run
as a department of the government. On the other hand, in the United States from the very
beginning, radio, and later television also, was organized as a commercial profit-making
enterprise.
Public Service Broadcasting (PSB),had therefore been established as the ideal application
of the ‗public sphere‘. However ,background of liberalization and privatization that
started in mid 20th
century lead to growth of private media operated as enterprises for
commercial revenue, forcing PSB to compete for same revenue and audiences. PSB, and
particularly the public radio could no longer meet its public service functions efficiently
(Kanyegirire, A 2002). It is against this background that advocates of media reform put
forth the need for non-commercial radio. This type of reform called for ‗community
radio‘, a viable non-profit and non-commercial media Radio Sutatenza, established in
1947 in Colombia is considered as the first ever developing world community radio
station. A miners‘ radio in Bolivia would emerge two years later to press for better
working conditions for miners, and was supported by miners themselves who pledged a
portion of their monthly salaries towards station‘s running costs. This was first recorded
use by sector of society of radio broadcasting to improve its socio-economic status. (Da
Costa, P., 2012:138).
3
In Africa, the first community radio was set up in May 1982, in Homa bay Kenya, under
partnership between the UNESCO and Government. However, the Homabay 1982
initiative was short lived, following lack of support from both UNESCO and Kenyan
Government (Oriare et al, 2010:6). Then, Mang‘elete applied for license in 1997, but had
to wait until 2002 (Nyanjom,O., 2012: 20).UNESCO would aid in setting up other
community radio stations, such as Radio Dzimwe (Malawi), Radio Katatura (Namibia)
and Mazabuka community radio (Zambia). Since then, community radio has grown
exponentially in several other Africa countries such as South Africa, Mali, Niger, Sierra
Leone, Democratic Republic of Congo, Rwanda, among others (Da Costa, 2012).
1.1.1: Radio Broadcasting Medium in South Eastern Kenya
South Eastern Kenya is a region mainly populated by Kamba language speakers
occupying three counties of Kitui, Machakos and Makueni. The main towns and urban
centres are more cosmopolitan, with members of other communities within and without
Kenya who work mainly in those towns and urban centres. The region is served by
different communication media, including Television, Radio, Print, Internet, as well as
mobile phone communications. According to Nyanjom, O. (2012), Eastern Kenya has 44
licensed broadcasting frequencies.
Radio broadcasting service is perhaps the most popular and well elaborate media in the
region, with both national radio stations broadcasting mainly in English and Swahili or
mixture of the two languages, as well as regional radio stations, broadcasting in the local
dialect, Kamba language.
4
These radio stations include KBC (English and Swahili services, with some channels
broadcasting in Kamba Language) which is the public broadcaster, several private owned
radio stations, broadcasting either in English, such as Radio Africa Group Ltd-owned
Kiss 100FM / Classic FM, and NMG- owned Nation FM; or in Swahili, such as RMS-
owned Citizen Radio, Standard Group – owned Radio Maisha, Radio Africa Group –
owned Radio Jambo and Media Max Limited-owned Milele FM. There are also other
faith based stations such as Radio Waumini FM (Catholic), Biblia Husema FM, Hope
FM, among others.
Others are privately owned radio stations, broadcasting in Kamba language, which
according to Nyanjom, O. (2012), include Musyi FM, Athiani FM, Mbaitu FM, County
FMand Syokimau FM. It is also possible to get some other few vernacular stations from
other community languages such as Kikuyu Meru and Kalenjin languages, due to the
proximity of the region to Nairobi city, from where most of these vernacular private radio
stations broadcast from. Mang‘elete FM remains the only community radio station in the
region.
1.1.2: About Mang’elete FM
Mang‘elete FM is a community radio station owned by 33 women groups who came
together to form a larger group, Mang‘elete Community Integrated Development
Programme (MCIDP) (Oriale et al, (2010), locally called MBOSONI in 1985, an
organization through they used as a vehicle to establish various community projects in
Makueni. One of such projects was donor supported community Radio, Mang‘elete FM
5
situated in Nthongoni, 14 Kilometres from Mtito Andei, 4 km from Chyulu hills, and 3
km from Tsavo west national park. The station whose 90% of its broadcasting is in
Kamba language, and 10% in Swahili, for the benefit of nearby Maasai and Taita
communities, went on air on 22nd
February, 2004. (Githethwa N., (Ed), 2008:38)
1.2: Problem Statement
Despite concerted facilitation and intervention efforts especially by Non-Governmental
Organizations as well as international Intergovernmental supra bodies such as UNESCO
prioritizing support for growth of community radio in Kenya, the sustainability, and
therefore, the growth of community radio is still low.
In contrast, commercial radio stations in the country have grown in numbers, in reach
(coverage), in popularity and thus, in audience share market, despite the fact that the first
such commercial FM radio was established over 15 years after establishment of first
community radio in Kenya. Also, driven by profits, commercial radio stations are not
ideal for fostering community‘s social change and development agenda, as opposed to
community radio stations, which are development oriented.
As by October 2012, Nyanjom, O. (2012) points out that Communications Authority of
Kenya (formerly Communications Commission of Kenya) had issued 365 radio
frequencies, of which 300 frequencies were said to be operational, in use by slightly over
100 radio stations. Of these, according to Maina, S.N. (2013) only 12 Community Radio
stations have been granted frequencies by CAK (formerly CCK).This low community
6
radio growth rate and low market share, compared to growth, coverage and audience
market of commercial radio stations, brings into question how competitive and
sustainable the former has been, since they are both operating in the same media
environment.
1.3: General Objective
The general Objective of this study was to investigate how sustainable community radio
is currently, in such competitively commercialized media setting.
1.4: Specific Objectives
a) To determine how commercialized media environment in Kenya has affected
sustainability of community radio;
b) To identify sustainability challenges and opportunities for community radio in
commercialized media in Kenya;
c) To document key community radio sustainability lessons arising from competitive
commercialized media environment.
1.5: Research Questions
a) How has commercialized media environment in Kenya affected the sustainability
of community radio?
b) What are main sustainability challenges and opportunities for community radio?
c) What sustainability lessons can be learnt on existing community radio models in
Kenya?
7
1.6: Rationale and Justification
The existing scholarly research work on community radio in Kenya has not delved deeply
and in a dedicated manner, into the question of understanding effect the independent
variable of commercialized media on dependent variable of sustainability of community
radio, something that this research intended to address.
The outcomes of the research are practical sustainability strategies that community radio
can adopt in order to adjust to the commercialized media arena without changing the
original purpose as development and social change tool. Of interest in this research
therefore, was to investigate the relationship between commercialization and
sustainability of existing and potential community radios.
1.7: Scope and Limitations
The research sought to draw lessons around sustainability of community radio by
focusing on a case study on one community radio in Kenya, Mang‘elete FM, in
Nthongoni, Kibwezi, Makueni County. The study focused on investigating of how
proliferation of commercial radio stations, especially those broadcasting in Kamba
language has affected sustainability of Mang‘elete Fm. The research took two months to
complete. The sources of primary and secondary information included the management
and the staff members of the Mang‘elete FM, local community members, media law
experts, advertisers, listeners, published research work and statistics from relevant media
institutions.
8
1.8 Operational Definition of Terms and Phrases
Community: This is a homogenous group of people with a common binding factor such
as geographical location, language, religion, race, class, and opinions.
Community radio: This is a radio broadcasting service which is for, by and about the
community, whose ownership and management is representative of the community,
pursuing social development agenda and it operates as a non-profit entity.
Public Broadcasting Service: This is a non-commercial television or radio station
devoted to quality public programming and are funded through public contributions,
government allocations and grants from private industry.
Private and commercial broadcasting service: These are broadcasting media stations,
usually privately owned and that are operated for profit or as part of a profit-making
enterprise, generating their revenue from advertising or sponsorships
Media environment: This refers to conditions, including social, economical,
geographical, political and cultural, in which media operate in.
Sustainable media: These media that have the potential for long-term maintenance of
well being, which have ecological, economic, political and cultural dimensions.
9
CHAPTER TWO: LITERATURE REVIEW AND THEORETICAL
FRAMEWORK
2.0: Introduction
This chapter explores past scholarly inquiries and the knowledge developed into the
relationship between the sustainability of community radio and commercialized media
environment. I have pointed the challenge of defining community radio legally vis-à-vis
the operational definition. More so, scholars have delved into what ‗sustainability‘ of
community radio means, to bring out a more holistic understanding, an understanding
that takes sustainability beyond being a synonym to financial sustainability. In this
chapter, I propose a hybrid approach to achieving sustainability of community radio.
Theoretically, I based this research on Public sphere model, participatory communication
model and the system theory of management.
2.1: Empirical Review
2.1.1: Legal versus operational definition: Community radio
One challenge in addressing the community radio‘s sustainability has been defining what
a community radio is, theoretically and practically, and then, secondly understanding the
concept of ‗sustainability‘ of the community radio. Maina, S.N. (2013) has it that there is
no clear definition of community radio since they are operationally placed in the same
category as public and commercial or private radio, meaning that they all operate in the
same environment despite having different legal definitions. This, she adds, means that
Kenya‘s community radio has not received much intellectual and critical research
10
attention and therefore, there is little information written specifically about Community
Radio.
Fraser and Restrepo-Estrada (2002) term community radio as a form of non-profit radio
broadcasting service owned and managed by a particular community, either through trust
or through a foundation. He further adds that apart from the media tool relying on
community‘s resources for sustainability, its programming is based on local audience
access and participation, reflecting on the needs and interests the same community.
Banda, F. (2003) has it that according to the South African Broadcasting Act of 1999,
community broadcasting service is not only fully controlled by a non-profit entity and
carried on for non-profitable purposes, but also exists to serve a particular community,
encouraging members of the community served or persons associated with promoting the
interests of such community to participate in selection and provision of programmes to be
broadcast and it funded by donations, grants, sponsorships, or membership fees. Put
concisely, the African Charter on Broadcasting terms community radio as a
―Broadcasting which is for, by and about community, whose ownership and management
is representative of the community which purely pursues social development agenda and
which is non-profit‖ (Da Costa, P., 2012:137).
From the above definitions, it is possible to derive four aspects of a community radio: It
is community owned, it is defined by participation of the local community in
programming and management, its agenda is development oriented and empowerment of
11
local community and more explicit; it exists as a ‗not-for-profit‘ broadcasting service.
Allen, K & Gagliardone, I. (2011)point out that there is a distinction between vernacular
radio and community radio, where the former describe either community or commercial
enterprises that broadcast in local ethnic community language, with commercial ones
operating for profit, while promoting partisan agenda. In contrast, community radio
strives to serve the public, with their broadcast that contain messages that are socially
useful to the community.
2.1.2: Concept of sustainability
Indeed, community radio is an ideal media tool for providing local communities with a
platform through which they can experience social change, achieving community
empowerment and development, fostering behaviour chance, while alleviating poverty.
According to Fraser & Restrepo - Estrada (2002), there is documented evidence pointing
to the success that community radio has opened up space to air, debate and foster
solutions around key issues of concern to the community. World over, community radio
has become strategy of choice to address poverty at the grass root level since it can reach
communities in a way that other forms of broadcasting or media cannot. It is the medium
of the voiceless, and mouthpiece of the oppressed people.
Community radio is globally considered as an intervention of choice for deepening
participation and community ownership, where beyond empowering communities, it can
catalyze behaviour change and impact positively on wider development outcomes. Allen,
K & Gagliardone, I. (2011) point out that community radio is often regarded as a reliable
12
and calming force during times of political instability, hence the growing scholarly
interest into how it can remain sustainable media tool.
There is a misconception to always view community Radio‘s sustainability question as a
question of financial stability of the station. Da Costa, P., (2012) views sustainability in a
broader sense, proposing a more holistic and wider definition that, sustainability has three
dimensions which ‗determine the ability of community radio to survive and grow. The
first dimension, according to Da Costa, is ‗Institutional Sustainability‘, meaning the
community ownership of the community radio. Unless the local community can fully
participate in the management, decision making, partnership and policy formulation
processes of the radio, then there is risk of perceiving such community radio as ‗foreign‘.
Second dimension is what Da Costa refers to as ‗social sustainability‘, which according
to him refers to participation of local community in production and airing of programmes
at both decision making and operational levels. In this, local community would own
station more if they are involved in the decisions about what kind of issues to focus on as
part of programming, and then local members being in actual production and airing of
such programmes, as technicians, producers, reporters, among others.
Da Costa identifies financial sustainability, which he refers to as the model employed to
ensure generation of revenue, how the funds are managed and accounted for. Jallov, B.,
(2007) adds a fourth dimension: Organizational sustainability, which includes capacity
building programmes for staff and local community in regard to management and
13
operations of the community radio, existing legislations and policies, the technology
being employed and existence of relevant networks.
2.1.3: Commercialized media environment
Globally, Mytton, G (1999), in his handbook on Radio and Television research, states
that Broadcasting in most countries is now being diversified. Countries in Europe, Asia
and Africa that formerly had state or public service monopolies have permitted
independent broadcasters. Many of these operate on a commercial basis, relying on the
sale of advertising and the commercial sponsorship of programmes.
In Europe, non-commercial radio preceded, not followed, commercial broadcasting with
commercial channels being created in 1990s. According to Dunaway (1998), most of
these community broadcasting services were municipal- or party-funded, though in
France and Norway, they drew funds from a national levy. These community stations
received regular financial support from a municipality or an institution charged with
serving the local population. This meant that stations rarely, if ever, tested audience
loyalty by requesting donations over the air (Dunaway, D., 1998:93).
However, Dunaway, D. (1998) has it that by the 1990s community radio had become
survivors in the hard battle for funds, victim of tax-cutting disaffection with the social
democratic/welfare state. Thus, faced with the question of growing commercialized
sustainability model, and with reducing donor support, for these community radio outlets
in North America and Western Europe, an idea of a public community radio was
14
conceived, where, they started accepting advertisements, turning into competitors for the
local state broadcasters and the audience-winning, profit-driver formats of commercial
broadcasters (Dunaway(1998). As a result, today community radio is caught between two
perspectives: open access, which fulfills the original aesthetic and moral imperative of
community radio‘s founding generation; and audience-building, referring to size,
character, and financial resources.
In Kenya, to illustrate how commercialized is media environment, a 2011 report titled
‗Explosion in media changes: Audience and advertising trends in Kenya’ by IPSOS
Synovate, has it that the media landscape in Kenya is currently dominated by vernacular
private (commercial) radio stations powered by the fact that 81% of Kenyan population
aged 15 years and above use vernacular language. This popularity is even higher in rural
areas.
The report adds that this popularity and access of radio is increased by growth of
technology where local community can access radio broadcasts even on mobile phones.
Further, the report has it that proliferation of many (commercial) radio stations has led to
fragmentation of audience, with listeners switching from one station to the other.
This means that commercial radios, motivated by profits would employ the best radio
talent, programming, technology, et cetera, to increase market share to gain more
advertising revenue, to the detriment of growth of community radio, which can‘t compete
with the former, threatening its survival, especially where donor funds are drying up.
15
The rate of commercialization of media environment in Kenya is represented by statistics
in the another IPSOS Synovate report (2014) which indicate that the advertising revenue
in 2013 was Ksh94.5 billion, a 5% growth compared to advertising expenditure in 2012,
which was Ksh90.4 billion. This indicates a steady positive growth, compared to Kshs
3.9 billion in 1999 and Kshs. 49.2 billion in 2010 (IPSOS Synovate report, 2011).The
report states that most share of the indicated advertising went to radio at 47% followed by
Television at 41% and print at 12%. Overall, advertising expenditure on radio was
Ksh44.6 billion in 2013, a modest increase of 0.8% from statistics in 2012.The IPSOS
Synovate (2011) report states that although steady economic growth from 2004 to 2007
contributed to growth of this revenue, majorly, the growth was due to fragmented
audience, brought about by rapid proliferation of commercial radio stations within the
same period.
Even though there are documented success stories of community radio still remaining
operational, there are also many community radio stations which have failed to remain
viable or sustainable, hence high attrition rate. For instance, the first community radio set
up in Homa bay, Kenya could not survive without support of donors. Da costa (2012) has
it that community radio stations in Africa, and more so, true in Kenya, are heavily
dependent on donor funding for survival, operating in media environment where airwaves
are dominated by more accessible and popular commercial radio stations.
This precarious Modus Operandi means that in case donor community pulls out its
funding, the operations of community media are grounded, making it extremely difficult
16
for these radios to compete with profit oriented and well established commercial radio
stations. These commercial radio stations are more oriented to profit making, rather than
development agenda, hence, they are more ‗aggressive‘ than community radio.
According to Fraser & Restrepo - Estrada (2002), like community radio services,
commercial radio are local, broadcasting in local dialect, targeting the same local
audiences.
The environment, in which many community radio stations operate, is dominated by
donors, with the airwaves dominated by more accessible and popular commercial radio
stations. Together with lack of sufficient community ownership and leadership; funding
constraints and distorted incentives, this has made their sustainability of community radio
a huge challenge (Da Costa, P., 2012). This is made harder for community radio by
existing legislation, since, according to the Kenya Information and Communications Act
(2009, amended 2013) , community radio license is granted on condition of the
community broadcasting service operates as not-for-profit community initiative with the
intention of involving local community in its management and benefits (Nyanjom, O.
(2012).
2.1.4: African Case Review: Community radio in East Africa: An impact and
sustainability assessment of three community radios within the EACMP (2007)
This was a research by Birgitte Jallov on three community radio stations that participated
in East Africa Community Media Project (EACMP) supported by Swedish International
Development Cooperation Agency, SIDA, and coordinated by EcoNews Africa (ENA), a
17
Non-governmental Organization that was based in Nairobi, aimed at combating poverty
in three selected communities in Kenya, Uganda and Tanzania.
In this research, it was established that community radio stations targeted, including,
Mang‘elete FM,(Kenya) Kibaale-Kagadi FM, (Uganda) and Orkonerei Radio Services
(Tanzania) had indicated high social sustainability and ownership. However, they
remained weak in areas of institutional and financial sustainability (Da Costa, P.,
2012).Among the important lessons from this research, as pointed out by Da Costa, was
that community radios need to be more networked with other stations, to reduce their
fragility and improve their sustainability.
Da Costa (2012) singled out the case of Mang‘elete FM, in that it is in considerable
difficulties because it is the only one of the three stations that separated itself from
community based organization that originally hosted it, that is, EACMP. The other two,
according to Githethwa (2010) have been able to overcome challenges brought about by
collapse of EcoNews Africa in 2010, due to their strong institutional linkages and
dynamic leadership. Allen, K & Gagliardone, I (2011), in their Media Map Project case
studies in Kenya point out that community ownership is difficult to maintain in these
community radio stations, which threatens their sustainability and quality. They add that
these stations depend on the donor funding and that many find it difficult to remain
sustainable, once the donors leave.
18
2.2: Research Gap
A lot of research, as highlighted above, has been and continue to be undertaken on
sustainability of community radio projects generally, and a lot of literature has so far
been developed in the last decade. However, a closer scrutiny of these research projects
would indicate that issue of sustainability has in most cases, been superficially handled as
part of the larger research projects and more so, in general terms. Thus, very little insight
exists in understanding specific independent variables that affect sustainability per se.
The commercialized environment is bound to be even more competitive as new
technologies are being employed by commercial stations (and other media outlets) to get
the market edge. This means that for the purposes of increasing sustainability of
community radio, more research is needed to understand the impact of existing
independent variables such as commercialized media environment, rapidly changing
communication technologies, among others.
19
2.3: Conceptual framework
Figure 2.1 Conceptual Framework
Community radio (media) Sustainability Model
Source: (Author)
Listener preference
Advertiser preference
Donor relations
Community Support
Stable Revenue
Sense of local ownership
Sound management
Sustainable Community Radio:
Staff retention
Better remuneration
Infrastructure
Better programming
High market rating
Community empowerment;
Community Development agenda ;
Community social change.
Local community
ownership
Community participation
(Management/ Volunteers)
Diversified media products
and services
Networks and
collaborations
20
2.4: Theoretical Framework
This research is grounded theoretically in public sphere; participatory communication
models and Systems Theory of management.
2.4.1: Public Sphere Model:
The essence of Community radio is to provide a forum on which members of public can
exchange ideas, discuss of common issues of concern, while creating an arena that
mediates between state and society. This is what public sphere model of communication
posits. Germany philosopher Jurgern Habermas (1962;1989), the proponent of this model
defines ‗public sphere‘ as a forum where private individuals can debate public affairs,
criticize the authority of state and call on those in power to justify their positions before
an informed and reasoning public, which is independent of government and partisan
economic forces (Williams, K. 2003).
Public Sphere model is grounded on free flow of information and communication, where
media institutions are essential to its effective working. Habermas justifies historical
evolution of public sphere model, pointing out that growth of mass society in seventeenth
and eighteenth century provided forum for liberal thought, where this freedom was
manifested through growth of critical reflection in plays, novels and letters, and flowering
of public discussions in outlets such as in universities, coffee houses as well as the
emerging newly independent private newspapers (Curran 1991:83). These developments
had by nineteenth century resulted to formation of a public sphere characterized by open
21
debate, critical scrutiny, full reportage, increased accessibility and independence of actors
from crude economic interests as well as free from state control (Webster, 1995).
Habermas states that from nineteenth century onwards, growth of power of state, the
emergence of corporate capitalism and transformation of media into commercial
operations, now driven by desire for making profits by their owners, rather than acting as
information providers for their readers, corrupted this public sphere (Williams, K. 2003).
Williams explains that this Market-driven capitalism overrode the principle of public
communication, where public opinion was being manipulated and manufactured for
publicity, advertising, public relations and social engineering.
Webster (1995) states that in 20th century, mass media has developed into monopoly
capitalistic organizations and therefore, their role as key disseminators of public
information is diminished. As a result, these commercial media (including privately
owned radio stations) have become arms of capital interest. Therefore, with public arena
and opinion commoditized by commercial media, the public voice from community is
lost, hence creating danger where community‘s social and development agenda is lost on
profit oriented media channels.
One basic assumption in this model is that media solely, is a resource for information, an
open forum for debate and discussion and a watchdog on behalf of the public. Therefore,
based on this assumption, Kanyegirire, A. (2002) opines that there is need for a
22
movement in media that consciously resists powerful influences, such as commercial
pressures, so as to enable it to fulfill its democratic responsibility to the public.
2.4.2: Participatory Communication Model:
Different development communication scholars have overtime attempted to develop a
working communication model that effectively leads to sustainable development. Among
such early models is Harold Lasswell‘s communication theory modeled along a linear
communication approach, which was understood to mean transfer of information from
source to receiver in a step-by-step change process (Tufte M. & Mefalopulos, P. (2009).
According to Servaeas J. (ed) (2002) this model sees the communication process mainly
as a message going from a sender to a receiver. Atypical example of such a strategy is
situated in the area of family planning, where communication means like posters,
pamphlets, radio, and television attempt to persuade the public to accept birth control
methods. Similar strategies are used on campaigns regarding health and nutrition,
agricultural projects and education.
In these early strategic communication approaches, there was no participatory element.
Instead, Tufte M. & Mefalopulos, P. (2009) state that the power of communication to
enhance development was in crafting persuasive content and adequately targeting the
audience. Such approaches, including Everret Rodger‘s diffusion theory, have been often
seen as elitist, with a vertical or top-down orientation, and have a danger of creating a
23
dependence syndrome on recipients, endangering the sustainability of the project, once
the benefactors such as donors of a community radio, pull out.
Servaes (2002) sees the participatory communication model as ideal, since it incorporates
the concepts in the framework of multiplicity. This is a model that stresses on reciprocal
collaboration throughout all levels of participation, with key focus on the local
community. It is at the community level that the problems of living conditions are
discussed, and interactions with other communities are elicited. The most developed form
of participation is self-management. It stresses the importance of cultural identity of local
communities and of democratization and participation at all levels—international,
national, local and individual.
This principle implies the right to participate in the planning and production of media
content. More important is that participation is made possible in the decision-making
regarding the subjects treated in the messages and regarding the selection procedures.
Nevertheless, participation does not imply that there is no longer a role for development
specialists, benefactors (partners) planners, and institutional leaders. It only means that
the viewpoint of the local groups of the public is considered before the resources for
development projects (Servaes, J. (Ed): 2002).
This approach is crucial in understanding the social and institutional sustainability of
community, that is, how the local community own the radio station, how it participates in
its management, as well as content production processes. The successes and failures of
24
most development projects (such as a community radio) are often determined by two
crucial factors: communication and people‘s involvement (Fraser C. & Restrepo-Estrada
(1998)).
2.4.3: Systems Theory of Management
Finally, the research is informed by Systems Theory of Management, as advanced by
biologist Ludwig von Bertalanffy in 1951, who posits that:
―A living organism is not a conglomeration of separate elements but a definite
system, possessing organization and wholeness. An organism is an open system
which maintains a constant state while matter and energy which enter it keep
changing (so-called dynamic equilibrium). The organism is influenced by, and
influences, its environment and reaches a state of dynamic equilibrium in this
environment. Such a description of a system adequately fits the typical business
organization (Johnson, R.A., et al, 1964: 370-371).
Johnson, et al (1964) state that, the business organization is a man-made system, which
has a dynamic interplay with its environment which includes its customers, competitors,
labor organizations, suppliers, Government, and many other agencies.
―Furthermore, the business organization is a system of interrelated parts working
in conjunction with each other in order to accomplish a number of goals, both
those of the organization and those of individual participants. (Johnson, R.A., et
al, 1964: 371).
As per this theory therefore, media organizations, whether private and commercial or
non-profit making community radio stations, must constantly assess both internal and
external environments, in which an institution is operating in, in order to adapt
accordingly by adopting strategies that mitigate the threats identified, while seizing the
opportunities identified in such internal or external environment.
25
Internal environment involves assessing the internal resources, management structures,
talent management, use of technology, ownership, among others. External environmental
would identify factors arising beyond control of the media organization (community
radio) due to existing competition in the market (especially from commercial radio and
other media organizations), legal and policy issues, entry of new competition in the same
market, change of consumer tastes, and change of (media) technology, for instance, the
new media technologies and digital broadcasting, among others.
These are some of factors whose impact this study aimed to identify, in order to
recommend appropriate strategies which community radio can adopt to enhance their
sustainability in competitive, highly commercialized media environment.
The internal environment was investigated qualitatively, while the external environment
was interrogated quantitatively, and inferences drawn from information collected.
26
CHAPTER THREE: METHODOLOGY
3.1: Research design
This study adopted case study design. This is an in-depth investigation of an individual,
group, institution or phenomenon, which is viewed as an example of a group of
individuals, institutions or phenomena. It is best research design when a researcher
intends to determine factors and relations among factors that have resulted in the
behaviour under study (Mugenda, O. & Mugenda, A.,2003).
3.2: Research Population
Mugenda, O. & Mugenda, A (2003) define population as an entire group of individuals,
events or objects, having common observable characteristics. They identify two kinds of
population:
Target population: This refers to the total set of subjects in a study where the research
will be generalized. For this study, the target population include community radio
stations that broadcast in vernacular and are members of Community Radio Association
of Kenya, which, according to Nyanjom, O (2012) include: Mang‘elete FM (Kibwezi,
Makueni), Bulala FM (Budalang‘i, Busia), Serian FM (Malaral, Samburu), Oltoilo le
Maa (Suswa, Narok), Mugambo Jwetu (Tigania West, Meru), Kangema FM (Kangema,
Murang‘a) Wajir FM (Wajir) (Nyathom, O. 2012: 26)
Accessible population: This refers to the set of subjects from which the sample of the
study is to be derived. Mang‘elete FM was purposively identified as the case study.
27
3.3: Research Approach; Sampling and Sampling Techniques
Qualitative method was employed to gather narrative data that required no numeral
figures. It was adopted to collect information on how commercialized media environment
has affected Mang‘elete FM, (and by extension, other community radio stations) via in-
depth interviews with board, management and staff of Mang‘elete radio station, media
legal experts, as well as local community members. In addition, relevant documents were
reviewed as additional sources of qualitative data.
Purposive sampling technique was used to identify the persons for the above mentioned
interviews. This is where cases were purposely identified because they hold the desired
information for this study. Quantitative method was employed to gather numeral data
from possible advertisers and listeners to understand their preferences between
commercial and community radio. This was informed by the fact that media
organizations strive to acquire as much listenership as possible, as a market product,
which they in turn ‗sell‘ to advertisers and sponsors for revenue generation, to sustain
themselves, whether commercial or community radio.
Specifically, the quantitative survey targeted:
a) Advertisers: Business organizations that have advertising power within the
geographical region of the study area. These included: Supermarkets, Timber and
hardware stores, Petrol stations, Cereals store, Boutiques, General shops, Cyber
café, Grocery, Grains stores, Electronics shops and a music store. Of interest in
this survey was to understand: what are the preferred radio stations to advertise
28
their businesses and why. Also, given a chance to make donation to support a
radio station in Ukambani, which one would it have been, and why?
b) Listeners Survey: They were be stratified into three clusters (Mtito Andei,
Kibwezi and Makindu) as per sex and urban centres. Of interest was to understand
which radio stations they listen, their favourite programmes (from which
station(s) and why, favourite presenters (from which station(s)) and why. Also,
given a chance to make donation to support a radio station in Ukambani, which
one would it have been, and why?
This was important, since the quality of programming and talent skills in a radio station
are related to its ability to sustain itself by gaining in listenership market share, which in
turn attract advertisers (or sponsors, in case of community radio stations), a major source
of revenue for these stations. A sample size of 45 possible advertisers was included in the
advertisers‘ survey while 240 cases of listeners were sampled for the listeners‘ survey.
Cluster sampling technique was employed to identify samples for both advertisers‘
survey and listeners‘ survey. This is because it was not possible to get a sampling frame
(for instance, it was not possible for example to know the total number of advertiser/
sponsor businesses within the study area. Thus, the urban centres were used as clusters.
Three (3) identified urban centres (source: Makueni county: First county integrated
development plan: 2013-2017) formed the clusters, therefore three (3) clusters, including:
Kibwezi, Makindu, Mtito Andei. From each cluster, cases for both advertisers‘ and
listeners‘ survey were selected via simple random sampling technique.
29
The following formula was used to calculate units per each cluster:
Advertisers’ survey sample:
1/3 x 45 = 15 units from Kibwezi town cluster
1/3 x 45 = 15 units from Makindu town cluster
1/3 x 45 = 15 units from MtitoAndei town cluster
Total: 45 units
Listeners’ survey sample:
According to Kenya National Bureau of Statistics, 2013 report , Makueni County
(including Kibwezi) population in 2012 was projected to be 922,183 consisting of
449,036 males and 473,147 females, representing a male-female sex ratio of 100:105
(Makueni County Integrated Development Plan, 2013:8). Using this ratio (male: female =
100:105); and with a sample size of 240; therefore sample units for each of three clusters
was calculated as follows:
1/3 x 240 = 80 listeners in Kibwezi town cluster
a) Men :
100/205 x 80 = 39.02, thus 39 males;
b) Women:
105/205 x80 = 40.97, thus 41 females
1/3 x 240 = 80 listeners in Makindu town cluster
a) Men :
100/205 x 80 = 39.02, thus 39 males;
30
b) Women:
105/205 x80 = 40.97, thus 41 females
1/3 x 240 = 80 listeners in Mtito Andei town cluster
a) Men :
100/205 x 80 = 39.02, thus 39 males;
b) Women:
105/205 x80 = 40.97, thus 41 females
Total: 240 units to be surveyed
3.4: Data Collection Instruments and Techniques
Data collection methods included administered questionnaires, interviews, Focus Group
Discussion, observation, and review of recorded data from documents. Questionnaires
were administered to gather quantitative data, while interview schedules were used to
gather qualitative data.
3.5: Data Instrument Pretesting
The questionnaire and the interview schedules were tested in Makindu town before actual
data collecting to ascertain their reliability. The results deduced from the pre-test were
used to refine the questionnaire and interview schedules.
31
3.6: Data Analysis
The qualitative and quantitative data collected was coded, analyzed and presented as
frequency distribution tables, graphs, charts, and narrations, from which inferences,
recommendations and conclusions were made.
32
CHAPTER FOUR: DATA ANALYSIS AND INTERPRETATION
4.0: Introduction
In this chapter analyzed data is presented using frequency distribution tables, histograms,
pie charts, narrations and discussions for qualitative description and summarized
according to common themes. The analysis is based on the study objectives and research
questions.
4.1: Respondents’ Response
The study received 100% response from the targeted respondents, both in qualitative and
quantitative data collection. Qualitatively, all the targeted face to face interviews
involving the management and staff of Mang‘elete community radio, a local community
member and a legal expert were conducted. The interviews included a one-on-one
sessions with a staff member, a local community member and a legal expert, while a
Focus Group Discussion that brought together five participants, including the executive
director, station Manager and three members of Board of Directors was also conducted.
Quantitatively, the response was also 100% in all clusters, both for Listeners and
Advertisers survey. Demographically, for listeners‘ survey, in terms of gender, the
research involved 117 men and 123 women, in a ratio of 1:1.05, as based on Makueni
County population‘s projection (Kenyan National Bureau of Statistics report, 2012);
translating to 48.75% of respondents being men, while women were 51.25% respectively:
33
Figure 4. 1: Respondents per Gender
Source: author
According to age, the frequency distribution table below indicates the spread respondents
who were picked randomly in the three clusters, in a range of 10 in all clusters:
Table 4.1: Respondents’ analysis
Cluster Makindu Kibwezi Mtito Andei Totals Rate
Age/ Gender Male female Male Female Male Female Male/ female Male/
female
15-24 12 20 6 6 14 11 69 28.75%
25 -34 9 12 10 15 10 11 67 27.92%
35 – 44 8 2 14 6 10 10 50 20.83%
45 – 54 5 6 2 8 3 6 30 12.5%
Above 55 5 1 7 6 2 3 24 10%
Totals 39 41 39 41 39 41 240 Cases 100%
34
Advertisers‘ survey involved 15 cases per cluster (Mtito Andei, Kibwezi and Makindu
clusters). The study received a 100% response from total targeted 45 advertiser-cases,
which were randomly picked. These cases included petrol stations; a cereals stores;
boutique; Supermarket; general stores shops; Cyber café; grocery; Electronics shop and a
Music store.
4.2: Findings and Discussion
4.2.1: Effect of commercialized media environment on Community radio:
Radio medium Popularity: A report by Synovate on Media consumption habits in Kenya
(2011) indicate that radio is the most accessed media.
Figure 4.2: Media Consumption Habits in Kenya (2011)
Source: Synovate report
35
This is confirmed by a Country Report by Open Society Foundations, titled: Mapping
Digital media-Kenya (2013), which indicates that 74 percent of Kenyans have access to
the country‘s 120 radio stations, most of them FM stations owned by individuals and
various organizations including the government. Television is the second most popular
medium, accessed by 28 percent of the population, followed in distant third by
Newspapers.
The popularity of radio as a medium was confirmed in this study where 236 cases out of
possible 240 cases, translating to 98.33% of the sampled listeners‘ cases, responded to
have access to radio. The research revealed that most of these respondents consume radio
daily.
Figure 4.3: Radio Consumption Kibwezi, Mtito and Makindu
37
Figure 4.4 Total frequency of listenership:
Source: (Author)
This radio access is mostly through radio set, even though few respondents indicated that
they access it through mobile phone.
Figure 4.5 Radio access
39
Figure 4.6: Total radio medium access:
Source: Author
This indicates that for the community radio, it may not be a priority to invest on
information technologies such as streaming on the internet, since the targeted population
especially in most rural areas, receive radio broadcasts via radio sets. The community
radio station should first identify the technologies accessible to its audience before
employing such technologies, to avoid misapplication resources.
4.2.2: Listener preference: Commercial radio stations versus Community radio
station
The study sought to understand the specific impact of commercial radio stations
broadcasting in South Eastern Kenya, on Mang‘elete FM as a community radio station,
by investigating the listeners‘ preferences. The listeners were asked to state how often
they listen to listed radio stations, and the findings were as follows:
40
Table 4.2: Listening frequency: Makindu, Mtito Andei and Kibwezi clusters
combined
Those who listen once a day or once a week, explained that they do so as a result of
loyalty to certain programme (s). Commercial stations have the larger listenership, both
in male and female listeners. The listenership of Mang‘elete FM was found to be fairly
high in Mtito Andei cluster, where 22.5% respondents indicated they listen to the station
at once a day or week. However, this listenership reduces with distance; where it is barely
listened to in the neighbouring Kibwezi and Makindu clusters. Most volunteers at
Mang‘elete radio come from Mtito Andei. This shows that there is co-relationship
between the volunteer programme at the station and its listenership market. Volunteerism
denotes local community participation not only in management, but also in production of
programmes affects the station‘s listenership.
Station Through out
%
Once a day
%
Once a week
%
Don’t Listen
%
Musyi 58.75 30.42 8.75 2.5
Athiani 6.67 19.17 12.5 61.67
Mang’elete 0 2.08 7.08 90.83
Mbaitu 1.67 0.83 4.58 92.92
county 0.83 1.67 7.92 89.58
41
During a Focus Group Discussion with the Directors and Management of Mang‘elete
radio station, it was revealed that this poor listenership, compared to commercial stations,
is due to the fact that Mang‘elete radio barely broadcasts beyond a 50 Kilometre radius,
even though it is licensed for a coverage of as much as 100 Kilometre radius, and that, it
has capacity to broadcast beyond this coverage area. As explained during the focused
group discussion, this is as result of dilapidated broadcasting equipment as a result years
of neglect and lack of service. The station, which officially broadcasts for 16 hours a day,
from 6.00am to 10.00pm, has no capacity to broadcast for long time due to frequent
power outages, with no alternative power source back-up. The available generator that
was acquired with support of donors broke down.
4.2.3: Operational Sustainability - Programming: Mang’elete FM versus
Commercial radio stations
Maina S. N., (2013) states that every successful radio station, whether a public
broadcaster, commercial or community radio, must appeal to the interests, tastes, and
desires of its audience.
Mang‘elete community radio was established out of an interest to fill a communication
gap that had been identified by the local women groups in Nthongoni, to promote
education in food security programmes, environmental conservation, among other
initiatives that MCIDP (MBOSONI) women groups were involved in. Therefore, nearly
all its initial programmes were development oriented, covering agriculture, health,
HIV/AIDS, environmental conservation, human rights and governance, women
42
empowerment, children rights, water issues, as well as children programmes, produced in
partnership with local schools. However, with drying revenue, the station has been unable
to produce and air these programmes as it used to, a void that commercial radio stations
have exploited to gain audience away from Mang‘elete radio, even though they are profit
oriented, rather than development oriented. These stations, with sound management and
sound financial revenue, have been able to respond to listeners programming needs, tastes
and desire in a way that Mang‘elete radio station has been unable to.
This study sought to understand these listeners‘ programming preferences. It was found
out that, 26.67% of listeners were interested in News, 10.83% in Entertainment and while
16.67% listened developmental programmes. However, majority of listeners (41.25%)
preferred a ‗cocktail‘ content programming that included news, entertainment, and
developmental programmes, among others.
Figure 4.7 Listeners programming interest
Source: (Author)
43
Part of the reasons why commercial radio stations are able to command high listenership
where Mang‘elete should, was described during an interview with one of the staff
members, Theophilus Mutua*¹ (Not real name) who described Mang‘elete station‘s
programming that:
―Mang‘elete radio station‘s management depends fully on volunteers with little
training in programming and radio production. These are the persons who are not
expensive to pay. With no capacity even to produce radio programmes in the field
as it used to be 5 years ago, since we have no reliable equipment such as
recorders, and with no ability to produce quality, informative and localized news
programmes, Mang‘elete FM cannot compete for audience with commercial
stations. Each time there is a change of management, a new programming
structure is abruptly put in place, up to the point that currently, there exists no
definite programming schedule.‖
According to him, the station‘s programming system is disoriented, not helped by
leadership crises that have affected the management of station. More so, the station‘s
programming has been compromised by conflict of interest from the local community
(MCIDP) who have been influencing to their own people (relatives) to be employed at
the station.
4.2.4: Financial Sustainability: Balancing Donor funding against local community
involvement:
Conrad, D (2011) studied six community radio stations in East Africa by Conrad (2011)
found that a community radio station ownership model would be unsustainable if the said
station was purely created and sustained through external donations. The challenge in this
case is strike the balance so that any donor facilitation is based on the foundation that the
local community is capable of maintaining its sustainability, in case the donor support
comes to an end.
44
The existing literature on sustainability of community media projects that are built on
donor funding indicate that those projects become challenged once the donors cease their
support. However, properly managed, donor relations, which go hand in hand with
building the local capacity to maintain the support from within the community, then the
community project will have capacity remain sustainable.
Initially, Mang‘elete community radio project had sound foundation that involved donor
support and community ownership and engagement. AMREF, an organization that had
been working within the local community had identified need for education on nutrition
to the local community in order to reduce high child mortality rate in the area. A
community radio was seen as an ideal medium to help these women groups achieve their
goals, as AMREF used the same to build the capacity of the local community.
With donor funding from SIDA through ECONEWS, with local community making
bricks and providing labour, the current premises of Mang‘elete radio station at
Nthongoni were constructed in 2001, which included two studios. The donors also helped
equip the station with broadcast equipment, as well as supporting a nine week training
programme on media production for volunteers drawn from the local community, while
others were sponsored to train for diploma courses in communication at the government
owned Kenya Institute of Mass Communication.
The MCIDP Management was able to acquire transmitting license with support of the
then Information and communications Permanent Secretary Mr. Titus Naikuni, which
45
they were to pay an annual license fee of Kshs. 30,000.00. This paved way for
Mang‘elete community radio station to go air on February 2004. By the time the station
went on air in 2004, it had received a cumulative donor support worth Kshs. 67.2
million*². The funding from SIDA went for 5 years, from 2004 to 2009. Meanwhile,
another benefactor, EMIS-Kenya, a Danish organization supported the station to
construct the administration block.
With donor funding, Mang‘elete community radio was one of the most promising
community media success stories not only in Kenya but also in Africa. In order to
supplement donor support for the radio, the women groups established several projects,
including poultry keeping, tree planting, a posho mill, among others, of which part of
proceeds from these projects was remitted for management of the radio.
In addition, the station had some local businesses such as Makueni Cotton Ginnery
sponsoring a regular agricultural programmes, while the Catholic Diocese of Machakos
supported airing of two religious programmes: ―Thayu witu‖ (―our life‖) and ―Nikukee na
Nikuutuka” (―It dawned and it is dusk‖), bringing in regular revenue. Other sources of
revenue included sell of greeting cards, announcements and commercial adverts, as well
as producing music for some local choirs at the station‘s studio. The management also
leased out part of the station‘s transmitter‘s bandwidth to Safaricom, a
telecommunications company in Kenya. On average annually, the management would
internally generated Kshs. 1.5 million as revenue that would supplement donors‘ funding.
46
However, as from 2009, the women group‘s management started facing leadership
wrangles, and collapse of ECONEWS Africa (ENA) in 2010 which had also been
instrumental in the establishment of the Kenya Community Media Network
(KCOMNET), a capacity building organization which Mang‘elete radio station was a
member – left a void that has not yet been filled in the East African sub-region (Da Costa,
2012) and this abruptly soured the donor relations, and donor revenue dried up. Most of
the projects that generated revenue from the women groups in support of the station
started failing, while the few the sponsors of development programmes stopped their
sponsorships, a fact that made Mang‘elete Community radio start experiencing financial
crisis. It could no longer provide the revenue needed to support the station; including
radio programmes production, as well as maintaining the workforce that had taken years
to train.
This was a time when commercial radio stations broadcasting in vernacular were
mushrooming, and Mang‘elete FM became a ‗victim‘ of talent poaching. Virtually all the
trained volunteers left the station for better working conditions and terms offered by the
commercial radio stations.
These former Mang‘elete trained radio Presenters, including: Irene Wavinya Muthiani
(Musyi FM), Carol Mwinzi (Athiani), Stanley Kyengo (Musyi FM), Titus Mutinda (
Athiani FM), Mukunu Mbwiko (Mbaitu FM), Frankie Nyamai ( Mbaitu FM), Onesmus
Mwengei (Musyi FM) among others, are currently the top talent in commercial radio
stations broadcasting in Kamba language, as found out in this study, where the listeners
47
were asked to name three radio presenters they know, and their responses were timed in
periods of 0-10 seconds, 10-20 seconds and above 20 seconds. It was found out that the
listeners could easily name commercial radio stations presenters within 0-10 and 10-20
seconds margin, but they hardly remembered current presenters from Mang‘elete FM.
68.33% of listeners named presenters from Musyi FM, a commercial radio station, of
which majority are former employees of Mang‘elete Community radio within 0-10
seconds and further 21.25% named them within 10-20 seconds. 8.33% of the listeners
named Athiani FM (commercial radio) presenters within 0-10 seconds (8.33%) and
33.75% could name them within 10-20 seconds. Mang‘elete Community radio presenters
were barely mentioned, with an average of 4.58% listeners naming three radio station‘s
presenters within 10-20 and while 95.42 of listeners could only manage to name them
after 20 seconds, or not at all .
Figure 4.8 Radio Presenters Popularity
49
Figure 4.9 Total Presenter popularity:
Source: (Author)
Such popularity with listeners was found to also affect the advertisers‘ preference, who
preferred to advertise on more popular commercial radio stations, which would mean that
commercial radio stations get the advertisers‘ revenue:
Table 4. 3: Advertisers’ preference to advertise:
Radio station %
Musyi 86.67
Athiani 6.67
Mang‘elete 4.44
Mbaitu 2.22
County 0
50
Figure 4.10 Advertisers’ Preference To Advertise
Source: (Author)
4.2.5: Institutional and organizational sustainability - Leadership, management and
community participation: Commercial radio versus Community radio
Commercial radio stations are privately owned, and therefore, have stable leadership, that
is modeled to guide the station towards profit making. In contrast, according to the
Guidelines for Application of Community Radio License (September 2011) by
Communications Authority of Kenya (formerly Communications Commission of Kenya),
community radio stations should not be operated for profit, or as or part of profit making
enterprises, and must be operated by persons who represent the interests of the
community serviced, while at the same time, members of the community being served are
encouraged to participate in the operations of the station, including selection and
production of its programmes.
51
This is meant to bring about sense of ownership of the media by the community being
served while promoting community‘s participation in running the station, and its content
production. According to the said guidelines (2011), community participation is a crucial
element that must be satisfied to acquire a community radio broadcasting license in
Kenya. This does not apply in securing a private/ commercial media broadcasting license,
where community participation is not a requirement.
Mang‘elete radio broadcasting license was acquired in 2004, before these regulations
came into being. Despite this lack of regulations then, local community participation was
imperative in setting up the station. The radio station has a Board of seven (7) Directors
including a Chairperson, Secretary and a Treasurer, two member-Directors, (all elected
by the 33 women groups), and an Executive Director elected from the members of the
Board. Also, the radio station‘s Manager is an ex-officio in the Board. These Directors
would be elected after every 3 years. This is the main decision making body. The Station
Manager is assisted in the daily management of the radio station by four Heads of
Departments: Finance; Production; News and Programming.
After the launch of the station in February 2004, the Board and the Management would
hold regular meetings to decide on various issues of the station, as well as review
programming and revenue generation in support of the radio. The station would also
engage community resource persons in its various programmes according to their areas of
expertise, while using community opinion leaders for community mobilization. This
made the station very popular with the local community.
52
However, in 2009, once the radio station was rocked with leadership wrangles, it took an
order of court in 2014, to force the women group members to elect new officials, after
years of mismanagement.
During that period, donors pulled out, the local programme sponsors stopped their
sponsorship, and the station started experiencing financial difficulties. The station had to
pull out of AMARC, a World Association of Community Radio Broadcasters, as a result
of its inability to pay the membership fees. The station‘s equipment fell into disrepair,
including its sole power generator, to extend that it could only broadcast erratically with a
radius of 50km. While the station could engage as many as 30 volunteer staff members
when it started in 2004, it currently has 11 volunteers who, by the time this study was
being undertaken, had not been paid for two months. While the Mang‘elete community
radio station has been undergoing these leadership and management challenges, the
commercial stations have been thriving and growing.
4.2.6: Social Sustainability: Goodwill Support from Local community:
Jeniffer Mwende lives three Kilometres from Mang‘elete Radio Station, and operates an
autospares shop at Nthongoni Market, few metres from the station. Mang‘elete FM is her
favourite station, due to the fact she is related to it, not only as a community member, but
also because her mother is a member of one of the 33 women groups that own the station.
In addition, according to her, it is still development oriented, despite its challenges and
therefore she would not mind to contribute financially to support it.
53
This study sought to quantitatively investigate if the goodwill Jeniffer Mwende expressed
during a face-to face interview could be translated into material and financial support,
and if, between the community radio and commercial stations, which one the locals
would support. The listeners were asked that, given Kshs. 500.00 to donate to their
preferred station as charity support, which one they would donate to. In all sampled
clusters (Mtito, Kibwezi and Makindu), most listeners would support their popular
(commercial) stations, with 73.33% listeners favouring supporting Musyi FM and Athiani
FM enjoying 7.92% of listeners‘ goodwill. Despite its challenges, Mang‘elete
Community radio enjoys considerable good will from12.08% listeners sampled.
Table 4. 4: Listeners’ preferred radio station for charity support
Station %
Musyi 73.33
Athiani 7.92
Mang’elete 12.08
Mbaitu 2.5
County 2.5
Others 1.25
54
Figure 4. 11: Listeners’ preferred radio station for charity support
Possible and potential advertisers expressed higher level of goodwill of charity support
for Mang‘elete FM, where 24.22% would donate to support the community radio, while a
combined 75.78% of the advertisers would opt for commercial radio stations.
Figure 4.12: Advertisers’ preferred radio station for charity support
55
Some of the reasons the respondents gave for their support for Mang‘elete community
radio were that: ‗The station is within vicinity, therefore, ‗ours‘‘; that ‗they want it to
grow and be visible‘ and that ‗Because it is not well equipped like other stations
(Sympathetic vote)‘. Other reasons given included: ‗It used to be used to broadcast
development oriented and educative programmes‘ while some respondents would support
it because they are members of women groups that own the station.
Some of the reasons why the respondents would prefer to support a commercial station
included: ‗The private stations (Musyi FM and Athiani FM stations) have (respondents‘)
preferred presenters‘; they have quality and variety in their programming‘; ‗they
broadcast listeners‘ feedback, making listener feel appreciated‘; and that ‗their news
bulletin are comprehensive, covering local, regional, national and international events‘.
Other reasons given were that commercial radio stations ‗are the most popular stations
and most listened to in the region (bandwagon)‘; ‗their broadcasting signal is clear and
uninterrupted‘ and that ‗they promote themselves through road shows‘.
NOTES:
Theophilus Mutua*¹ (page 53): The interviewee requested anonymity.
Kshs 67.2 Million*² (page 55): Figures as quoted during a Focus Group Discussion with
the Mang‘elete Community Radio‘s Board of Directors and Station manager
56
CHAPTER FIVE: SUMMARY, RECOMMENDATIONS AND CONCLUSIONS
5.0: Introduction
This chapter summarizes the findings of this investigation, which respond to the three
research questions identified in chapter one: How has commercialized media
environment in Kenya affected the sustainability of community radio? What are main
sustainability challenges and opportunities for community radio? What sustainability
lessons can be learnt on existing community radio models in Kenya? The summary of the
findings are derived from analyzing the data gathered both qualitatively and
quantitatively and discussed in chapter four. The findings form basis for the
recommendations made thereafter.
5.1: Summary of findings
In objective one on impact of commercialized media environment on Mangelete
community radio project, the study found that the sustainability of community radio is
highly challenged by growing commercially oriented radio stations. With their superior
broadcasting signal, quality multi-content programming that covers development issues,
topical and current affairs commercial radio stations have been able to satisfy listener
tastes, interests and needs better, compared to community radio stations, therefore
gaining high listener preference.
Also, most listeners prefer ‗multi-content‘ programming. With their superior quality news
bulletins, entertainment programmes and programmes that cover development issues,
commercial radio stations are able to satisfy listener tastes, interests and needs better,
57
compared to community radio stations, hence gaining higher ratings that attract
advertisers. Most listeners and advertisers prefer commercial radio stations to Mang‘elete
community radio station (which, like the sole community radio in the region broadcast, in
vernacular) due to their superior quality and reliable signal.
In addition, better working conditions have made commercial radio stations attractive to
the trained radio presenters and producers, who, in the case of Mang‘elete Radio station
are poached from the community radio, after a lot of donor resources being used to train
them.
In objective two on challenges and opportunities, it was clear that poor leadership and
management of Mang‘elete community radio projects have affected its ability to remain
viable and sustainable. In addition, with low or lack of local community participation in
decision making and operations, the community radio projects have been unable to
sustain themselves once the donors cease their support.
In objective three on lessons learnt, the study found out that there is co-relationship
between the volunteers‘ programme at the Mang‘elete community radio station and its
listenership. In this study, it was clear that community members were loyal to Mang‘elete
radio station if one of their own works at the station. In addition, Mang‘elete Community
radio enjoys considerable goodwill from the local community due to the sense of
ownership, its proximity to the community and ability to engage community‘s
58
participation in its management and operations. This goodwill means that local
community would donate in support of ‗their‘ community radio if requested.
Finally, if community participation and involvement is well grounded in a community
radio project, it has ability to withstand shocks of donor exit, since it will have strong
social and institutional sustainability foundation.
5.2: Recommendations
5.2.1: Enhancing local community’s participation in managing community radio
project
The overall sustainability of community radio is dependent on how local community
embraces the ownership of the same. This would become possible if there is grounded
system for local community‘s participation not only in decision making processes of the
community station, but also in actual operations of the station. Once strength that
community radio stations have over commercial radio stations is proximity of such
stations to the communities they serve. In this, it is easy to use initiatives such as
volunteerism to increase local community participation in managing and running the
station, which would bring about sense of ownership, hence ensuring the station‘s social
sustainability.
5.2.2: Understanding the local community interests, tastes and needs
Despite the fact that community radio stations are licensed to operate as non-profit
making entities, unlike commercial radio stations, they all compete for the same audience
59
market. Even though community radio stations are not commercial enterprises, the
Communication Authority of Kenya guidelines allow them to attract sponsored
announcement/ programmes within the law. In order to attract even this limited
sponsorship, they must gain trust of listeners, which put themselves in competition with
commercial media.
The fact that the community radio stations are owned by local community and more
important, they are based within the communities they serve make it easy for them to
gain loyal listenership, which in turn would draw attention of possible local sponsors.
However listeners would demand that, for them to give this loyal listenership, the
community radio station must also satisfy their interests, tastes and needs. This will be
possible if these community radio stations have a structured way of understanding what
their listeners need or want by encouraging them to participate in programming and give
feedback.
5.2.3: Tapping into local community’s goodwill
Community radio stations hold community‘s goodwill which they can tap for support,
due to the fact that local people identify with the stations proximity. In this study, those
interviewed were willing to support the Mang‘elete Radio station because they viewed
the station as an ideal medium for articulating local development issues, compared to
commercial media, based on the past programmes the community radio station has
carried. These members of local community, not necessarily members of the 33 women
groups, but ordinary members, would be willing to support the station financially and
60
materially, as found out in this study. The Station‘s new leadership needs to engage such
persons.
5.2.4: Develop network & collaborations- community radio networks
When Mang‘elete radio station was an active member of some local and international
community radio networks, it had a vibrant capacity building programme that enabled it
to develop talent in-house. Such associations can also aid to lower the cost of
programmes production for Community radio stations, since they provide ‗ready-made‘
programmes as well as news that can be customized for local use. In addition, such
networks would provide a forum for benchmarking with other community radio projects
elsewhere.
5.2.5: Need for a comparative research on sustainability of community radio
stations in a commercialized media environment
This research limited itself to a single case study of a community radio station in Kenya,
based in rural area. There are 12 similar community radio stations, located in rural as well
as urban centres. In order to develop a clear understanding of whether the challenges and
opportunities identified in this study are applicable on other community radio stations,
and to document more lessons learnt, there is need to undertake a comparative study that
involves more than one case study.
61
5.3: Conclusion
Research work by development communication scholars world over confirm that
community radio is an ideal development tool to empower local communities that it
serves. Fraser and Restrepo-Estrada (2002) point out that community radio project would
begin attaining sustainability beyond donor exit when it gains the community‘s sense of
internal cohesion and consciousness. A community that participates to analyze its needs
in detail and think about the causes of its problems and marginalization will often come
to the conclusion that it requires communication to help people formulate common
understanding and common goals. This is the foundation stone for a sustainable
community radio station (Fraser and Restrepo-Estrada (2002).
More so, it is imperative for development communication scholars and researchers to pay
closer attention to sustainability challenges bearing on community radio projects as a
result of rapidly growing commercial radio stations (and any other commercial media).
This means that more research work is required on this area.
62
REFERENCES
Allen, K.& Gagliardone, I. (2011).The Media Map Project: Kenya: Case Study snapshot
of Donor support to ICTs and media, 2011. Washington DC;Internews.
Banda,F. (2003).Community Radio Broadcasting in Zambia: A policy perspective. Phd
Thesis, University of South Africa.
Conrad, D. (2011) Lost in the Shadows of the Radio Tower: A Return to the Roots of
Community Radio Ownership in Kenya, Uganda and Tanzania. What happens
when / if the donor leaves? Presentation delivered at the 2011 International
Communication Association Conference. 28 May 2011, Boston.
Curran, James. (1991). ―Rethinking the media as a public sphere.‖ Pp. 28-57 in
Communication and Citizenship: Journalism and the Public Sphere in the New
Media Age, (ed) P. Dahlgren and C. Sparks. London: Routledge.
Da Costa, P., (2012). The Growing Pains of Community radio in Africa: Emerging
Lessons towards Sustainability. (Nordicam Review 33 (2012) Special Issue,
pp135 -148)
Dunaway, D., (1998).Community Radio at the beginning of the 21st century:
commercialism vs. Community power. Javnost-The Public;1998, Vol. 5 Issue
2.(Internet Source: http://javnost-thepublic.org/article/pdf/1998/2/7/ )
Fraser, C. &Restrepo-Estrada, S..(2002).Community Radio for Change and
Development.London; Sage publications.
Fraser, C. &Restrepo-Estrada, S. (1998). Communicating for Development.Human
Change for Survival. London: Tauris.
63
Githethwa N.,(Ed), (2008).The way forward for community Radios in Kenya. Nairobi;
Econews Africa.
IPSOS SynovateReport(2014): Ipsos in Kenya Newsletter. (Internet source:
http://www.ipsos.co.ke/news/downloads/Ipsos%20Kenya%20News%20-
%20March%202014.pdf)
IPSOS Synovate Report(2011): Explosion in media changes: Audience and advertising
trends in Kenya (Internet source:
http://www.ipsos.co.ke/home/reports/?page=media_research&option=5)
Habermas, J. (1989). The Structural Transformation of the Public Sphere. Cambridge:
Polity Press.
Jallov, B. (2007). Community radio in East Africa: An impact and sustainability
assessment of three community radios within the EACMP. Stockholm; SIDA
department of Democracy and Social Development. (Internet Source:
http://webzone.k3.mah.se/projects/comdev/_comdev_PDF_doc/scp08_sem2_Im
pact_Assessment_EACMP.pdf )
Johnson, R.A; Kast, F. E. & Rosenzweig, J. E. (1964).System Theory and Management.
Seattle; University of Washington.
Kanyegirire, A (2002). Putting participatory communication into practice through
community radio: A case study of how policies on programming and production
are formulated and implemented at Radio Graaff-Reinet. (MA thesis)Port
Elizabeth; Rhodes University (Internet source:
http://eprints.ru.ac.za/2362/1/KANYEGIRIRE-MAJourn-TR03-142.pdf )
64
Kenya Media Programme: Baseline Survey on Citizen’s Perception of The Media Report
(2011).(Internet source: http://www.kmp.or.ke/images/downloads/Hivos-
Baseline-Survey-on-Citizens-Perception-of-the-Media-Final-Report1.pdf )
Maina, S. N. (2013). Communication Strategies Employed by Kenya Community Radio
in fostering social cohesion and integration in Kenya. (MA thesis).International
Journal of Social Sciences and Entrepreneurship, 1 (5), 688-713. (Internet
source: http://www.ijsse.org/articles/ijsse_v1_i5_688_713.pdf )
Makueni County: First County Integrated Development Plan: 2013-2017 (Internet
source:
http://www.kenyampya.com/userfiles/Makueni%20CIDP%20sept2013(1).pdf )
Mugenda, O. &Mugenda, A. (2003).Research methods: Quantitative & Qualitative
approaches. Nairobi; Acts press.
Mytton, G. (1999). Handbook on Radio and Television Audience Research. Paris;
UNICEF/ UNESCO/ BBC World Service Training Trust (Internet source:
http://www.cba.org.uk/wp-content/uploads/2012/04/audience_research.pdf )
Nyabuga, G & Booker, N. (2013): Mapping digital media: Kenya. Open Society
Foundations (internet source:
http://www.opensocietyfoundations.org/sites/default/files/mapping-digital-
media-kenya-20130321.pdf )
Nyanjom, O. (2012). Factually True, Legally Untrue: Political Media Ownership in
Kenya. Nairobi; Internews
65
Oriare, P; Okello-Orlale, R. &Ugangu W. (2010). The Media We Want: The Kenya
Media vulnerabilities Study. Nairobi; Friedrich Ebert Stiftung (FES).
Servaeas J. (Ed) (2002). Approaches to Development Communication. Paris; UNESCO
Tufte M. & Mefalopulos, P. (2009). Participatory Communication: A practical guide.
Washington DC; The international Bank for Reconstruction and Development/
World Bank.
Webster, F. (1995). Theories of the Information Society, 3rd
edition. London: Routledge.
Williams, K. (2003). Understanding Media Theory. London; Arnold publishers.
68
Appendix III: Interviews Programme As Conducted
Date and time
of interview
Type of
interview
Who (Interviewer/
Interviewee
Venue of
interview
Comment
Friday; August
22, 2014
9.30am –
12.30pm
Focused
discussion
group
Redempta Nthia –
mang‘elete community
radio founder, current
executive director;
Meshack Nyamai:
Station manager;
3 Board of Directors
Members
Interviewer/ facilitator:
James Singa
Director‘s
Officer;
Administration
Block;
Mang‘elete
community
radio
premises;
Nthongoni
market
Interview
conducted as
scheduled.
Their phone
numbers not to
be published.
Friday; August
22, 2014
Time: 3pm –
4.30pm
One-on one
Interview
Interviewee: Theophilus
Mutua; radio Presenter,
Mang‘elete community
radio
Interviewer: James
Singa
MICDP hall
Mang‘elete
Radio
premises
Interviewee
requested
anonymity,
therefore his/
her name being
used in this
report is not
real.
August 23, 2014
10am – 11.15am
One-on-one
interview
Interviewee: Jennifer
Mwende; community
member, Nthongoni
Interviewer: james
Singa
At Jeniffer
Mwende‘s
Autospares
store,
Nthongoni
market
Interview
conducted as
scheduled
August 26, 2014
2.30pm –
3.00pm
One-on-one
Interview
Interviewee: Nesline
Okiko, high court
advocate
Interviewer: James
Singa
At his offices;
railway
headquarters
building, Haile
Sellasie
avenue,
Nairobi
Interview
conducted as
scheduled.
69
Appendix IV: Listener’s Survey Questionnaire
Cluster (Tick appropriately): Kibwezi [ ] Makindu [ ] Mtito Andei [ ]
Gender: Male [ ] female [ ]
Age:
a. 15 - 24 years [ ]
b. 25 – 34 Years [ ]
c. 35 – 44 years [ ]
d. 45 – 54 years [ ]
e. 55 - Above [ ]
Do you listen to radio? Yes [ ] No [ ]
If yes, how do you access it? (Tick where appropriate)
a) Radio set [ ]
b) Mobile phone [ ]
c) Car Radio [ ]
d) Internet [ ]
How often do you listen to radio (Tick where appropriate)
a) Daily [ ]
b) Twice a week [ ]
c) Once a week [ ]
d) I don‘t listen [ ]
Why do you listen to radio? For:
a) Entertainment [ ]
b) News [ ]
c) Education on Developmental issues [ ]
d) Passing time [ ]
e) Other (specify)……………………………………………………………
70
Tick where appropriate
I listen to:
Radio station Frequency
Throughout
the day
Once everyday Once every week I don’t
listen
Musyi FM
Athiani FM
Mang‘elete FM
Mbaitu FM
County FM
Syokimau FM
Others (Specify)……
Suppose you have kshs.500.00 to donate in support of your favourite radio station, which
one would you support? (Tick one)
Radio station Tick
Musyi FM
Athiani FM
Mang‘elete FM
Mbaitu FM
County FM
Syokimau FM
Other
Why? .................................................................................................................................
(The interviewer to check the time taken to answer the question below, and tick where
appropriate)
Name 3 presenters you know from:
a) Musyi FM : Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
b) Mbaitu FM: Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
c) Mang’elete FM: Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
d) Athiani FM: Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
e) County FM: Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
f) Syokimau FM: Time taken: 0-10 seconds [ ] 10 – 20 seconds [ ] over 20
seconds [ ]
Thank very much for your input and time!
71
Appendix V: Advertisers’ Survey Questionnaire
Cluster (Tick appropriately): Kibwezi [ ] Makindu [ ] Mtito Andei [ ]
Type of Business/ Organization :……………………………………………………....
Have you ever advertised your business through a radio station YES [ ] NO [ ]
If yes, which one?................................................................................................................
If you were to advertise your business through radio, which of the following radio
stations would you prefer to advertise through (tick where appropriate):
Radio station Tick
Musyi FM
Athiani FM
Mang‘elete FM
Mbaitu FM
County FM
Syokimau FM
Other (specify): …………………
Why do you prefer the station picked?
………………………………………………………………………………………………
Suppose you have Kshs. 500.00 to donate as support to your radio of choice, which one
would you donate to? (Tick where appropriate)
Radio station Tick
Musyi FM
Athiani FM
Mang‘elete FM
Mbaitu FM
County FM
Syokimau FM
Other (specify): …………………
Why do you prefer the station picked?
………………………………………………………………………………………………
………………………………………………………………………………………………
………………………………………………………………………………………………
Thank very much for your input and time!
72
Appendix VI: Interview Schedules
INTERVIEW SCHEDULE: Social Sustainability: Official - Mang’elete Community
Integrated Development Programme (MCIDP)
- Why was Mang‘elete FM set up? Does it serve the same purpose and vision
today?
- What is the relationship between MCIDP and management of Mang‘elete FM?
- How is MCIDP involved in running and supporting the station?
- What is the relationship between MCIDP and donors in funding Mang‘elete FM?
- What is the relationship between the station and the local community? How does
local community support the management of the radio? How and in what capacity
- What are the challenges you think face the station internally and externally?
- What opportunities exist to ensure continued existence of the station?
INTERVIEW SCHEDULE: MANG’ELETE FM MANAGER:
a) Station’s revenue sustainability and management
- How does the station sustain itself?
- Who and where does it get financing from for its operations (grants? Advertising?
Donations? Subscriptions?
- How sustainable are those sources?
- How dependent is the station on donor funding? Who are they?
- How has been their financing for the last 5-10 years? (specific figures annually)
- How many donors have withdrawn support if any and why?(figures for the last 5
years)
- How many are currently funding and what are they funding?
- Apart from donor support, how does the station raise revenue?
- How are revenues generated managed and monitored within the station (NB what
is the administrative structure of the station?)
b) Internal environment: Staff sustainability
- How many staff members current? Their designations?
- How many are trained in community radio operations? At what level- College?
Seminar courses? etc
- How many with no formal training?
- How many volunteers? How many employed? (Figures for the last 5 years
- Volunteers: where do they come from (home distance (in KM) from the radio
station)?
- How capable is the station to sustain/ retain them?
c) Programming sustainability
- What programmes do you air? (Get and analyze a programme schedule for a
week, compare a current programme schedule and a past one say… 5-8 years ago)
- Who funds your programming?
- How is the listenership? How is it measured? How does the station benefit from
the loyal listenership to sustain itself?
73
- Are there programmes that you have had to retire? Which ones and Why? (Lack
of financing (donor exit)? Exit of producers? Poor listenership rating? Lack of
programme resources for content? End of programme cycle?)
- Membership to any media networks? Which ones and for what purpose?
- Any other programming challenges do you experience? Which ones?
d) Facilities and adoption of technology (Audience coverage and sustainability):
- How adequate are your media facilities? (Any production studio? Outdoor
production equipment, Etc) Who finances (Financed) their acquisition)
- Any studio? How is it equipped?
- Are you streaming your station? Any website?
- How does the station develop content? Any support (e.g. network support
e.gfor‗ready-made‘programmes) from partners? Who?
e) Interventions:
- What do you think need to be done to make Mang‘elete FM gain competitive
edge against all other existing FM stations ?
- Any support from government (national and county) and its agencies (CAK,
MCK etc)? Of what nature?
- What other avenues that can be used to help generate more revenue for the
station? Which ones are planned for implementation?
INTERVIEW SCHEDULE: STAFF MEMBER:
- How are the working conditions? Pay? Job satisfaction?
- Given opportunity to go to private station, would you leave Mang‘elete? Why?
- Do you see yourself working in this station in the next five years? Why?
- What do you think need to be done to make Mang‘elete FM an employer-station
of choice for you?
INTERVIEW SCHEDULE: LOCAL COMMUNITY MEMBER
- Does Mang‘elete Radio serve its purpose as development medium tool?
- What is the relationship between the station and the local community? How does
local community support the management of the radio? How and in what capacity
- What are the challenges you think face the station internally and externally?
- What opportunities exist to ensure continued existence of the station?
INTERVIEW SCHEDULE: MEDIA LAW SCHOLAR/ ADVOCATE
- How adequate is the law as it exists to ensure survival of community radios in
Kenya? (is law sufficient enough to support survival of community radio against
commercialized media environment?)
- What hiccups exist in law(s) that affect sustainability of community radio?
- What would be legal remedies to strengthen law in support of community radios