antiques & collectables - catherine southon auctioneers

Antiques & CollectablesWednesday 9th June at 11.00am

Antiques & Collectables

Wednesday 9th June at 11.00am

VIEWING

By strict appointment on Monday 7th June 2pm - 5pm Tuesday 8th June 9am - 5pm

Wednesday 9th June 9am - 11am

Please telephone 0208 468 1010

We are able to offer further images, detailed condition reports and virtual viewing if required.

Please note that in line with Government restrictions, this is not a public auction. Bidding will take place online, by telephone or by leaving absentee bids in advance of the auction

PLEASE NOTE THAT WE HAVE MOVED OFFICES TO:Chislehurst Business Centre 1 Bromley Lane Chislehurst Kent BR7 6LH

Welcome to Catherine Southon Auctioneers & ValuersDirector: Catherine Southon MA

Specialists: Tom Blest Simon Spier Barbara Dixon (Consultant)

Sale Administrator: Nicola Minney

Auction Enquiries and Information: 0208 468 1010 07808 737694 Email: [email protected]

IMPORTA NT NOTICE S Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.thesaleroom.com.

All payments should be made by bank transfer, debit card or through www.thesaleroom.com.

Please note that we are no longer taking credit cards as payment.

AUCTIONS The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

L IV E INTERNE T BIDDINGIn addition to bidding via telephone, absentee and thesaleroom.com, we are now delighted to offer bidding through our own website catherinesouthon.co.uk.

All you have to do is visit the website and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!

COLLECT IONS Items can be collected from the auction venue, Farleigh Golf Club, on Thursday 10th June between 9.30am and 5.00pm and on Friday 11th June between 9.30am and 3.00pm. After this collections should be made from our office, Chislehurst Business Centre, 1 Bromley Lane, Chislehurst, Kent BR7 6LH.

All collections are by appointment only. Please call 0208 468 1010 to arrange a collection appointment. We are able to post small non-breakable items.

Pack & SendTel: +44 (0) 203 818 1980Email: [email protected]

Overseas Shipping: AMSTel: +44 (0) 1689 800 688 email: [email protected]

Mail Boxes Etc.Tel: +44 (0) 208 649 9777Email: [email protected]

SHIPPING

AUCTION V ENUE Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE. We will be situated at Farleigh Court from Monday 7th until Friday 11th June.

From Monday 14th June we will be back at our office in Chislehurst Business Centre, 1 Bromley Lane, Chislehurst BR7 6LH.

http://thesaleroom.com

http://catherinesouthon.co

A N T I Q U E S & C O L L E C T A B L E S

7A buye r’s p remium o f 24% inc lus i ve o f VAT @ 20% w i l l be app l i ed to each l o t . Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 8 0 .

1. A 19th century oak joint stool in 17th century style the top with moulded edge above bicuspid moulded rails, on baluster ball legs with block feet united by outer stretchers, height 49cm, width 29cm, depth 29cm £80-£120

4. A 17th century Spanish walnut side table the single plank top above three frieze drawer with panelled fronts and geometric borders fitted with iron drop handles, on splayed open trestle supports, height 78cm, width 114cm, depth 67.4cm £400-£600

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2. A Charles I and later oak joint stool the top with moulded edge above a lunette carved frieze on baluster and ball legs with block feet united by outer stretchers, height 52cm, width 43cm, depth 26cm £100-£200

3. A 17th century carved oak Wainscot armchair the rectangular geometric carved panelled back with scroll carved crest rail, having downswept arms on baluster supports, boarded seat and guilloche and dentil carved seat rails, on baluster turned forelegs with block feet united by outer stretchers, fitted tapestry covered seat cushion, height 109cm, width 61cm, depth 59cm £300-£500


A buye r’s p remium o f 24% inc lus i ve o f VAT @ 20% w i l l be app l i ed to each l o t . Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 8 0 . 8

7. A large Victorian mahogany twin pedestal desk the top with moulded edge inset with gilt tooled blue writing surface, above three frieze drawers and six pedestal drawers, on shaped bracket feet, height 77.5cm, width 137cm, depth 82cm £300-£400

8. Gillow. An early 20th century George II style walnut and burr walnut serpentine twin pedestal partners desk c.1900 of serpentine outline on all sides, the top inset with tooled leather above six frieze drawers and twelve pedestal drawers, the corners and ogee bracket carved with flowers and acanthus leaves, fitted with brass swan neck handles on pierced backplates, frieze drawer front stamped Gillow, improved lever locks also stamped Gillows Lancaster, height 74.5cm, width 153cm, depth 90.5cm £1,500-£2,000

9. A George IV mahogany side cabinet two frieze drawers above a pair of panelled cupboard doors enclosing an arrangement of sliding trays and a deep drawer, on a plinth base, height 90.5cm, width 115cm, depth 39.5cm £100-£200

5. A set of ten William and Mary style oak high slat back dining chairs having arched scroll and shell carved crests and turned uprights with turned finials above panelled seats dished to centre, on scroll carved forelegs united by high turned front rails and block and turned H stretchers (10), height 135cm, width 46.5cm, depth 43.5cm

Please note that this is a representational image of all the chairs. If you require individual shots of each chair, please email us directly £800-£1,200

6. A late 17th century Flemish walnut and tapestry open armchair rectangular back and seat covered in needlework tapestry, swept leaf carved scroll arms, on turned legs united by a high front stretcher and conforming H understretcher, on lion paw forelegs, height 107cm, width 64cm, depth 68cm £300-£500

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11. A Regency mahogany four tier whatnot, c.1820 with ring turned supports with ball finials, the bottom tier containing a single drawer, raised on tapered legs with brass caps and castors, height approx. 138cm, width approx 51.5cm, depth approx 46.5cm

Partial retail label attached to the underside of one shelf £150-£250

12. A pair of William and Mary burr walnut, oak and parquetry candlestands the octagonal fruitwood and rosewood starburst parquetry tops on barley twist stems and scroll tripod bases (2), height 86cm, diameter of tops 31cm £300-£500

10. An early 20th century George II style walnut and burr walnut serpentine library cabinet c.1900 bears label Tozer 25 Brook Street London W.1, of serpentine outline on all sides, the top inset with gilt tooled green leather above a pair of frieze drawers, an open shelf and a pair of cupboards below, the corners and ogee bracket carved with flowers and acanthus leaves, height 75.5cm, width 89.5cm, depth 64cm £200-£400

13. A late Regency gilt metal mounted, parcel-gilt, ebonised and simulated rosewood torchere the embossed circular gilt metal gallery raised on three S scroll supports mounted with gilt metal rosettes, over a triform platform with beaded edge supported on a turned central column and scrolls, on conforming bases on ball feet, height 15.5cm £300-£500

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18. An Arts and Crafts brass circular wall mirror and late Victorian pierced brass candle holder the bevelled edge mirror in a frame embossed with a floral motif, and a holder for two sconces (branches missing), the candleholder of circular form with a pierced design and finger handle (2), mirror diameter approx. 24cm, candleholder height approx. 8cm £40-£60

19. A 19th century painted leather fire bucket with stud work and Royal coat of arms, height approx. 26.5cm, diameter approx 31cm £30-£50

14. A Victorian Gothic Revival oak dinner gong the hammered metal gong with striker suspended on a circular frame with acorn finial, on a tripod base with scroll legs, height 110cm, width 53cm £150-£200

15. A 20th century Balinese hardwood carving depicting monkeys engaged in battle possibly the Hindu god Hanuman, a rival and four other monkeys in a lively composition raised on a stylised base, height approx. 42cm £60-£80

16. A Victorian ebonised inkstand and a twentieth century brass and oak paper rack the inkstand with ebonised finish and applied studded brass strapwork, a cut glass inkwell and removable pen dish, raised on flattened bun feet, the paper rack of stained oak with brass panels embossed with floral motif (2) £50-£80

17. A 19th century Flemish embossed brass cushion wall mirror in 17th century style the crest embossed with a flower filled urn and scrolls above a central rectangular bevelled glass plate with a mirror slip surround, height 61.5cm, width 35cm £80-£100

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20. A bronzed cast iron duck press from the London restaurant Boulestin with three spoke turning wheel, raised on four outswept feet and having a removable enamelled dish, height approx. 44cm £40-£60

21. A Leeds Fireclay Co. LEFCO Ware putto jardiniere c.1900 the bowl cast in relief with laurel wreath decoration, stamped LEFCO WARE to interior, borne on a base modelled as a seated putto on a square plinth, height 109cm £200-£400

22. A Leeds Fireclay Co. LEFCO Ware garden urn on plinth c.1900 of stop fluted campana form, on a circular foot, the square plinths with acanthus leaf decoration, height 97cm £100-£150

23. A pair of Leeds Fireclay Co. LEFCO Ware seal garden fountains each modelled as seal on naturalistic rocky base, both with incised T Ashbridge (2), height 61cm, length 57cm £300-£500

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The following lots 25-31 are from Butcher’s Hall, The Worshipful Company of Butchers

25. A pair of 19th century French Louis XVI style ormolu three light wall appliques each having a tapering backplate surmounted by a twin handled garland draped flaming urn and issuing three acanthus leaf branches, later fitted for electricity (2), height 50cm, width 23cm £300-£400

26. A pair of late Regency style cut glass three light wall appliques in the manner of Osler each having a silvered metal rosette backplate issuing three branches fitted with a bud shaped sconce and petal edged drip pans suspended with drops and lustres (2), width 48cm, height 33cm £400-£600

27. A set of four George III style cut glass twin light wall appliques each having an oval silvered mirror backplate issuing a pair of faceted scroll branches terminating in star shaped drip pans and plain nozzles, with a single central scroll arm and issuing a single spire surmounted by a star, suspended with chains and pear shaped drops, fitted for electricity, height 69cm, width 42cm

Please note that this is a representational shot of the appliques. For individual shots, please refer to the department £800-£1,200

24. A collection of Burmese lacquer and bamboo (Hsun-Ok) offering boxes and covers the largest with carrying handle and lift out tray, the cover with twin bird finials together with a similar smaller example, an oval fluted pair of boxes in red and black lacquer with overslung handle and twin bird finials to cover and a pagoda form offering box (5), largest height 36cm £140-£180

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28. An impressive Victorian Folk Art butcher’s shop display model by Fernley, 1880 polychrome decorated wood and plaster, depicting the shop front decked with cuts, carcasses and produce with a butcher holding a steel knife, to the left the abattoir at work with figures engaged in butchery including the slaughtering of a bull, above the sign inscribed ‘Fernley Family Butchers’, and a row of four sash windows, adorned with flags, ferns and potted plants, bears a metal plaque label to left “Fernley Makers Limehouse 1880”, the case with applied gilt frame to front a carrying handles to side. It is understood that these models were placed in butcher’s shop windows when the shop was closed as a trade sign. Height 78cm, width 94.5cm, depth 42cm

Butcher’s Hall, The Worshipful Company of Butchers Woolley & Wallis, Lot 630 3rd April 2012 On loan Museum of Childhood, Bethnal Green where on display for over thirty years By direct family descent and made by the then vendor’s great great grandfather £12,000-£18,000

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31. A group of silver plated items from Butcher's Hall comprising three coffee pots of tapering cylindrical form with scrolling handle and knop finial, engraved 'Butchers Hall' to the side, a mustard pot of cylindrical form with scrolling handle, engraved with Butcher's Company crest, three twin-handled sugar bowls engraved 'Butchers Hall' to the side, eight small salts of cylindrical footed form (15), coffee pot height approx. 17.5cm £30-£50

32. A Robert ‘Mouseman’ Thompson oak nest of three side tables of rectangular form raised on four octagonal legs, with carved mouse signature to front leg of each, largest table height 47.5cm, width 61cm, depth 38cm £600-£800

33. A Robert ‘Mouseman’ Thompson oak fruit bowl of shallow circular form with carved mouse signature to centre, diameter approx. 28cm £200-£300

29. Caroline Jackman (Modern British) ‘Big Stretch’, watercolour, signed, CAJ ‘03, mounted, framed, within mount 23 x 31.5cm, overall 43 x 50cm £30-£50

30. An unusual display case containing a selection of butchers tools in miniature c.1900 the selection of butchers tools and equipment including saws and meat cleavers mounted against red velvet, in an ebonised four glass case, height 55.5cm, width 41cm, depth 16cm £400-£600



34. Frederick Frith (British, 1819-1871) of the Royal Victroia Gallery cut out full length silhouette portrait of a gentleman with a walking cane and holding a top hat, heightened in white and bronze, signed Frith, 1850, arched gilt mount, contemporary rosewood frame, within mount 16.5 x 18.3cm £150-£200

35. A mid 19th century needlework bibilcal tapestry depicting Ruth and Boaz contemporary gilt composition frame, aperture 40.5 x 32cm, overall 54.5 x 45.5cm £60-£80

36. Pietro Chiapparelli (Italian, active second half of the nineteenth century) bronze of ‘Hermès Seated’ realistically modelled figure seated on a rock, signed on the base Po. CHIAPPARELLI Fe. ROMA, standing on a shaped polished black marble plinth, height 54cm, width 49cm, depth 32cm

Purchased by the vendor from Galleria dei Coronari, 2012 £800-£1,200

37. A late 19th century French bronze model of ‘Spinario’ a young boy seated pulling a thorn from his foot, the base bearing a foundry mark of F. BARBEDIENNE, FONDEUR and another stamp ‘RÉDUCTION MECANIQUE A. COLLAS BREVETE’, height 24cm, width 18cm, depth 16cm £300-£400

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38. A late 19th century French Louis XVI style ormolu and Sèvres-style porcelain mounted mantle clock of Neoclassical form, the case surmounted by a bust of a woman with floral head-dress, a pink and white Sèvres-style porcelain dial and two flanking cartouches with floral sprays, the case stamped to reverse ‘10 PH. MOUREY 77’, the drum movement stamped ‘JAPY FRERES’ and ‘HP & Co. 1633 221’, height approx. 38cm £150-£200

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39. An early 20th century French gilt brass cased carriage clock white enamel dial with black Roman numerals, 8 day movement, four glass case numbered 805, height 11.5cm £40-£60

40. An early 18th century walnut cased 8 day longcase clock the 12” brass dial signed Benj. Martin Manchester on the silvered chapter ring, having Roman and outer Arabic numerals, dual minutes tracks, subsidiary seconds dial and calendar aperture, brass pierced mask cast spandrels, two train four pillar movement with anchor escapement striking on a bell, the crossbanded case with moulded top hood above a blind fret frieze and a glazed door flanked by a pair of plain engaged columns, the trunk with hinged door with circular glazed lenticle, on a box base on plinth, height 199cm, width 49.5cm, depth 28cm £800-£1,200

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42. An early 20th century small oak cased circular drop dial wall clock the cream enamel dial painted with black Roman numerals and minute track signed Fehrenbach Bro.’s., Chatham & Strood, 8 day German stamped W & H Sch, dial diameter 19cm, case diameter 27cm £80-£120

43. A 3-inch brass refracting telescope by Cary mid 19th century, the brass body tube signed Cary 181 Strand London mounted with star finder, rack and pinion focussing, with tapered central column and steadying bar, tripod base contained within a fitted wooden case with carrying handles and four additional eyepieces, length 135cm, height extended 58cm, length of case 115cm £1,000-£1,500

41. A large and impressive late 19th century German figured walnut cased wall regulator by Lenzkirch the 23cm, diameter white enamel dial with copper bezel painted with black Roman numerals and minute track, having blued steel moon hands and centre seconds, 8 day single weight driven A frame movement with deadbeat escapement, stamped Lenzkirch A.G.U and numbered 512581, the case with arched pediment, carved crestpiece and turned finals above a full length glazed door upon a waisted plinth, bears brass plaque ‘Presented by WJ Bowser Esqre PROVIDITOR 1885 & 1886, dial diameter including bezel 27cm

Butcher’s Hall, The Worshipful Company of Butchers £600-£800

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44. ‡ Sir William Russell Flint (Scottish, 1880-1969) a sketch of a reclining woman, red chalk on paper, signed lower left, framed and glazed, overall 42.5 x 35cm

Trade label for William Rodman & Co. Ltd, Belfast to the reverse £200-£300

45. ‡ Pelletier (French, late 19th to early 20th century) ‘Picardy’, oil on canvas, signed lower right, framed in a period gilt gesso frame, canvas 33 x 24cm, overall 48 x 39cm

Historic collection label to verso. Landscape works signed ‘Pelletier’ have previously been described as by the hand of Antoine Bouvard (1870-1956) working under a pseudonym, see Christie’s Nineteenth Century European Art sale, 24 January 2008, lot 44 £300-£500

46. Ada Stone (British 1879-1904) ‘Wooded Landscape’, oil on canvas, signed lower left, framed, canvas 69 x 36cm, overall 84.8 x 51.7cm £100-£200

47. Noel Georges Bouvard (French, 1912-1975) ‘View of a Venetian Canal’, oil on canvas, signed lower right, framed, canvas 34.5 x 27cm, overall 43.5 x 36cm £1,000-£1,500

48. ‡ Harold Riley (British, b.1934) ‘Luciano Pavarotti’, charcoal and pastel on material, inscribed lower right ‘San Francisco. Riley, 1979’, framed and glazed, 34.5 x 35cm, overall 55.5 x 57cm £2,000-£3,000

49. ‡ Israel Zohar (b.1945) ‘Still life with apple and pitcher’, oil on canvas, signed ‘Zohar, 96’ top left, framed, canvas 47 x 43cm, overall 62 x 57cm £100-£200

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53. ‡ Youri Krotov (Russian, b.1964) ‘Portrait of a dancer’, oil on canvas, signed lower right and inscribed in charcoal on reverse, framed, canvas approx. 59 x 49cm, overall approx. 77 x 66.5cm £2,000-£3,000

54. ‡ Caroline Bailey (British, b.1953) ‘Still life with pansies’, watercolour on paper, signed and dated lower right, 1984, framed and glazed, image approx. 47 x 36cm, overall approx. 67 x 56cm £100-£150

50. ‡ Robert Chailloux (French, 1913-2006) ‘Still life with bread and mushrooms’, oil on board, signed lower left, in gilt frame, board 34.5 x 27cm, overall 50.5 x 42.5cm £400-£600

51. Russian school, twentieth century Still life in the manner of Pieter Claesz (1597-1661), oil on canvas, signed in Cyrillic script lower right on tablecloth and inscribed to the reverse, framed in gilt and ebonised frame, canvas approx. 52 x 64cm, overall approx. 65 x 76.5cm £200-£300

52. ‡ Marcel Dyf (French, 1899-1985) ‘A Study in Pink (still life of vase with flowers)’, oil on canvas, signed lower right, c.1981, framed, canvas 46 x 55cm, overall 65.5 x 74.5cm

Gallery stock label for S.M. (possibly E. Stacy-Marks) gives the date 1981 £4,000-£6,000



57. ‡ John Neale (English School, 20th Century) ‘Fishing by the river’, oil on board, signed lower right, framed, 43 x 64cm £60-£80

58. ‡ J. Walkeden (British, 20th century) ‘Children and Geese’, a naïve scene, oil on canvas, signed bottom right, unframed, 51.5 x 31cm £40-£60

59. ‡ John Neale (English School, 20th Century) ‘Figures on a bridge, Ravenshaw, Warwickshire’, oil on board, signed lower left, framed, 36 x 60cm £60-£80

60. ‡ Frank Egginton (British 1908-1990) ‘Compton, Sommerset’, watercolour, signed lower left, glazed and framed, 26 x 36cm £120-£180

61. G. Barker (English fl 1890-1910) ‘Ilfracombe’, watercolour, signed lower right, 22 x 42cm £30-£50

62. ‡ Frank Egginton (British 1908-1990) ‘Ashdown Forest’, watercolour signed lower right and dated ‘74, glazed and framed, 36 x 52cm £100-£200

63. ‡ Manner of Myles Birket Foster ‘Children playing by thatched cottage’, watercolour, signed with monogram lower left, 35 x 53cm £200-£400

55. ‡ Russian school, 20th century ‘Still life with flowers’, oil on canvas, signed in Cyrillic lower left with date ‘69, and inscribed on reverse, framed, canvas measures approx. 48.5 x 64cm, overall approx. 64 x 79cm £200-£400

56. ‡ John Neale (English School, 20th Century) ‘River scene with canal boats’, oil on board, signed lower right, framed, 35 x 60cm £60-£80

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66. ‡ Wendy Reeves (British b.1945) ‘Scottish highland loch with cattle’, watercolour, signed lower right, Royal Fine Art label verso, glazed and framed, 34 x 54cm £80-£120

67. ‡ Wendy Reeves (British b.1945) ‘Scottish Loch’, watercolour, signed lower right, Royal Fine Art label verso, glazed and framed, 36 x 54cm £80-£120

68. ‡ John Mackie (Scottish, b.1953) ‘Venetian restaurant’, oil on canvas, signed in red bottom left and dated 02, contemporary gilt frame, canvas 71 x 91.5cm, overall 85.5 x 106cm £200-£400

69. Samuel Prout (British,1783-1852) ‘Crowded continental street scene’, watercolour, signed with monogram, mounted framed, bears label ‘Fry Gallery, 58 Jermyn Street, St James’s, London, SW1’ verso, watercolour 20 x 27.5cm, overall 38.5 x 45.8cm £200-£400

64. ‡ Frank Eggington (British 1908-1990) ‘Falmouth Bay-Cornwall’, watercolour, signed lower right with Jacey Galleries label verso, 37 x 52cm £200-£200

65. ‡ Frank Eggington (British 1908-1990) ‘Beech trees’, watercolour, signed lower right, glazed and framed, 26 x 37cm £200-£400

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71. British School (19th century) ‘Landscape with lake scene’, watercolour on paper, framed and glazed, label to reverse for ‘Frederick Hall, carver and gilder, 21 Bedford St. Plymouth’, overall approx. 84.5 x 64cm £80-£120

72. ‡ W Herzog (20th century continental) ‘Fishing boats in harbour’, oil on canvas, signed bottom left, framed, canvas 40.5 x 81.5cm, overall 54 x 94.5cm £80-£120

73. Frifthjof Tidemand-Johannessen (1916-1958) Fügelfjell i “mitnattsol” or ‘Birdcliffs in Midnight Sum’, and ‘November Storm, Vestlandet’, woodblocks in colour, titled and signed in pen, c.1953, mounted, framed period silvered frames (2), within mount 25 x 30.5cm, overall 39 x 44.4cm £100-£150

74. ‡ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) ‘The Family’, print, signed in blue pen lower right, with impressed blind stamp Fine Art Trade Guild CLE, framed in moulded black and faux-wood frame, framed 54 x 36.7cm approximately £2,000-£3,000

70. British School (19th century) ‘Corn fields’, watercolour on paper, framed and glazed, historic label to the reverse attributing the work to Earp, other labels for ‘J & G Biddle, Brighton’ and ‘H. M. Harris, Plymouth’, overall approx. 78 x 48.5cm £80-£120

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75. ‡ Sir William Russell Flint (Scottish, 1880-1969) ‘A Question of Attribution’, coloured print published by Frost & Reed, signed in pencil lower right and with impressed blind stamp Fine Art Trade Guild HHH, framed and glazed, image approx. 56 x 45cm, overall 76.5 x 64.5cm £80-£120

76. Berkshire. John Speed (1552-1629) Map of ‘Berkshire described’, a late 17th century engraving with near period sparse outline colouring, published Bassett and Chiswell (1676), large inset view of Windsor Castle, cartouche framed title, framed, double glazed, 42 x 54cm £150-£200

77. Cambridgeshire. John Speed (1552-1629) Map of ‘Cambridgeshire described with the devision of the hundreds the townes Situation with the Armes of the colleges of that famous Universiti’, a late 17th century engraving with near period sparse outline colouring, published Bassett and Chiswell (1676), inset town plan of Cambridge, border with heraldic shields, framed, double glazed, 40.7 x 53cm £300-£400

78. Middlesex. John Speed (1552-1629) and John Norden ‘Middle-Sex described with the Most Famous Cities of London and Westminster’, a 17th century engraving with later sparse outline colouring, published Bassett and Chiswell c.1611, inset town plans of Westminster and London and two inset views of St Peters and St Pauls, framed, double glazed, 40.5 x 53cm £200-£300

79. Sue MacCartney-Snape (Modern British) ‘Charades’, a limited colour edition print, 40/600, titled, numbered and signed in pencil, mounted framed, within 48 x 41cm mount £50-£80

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84. A Moorcroft ‘Wanderers Sky’ vase by Emma Bossons 2002, of baluster form, tube lined decoration, impressed and painted mark to base, with original box and outer sleeve, height 32cm £120-£180

85. A Moorcroft ‘Dream of a dove’ vase by Rachel Bishop 2002, of short baluster form, with tube lined decoration, impressed and painted marks to the base, with original box and outer sleeve, height 22cm £100-£150

86. A Moorcroft vase “Sonoma” designed by Rachel Bishop 2003, the baluster tube lined body with fruiting vine on a sea green and navy ground, impressed and painted factory marks to base, in original box with outer sleeve, height 22cm £80-£120

80. A set of six late 19th century French Majolica Keller et Guerin Luneville asparagus plates c.1890 moulded with four spears of asparagus, cream ground, impressed Depose KuG Luneville (6), diameter 22cm £80-£120

81. A pair of late 19th century Art Pottery bottle vases possibly Ault or Linthorpe, of ovoid form with a slender neck, decorated in sang de boeuf and olive green, both unmarked (2), height 24.6cm £80-£120

82. A Royal Doulton Hydrangea three piece garniture comprising two ovoid ginger jars and a baluster form lidded vase (3), largest height approx. 25cm £40-£60

83. A Moorcroft ‘Professor Hope’ celedon vase by Rachel Bishop 2006, with tube lined decoration, with impressed mark to base and signed R.J.Bishop 39/250, in original box with outer sleeve, height 29cm £120-£180



87. A Moorcroft vase by Angie Davencroft ‘Owls’ the baluster shaped vase with tube lined decoration depicting barn owls in flight, numbered, in original box with outer sleeve, height 27cm £150-£250

88. A pair of 19th century Staffordshire treacle glazed Medici lions each modelled with their front paw resting on a ball on rectangular plinth bases (2), height 23cm, length 30cm £100-£200

89. A collection of Aynsley Orchard Gold china comprising eight 26.6 diameter dinner plates, six tea cups and saucers, six tea plates, a twin handed sugar basin and cover, a milk jug, a sandwich plate, a cake plate, an octagonal preserve pot and cover, a cake knife, four small square dishes, a heart shaped trinket pot, a octagonal vase and cover and a rectangular pin dish, printed marks (qty), various £200-£300

90. A Wedgwood Osborne service for twelve to include a platter, salad bowl, lidded soup tureen, 2 vegetable tureens, 2 square cake plates, a vegetable dish, a cream jug, a milk jug, a teapot, a coffee pot, a large lidded sugar bowl, a small lidded sugar bowl, 2 sauce boats and saucers, 12 dinner plates, 12 salad plates, 12 side plates, 12 soup cups and saucers, 12 bowls, 12 coffee cups and saucers (one saucer missing), 12 teacups and saucers (qty) £200-£300 90

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93. A pair of Nantgarw porcelain square dessert dishes c.1818-20 London decorated probably in the Bradley workshop with three full sprays of flowers, moths, some in flight and other insects, moulded leaf scroll border, gilt detail rim, unmarked (2), diameter 21.2cm £700-£900

94. A Nantgarw porcelain moulded plate c.1815-18 moulded scroll, flower and ribbon tied border, London decorated with seven sprays of flowers in a china blue, gilt detail rim, impressed ‘NANTGARW CW’, diameter 24.8cm £200-£300

95. Swansea porcelain Paris flute pattern trio, a coffee cup and saucer and a plate c.1815 the trio and cup and saucer gilt line decorated, with gilt rosette to interior, the plate similarly gilt but decorated with an all over pattern of cornflowers, stencilled in red Swansea or unmarked (6), plate diameter 23.5cm £100-£150

91. A Meissen porcelain figure group c.1900 modelled as a courting gallant and lady in 18th century dress, seated on a bough with a flower basket, underglaze blue crossed swords mark, incised y 34 stamped 136, height 13cm £100-£200

92. A Meissen style porcelain group and a selection of continental figures first modelled as two ladies in 18th century dress, one seated the other draped with a garland and attended by putti, underglaze blue pseudo cross swords mark, together with three Vienna style porcelain figures a/f: a figure of an Arab titled Araberin, incised beehive mark, a guitar player, underglaze blue beehive mark and a putto, and small jug and cover (5), first height 20.5cm £70-£90



98. A porcelain plate c.1810 decorated in the manner of William Billingsley finely painted with a bouquet of flowers with a central rose, gilt scroll border, unmarked, incised N, diameter 22.3cm £80-£120

99. Four early 19th century Welsh pottery ribbon plates c.1820 each with green basketweave border and pierced brown painted rims, two by Dillwyn & Co. painted with flowers, impressed Dillwyn & Co. Swansea, the other two painted with flowers and strawberries, of which one probably Glamorgan, impressed with Prince of Wales plumes (4), first diameter 20cm £80-£120

100. A mid 18th century Worcester yellow ground pierced dessert dish c.1765 Of oval shape, the sides moulded scroll rim and latticework panels heightened in red alternating with smaller yellow ground basket weave panels decorated with floral sprays, moulded centre with smaller sprigs, 26cm £300-£400

101. A late Victorian Wedgwood part dessert service each piece painted with floral swags within a stylised blue and gilt diaper and scale type border, pattern X3848, comprising a lozenge shaped serving dish and six plates, printed factory marks (7), plate diameter £60-£80

96. A pair of early 19th century Swansea porcelain dessert bowls c.1815 from the Venn Service the borders with c scroll and floral moulding and lobed rims, decorated with gilt and green designs, the gilt crest of a bird with outstretched wings to centre, the inner border with scroll-edged panels alternating with anthemion motifs and leaf sprays, stencilled upper case Swansea marks in red, diameter 21.7cm £150-£250

97. Two early 19th century Swansea porcelain plates first attributed to Henry Morris c.1817, painted with four scattered sprays of flowers, gilt rim, impressed trident mark and Swansea, second, the border repainted with flower baskets and gilt trailing vines and laurel garlands, impressed Swansea, gilt rim (2), first diameter 20.5cm £200-£250

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105. Charles Lemanceau A French Art Deco pale blue pottery figure group of two stylised deer raised on rectangular base with moulded LEMANCEAU and stamped ST Clements underneath, length 45cm, depth 11cm £80-£120

106. A collection of ten Japanese Meiji period imari palette fluted dishes of varying designs, largest diameter 30.8cm £80-£120

107. An 18th century Delft blue and white chinoiserie plate and a selection of 19th century ceramics first painted with a large peony, willow and rockwork, together with an early 19th century pearlware blue and white transfer decorated moulded oval jug, a pair of Davenport blue and white transfer ‘Canton’ pattern dinner plates and an ‘Etruscan Vases’ pattern dinner plate (5), first diameter 22.2cm £60-£80

108. A small collection of 19th century Chinese blue and white porcelain first decorated with four fish and flowers within a scrolling band and a border with lose sprigs, ochre rim, second a pair of plates painted with prunes and other flowers, ochre rim together with a small baluster vase painted with framed panels containing figures within dense scrolling foliage, four character mark, together with a small a/f bottle vase painted with flowers and birds, four character mark and a miniature a/f bottle vase the neck modelled in relief with a chilling (6), first diameter 21.6cm £80-£120

102. A 17th century Rhenish salt glazed stoneware bellarmine of ovoid form with loop handle, mottled brown glaze, having bearded mask above an oval armourial medallion containing a wreathed heart, height 34.5cm £250-£350

103. A Troika pottery wheel shaped table lamp base decorated with geometric motifs in blue brown and shades of grey, painted marks, decorators monogram AB for Alison Bridgen, height including fitting 35cm £80-£120

104. Two Troika cube vases the first textured vase of blue hues with relief abstract design depicting sea and fish to one side and geometric patterns and a stylised tree to other, the base with painted monogram AB for Alison Bidgend, the other of similar design in beige with monogram JF for Jane Fitzgerald (2), height approximately 8.5cm £100-£150

109. Two late 19th century Chinese blue and white slender baluster vases first painted with Bhuddist lions playing with balls amongst flames and clouds, underglaze blue four character mark, second painted with a pair of chasing dragons against foliage, underglaze blue four character mark, fitted with a domed cover with lion finial (2), first height 21cm £100-£150

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113. A late 19th century Bohemian glass spa beaker enamelled with depictions’ of figures in period dress, of flared form with octagonal section, gilt rim and star-etched foot, height approx. 11cm £80-£120

114. Six late 19th century Bohemian glass spa beakers and other glass first a ruby glass goblet raised on clear glass foot, enamelled with floral motifs, second a clear glass goblet with gilt band of swags and flowers, third a uranium glass goblet on petal base with enamelled floral motif, fourth a blue glass flared beaker with circular foot and enamelled flowers, fifth a small green to clear graduated glass vase of ovoid form and applied gilt decoration, rubbed gilt signature to the bottom, sixth an orange and clear glass vase of flared faceted form (6), first approx. 13.5cm in height £80-£120

115. Three late 19th century Bohemian glass spa beakers first of flared faceted form with a petal foot, the body of the beaker with medallions of alternating geometric star patterns and etched designs showing ‘Glück’ and a cornucopia, ‘u. Freude’ with a lyre and basket of flowers, ‘Liebe’ and a burning torch, second a ruby glass beaker of flared form with circular ribbed foot, oval reserves to the body containing etched views of landmarks in Franzensbad, third a clear glass cup with handle, of waisted form with facets and oval reserves coloured red and yellow and etched with allegorical scenes and the crowned initials ‘H.T.’ (3), first approx. 12.5cm in height £100-£200

110. A late 19th or early 20th century Chinese famille verte crackle glaze vase of ovoid form with Dog of Fo mask lug handles, decorated with a pair of dragons chasing the flaming pearl and clouds, four character mark to the base, height approx. 19.5cm £100-£150

111. A pair of early 20th century Chinese blue and white decorated crackle glaze sleeve vases and a ginger jar first decorated with a watery landscape with iron glazed borders, four character mark, second decorated in famille rose palette with mounted warriors (3), first height 20.8cm £50-£80

112. A Japanese black glazed porcelain bowl decorated in frosted gold and silver trailing fruiting vines, signed, diameter 21cm £60-£80

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118. A small group of Waterford Crystal items comprising a wine and spirit decanter and jug in the Colleen pattern, another claret jug raised on circular foot, a salt and pepper raised on circular star cut foot and a mantlepiece clock in the shape of a miniature grandfather clock with a quartz movement, all decanters present with stoppers and all pieces bearing the Waterford mark to the base (7), largest approx 34cm £80-£120

119. A large Waterford Crystal vase of tapering form with lobed rim and raised on circular star cut foot, gothic Waterford mark acid etched on to the underside of the base, height approx. 33cm £60-£80

120. A Lalique Ondines bowl signed on the underside R.Lalique France, pattern number 380, clear frosted and opalescent glass bowl with six sea nymphs swirling around the outside, diameter 20.7cm £500-£700

116. An extensive suite of Waterford Crystal Colleen pattern drinking glasses to include 12 large beakers, 12 small beakers, 12 tumblers, 12 hock glasses, 11 champagne flutes, 12 white wine glasses, 11 red wine glasses, 12 port glasses, 12 dessert wine glasses, 12 brandy balloons, 12 sherry glasses and a pair of small brandy balloons (qty), red wine glass height approx. 18cm, sherry glass height approx. 10cm £500-£800

117. A Waterford Crystal two branch candelabra a central tapering needle flanked by two branches with prism pendants, raised on a circular foot with an acid etched Waterford mark, height approx. 53cm £80-£120



125. Istvan Komaromy (1910-1975) a white opalescent glass lamp work sculpture of a gazelle standing on ball, on a variegated green marble base, unsigned, height 25cm £50-£80

126. A pair of large Japanese Meiji period bronze twin handled censers of cylindrical form, cast in relief with figures in a watery landscape with gilt highlighted decoration, having twin pine tree handles, on a galleried base (2), height 36cm £100-£200

127. Peking Jung Pao Chai, Publishers, Ode to the artist Ch’i P’ai-shih (1864-1957) Peking, 1953, a collection of approx. 150 woodblock prints bound Chinese style in two vols. with gold splashed dark blue wrappers, folio, in a brocade outer folding case £300-£400

128. Five cloisonné enamel and white metal buttons unmarked, diameter 2.8cm £40-£60

129. A pair of Norwegian David Andersen silver-gilt and guilloche enamel novelty toadstool salts and other cruet items first marked D A Norway Sterling, in red and yellow enamel on a circular foot, together with a novelty silver longboat salt with clear glass liner by Magnus Aase, and a cornucopia pepper pot, by Theodore Olsens Eftf and a silver gilt and yellow guilloche enamel salt in the form of a flower bud on a circular foot (5), first height 5.5cm, total weight including stoppers and glass liner 3.45ozt £150-£200

121. A Lalique Ondines plate signed on the underside R.Lalique France and numbered with pattern number 380, clear frosted and opalescent glass plate with six sea nymphs swirling around the outside, diameter 27.5cm £800-£1,200

122. An R. Lalique ‘Inseparables’ opalescent clock featuring two pair of parakeets or ‘love birds’ on blossoming branches, the 8-day clock with Arabic numerals, moulded mark to base, with easel back, 11 x 11.5cm approximately £600-£800

123. A Whitefriars glass textured range Totem vase designed by Geoffrey Baxter No 9671 in kingfisher blue, height 26.5cm £100-£150

124. Istvan Komaromy (1910-1975) a white opalescent glass lampwork sculpture of Diana and a leaping stag, on a green variegated marble base, unsigned, height 26cm, length 27cm £200-£300

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132. A mid 19th century Scottish novelty silver mounted horn vinaigrette in the form a snuff mull unmarked, the hinged domed cover and thistle shaped terminal with foliate chased decoration and set with Cairngorm citrines, the body applied with a shield shaped cartouche and a registration lozenge date July 1871, suspended on a chain with a finger ring, gilt interior with hinged pierced grille, length 8.5cm £100-£150

133. A Victorian silver christening mug London, 1860 with makers marks for Henry Holland, of cylindrical form, engraved with a rope twist band above arches terminating in lozenges, each arch containing naturalistic foliate sprays and a period engraved monogram ‘CWR’, raised on a beaded foot, height 11cm, diameter 8cm, weight approx. 5.03ozt £100-£150

134. A collection of mostly early 20th century silver various dates and makers, to include a silver mounted glass powder pot, an engine turned silver hand mirror, a engine turned circular powder compact, a small mother of pearl handled pocket knife, a small four division toast rack, two Dutch silver apostle spoons, marked for Amsterdam, initialled, a mustard pot and salts with blue glass liners etc. (qty), weighable silver 6.05ozt £100-£150

130. A matched set of ten Norwegian .830 silver novelty acorn form salt and pepper pots eight marked 830 S bearing makers mark for Thorvald Marthinsen, of naturalistic design having planished cupules (8), height 4cm, weight approx. 3.67ozt £80-£120

131. Three mid 20th century David Andersen Norwegian silver-gilt and guilloche enamel novelty owl pepper pots marked D-A Norway Sterling 925 S, in green, purple and white, on circular bases (3), height 5.5cm, total weight 2.29ozt £200-£300

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138. A pair of George V silver twin handled baskets in George III style London, 1912 by C S Harris Ltd, of oval form with flying cast foliate handles and rims, the sides pierced with birds and horse among foliate scrolls, each engraved to underside ‘Gift of the Worshipful Company of Haberdashers to Aldeman Sir George Wyatt Truscott Bart, Master 1911-12 (2), width 24.3cm, weight approx. 23.02ozt £300-£500

139. An Edwardian silver octagonal baluster sugar caster and a selection of dishes and assorted napkin rings first Sheffield, 1902 by Martin, Hall & Co., a pierced footed dish, a small footed dish with twin cast rose handles, a 1942 half crown set coin set dish engraved United Kingdom Coinage Memorabilia’, six assorted napkin rings to include a Maltese .800 plain napkin ring and an Indian Kutch white metal napkin ring, a late Victorian jam spoon initialled and dated 1899 (qty), first height 21cm, weight approx. 20.69ozt £250-£300

140. Cricket Interest: A modern silver armada dish London, 1976 by John Henry Odell, of plain circular design with feature hallmarks, bearing engraved facsimile signatures of the English and Australian cricket teams, diameter 29.3cm, weight approx. 28.16ozt £350-£450

135. A large George V silver salver Birmingham, 1929 by Adie Brothers, circular with raised piecrust border, raised on three scroll feet, diameter 41cm, weight approx. 59ozt £700-£900

136. A George V silver coffee pot in George II style London, 1928 by D & J Welby Ltd, of plain tapering from, the hinged low domed cover with acorn finial, having faceted swan neck spout and ebonised scroll handle, height 25.5cm, weight approx. 30.30 £400-£500

137. A modern Britannia standard silver goblet and another silver goblet first London, 1979 by Mappin & Webb, of plain design with feature marks, second, Birmingham, 1975 by B 7 Co., engraved ‘Frank Fifty Years On’ (2), first height 15cm, weight approx. 15.6ozt £200-£250



143. A modern silver Elizabeth II golden jubilee commemorative goblet Birmingham, stamped 925, 2002 golden jubilee mark by Albert Edward Jones, of plain tapering form with feature mark, on a gilt openwork stem with ERII cypher, in a fitted box, height 11.5cm, weight approx. 6.17ozt £100-£150

144. A George III silver Neo-classical design swing handled pierced sugar basket, a William IV pierced drum mustard pot and a George III Old Sheffield plate sauce boat first marks rubbed but London, probably 1789, makers mark .H ? possibly Robert Hennel, of tapering vase form pierced and engraved with a design of classical urns and swags, beaded rims and swing handle on a conforming domed pedestal foot, fitted with a clear glass liner, initialled GMW and P.R.M.S, second London, 1837 by Charles Lias, of circular drum form having pierced foliate scroll sides, having hinged cover with shell thumbpiece and scroll handle, fitted with a blue glass liner, initialled (3), first height with handle in upright position 14.5cm, total weight approx. 6.89ozt £100-£200

145. An early Victorian silver coffee pot London, 1848 by Robert Hennell III, of baluster form, embossed with c scrolls and flowers, having leaf capped scroll handle with ivory insulators and hinged dome cover with flower bud finial, on foliate scroll racket feet, crested, height 27cm, weight approx. 29.1ozt £400-£600

141. An Edwardian silver milk jug and a small selection of silver first Sheffield, 1903 by Harrison Brothers, of oblong half fluted design, interior gilt stamped RD 412382, together with an early 19th century continental spoon, various marks, an Old English Thread pattern sugar spoon, London, 1908 by Holland Aldwinckle & Slater, a sauce ladle, a butter knife two cocktail forks with mother of pearl terminals, two engine turned napkin rings, initialled (qty), total weight 11.52ozt £140-£180

142. A modern silver helmet shaped cream jug in George III style, a German .800 beaker and other silver first London, 1977 by S J Rose & Son, of plain form with loop handle and reeded rim on square pedestal foot, second. of tapering from embossed with a scroll framed oval cartouche engraved ‘Miriam’ 24 V 1935 and fruiting vine decoration against a finely stippled ground, a pair of foliate chased claw end sugar tongs, a small twin handled trophy cup and three engraved prize coffee spoons (7), first height 15.5cm, weight approx. 11.56ozt £140-£180

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149. A pair of Italian silver cast candlesticks in the form of centurion sea gods (ichthyocentaurs) each with candle sconce above octagonal acanthus decorated drip trays, raised upon serpent figures with shell and seaweed gadrooned circular base, each stamped 800 standard (2), height: 15.5cm, 30otz £400-£600

150. A pair of George V silver neo-classical design three light candelabra Sheffield, 1924 by Hawksworth, Eyre & Co., of oval fluted design with reeded borders, on tapering knopped stems issuing twin scroll branches with urn shaped nozzles fitted with detachable drip pans, on weighted bases (2), height 40.5cm, width 40cm £500-£700

146. A modern silver table cigarette box Birmingham, 1977, jubilee duty mark by Mappin & Webb, of plain rectangular form, the hinged domed lid with an engine turned border, cedar lined with a single division, width 18.8cm, depth 11.5cm £100-£150

147. A modern silver table cigarette box Birmingham, 1966 by A Chick & Sons, of plain rectangular form, the hinged lid with engine turned decoration and central vacant rectangular reserve, on bracket feet, the interior cedar lined with divisions, width 25.5cm, total weight approx.38.34ozt £150-£250

148. A George V silver table cigarette box London, 1919, makers mark rubbed but probably J B, of plain rectangular form, the hinged domed lid with raised rectangular reserve and thumbpiece, interior gilt and cedar lined with two divisions, width 20.5cm, total weight approx.30.02ozt £150-£200



154. A George VI silver three piece tea set Sheffield, 1937, by Emile Viner, a teapot, milk jug and sugar bowl of faceted form on four outswept paw feet, length of teapot 28cm, weight approx. 33.15ozt £400-£500

155. A George V silver teapot Sheffield, 1926 by Charles Henry Hattersley, of oblong bellied form, fitted with an ebonised scroll handle and knop finial, handle to spout 29.3cm, total weight 22.2ozt £300-£400

156. A George V silver swing handled basket Sheffield, 1924, makers marks for James Deakin & Sons, of plain oval form on a spreading pedestal foot with beaded rim and shaped handle, length of basket approx. 25cm, weight approx. 13.26ozt £150-£200

151. An early 20th century Austrian .800 Secessionist small silver tray and a plannished dish first, Vienna, makers mark FF, of square form with plain rectangular lug handles, spares hammered decoration, second Vienna, oak leaf makers mark for Vincenz Carl Dub, circular with raised petal edge (2), first handle to handle 22cm, weight approx. 11.55ozt £100-£150

152. Two early 20th century Austrian .935 matching silver trays Vienna, stamped 935, makers mark AxK, first rectangular with a raised petal edged border, all over decorated with hammered decoration, second, square and of the same design (2), first 41.7 x 29.8cm, weight approx. 53.13ozt £500-£600

153. A George VI square silver salver Sheffield, 1940 by Viner’s, of shaped square design with raised piecrust border, on four leaf scroll feet, 23 x 23cm, weight approx. 14.3ozt £180-£220



159. A Victorian silver Grecian wine ewer Birmingham, 1858, makers mark worn J. ? & ?, of bottle form engraved with bands of palmettes, having a loop handled with ivory insulators and fitted with a flat hinged cover engraved ‘Caithness Cup 1867 Won by Mr Hay’s “Brenda”, on circular foot, height 23cm, weight approx. 14.13ozt £180-£220

157. A George V silver bowl Birmingham, 1928, makers marks for A & J Zimmerman Ltd., of plain circular form with pierced rim, diameter approx. 21.5cm, weight approx. 8.71ozt £100-£150

158. A George V silver neo-classical pedestal bowl Sheffield, 1912 by Mappin & Webb, of circular form with wavy edge beaded rim, pierced with a design of trailing husks and swagged garlands, on a conforming pierced domed foot, height 13.5cm, weight approx. 10.91ozt £150-£200

160. An extensive early 20th century Austrian .800 silver twelve setting matched canteen of flatware mostly Vienna, Vincenz Carl Dub, comprising twelve table forks, twelve dessert forks, twelve silver handled table knives and dessert forks fitted with stainless steel Rostfrei, twelve tablespoons, twelve teaspoons, twelve ice cream spades, twelve coffee spoons, a pair of salad servers, a tea strainer, a pair of sugar tongs, a set of four cauldron salts with clear glass liners, four slat spoons, pair cold meat serving forks, a sifter spoon, a silver butter knife, a pate spreader a cake slice and cake knife with filled handles, an ice cream spade, a soup ladle and a pair of small oblong dishes on legs, in fitted chamois leather lined trays, together with near matching later set of twelve fish knives and forks, twelve silver handled fruit knives and forks, set of six silver toped glass salt and pepper shakers, a pair of plated serving tongs and a pair of plated nut crackers (176), weighable silver approx. 180ozt £1,800-£2,200



164. A modern set of twelve silver handled thread and shell pattern silver handled stainless steel bladed table and dessert knives Sheffield, 1975 by C J Vander Ltd, the blades of the dessert knives stamped C J Vander stainless (24), length of table knives 25.7cm £200-£400

165. A pair George III silver Old English pattern sauce ladles, a pair of provincial bright cut sugar tongs and an early Victorian fiddle and thread pattern butter knife first London, 1802 by Solomon Hougham, crested, second Newcastle, no date letter, by Dorothy Langlands, third, London, 1841 by Robert Wallis, crested and initialled (4), first length 18.7cm, weight approx. 6.94ozt £80-£120

166. A set of twelve silver handled shell and thread pattern fish knives and forks the knife blades, London, 1879 by Francis Higgins II, each engraved with a different fish, fitted with later filled handles and accompanied by matched forks, Sheffield, 1972 by William Yates, length of knives 22.5cm, total weight including filled handles 41.88ozt £300-£500

161. A pair of William IV silver fiddle pattern sauce ladles, and other silver and plated items first Dublin, 1837 by Richard Garde, crested, a George III bright cut slat spoon, London, 1789 by Thomas Wallis, initialled, a plated ivory handled stilton scoop eight plated ferrule, etc. (qty), first length 18cm, weight approx. 4.42ozt £70-£90

162. A set of six Scottish Victorian Kings pattern teaspoons Edinburgh, 1870 by James Wright, initialled (6), length 14.6cm, weight approx. 3.8cm £70-£90

163. An Edwardian twelve setting canteen of silver fiddle, thread and shell pattern flatware London, 1904 by the Goldsmiths & Silversmiths Co., twelve table forks, eleven tablespoons, twelve dessert spoons and twelve dessert forks, crested (47), length of table forks 20.7cm, total weight approx. 94.18ozt £1,200-£1,500



170. A selection of George III and later tablespoons comprising an Old English pattern pair, London 1799 by William Eley & William Fearn, initialled, a William IV fiddle pattern pair Exeter, 1835 by Robert Williams, together with three other assorted tablespoons, each initialled (7), first length 22.2cm, weight approx. 14.35ozt £180-£220

171. A set of twelve late Victorian fiddle pattern teaspoons Sheffield, 1897 by John Round, initialled, length 13.4cm, weight approx. 8.48ozt £80-£120

167. Two pairs of silver salt spoons and a pair of silver salt shovels the first pair of spoons George III, no town mark, makers mark for ‘RR’, of plain form, inscribed with initials ‘IMC’, second probably London, 1873, makers mark for George Adams for Chawner & Co., cast silver with shell bowls and foliate handle, silver salt shovels, London, possibly 1789, makers mark for Hester Bateman, handle includes engraved coronet of a Baron above letter ‘C’ (6), weight approx. 2.55ozt £80-£120

168. A small selection of silver flatware to include a George III silver bright-cut tablespoon, London, 1801, makers mark for Peter, Ann and William Bateman, six fiddle pattern silver teaspoons, London, 1853, makers marks for John James Whiting, engraved ‘AIC’, a pair of George III later ‘berried’ tablespoons, London, 1774, makers mark for Hester Bateman, a pair of silver sugar tongs, Birmingham, 1914, makers mark for Gorham Manufacturing Co., four late 19th and early 20th century silver pickle forks, various towns and makers and a pair silver plated and ebony handled fish servers (qty), weighable silver approx. 15.14ozt £200-£250

169. An extensive modern Grecian pattern twelve setting canteen of silver flatware Sheffield, 1962 by William Bush & Sons, comprising twelve table forks, twelve dessert forks, twelve silver handled table knives and dessert knives fitted with stainless steel blades, twelve soup spoons, four tablespoons, twelve fish knives and forks, twelve silver handled fruit knives and forks with stainless steel blades and tines, twelve teaspoons, twelve coffee spoons, eleven cake knives and a matching plated replacement, a pair of sauce ladles, a soup ladle and a three piece silver handled carving set, contained in three fitted baize lined mahogany trays (166), length of table forks 20.5cm, weight excluding knives and fruit eaters approx. 182ozt £3,000-£4,000

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172. A selection of 19th century and later silver to include a Dutch caddy spoon comprising a 19th century Dutch caddy spoon, Dutch control marks, maker mark V.K having a shovel shaped bowl and reeded tapering handle, together with a Dutch sifter spoon with foliate engraved handle, five William IV fiddle pattern teaspoons, London, 1830 by Phillip Phillips, initialled, various condiment and salt spoons, sugar tongs and a napkin ring (qty), first length 9cm, total weight approx. 9.96ozt £100-£150

173. A George III silver Old English pattern lace back tablespoon London, 1774 by Thomas Evans, initialled to terminal I I over I M over 1774, length 19.2cm, weight approx. 1.07ozt £50-£80

174. Two cased sets of silver teaspoons first 1975, made by Payne and Son and each marked with a different Assay Office, eight silver Hanoverian rat-tail pattern teaspoons in fitted box printed with ‘British Hall Marks’, second 1953, made by Mappin & Webb and each marked with a different Assay Office, six silver rat-tail pattern teaspoons in fitted red leather case (2), length of first approx. 22.5cm, weight approx. 6.01ozt £80-£120

175. A George III silver shell and thread pattern table fork and spoon in fitted box London, 1817, makers marks for Paul Storr, crested with a dragon, presented in a box of later date printed Garrard to the interior, length of the box approx. 26.5cm, weight approx. 5.94ozt £150-£250

176. An Edward VII silver and mother of pearl handled set of fruit knives and forks in a fitted mahogany case Sheffield, 1906, makers marks for Allen & Darwin, comprising six pairs with mother of pearl handles, interior of the case printed with ‘Wm. Lister & Sons, Newcastle on Tyne’, case length approx. 29cm, width approx. 23.5cm £80-£120

177. A pair of Victorian old English thread and bead pattern asparagus tongs London, 1867 by Chawner & Co. (George Adams), pierced blades, crested and initialled, length 23cm, weight approx. 5.39ozt £100-£150

178. A George III silver mounted blue glass mustard pot Probably London, 1800, partially rubbed makers mark ‘G’, blue glass pot of faceted form, mounted with a reeded silver collar and lid surmounted with finial and reeded handle, height: 11cm £100-£150

179. A George II silver ogee sugar caster London, 1747, makers marks for Samuel Wood, of plain ogee form, the pull off top pierced and engraved with knop finial and raised on a circular domed spreading foot, height: 19cm, weight approx. 8.25ozt £150-£200

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182. A modern filled silver model of a stag Sheffield, 2004, Camelot Silverware, realistically modelled standing stag on a naturalistic rectangular felted base, height 26cm, width 20cm, depth 10cm £150-£250

183. A modern filled silver model of a fox Sheffield, 2004, Camelot Silverware, signed ‘Donaldson’ to the base, realistically modelled walking fox set on a naturalistic base with felt underneath, height 11cm, width 24cm, depth 7cm £100-£150

180. A Matthew Boulton old Sheffield plate chamber stick and a small collection of George III and later silver mostly bright cut sugar tongs the chamber stick c.1800, of circular form with gadrooned rim, removable drip pan and conical snuffer, double sun mark to the base, sugar tongs to include a pair dated 1794, makers mark for Peter & Ann Bateman, initialled, a plain pair dated 1802, makers mark for Peter, Ann & William Bateman, two pairs dated 1807 & 1814, makers marks for Peter & William Bateman, one pair initialled, a pair marked 1797, makers mark for George Smith and Thomas Hayter, initialled, and three more (9), weighable silver approx. 9.08ozt £100-£200

181. A George III silver cream boat, a pair of Old Sheffield Plate salts and a Victorian plated kettle on stand the first London, 1763, possibly by William Skeen, of bellied form with punched rim and engraved crest and raised on three hoofed feet, second c. 1790 navette shaped pedestal form with pierced bowls and period blue glass liners, third c. 1880s, marked William Hutton & Sons, baluster shaped with rattan covered handle and raised on a circular pierced burner with four scrolled feet, kettle height including stand: 27cm, approx. weight of cream boat: 3.71ozt £80-£120

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184. An early 20th century continental silver and enamel erotic cigarette case probably Austrian. stamped .900, of rectangular form, the front finely decorated with an enamel scene of a crouching nude bagneuse, approx. 9 x 7cm, weight: 5.02ozt £200-£300



185. A collection of silver, silver plate and other items to include two silver cigarette cases, one Birmingham, 1906, makers mark for William Comyns & Sons Ltd, a silver match book holder, two circular silver sovereign holders, a silver piercer/pencil, a further silver plated cigarette case, a number of other small items including a miniature ‘album souvenir’ containing pull out photographs of the town of Albert and the Basilica of Notre-Dame de Brebières after the Battle of the Somme enclosed in carrying case, a circular embossed locket, a small pendant in the shape of a pistol and a brass cube seal (11), weighable silver approx 9.3ozt £150-£250

186. A George VI silver christening bowl and spoon Sheffield, 1945 by Roberts & Belk, of shallow plain form with moulded rim on ball feet, the spoon with an oval slip top bowl in a fitted case, together with a foliate chased napkin ring and a spoon (3), bowl diameter 11.8cm weight 6.66ozt £50-£80

187. A late 19th century Indian colonial presentation silver trophy cup and a silver half pint mug first unmarked, stamped Grish Chunder Dutt, Bhowanipore, Calcutta engraved N.B.M.R. Regimental Prize Shooting 1896-97 The Adjutant’s Prize, second Birmingham, 1958, initialled together with a plated trophy cup dated 1901 (3), first height 16cm, weight approx. 13.26ozt £100-£150

188. An early Victorian silver engine turned shaving brush case London, 1847, makers mark rubbed poss. T D, of cylinder form, bearing a reserve engraved with a crest, height 8.5cm, weight approx. 1.06ozt £40-£60

189. An Edwardian silver capstan pepper grinder London, 1903 by Holland Aldwinckle & Slater, of plain baluster form, the mill stamped Peugeot Freres, height 9.5cm £60-£80

190. A set of six Victorian silver napkin rings Sheffield, 1874 by Martin Hall & Co., of circular form with beaded rims and engraved decoration, in fitted leather case, weight approx. 4.06ozt £100-£150

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195. A collection of Victorian and later silver and plated items comprising an Edwardian small christening mug, Sheffield, 1909, Walter Latham & Son, embossed with flowers bearing a central cartouche engraved with initials, a pair of Norwegian .830 salts in the form of dragon headed boats accompanied by salts spoons with coin bowls, a pair of late Victorian salts with fluted rims, on ball feet with matching spoons, a pair of late Victorian pepper pots with wrythen chased foliate decoration, an egg shaped pepper pot on ball feet and a silver mounted glass oil and vinegar bottle and stoppers together with a pair of Danish modernist Cohr Atla plated candleholders, an Italian plated foxhead stirrup cup etc. (qty), first height 7cm, weight approx. 6.78ozt £80-£120

196. A modern silver mounted crystal decanter and stopper together with a set of six plated champagne coupes in a fitted case and a set of six plated champagne flutes with a matching bottle holder first London, 1981, second having gilt bowls and chased with fruiting vine, third with applied relief fruiting vine decoration (qty), first height 31.5cm £50-£80

191. Two silver paper knives and a silver pin cushion in the form of a pig first London, 1977, makers mark AB, with tapering blade and handle with gilt bark effect in the manner Stuart Devlin, second, London, 1982, makers mark for Toye, Kenning & Spencer, with engine turned handle and in cloth covered box, third London, 1998, makers mark for Garrard & Co., with removable cushion (3), length of paper knives approx. 22.5cm, overall weight approx. 6.18ozt £70-£90

192. Two Edward VII and one later silver bonbon dishes and an Edward VII silver milk jug first London, 1907, makers mark for Charles Edwards, of shaped form with a lobed bowl, ribboned handles and raised on four paw feet, second London, 1902, makers mark for Goldsmiths and Silversmiths Company, of petal form raised on three paw feet, third Sheffield, 1958, makers mark for Mappin & Webb, having a pierced bowl and scrolling rim, raised on circular foot, fourth, Birmingham, 1908, makers mark for George Unite & Sons, of bellied form, with angular neck and handle (4), weight approx. 12.00ozt £150-£200

193. A small quantity of silver coins, spoons and other items to include a George III 1819 silver half crown, a Queen Victoria 1890 silver crown, a George V 1935 silver crown, two George V silver half crowns from 1920 and 1928, a silver coffee spoon, Birmingham, 1934, mark for Marson & Jones, a silver presentation tea spoon, Birmingham, 1932, mark for Vaughton & Sons, topped with enamelled coat of arms, and a Swiss .935 silver cased gentleman’s open faced pocket watch (qty), weight of silver approx. 4.5ozt £60-£80

194. A collection of silver and silver plated souvenir coffee spoons various dates, makers, some with enamel decoration to include a Japanese silver spoon in the form of a geisha holding a parasol, in a mahogany box, velvet lined and with divisions, fitted with two lift out trays (qty), various, weight of silver spoons approx. 4.89ozt £60-£80



203. A Victorian electrotype Renaissance Revival style three piece cruet set by Elkington & Co. comprising a pair of casters and a mustard pot and spoon, fitted with a blue glass liner, each piece modelled in relief with putti playing with a goat, in a fitted leather case, height of mustard 11.5cm £70-£90

204. A pair of mid 20th silver plated five light candelabra in late Georgian style having foliate embossed stems and borders on shaped square spreading bases, issuing four reed scroll arms, fitted with drip pans (2), height 46cm £60-£80

205. A collection of Victorian and later electroplated items comprising a foliate engraved circular salver with shell and scroll border, a twin handled rectangular tray with piecrust border, initialled M, a set of eleven sundae dishes fitted with clear glass liners, a rollover breakfast dish initialled W, a lily pattern soup ladle and basting spoon, a pair of grape shears, a French Christofle circular dish etc. (qty), tray handle to handle 62cm £80-£120

197. A George IV silver fiddle pattern caddy spoon Birmingham, 1824 by John Thropp, the bowl of shovel form with foliate engraved decoration, length 7.5cm, weight approx. 0.21ozt £30-£50

198. A selection of silver to include a late Victorian tobacco box and other items comprising a plain circular tobacco box, Birmingham, 1897 by John Milward Banks and bearing Banks flower trademark, interior gilt initialled together with an engine turned Art Deco hand mirror, an engine turned oval pill box, an engine turned Life-Long propelling pencil and a similar ball point pen and a silver folding steel bladed pocket knife (6), first diameter 6.8cm, weighable silver approx. 2.58ozt £80-£120

199. A set of six Chinese silver coffee spoons marked Hong Kong silver, having bamboo stems, the terminal mounted with green hardstone carved buddhas, in a fitted case together with another silver coffee spoon with Chinese character terminal (7), length 10.3cm, total weight approx 1.63ozt £50-£80

200. A collection of early 20th century electroplated items to include a tureen comprising a large twin handled oval tureen and cover with a lily pattern ladle in a wooden travel crate, a fluted pedestal dish, a set of eleven oval side dishes, a continental oval platter and entree dish and cover (qty), tureen handle to handle 37cm £60-£90

201. A large mid 20th century electroplated square mirror plateau or wedding cake stand having gadrooned rim and ogee shaped side with applied fruiting vine cast decoration, on bracket feet, in a fitted wooden case, height 14cm, width 47.5cm, depth 47.5cm £80-£120

202. A collection of mostly mid 20th century electroplated items to include a novelty brandy warmer on skis together with a pair of late Georgian style foliate embossed bottle coasters stamped Roberts and Belk, a rectangular tray with wavy edged rim, stamped Savoy Restaurant, a set of six two division oval serving dishes by Elkington, two three piece cruet sets etc. (qty), various £80-£120



211. A Gentleman’s 9ct gold Omega wristwatch with a 9ct gold bracelet, champagne dial with Arabic and baton numerals and subsidiary dial, marked on the lugs and bracelet 9ct, total weight with movement 53g £500-£700

212. A Gentleman’s Omega constellation calendar wristwatch with black dial, subsidiary dials for calendar and date, ‘gold’ bezel with Roman numerals, dot marks, and stainless steel and ‘gold’ bracelet, diameter of dial 3.7cm (excluding crown) (illustrated on pg. 42) £300-£500

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206. A collection of six pocket watches comprising two open faced gold plated pocket watches, a hunter gold plated pocket watch, a Benson silver pocket watch, Thompson of Chesterfield silver pocket watch and another pocket watch (6) £200-£300

207. A silver Omega 24 hour pocket watch the white enamel dial with black Arabic hour numerals and red twenty four hour numerals, with seconds subsidiary dial, movement stamped Omega and numbered 4237803, the reverse of the case with cast mythological scene, diameter of case 5cm £80-£120

208. A Rolex military pocket watch A8877, with circular black enamel dial, luminous Arabic numerals and hands, subsidiary dial, and minute tracker, lever escapement, the case numbered A8877 G.S.MK.II, diameter of dial 4.8cm £300-£500

209. A Gentleman’s stainless steel Longines Conquest wristwatch with silvered dial, baton numerals, luminous tipped hands and expandable bracelet, diameter approximately 3.5cm without crown £200-£300

210. A Gentleman’s Longines stainless steel wristwatch with champagne dial, gold coloured hands and Arabic numerals, subsidiary seconds and expandable bracelet, total approximate diameter of dial without crown 3.5cm £100-£200



216. A Gentleman’s IWC pilots automatic wristwatch with black dial, Arabic numerals, luminous hands and quarter luminous markers and triangle, date aperture and minute hand, stainless steel bracelet, contained in associated IWC case, width of dial 3.2cm £700-£900

217. A Rolex Submariner Oyster Perpetual datejust two tone dial and gold coloured bezel, luminous dot hour markers, baton quarter hands and hands, magnified datejust, with bi-metallic stainless steel and gold bracelet, with original box, receipt and outer card box, approximate width with crown 43mm £3,000-£5,000

218. Two W.W.I Gentleman’s Trench style wristwatches first silver cased having white enamel dial with Arabic numerals, minute track and subsidiary seconds dial, 15 jewels movement, the case marked with London, 1915 by Arthur George Rendell, stamped T numbered 640176, on a leather, on a leather bracelet, second nickel case having black dial with luminous Arabic numerals and hands, white minute track and subsidiary seconds dial, on a leather bracelet (2), first dial diameter 29mm, case diameter 33mm £80-£120

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213. A Gentleman’s gold plated Longines automatic watch the white dial with Roman numerals and date adjust and original Longines brown leather strap, contained within a Longines box, Overall length 22cm £80-£120

214. A Gentleman’s Longines gold plated quartz watch the square gold toned dial with canted corners and baton numerals, without strap, width of dial without crown approx. 2.8cm £50-£80

215. A Gentleman’s Omega Speedmaster chronograph stainless steel bracelet watch the blue dial with luminous tipped batons and hands, three subsidiary dials recording hours, minutes and continuous seconds, date aperture, tachymetre bezel, with Omega crown, stop/start function, bracelet stamped 813 & 1469, dial approx 3.8cm (excluding crown) £700-£1,000

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224. A contemporary Continental gold sapphire and diamond necklace with central sapphire and diamond set oval flanked by two small collet set diamonds to either side, pendant stamped .750, chain marked for 14ct gold, total weight approx. 4.3g £100-£150

225. A Continental, contemporary 18ct gold diamond set necklace and matching ring both of yellow and white gold in a foliate frond design and set with small random cluster set diamonds, both items marked for gold, total weight approx. 30.2g, ring size approx. J £700-£900

226. A heavy Continental 18ct gold chain necklace of ‘chunky’ close cable link design, having lobster fastening, stamped .750 to end link and C.B. for maker, approx. weight 47.4g, approx. length 42.5cm £1,000-£1,500

227. A contemporary onyx bead and diamond necklace the three rows of small black onyx beads of even size and gathered with a diamond set 9ct gold modern slide and gold fastenings and clasp, approx. length 32cm £150-£250

221. A Mikore ladies' wristwatch on 18ct gold fancy bracelet strap the watch with stainless steel back, later attached to an 18ct gold fancy link pierced bracelet with floral detail, invisible fastening, stamped .750 to reverse, total weight including watch approx. 23.4g £320-£380

222. A 9ct gold Tissot ladies wristwatch with square shaped dial and baton, in associated box, width of dial in total approximate 1.7cm £150-£220

223. A single row graduated olive shaped cherry coloured bakelite bead necklace together with a single row graduated amber bead necklace (2), bakelite weight approx: 68.2g length: 87cm, amber weight: 15.7g, length: 40cm £100-£200

219. A ladies' 9ct gold Rotary and a gentleman’s 9ct gold cased wristwatch first having a silvered circular dial with Arabic numerals to quarters and baton markers, 17 jewel movement on an articulated bracelet with fold over clasp, second having a rectangular dial with luminous Arabic numerals minute track and subsidiary seconds dial, 15 jewel movement, plain tonneau shaped 9ct gold case, leather bracelet (2), total weight excluding movements 14g £140-£180

220. An 18K gold and diamond ladies' Cartier Colisee bracelet watch with quartz movement, the circular dial with Roman numbers rounded by double diamond set bezel, with diamond crown and diamond set initial link, with 18K link bracelet the dial reverse of case signed and numbered CC51879, with original box and a spare link, total weight 67.4g £4,000-£6,000 220

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230. A three coloured 9ct gold fringe necklace of alternating and graduated lengths, marked on the clasp 9 3.75 and makers initials L.V.L, total weight approximately 40g, total length approximately 42cm £450-£550

231. An Edwardian 15ct gold and seed pearl necklace with graduating flowers set with seed and split pearls with central flower, with rope twist necklace, length 38cm, total weight 13g £200-£300

228. A contemporary cultured pearl twin row necklace the pearls of even size with slight pinkish lustre, the necklace with 14K Continental white 14K gold sapphire and diamond fancy foliate scroll cluster clasp, associated box, clasp approx. 3 x 1.6cm, shortest row approx. 70cm £400-£600

229. A Continental 18ct gold Egyptian style fringe necklace the graduated articulated fringe with alternating textured detail and woven bead inner collar, invisible push clasp fastening, stamped .750 to reverse of clasp, approx. weight 56.6g, approx. 42.5cm in length, approx. 2.4cm at widest point £1,200-£1,500



235. An attractive Victorian Scottish agate inlaid bracelet the hinged sections with scroll engraved decoration inlaid with various hardstones, the central circular panel set with a similar hardstone inlaid Maltese cross, yellow metal mounts test for gold, replacement gilt metal push clasp fastening, approx. 16cm, in length, central panel diam. approx. 3.2cm, weight approx. 25.2g £300-£500

236. A Continental 18ct gold wide articulated bracelet of plain and textured honeycomb link design, invisible push clap fastening, marked to reverse of clasp, approx. 79.6g, approx. 20.4 x 3.5cm £2,000-£2,500

237. A Continental 18ct gold wide fancy articulated bracelet of hollow, ball and lozenge panel links with embossed decoration, invisible push clasp fastening, stamped .750 to reverse of clasp, approx. weight 43g, approx. 19 x 2.8cm £800-£1,200

238. A 9ct gold four bar gate bracelet with a safety chain together with a fancy link necklace with sphere and twisted (2), total weight 17.5g £150-£180

232. A 9ct white gold brick link textured necklace marked on the push clasp 9 .375, total weight 44g approximately, total length 44cm £600-£800

233. A 9ct gold three row gate link bracelet with padlock together with a 9ct gold figaro chain (2), total weight approx: 15.1g £150-£250

234. An Art Nouveau amethyst and blister pearl scroll panel bracelet the pierced panels set alternately with pearls and amethysts, invisible push clasp panel fastening, stamped 15ct to reverse, unsigned, approx. weight 10.9g, approx. 19 x 1.3cm £250-£350

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242. Three 18ct Continental gold neck chains and a woven yellow metal bracelet the chains all flat S link and marked .750, the yellow metal woven bracelet testing for gold (4), total weight for items approx. 35.5g £800-£900

243. An Austrian 4 Ducat gold restrike coin in pendant mount on chain the coin dated 1915 and mounted in yellow metal pendant mount, tests gold and suspended on long Continental 18ct gold chain stamped .750, coin and mount approx. 18g, chain approx. 18.3g approx. 34.5cm £900-£1,100

239. An Egyptian revival style yellow metal and enamel scarab bracelet the pierced and enamel scarab panels alternating with stylised hieroglyph panels, invisible push clasp fastening, tests for gold, two additional spare panels, stamped to reverse of push clasp and front of each hieroglyph panel, approx. 18 x 2.3cm, approx. weight 50.3g including spare panels £800-£1,200

240. A three coloured 9ct gold textured brick link bracelet with slide catch marked 9 .375, total weight approximately 42g, total length 18cm, width 1.8cm approximately £450-£550

241. A cased Edwardian 9ct gold double curb link bracelet fitted with a heart shaped padlock clasp and safety chain, stamped 9ct, in fitted green velvet lined case, length 17.5cm, weight approx. 14.6g £180-£220 241



248. A 15ct gold ruby and diamond bar brooch the centre set with graduated rubies and diamonds, with chased scroll mount and safety chain, overall weight 3.8g £60-£100

249. A large 19th Century en tremblant diamond set rose brooch formed as a rose stem with curling leaves all pave set with rose diamonds and with pave rose diamond set bloom en tremblant, mount tests for gold and silver, approx. 7.8 x 4cm, approx. weight 26.1g £500-£800

250. A Continental 1940s emerald and diamond floral dress clip each flower set with a central emerald, the stems held together with a diamond set ribbon scroll, yellow metal tests for gold, approx. weight central emerald approx. 15.9 4.64 x 4.06mm, approx. 5.5 x 4.8cm £600-£800

244. A Gentleman’s 18ct gold signet ring and a selection of 9ct gold jewellery comprising an 18ct gold Gentleman’s signet ring with shield shaped setting, together with a continental 9ct gold identity bracelet having a shaped plaque with blue enamel border engraved M.W. on a curb link chain, a 9ct neck chain with barrel clasp with applied 9ct tag, an a/f 9ct rope twist neck chain and a fine 9ct flat curb link neck chain, attached to a silver gilt and single stone garnet set flower pendant (6), 18ct weight 6.4g, 9ct weight 17.1g £200-£250

245. A 9ct gold fob chain marked on each link, with bar, pendant and lobster clips, total weight 16g £150-£200

246. A Georgian half pearl framed memorial locket/brooch the rectangular brooch having vacant central locket within a half pearl set mount and with pearl set bale, mount tests for gold, safety chain and pin, approx. total weight 6.9g, approx. 2.5 x 3.5cm, including bale £100-£200

247. A Continental contemporary 14ct gold and diamond set brooch of yellow and white gold stylised scroll form set with twin diamond points, marked to reverse .585, maker A.D, approx. 6.4g, 4 x 2.5cm £80-£120

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253. A pair of large Continental 18ct gold and diamond pendant earrings the tear shape drops with brushed finish with applied three colour gold diamond set sprays, circular brushed gold tops, maker’s mark H.J.F., clip fastening, approx. 31.9g, approx. 6 x 3cm £600-£800

254. A pair of contemporary Chinese jade set drop earrings the rectangular jade panels suspended from diamond shaped links and pierced character tops, yellow metal tests for gold, drop approx. 3.7cm £80-£120

255. A Edwardian style opal, rose diamond and ruby scroll pendant brooch with central opal and rose diamond cluster and seed pearl and ruby set circular scrolls, yellow metal mount tests gold, seed pearl set bale, suspended on yellow metal gilt chain, approx. weight pendant only 6.6g, approx. diameter 3cm £80-£120

256. Two contemporary Arabic .916gold gem set scroll pendants on chain the pendants and twist chains each stamped .916 for 22ct gold (2), chain lengths 56.5cm and 46.5cm, total lot weight approx. 17.4g £400-£600

257. A collection of four Continental gem set modernist style pendants comprising cabochon amethyst pendant, tests gold on .375 gold chain, a circular 9ct gem set pendant on chain, a green tourmaline set pendant, tests gold and another small .375 gold mounted pendant (4), total weight 18.9g £180-£220

258. An 18ct gold single stone diamond ring and another ring a brilliant cut diamond, claw set with tapering shoulder and a plain polished shank together with a gold single stone crossover aquamarine ring marked 18ct (2), total weight approx: 6.3g, solitaire and aqua both size: Q £150-£250

251. A Victorian split pearl star and crescent brooch the pierced yellow metal mount testing for gold and set overall with half pearls, approx. 6.7g, approx. 3.2 x 3cm £200-£300

252. A pair of small single stone diamond set stud earrings approximately 0.25ct each, white metal mounts test gold, approx. weight 1.1g £100-£150

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259. A diamond, sapphire and 18ct white gold ring, and pair of ear studs en suite the ring centrally-set with an old brilliant-cut diamond with a spread weight of 0.35cts to the border of six mixed-cut sapphires, to the plain tapering hallmarked shank; together with a pair of matching ear studs (2), ring size O, combined gross weight 6.6g £250-£350

260. A contemporary oval sapphire and diamond cluster ring set in 18ct gold mount, maker’s mark M & N, ring size L sapphire approx. 5.8 x 3.9 x 2.6mm, cluster size approx. 11.37 x 9.6mm, weight approx. 4.3g £100-£150

261. A delicate five stone graduated diamond set ring 18ct gold mount, associated Liberty ring box, central diamond approx. 0.10ct, size O/P £100-£150

262. A single stone diamond set ring approximately 0.80 carats, the platinum scroll mount having diamond set shoulders, maker’s mark W. W. Ltd. and stamped platinum, size V, diamond approx. 6.06 x 3.74mm £300-£500

263. An attractive five stone graduated diamond set ring 18ct gold and platinum mount, centre stone approximately 0.60 carats, associated Victorian velvet ring box, centre stone approx. 5.3 x 3.4mm, size L £1,800-£2,500

264. A Victorian five stone diamond set half hoop ring central stone approximately 0.55 carats, scroll mount testing for gold and with diamond point detail, associated Victorian ring box from A & C M Robertson Goldsmiths of New Kings Road, Chelsea, centre stone approx. 4.90 x 4.3 x 2.95, approx. total diamond weight 1.50ct, ring size I/J £1,500-£2,000

265. A five stone diamond set five stone half hoop ring the central stone approximately 0.60ct, mount stamped 18ct and AT 792, associated box, ring size I £2,000-£3,000

266. An attract Continental Art Deco sapphire and diamond pierced dress ring having central oval sapphire within a pierced basket style diamond point set mount and with diamond set shoulders, white metal mount tests for white gold, size J, sapphire approx. 6.7 x 4.8mm £300-£500

267. A large Continental contemporary diamond spray cocktail ring with two central pear shaped diamonds within marquis diamond set spray and having small brilliant cut diamonds to the top, 18ct white gold mount, stamped EVA, approx. total weight 3.00ct, cluster approx. 3 x 2.5cm, size K/L £3,000-£5,000

268. An Art Deco style Continental three stone diamond panel set ring the panel set with central diamond approximately 0.60ct and with smaller diamonds to either side, scroll raised mount, tests for gold, maker’s mark I.K, size J, central diamond approx. 0.60, smaller diamonds approx. 0.20ct £800-£1,200

269. A diamond and 18ct gold ring the central old brilliant-cut diamond gauged to weigh 1.20cts, coronet-set above triangular shoulders, each set with nine brilliant-cut diamonds, to the 18ct yellow gold plain shank, London hallmark, size K1/2 £1,600-£1,800

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270. An impressive diamond necklace composed of a flexible graduated row of 46 brilliant-cut diamonds collets, each separated by a pair of brilliant-cut diamonds collets to the concealed clasp, contemporary fitted leather and gilt tooled triptych case for Harrods, London, length 40.5cm, weight 59.5g, Principal diamonds with an approximate spread weight of 0.75ct - 0.30cts each. Total diamond spread weight estimated to be 25cts approximately £15,000-£20,000

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272. A large oval aquamarine and diamond cluster ring an oval cut aquamarine, claw set to a two tier surround of brilliant cut diamonds, to an open basket gallery, split shoulders and a reeded shank, total weight: 10.6g, size: E1/2 £2,000-£3,000

273. A Victorian sapphire and pearl cluster ring and two other rings sapphire and pearl ring tests gold, marks rubbed a.f., rose diamond cluster ring a.f and a cultured pearl set ring, tests gold a.f. (3), sizes respectively J, P/Q, K/L £80-£120

274. A 9ct gold mounted citrine dress ring and two others including an oval aquamarine ring, yellow metal mount tests for gold and a large circular blue zircon dress ring, mount stamped 14K (3), respectively O, O and N, zircon approx. 13.05 diameter £150-£200

275. A sapphire and diamond ring and three other rings comprising a Continental oval sapphire and diamond point three stone ring, stamped 18ct, an 18ct and platinum set three stone illusion set diamond ring and two narrow 9ct gold wedding bands (4), total weight approx. 9.5g, two wedding rings approx. 4.7g, ring size respectively O, N, N and L £120-£180

276. Two 22ct gold wedding bands and three other gold rings comprising 22ct gold band, Birmingham 1889, maker S.H, another earlier 22ct band, two 18ct rings and a small 9ct gold signet ring (5), Two 22ct bands approx. 6.3, two 18ct gold rings approx. 7.2g, 9ct signet ring 1.4g £350-£400

271. A stylish Art Deco diamond cocktail watch the rectangular dial with Arabic and baton markers to the baguette-cut diamond-set surround, the integral baguette-cut diamond-set arched lugs to an articulated brilliant-cut diamond-set thistle-inspired sphere, each link of the flexible tapering strap comprising a central brilliant-cut diamond with a baguette-cut diamond to either side to the diamond-set arched clasp, associated leather and gilt tooled case for Harrods, London, length 17cm, gross weight 38.7g £3,000-£5,000



283. A small collection of Gucci jewellery and watches comprising a silver tag necklace and matching bracelet both marked 925, together with a pair of stud Gucci earrings with double G, a Gucci ladies bracelet stainless steel watch with rectangular dial and a cased Gents Gucci watch with calendar and leather strap, with Gucci card box and two leather boxes (5), length of the tag necklace 29.5cm £100-£150

277. An unusual Continental aquamarine set cluster ring and another ring the aquamarine of floral design with leaves to one side of mount, stamped .750 for 18ct gold, maker’s mark rubbed, together with a channel set square cut ruby ring, tests for gold, marks rubbed (2), size respectively S and P1/2 £200-£250

278. An early 20th century sapphire, diamond and 18ct yellow gold ring the three graduated circular-cut sapphires separated by a single-cut diamond to the 18ct yellow gold pierced and scrolling gallery and shoulders, Birmingham 1915, size P, weight 3.0g £100-£200

279. A late Victorian single stone sapphire set ring the sapphire in open claw mount, stamped 18ct to inside of mount, and Sheffield assay marks for 1896. Size M/N £100-£150

280. Five gem set gold rings comprising a pearl and amethyst ring in a plain scroll crossover setting, stamped 585, an amethyst ring and green gem set ring, both continental of elongated design, both stamped 585 to exterior of the shank, a single stone amethyst 9ct ring and a single stone garnet 9ct ring (5), sizes vary from K to total weight 14ct rings 12.5g, total weight 9ct rings 4.9g £150-£250

281. A single stone gem set ring and 22ct gold wedding band first having an emerald cut stone in plain raised claw setting, shank marked 22ct, second marked for Birmingham, 1937 makers mark AC Co (2), first J, second H1/2, total weight approx £200-£250

282. A small collection of gold chains and other items comprising a 9ct gold woven bracelet, a 9ct anchor chain, 9ct belcher chain, another chain, tests gold, a 9ct gold signet ring, two gold mounted dress rings and two 9ct gold pendants (9), approx. weight excluding items with stones 22.5g, two gem set rings and ‘J’ pendant approx. 7.4g £300-£400

284. A Tiffany & Co. Sterling silver ‘Return to Tiffany’ circular tag bracelet an engraved circular plaque to a belcher chain and lobster clasp, hallmarked 925 with pouch and box and original receipt from Tiffany, overall length with plaque 19cm £50-£80

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289. A collection of cameo jewellery including an Italian 9K gold chain with cameo pendant, pair of cameo earrings, cameo brooch with safety chain, green hardstone cameo bar brooch and a green 9ct gold hardstone cameo ring (5), weight of chain 3.3g, length of chain 21cm £80-£100

290. A collection of silver and costume jewellery comprising a 9ct gold and lapis lazuli bead necklace, a cultured pearl and silver spray brooch, a threadwork hinged bangle, two paste set necklaces, cased, a silver ingot pendant and various rings (qty), length of lapis lazuli necklace approx. 47cm £60-£100

291. Various Norwegian silver jewellery including David Anderson and Tone Vigeland comprising a David Anderson ‘UNI’ Marianne Berg silver and crystal brooch, a David Anderson ‘UNI’ silver crystal ring, a Tone Vigeland modernist silver bangle and matching ring, a small David Anderson enamelled Gemini pendant and an Einar Modahl silver pierced panel bracelet (6), Anderson ring H, Vigeland ring K £100-£150

292. A small collection of jewellery and silver including a 9ct gold carved shell cameo portrait brooch, a twin cameo brooch, a silver and butterfly wing panel brooch, two Art Deco double clip brooches, another brooch and two silver topped dressing table items (qty), cameo brooch approx. 4 x 3.25cm £60-£80

285. A small collection of Victorian and later jewellery including a Victorian coral set brooch, a Victorian gilt thistle brooch, cabochon sapphire stick pin, tests gold and another, two Edwardian brooches, test gold and a silver enamel brooch (7), weight excluding thistle brooch and silver brooch, approx. 8.4g £60-£100

286. An attractive Scandinavian solje enamel and plique a jour drop brooch possibly David Anderson, the centre shield with plique a jour enamel, another large solje filigree drop brooch, two smaller solje brooches and two filigree brooches and a pair of earrings, all test for silver (7), enamelled brooch drop 11.5cm £100-£150

287. A full sovereign in pendant mount with suspension hook stamped 18K, total weight 12.7g £220-£250

288. An Edward VII mounted full sovereign pendant in a 9ct mount with a suspension loop, total weight pendant and mount 9.3g £250-£300



296. Two pairs of 9ct gold cufflinks the first rose gold cufflinks of oval concave form with chains, in fitted case, the second also with chains and of oval form in fitted case, 9.6g £100-£150

297. A Victorian diamond set stud together with various studs and cufflinks comprising Victorian single stone diamond stud, approximately 0.20ct, mount tests for gold, boxed, a boxed set of mother o’pearl studs and pin, test silver, fitted case “Relf & Co.” Jewellers, Wandsworth & Wimbledon, a set of three Victorian pearl set yellow metal mounted studs, test for gold, cased, and a pair of rolled gold cufflinks (4), approx. weight of gold studs only (4) 5.3g £60-£100

298. A pair of Georg Jensen 18K gold cufflinks of concave disc design with arched toggle back, fully marked for Jensen, marked .750 and stamped 18K, design number 1107, without box, approx. diameter 2cm, approx. weight 13.6g £300-£500

299. A pair of 9ct gold cufflinks of oval form with chased decoration of leaves and scrolls and chains, together with a pair of silver cufflinks and an Omega gunmetal fob watch with subsidiary seconds dial and fob chain (3), weight of gold cufflinks 4g £60-£80

293. A collection of 19th century and later gold and silver jewellery comprising an early 19th century gold mourning ring with engraved an enamelled shoulders, a Victorian pearl and diamond cluster set gold stick pin, two other gem set stick gold stick pins, a Scottish silver mounted banded agate circular brooch, an Arts and Craft amethyst set silver navette shaped brooch with an open work foliate scroll surround, indistinct marks, a Scottish citrine set silver brooch, a gilt metal knot brooch with tassel drops, a Scottish silver mounted ptarmigans foot, a Dutch clover shaped silver coin brooch and a various silver and marcasite brooches, etc. (qty), ring size L, total weight of gold items approx. 5.9g £100-£150

294. An impressive David Anderson Norwegian silver two piece buckle formed as intertwining dragons, fully marked and inscribed Mildred Auset, together with a name engraved silver coin brooch, a large Eastern hinged bangle, tests silver and three other items (6), buckle approx. 13 x 7cm £60-£100

295. A Gentleman’s sovereign ring in 9ct mount with sunburst pattern to the shank, total weight 18g £350-£400



304. Two Victorian lady’s silk parasols first carriage parasol c.1850, having a turned folding sycamore handle with brass collar and a brown striped moire silk canopy with a dark brown fringe, ivory tip and suspension ring with a silk tassel, second probably French c.1890 having a bamboo handle and striped green an d black canopy and ivory and bone tip (2), first length 74cm, canopy diameter 44cm £80-£120

305. A Victorian Paisley turnover double sided shawl c.1865-70 in rust, green, blue and red, 153.5 x 172cm including fringe £80-£120

300. A set of Art Deco mother of pearl Gentleman’s cufflinks and dress studs each of square design with central seed pearl and black enamel detail, comprising a pair of cufflinks, four dress buttons and a pair of studs, fitted case, buttons approx. 1.1 x 1.1cm £40-£50

301. A contemporary rhinestone costume jewellery cuff bracelet together with a costume jewellery rhinestone necklace and drop earrings (3), bracelet approx. 19x8cm £40-£60

302. Three Victorian ladies beaded purses and related ladies items comprising an unusual Victorian bag beaded with playing cards and dice, kid lined, two smaller Victorian beaded purses, a Victorian carved ivory dove panel choker, A Victorian figural painted porcelain panel bracelet clasp, gilt metal, a gilt metal and paste handbag mount and a tapestry handbag (7), largest bag approx. 23cm £40-£60

303. A large collection of 1920s flapper’s beaded trimmings and related items comprising a grosgrain pleated silk bag, two embroidered and beaded belts, a two piece ribbon buckle, four pieces of geometric beadwork, a pair of an American pink and silver coloured guilloche enamel open silver sash brooch, by Watson, Art deco faux jade glass drop earrings, a faux carved jade panel brooch a.f., several items of costume jewellery, two appliqué butterflies a later metal purse and three pairs of opera gloves, a Gwenda Old Willow pattern cold cream pot, a Dubarry powdrette, etc. (qty), Various £60-£80

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309. A Louis Vuitton vernis Houston baby blue monogram patent leather bag with vachetta leather handles and gold tone hardware, interior features zip pocket. Authentication code LW0939, width 30cm x 24cm approx £30-£50

310. A Victoria Beckham large black leather Harper bag satchel style with stud lock, two front pockets featuring gold tone hardware and large patch pocket on back with magnetic stud fastening. Interior features one zip pocket and two smaller patch pockets. Complete with original dustbag and box, width 34cm x 29cm (excluding handle) £100-£150

306. A Burberry handbag, make up bag and key wallet all with the classic black and red check against a beige ground, the handbag with two interior zips. (3), length of bag 37cm £60-£80

307. Fendi limited edition multicoloured beaded baguette bag with adjustable shoulder strap and magnetic clasp fastening featuring the Fendi logo. Lined interior with zip close pocket, width 26cm x 15cm (excluding shoulder strap) £80-£120

308. A collection of designer bags comprising a Coach suede and leather mosaic bag with gold hardware, a Tory Burch bag with gold hardware and original dustbag, a Kate Spade cream quilted leather chain strap Maryanne tote with original dustbag and a Brahmin leather Duxbury satchel bag with original tag attached (4), Coach bag 33cm x 26cm approx., Tory Burch 27cm x 44cm approx., Kate Spade 37cm x 26cm, Brahmin 28cm x 23cm £50-£70



311. A Louis Vuitton cream leather Suhali Le Fabuleux structured tote bag with gold tone hardware, burgundy trim, dual rolled top handles, contrasting stitching, zip closure pocket at font, stud embellishments throughout, woven lining, three compartments; centre with zip closure, dual pockets at interior walls and S-lock closure at front flap. The Louis Vuitton Suhali collection is made from Suhali goat leather., width 36cm x 22cm approx. (excluding handles) £300-£400

312. A Louis Vuitton Takashi Murakami Cerise Speedy 25, Limited Edition coated monogram and cherry canvas, vachetta leather trim and gold tone hardware, product code SP0025 together with a dust bag, width of bag approximately 25cm, height 21cm £400-£600

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313. A Louis Vuitton Takashi Murakami Cerise coin purse Limited Edition coated monogram and cherry canvas with gold tone hardware, 11cm x 7cm approximately £80-£120

314. A Louis Vuitton limited edition pink alligator trim monogram multicoloured Marilyn bag featuring a sleek design and pink alligator trim combined with push lock closure and studs in gold tone hardware. With back pocket and interior patch pocket, complete with original dustbag, 24cm x 14.5cm approximately (not including handles)

IMPORTANT: Prospective purchasers should familiarise themselves with relevant customs regulations prior to bidding if they intend to export this lot outside the UK £400-£600



315. A Louis Vuitton speedy 30 bag in white multicoloured monogram canvas featuring gold tone hardware corners and an ‘S’ lock to the front and side, vachetta leather handles and piping, zip closure and alcantara interior lining with a patch pocket, width 29cm x 20cm (excluding handles)

The Louis Vuitton Monogram Multicolore collection was first introduced in spring 2003 by Japanese pop artist, Takashi Murakami who decided to revamp the traditional monogram toile and give it a splash of colour. He created a new vibrant canvas pallet with 33 silk-screened colours. Together with Marc Jacobs, the Multicolore line became a huge success £60-£80

316. A Louis Vuitton white multicoloured Theda GM top handle bag the multicoloured monogram coated canvas exterior has cowhide leather trim and handles. The buckle closure opens to burgundy coloured alcantara lining with a patch pocket, 30cm x 18cm (not including handles) £250-£350

317. A Louis Vuitton Cherry Blossom Sac Retro by Takashi Murakam the monogram coated canvas with studded vachetta trim, vachetta bow and top handle, with key, booklet and associated LV dust bag, width approximately 31cm, height 21cm £400-£600

318. A Louis Vuitton monogrammed canvas ‘Pegase Legere 65’ suitcase vachetta leather handles and detailing, gold tone hardware, with zip pocket to the outside, two zip pockets to the interior and brown covering flaps, extendable handle, padlock, 65cm high, 46cm wide, 24cm deep £300-£500

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322. A Louis Vuitton brown vintage monogram Ellipse PM top handle bag canvas monogram body with vachetta leather handles and gold tone hardware, with interior patch pocket, 40cm by 30cm (at widest point, not including handles) £300-£400

323. A Louis Vuitton vintage Chantilly crossbody bag in monogram canvas with vachetta leather strap and buckle closure with original dustbag together with Louis Vuitton monogram canvas camera bag with alcantara lining (2), width 23cm x 21cm approx. (excluding handle), camera bag 11cm x 7.5cm approx £120-£180

319. Another similar Louis Vuitton monogrammed canvas suitcase with vachetta leather handles and trimming, exterior zip pocket, gold toned hardware, the interior with two zip pockets and brown lined interior, with flap covering, extendable handle £200-£300

320. A Louis Vuitton monogrammed travel bag with monogrammed canvas, with Vachetta leather handles and trimming, gold toned hardware, stamped VI 0996, with zip to the front and luggage label, width approx 38cm £300-£500

321. A Louis Vuitton ‘Sirius 60’ monogrammed leather suitcase/large holdall with a Vachetta tan leather trim, monogram coated canvas exterior, luggage labels one monogrammed with owners initials, beige canvas interior with securing straps and gold-toned hardware, with wide pouch, padlock, width 60cm £300-£500



324. A Louis Vuitton Crossbody bag coated monogrammed canvas with vachetta leather trim and shoulder strap, flap to front with zip, zip to under flap and interior, gold toned hardware, width approximate 29cm, height 19cm £100-£200

325. A Louis Vuitton bucket bag with coated monogrammed canvas, drawstring closure, vachetta strap and trim, and gold tone hardware, height 26cm, width of base 24cm approximately £150-£200

326. A Louis Vuitton monogrammed ruck sack with coated monogrammed canvas, adjustable draw string, vachetta leather strap, front strap and trim, front pocket, interior pocket and gold tone hardware, numbered SP0011, height approximately 29cm, width 29cm £280-£350

327. A Louis Vuitton monogram suit carrier/garment bag circa 1996, trimmed with Vachetta leather, two gold-tone hardware, leather carrying handle and luggage tag, together with two additional Louis Vuitton garment covers, with owners transfer monogram D.R.M, width 59cm, fully opened 120cm £300-£500

328. A Louis Vuitton belt bag with monogrammed coated canvas, vachetta leather trim, button flap to front, loop handles to reverse, width 16cm, height 12cm £80-£100

329. Prada small green rucksack with metal logo with drawstring, buckle fastening and two front buckle pockets, with inner zip and logo lining, width 23cm approx, height 30cm approx £80-£100

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333. An Hermès Kelly 28 Retourne taupe colour Veau Swift leather bag 2008, with leather hand carrying handle, with silver tone hardware, co-ordinated stitching, leather interior with zip and two pockets, with stamp above the lock, clochette, complete with lock, two keys inside cover and one additional key in Hermès original bag, strap in Hermès original canvas bag, original receipt, contained within Hermès dustbag, width approximately 28cm, depth 12cm, height 30cm

From a Private Collection £2,000-£3,000

334. An Hermès Garden Party canvas and chocolate leather tote with detachable chocolate brown canvas strap in separate dust bag, with blind stamp to the interior, and outer original Hermès bag, width approximately 31cm

From a Private Collection £300-£500

335. An Hermès Chocolate Veau Swift leather Garden Party bag 2005/6, with matching silk twilly in fitted case, clochette, blind stamp to the silk lined interior, push button to centre and sides, with Hermès outer dust bag, original receipt and care label in Hermès fitted bag, width approximately 30cm

From a Private Collection £500-£800

330. Black Prada rucksack featuring metal logo to front and back, silver star detail and PRADA in red lettering, drawstring and buckle fastening with interior zip pocket, width 26cm by 36cm approx £80-£100

331. Philip Treacy limited edition Andy Warhol ‘Elvis’ clutch bag in purple silk, with clip fastening and small interior pocket, with four square studs to bottom, in original box, 30cm x 8cm approx £30-£50

332. An Hermès Kelly 32 in Etoupe Epsom leather a single top handle and silver tone hardware, with leather interior with one zip pocket and two slip pockets, clochette, with original box, dustbag, strap and padlock with two keys, width 32cm (at widest point) by 24cm (excluding handle) approx


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336. An Hermès golden brown/camel ostrich Birkin 30 bag 2007, with gilt toned toolware, clochette, interior zip pocket and large interior pocket, leather covered padlock in Hermès dustbag, Hermès outer bag dustbag, ‘raincoat’ and care label and Hermès box, with original invoice and Certificate of Origin, width approximately 30cm


337. An Hermès Birkin 30 white Veau Swift leather bag 2009, with gold tooled toneware, the interior with single large pocket and zip, together with original receipt from Hermès, original bag ‘raincoat’, Hermès Veau Swift covered padlock and two keys, contained in original drawstring pouch, together with bag dust cover, original box lined with tissue as purchased, width approximately 30cm


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339. A Gentleman’s Louis Vuitton leather briefcase the graphite coloured bag with black leather handle, chrome toned hardware, with original keys, receipt and outer dust bag, width 40cm £200-£400

340. A pair of Louis Vuitton denim monogrammed trainers the two tone blue denim monogrammed and vachetta shoes with cream laces, cream trim and yellow stitching, size 37, in original box £60-£80

341. A pair of Louis Vuitton pale pink and gold monogrammed trainers the pink suede shoes with gold monogram and pink vernis toe and heel, gold coloured trim, rubber sole, size 37, in original box with a pair of spare pink laces £60-£80

342. A pair of Louis Vuitton pumps monogram coated canvas in black with a gold buckle ornament by the ankle. The heels feature gold studs, black patent leather, 3 inch heels, size 36 1/2, with original box and dustbag £80-£120

338. An Hermès Lindy 26 white colour Taurillon Clemence Doublure Agneau leather bag with side carrying handles and shoulder strap, palladium hardware, co-ordinated stitching, and two outside pockets and two inside pockets, with canvas dust cover and original Hermès box, width approximately height with strap extended height 45cm

From a Private Collection £600-£1,000

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346. A Victoria Beckham wool felt double layer waistcoat together with a Victoria Beckham colourblock shift dress the waistcoat is unworn with original tag and spare button attached. Crafted from wool with a cotton shirt inner, it features classic notch lapels along with bottom pockets and hook fastening together with a colourblock shift, both UK size 12 (2) £100-£120

347. A vintage Pierre Cardin jersey dress circa 1960s in electric blue with black leather belt and cotton belt loops, featuring pleats and two front pockets with zip up back, fully lined. Size 16 £50-£80

343. A pair of Louis Vuitton blue denim sandals with monogrammed blue denim strap to front with yellow stitching and gold toned studs to the side, red embossed leather trim and ankle strap with yellow stitching and wooden heel and sole, size 37, contained within original box £100-£150

344. A pair of Louis Vuitton cherry blossom mules monogrammed strap with gold toned studs interspersed with cherry detail, with red suede sole and wooden heel, size 37, in original fitted box £100-£200

345. A black, brown and cream Hermès vintage silk ‘Fencing scarf’ with central section printed with images of fencing positions, with black border, contained within in original box and with original care label, approximately 85cm square

Former property of Olympic fencer Joyce Pearce £80-£120

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354. A Louis Vuitton skirt suit comprising a short fitted layered jacket in small houndstooth brown check with pink spots, bows to front pockets and three logo buttons, fully lined together with a knee length cream skirt with three tiered bottom matching the jacket, zip up closure to back of skirt. Size 40 £70-£100

355. A Gucci dress together with Versus by Gianni Versace and Matthew Williamson dress a snakeskin print mini dress by Gucci featuring spaghetti straps and keyhole detail to front, size 42, a black one shouldered dress Versus by Gianni Versace with side zip and logo detail button strap, size 42, and an ombre silk dress by Matthew Williamson with spaghetti straps, side zip and tie belt, size 12 (3) £100-£150

348. A Matthew Williamson cream rabbit fur jacket waterfall design with two concealed hook fastenings to front, UK size 12 £60-£80

349. A lime green Chanel suit comprising longline double breasted jacket with classic Chanel logo buttons and four pockets together with spaghetti strap dress with zip closure and matching buttons to back, two pockets and small split to front, size 40 £100-£150

350. A pale pink Chanel skirt suit jacket with four patch pockets to front, button fastening with six double C logo buttons and four buttons to each wrist, mini skirt with zip closure and hook and eye fastening plus decorative logo button to bottom of skirt at the back, with original Chanel hanger £100-£150

351. A Chanel pale pink flared dress with deep V-neck, zip-up back and classic Chanel logo button to top, size 38 £60-£80

352. A Louis Vuitton embossed jacquard dress with bow detail in a pale blue and white colourway with a boat neck, zip closure and hook and eye fastening to the top, fully lined in organza fabric. Size 40 £80-£100

353. Two Louis Vuitton dresses size 40 a bronze dress with corsage detail and open back together with a purple draped dress with gold metal buckle belt engraved with ‘Louis Vuitton’ (2) £100-£150

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358. A vintage Bentley men’s grooming set in leather carrying case comprising chromium plated razor, brush, brush holders and shaving stick, a plastic comb, fitted mirror etc., all within a zippered tan leather case with applied Bentley badge, length 22.5cm, width 15.5cm, depth 5cm £50-£80

359. A pair of Vintage Burberry dark tan leather riding boots bears label ‘Burberry’s Haymarket London, SW1'. Size approx. 7 £60-£80

360. Mont Blanc Meisterstuck pens and propelling pencil two pens comprising a ballpoint with twist mechanism, metal clip with serial number MBKG42ZB9, a rollerball with screw on lid and metal clip with serial number MP1011503, the propelling pencil with twist mechanism and metal clip with serial number CK1685815, and an associated Mont Blanc box (3), box approx. 22cm in length £150-£250

361. A boxed Mont Blanc Meisterstuck fountain pen screw on lid and brass clip numbered KVS00446, with 18K Mont Blanc nib numbered 4810 750, in a box, box approx. 19.5cm in length £100-£150

356. A collection of designer dresses comprising a navy Tory Burch dress size 10, a pale pink Valentino dress with neck detail and front split, a Sara Bernshaw tropical print dress size UK 8 and a Veronica Beard floral print dress size 6 (4) £80-£100

357. A pair of shorts and socks worn by Paul Gascoigne during the iconic Euro ‘96 Football Championships where England triumphed over the Netherlands 4-1, together with two of his spare Adidas Predator football boots with embroidered ‘Gazza’ tongue the blue Umbro polyester shorts with white and teal trim and England badge and number ‘8’ to right leg, size 40” waist, the white Umbro cotton socks with blue bands; together with two black Adidas Predator Touch football boots size 8 1/2 with red and white detailing, the red tongue embroidered with ‘Gazza’, the right boot having 6 screw-in metal-tipped studs, and the left boot having 9 moulded blades, together with a hand-written note from former radio DJ Danny Baker authenticating the boots, shorts and socks stating ‘I confirm that these shorts, socks + spare boots were give [sic] to me by Paul Gascoigne directly after England’s 4-1 victory over Holland at Euro 96. Socks + shorts as worn, unwashed! Danny Baker 2/2/02’, the reverse of the note showing a photograph of Gascoigne, Baker and Chris Evans.

Euro ‘96 was a particularly important tournament in the history of English football, with England hosting the championship and the squad achieving their best result since 1968. England’s match against the Netherlands took place on 18 June 1996 at Wembley Stadium, paving the way for England to go through to the knock-out stages as winners of their group, eventually being defeated by Germany in the semi-finals, the current owner purchased the Gascoigne shorts, socks and boots at a charity auction in 2002* raising money for local charities. The boots, shorts and socks were donated by DJ Danny Baker £800-£1,200



364. CHURCHILL, Winston Spencer (1874-1965) A signed clipped typed letter Thank you so much for all your help, signed in black ink ‘Yours very faithfully, Winston S. Churchill’, mounted with a black and white print of Churchill after Max Nauta, mounted, framed, overall 43 x 32cm £200-£300

365. W.W.II Naval History: An Important Royal Naval telegraph message sent from HMS Dorsetshire reporting the sinking of the German battleship Bismarck on a printed Naval message slip filled in pencil by the operator: ‘MOST IMMEDIATE, TO: S.O. Force H. FROM DORSETSHIRE / ‘I TORPEDOED BISMARCK BOTH SIDES BEFORE SHE SANK STOP SHE HAD CEASED FIRING BUT HER COLOURS WERE STILL FLYING. =1107’, System 7/C. Receipt: 12-10, Operator CJY? dated 27/5/41, mounted, framed, 20 x 21.5cm, overall 31 x 32.5cm £400-£600

362. A 9ct gold Parker fountain pen with engine turned decoration, stamped 375, approx. 14cm in length £60-£100

363. A black and white photograph album of the construction of the Victoria Falls Bridge once belonging to engineer Georges Camille Imbault circa 1903, containing 24 black and white photographs mostly depicting the construction, some showing the falls and the locals, with pastel writing to the interior ‘Imbaut’s photos of Zambisi Bridge’, each photo approximately 11.5 x 9cm

George Imbault was Chief Site Construction Engineer for the Cleveland Bridge Engineering Company who was responsible for the construction of the Sambeisi or Victoria Falls Bridge. The current owners grandfather is believed to have worked as an engineer on the bridge £80-£120



371. Sir Walter Scott, The Waverley Novels Edinburgh, n.d c.1890, W.P. Nimo, Hay, & Mitchell, octavo, red half calf with red marbled boards, gilt tooled spine with raised bands, 13 vols £80-£120

372. The Letters of Marcus Tullius Cicero to several of his friends: with remarks by William Melmoth, in three volumes London, 1753, first edition, octavo, full contemporary calf with gilt tooled spine with five raised bands, pp.477 + 383 + 468 (3) £100-£150

Lots 373 to 382 are the former property of the international fencer Joyce Pearce MBE (1924-2011), who represented England and won a gold medal as part of the foil team at the 1966 British Empire and Commonwealth Games

373. A group of medals and a scrapbook relating to the career of the fencer Joyce Pearce MBE (1924-2011) the medals including bronze winners and participation medals issued by the Ladies Amateur Fencing Union from the 1950s, a bronze medal from the Amateur Fencing Association, an enamel pin-badge for the Ladies World Team Championship, 1956, issued by the AFA, two medals from French world championships in the 1960s, some in associated boxes, a string of rose shaped pendants from various world championships engraved with the dates 1961, 1963, 1965 and 1966 and ‘J. L. M. Pearce’, the scrapbook containing newspaper cuttings, competition programmes and brochures and other ephemera (qty) £100-£200

374. A group of modern Olympic related items comprising a bronze 1984 Los Angeles Olympics participation medal, a silver plated 2002 Mexico Olympics participation medal, a bronze medal issued by the Islamic Countries Women Sports Solidarity Council, an enamelled pin-badge for Seoul 1988, and two Olympic-issue ladies wristwatches (6), largest medal diameter 60mm £50-£100

366. Two Corgi Toy ‘Chipperfields’ sets to include a boxed Corgi Major Gift Set no. 23 ‘Chipperfields Circus’, die-cast models complete in box, and a boxed Corgi Toys Set 511 ‘Chipperfields Performing Poodles’, die-cast model in box with four white and two black poodles but missing plastic dome (2), Largest box measures approx 42cm in length £200-£300

367. A small collection of Corgi Toys to include a Corgi Toys Gift Set no. 31 ‘The Riviera’, a Buick Riviera with boat, trailer and water skier but missing boat driver, a Corgi Toys no. 266 ‘Chitty Chitty Bang Bang’, with all four passengers and car’s wings present but box missing film window, a Corgi Toys Gift Set no. 24 ‘Constructor Set’, complete apart from bench seat and an unboxed Corgi Toys ‘Walls Ice Cream Van’, missing both figures (4), largest box measures 25cm in length £80-£120

368. A small group of Dinky Toys and a Mamod Traction Engine the Dinky Toys to include a boxed no. 101 Thunderbirds 2 and 4, a boxed no. 425 Bedford TK Coal Lorry, incomplete with three coal sacks and scales missing, and an unboxed red telephone box, and a boxed Mamod T.E.1A live steam traction engine (4), largest box measures approx. 26cm in length £60-£100

369. HOUSMAN, Laurence. limited first editions from the library of Lytton Strachey Angels & Ministers, 1921, limited edition 467/500, signed by Lytton Strachey, Dethronements. 1922, limited edition 656/750 and Echo de Paris, 1923, limited edition 45/750, all 8vo Jonathan Cape, uncut, original cloth backed paper covered boards, all bearing the bookplate of Lytton Strachey together with LAWRENCE, D.H., Lady Chatterley’s Lover, The Authors Unabridged Popular Edition, 1929, 2nd Privately printed, 8vo, blue cloth (4) £100-£150

370. ‘Incidents of Air Raids on Great Britain 1914-1918’ An interesting album of newspaper cuttings documenting zeppelin and airplane raids during the First World War to include images of the destruction and personal accounts £80-£120

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379. A bronze 1996 Atlanta Olympic Games participation medal with an Olympic torch and legend ‘GAMES OF THE XXVI OLYMPIAD’, reverse quilted leaves and legend ‘CENTENNIAL OLYMPIC GAMES’, diameter approx. 60mm £80-£120

380. A bronze 1958 Cardiff British Empire and Commonwealth Games participation medal crown within a chain-link border, reverse a Welsh dragon with two leeks, comes in original fitted paper box stamped ‘L. R. Crouch, Cardiff’, diameter approx. 55mm, length of box approx 8cm £40-£60

381. A bronze 1966 Kingston British Empire and Commonwealth Games participation medal, crown within a chain-link border, reverse the arms of Kingston, Jamaica, in an associated red paper box, this particular Commonwealth Games being the one during which Joyce Pearce won a gold medal in the team foil, diameter approx. 55mm, length of box approx. 6.8cm £80-£120

382. A pewter 1908 London Olympic Games participation medal showing the winged figure of victory and a quadriga, stamped ‘VAUGHTON’ to the edge, diameter approx. 52mm £80-£120

375. A bronze 1908 London Olympic Games participation medal showing the winged figure of victory and a quadriga, stamped ‘BRONZE’ to the edge, diameter approx. 52mm £250-£350

376. A bronze 1928 Amsterdam Olympics Games participation medal with athletes on a podium holding a flaming torch above the Olympic flame, reverse with Nike over Marathon Tower and the shield of Amsterdam, diameter 56mm £100-£150

377. A bronze 1948 London Olympics Games participation medal with a view of the Palace of Westminster above ‘XIV OLYMPIAD LONDON 1948, reverse a quadriga, diameter approx. 52mm £80-£120

378. A bronze 1948 London Olympics Games participation medal with a view of the Palace of Westminster above ‘XIV OLYMPIAD LONDON 1948, reverse a quadriga, diameter approx. 52mm £80-£120

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384. A City of London / Guildhall medal and a selection of other medals first Obverse gilt central roundel with head of Queen Victoria surrounded by legend “Inaugurated Nov. 6 1869”, below which is the red and white enamelled crest of the City of London, 2 small roundels bearing views of Holborn Viaduct and Blackfriars Bridge left and right, crown above, the whole superimposed over sword and mace. Reverse engraved “Robert Besley Esq. Alderman Lord Mayor Elct”; together with a Reproduction WW1 Imperial German Pour Le Merite “Blue Max” neck badge on ribbon, various silver prize medals etc. (qty), various £80-£120

383. London Pitt Club. A gilt metal William Pitt Memorial Medal c.1806 set with a pâte de verre cameo bust of Pitt in the manner of Tassie within a motto NON SIBI SED PATRIAE VIXIT below a laurel wreath, the reverse inscribed Pitt Club and engraved John Day ESQr within a memorial inscription In Memory of the Rt. Honourable Wm Pitt Died 23 January 1806 aged 47, on a suspension loop, height 5cm including loop £80-£120

385. A mixed group of European medals including a W.W.I trio of 1914-15 Star, Great War & Victory Medals on one pin, another Great War & Victory medal, loose, a W.W.II Defence Medal, loose, a miniature quartet of 1914-15 Star, Great War, Victory and W.W.II Defence Medal, four early twentieth century medals for the University College Nottingham Officer Training Corps, two medals given to pupils of the School of Medicine, Charing Cross Hospital, 1868 and 1881, an 1892 Spanish medal commemorating 400th Columbus anniversary, a medal from the city of Lille in fitted box, an 1821 death & burial medal for Napoleon Bonaparte, a commemorative medal for Napoleon III, a 20th century French bronze medal commemorating Amadeus V, Count of Savoy (qty) £100-£150



391. A George V gold full sovereign dated 1913, diameter approx. 22mm, weight approx. 8.0g £240-£280

392. A George V gold half sovereign dated 1913, diameter approx. 20mm, weight approx. 4.0g £100-£150

393. Elizabeth II proof half sovereign, 1983 young head facing right / George slaying dragon, dated 1983 in a capsule and fitted case, weight approx. 3.9g £80-£120

394. Elizabeth II 2001 silver Maundy set £70-£90

395. A Rare Balham and Tooting Titanic Relief Fund aluminium medallion obv. profile of the ship within inscription ‘Balham and Tooting Relief Fund, Help Surpasseth Pity’, rev statistics about the ship within legend Presented to the Active Workers of the relief fund by the Heaver Estate, 223 Balham High road together with a lapel badge commemorating Mr Wallace Hartley the Heroic leader of the Titanic’s Band (2), first diameter 45mm £200-£300

386. A selection of Victorian and later silver coins mostly threepences, and other assorted coins, Pre 1920 weight approx. 5.41ozt, post 1920 weight approx. 10.28ozt £80-£120

387. Elizabeth II 1961 and 1965 silver Maundy sets in fitted cases (2) £80-£120

388. Victoria full sovereign, 1894 Sydney mm, old head left / George slaying the dragon, 1894, diameter 23mm, weight approx. 7.9g £240-£280

389. Edward VII half sovereign, 1909 bare head right / George slaying the dragon, dated 1909, weight approx. 3.9g £80-£120

390. An Edward VII gold full sovereign dated 1906, diameter approx. 22mm, weight approx. 8.1g £240-£280



400. A selection of 19th century Royal commemorative, coronation, jubilee, marriage and death medals to include George III Grand National Jubilee 1809, George IV beloved lamented death medal (drilled), William IV and Queen Adelaide bronze coronation medal by Wyon, 1831, various Victoria coronation medals, Prince of Wales 1863 marriage medal in a fitted Hunt & Roskell leather case, Prince Albert death medal by Ottley, Prince Albert National Memorial by Wyon, etc. (15), largest diameter 6.5cm £80-£120

401. Two Great Exhibition bronze prize medals, 1851 Royal Mint issue by Wyon, first conjoined busts of Queen Victoria and Prince Albert left, trident behind and dolphins below / Conjoined busts of Queen Victoria and Prince Albert left, trident behind and dolphins below, Industry seated receiving a wreath from Fame attended by Commerce. Edge named to “Major Boyd Interpreter to Juries’, Second Conjoined busts of Queen Victoria and Prince Albert left, trident behind and dolphins below / Britannia seated placing a wreath on the head of Industria, Africa, America, Asia and Europe standing behind. Edge named to “Warner & Sons. CLASS XXII. PRIZE MEDAL OF THE EXHIBITION.” (2), first diameter 6.4cm, second diameter 7.7cm £150-£250

402. A collection of mostly 19th century and later commemorative and prize medals together with tokens, coins and other items to include an Admiral Edward Vernon, Capture of Portobello, pinchbeck medal, 1739, William Pitt, The Younger (1759-1806), White Metal Medal, 1789, by T Wyon Sr, bust of Pitt right academy THE SUPPORTER OF THE CONSTITUTION, a white metal medal commemorating George III’s recovery of health, visit to St Pauls 1789, Anniversary of the Volunteer Movement medal /in a fitted case, a London Institution medal, an early Victorian The Court Gazette & Fashionable Guide 323 Strand New Years Gift white metal medal, a Royal Academy bronze medal dated 1855 in a fitted case, a Royal Hibernian Academy of Arts bronze prize medal dated 1867, an 1843 brass sovereign weight, a Mellin’s Food token dated 1878, an 1889 gilt copper souvenir Eiffel Tower ascension medal, Holborn Restaurant medal dated 1895, Victoria Regina In Defence medal, an 1884 Toronto Semi-Centennial medal, Wembley 1924 British Empire Exhibition souvenir enamel badge, a Victoria 1900 silver crown, small collection of Co-operative Society tokens etc. (qty), various £80-£120

396. A collection of 19th century commemorative medals and tokens relating to London bridges and the Thames Tunnels first Blackfriars Bridge and the Holborn Viaduct opened 1869 bronze medal by G G Adams for the Corporation of the City of London, crowned bust of Victoria left, rev. views of the bridge and viaduct, second London Bridge opened 1831, bronze medal by B Wyon, barehead bust of William IV right, rev. view of the bridge, issued by the Corporation of the City of London together with and 1831 London bridge token, four 1843 tokens relating to the opening of the Thames Tunnel (Brunel) and three others (Griffin) and 1843 Prince Albert silvered medal commemorating the SS The Great Britain (8), first diameter 76mm £100-£150

397. A collection of 19th century Exhibition medals to include The Great Industrial Exhibition of Ireland, 1853, Art Treasures of the United Kingdom at Manchester, 1857 ibid., Prince Albert oval medallion, The International Exhibition 1862 medal and medallion, The Exhibition Building 1862 token, The Dublin International Exhibition, 1865, Glasgow Industrial Exhibition 1865-66 bronze medal, Prince Arthur London Exhibition 1873 in a fitted case, South London Working Classes Industrial Exhibition 1865 in fitted case, Provincial Exhibition N.W.P 1867 etc. (12), first diameter 7.4cm £100-£150

398. A Victorian silver Maundy set dated 1880 in a fitted case with a young head portrait of Victoria, case embossed with gilt letters, length of case approx. 9.5cm £80-£120

399. A collection of 19th century Royal commemorative medals to include a bronze medal by Wyon. in Commemoration of the laying of the New Royal Exchange, 1842 by Prince Albert, together with a related token and medallion relating to the opening in 1844, a medal commemorating the Royal Visit to Aston Hall, 1858 in original card box, others relating to the visit of Louis Philippe 1844, the landing of Victoria and Albert in Jersey, 1846 etc. (14), largest diameter 6.5cm £80-£120



403. A selection of British and other coins and medals to include an Edward VII Silver Shilling, 1902, three Edward VII Halfpennies, from 1902, 1902, 1910, two Edward VII Farthings, 1905 & 1908, a square coin weight c.1600, four Maria Theresa Silver Thalers, dated 1780 but later restrikes, a Spanish Netherlands Silver Patagon, 1636, Antwerp mint, an Admiral Vernon Medal, 1739, a medal Commemorating Charles I marriage to Henrietta Maria, 1625 and a reproduction Charles I ‘Oxford Crown’ (15), first diameter 23mm £100-£150

404. A quantity of silver and other Ancient Greek Coins to include an Aegina Silver Stater, Struck c. 525-480 BC, a Lydia Silver Siglos, c. 450-330 BC, a Thrace, Mesembria Silver Diobol, 450-350 BC, a Sardinia AE Shekel (?), Sardinia, 3rd century BC, a Sicily, Syracuse, Hieron II AE26, 275-216 BC, two Ptolemy III Euergetes AE39., struck 245-222 BC, and a Brettian League AE27, 215-205 BC (8). Silver Stater diameter 18mm, Siglos diameter 17mm, Diobol diameter 10mm £200-£300

405. A selection of mostly silver Ancient Greek coins to include a Corinth Silver Stater, c. 375-300 BC, a Thessalian League Silver Double Victoriatus, 196-146 BC, a Pamphylia Silver Tetradrachm, 2nd century BC, a Tralleis Silver Cistophoric Tetradrachm, 2nd century BC, a Eukratides (Eucratides) I AE rectangular coin, 171-135 BC, and a Seleucid Kingdom, Alexander II Silver Drachm, 128-123 BC (6), first diameter 20mm £200-£300

406. A quantity of Roman Imperial coins to include a Hadrian AE Sestertius, Rome, Struck 126-127 AD, a Hadrian AE Sestertius, Rome, Struck 134-138 AD, a Hadrian AE33, Alexandria, Struck 117-138 AD, a Lucilla AE Sestertius, Rome, Struck 164-180 AD, a Commodus brass Sestertius, Rome, Struck 192 AD, a Diva Domitilla Senior AE Sestertius, Rome, Struck under Titus AD 80-81, a Julia Mamaea AE Sestertius, Rome, Struck 222-235 AD, and a Macrinus and Diadumenian AE27, Marcianopolis, Struck 217-218 AD (8), first diameter 33mm £200-£300

407. A quantity of mostly Roman Republic coins to include a Safra, Silver Denarius, 150 BC, a Parthia, Mithradates I or II Silver Drachm, 171-91 BC, a Sicily, Sextus Pompey AE As, c 42-38 BC, a Sicily, Hieron II AE 27, 275-215 BC, an Indo-Scythian Azes II Silver Tetradrachm, c. 35 BC-5 AD, a Kavad I Silver Drachm, 486-498 AD, a Shapur II Silver Drachm, 309-379 AD, a Khusro II Silver Drachm, 590-628 AD, an L. Julius Bursio Silver Denarius, 85 BC, an L. Rubrius Dossenus Silver Denarius, 87 BC, an L. Aemilius Lepidus Paulus Silver Denarius, 62 BC, a Roman Republic AE Semis, 2nd century BC, a Kings of Numidia, Massinissa or Micipsa AE coin, 203-148 BC or 148-118 BC, and a Roman coin attributed to reign of Augustus, 27 BC-14 AD (14), first diameter 18mm £300-£400

406

405

404

403

407



408. A quantity of mostly 3rd and 4th century Roman Imperial coins to include a Trebonianus Gallus Billion Tetradrachm, Alexandria, Struck 251-253 AD,a Marius AE Antoninianus, Struck 269 AD, a Victorinus Silver Antoninianus, Cologne, Struck 269-271 AD, a Gallienus AE Antoninianus, Rome, Struck 260-268 AD, a Diocletian AE Follis, Treveri (Trier), Struck 303-305 AD, a Diocletian AE Follis, Antioch, Struck 294-305 AD, a Diocletian AE Follis, Heraclea, Struck 294-305 AD, a Carausius AE Antoninianus, London, 286-293 AD, a Maximian AE Follis, Cyzicus, Struck 295-299 AD, a Maximinus Daia AE2, Alexandria, Struck 312 AD, two Maxentius AE Folles, Ostia, Struck 309-312 AD, a Maxentius AE Follis, Rome, Struck 307-312 AD, two Licinius AE Folles Siscia, Struck 313-315 AD, two Licinius AE Folles, Thessalonica, Struck 312-313 AD, a Licinius AE1, Londinium, Struck 312-313 AD, a Constantine I AE3, Unknown mint, Struck 330-337 AD, a Magnentius Centenionalis AE2, Ambianum, Struck 350-353 AD, a Decentius Caesar Centenionalis AE2, Ambianum, Struck 350-353 AD, a Julian the Apostate AE1, Arelate, Struck 360-363 AD, a Julian the Apostate AE4, Sirmium, Struck 355-360 AD, a Constantius II Silver Siliqua, Struck 351-355 AD, a Valentinian II AE3, Constantinople, Struck 363-375 AD, a Theodosius I AE2, Thessalonica, Struck 379-395 AD, a Justin II, with Sophia AE Follis, Cyzicus, Struck 565-578 AD, a Constantine I AE3, Alexandria mint, 325-326 AD, and a Constantius II AE Centenionalis, Constantinople mint, 337-361 AD (29) £250-£350

409. Philip & Mary (1554-1558) Silver Shilling undated issue, PHILIP ET MARIA D G R ANG FR NEAP PR HISP profile busts facing each other, crown above / POSVIMVS DEVM ADIVTOREM NOSTRVM crowned quartered shield of arms, value either side of crown, diameter 32mm £500-£700

408

409 (rev.)409 (obv.)



411. A selection of 16th and 17th century British coins to include a Charles II Silver Shilling, hammered issue, 1660-62, a Charles II Silver Groat, 1680, a William & Mary Irish Halfpenny, 1693, a William & Mary Halfpenny, 1694, a William & Mary Halfpenny 1694, a William & Mary Halfpenny, 1694, a William III Silver Sixpence 1697, Norwich mint mark, a William III Silver Shilling, 1697, recovered from the wreck of the ‘Association’, coin housed in a metal ring inscribed around the edge ‘A treasure from Association 1707’, a William III Silver Shilling, 1697, a George I ‘Dump’ Issue Halfpenny, 1717, a George I ‘Dump’ Issue Halfpenny, 1717, a George I Farthing, 1722, and a George I Farthing, 1719 (13), first diameter 31mm

410. Two Elizabeth I (1558-1603) silver coins The first a silver shilling second issue 1560-1, mint mark cross cosslet, ELIZABETH D G ANG FR ET HIB REGINA. Crowned bust 3A left / POSVI DEV ADIVTOREM MEV. Square topped shield over long cross fourchee, second a silver sixpence, mint mark Latin Cross, ELIZABETH D G ANG FRA ET HIB REGINA, Ornate crowned bust facing left. Rose behind head / POSVI DEVM · AD IVTORE M · MEVM, Square Shield of Arms of England and France on long cross pattée dividing the inscription dated 1580 above shield (2) £100-£150

410 (obv.) 410 (rev.)

Auction of Antiques & Collectables

Wednesday 28 July 2021

From a local private collection including:

Silver, Jewellery and Decorative Works of Art

Invitation to consign by end of June

T E R M S & C O N D I T I O N S

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are requiredCONDITIONS OF BUSINESS

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

BUYER’S PREMIUM AND VAT

A buyer’s premium of 24% is applicable to all the lots in this sale.

The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium

Lots marked with a will be exempt from VAT

PRE-SALE EXHIBITION

All auctions are on public view the day before the sale and on the morning of the sale

CONDITION REPORTS

All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

BIDDING IN PERSON

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

ABSENTEE & TELEPHONE BIDDING

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business

PAYMENT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

DEBIT CARD

We are pleased to accept Debit Cards

STERLING BANKER’S DRAFT OR BUILDING SOCIETY CHEQUE

We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society

STERLING CHEQUE OR CASH

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.

Cash payments will not be accepted above the amount of £6,000

ELECTRONIC AND WIRE TRANSFERS

Wire transfers can be made directly to our bank:

National Westminster Bank plc

33 High Street

West Wickham

Kent

BR4 0WH

Sort Code: 60-23-22

Account Number: 79995810

Account Name: Catherine Southon Auctioneers & Valuers Ltd

IBAN: GB47 NWBK 6023 2279 9958 10Swift Code: NWBKGB2L BIC: NWBK GB 2L

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

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DEFINITIONS“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)

“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number

“Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts

“Buyer’s Premium” is the commission The Company charges Buyers of Property

“Hammer Price” is the highest bid for the Property accepted by the auctioneer

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES(a) The Seller warrants to The Company and the Buyer that:-

(i) the Seller is the owner of the Property or is properly authorised to sell it;

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

2. SALE PREPARATION(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties

(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces

(e) The Company will charge a Buyer’s Premium on the sale of the Property at The

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it

(f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),

(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.

(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),

(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses

(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(i) risk passes to the Buyer; or

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale

(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:

(i) the Hammer Price of the Property, if sold;

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

less Seller’s Commission and Expenses

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VATIf any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

CONDITIONS OF BUSINESS FOR SELLERS

The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.

Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.

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7. POST AUCTION SALES If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

8. PAYMENT OF NET SALE PROCEEDS(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.

(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-

(i) be reconsigned for sale; or

(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.

(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

(i) transfer the Property to independent storage at the Seller’s expense; or

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

re-sale plus all relevant Expenses

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

10. RESCISSION OF SALESThe Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.

(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),

12. MISCELLANEOUS (a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS

1. INTRODUCTION(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(i) these Conditions of Business for Buyers;

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;

(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement

(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers;

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

“Seller” is the person offering a lot for sale, including their agent, or executors;

“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;

“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 24% (inc VAT);

“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;

“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;

“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

3. EXAMINATION OF LOTS (a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit

(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot

(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses

(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

con t i nued ove r page

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5. BIDDING AT AUCTION(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)

(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form

(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONSTHE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

7. CONDUCT OF THE AUCTION(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer

(d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)

(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above

(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)

(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.

(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENTWithout prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;

(b) cancel the sale of the lot;

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;

(d) reject future bids from the Buyer;

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original

Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;

(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;

(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

11. DATA PROTECTION(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law

(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

12. MISCELLANEOUS(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY

(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives

(c) The materials listed in Condition 1(a) set out the entire agreement between the parties

(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTIST’S RESALE RIGHTSFrom 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.

It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email [email protected].


80

Chislehurst Business Centre 1 Bromley Lane

Chislehurst Kent BR7 6LH

Tel: 0208 468 1010 07808 737 694

www.catherinesouthon.co.uk

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