an existential ethics for a postmodern age
TRANSCRIPT
國立臺灣大學外國語文學系
碩士論文
Department of Foreign Languages and Literatures
College of Liberal Arts
National Taiwan University
Master’s Thesis
後現代時代的存在主義倫理學
An Existential Ethics for a Postmodern Age
許景順
Chingshun J. Sheu
指導教授:唐格理 博士
Adviser: Kirill Thompson, Ph.D.
中華民國 104年 3月
March 2015
2
Acknowledgements and Dedication
I would first of all like to thank Professor Kirill Thompson for his wise guidance
and unwavering support. His continual engagement with, and constant injection of
new thinking into, this work has been invaluable to its completion, and to my personal
and academic growth.
The deepest gratitude also to Professor Joyce Liu, of National Chiao-tung
University, and Professor Chris Hein for their incisive and insightful questions. I
could not have asked for more intelligent or supportive oral examiners. I also
benefited deeply from Professor Liu’s study group on Alain Badiou and its after-
session discussions.
Heartfelt appreciation is owed Professor Hung-chung Li for taking time to
discuss my project with me and for pointing out its overall direction when I myself
was still unsure. Thank you to Professor Duncan Chesney for providing helpful
comments at the proposal stage, and for introducing me to existentialism in my
undergraduate days. Thank you to Professor Li-chun Hsiao for directing me to the
work of Alain Badiou and thus enabling the provenance of this study.
There are innumerable contributors to the completion of this study whom I have
neither the mental capacity nor the discernment to adequately name; for this, my
utmost gratitude is accompanied by a humble apology. The contributors are many,
but the shortcomings are my responsibility alone.
Finally, I would like to thank my mother, without whom this project would have
never come into existence—nor I. This thesis is dedicated to her.
3
Abstract
The ethical turn in postmodern thought has made ever more pressing the
question, How is one to live one’s life? In this thesis, I propose an answer based on
Jean-Paul Sartre’s existentialism, extended upon by the work of Alain Badiou.
Chapter One introduces an existential understanding of ethics and meaning,
presenting concepts such as the ethical chain, the economy of meaning, and bad faith,
that lead us to a perspectivist non-binding normative ethics that is compatible with the
three poststructuralist tenets of performativity, contextualization, and the amelioration
of difference.
Chapter Two addresses the validity today of Sartrean existentialism—including
not only Being and Nothingness but also the Notebooks for an Ethics, the two
volumes of the Critique of Dialectical Reason, and the Hope Now interviews with
Benny Lévy—via a series of Refutations to charges that it is outdated; that it is
irrational; that it is not universal and therefore not a philosophy; that it is nihilist; that
it absolutizes freedom and is therefore relativist; that it is humanist; that it is
metaphysical, or ontotheological; and that it is incompatible with the poststructuralist
belief in the decentering of the center. I establish that Sartrean existentialism
withstands these criticisms.
Chapter Three brings in the work of Alain Badiou to elaborate upon Sartre’s
rather vague notion of an Apocalypse, which Badiou calls an event. I provide
biographical and intellectual links between the work of Sartre and that of Badiou,
before detailing how Badiou extends and enhances the Sartrean framework in his
development of the structure of an event.
4
Chapter Four employs the Sartrean-Badiouian existentialist framework in a
reading of John Williams’s novel, Stoner, whose protagonist seems ordinary and
unsuccessful, but who is shown with the aid of my reading to lead a life full of
meaning. This reading also brings in details of Badiou’s four truth procedures and
thus makes concrete his often abstract thought.
Chapter Five concludes with a summary of the previous four chapters, followed
by a direct comparison of Sartre’s and Badiou’s thought. I then engage with two other
leading postmodern ethical theories, Richard Rorty’s liberal ironism and Emmanuel
Levinas and Jacques Derrida’s ethics of the Other, to show how Sartrean-Badiouian
existentialism offers the more comprehensive ethical framework.
Keywords: ethics, ethical chain, economy of meaning, existentialism,
poststructuralism, Jean-Paul Sartre, Alain Badiou, Stoner
5
Table of Contents
Acknowledgements and Dedication 2
Abstract 3
Contents 5
I. Introduction: Background and Outline 6
II. Jean-Paul Sartre’s Existentialism: Refutations 17
1. Existentialism is passé 19
2. Existentialism is a form of irrationality 20
3. Existentialism is not universal and therefore not a philosophy 21
4. Existentialism is a form of nihilism 26
5. Existentialism absolutizes freedom and is therefore a form of relativism 32
6. Existentialism is a form of humanism 36
7. Existentialism is a form of metaphysics or ontotheology 43
8. Existentialism maintains a fixed and stable center 45
III. Alain Badiou’s Existentialism: Structural Addenda 48
IV. A Meaningful Life: Reading John Williams’s Stoner 63
V. Conclusion: Summary and Response to Criticism 82
Works Cited 92
6
Chapter One1
Introduction: Background and Outline
Western ethics has traditionally begun with Socrates’ concern, reported by Plato
and rendered by R.E. Allen, as to “whether the just also live better than the unjust and
are more happy” (Republic 34/352d);2 Socrates pursues: “For the argument is not
about something adventitious, but about the way one ought to live.” Socrates
intimates the seriousness of the answer in his Apology, when he says that “the
unexamined life is not for man worth living” (100/38a). But aside from this
prerequisite, what makes a life worth living? What makes a life meaningful? As Jean-
Paul Sartre would agree (Anderson 75), ethics is the inquiry into what a meaningful
life is. If we understand meaning as that which provides (some form of) justification,
then another way to think this question is in the formulation by Hazel E. Barnes:
Ethics is “the need to justify one’s life” (9), or have it justified to oneself. Where
might this justification come from? What is it that gives life meaning? In our
postmodern era, with its Nietzschean cry of the “death of God”3 and fragmentation of
grand narratives,4 the source can only be humans ourselves: “[T]here are only men
and real relations between men” (Sartre, Search 76).
The most direct and intuitive way to attain meaning is for one to grant it to
oneself. Notwithstanding that Friedrich Nietzsche had already pointed out the
1 The following abbreviations will be used for texts that frequently appear in parenthetical citation:
Jean-Paul Sartre’s Being and Nothingness (BN), Notebooks for an Ethics (NE), Critique of Dialectical
Reason, 2 vols. (CDR I, II), and Hope Now with Benny Lévy (HN); Alain Badiou’s Being and Event
(BE), Logics of Worlds (LW), and Philosophy and the Event (PE); and John Williams’s Stoner (S). 2 The number-letter combination refers to standard Stephanus pagination for Plato. 3 See Friedrich Nietzsche’s Thus Spoke Zarathustra, I.66-67 (esp. p373). 4 See Jean-François Lyotard’s The Postmodern Condition, 37-41. Although it is common to see the
assertion that grand narratives had once been legitimate (for instance, see William Barrett’s Irrational
Man, 24-25), it would be more logical to side with Bernard Williams in saying that the difference
between the belief in grand narratives in the present and in the past is not a difference in kind but
merely in degree (163).
7
illogicality of this endeavor,5 Sartre attempts to let being justify itself by
differentiating between two aspects of being that are in fact one. Being-in-itself, what
we might call the being part of being, is completely full, inert, and indiscernible:
“Being is equally beyond negation as beyond affirmation. . . . [It] is not a connection
with itself. It is itself. It is an immanence which can not [sic] realize itself, an
affirmation which can not affirm itself, an activity which can not act, because it is
glued to itself” (27).6 Its counterpart is being-for-itself, which we might call the
becoming part of being; the for-itself is nothing but relation—it is literally nothing
(472). Thus, the for-itself is “as if”7 derived from the in-itself in order to found the
latter (789-90), since “[b]eing can not be causa sui . . . . Being is itself. This means
that it is neither passivity nor activity” (27). This attempt to give meaning to oneself is
what Sartre calls “the project of being God” (724), and it is doomed to failure when
actively pursued (HN 56), for it falls into bad faith, which is the denial of either our
being-in-itself (full being, or facticity) or our being-for-itself (empty becoming, or
transcendence) in favor of the other aspect (BN 98). Thus, “being which I am” is bad
faith for denying the being that I am not, and “being what I am not” is bad faith for
denying the being that I am (111). Sartre believes in Being and Nothingness that the
two sides “are [in] and ought to be capable of a valid coordination” (98), but he
postpones its elucidation to the indefinite future; in Notebooks for an Ethics, however,
he seems to reach the conclusion that this coordination can only be achieved by not
actively pursuing it. Instead, we should forgo all statements that employ the
existential verb “to be”: “the only meaningful project is that of doing (not that of
being)” (475).8 This reverses the analysis provided in Being and Nothingness, where
5 See Beyond Good and Evil, section 21 (p28). 6 Excluding ellipses, all cited texts are quoted as-is unless otherwise noted. 7 The exact provenance of the for-itself is left up to metaphysics, and Sartre says nothing more on the
topic (788; NE 11). 8 This we might say is the performative aspect of Sartre’s thought, an anti-essentialism or anti-
8
Sartre says that “the desire to do is here reduced to a certain desire to be” God (742).
But the pursuit of becoming an ens causa sui, to be justified, is an exercise in bad
faith. It seems we can only escape it by choosing to be ethical,9 for “the ethical
modality implies,” Sartre says, “that we stop wanting to have being as a goal, we no
longer want to be God, we no longer want to be ens causa sui” (HN 59). We must
“reject” the God project (Anderson 53-54).
If meaning can only come from humans, and we cannot bestow it upon
ourselves,10 then it follows that meaning must come from others. But we cannot
simply bestow meaning on someone for being who she11 is, for that would be valuing
her in-itself over her for-itself and once again falling into bad faith. The answer is to
“tak[e] the other person’s undertaking as an end”12 (NE 49), so that an economy of
meaning arises that passes through the world (of human work): “The work being the
particularity of the person and his image as given back by the world, it is in treating
my work as inhabited by a concrete freedom that you treat my Me as freedom.
Whereas if you turn directly toward this Me, it evaporates into abstract freedom”
(141).
This focus on the economy of meaning is in direct contrast to the current
commonly held view of a binding normative ethics, which revolves around the idea of
obligation (Bernard Williams 174). However, the project of a binding normative
ethics faces a daunting logical impasse. To effect a prescribed action from a certain
foundationalism that Fredric Jameson sees as the precursor of the turn against metaphysics in
poststructuralism (12-13), the so-called “death of the subject.” See below. 9 The idea of a subjective choice appears in Alain Badiou’s thought under the guise of a decision to be
faithful to an event—or not to. See Chapter Three. 10 This is to say that even when we ourselves find something to be meaningful, the ultimate source of
that meaning lies outside ourselves. 11 For the traditional impersonal masculine pronoun I substitute “one” in abstract contexts and the
feminine pronoun in concrete ones. 12 My emphasis.
9
state of affairs, one must traverse three aporiae in what I will call the ethical chain:13
that between the descriptive and the evaluative, which is known as the fact-value
distinction and is addressed by perspectivism;14 that between the evaluative and the
prescriptive, which is David Hume’s is-ought fallacy, or G.E. Moore’s naturalistic
fallacy;15 and that between the prescriptive and actual action, which is the ancient
question of akrasia. None of the former stages logically entails the latter.
Is it possible to arrive at a normative ethics that is not binding? Sartre addresses
the above impasses by traversing the ethical chain in reverse, for even though the
former terms do not entail the latter ones, the latter presuppose the former. When
there is an action in the world, the doing of that action implies that the actor thought
she ought to do it, which implies that she was (perhaps non-thetically) aware that
there is a good to be obtained by that action, which implies a certain perspective of
viewing the situation in order to derive such a good. And the ethical chain will always
be invoked, even for inaction, because as Sartre says, “Not to choose is, in fact, to
choose not to choose” (BN 619). For Sartre, there is no “gap between decision and
action” (Bell 114). The idea that value comes from action, then, is the meaning behind
his statements that “existence precedes and conditions essence” and that we are
“condemned to be free” (BN 567). “Whatever we do, then, we give rise to a morality,
like it or not” (Stone et al., “Dialectical” 204).
An objection immediately comes to mind: What of actions that go against or are
13 For a detailed discussion of the three aporiae, see Bernard Williams’s Ethics and the Limits of
Philosophy, 122-27, 130. 14 For an understanding of perspectivism, see Iris Murdoch’s “Vision and Choice in Morality” and
Cristoph Cox’s Nietzsche: Naturalism and Interpretation. For an example of perspectivism in Sartre,
see Being and Nothingness, 39 and 621; for Sartre’s perspectivist view of ethics, see his discussion of
moralities in his 1964 Rome lecture, as presented in Robert Stone and Elizabeth Bowman’s “Dialectical
Ethics: A First Look at Sartre’s Unpublished 1964 Rome Lecture Notes,” 205-06; for an excoriation of
the denial of perspectivism, a denial that Sartre calls the “spirit of seriousness,” see Being and
Nothingness, 796 and Chapter Two, Refutation 3 of this study. 15 For more on Moore’s naturalistic fallacy, see Murdoch’s “Metaphysics and Ethics.”
10
indifferent to ethical values?16 The answer is that, according to the ethical chain,
every action has meaning for its actor; so if ethics is the pursuit of meaning, then
every action is ethical. Barnes offers the illuminating example of Dostoevsky’s
Underground Man, who “asserts that he prizes his freedom not to be ethical. He does
not have to justify himself, he is not obliged to choose happiness or any other self-
evident good. He chooses his independence of all regulating value systems. . . [This]
is to identify oneself solely with the subjective” (19). The good perceived in going
against ethical values, according to Barnes, is in purely manifesting one’s being-for-
itself, the part of oneself that strives for meaning and that makes us human (BN 59).
This is the logic behind what Sartre calls the game of “loser wins,” in which a “defeat,
which has been prepared for, meditated, carried to an extreme, will change . . . into
the finest of [subjective] victories” (Saint 68).17 And pushing this logic to its ultimate
end results in suicide, which elevates the for-itself at the expense of the in-itself (Gary
Cox 167n2). At the other extreme, the for-itself cannot be denied; this leads to the
founding fallacy of the concept of a binding normative ethics: “The perfectly
coherent, rigidly observed code of ethics may well be maintained at the cost of
foregoing all spontaneity. To be perfectly what one has chosen to be will inevitably
exclude much that is precious in what he might otherwise have been” (Barnes 21-22).
Humans are not machines, and there will always be different perspectives, different
values, and different opinions on what to do in a given situation. Denying this
freedom not only denies humanity, but also denies the possibility of change.18 Thus, a
16 This section is also a response to Thomas Anderson’s critique of Linda Bell’s interpretation of the
idea that “one who wills the end wills the means”; in brief, Anderson fails to see how akrasia does not
exist for Sartre. See Anderson’s Sartre’s Two Ethics, 62-63. 17 For more on the concept of loser wins, see Jeremy N.J. Palmer’s “Les Séquestrés d’Altona: Sartre’s
Black Tragedy.” Curiously, Linda A. Bell seems to confuse “loser wins” with “winning through failure”
(96-103): The latter is persevering in the face of certain failure and ultimately changing the situation to
achieve situational success; the former is construing situationally losing as subjectively winning. 18 Alain Badiou tentatively agrees; see the discussion of his Ethics in Chapter Three.
11
truly existential ethics has the one binding norm that it cannot make its norms
binding.
But if every action is ethical, then are there still norms? The above discussion of
bad faith and the God project makes clear that the meaning one perceives (or
presupposes) will not redound to one’s own justification if it is purely subjective. We
must ultimately concede that it is possible for a solitary individual to remain outside
the economy of meaning and not receive any justification whatsoever (Bernard
Williams 28). On the other hand, this position is delimited to one of pure indifference,
for if this individual were to act against those within the economy of meaning, this
interaction would presuppose the existence of meaning in those outside herself (if
there were none, she would not engage them), and she would reenter the economy of
meaning.19 “[N]o existence can be validly fulfilled if it is limited to itself” (Beauvoir
67)—the purely subjective position, as Barnes notes, is unsustainable (24-25). Or as
Sartre puts it, “this will, which is bent on denying the evidence and on rejecting being,
burns alone in defiance of all, infinitely alone, and feeds on itself” (Saint 68).
So we see that the ethical norm for meaning is that it not be solipsistic; but what
power does this norm have over and above immediate and proximal meaning? In
other words: How extensive is this economy of meaning? Simone de Beauvoir is
correct in saying that “the interests at stake do not allow themselves to be put into an
equation; the suffering of one man, that of a million men, are incommensurable with
the conquests realized by millions of others, present death is incommensurable with
the life to come” (148). And yet, even putting aside cold calculation, there is still
reason for us to want to expand the economy of meaning as far and widely as
19 Similarly, Bernard Williams maintains that any interaction between people “must involve some
minimal trace of an ethical consciousness” (28). Even Jürgen Habermas says that we are all implicated
in “the [non-discursive] communicative practice of everyday life” (100) and thus minimally ethical.
12
possible. The notion that we need expand it just far enough to give our lives
immediate justification presupposes that our lives are static; whereas the truth is that
we move around, we enter into new situations, we meet new people, so that even if a
certain person or place in the world currently has nothing to do with us, it is still in
our interest to extend the economy of meaning to include that person or place—even
more so with the fast-paced globalization of postmodernism—and the interest is
mutual. Thus, even though meaning cannot be quantified or commensurably
compared,20 there is still reason for agreeing with Alain Badiou when he says that “il
n’y a nul point d’arrêt”—there is no halting point (Peut-on 114).
We have so far been discussing existential ethics; what of the postmodern age? It
must first be noted that, as Badiou points out, the current globalized capitalist social
order is the same as that which Karl Marx was critiquing in the 19th century, differing
only in degree (Rebirth 11-15) or speed (Philip Wood 62). Perhaps what makes
postmodernity its own era21 is the appearance of poststructuralism as a philosophical
reaction to Western capitalist excesses.22 This movement works to decenter the
structural foundations of thought that have led to systemic violence and destruction;
Philip R. Wood summarizes the problem well:
A being that sees itself faced by objects that are either representations of its own
will to power or, alternately, something not merely distinct from, but something
20 The belief that it can constitutes the main logical fallacy of utilitarian ethics; see Friedrich
Nietzsche’s Beyond Good and Evil, section 228 (p157); Simone de Beauvoir’s Ethics of Ambiguity,
112; and Bernard Williams’s Ethics and the Limits of Philosophy, 87-91. 21 The question of whether postmodernity is in fact a new era is outside the scope of this study; suffice
it to say that it is possible for a difference in degree to grow great enough to qualify as a difference in
kind. 22 I recognize that what exactly constitutes postmodernism and/or postmodernity is and has been the
subject of intense debate, into which this study will not wade; here I will merely invoke Jean-François
Lyotard’s understanding of the postmodern as a reaction to the modern that came borne within it in a
nascent state: “In an amazing acceleration, the generations precipitate themselves” (79). Thus, I treat
poststructuralism as not a philosophy but a philosophical reaction.
13
separate from itself, a being that posits itself, in the final analysis, as sub-iectum
(whether as God, Absolute Spirit, or the modern subject of humanism) can
exercise only violence. (“‘Democracy’” 102)
To rephrase this passage in line with our discussion above: Whoever seeks to be an
ens causa sui puts oneself at the center of the structure of thought and relegates every
other being, via objectification and alienation, to its margins, thus necessarily
preventing their own respective attainments of meaning. The one ambiguous term in
the above quotation is the “modern subject of humanism”; we will see in Chapter Two
how equating the humanist subject with the ens causa sui is a heavy-handed
assumption that is ultimately false (or unavoidable, in which case theoretically
militating against it would get us nowhere).
To address this structural problem of the center and its margins, poststructuralists
make use of what I see as three key concepts: performativity, contextualization, and
the amelioration of difference.23 Here, I will sketch out these concepts and briefly
note how existentialism shares in the same principles.
The idea of performativity comes from the kind of utterance called the
performative, first prominently discussed by J.L. Austin in his “Performative
Utterances”; a performative, he says, is an utterance that does something rather than
just reporting it (1290-91). Performativity, then, can be seen as a paradigm shift from
static being to dynamic becoming, either in identity (Judith Butler), linguistic
signification (Jacques Derrida), or justificatory meaning (Sartre, in his
23 The entry on poststructuralism in M.H. Abrams’s Glossary of Literary Terms notes six “[s]alient
features or themes”: (1) the “primacy of theory” as “an account of the general conditions of
signification,” (2) the “decentering of the subject,” (3) “[r]eading, texts, and writing,” (4) the “concept
of discourse” and “discursive formations,” (5) “a hermeneutics of suspicion” regarding what texts
actually mean, and (6) “evaluative relativism” (247-51). It can be shown that these six can be classified
according to my three key concepts, or that both result in the desired decentering of the center.
14
aforementioned emphasis on doing over being; see also note 8). If the base upon
which thought is built is construed as performative, it renders the fixed structural
center fluid and shifting, thus contributing to its decentering.
Contextualization derives from Nietzsche’s genealogical method and made an
influential philosophical appearance with Derrida’s proclamation that “il n’y a pas de
hors-texte,” which he later glossed as “there is nothing outside context” (“Afterword”
136). The deployment of this idea in his early work (notably Of Grammatology in
1967) is particularly masterful, as is its key use in Michel Foucault’s early work (such
as in the discursive analysis made use of in Discipline and Punish). Contextualization
brings with it the structural insight that, just as the center creates its margins, it is
precisely because of these margins that the center is the center—the two are
interdependent. Sartre’s oeuvre demonstrates precisely this interdependence, moving
from the radical freedom of Being and Nothingness24 to the radical situatedness of the
Critique, with the Notebooks acting as a theoretical bridge that maintains the
consistency of the whole.
This leads us to the third concept, the amelioration of difference. By ameliorating
difference, one can problematize the differentiation of center and margin, opening up
new possibilities of restructuring, destabilizing the structure, or abolishing it
altogether.25 Taking inspiration from Nietzsche26 and the linguistic insights of
Ferdinand de Saussure, Derrida posits the concept of differance, which, if it were a
concept proper, “would be said to designate a constitutive, productive, and originary
causality, the process of scission and division which would produce or constitute
24 Yet even in this work, the longest single chapter is on the situation; see Chapter Two, Refutation 5,
as well as Terry Keefe’s “The Other in Sartre’s Early Concept of ‘Situation.’” 25 These are merely logical possibilities, not all of which are equally attainable or desirable; but a
poststructuralist would probably say that none would be worse than the current structure. 26 See Beyond Good and Evil, sections 192 (p104-05) and 268 (p216-17).
15
different things or differences” (“Différance” 9); but precisely because it is what
produces differences and concepts, the logic that enables the concept to exist qua
concept, it cannot itself be a concept.27 The fact that every positively existing concept
that can be differentiated from every other necessarily partakes of differance makes
this “difference of difference” ubiquitous and therefore antecedent. Gilles Deleuze
does something similar when he posits the philosophical concept of the “dark
precursor,” the “differently different” that “relates different to different”—what makes
possible his “disjunctive synthesis” (146). In other words, Deleuze construes
difference as having a connecting function of identity analogous to that of sameness,
thereby ameliorating difference. As for Sartre, in looking back on his own early work,
he says that the true formulation of consciousness is a “relationship of each to each,
which precede[s] the creation of a closed whole or even prevent[s] the ‘wholes’ from
ever being closed” (HN 71); here too difference is seen as ubiquitous and
antecedent.28
The above constitutes a preliminary delineation of the possibility of this project:
to consider the unity of the work of Sartre and Badiou and the bearing of this thought
on ethics in our postmodern age. The rest of this study progresses as follows: Chapter
Two acknowledges that existentialism is not currently in vogue, and addresses
theoretical criticisms leveled against it via a series of Refutations. Complete refutation
of the last few criticisms necessitates introducing Badiou’s thought and delineating its
theoretical links, over and above biographical ones, to Sartre’s, and this is the topic of
Chapter Three. The subsequent chapter demonstrates the analytical power of this
Sartrean-Badiouian existentialism as an ethical theory by employing its concepts in a
27 See also the entry for “differance” in Niall Lucy’s A Derrida Dictionary, 25-27. 28 For a consideration of the similarities between Derrida’s differance and Sartre’s nothingness, see
Josh Toth’s “A Différance of Nothing: Sartre, Derrida and the Problem of Negative Theology.”
16
reading of John Williams’s Stoner, a novel of the life of a professor of English
literature in the United States of the late-19th to mid-20th centuries; the choice of this
novel is particularly apt for giving flesh to an abstract philosophical system given that,
from an external or factual perspective, Stoner’s life would seem to be what Badiou
calls an “atonic world,” and yet there is an abundance of affirmation and meaning
flowing through the novel open to illumination by theoretical analysis. Finally, the
concluding chapter summarizes the thesis, responds to a number of possible
criticisms, and juxtaposes my results with some other prominent ethical theories in the
vein of Continental philosophy.
17
Chapter Two
Jean-Paul Sartre’s Existentialism: Refutations
It cannot be denied that existentialism is long past its heyday. The rise of
structuralism in the sixties and Sartre’s apparent support of Stalin despite the latter’s
atrocities29 (Sartre later recanted)30 certainly did nothing to ameliorate the waning
influence of existentialism. But was it merely a fading away, or was existentialism
rendered philosophically obsolete? In this chapter, I will address key criticisms of
existentialism in the form of a series of Refutations to see what parts of the Sartrean
edifice still stand. Sartre himself had already engaged his critics early on in his widely
influential lecture, “Existentialism and Humanism”;31 however, I will not be quoting
from this text, given how it is an unrefined popular lecture that Sartre later regretted
publishing (Braddock 103).32 Instead, I will rely on the more canonical philosophical
texts, from Being and Nothingness, the Notebooks, the two volumes of the Critique, to
the late-in-life interviews, Hope Now. This begs the question of continuity. The link
between Being and Nothingness and the Critique is provided in the posthumously
published Notebooks; but even for scholars working before the publication of the
Notebooks, it should be evident that the jump from Being and Nothingness to the
Critique is, for the most part, a matter of translation of terms: Fredric Jameson sees
this switch of terms, and concomitant extension of concepts, as an effort to engage
with the problem of being-with-others (“Sartre’s Critique, Volume 1” 225-26).33 We
29 See Ronald Aronson’s “Celebrating the Critique’s Fiftieth Anniversary,” 9-10, for Sartre’s analysis
of Stalin’s inevitable rise and Sartre’s desire to see this “deviation” corrected; see also Sartre’s
conditional justification of terror in Thomas C. Anderson’s Sartre’s Two Ethics, 127-28. 30 “At certain moments I persuaded myself that the Party’s pseudo-ideas must contain some truths and
have a solid base and that what seemed stupid was only on the surface. . . . I think that was a mistake”
(HN 64). 31 Also known as “Existentialism Is a Humanism,” or simply “Existentialism.” 32 But for a considered appraisal of this work, see Glenn Braddock’s “Sartre on Atheism, Freedom, and
Morality in The Humanism of Existentialism.” 33 For a correspondence of some of the terms, see Jameson’s “Introduction” to the second volume,
18
are then left with the conundrum of Hope Now. While the reversal of previously held
positions and the serious consideration of radically new subject matter in these
interviews do give the appearance that the interlocutor, Benny Lévy, has hijacked the
conversation from a foggy-minded old man, the presence of Lévy and his new ideas
may have been welcomed by Sartre himself. In the second volume of the Critique,
Sartre writes that “being-other does not presuppose that there is a being-yourself
blocked from underneath. Being-yourself is precisely the recuperation of being-other.
It is the dialectical movement of comprehension” (451); and in Hope Now, he says
that intersubjectivity is “not a matter of two enclosed ‘wholes,’” but “a relationship of
each to each, which precede[s] the creation of the closed whole or even prevent[s] the
‘wholes’ from ever being closed” (71). Bear these quotes in mind when reading the
following long quotation said by Sartre to Lévy:
What our collaboration brings to me are plural thoughts that we have
formed together, which constantly yield me something new even though, a
priori, I agree with their whole content. I thought that whatever you could
say to modify one of my ideas . . . was essential . . . . [W]hat one sees in this
exchange is an old man who has taken a very intelligent guy to work with
him but who nevertheless remains the essential figure. But that isn’t what
happens between us. And it isn’t what I want. We’re . . . jointly working on
ethics, an ethics that will, furthermore, often be in contradiction with certain
ideas that I have had. That’s not [a] problem. (HN 74)
We see here a Sartre who is fully aware that Lévy is modifying his thought and deems
this to be “essential,” so much so that he accepts “a priori” whatever Lévy brings to
247-49. Relatedly, Steve Martinot believes, quite sensibly, that it is “a continuity enveloping a shift in
focus” (56); see his “The Site of Postmodernity in Sartre,” 56-58.
19
the table. And he does not find contradictions with his earlier positions to be a
“problem.” This is what he “want[s].” Sartre’s hedges against contradiction
notwithstanding, it is only by reading Hope Now that I myself could fully understand
Sartre’s thought as a whole. Since it is possible, we should take Sartre at his word here
and treat Hope Now as an integral part of his oeuvre.34
The criticisms that I will be addressing are as follows: that existentialism is
outdated; that it is irrational; that it is not universal and therefore not a philosophy;
that it is nihilist; that it absolutizes freedom and is therefore relativist; that it is
humanist; that it is metaphysical, or ontotheological; and that it is incompatible with
the poststructuralist belief in the decentering of the center. Some of these criticisms
have been briefly addressed in Chapter One; here I will bring the full weight of
textual evidence to give a detailed treatment. Finally, I concede up front that complete
refutation of the last point requires the theoretical resources of Alain Badiou’s work,
which I see as an extension and expansion of Sartre’s thought; that will be the main
subject of the following chapter.
1. Existentialism is passé
As mentioned above, there are various valid reasons to think that existentialism
in academia today has become a sort of cottage industry, centered on the North
American Sartre Association and its publication, Sartre Studies International. But just
because it lacks prominence does not mean it is uninfluential. In France, there still
34 For a detailed, intricate, and sympathetic account and analysis of the reception and canonicity of
Hope Now, see its introduction, written by Ronald Aronson; a briefer consideration of thematic
continuation can be found in Shlomit C. Schuster’s “Revisiting Hope Now with Benny Lévy.” Ronald
E. Santoni argues aggressively that Hope Now should be taken seriously in his “In Defense of Lévy and
Hope Now.” By the time of Peter Caws’s “The Curve of the Epoch,” there seemed to be a critical
consensus in favor of accepting Hope Now as a due part of the Sartrean oeuvre (24).
20
seems to be an undercurrent of thought related to Sartre;35 and a recent (2014) Oxford
call for papers sees clear signs of a revival:
In recent years . . . a flurry of publications on Sartre demonstrates a clear
revival of interest in his work. Large-scale events and celebrations further
evidence this renewed interest, e.g. the BNF exhibition on Sartre in 2005
and the ‘Nuit Sartre’ at the École Normale Supérieure, Paris, in June 2013.
(“Thinking”)
All the way back in 1984, Alfie Kohn was already writing about how existentialism
had not died, just gone underground: “[E]xistentialist thought has not so much blown
away as decomposed in order to fertilize various fields of thought” (381).36 So it
seems clear that a study of existentialism is not entirely anachronistic; the question
that remains is whether its influence extends far enough into the poststructuralism-
dominated zeitgeist of today to still be a subject of contemporary interest. The
remaining Refutations aim to demonstrate that it does and is.
2. Existentialism is a form of irrationality
This unfortunate moniker was perhaps aggravated by William Barrett’s
immensely popular introduction to existentialism, Irrational Man. But he calls it
irrational not because it is anti-reason, but because it is anti-positivism, as one can
readily perceive:
Positivist man is a curious creature who dwells in the tiny island of light
composed of what he finds scientifically “meaningful,” while the whole
surrounding area in which ordinary men live from day to day and have their
35 See Elizabeth A. Bowman’s “Thanks to BHL, France Rediscovers Her Hated Sartre,” 68. 36 See also 388-89.
21
dealings with other men is consigned to the outer darkness of the
“meaningless.” Positivism has simply accepted the fractured being of
modern man and erected a philosophy to intensify it. Existentialism,
whether successfully or not, has attempted instead to gather all the elements
of human reality into a total picture of man. (21)
The phenomenological basis of existential thought attempts to take into account every
facet of the subjective experience of existence. Further illumination is provided by
Barnes in her translator’s introduction to Being and Nothingness:
[Sartre] includes the irrational among [his] data and recognizes that man’s
irrational behavior is an important part of him. But the final appeal, the
standard of judgment, is reason. It is true that Sartre regards the universe as
being fundamentally without purpose and without any rational organization
save what man puts into it. But this is merely to assert that reason is human
in origin. (xlii-xliii)
In existentialist thought, we see concepts such as nothingness, angst (Heidegger),
absurdity (Camus), faith (Kierkegaard), event (Badiou), etc. that appear to be
irrational; but what these thinkers are doing is taking already existing phenomena and
subjecting them to rational philosophical analysis in an effort to reach a fuller
understanding of human existence. Therefore, contrary to this criticism, we might say
that existentialism is fundamentally rational.37
3. Existentialism is not universal and therefore not a philosophy
If by “universal” one means “to presume an objective reality that holds for all,”
37 For an analytical treatment of Sartre’s early phenomenology, see Gregory McCulloch’s Using
Sartre.
22
then the fact that existentialism is phenomenological itself already falls afoul of this
criticism. Sartre, for instance, introduces the term “transphenomenality of being” to
describe the fact that “the being of the phenomenon, although coextensive with the
phenomenon, can not be subject to the phenomenal condition—which is to exist only
in so far as it reveals itself—and that consequently it surpasses the knowledge which
we have of it and provides the basis for such knowledge” (BN 9); on the impossibility
of objectively grasping all phenomena, he notes, “The truly objectifying intentions are
empty intentions, those which aim beyond the present subjective appearance at the
infinite totality of the series of appearances” (22);38 and he says of the impossibility
of making purely objective judgments, “There is no absolute point of view which one
can adopt so as to compare different situations” (703). Sartre does not even allow for
a universal human essence, since “with man the relation of existence to essence is not
comparable to what it is for the things of the world. Human freedom precedes essence
in man and makes it possible; the essence of the human being is suspended in his
freedom” (60);39 hence, regarding human nature:
Character is a stable set of relations with the other person, with tools, and
with the world, under the pressure of freedoms external to oneself. If it is
stable it is because the pressure is constant and the institutions are stable.
Character is the product of an institutional and traditional society. Character,
that is, nature. (NE 6)
There are other ways to achieve universality. One of them is to posit a universal
human condition, that is, of being essentially inessential. This is manifested as a
repudiation of what Sartre calls the “spirit of seriousness,” which is a denial of
38 My emphasis. 39 My emphasis.
23
perspectivism. Whereas perspectivism says that there is no logical connection
between the physical existence of a thing and its value, the spirit of seriousness
“considers values as transcendent givens independent of human subjectivity, and it
transfers [a] quality . . . from the ontological structure of things to their simple
material constitution” (BN 796). Thus, concepts such as play (BN 742), game, risk,
challenge, contest, and festival (NE 374) all have to do with freedom and ethics.40
But how is it universal? The answer is that it is universal because it is posited as
universal. The Sartrean position of humans as the source of nothingness (and
therefore signification) in the world is still valid today, as seen in the light of the
Lacanian idea that only humans are able to enter into the Symbolic.41 Sartre fortifies
this notion with methodology borrowed from Henri Lefebvre, what he calls the
progressive-regressive method.42 Quoting from Robert V. Stone and Elizabeth A.
Bowman’s concise summary in their study of Sartre’s unpresented and unpublished
1965 Cornell lecture:
This method starts with what is lived immediately in order to grasp it
critically. Its first move is to ‘regressively’ uncover intelligible structures of
praxis and of human groupings which have been brought together in, and
condition, that lived present. One then proceeds to ‘progressively’ reunite
these same structures in the present in order to grasp their interplay within
40 I should note here that although Linda A. Bell is often seen as an advocate of play rather than
renunciation as a means of escape from the God project (see Anderson 179), her idea of play is to make
it “regulative” (126-27), to shift it from the foreground to the background, as it were. But this still
presupposes the ultimate goal of being God, and is thus not an escape at all. A more suitable conception
comes from Yiwei Zheng, who sees play as a reversal of priority, so that, even if we cannot entirely
eschew the God project, it is subordinated to the doing of the action itself; see Zheng’s Ontology and
Ethics in Sartre’s Early Philosophy, 111-15. My own argument takes into consideration Sartre’s
Critique and sees play as merely referring to the possibility of revaluation of a given situation. 41 Guillermine De Lacoste notes in “A Lacanian Elucidation of Sartre” that Lacan appropriated Sartre’s
ideas of the look and the correlation between desire and lack (40n16). For a look at Lacan’s use of
Sartrean concepts, see Joan Copjec’s Imagine There’s No Woman, chapter eight. 42 For its original formulation, see Sartre’s Search for a Method, 51-52n8.
24
living history. (“Sartre’s” 57)
This method was formulated for the Critique, which deals with groups and in which
being-for-itself is renamed praxis,43 but it can also be applied to the earlier works:
Starting from empirical observations, Sartre regresses to uncover a phenomenological
basis for them (e.g. the separation of the in-itself and the for-itself) before progressing
to analyze phenomena (e.g. bad faith). What ensures that there is something to
uncover behind empirical observation is Sartre’s conception of le vécu, or lived
experience: “the terrain in which the individual is perpetually overflowed by himself
and his riches and consciousness plays the trick of determining itself by forgetfulness”
(“Itinerary” 39); more soberly, it is “the ensemble of the dialectical process of psychic
life, in so far as this process is obscure to itself because it is a constant totalization . . .
which also totalizes consciousness. . . . [It] is perpetually susceptible of
comprehension, but never of knowledge” (41).44 This returns to the idea that
subjective experience is fundamentally irrational (or nonrational), and that all we can
do is to try as best we can to rationally understand it.
Now that we have established the universal applicability of Sartre’s method and
results, we must address the reverse side of the question: the universality of existential
values. To examine this, Sartre applies his progressive-regressive method to the
“Liège mothers,” “a small number of mothers of ‘thalidomide babies’ who
committed infanticide in the Belgian town of Liège in the late ’50s. Taken as a
sleeping pill during pregnancy, the drug thalidomide caused extensive deformities,
43 Recall that praxis and totalization refer to the workings of the for-itself, whereas the practico-inert,
totality, and exis are on the side of being-in-itself—and that the two sides are dialectically connected
via interiorization and exteriorization: Sartre says that praxis is “active passivity,” while exis is
“passive activity” (CDR I 489). 44 On the same page, Sartre also mentions Lacan; De Lacoste sees a Lacanian influence here on
Sartre’s idea of the not-entirely-rational vécu (21).
25
especially very short, flipper-like limbs” (Stone et al., “Dialectical” 198).45 Sartre
maintains that the ethical dilemma here is not a choice between “the absolute value of
life” and denying “a life deprived at the start of all the chances of being truly human”
(200). If the latter were a valid norm, then not only should lower-class children be put
to death, since their oppression prevents them from becoming fully human, but upper-
class children as well, since they “are possessed by their possessions.” The true
opposition here is between the world as it is and the possibility of a better world:
[T]he normative character of the murders lies not in obeying an imperative
or in positing a value, but in struggling for a future in which all neonates are
promised the wholeness of human life. . . The infanticides did not oppose
one set of imperatives to another. They opposed praxis to the practico-inert,
which includes all imperatives. The act of the Liège mothers was normative
without being universalizable or repeatable or wishing to be. Instead it was
singular so as to make way for the universal. (201)46
The act itself is universal, not in the sense of “if you were in the same situation”
(which for someone who was not actually in that situation is impossible, given that
there is no universal objective vantage point), but with respect to the intention behind
45 This article is a report on Sartre’s unpublished 1964 Rome lecture and is thus treated in the literature
as authoritative, even almost as first-hand material; the same applies to Stone and Bowman’s article on
Sartre’s 1965 Cornell lecture, cited above. 46 Note that Stone and Bowman include imperatives in the practico-inert, which is the Critique’s term
for the coefficient of adversity of being-in-itself—that part of the in-itself with which one interacts. The
practico-inert also has the extended meaning of being the alienated result of previous praxis (i.e. action
done in freedom); thus, according to Stone and Bowman, imperatives are the result of previous action
returning in the guise of obstacle. In other words, no matter how much we strive for a better world, the
(conceptual) result of that striving will work against us. Here, they are in fact alluding to a four-page
footnote in the first volume of the Critique in which Sartre argues this point with dialectical brilliance;
his solution is the straightforward abolition of values:
[V]alue is not the alienation either of the aim or of realized objectivity; it is the alienation
of praxis itself. . . . From the point of view of ethics, this means that values are bound up
with the existence of the practico-inert field, . . . and that if a liquidation of these [practico-
inert] structures is to be possible . . . [then] values will disappear with them. (248-49)
The question of what Sartre (and Badiou) conceive of as the end of ethics will be taken up at the end of
Chapter Three.
26
it of striving for a better future.
Here Anderson has an objection: Is Sartre, with this example, not committing the
fallacy of overgeneralization (118)? As we saw Sartre demonstrate in Chapter One,
every action presupposes a good perceived to be attained/attainable via that action.
Striving to attain a good is the same as striving to improve a subjectively apprehended
situation (for if attaining a good does not improve a situation, how is it good?), so an
action, such as that done by the Liège mothers, pursued for the sake of bettering the
world falls under this analysis and is therefore universal; this is the sense in which
Sartre writes, “All desire posits truth and freedom” (NE 417). In another sense, Sartre
here analyzes the case of the Liège mothers using his progressive-regressive method
to uncover need as the motor of all struggles. “Need is felt lack” (Stone et al.,
“Dialectical” 207), lack being the term used in Being and Nothingness for the desire
to be the in-itself-for-itself (BN 267)—that is, to be God (140). We have seen that to
attain meaning, one must renounce the God project as the end of action in favor of
action as such; how this is formulated in terms of the Critique will be seen in the next
Refutation and in Chapter Three.
4. Existentialism is a form of nihilism
Sartre’s entire oeuvre is an attempt to attain meaning; this is his optimism.
Whether his thought is nihilist depends on how successful he is at this endeavor. I
read Sartre as ultimately successful in a highly abstract manner, which is later
concretely hypostasized by Badiou.
There are two Sartrean attempts at escaping from the nihilism of the God project
into the economy of meaning. The purely individual level is treated in Being and
27
Nothingness, and it is in the end a failure.47 This can be seen in the analyses of human
relations in III.iii.1-2 (Part Three, Chapter three, sections I and II) that all end in some
form of appropriation (i.e. objectification) of the other or pursuit of the God project,
as well as in such infamous lines as, “Man is a useless passion” (784), or that “it
amounts to the same thing whether one gets drunk alone or is a leader of nations”
(797). Sartre’s consideration of the We-subject is in the same vein, for he explicitly
says that it “is not an inter-subjective consciousness” (536): The feeling of “being-
with” or of Mitsein, which one apprehends “laterally,” “is of the psychological order
and not ontological” (549) because it only modifies one’s own consciousness “but
does not appear on the foundation of a concrete ontological relation with others”
(550). Thus, given that neither a direct approach nor a lateral one can lead to being-
with, Being and Nothingness would seem to conclude that nihilism is inevitable.
However, this is not the entire picture. For one thing, those two nihilistic quotes
are embedded in the context of pursuing the God project, so it is no surprise that
failure is inevitable. Furthermore, there are certain notorious hints in this work that
suggest a way out: The footnote at the end of Part One says, “[The above] does not
mean that we can not radically escape bad faith. But this supposes a self-recovery of
being which was previously corrupted [and which] we shall call authenticity, the
description of which has no place here” (116n9); the footnote at the end of III.iii.2
says, “These considerations do not exclude the possibility of an ethics of deliverance
and salvation. But this can be achieved only after a radical conversion which we can
not discuss here” (534n13); and most tantalizing of all, at the very end of the work,
after some meditations on what rejecting the God project would actually mean, Sartre
47 This supposedly is the target of Jean-Luc Nancy’s critique of Sartre in The Inoperative Community
(3-4) for not opening up his subject to intersubjectivity, which in fact he does, as we will see below.
28
writes, “All these questions, which refer us to a pure and not an accessory reflection,
can find their reply only on the ethical plane. We shall devote to them a future work”
(798). This “future work” turned out to be the posthumous Notebooks.
“Authenticity,” “conversion,” and “pure reflection”—what do these terms mean?
The first term is briefly defined in Sartre’s Anti-Semite and Jew as “consist[ing] in
having a true and lucid consciousness of the situation, in assuming the responsibilities
and risks that it involves, in accepting it in pride or humiliation, sometimes in horror
and hate” (65). We must be clear here and note that this is not a form of bad faith, for
to “assume responsibilities and risks” is not the same as to assume the role of
someone who shoulders these responsibilities and risks, let alone to identify with this
role. But how does a decision to assume the situation turn into the ethical value of
authenticity, bearing in mind that value is alienated praxis that imposes itself? The
question, then, transforms into the problem of ethical conviction discussed by Bernard
Williams. Referring to Sartrean existentialists,48 he says that “they think that the
source of ethical conviction must be a decision,” but “[t]his cannot be right because
ethical conviction, like any other form of being convinced, must have some aspect of
passivity to it, must in some sense come to you” (169). This passivity arrives in the
Critique in the guise of an Apocalypse; I will address this below.
Conversion and pure reflection are explained in the Notebooks. The first
enigmatic mention of conversion is on page 4, where Sartre writes, “Morality:
permanent conversion. In Trotsky’s sense: permanent revolution.” This line seems to
equate conversion with revolution, and permanent conversion or revolution with
morality. We will see later that “revolution” here means an Apocalypse, which I
48 He makes this clear in 243n13.
29
interpret as an occurrence that draws one into the economy of meaning; Badiou goes
further in saying that this occurrence, which he calls an “event,” in fact convokes
meaning itself, and I see it as the “motor” of the economy of meaning. The permanent
revolution, then, is an economy of meaning in which meaning does not disappear (e.g.
through objectification or alienation). We see at this point that conversion seems to be
some kind of meaning-giving activity or status-transformation. A later mention of
conversion is somewhat more illuminating: On page 10, Sartre glosses this word as
meaning the “recognition of myself as ec-static For-itself which leads to recognition
of the spirit as detotalized totality.” Above this line on the same page, Sartre says that
to “will the detotalized totality” is “[t]o have the other in myself as an other and yet as
a free source of my acts.” Thus, a conversion is the recognition that I, as an agent, am
capable of pursuing others’ goals even without appropriating those goals as my own.
But if they are not my goals, why would I pursue them? And by pursuing them, would
I not then turn them into my own goals?
This brings us to the last term, pure reflection. Anderson notes that there are
three levels of awareness, two of which are reflective: “Being God is a value humans
naturally, prereflectively seek. Accomplice or impure reflection chooses to accept this
value and seeks to attain that impossible goal. Pure, nonaccomplice reflection chooses
to reject it” (53). This is borne out in the Notebooks, where Sartre says that “accessory
reflection is just the prolongation of the bad faith found nonthetically within the
primitive project, whereas pure reflection is a break with this projection” (560). This
new, pure reflection is other-directed, as when Sartre says, “Impure reflection . . . is
originally bad faith because it does not want to see its own failure. But only bad faith
can be at the origin of good faith. Pure reflection is good faith and as such an appeal
to the good faith of the other person” (12). In Being and Nothingness, Sartre treats
30
“good faith” as a form of bad faith that “wishes to flee the ‘not-believing-what-one-
believes’ by finding refuge in being” (115); here, though, it seems to mean acting in
authenticity. The “appeal” as a form of action receives lengthy treatment in the
Notebooks, and I see it as an entryway into the economy of meaning: The appealing
party asks for aid in the realization of her own project and offers in return, in the act
of appealing itself, recognition of the appealed to party’s freedom and ability to aid
(or not) her project and thereby bestow meaning on it; this recognition of ability to
bestow meaning bestows, in turn, meaning on the appealed to party’s existence. Thus,
through this form of non-binding reciprocity, both parties are brought into the
economy of meaning (283-85).49 Moreover, as mentioned in Chapter One, the
economy of meaning passes through human work;50 that is, the product of one’s
project plays a role in another’s. If we also recall that one cannot attain meaning on
one’s own, then we see that even our own project is only meaningful when it has
meaning for others. This is what Sartre means when he writes that “ethics” means
“absolute generosity, without limits, as a passion properly speaking and as the only
means of being. There is no other reason for being than this giving”; and if we view
human facticity as a work, then “it [is] not just my work that is a gift. Character is a
gift[,]” too (129).
The notion of ethics as “passion,” as passivity, brings me to the second,
intersubjective, attempt to escape nihilism, an attempt laid out in the Critique. The
first volume of the Critique presents us with what might be called an evolutionary
49 Interestingly, Sartre says of the appeal that it does not “seduce” the appealed to party with the
proposed end of the project, nor does it try “to realize unity through a general heteronomy” or through
“some common work”; instead, it “recognize[s] differences and bring[s] them into liaison through this
very recognition” (285). The appeal, to foreshadow Badiou, is indifferent to difference. And although
“common work” is inessential to the structure of the appeal, it does play a key role in a more fleeting
form of shared meaning, as I discuss below. 50 This can open up a discussion of the influence of Sartrean ethics on animals and the environment,
but such a discussion is outside the scope of this study.
31
“cycle” of social groups. Beginning from serialization, which is Sartre’s preferred
term for atomization,51 Sartre describes how an “Apocalypse”52 brings people
together into a fused group (357-58), how the people pledge themselves to the group
to preserve it in the face of insufficient outside threat (419, 425, 430), and how this
pledge leads to Terror (430) and dissolves into the institution (600-01) with its
authority and sovereign (607-08), thereby returning people to their original serialized
condition. The key stage in this “cycle” is the fused group that comes about due to an
Apocalypse; more specifically, an Apocalypse is said to have occurred when, “though
seriality still exists at least as a process which is about to disappear, and although it
always may reappear, synthetic unity is always here” (357). Thus, “[a] fused group is
in fact still a series, negating itself in re-interiorizing exterior negations; in other
words, in this moment there is no distinction between the positive self (the group in
formation) and this self-negating negation (the series in dissolution)” (358).53 To
borrow Badiou’s use of the future anterior tense for this concept (which he calls an
event), a fused group is what will have been a spontaneously formed group. Sartre
does not explain exactly what kind of event an Apocalypse is, merely giving the
French Revolution as running example; Badiou will later explain that whether an
incident is an event or not is undecidable. It would not be inaccurate to say, though,
51 In the 1973 essay “Elections: A Trap for Fools,” Sartre explains the difference between the two
terms:
[T]he word “atomization” . . . does not convey the true situation of people who have been
scattered and alienated by institutions. They cannot be reduced to the absolute solitude of
the atom even though institutions try to replace their concrete relations with people by
incidental connections. They cannot be excluded from all forms of social life: a soldier
takes the bus, buys the newspaper, votes. All this presumes that he will make use of
“collectives” along with the Others. But the collectives address him as a member of a series
(the series of newspaper buyers, television watchers, etc.). He becomes in essence identical
with all the other members, differing from them only by his serial number. We say that he
has been serialized. (201) 52 The term is borrowed from André Malraux’s novel of the Spanish Civil War, Days of Hope (CDR I
357). 53 After a block quote from the Critique in his introduction to volume one, Fredric Jameson adds that
“the reader will find that, with a little practice, this rather startling prose quickly becomes readable
enough” (237). He is not wrong.
32
that it constitutes meaning in the form of a common project, imposed from the outside
(this is its passivity); in fact, we might say that it is the creation of meaning ex nihilo
and the motor of the entire economy of meaning. Within the fused group, one receives
meaning from reciprocal relations with other members in pursuing the common
project, and not directly from the pursued project itself (399-402).
But if the fused group is destined to return to seriality, then its meaning is lost
and Sartre is guilty of nihilism after all. This view of the first volume of the Critique,
says Jameson, is a misunderstanding: This volume merely sets out “the basic
sociological and even metaphysical concepts, the static instruments,” to be used to set
history “in motion” in volume two (226); and “the notion that it sets in place a
cyclical view of history” is “the fundamental error so many readers (including myself
[Jameson], in an earlier effort) have made” (227). Thus, we are free to examine the
possibilities of each individual stage, and it should be readily apparent that our
examination should focus on the fused group and its possible prolongation. “The idea
of a perpetual apocalypse is naturally very attractive,” Sartre notes in his 1972 essay,
“The Itinerary of a Thought” (57), but he was never able to achieve this goal. It is
Badiou who finally sees the wrong turn that Sartre takes and proposes new concepts
and ideas, even a new system, to avert it. We will investigate these contributions in
detail in the next chapter.
5. Existentialism absolutizes freedom and is therefore a form of relativism
The idea that Sartre overpromotes freedom and ends up in the quagmire of
ethical relativism can be refuted on three fronts: to debunk ethical relativism, to show
that freedom does not lead to relativism even of the “if God is dead then anything
goes” type, and to show that Sartre’s analysis of freedom is sober and realistic.
33
Bernard Williams shows54 that ethical relativism, in the strict sense of taking
every ethical outlook as more or less equally acceptable, is not relativism at all but the
“nonrelativistic morality of universal toleration” (159). To truly understand the
question (and thus arrive at a clear answer), we must analyze the actual situation of
what happens when one is presented with an ethical outlook different from one’s own.
Here, Williams draws a distinction between real and notional confrontations of ethical
outlooks: The confrontation is real if one can feasibly tack on to the new outlook “and
[still] retain [one’s] hold on reality”; if not, then it is notional (160-61). Given that
deliberation over whether to switch ethical outlooks inevitably leads to comparative
value judgments, relativism can only hold in cases where there is no real
confrontation (but the reverse is not true: Simply finding a confrontation to be
notional does not guarantee the applicability of relativism) (161-62). The question of
ethical relativism then depends on whether there exists relativistic notional
confrontations of ethical outlooks. Williams believes that, in the modern world,
synchronous spatial ethical differences all constitute real confrontations (163),
presumably due to the effects of globalization. Regarding our relation to ethical
outlooks of the future, Williams says, “we can have both a purely notional
confrontation with another set of values and also some responsibility for them,” for
those values are in some way a continuation of ours (172-73). It seems that relativism
with respect to future ethical outlooks would be a form of bad faith, in that one would
thereby deny that what one does and how one acts today can have any effect on
tomorrow. Relativism with respect to ethical outlooks of past societies suffers from a
similar shortcoming. Either a past ethical outlook is still valid today, in which case the
confrontation is real and not notional; or it is invalid today, in which case we might
54 The entire section of his Ethics and the Limits of Philosophy on relativism, 156-67 and 172-73, is an
illuminating exercise in ethical philosophizing.
34
try to answer the question of why it was valid in the past, thereby bringing in
questions of discursive legitimacy asked by thinkers such as Foucault or those
associated with the Frankfurt School (166-67) and isolating a real conflict on the
ideological or discursive level. In any case, even if the above discussion does not
completely shut the door on ethical relativism, the likelihood of finding a valid case in
the real world is negligible for the purposes of an existential ethics, which Sartre
emphasizes must deal with concrete relations (NE 103-04).
If the strict version of ethical relativism is untenable, then perhaps its weaker
cousin might be. This is the idea that, if God is dead and there is no legitimating grand
narrative, then we may all do as we wish. This is false according to two possible
interpretations that may not be mutually exclusive. On the one hand, simply because
the legitimator of a grand narrative is dead does not kill off the grand narrative itself;
this is the essential thrust of Fredric Jameson’s idea of the “political unconscious,” the
grand narrative gone “underground” (Lyotard xi).55 On the other hand, even if grand
narratives are dead, we are still constrained by, and must navigate, local narratives:
Gilles Deleuze notes, “It is with God that everything is permitted” by “holy
justification”; if God is dead, then (to take an artistic example) “it would be a mistake
to think that the painter works on a white and virgin surface,” for now “painting is
invaded and besieged by photographs and clichés that are already lodged on the
canvas before the painter even begins to work” (Francis 11-12). If relativism is the
perfectly neutral freedom of choice between ethical outlooks, then it is ultimately
impossible.56
55 For the use of this concept in defending Marxism, see Jameson’s The Political Unconscious. 56 Badiou: “If God is dead . . . , this does not mean that everything is possible” but “that there is [for
us] precisely nothing better, nothing greater, nothing truer, than the answers of which we are capable”
(“Commitment” 34).
35
This brings us to the third question: Does Sartre acknowledge this impossibility?
Many critics (including himself, later on) consider his construal of freedom in Being
and Nothingness as absolute to be patently untenable.57 And yet, the longest section
of the very same book (IV.i.2) is devoted to analyzing situations that concretely limit
one’s facticity.58 It seems, then, that Sartre has fallen into the trap of bad faith,
treating one’s transcendence and facticity separately. There is a curious passage in the
first volume of the Critique which I believe unifies both levels. In analyzing the
“organized connection” of “discipline” that, within the group, takes “a certain form of
exteriority which, paradoxically, sustains [the] bonds of interiority with everyone
else,” Sartre delineates three different “signifying layers”: “[T]he first is concrete
praxis; this includes the second, which is power (freedom-terror) and function [sic]
(right-duty); and this in turn includes the third, which is an inert skeleton” (490). Keep
in mind that these three levels refer to one and the same free discipline. Here we
might borrow from Simone de Beauvoir to better understand this passage. Beauvoir
posits three levels of freedom: “ontological freedom,” which is Sartre’s absolutely
free for-itself; “moral freedom,” which is consciously actualized ontological freedom;
and “power,” which is situated freedom in the material world (Daigle 141). It is
evident that each level of freedom is a prerequisite for the next, in the same way that
each of Sartre’s signifying layers “includes” the next. Indeed, even though Beauvoir is
speaking of three levels of freedom and Sartre of only one discipline, the structure is
still analogous: The layer of concrete praxis is pure, undiluted freedom; the layer of
power and function elaborate on the distribution and actualization of praxis; and the
inert skeleton is the result of actualization that one sees from the outside. This is a
57 Thomas Anderson repeatedly criticizes this point; see chapters 2 and 3 of his Sartre’s Two Ethics.
For Sartre’s self-repudiation, see “The Itinerary of a Thought,” 34. 58 See Terry Keefe’s “The Other in Sartre’s Early Concept of ‘Situation.’”
36
more sober and plausible account of freedom.
We have previously discussed the impetus to extend the economy of meaning as
widely as possible; here we note that, if meaning is freely obtained from others, then
freedom is the outward signification of meaning.59 If one is committed to the
broadest ethical life, then one has an impetus to pursue the freedom of others; and
having demonstrated that ontological, moral, and material freedom are all of a piece,
we cannot simply pursue the ontological freedom of others (which in any case would
make little sense, since it is the universal human condition) but must also push for
concrete, systemic, material freedom—the outward manifestation of which is “the
small movement which makes of a totally conditioned social being someone who does
not render back completely what his conditioning has given him” (Sartre, “Itinerary”
35), the clinamen60 of minimal difference.61
6. Existentialism is a form of humanism
The last three Refutations will be devoted to the group of related criticisms
gathered under the banner of the “death of the subject.” Refutation 6 will answer
criticisms of the Cartesian cogito, which I refer to as the phenomenological subject;
Refutation 7 will respond to criticisms of the Aristotelian sub-iectum, which I call the
59 Freedom is necessary, but not sufficient, for meaning. 60 In Being and Nothingness, Sartre refutes the idea of “freedom as a series of capricious jerks
comparable to the Epicurean clinamen” (583), but agrees that freedom is “a transformation . . . which is
possible” (585). We might sum up Sartre’s early and late views of freedom by saying that it is the
possibility of minimal difference—i.e. the existence of the clinamen. Incidentally, Badiou uses the term
clinamen to refer to subjectivization, which (we will see) is fundamentally aleatory and satisfies the
need of freedom or chance; see his Theory of the Subject, 59. 61 Seizing on Sartre’s idea of “authentic love” as meaning “to unveil the Other’s being-within-the-
world, to take up this unveiling, and to set this Being within the absolute; to rejoice in it without
appropriating it; to give it safety in terms of my freedom, and to surpass it only in the direction of the
Other’s ends” (NE 508), Yiwei Zheng notes that this seems to not require any actual action; one need
only “step back and watch, showing love for others’ freedoms and projects but without doing anything”
to further them (132). However, this interpretation ignores that if meaning truly comes only from
others, then this “rejoicing” of another’s project is precisely the end to which aiding that project is a
means; and according to Sartre’s understanding of the ethical chain, as mentioned in Chapter One, one
cannot truly will the end without willing the means.
37
philosophical subject; and the last Refutation will bring Sartre in line with
poststructuralist responses to criticism of the philosophical subject, as well as leave
the door open for Alain Badiou.
Is the subject of the Cartesian cogito no longer valid? To answer this question,
we must first know what that subject is. We start from René Descartes’s Meditations
on First Philosophy. In six meditations, Descartes uses what we might
anachronistically call the transcendental reduction to uncover what exactly exists
necessarily despite the most pessimistic doubts about the sensory world. He arrives at
the famous conclusion that, since he thinks, he must exist: “[T]his pronouncement ‘I
am, I exist’ is necessarily true every time I utter it or conceive it in my mind”
(18/25).62 The question here is: How does thinking and existing enter into a causal
relationship? Cogito ergo sum means that thinking presupposes existing as a subject;
logically speaking then, not existing would mean not thinking; but could there be
something other than thinking that presupposes existing? Descartes himself is
doubtful: “[P]erhaps it could also come to pass that if I were to cease all thinking I
would then utterly cease to exist” as a subject (19/27). Immanuel Kant might have
agreed. His transcendental idealism, according to his Critique of Pure Reason, is
based on the presupposition that humans are all rational and therefore all synthesize a
priori perceptions of space and time, without which “nothing can be thought or
known, since the given representations would not have in common the act of the
apperception ‘I think,’ and so could not be apprehended together in one self-
consciousness.” Understanding, the faculty of knowledge, depends on the synthetic
“unity of consciousness” that gives rise to objects; without it, my perceptions would
62 The second number refers to original Latin pagination.
38
not necessarily be my perceptions (156-57/137-38b).63 Nietzsche disagrees with both
Descartes and Kant. Regarding Descartes’s connection of thinking to being, Nietzsche
points out in Beyond Good and Evil that there are “a whole series of daring
assertions” embedded in the sentence “I think”: “that it is I who think, that there must
necessarily be something that thinks, that thinking is an activity and operation on the
part of a being who is thought of as a cause, that there is an ‘ego,’ and, finally, that . . .
I know what thinking is” (23/16).64 He instead postulates that thought comes of its
own accord, whether we want it to or not, and that the leap from “thinking” to the “I
think” is an unfounded one based on the faulty logic of grammar (24/17). In another
section, Nietzsche takes issue with Kant: When Kant says he perceives by means of a
faculty, Nietzsche points out, he’s merely saying that he perceives by means of a
means of perception: Vermöge eines Vermögens (18-19/11). Thus for Nietzsche, Kant
is saying nothing at all.65
In response to the above, Sartre divides the I into transcendence and facticity,
for-itself and in-itself, in which the will is a movement of nothingness (the for-itself)
toward being (the in-itself) (BN 137-38). Similar to how Nietzsche believes the I to be
an illusion, Sartre (as we have seen in Chapter One) takes the reductive unity of
transcendence and facticity to be bad faith: Humans are what we are not, and are not
what we are, and trying to reduce one to the other is phenomenologically incoherent,
not to mention dishonest. And against Kant, Sartre denies the completely isolated
imperceptibility of noumena (McCulloch 105-06), instead referring to the
“transphenomenality of being” (that being qua being is beyond what we can perceive
at any one time) as not “hidden behind phenomena” but “coextensive with” it, as
63 The second number refers to original German pagination; “b” refers to the second edition. 64 The second number refers to section. 65 For a more detailed exploration of Nietzsche’s criticisms of Descartes, Kant, and metaphysics in
general, see Sarah Kofman’s “Descartes Entrapped.”
39
noted above. On the whole, Sartre tries to incorporate criticisms against the
phenomenological subject while still preserving its coherence.
An even greater threat to the phenomenological subject is posed by structuralism.
Structuralists such as Claude Lévi-Strauss try to straightforwardly deny the
philosophical importance of the phenomenological subject, instead emphasizing the
relations between positions in a structure (Caws, “Sartrean” 304). This reductionist
view of the subject, along with structuralism’s bias toward the synchronic and relative
neglect of diachrony (Copleston 417), gave rise to poststructuralism. To give just one
example, the “death of the author” is premised on the notion that a text should be
judged based on its own merits; the author is seen to no longer be the sole authority of
textual meaning. But this also obstructs any analysis of the diachronic evolution of
textual discourse, as Foucault recognized when positing his corrective concept of the
“author-function.” He suggests four main characteristics of the author function (I have
added emphases and notes to highlight diachronic concepts):
[It] is tied to the [constantly evolving] legal and institutional systems that
circumscribe, determine, and articulate the realm of discourses; it does not
operate in a uniform manner in all discourses, at all times, and in any given
culture; it is not defined by the spontaneous attribution of a text to its
creator, but through a series of precise and complex procedures; it does not
refer, purely and simply, to an actual individual insofar as it simultaneously
gives rise to a variety of egos and to a series of subjective positions that
individuals of any class can come to occupy [throughout history]. (“What”
1485)
As this example shows, the “post” of poststructuralism manifests itself in one aspect
40
as the recovery of diachronic history and, as a direct result, a historicized,
contextualized subject (Schrift 4-6). Foucault’s efforts are exemplary in this regard.
His major conceptual premise, taken from Nietzsche’s On the Genealogy of Morals
and on display throughout his oeuvre, is that all concepts (or manifestations of
concepts), including those of the subject, are historically and discursively constructed
(Schrift 47). The subject as we know it today was formed through the various
conceptions of ethics and care for the self that appear throughout history. As Foucault
says in an interview, “I believe . . . that the subject is constituted through practices of
subjection, or, in a more autonomous way, through practices of liberation, of liberty,
as in Antiquity, on the basis . . . of a number of rules, styles, inventions to be found in
the cultural environment” (“Aesthetics” 50-51). By tracing this history through
Antiquity and the early Middle Ages, Foucault both historicizes and contextualizes the
subject (Schrift 47-51). And similarly for deconstructor Jacques Derrida: Contrary to
popular belief, Derrida does not want to liquidate the subject; in fact, he once said, “I
believe that at a certain level both of experience and of philosophical and scientific
discourse, one cannot get along without the notion of the subject. It is a question of
knowing where it comes from and how it functions” (qtd. in Schrift 27). His point is
simply that there is no absolute concept of the subject outside of however it is
situated. Thus, the state of the phenomenological subject today is that it is a
coalescent formation of non-originary thoughts and wills and various historically
discursive constructs.
Sartre himself waded into the structuralist debate in the first volume of the
Critique, devoting a whole section (II.iii.3—Book II, Chapter III, Section 3) to Lévi-
Strauss. Reanalyzing Lévi-Strauss’s study of social relations, Sartre notes that
normative arrangements of marriage in endogamy or exogamy are forms of the
41
pledge, which we mentioned in Refutation 4 when discussing the Critique’s “cycle”
of history, and that “the arrival of [a] child in the milieu of the pledge is the equivalent
for him of making a pledge . . . not as a passive object receiving his statute from
outside, but as a free common agent who has been granted his freedom” (485). But
how is being inserted into a social structure a form of freedom? Sartre himself at first
had the same question. As he recounts in a long footnote that continues to the next
page, he at first “thought that total indeterminacy was the true basis of choice,” so that
having a child be pledged into a group is to let the child, “with all his power and in
complete knowledge, decide whether to remain in the group, whether to change his
function . . . in it, or whether to withdraw.” Only later did Sartre realize that there is
no such thing in this case as objective indeterminacy, and that “[w]hatever one does,
in fact, one prejudges”; “it is necessary to decide . . . on behalf of the child, and
without being able to consult him, and . . . he will always bear the weight of this
decision throughout his life. But it is also true that it can mark him only to the extent
that he has freely interiorized it” (486). In other words, our facticity is ineluctably
interrelated with its surrounding social structure, but through our transcendence, we
can always choose what kind of structure with which to identify.66 This brings us
back to the three signifying layers of free discipline; we see now that Lévi-Strauss’s
notion of structure is merely the third layer, the inert skeleton, and that he neglects the
simultaneous existence of the first two layers; he “silently ignor[es] the practical
totalization as the support and reason for the inertia at the moment of the combination
of terms” into a structure (CDR I 492). The proof of this is that, since the structure is
the product of group praxis, “it is always possible for the group, as totalizing action,
66 Sartre’s term, “to interiorize,” is more accurate than “to identify with,” because what one interiorizes
also changes dialectically with one’s interiorization; and also because the notion of identity becomes
problematic in Hope Now and in the work of Badiou. For considerations of the notion of identity, see
Chapter Four.
42
under the pressure of new circumstances, to dissolve it entirely” (CDR I 489). Indeed,
Lévi-Strauss’s conception of structure leaves no space for its provenance or demise,
which are diachronous concepts. In brief, Sartre redefines structure as “a specific
relation of the terms of a reciprocal relation to the whole and to each other through the
mediation of the whole,” where the whole is “a unity of the interiorized multiplicity”
(CDR I 499). The relation of Sartre to structuralism is perhaps best summed up by
Sartre himself: “I am in no way hostile to Structuralism [sic] when the structuralist
remains aware of the limits of his method” (qtd. in Caws, “Sartrean” 298).67 With
regard to the phenomenological subject, Sartre holds his own.
We should not confuse the phenomenological subject with the philosophical one;
the former is unavoidable, but the latter, according to poststructuralists, is to be
deconstructed. Thus, we should also distinguish between two forms of humanism (of
which we have already considered the form that asserts, with Sartre, that we can only
view the world from a human perspective), for as Bernard Williams notes, to think
that our unavoidably human perspective “implies that we regard human beings as the
most important or valuable creatures in the universe . . . is to make the mistake of
identifying the point of view of the universe [with] the human point of view” (118).
This ungrounded conflation that, as we will shortly see, grounds Western metaphysics
is the error of construing proximity as predication:
This proposition of the proper [i.e. what is proper to or genitive of] . . . is
not to be taken in the metaphysical sense: the proper of man, here, is not an
essential attribute, the predicate of a substance, a characteristic among
others, however fundamental, of a being, object or subject, called man. No
67 The entire exchange between Sartre and Lévi-Straussian structuralism is explored in fascinating
detail in Peter Caws’s “Sartrean Structuralism?”
43
more can one speak in this way of man as the proper of Being. Propriety,
the co-propriety of Being and man, is proximity as inseparability. But it is
indeed as inseparability that the relations between being . . . and its essential
predicate were thought in metaphysics afterward. (Derrida, “Ends” 133)
In other words, there is no logical reason to believe that humans are at the center of
Being.68
With that in mind, let us now examine what I call the philosophical subject.
7. Existentialism is a form of metaphysics or ontotheology
In its original, Aristotelian sense, the sub-iectum is the “ground” of or “that
which underlies”69 philosophical thought (Philip Wood 58-59)—the First Cause, that
is, God, the ens causa sui. Thought that rests on this ground is what Derrida calls
“metaphysics” or “ontotheology” (“Ends” 116). One famous example of such a sub-
iectum is the Hegelian absolute Spirit: On its journey toward self-consciousness,
which never goes outside itself, it illumines the world and draws it into existence
(Wood, “Revisionary” 172-73). But if it never goes outside itself, then the resulting
logic is circular, for “each entity would have to exist in its identifiable identity
‘before’ it could be compared with the other, and ‘at a distance’ from the other; and
yet it is this very comparison that is supposed to establish such identity” (175). Thus,
from what we might call the Hegelian fallacy, we see that the ens causa sui is rejected
because it is irrational (BN xli). However, we should note that the Hegelian fallacy
does not kill the phenomenological subject: The chicken-and-egg question of “which
came first, consciousness or the world” elides over the dialectical nature of our
68 For Sartre’s own critique of the “racism” of humanity (and of humanity as an abstract totality), see
his War Diaries, 25-27. 69 Italics removed.
44
entering into the world and the world’s formation of us (BN 157-58). It is not circular
logic if our relation to the world has no point of origin; or, as Derrida might have said,
if we are always already in the world.70 Wood next tries to extend the Hegelian
fallacy to the Critique (indeed, this is the point of his article) (186-87), but in doing so
he falls afoul of a key terminological distinction that Jameson points out in his
introduction to the first volume: the conflation of “totalization” (which, remember, is
simply praxis) with “totality” (what in the terminology of Being and Nothingness is
the in-itself-for-itself, or ens causa sui) (230). Sartre’s understanding of history (or
“History,” the capital-letter existence of which it is his task to prove in the Critique,
volume two) differs from Hegel’s absolute Spirit in that Sartre does not see history as
inside, or forming, a totality. Indeed, he says that the group in history “is not an actual
totality, but a shifting and ceaselessly developing totalization” (CDR I 384). To the
extent that capitalized History exists, it is totalized and not presupposed from the start,
either.
We are now able to understand why Derrida’s infamous criticism of Sartre’s
project in “The Ends of Man” is unwarranted. When he says, “Being in-itself and
Being for-itself are of Being; and this totality of beings . . . was nothing other than the
metaphysical unity of man and God” (116), he is viewing being-in-itself and being-
for-itself as two aspects of one combined (somewhat Heideggerian) Being; but we
have already seen that Sartre denies the possibility of combining the in-itself with the
for-itself, be it in a “metaphysical unity of man and God” or as a “totality.”71 And if
70 Note that by world Sartre does not mean the physical world (which always preexists every
individual) but the phenomenological perception of that world, what he calls “the contingent upsurge of
one orientation among the infinite possibilities of orienting the world” (BN 419). 71 His definition of ontology “as the specification of the structures of being of the existent taken as a
totality” (BN 395) refers to the structures, and not the existent, as a totality; in any case, the totality is
certainly not humanity. This is very similar to Badiou’s idea of mathematics as the inscription of
ontology, for which see the next chapter and the conclusion.
45
this description of Sartre’s project makes it resemble a form of negative theology, the
response to this should be clear: Sartre wants us to renounce the God project, so his
work is if anything a repudiation of negative theology.72
8. Existentialism maintains a fixed and stable center
We have seen that existentialism does not place humanity at the center of
philosophy; but that does nothing to show how it decenters the center. Even if we only
consider the case of humanity, there is still the center, composed of a certain group of
people who are the primary focus of thought, and its complementary marginal groups.
Thus, it is worth noting that the group on which Sartre focuses, the fused group of the
Apocalypse, is not in fact any one group but a structural position. Moreover, it also
adheres to the three key concepts of poststructuralism discussed in the previous
chapter: performativity, context, and amelioration of difference.
The Apocalypse is performative in that it is pure action with no speculation,
theory, or identity.73 Everyone is simply caught up in it. Let me quote again from the
passage in the Critique describing the Apocalypse, with phrases denoting action and
performativity emphasized:
Everyone reacted in a new way . . . as an individual incarnation of the
common person. . . . From this moment on, there is something which is
neither group nor series, but what Malraux, in Days of Hope, called the
Apocalypse . . . . [The fused group is] unstructured, that is to say, entirely
amorphous [sic] . . . . [S]eriality exists at least as a process which is about
to disappear . . . . Or, to put the same point in another way, throughout a
72 See the endnotes to Josh Toth’s “A Différance of Nothing” for an elaboration of research related to
the connections between Sartre, Derrida, and negative theology. 73 Badiou will say that the event is ephemeral.
46
city, at every moment, in each partial process, the part is entirely involved
and the movement of the city is fulfilled and signified in it. . . . [W]e must
make it clear that [the group] would congeal into a [serial] collective if it
were not structured in a temporal development, the speed and duration of
which . . . depend on the circumstances and situation. (357-58)
An Apocalypse is “irreducible to the mass gathering, the mass statute, etc., [nor] to
organized, semi-organized, or institutionalized groups” (383); it is an Apocalypse
because those caught up in it believe it to be an Apocalypse, which is to say that its
definition employs the same tautological logic as the performative utterance: The
sentence that I utter is (e.g.) a promise because I sincerely say “I promise.”
As the mention of “the circumstances and situation” suggests, an Apocalypse is a
highly contextual event. Sartre goes on to analyze how the “structuration” of the
actual events of the French Revolution in Paris were greatly dependent on elements of
exis: the Saint-Antoine district as poverty-stricken and under the symbolically
repressive shadow of the Bastille; the “skirmishes and repressed uprisings” and “the
Réveillon affair” massacre as part of the collective memory; and the layout of the
district (“a hodological determination of the lived space of the district”)74 leading to
the realization that it might possibly be the site of a crossfire-induced massacre (358-
59). Moreover, the fused group engages in constant (re-)interiorization, or totalization,
of its situation, thus making it a part of itself and part of its basis for future praxis:
[T]he praxis of a group is to constantly reorganize itself, . . . to
interiorize . . . the things produced and the results attained, to make of
[them] its new structures, and thereby to transcend this rearrangement
74 “Hodological” here means “the environment viewed in terms of our personal orientation” (Search
79n).
47
towards new objectives—or rather, to make this internal rearrangement, as
structures which have to be transcended (because attained)[,] the
transcendence of old objectives[.] (385)
In this way, context is continuously considered and dialectically incorporated into the
fused group.
With this emphasis on action over identity and the constant (re-)interiorization of
context, difference is inevitably made unimportant. If we recall from Refutation 3 that
“[c]haracter is a stable set of relations with the other person, with tools, and with the
world, under the pressure of freedoms external to oneself” that are “stable,” then it
should be no wonder that Sartre says, “There are no ‘characters’ in the Apocalypse.
There one is always surprised. [‘]I did not think him capable of that[’]” (NE 6). Each
member of the fused group is fundamentally the same, together creating a “synthetic
unity [that] is always here” (357); and it has no leaders, for “the crowd in situation
produces and dissolves within itself its own temporary leaders,” within each of whom
can be seen “a common individual (that is to say, one whose praxis is common [i.e.
shared])” (382).
We have seen how Sartre’s thought leads ultimately to an Apocalypse; but what
exactly are its effects? How are we to respond to an Apocalypse and its aftereffects?
And how important is an Apocalypse for human existence? To answer these
questions, we now turn to the thought of Sartre’s currently most prominent follower,
Alain Badiou.
48
Chapter Three
Alain Badiou’s Existentialism: Structural Addenda
To say that Badiou develops Sartre’s ideas, we must not only demonstrate a
connection on the philosophical level, but on the biographical level as well, to show
how the linkage is not merely an arbitrary theoretical grafting. Certainly Sartre knew
of Badiou and his work: He approvingly mentions Badiou’s novel, Almagestes,75 in a
1946 interview (“Long” 62-63), and in the seventies he was involved with the French
Maoists,76 among whom Badiou was quite prominent. In the other direction, Sartre
has had a deep influence on Badiou all his life: The fact that among the many chapters
devoted to specific thinkers in Being and Event and Logics of Worlds there is no
single chapter on Sartre should be seen as a sign of how prevalent Sartre’s thought is
throughout Badiou’s oeuvre. Indeed, Badiou was in the past accused of being too
Sartrean (Badiou, “Commitment” 30), and he refers to him as the “absolute Master”
of his early years of philosophy (LW 555). Badiou tries at times to distance himself
from Sartre, but these attempts (as in “Commitment, Detachment, Fidelity”) are
mostly directed toward the Sartre of Being and Nothingness; Emmanuel Terray reads
Badiou’s project as completely in line with Sartre’s Critique,77 which he and Badiou
read fervently back in the day (LW 555). In The Century, Badiou himself draws a
direct link from Sartre’s nothingness at the center of being to his own idea that a
subject is “of the order of the event” (100). This link passes through the possibility for
75 Like Sartre, Badiou writes not only philosophy but also fiction and drama; and like Sartre’s
Situations, he has a series of collected essays and interviews called Conditions. 76 His later secretary and collaborator, Benny Lévy, was also a Maoist leader. For an account of
Sartre’s involvement and cooperation with the French Maoists, see David Drake’s “Sartre and May
1968: The Intellectual in Crisis,” 51-60; but keep in mind that Sartre himself says, “I am not a Maoist”
(“Maoists” 162). 77 Terray’s reading, however, relies too much on superficial parallelism rather than theoretical analysis;
see his “Badiou et Sartre.”
49
the subject to encounter a pure Outside, which Sartre fails to consider (LW 381)
precisely at the point where he designates the pledged group as the successor to the
fused group (Badiou, Theory 299-300); in fact, these two are qualitatively different,
and the key to prolonging the fusion of the group is not to pledge to one another but to
pledge against the Outside of the Apocalypse. This is the only point of unresolved
theoretical disagreement that I could find between Sartre and Badiou, and it seems
that Badiou deviates from Sartre’s path only to follow it further than Sartre himself
does.78 All in all, Badiou’s conviction that it is an advantage for him to have been
born early enough to be a Sartrean (Tho, et al. xxvi) is manifestly borne out in his
project; the central axis of Sartre’s thought, Badiou says, “continues to organize my
thinking” (“Commitment” 27).79
We have seen that a Sartrean Apocalypse creates meaning in two ways: by
coalescing serialized individuals into a fused group in which the pursuit of a common
project generates a reciprocal economy of meaning, and by actively striving for
freedom so that those affected are better able to enter into this economy. Badiou’s
event has the same two results, and while the second result of “real change” is usually
more emphasized, I will show in this chapter that the first result of bestowal of
meaning is perhaps the more direct and long-lasting structural effect.
We start first with Sartre’s and Badiou’s respective views of metaphysics. Sartre,
with his concept of the transphenomenality of being, does not deal directly with
being; he does not explain the provenance of the for-itself, instead treating the in-itself
78 Brian A. Smith agrees; see his “Badiou and Sartre: Freedom, from Imagination to Chance,” 212-14. 79 For a brief exploration of Badiou’s intellectual relation to Sartre, see Patrice Vermeren’s “Alain
Badiou, Fiel Lector de Sartre 1965/2005 (Collages)”; for an overall account of Badiou’s place in the
French intellectual world before and after May 1968 (including when it was still dominated by Sartre),
see the introduction to the collection Badiou and the Philosophers, trans. and ed. Tzuchien Tho and
Giuseppe Bianco.
50
and the for-itself as mere conceptual categories. Badiou, too, says that “being qua
being does not in any manner let itself be approached” (BE 10); instead, “being is
what presents (itself),” “neither one” “nor multiple” (BE 24)—that is to say, we can
only see being in its presentation. Badiou’s truly original insight is to see the
formalization of this presentation of being in ZFC set theory.80 Thus, an expression
such as {β , γ} ∈ α, which mathematicians would read as “the terms β and γ belong to
the set α,” means for Badiou that “the multiples β and γ are presented in the situation
α.”81 Badiou calls the set the “count-as-one” to emphasize that it creates a one-set out
of multiplicity (BE 24). So, for example, an interesting property of set theory with
ontological implications is that, if α = {β , γ}, it does not follow that α ∈ {β , γ , δ};
rather, α ∈ {{β , γ} , δ}. But it is true that α ⊂ {β , γ , δ}, that is, α is included
(“represented”) in {β , γ , δ}, because representation is defined as the relation in
which all the multiples belonging to one situation belong to the other: β and γ belong
individually both to α = {β , γ} and to {β , γ , δ}; thus α ⊂ {β , γ , δ}. It is therefore
possible for a multiple to be represented in a situation without being presented, and
Badiou makes extensive use of this distinction, as we will see in Chapter Four.
80 Zermelo-Fraenkel set theory with the axiom of choice; see Meditation Three of Being and Event. 81 Three notes here. First, I will introduce Badiou’s terms by initially equating them with mathematical
terms, after which I will only use Badiou’s. Both follow the convention of giving Greek characters for
sets and Latin characters for numbers.
Secondly, just as in set theory, Badiou posits that every existent is a multiplicity (recall how
Sartre conceives of individuals as always intersubjective) and therefore a situation, all the way down to
the void ∅ represented in every set (BE 86-87), which Badiou construes as the pure multiplicity that
cannot be counted-as-one in a situation (BE 52-57).
The third note here is that, contrary to Ricardo L. Nirenberg and David Nirenberg, who in their
“Badiou’s Number” mistakenly accuse Badiou of being not just a philosophical Platonist but a
mathematical Platonist who believes that numbers are real existents (583-84), Badiou says, “The thesis
that I support does not in any way declare that being is mathematical” (BE 8), that “there is no cause to
posit that being qua being is number” (BE 24), and that mathematics is merely “the inscription of pure
multiplicity,” that is, of presented being (Subject 47, my emphasis; see also BE Appendix 2, esp. 446-
47). This misunderstanding undermines many of their criticisms; nevertheless, their mathematical
account of Badiou’s thought is concise and accessible, and goes some ways to showing that Badiou’s
use of math (mostly) does not fall afoul of the targeted criticisms of Alan Sokal and Jean Bricmont’s
Fashionable Nonsense (Sokal and Bricmont mention Badiou in passing on 180-81 regarding the
admittedly abstruse text Theory of the Subject).
51
Before delving further, we must first recognize the basis of Badiou’s theory of
real change; that is, the referent of his formalizations. His basic presupposition is that
real change exists, and this comes from experience; he maintains that his definition of
an event must “correspond . . . to the ‘intuitive’ idea of an event” (BE 179). The
motivating question of Badiou’s project then becomes: Given that real change (i.e. an
event) exists, how does it exist, and what effects does it have (and how might we
respond to these effects)? Being and Event answers the first question; the second is
addressed in the second volume, Logics of Worlds. Let us take them in turn.
What concerns us with respect to the existence of an event is a multiple that is
presented in a situation, but whose own multiples are unpresented; this multiple
Badiou calls an (evental) site (174-75). We might do with an example: If α = {β} and
β = {γ}, then since γ ∉ α (it is {γ} that is presented in α, and γ ≠ {γ}), no multiples of
β are multiples of α, thus making β an evental site in the situation α. An event brings
into presentation the unpresented multiples of a situation that belong to an evental
site.82 If X is the site and x its elements (x ∈ X), then an event ex = {x , ex} (179).83
We immediately notice a circularity in this formulation: ex ∈ ex. From the point of
view of ontology (that is, mathematics), circularity is irrational and must be ruled out;
hence, ZFC set theory has the axiom of foundation, one of whose implications is the
ban on self-belonging. That this is an axiomatic decision and not a logical necessity84
shows merely that “[t]here is no acceptable ontological matrix of the event” (185-
90).85 And yet, ontology can ultimately describe the aftereffects of an event even
82 Notice that there is nothing here about creating new multiples; combined with his tendency to refer
to the set as the “count-as-one” (i.e. to see something as a unified whole), we might say that Badiou
follows Sartre in his perspectivism as well as in his metaphysics. 83 I have paraphrased Badiou’s own, more strictly technical, matheme: ex ={x ∈ X , ex} (179); he later
writes it as ex {x / x ∈ X , ex}, where the slash is explanatory (181). 84 Forms of set theory exist that eschew the axiom of foundation yet consistently maintain the other
parts of the ZFC edifice. 85 My emphasis.
52
without strictly allowing the event to exist. How does it do so?
If we accept of an event that, as Badiou says, “its belonging to the situation of its
site is undecidable from the standpoint of the situation itself” (181),86 then its effects
must also be undecidable. What this means is that the existence of an event depends
on a radical break with the old situation—it cannot be reached by construction.87
Now, if everything that is decidable in a situation can be catalogued under what
Badiou calls an encyclopedia, then the effects of an event necessarily escape this
cataloguing; in other words, they must be indiscernible. What concerns us here is not
individual multiples, but two different ways of grouping them. To escape the
encyclopedic catalogue of knowledge, the grouping that arises from an event must, in
its finite part (what Badiou calls an inquiry), avoid an encyclopedic determinant by
simultaneously incorporating inquiries that respectively correspond to and contradict
that determinant (335). Badiou points to Jean-Jacques Rousseau’s definition of the
general will as an example: Rousseau says that the particular will of all “is nothing
but a sum of particular wills; but if, from these same wills, one takes away the pluses
and minuses which cancel each other out, what is left as the sum of differences is the
general will” (qtd. in BE 351). The canceling out of pluses and minuses is what
allows this particular finite inquiry to avoid a given determinant. However, everything
that is presented in a situation falls under an encyclopedic determinant; thus, for the
grouping that arises from an event to be truly indiscernible, it must not be fully
presented in a situation—it must be infinite. The infinite procedure of determination,
of which inquiries form finite parts, Badiou calls a procedure of fidelity, or faithful
procedure (337); its infinite total is called a truth, which Badiou technically defines as
86 Emphasis removed. 87 On the constructible universe in terms of set theory as ontology, see Being and Event, Meditations
28-30.
53
“the infinite positive total . . . of a procedure of fidelity which, for each and every
determinant of the encyclopedia, contains at least one inquiry which avoids it”
(338).88
One might object here that Badiou seems to be saying that real change can never
truly occur in a situation, for situations are finite but change is infinite. This is not
entirely accurate. It is correct to say that Badiou locates the total results of real change
in a “new” situation that “will have been” (398),89 but he also elaborates on how we
get from this situation to that one. This ongoing process of change depends on the
subject and its forcing of knowledge. Having explored at length the genealogy of the
subject in the previous chapter, we must note with care that Badiou explicitly rejects
traditional concepts of the subject in keeping with the poststructuralist theme of the
decentering of the subject: The subject is that which links an event to its effects
through the act of forcing (discussed below); this means that it is “not a substance,”
“not a void point,” not an “organization of a sense of experience” or “transcendental
function,” not guaranteed to exist, nor is it “a result—any more than it is an origin”
(391-92).90 Exactly what a subject is in phenomenological terms is elaborated on in
Logics of Worlds and will be addressed below; for now, suffice it to say that it is that
which forces knowledge. Forcing, briefly put, is the discernible relation between a
multiple of this situation and a subjective statement (we might conceptualize this as
an encyclopedic determinant) of the new situation (401, 403). Forcing a multiple thus
means to establish its place in the (undecidable) new situation. We see that both a
multiple of this situation and the relation of forcing itself are discernible; it is thus the
88 Emphasis removed. 89 The truth of a situation is only realized when it is superseded by a new event (PE 70); for evental
sequences, see below. 90 For a shorter explication of Badiou’s thought more focused on the subject, see his “On a Finally
Objectless Subject” in the collection, Who Comes after the Subject?
54
subjective statement (and therefore the subject itself) that is not entirely discernible.
Specifically, Badiou says that the subject is discernible, but it also “believes that there
is a truth, and this belief occurs in the form of a[n indiscernible] knowledge” for the
subject (397). The subject spans across both situations, from the discernible to the
indiscernible; it is “[t]he absolute singularity, subtracted from sense, of th[e] Two”
(393).
There is in fact another, different subject that appears alongside this “faithful
subject” in Logics of Worlds: the obscure subject. If the matheme of the faithful
subject is ε
¢ ⇒ 𝜋 , where the trace of the event (and not the event itself, since the
event is ephemeral)91 ε and the subject-body92 subordinated to it (placed under the
bar, in the Lacanian sense) that it places sous rapture (for truths are infinite, i.e. never
completely presented) ¢ force the present of a new situation π (LW 51-53), then the
matheme of the obscure subject is 𝐶⇒(﹁𝜀⇒﹁¢)
𝜋, where a transcendent body C pursues
the occlusion (or negation) ﹁ of the evental trace ε and thus the suppression of the
subject-body ¢, all in order to attempt the abolition of the new present π (58-61). But
what then is a transcendent body?
Perhaps a look at Badiou’s Ethics, published between the two volumes of Being
and Event, might help.93 Here, Badiou points out three Evils, or threats to or
subversions of a faithful procedure. One of these is the Evil of disaster, which “is to
want, at all costs and under conditions of a truth, to force” every point of a situation
91 This was pointed out when discussing Sartre’s Apocalypse in Chapter Two; the event’s ephemerality
can be seen when Badiou calls it “a separating evanescence, an atemporal instant” (LW 384), or when
he notes that a site “appears only to disappear” (369). See also Emmanuel Terray’s “Badiou et Sartre,”
135. 92 This foreshadows our discussion below of the subject-body and its relation to points. 93 That there is some form of connection between the Evils of Ethics and the subject forms of Logics of
Worlds is attested to by Badiou in an interview with Bruno Bosteels, “Can Change Be Thought?” 317.
55
(86). This attempt to force all knowledge, to bring everything of the old situation into
the new subjective one, is an Evil because it denies the basic Sartrean conception of
the human, which Badiou accepts entirely: It denies that “[t]he Immortal [i.e. being-
for-itself or transcendence] exists only in and by the mortal animal [i.e. being-in-itself
or facticity]” (84)—a form of bad faith. The will to force every point “is,
fundamentally, the same as the will to eliminate, in the human animal, its very
animality, i.e. its being [in contrast to its nothingness]” (85). It is both the for-itself
and the in-itself together that make the human.94 Thus, we see that what makes an
event (or its effects) is not any specific content, but the form of that content, and when
the content exceeds the limit of its evental form, the faithful procedure falls afoul of
the Evil of disaster. This, I believe, is the source of the transcendent body: a
previously evental content that has exceeded its formal limit. In fact, the obscure
subject itself might conceivably be derived from another Evil, the Evil of simulacrum.
The difference between an event and a simulacrum of an event, Badiou says, is that an
event is drawn from the void, whereas a simulacrum is not:
What allows a genuine event to be at the origin of a truth—which is the
only thing that can be for all, and can be eternally—is precisely the fact that
it relates to the particularity of a situation only from the bias of its void. The
void, the multiple-of-nothing, neither excludes nor constrains anyone. It is
the absolute neutrality of being—[it is generic and indiscernible.] . . .
When a radical break in a situation, under names borrowed from real
truth-processes, convokes not the void but the “full” particularity or
presumed substance of that situation, we are dealing with a simulacrum of
94 Cf. Benny Lévy: In an uprising, “everything is possible. And how can we keep this revelation from
drowning in political hysteria? Perhaps the answer to this must be: by not pushing it to the limit. The
uprising is just one moment in the long enterprise of human unification” (HN 98).
56
truth. (73)95
We see here another feature of a simulacrum of an event: It is formally identical,
using “names borrowed from real faithful procedures.” Thus, the obscure subject is
that which pursues a simulacrum of an event drawn not from the void but from a
transcendent body. What it forces is a known and therefore necessarily discernible
content, and not the indiscernible and thus radically new perspective of a genuine
event.
There is another unique subject form in Logics of Worlds that I would like to
mention: the reactive subject, which denies the present of the faithful procedure even
while accepting and benefiting from changes in the situation, changes that it believes
are not the result of a radical break with the old situation. In other words, regarding
the undecidability of an event, the reactive subject chooses to not recognize its
existence, instead construing the observed changes as a natural96 extension of the old
situation. The matheme of the reactive subject is ﹁𝜀
ε
¢ ⇒𝜋
⇒ 𝜋, where even though the
evental trace ε is denied in order to actualize a new, non-evental present π, the faithful
subject nevertheless constitutes the “unconscious” of the reactive subject, in that the
reactive subject would not even exist without there being a change sustained by the
belief by some that it is real change stemming from an event (55-57).
From these abstract considerations of the subject, we are finally ready to discuss
exactly what the subject is. We must note at the very beginning that the concept of the
subject is pure form; the content of that form is its subject-body, and it is a subject-
95 “Faithful procedure” is renamed “truth-procedure” or “truth-process” in Logics of Worlds; similarly,
“world” is the new term for “situation.” 96 I use this term in its technical sense; for Badiou’s technical definition and discussion of nature in
terms of set theory as ontology, see Meditation 12 of Being and Event.
57
body so long as it “can bear the subjective formalism” (453) and thereby be put sous
rature by the “shearing effect” of a subject form (479). This shearing effect is why the
subject-body is written as ¢. It is, as noted above for the subject of Being and Event,
caught in the middle, and this cleavage is manifested in its treatment of points. A
point is “the reduction of [the] infinite multiplicity [of a world] to the Two,” the Two
being the Kierkegaardian97 either/or, of which only one choice is faithful to the event
(401); a point “enacts a kind of abstract regrouping of the multiplicities that appear in
the world” into “a binary simplification” (404). But a point is not entirely subjective:
A point is not that which a subject-body “freely” decides with regard to the
multiplicities that appear in a world. A point is that which the
transcendental [structure] of a world imposes on a subject-body, as the test
on which depends the continuation in the world of the truth-process that
transits through that body. A subject-body comes to face the point of the
point, in the same sense that we could say it finds itself with its back to the
wall. (400)
Thus, points are a part of the structure of a world; if a world lacks points, it is an
“atonic” world (420). In brief, a subject is the combination of a subject form and the
subject-body that bears it by traversing the points of a world.
What, it then follows, are these bodies? Badiou’s answer falls under his four
“generic procedures” (BE 16), four conditions of philosophy (340), or “four types of
truths: science (mathematics and physics), love, politics and the arts” (LW 71). This is
not to say that all of human experience can be reduced to these four, but that “other
practices . . . do not generate truths” (BE 340). The delimiting of possible evental
97 Badiou directly connects his theory of points with Søren Kierkegaard’s thought; see Logics of
Worlds, VI.2 (Book VI, Section 2).
58
truths in human experience to these four domains is not fixed theoretically: “[T]here
are perhaps an infinity of types of truths but we humans only know four” (LW 71).98
Under these four domains, the subject-bodies are, for politics, the organization; art,
the work; love, the (bi-sexed) couple; and for science, the result (and its subsequent
theorization) (77). Each of these subject-bodies are addressed in detail somewhere in
Badiou’s oeuvre,99 and we will go into more detail in the next chapter; what concerns
us here is that none of these subjects (in either form or body) is an individual person.
This conception of the subject as “a transhuman body” (481) is a direct inheritance
from the Sartre of the Critique, in which the focus of analysis is on supraindividual
groups that nonetheless are not hyper-organisms (CDR I 538). In the same way,
Badiou preserves the role of the individual under the guise of the “militant” (BE 329)
or the “some-one” (Ethics 44-46). Perhaps here it would be illuminating to quote at
length his description of the “some-one”:
“Some-one” can thus be this spectator whose thinking has been set in
motion, who has been seized and bewildered by a burst of theatrical fire,
and who thus enters into the complex configuration of a moment of art. Or
this assiduous student of a mathematical problem, after the thankless and
exhausting confusion of working in the dark, at the precise moment
enlightened by its solution. Or that lover whose vision of reality is
befuddled and displaced since, supported by the other, he remembers the
instant of the declaration of their love. Or this militant who manages, at the
end of a complicated meeting, to find simple words to express the hitherto
98 In response to criticism that this is overly reductionist, I will demonstrate in the next chapter’s
literary analysis how these four domains are in fact sufficient. 99 For the organization of politics, see The Rebirth of History, chapter seven; for art, see Handbook of
Inaesthetics, chapter one; for love, see In Praise of Love; for science, see Number and Numbers; and
for all four, see Philosophy and the Event.
59
elusive statement which, everyone agrees, declares what must be pursued in
the situation. (45)
So we see that the individual is more akin to a participant in a truth-procedure who is
passively drawn into it. This dialectical relationship of activity and passivity, which
also exists in the theory of points, is another bequest from Sartre.
We saw in the previous chapter (Refutation 4) how both activity and passivity
coexist dialectically in Sartre’s Apocalypse; indeed, if we equate Sartre’s Apocalypse
with Badiou’s event, then Badiou’s contribution here is in fact a detailed elaboration
of the process of an Apocalypse’s development and aftereffects. That is: If we follow
Badiou’s revision and, from the fused group, pledge not to ourselves as a group but
against the denials, suppressions, and negations of obscure and reactive subjects in
the old situation, then we re-open, as it were, Sartre’s conceptual “cycle” of history
that leads back to seriality, redirecting it into a tangent that slowly peters out100 until
the content of a truth-procedure is no longer generic and devolves into a transcendent
body. This also corroborates my assertion in Chapter Two, Refutation 8 that the
center of an Apocalypse is not a specific group but a structural position. But how
should we understand this petering out in light of Badiou’s claim that truths are
infinite, or “eternal” (LW 33)? Badiou’s answer is to divorce the subject and its truth-
procedure from any one event, body, or world, instead enabling the “resurrection” of
a faithful subject (LW 65) by attaching it to a (Platonic) Idea,101 that which
“uphold[s] that there is something universal” (Second 107).102 Note that since
100 “The possibilities opened up by an event are still present within a situation throughout an entire
sequential period. Little by little, they peter out but they are present” (PE 12). 101 A more precise definition is that which “both manifests itself in the world—what sets forth the
being-there of a body—and is an exception to its transcendental [structural] logic” (LW 510). Note that
this usage differs from its usage in Being and Event, where it is mostly used as the ontological term for
mathematical axioms. 102 The Idea enacts two more functions: It attracts an individual to become a faithful some-one and
60
universality does not entail transcendentality (see Refutation 3, previous chapter), the
Idea is able to reorient and change with each new event in a sequence (PE 15) while
still maintaining its universality; it is that of which the subject is the real (74). And
even the eternal truths are not eternally existent:
That it belongs to the essence of a truth to be eternal does not dispense it in
the least from having to appear in a world and to be inexistent prior to this
appearance. Descartes proposes a truly remarkable formula with regard to
this point:
Even if God has willed that some truths should be necessary, this
does not mean that he willed them necessarily.
Eternal necessity pertains to a truth . . . [b]ut [not to] its process of
creation[.] (LW 512-13)
What universal form of real change the faithful subject brings to the table in each
domain is laid out in Logics of Worlds as follows: for politics, a new egalitarian
maxim;103 for art, a new perceptual intensity; for love, a new existential intensity; and
for science, a new enlightenment (77). The notion that events initiate sequences that
gradually supersede one another allows us to reconcile the evident affirmation of
events with the statement that “[n]o-one would wish this [evental] adventure to be
permanent” (BE 294). Like Nietzsche’s will to power,104 the power of events waxes
colors her worldview (Second 105); for the latter, see also Philosophy and the Event, 14. 103 Badiou seems to deviate from this point in a later interview, where he states that the sequence
following the French Revolution (which is the sequence immediately prior to ours today) is focused on
liberty; but even here, the conception of liberty has ramifications for equality as well; see Philosophy
and the Event, 15. In any case, egalitarianism seems to be the more consistent theoretical choice. 104 Beyond Good and Evil, section 212:
Today the taste of the time and the virtue of the time weakens and thins down the will;
nothing is as timely as weakness of the will. In the philosopher’s ideal, therefore, precisely
strength of the will, hardness, and the capacity for long-range decisions must belong to the
concept of “greatness”—with as much justification as the opposite doctrine and the ideal of
61
and wanes with time.
This brings us to the last question of the chapter: How does Badiou conceive of
ethics? And how does it relate to Sartre’s conception? We see in Badiou’s Ethics that
his conception of ethics is entirely oriented toward truth-procedures: “The only
genuine ethics is of truths in the plural . . . Ethics does not exist. There is only the
ethic-of (of politics, of love, of science, of art)” (28). Fidelity to a truth-procedure is
what makes an Immortal out of the mortal human animal (12); it is that which affirms
one’s transcendence in the face of a zeitgeist of facticity—which is to say that “there
are only bodies and languages, except that there are truths” (LW 4).105 Note that
Badiou is not affirming transcendence over facticity, which would be bad faith. He
recognizes that “[a] body is the materiality that life requires” (508), and that
participating in a universal Idea exacts costs from the particular individual (Second
115-16); but the ability to pursue fidelity to events, even in different domains,106 is
precisely what it is to be human: “The grace of living for an Idea, that is of living as
such, is accorded to everyone and for several types of procedure” (514). We have seen
in Chapter Two, Refutation 5 that Sartre’s view of ethics is the pursuit of a fully
human life of future possibility for humans in general, so that we are opened up to the
economy of meaning; and that an Apocalypse, in the midst of this pursuit, also creates
meaning ex nihilo as the motor of this entire economy. With Badiou, we see how the
political is but one of four domains in which an event may occur, so that even though
pursuing freedom is still a key goal,107 the bestowal of meaning via all four types of
a dumb, renunciatory, humble, selfless humanity was suitable for an opposite age, one that
suffered, like the sixteenth century, from its accumulated energy of will and from the most
savage floods and tidal waves of selfishness. (137-38) 105 Emphasis removed from first half. 106 But the frequency of each type of event varies; Badiou notes that political events are “rare” while
amorous ones are “quasi-omnipresen[t]” (PE 66). 107 “In what I call today the four generic procedures . . . , there was at bottom only politics”
(“Commitment” 30).
62
event is a more direct consequence and has a wider significance overall. And yet, the
two thinkers differ merely in emphasis. In the end, I am positive that Sartre would
agree with Badiou’s conclusion: “We are open to the infinity of worlds. To live is
possible. Therefore, to (re)commence to live is the only thing that matters” (LW 514).
63
Chapter Four
A Meaningful Life: Reading John Williams’s Stoner
In his New York Times review essay, Morris Dickstein says that “John Williams’s
‘Stoner’ is something rarer than a great novel—it is a perfect novel” that “invokes the
life of learning as a rebuke to the wasteful wars and cheap compromises of the wider
world.” The author jointly won the National Book Award in 1973 for his next work,
Augustus. And yet neither Stoner nor John Williams are considered canonical for
literary study. If it were not for the passionate effort of a few key individuals, the
work would have been more or less lost to literary oblivion.108 A look through the
literature reveals little scholarship: Three studies speak of Stoner as a member of the
academic novel subgenre of campus fiction,109 two studies mention it in connection
with trauma,110 it is touched on in two studies on education,111 it is brought up as an
anecdote regarding Medieval studies (protagonist William Stoner is a medievalist),112
it is cited in a study on experimental fiction (odd, given how Stoner could be seen as a
paragon of realism),113 and it serves as an example in a study on philosophical
realism114—most of these mentions take up less than a line or two of text.
The most relevant study is an MA thesis by Michael G. Cole, “Existentialism and
108 For an account of how Stoner maintained a core following throughout the 20th century to finally
reclaim the light of day in the 21st, see Claire Cameron’s “A Forgotten Bestseller: The Saga of John
Williams’s Stoner.” 109 Michael V. Belok and Malcolm S. Enger’s “Alienated: The College Professor”; Eric Leuschner’s
“Body Damage: Dis-Figuring the Academic in Academic Fiction”; and Péter Székely’s dissertation,
“The Academic Novel in the Age of Postmodernity: The Anglo-American Metafictional Academic
Novel.” 110 Lee D. Scheingold’s One Silken Thread: Poetry’s Presence in Grief; and Colleen Hill Patton’s
dissertation, “Images of Experience: Decolonizing Medicine.” 111 Liz Marr’s journal editorial, “Widening Participation, Lifelong Learning and MOOCs: Challenging
the ‘true nature’ of the university”; and Jeffrey J. Williams’s “Teach the University.” 112 Bruce Holsinger’s “Medievalization Theory: From Tocqueville to the Cold War.” 113 Ivan Callus’s “Exhausted Replenishment: Experimental Fiction and the Decomposition of
Literature.” 114 Jamie Morgan’s “What Is Progress in Realism? An Issue Illustrated Using Norm Circles.”
64
Selected Contemporary Novels in English,” in which two paragraphs are devoted to
reading Stoner as a novel of “subjective inability” (20). On the face of it, this
evaluation is accurate: Stoner’s life is not a successful one, in the sense that his
marriage is a failure and his career is middling, at best. But if we read the novel from
the perspective of what meaning Stoner gleans from his life, then a whole different
vista of analysis is opened up to us,115 the same broad vista that has garnered this
novel such praise and acclaim over the years, even if for most of its life it has not sold
well. William Stoner is a subsistence farmer’s son born in Missouri in 1891 who
discovers a love of literature and becomes a small-time professor. He experiences
major setbacks and minor successes in his career and in his personal life before dying
in 1956 in seeming obscurity (S 3). This is the bare bones of the plot; it is how this
plot is fleshed out that is of particular interest. As Mel Livatino writes, “Stoner
prevails in his integrity as a man, a teacher, a scholar, a husband, and finally as a
human being of noble dimensions” (421). And it is Alain Badiou’s existential ethics,
as delineated in the previous chapter, that will be our guiding thread.
From the very outset, Stoner’s world is one of scarcity and hard labor: His
household is “bound together by the necessity of its toil” (4). An image of what his
life would be like if nothing changes can be seen in his father’s hands, with its “thick,
callused fingers, into the cracks of which soil had penetrated so deeply that it could
not be washed away” (6).116 And when later in life Stoner returns to bury his father,
he looks on his old home and thinks “of the cost exacted, year after year, by the soil;
and it remained as it had been—a little more barren, perhaps, a little more frugal of
115 As Williams himself says of the person who served as inspiration for his protagonist, “although that
man may not have been one of the great teachers of all time he had dedicated himself to something that
I thought was extremely important and it didn’t matter whether he was a ‘success’ or whatever, and I
found some kind of heroism involved there” (qtd. in Wakefield 20). 116 For quotations from the novel, I keep the narrative past tense.
65
increase. Nothing had changed. [His parents’] lives had been expended in cheerless
labor, their wills broken, their intelligences numbed” (108). Fortunately, a subjective
point arises in this seemingly atonic world, and Stoner is urged to study agriculture at
“the University in Columbia” (5), i.e. the University of Missouri. An only child, he is
reluctant to leave his parents behind, but he goes (6). University life itself is nothing
special; Stoner’s good friend David Masters illustrates this well when, during a saloon
chat with Stoner and their third good friend, Gordon Finch, he makes the University
out to be a refuge for those who would never survive in the world: Masters because he
is too bright, Finch because he is just short of bright enough, and Stoner because he is
too idealistic (29-32). Again, just like the short biographical summary on page three
(paraphrased above), this is a fairly accurate description of the university life of these
three friends: Finch later proves to be, time and again, the advocate of practicality and
the bigger picture, being just short of bright enough to take the mental leap that is
required in order to go beyond “only bodies and languages” and see what the
idealistic Stoner sees, “that there are [also] truths” (LW 4);117 and as for Masters, he
enlists in WWI and dies on the front (39). This brings us to another eventless aspect
of Stoner’s world: war. The First World War breaks his professor and mentor, Archer
Sloane, in the face of the incalculable “sense of waste” (220). When Stoner asks his
advice on whether to enlist with Masters and Finch (the latter survives), Sloane speaks
eloquently of how war, regardless of victory or defeat, is a rejection of the Immortal
in favor of the human animal and its barbarity:
“A war doesn’t merely kill off a few thousand or a few hundred thousand
young men. It kills off something in a people that can never be brought
back. And if a people goes through enough wars, pretty soon all that’s left is
117 Emphasis removed.
66
the brute, the creature that we—you and I and others like us—have brought
up from the slime. . . . The scholar should not be asked to destroy what he
has aimed his life to build.” (36)
Thus, the irony of military “victory” is all the harder for Sloane to bear, and Stoner
catches a glimpse of him from amidst an impromptu student victory celebration,
“sitting in his chair before his desk, his face uncovered and twisted, weeping bitterly,
the tears streaming down the deep lines of the flesh.” From then on, “Sloane was a
broken man and would never again be what he had been” (43-44). WWII has a similar
effect on Stoner himself, by then an assistant professor: In the face of the “all-
pervasive” “public tragedy” (243), “he realized the futility and waste of committing
oneself wholly to the irrational and dark forces that impelled the world toward its
unknown end,” but unlike Sloane, he “withdrew a little distance to pity and love” to
avoid being caught up in the despair (220-21). By his late fifties, Stoner’s emotional
reaction to McCarthyism and the Korean War is less acute, “[a]nd the pity and
sadness he felt were so old, so much a part of his age, that he seemed to himself
nearly untouched” (251).
In the midst of these macrohistorical operations of the contradictions of alienated
praxis, Stoner is, at various points throughout his life, a some-one to all four types of
truth procedures. The first truth procedure is that of science, in the guise of
agriculture. Badiou recognizes only two disciplines open to scientific truths:
mathematics, as the inscription of being (as noted in the previous chapter); and
physics, as an application of mathematics that “theorizes particular worlds” (PE 96).
But from physics, we may derive chemistry; from chemistry, biology; and from the
combination of the two, agriculture. This, though, is at most a reactive subject, one
that adheres to the content of a past event that makes possible these material advances
67
and does not consider the eternal and changing aspect of a scientific Idea. Thus,
Stoner studies not with the affect of joy that is the sign of a scientific event (LW 77),
but unperturbedly, “with neither pleasure nor distress. . . . He was aware that he had
learned things that he had not known before, but this meant to him only that he might
do as well in his second year as he had done in his first” (9). The discipline “caught
his interest in a general way” (10).
This all ends when he begins his sophomore survey course of English literature
under Sloane. Sloane, embodying some-one who is touched by an artistic event, and
foreshadowing the later Stoner, “came to his task of teaching with a seeming disdain
and contempt, as if he perceived between his knowledge and what he could say a gulf
so profound that he would make no effort to close it” (10). Indeed, it is not merely a
perception; Badiou notes in his Handbook of Inaesthetics that an artistic truth is both
immanent and singular—“rigorously coextensive with[,]” and “given nowhere else
than in[,] art” (9). Whatever Sloane or Stoner say in attempting to impart artistic truth,
it will always fall short. This allure of truth quickly affects Stoner when Sloane asks
him what the meaning is of Shakespeare’s Sonnet LXXIII: “‘It means,’ he said, and
with a small movement raised his hands up toward the air; he felt his eyes glaze over
as they sought the figure of Archer Sloane. ‘It means,’ he said again, and could not
finish what he had begun to say” (13). His next period of soil chemistry is suddenly “a
process of drudgery that even now was becoming unfamiliar to him,” and he soon
changes his course sequence to one favoring the humanities (14). He has become a
some-one to an artistic subject. This may seem odd, given that an artistic event is
supposed to find new forms (LW 77), and that the course Stoner is taking is a survey
course and his later specialty is Classical and Medieval poetry; but with regard to
evolving evental sequences (and referring to an artistic example), Badiou notes that
68
“the evental mutation renders the truth of the sequence that precedes it” (PE 70)—we
only truly know what an art form is when it is no longer a new form but is settled and
more or less defined. Thus for an artist, the artistic event ought to be that of the new
art form; but for the scholar of art, it is the artistic truth in old forms that is alluring.
When teaching for the first time, Stoner tries to make his language convey artistic
truth, but, as we might expect, “he heard his own flat voice reciting the materials he
had prepared, and nothing of his own excitement came through that recitation” (27). It
is only later, letting himself be “so lost in his subject that he became forgetful of his
inadequacy, of himself, and even of the students before him,” that he slowly starts to
convey that excitement precisely by not trying to (112-13). This is a good
demonstration of the performativity of an event; once we actively try to maintain the
evental quality while disregarding that against which an event is defined, the fused
group becomes the pledged group, and we fall from “[t]he grace of living for an Idea”
(LW 514) to return to seriality and scarcity. Still later in his teaching career, Stoner’s
participation in the artistic Idea is so intense that, absorbed in an extemporaneous
translation from Latin, he says to the legitimately interrupting president of the
university, “Begone, begone, you bloody whoreson Gauls!” (230-31). He sees the
teaching of literature as his vocation, and “he concentrated all the energies of which
he was capable upon the moment of his work” of forcing that artistic truth into new
encyclopedic knowledge (249),118 even seeing the mortality of his human animal as
just a minor annoying obstacle to the Immortality of truth (258). The art of literature
is the first and last love of his life, forming his bedrock and safe harbor.
118 The newness of this knowledge is defined by the specific situation, and the situation (or world) is
inexplicably caught up with its inhabitant (BE 360-61)—in this case, of course, Stoner’s students.
Badiou, in his decentering of the subject, would hasten to add that an individual is located in a situation
but does not define it; nevertheless, given that individual and situation remain inseparable, I maintain
that Badiou’s thought is a form of perspectivism.
69
But it is not the only love of his life. In the same series of incidents that lead to
his political struggles (discussed below), he meets his greatest romantic love and is
subjectivized by an amorous truth procedure. Before analyzing this aspect of Stoner’s
life, however, we must first discuss Stoner’s wife, Edith. He first meets her at a dinner
party; he finds her fascinating, and fascination, says Jean-Paul Sartre, is the state of
“the non-thetic consciousness of being nothing in the presence of being” (BN 484),
the feeling that one is nothing in comparison with the Other. Moments later, Stoner is
pierced by her look, reacting to which “[i]n some confusion he backed from the
doorway and turned into the sitting room; he found an empty chair in a space by the
wall, and he sat there looking at the carpet beneath his feet” (47). Having read our
Sartre, we know that this form of “love” is inauthentic, and in this form can only lead
to the inescapable seesaw of the Hegelian master-slave circularity, in which each of
the two objectifies, and is objectified by, the other in turn (BE III.iii.1-2). Indeed,
given his fascination with Edith, and how “he knew that he was in love” upon feeling
“that they were strangers” (53), it would be safe to say that Stoner is pursuing the
foundational meaning of his being in the doomed project of “recovering” himself,
which “is fundamentally a project of absorbing the Other” (BN 475). And although
the reader does not yet know it at this point in the plot, Edith is also viewing Stoner’s
courtship as a means to an end, foreshadowed, when she is deciding whether to allow
him to call on her the next day, in her “speculative, almost bold” eyes (49); in this
case, however, it is “a plea for help” (54).119 It transpires that Edith leads a cloistered
life, raised and cultivated to be a trophy wife with no concern for her own passions,
talents, identity, or even sexuated body (54-55). It is in this atonic world that Edith
119 It is curious that, during their short courtship, the foreshadowing hints of this not quite being love
are mentioned by the narrator, who is focalized on Stoner throughout most of the book; or perhaps it is
not so curious, as “love” (i.e. fascination) often blinds us to these unimposing hints.
70
perceives a new subjective point—the appearance of Stoner as a possible escape from
a suffocating patriarchy. Thus, when Stoner proposes and she puts on an “unreal”
expression of surprise (56), we are not taken aback at Badiou’s calling
“conjugality”120 the reactive amorous subject, for this description perfectly befits
Edith; nor are we surprised when Badiou says that the obscure amorous subject,
“fusion”121 of the Two into One, often goes “[b]eyond conjugality, which it
instrumentalizes,” for this is precisely Stoner’s mentality in pursuing the foundation
of his being through marriage with Edith. But the faithful amorous subject, which will
appear in Stoner’s middle years, is in fact the “bi-sexed” “couple,”122 the “enchanted
existence”123 of an irreducible Two (LW 74). This interpretation explains why the
newlyweds enjoy the diurnal freedom of their honeymoon, with Edith exuding “what
he thought were gratitude and love” (68), but at night suffer through the
consummating act of marriage (70-71). It also explains Edith’s long-lasting
antagonism toward Stoner, for she marries to escape the patriarchy, only to perceive
in her husband another one of its ubiquitous guises. Thus, when he tries to assist her
in the housekeeping, she “think[s] herself to be humiliated”; when he tries to cheer
her up, “she accepted what he said as a reflection upon her adequacy and her self”;
and when he engages her in pleasant activities, her response is “perfunctory and
indulgent” (74-75). Faced with this Althusserian méconnaissance,124 in which actions
are intended in one way but are perceived in another, Stoner has but one recourse:
“He learned silence and did not insist upon his love” (74). The Stoners later have a
120 Emphasis removed. 121 Emphasis removed. 122 Emphasis removed. 123 Emphasis removed. 124 For Louis Althusser’s explanation of this term, see his Ideology and Ideological State Apparatuses,
1350-51; he first employs the term on 1355 and later pithily states that
“ideology=misrecognition/ignorance” (1360). In the Works Cited, I also provide an online version of
the text, citations for which the corresponding page numbers are 162-63, 172, and 183, respectively.
71
child, Grace, who, as the incarnation of an unreciprocated love, is loved dearly by
William but is viewed by Edith “as if the child belonged to someone else who was a
stranger” (87). But Grace, too, will be caught in the ideological crossfire.
After the death of her patriarchal father, Edith decides to assert her own identity
against that imposed on her via patriarchal interpellation: She burns every one of her
possessions connected to her father (117) and remakes her image to distance herself
from her past (118). All of these, according to the narrator, are outward manifestations
of “another change secret and potential within her”—a change of identity.
Admittedly, to be elided over by a dominating ideology is regrettable, but the answer
is not to “shrink the circle,” as it were, around a focal point of identity; rather, it is to
“expand” it to include those who are currently excluded. This is the main political
claim behind Badiou’s employment of the generic or indiscernible within a situation,
and it can be prominently seen in his Ethics, for instance, when he says that “since
differences are what there is, and since every truth is the coming-to-be of that which is
not yet, so differences are then precisely what truths depose, or render
insignificant. . . . Only a truth is, as such, indifferent to differences” (27); or in his
Rebirth of History, in which he says that “by ‘justice’ today is also, or even primarily,
to be understood the eradication of separating words. We must affirm the generic,
universal and never identitarian character of any political truth” (77). Edith’s
newfound self-identity makes life in the Stoner home not stable but metastable,125
and this “delicate balance” (S 120) is soon disrupted. When Edith changes from being
socially active to staying mostly at home, Stoner asks her if something is wrong; he is
met by a “quizzical and calculating” look (121). It soon becomes apparent that Edith
perceives in this overture of concern a renewed attempt at patriarchal capture on
125 “[S]ubject to sudden changes or transitions” (BN 90n2).
72
Stoner’s part, and she strikes preemptively by separating him from their daughter
(122). This is the beginning of a lifelong distance between father and daughter, a
distance intentionally brought about and maintained by Edith.
A conversation between Stoner and Edith is especially revealing with regard to
the ideological distortion at work (125-26): He expresses concern over the forcibly
social and active lifestyle she imposes on Grace that causes her to become sullen yet
hysterical, to laugh often but seldom smile (124), and she replies with genuine belief
that “Grace has never been happier”; he suggests to her, “[Y]ou really do hate me,
don’t you, Edith?” to which she responds sincerely, “Of course not. You’re my
husband.” And although she does not deny that she is “using Grace,” she adds, “I
wouldn’t hurt Grace. You ought to know that. I love her. She’s my very own
daughter.” Focalized on Stoner, the narrator goes on: “And he knew that it was true;
she did love her.”
How should we unpack this dense passage? First we note that, with Edith’s
intervention, Grace is acquiring personality traits that, when observed in her mother’s
own youth, are symptomatic of patriarchal oppression—and that this is despite Edith’s
best efforts at countering the patriarchy.126 Edith apprehends this as happiness
because it is a direct contrast to the Grace under Stoner’s care, which she perceives as
patriarchal. Next, even with all of her antagonism, Edith denies that she hates Stoner;
but note that there are two possible semantic connections between “Of course not”
(i.e. I don’t hate you) and “You’re my husband”: (a) The reason that I don’t hate you
is because you are my husband; (b) I don’t hate you personally, but I do demonstrate
126 This opens up questions of how the practico-inert, here the facticity of Grace’s personality, subverts
Edith’s praxis to result in class reproduction—but a theoretical explication of this process is outside the
scope of this study. Suffice it to say here that the real problem is not patriarchal oppression, but
oppression as such. It is also curious to note that Grace later escapes this oppression in the same way
that Edith does hers: through marriage (247-48).
73
hatred toward you because you are my husband. In other words, the negation could be
directed at either (a) the hate itself or (b) Stoner personally; if it is the latter, then the
hatred would still exist. All of her actions tend to support the second interpretation,
which in turn supports my assertion that her actions are motivated by ideological
méconnaissance. Finally, based on her own childhood, she believes that what she is
doing (i.e. the opposite of her own upbringing) is best for Grace, and the corollary
assertion that doing what is best for Grace is at the same time using her against Stoner
serves to rationalize her view of Stoner as a patriarchal oppressor; otherwise, the
thinking goes, why would he object to doing what is best for Grace?
Edith’s separation of Stoner from his daughter, along with her marginalization of
Stoner’s space at home, drives him to longer hours in his office and full-scale
capitulation on the home front; and it is this capitulation that finally allows Edith to
treat Grace as less of a chess piece and more of a daughter (128). By the distorted
logic of ideology, the less Stoner is concerned for his home and wife, the better his
relations with Edith become: The high point of these relations is during his love affair
(199-200); and when Stoner starts spending more time at home after his affair ends,
Edith at first reacts with renewed antagonism, but it subsides again as it becomes clear
to her that he is there not to “control” her (i.e. to express his caring) but out of
indifference (232).
The affair in question is the amorous event of Stoner’s life, and it takes place
interspersed with his gradual involvement in departmental politics, which we will
discuss later. Badiou points out that the subject of an amorous event is a
“disjuncture,” a “Two” (In 28), that shares a single common point called an
“encounter” (PE 46) and thus “assume[s] a risky or contingent form” (In 28). From
the initial contingency, the subject “embark[s] on a construction of [amorous] truth”
74
with “a declaration of love” (42) that “isn’t necessarily a one-off; it can be protracted,
diffuse, confused, entangled, stated and re-stated, and even destined to be re-stated
again” (43). This construction is the faithful procedure that makes the contingent
event appear “almost a necessity.” Stoner’s encounter with Katherine Driscoll, “a
dark-haired young woman, a new instructor in the department, who had taken a job
for two years while she completed [her] dissertation” (133), takes place in his
graduate seminar on the Latin Tradition and Renaissance Literature, which she is
auditing, and it revolves around the shared point of love of literature and scholarship.
Stoner praises her after class on her presented paper (“the best discussion I know of
the subject”) and is suddenly caught by “a wave of awkwardness and self-
consciousness”; the attraction is mutual: “[S]omething fierce glinted behind her eyes,”
and “she blushed furiously and ducked her head” (139). (As Driscoll later says to him,
“My God, how I used to lust after you” (196)). The disjunction between them is not
merely sexual; Stoner at this point in his career is an established and respected
presence in the department (this is before he is sidelined by departmental politics),
whereas Driscoll has barely just arrived. But the evental encounter is real, and is
reconfirmed the following week when Stoner, apologizing for another student’s
malicious presentation, perceives her smile as only an amorously subjectivized some-
one can: “It was a slow smile that started in her eyes and pulled at her lips until her
face was wreathed in radiant, secret, and intimate delight. Stoner almost pulled back
from the sudden and involuntary warmth” (144). Three semesters later, Driscoll
comes to him for advice on her dissertation (182). Gradually, Stoner becomes aware
of his feelings for her, and under guise of aiding her dissertation, he starts frequenting
her apartment; but when it seems that she will not reciprocate, he “comes to his
senses,” as it were, and gradually decreases his visits and avoids her in the hallways
(189-90). Yet upon hearing that she has taken ill, he frantically grabs a book as
75
pretext and rushes over to her home (191), and after a tense and reserved tête-à-tête,
they both declare their feelings for each other, he in his professorial rambling, she by
interrupting his spiel (193). The narrator’s choice of words to describe the ineffable
existence of their love strikingly matches Badiou’s terminology: Their encounter is a
“strange and terrible thing that they held between them in a single grasp” (193); and
Stoner discovers that “love is not an end [i.e. fusional] but a process [i.e. a
construction]” (194), “a human act of becoming, a condition that was invented and
modified moment by moment and day by day, by the will and the intelligence and the
heart” (195).127 The “[n]ew existential intensity” that Badiou proffers as the
manifestation of an amorous event (LW 77) is also echoed in Stoner’s realization that
“he had started to think of themselves as never really having existed before they came
together” (197), and in the narrator’s statement that “[t]he life they had together was
one that neither of them had really imagined [before]” (198); and that the amorous
truth procedure is indeed indiscernible within an encyclopedia of knowledge can be
seen in the two “given opinions” that their love affair debunks: They find, in the case
of studying at Driscoll’s home, that use of the mind and use of the body are mutually
intensifying rather than inimical (199), and that (as mentioned above) having an affair
is beneficial rather than detrimental to one’s marriage. But, as with all events, the
affair is not perpetual, and in the face of its impending closure, just as Sartre says of a
fused group facing external threats, their bond grows ever stronger:
With a strategy that they would not have been able to manage a year earlier,
with a strength they would not have known they had, they practiced
evasions and withdrawals, deploying their powers like skillful generals who
must survive with meager forces. . . . They told themselves and each other
127 Recall that Badiou also calls his truth procedures “conditions” of philosophy.
76
that they were closer than they ever had been; and to their surprise, they
realized that it was true, that the words they spoke to comfort themselves
were more than consolatory. They made a closeness possible and a
commitment inevitable. (S 210)
The sequence of this amorous event ultimately ends, with a final, wistful trace in the
form of Driscoll’s dedication in her published dissertation: “To W.S.” (249). But
Stoner keeps his faith in the new possibilities of existence that this event reveals to
him, and it is this inspiration that opens up the path to resolving his political
difficulties.
We have an intimation of these difficulties when Charles Walker, a prospective
Ph.D. candidate, tries to enter Stoner’s graduate seminar, the same one that Driscoll is
auditing, even though it is full and it is already the second week of classes. Walker
needs the academic credits and is willing to give whatever answers Stoner wants to
hear in order to get in: Yes, he has “a particular interest” in the Latin tradition; yes, he
knows Latin, French, and German “very well,” although he has yet to take the
corresponding exams. Stoner reluctantly lets him in (132). At the next class, Walker
arrives late and asks a question critical of the entire basis of the seminar, mixing up
Samuel Johnson and Ben Jonson in the process (134-36); and his performance
throughout the semester does not improve, to the amusement and derision of his
classmates (137-38). He continually postpones his paper presentation until the final
week, and instead of presenting painstaking, time-consuming research, he embarks on
a nearly hour-long impromptu harangue (the aforementioned malicious presentation).
The gem of a speech that author John Williams concocts starts thusly: “Confronted as
we are by the mystery of literature, and by its inenarrable power, we are behooved to
discover the source of the power and the mystery”; and it includes lines such as this
77
one: “The work of literature throws before us a profound veil which we cannot
plumb” (140). It is truly “a bluff so colossal and bold that [Stoner] had no ready
means of dealing with it” (143). Afterward, Walker denies any impropriety, declines
to give another presentation at a later date, and refuses to hand in his “manuscript,”
and Stoner is forced to fail him (145-48). Walker, maintaining the bluff, takes it
personally.
This would merely be an isolated incident, if not for two related developments.
The first is that Walker is the beloved student of accomplished Professor Hollis
Lomax, recently transferred to Stoner’s department. Lomax is not blind to Walker’s
shortcomings—he admits that Walker’s dissertation “will not be what some would
call . . . sound” (137)—but he is nevertheless insistent on Walker’s imminent success.
This persistence, which later leads him to cross ethical lines, stems from the fact that
they are both, as Lomax himself says, “cripple[s],” and Lomax uses this fact to
explain why Walker is “rather awkwardly shy and therefore at times defensive and
rather too assertive.” We have here a case of bad faith, in which Lomax (and Walker,
presumably) uses the facticity of his physical infirmity as a rationale to expect special
treatment, thereby eliding over the transcendence within himself to overcome the
particular obstacles of his situation: At a dinner party, Lomax speaks “of the isolation
that his deformity had forced upon him, of the early shame which had no source that
he could understand and no defense that he could muster,” drawing a causal link
between his deformity and his aptitude for literature as his escape from isolation (98).
This is a form of bad faith that unites Lomax and Walker against the world, resulting
in the same ideological distortions based on difference as those affecting Edith. When
Stoner inquires of Lomax about Walker after Walker’s first day in class, Lomax takes
it personally, emphatically proclaiming to Stoner, “You will find him to be a superior
78
student. I assure you, you will find him to be an excellent student.” And it is not
merely a matter of a single graduate seminar; due to department regulations, Stoner
must sit on the three-person committee overseeing Walker’s preliminary oral
comprehensive examination to “judge the candidate’s general fitness” (153). Here is
revealed the lengths to which Lomax is willing to go to ensure Walker’s
advancement: Throughout the exam, Walker gives prepared answers in response to
Lomax’s questions, and when the second member of the committee asks something of
which Walker has no idea, Lomax unerringly steps in to redirect the question to
within Walker’s area of competence. “It was, Stoner admitted, a masterful
performance” (156). Stoner is driven on principle to expose Walker, and he does so
by asking questions “that should have been asked a fair undergraduate”; Walker is
“unable to answer a single one of them satisfactorily” (162). Thus, Stoner says, “I
must vote for failure” (163). Lomax again takes it personally, blaming Stoner’s
decision on prejudice toward “an unfortunate physical affliction that would have
called forth sympathy in a normal human being” (176).
The second related development is Lomax’s appointment as department
chairman (172); in retaliation for Walker, he gives Stoner the worst teaching schedule
he can arrange: Stoner is to teach only freshman composition and a sophomore survey
course, scheduled “at odd, widely separated hours, six days a week” (173). Similar
teaching schedules come down year after year (221), “[a]nd for more than twenty
years neither man was to speak again directly to the other” (177). Lomax’s
interference is also what ends Stoner’s affair with Driscoll; as Gordon Finch, now
college dean, says to Stoner, “He’ll crucify the girl” if Stoner continues (212). This,
along with a “particularly bad” teaching schedule a couple of years later, finally
pushes Stoner to fight back by “teaching what amounted to his senior course in
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Middle English to his freshman [composition] class” (228), with the threat of
replacing it next semester with his old graduate seminar on the Latin tradition (227).
Lomax cannot interfere with a tenured professor’s teaching methods, and Dean Finch
is unwilling to interfere in departmental affairs, especially not against his old friend.
Lomax has no choice but to back down, and Stoner thus regains the following
semester his old teaching schedule from years back (228).
We can observe from two aspects that this series of incidents does indeed
exemplify a political event. First, Stoner’s position in the department under Lomax is
represented but not presented. Recall the difference between these two concepts from
the previous chapter: Stoner is accounted for in the department and he does teach
classes, but his own existence as professor and scholar is not—he inexists (LW 209),
and the effects of an event are precisely to make the inexistent of a world exist (LW
377).128 Second is in how Stoner apprehends his success: “It was a triumph in a way,
but one of which he always remained amusedly contemptuous, as if it were a victory
won by boredom and indifference” (228). This “boredom and indifference” stems
from the connection of a truth procedure to the possibility of being an Immortal: “A
truth is thus undoubtedly an experience of the inhuman” (LW 71). The third aspect is
a bit more theoretical. Badiou presents “[o]rganization” as the body of a political
subject (LW 77), and in The Rebirth of History, he notes that “political organization
is . . . the constant guardianship of an exception,” of a truth procedure (66), and is
composed of three elements: localization, intensification, and contraction.
Localization is when, in terms of the new political reality, an “occupied space” carries
“the promise of a new, long-term temporality” (35); intensification is when
128 I have decided not to present Badiou’s formal expression of this idea; see the following footnote.
80
“enthusiasm and passion are everywhere” (58);129 and contraction is when “a small
minority [itself] is the genuine existence of the whole” and not merely representative
of it (64). For Stoner and his struggle against Lomax’s oppression, the “occupied
space” of localization is the classroom which Lomax assigns him and which he
“occupies” with a radically different course than that set out in the uniform syllabus of
the department; intensification, although not shown in the novel, is seen in Stoner’s
“enthusiasm and passion” for teaching literature, so long denied him, which
presumably fills the classroom throughout the semester; and contraction manifests
itself when his class scores highest on the standardized junior English exams (230),
thus demonstrating out of the “whole” of junior year the highest degree of existence in
terms of junior student English and composition ability. It is fidelity to a political
event that liberates Stoner from Lomax’s oppression.
We have seen how William Stoner, although leading a seemingly ordinary life,
one of stoicism and solitude, in fact takes part in and experiences aspects of all four of
Badiou’s truth procedures: the entry into university in pursuit of science, the lifelong
fidelity to art, the brief but brilliant flame of love, and ultimate political triumph. On
his deathbed, Stoner’s evaluation of his own life starts off despairingly:
[H]e contemplated the failure that his life must seem to be. He had wanted
friendship and the closeness of friendship that might hold him in the race of
mankind; he had had two friends, one of whom had died senselessly before
he was known, the other of whom had withdrawn so distantly into the ranks
of the living that . . . [he could not bear to accompany Stoner to the end.] He
129 The technical definition of intensification is when the degree of self-identity (i.e. existence) of a
situated multiple is maximal, the formal expression of which is Id (A, A) = EA = M (LW 392). I have
chosen not to present Badiou’s use of logic to formalize the structure of worlds in Logics of Worlds
because it has little to do with the ontological aspect of Sartrean-Badiouian existentialism, which is the
main focus of this study.
81
had wanted the singleness and the still connective passion of marriage; he
had had that, too, and he had not known what to do with it, and it had died.
He had wanted love; and he had had love, and had relinquished it, had let it
go into the chaos of potentiality. [. . .]
And he had wanted to be a teacher, and he had become one; yet he
knew, he had always known, that for most of his life he had been an
indifferent one. He had dreamed of a kind of integrity, of a kind of purity
that was entire; he had found compromise and the assaulting diversion of
triviality. He had conceived wisdom, and at the end of the long years he had
found ignorance. (274-75)
But then he understands that “thinking of failure . . . [was] mean, unworthy of what
his life had been” (277). For the true meaning of his life, what makes it meaningful, is
“a passion neither of the mind nor of the flesh; rather, it was a force that
comprehended them both”—“it said simply: Look! I am alive” (250). It is a passion
and affirmation that he has given “to every moment of his life, and had perhaps
given . . . most fully when he was unaware of his giving.” In the face of lifelong
hardship and suffering, William Stoner never ceases “to (re)commence to live” (LW
514). That, in the end, is what gives his life meaning.
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Chapter Five
Conclusion: Summary and Response to Criticism
In this study, I aimed to develop the idea of ethics as leading a meaningful life.
Such an ethics is, as we have seen in Chapter One, normative yet non-binding, save
for the one precept that any formulation of such an ethics itself must be non-binding;
and this is made possible by the reverse traversal of the ethical chain. Under this
formulation, even a refusal to be ethical (if that is at all possible) is a value-laden act
and consequently ethical, if not sustainable. We have seen that it is impossible to give
one’s own life meaning without recourse to others, be it to their affirmations of our
projects or to their sharing with us of a common meaning, by which we might enter
into what I call an economy of meaning. We have seen that, given how life is
necessarily temporal, we have an intrinsic interest in pursuing meaning in the long
term; and that given the advent of globalization, we also have an intrinsic interest in
extending the economy of meaning as far and widely as possible.
Chapter Two employed Jean-Paul Sartre’s existentialism to elaborate upon how
the above might be realized. We have seen that avoiding the bad faith of elevating
one’s transcendence over one’s facticity, or vice versa, necessarily makes the pursuit
of meaning a performative pursuit; that the advent of a Sartrean Apocalypse, which
we might view as the motor of the economy of meaning, deposes the subject from the
structural center in favor of a collective formed in response to external threat; and that
this collective is based on structural fluidity, thereby de-emphasizing difference.
These three points—performativity, decentered subject, and in-difference—are the
three legs of the poststructuralist discourse that is prevalent in postmodern thought,
and the fact that they might all be realized via Sartrean existentialism demonstrates its
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continuing significance.
However, the Sartrean framework seems to inevitably turn back toward
serialization and objectification; Chapter Three enlisted the work of Alain Badiou to
modify this framework and prolong the Apocalypse, which Badiou calls an event.
Badiou’s key alteration is to shift the fused group from pledging to itself to pledging
against the external threat, or the Outside. Thus, so long as we are a some-one to a
subject of a procedure faithful to an event, the aftereffects of that ephemeral event will
continue. We have seen that Badiou grounds his framework in terms of mathematical
set theory, and that its elucidation ultimately leads to the idea that the new situation
resulting from a truth procedure is in fact constituted by the same elements as the old
situation; they are simply reorganized in such a way that the knowledge of the old
situation cannot categorize them—here, Badiou demonstrates his Sartrean inheritance
of perspectivism. Another Sartrean influence is his dual emphasis on both
transcendence and facticity: Although most of his work deals with the former, what he
calls the Immortal, he is careful to posit that an evental truth procedure does not
attempt to force every point of a situation, and that a truth procedure that does is a
simulacrum whose subject is an obscure subject.
Badiou’s four conditions of philosophy, the generic truths of science, art, love,
and politics, were concretely exemplified in my reading of John Williams’s novel,
Stoner, in Chapter Four. Protagonist William Stoner seems to lead a life of stoical
hardship and ultimate failure, but when we examined his life while paying particular
attention to the four truth procedures, we found that he participates in all four. His
marginal interest in science is what draws him away from his original atonic world of
the family farm; his love of literary art gives his life a guiding direction and serves as
his citadel and safe haven during his life’s hardships; despite his disastrous marriage,
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he is able to experience love in his middle years through an encounter with a fellow
scholar; and it is a performative understanding of political organization that allows
him to regain that of which a departmental feud deprives him. Stoner’s life is
meaningful not for any results that he achieves, but for his passion for and affirmation
of life itself, on full display in all of his endeavors. Thus have we seen that even the
quietest life can be revealed to be meaningful.
Regarding methodology, I have tried to show how Badiou’s thought is a direct
extension of Sartre’s. Not only do they share biographical and political links and
similarities, which have been noted in the literature, they also in fact work within the
same overall framework. They both conceive of metaphysical being as something that
cannot be known—Sartre’s transphenomenality of being and Badiou’s claim that
being is neither one nor multiple—and thus, both view ontology as necessarily
perspectivist: Sartre in his discussion of the coefficient of adversity in Being and
Nothingness and of moralities in his 1964 Rome lecture, Badiou in his concepts of the
“count-as-one” and of the multiplicity of worlds. They also share the same conception
of the human as both transcendence and facticity (Sartre), Immortal and human
animal (Badiou), that informs their ethics: Both warn against the bad faith of elevating
one half at the expense of the other, and both pursue as their ultimate end a world in
which people may lead meaningful lives. I have also noted that Badiou advances
Sartre’s thought, most importantly in exposing it to the Outside, as noted above, but
also in formalizing the structure of situations, following Sartre’s remark that he would
accept as valid any structuralism that accounts for the workings of human praxis.
Alain Badiou truly is a devoted disciple of Jean-Paul Sartre.
In the rest of this conclusion, I would like to consider and respond to some
possible criticisms of Badiou’s thought. First might be the charge that his thought is
85
too abstract to have any real efficacy. Badiou himself has published numerous works
to give concrete contexts to his abstract philosophical works,130 and I hope that my
own reading of Stoner can also serve as counterexample.131
Second might be a lingering doubt over whether perspectivist change actually
constitutes real change, and is not just “seeing things from a different angle.” The
presupposition that things can “actually” be changed runs into the age-old
philosophical question of how we are to recognize that something has changed if it is
indeed radically different and not merely a case of being two different things. One
way of answering this question is precisely through perspectivism. As we have seen,
Sartre says of being-in-itself that it “is itself. This means that it is neither passivity nor
activity. . . . Being[-in-itself] is equally beyond negation as beyond affirmation. . . . It
is an immanence which can not realize itself, an affirmation which can not affirm
itself, an activity which can not act, because it is glued to itself” (BN 27); the other
half, being-for-itself, “is nothing . . . . The for-itself is the foundation of all negativity
and of all relation” (472). These two halves correspond directly to the two halves of
Badiou’s statement that “there are only bodies and languages, except that there are
truths” (LW 4). What both are saying is that being-for-itself, or truths, is what brings
change to inert in-itselfs, or mere bodies and languages, and what links them and
makes them recognizable when they are disparate. That the for-itself brings change to
inertia is another way of saying that events are the motor of the economy of meaning;
as for linking radical difference, Sartre puts it very clearly: “The for-itself is relation”
(BN 472). From a philosophical viewpoint, there can be no change without
perspectivism. And from a phenomenological viewpoint, we have seen how Sartre
130 See note 99 for some of these works. 131 Badiou himself offers a concrete elaboration in his Saint Paul; another such employment of
Badiou’s thought, this time in a reading of the Socratic dialogues, is A.J. Bartlett’s Badiou and Plato:
An Education by Truths.
86
accurately notes that there is no “objective” situation from which to make
judgments—we are all situated, and we each must view our own world from a certain
perspective. “It is not possible for me not to have a place” (BN 629).132
A third possible objection is the charge of messianism, given how an Apocalypse
and an event are both completely contingent and ephemeral occurrences. Can we do
nothing but sit and wait? Is this not a form of quietism? It is not, and we can do more.
On the individual level, even in what Badiou calls an “intervallic period,” when the
eternal Idea lies “dormant” awaiting “a new sequence” (Rebirth 39), we may still gain
entry into the economy of meaning, as we have seen, via actions of non-binding
reciprocity as delineated in the Notebooks for an Ethics. And on the collective level,
Badiou provides an explanation of how we can prepare ourselves for a new event:
Being prepared for an event consists in being in a state of mind where one is
aware that the order of the world or the prevailing powers don’t have
absolute control of the possibilities. . . . First, by remaining faithful to a past
event, to the lessons given to the world by that event. . . . The other way of
being prepared . . . is criticism of the established order. . . . [I]t’s a matter of
showing that . . . this system does not propose to the social collectivity, to
living humanity, possibilities that do justice to that of which it is
capable. . . . [It] is not an intellectual exercise. It’s in practical procedures
and organizations, in the taking-up of positions and in an activism that
conserves the memory of things, that fidelity to past events is often found.
132 Even Jacques Derrida acknowledges this when he says in a late interview, “I try where I can to act
politically while recognizing that such action remains incommensurate with my intellectual project of
deconstruction” (qtd. in Jenkins 72n5). Although a work of epistemology of history, Jenkin’s
Refiguring History is worth a read since it also engages with postmodern thinkers such as Derrida and
Badiou.
87
(PE 13-14)
In short, we can prepare ourselves for a new event by being open to new possibilities
and by taking action that can aid others in doing the same. This point is in fact related
to the previous point of perspectivism, for as we have seen, the view that possibilities
are fixed constitutes the core of what Sartre calls the “spirit of seriousness,” or the
denial of perspectivism.
Finally, I would like to consider two alternative ethical approaches that claim to
be postmodern and compare them with what I have attempted to delineate above. My
aim here is less a critique of these theories than a juxtaposition in order to illustrate
how a Sartrean-Badiouian ethics can be a powerful account of people’s lived ethical
experience—the issues, challenges, and possibilities for existential growth, both
personal and collective. The first is the vision presented in Richard Rorty’s
Contingency, Irony, and Solidarity. Rorty’s approach in fact bears many resemblances
to the underpinnings of Sartrean-Badiouian existentialism. For instance, he too
believes that humans can only “derive the meanings of their lives from . . . other
finite, mortal, contingently existing human beings” (45); and he is against “common
sense,” his version of the spirit of seriousness, in favor of “ironism,” or being open to
new worldviews (73-74), so that truly meaningful philosophical arguments are based
on not the “inference” of “logic” but the “redescription” of “dialectic” (78). Rorty is
one of the few Anglo-American analytic philosophers to fully embrace contemporary
poststructuralism in the Continental tradition, situating himself in the company of
Hegel, Nietzsche, Heidegger, Derrida, and Foucault against Plato, Kant, and
Habermas (79, 83); and he would agree with Sartre and Badiou that a “sense of
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human solidarity is based on a sense of a common danger” (91).133 Moreover, he
advocates a “liberal ironist” philosophy of “know-how” and praxis rather than one of
“liberal metaphysical” “theory,” and to that end he supports the practical work of the
“novelist, poet, [and] journalist” (93-94)—much as how Badiou says that philosophy
has no truth itself but aids in truth procedures that are its conditions (BE 340-41). But
here the similarities end. The major difference between Sartre-Badiou and Rorty is
that Rorty takes a specifically linguistic approach, so that he contrasts the
metaphysician’s “proposition” with the ironist’s “vocabulary” (78) and speaks of a
person’s deeply held beliefs as her “final vocabulary,” with respect to which a liberal
ironist is always open to change (73). This linguistic reduction reaches its zenith (or
nadir) when he states that “the difference between ‘analytic’ and ‘Continental’
philosophy is . . . that the former sort trades in propositions and the latter in proper
names” (81n3). We note that this linguistic reduction is also a reduction of language,
for Sartre is correct in holistically saying that “by language we mean all the
phenomena of expression and not [just] the articulated word, which is a derived and
secondary mode” (BN 486); but even if we make the generous assumption that Rorty
treats language in this way, it is still an insufficient view of ethics, for “[t]he problem
of language is exactly parallel to the problem of bodies, and the description which is
valid in one case is valid in the other” (487)—in other words, language is a part of
one’s facticity. At most, language as such is a structural system, which for Sartre
means, as we have seen, that it embodies a dialectical interplay of praxis and exis
(qtd. in Caws, “Sartrean” 303). To say that thought and relations can be reduced to
language is thus bad faith; it is to ignore transcendence and the very commonality of
133 One could object here to the psychologism apparent in his usage of the word “sense,” and recall, as
mentioned in Chapter Two, Sartre’s criticism in Being and Nothingness of such mere psychological
illusions, but this would be mere hairsplitting compared to the greater differences between the two
systems of thought elaborated upon below.
89
praxis that fuses serialized people under external threat into a fused group. This
neglect of transcendence is also apparent in Rorty’s conception of that solidarity-
forming “common danger,” for what he has in mind is the “common susceptibility to
humiliation” (91), a harm to mental facticity that takes no account of serialization,
objectification, or alienation, which are forms of dehumanization that, as we have
seen Sartre illuminate, afflicts the wealthy as well as the poor. Rorty’s solidarity itself
is based entirely on facticity: He asserts that “human solidarity is not a matter of
sharing a common truth or a common goal but of sharing a common selfish hope, the
hope that one’s world—the little things around which one has woven into [sic] one’s
final vocabulary—will not be destroyed” (92)—which is a direct reversal of Badiou’s
mantra that “there are only bodies and languages, except that there are truths” (LW
4). Finally, Rorty’s view would benefit greatly from an account of mutual interference
in the dialectical relationship between praxis and the practico-inert, interference that
inherently undermines his call for liberal institutions (i.e. structural systems) that
protect both distributive justice (i.e. facticity) and equal opportunity (i.e.
transcendence) (84-85). We might therefore say that Rorty’s view of a “liberal
ironist” ethics is the epitome of what Badiou calls “capitalo-parliamentarism” (BE
xii), the truth-denying worldview.
The second postmodern ethical alternative that I would like to consider is the
Levinasian-Derridean ethics of the Other. Emmanuel Levinas defines ethics in his
Totality and Infinity as “the calling into question of my spontaneity by the presence of
the Other,” by his “strangeness” and “his irreducibility to the I” (43); similarly, his
idea of “justice . . . involves obligations with regard to an existent that refuses to give
itself, the Other” (45). He further says that “[t]he Other remains infinitely
transcendent, infinitely foreign” (194), so that our obligations to her can never be
90
fulfilled. The Other is the Infinity that always transcends Totality. When this
paradigm is taken up by Derrida in his Gift of Death, “the concepts of responsibility,
of decision, or of duty, are condemned a priori to paradox, scandal, and aporia”; for “I
am responsible to the other as other,” but “[t]here are also others, an infinite number
of them, the innumerable generality of others to whom I should be bound by the same
responsibility” (68). Thus, the ethics of the Other proposes an impossible but
necessary ethical responsibility.134 We notice an apparent similarity here with
Sartre’s thought: The elevation of the Other’s transcendence over one’s own facticity
recalls Sartre’s “fascination,” as we have discussed in the previous chapter; however,
let us recall that fascination opens up to the closed circularity of relations of bad faith
with others—mutual reciprocity in which case leads not to the economy of meaning, à
la Notebooks for an Ethics, but to a mere reversal of appropriator and appropriated,
and thus to continued bad faith. Another similarity is what Levinas names the
impossibility of “plac[ing] oneself outside the cor[-]relation between the same and the
other” (36),135 which can also be construed, as Derrida performatively demonstrates
in “Passions: ‘An Oblique Offering,’” as the impossibility of not responding (18-
22);136 this recalls the Sartrean dictum that not to choose is to choose not to choose,
or the Sartrean-Badiouian observation that one can never be outside a situation. But
whereas Sartre and Badiou go on to incite us to assume our own perspectives and
values and to act on them, Levinas and Derrida transfix us with the impossible ethical
precept of responsibility to a transcendent Other. Nevertheless, the major difference
between the two pair of thinkers is in what they ultimately appeal to. Levinas and
Derrida elevate the transcendence of the Other to its ultimate logical conclusion: “the
134 See Adam Thurschwell’s “Specters of Nietzsche,” 1199-1202. 135 I add the hyphen in brackets to highlight the fact that Levinas is talking about not a correspondence
but a mutual relation between same and other. 136 See also Shyh-jen Fuh’s “Derrida and the Problem of Ethics.”
91
Most-High” (Levinas 34) or “God [a]s the name of the absolute other as other and as
unique” (Derrida, Gift 68); in fact, Derrida’s ethical convergence with Levinas is
drawn out in a lengthy reading (55-69) of Søren Kierkegaard’s interpretation in Fear
and Trembling of the story of Abraham and Isaac. In other words, given that the
source of the impossible responsibility to the Other stems from God, it is not a
properly human ethics; in opposition to Sartre’s proclamation that existence precedes
essence, Levinas and Derrida define the human essence as impossible responsibility.
As for Sartre and Badiou, we have seen that their ethics rests on a properly human
economy of meaning, and that the motor of this economy is fidelity to an event, which
depends on the subjective decision to traverse points in one’s own perspectival world.
The arrival of an event may be contingent and unpredictable, but whether it is
preparing for an event or forcing its truth, the locus of the ethics of Sartrean-
Badiouian existentialism lies squarely in the human realm.
One cannot be forced to pursue an ethical life; but if you so choose, and when
the weight of truth drags you down, when it seems as if the pursuit is in vain—keep
hope, and remember these lines: “‘Keep going!’ Keep going even when you have lost
the thread, when you no longer feel ‘caught up’ in the process, when the event itself
has become obscure, when its name is lost, or when it seems that it may have named a
mistake” (Ethics 79)! For there is but one call to Immortality: “Love what you will
never believe twice” (Badiou, Theory 331; Ethics 52).
92
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This text is based on notes taken by Duane Rousselle during the seminar I presented at the
European Graduate School in the summer of 2012. It, then, reflects an oral contribution,
with some degree of improvisation, and does not correspond to any written text. I did not
re-read those notes as this would have led me to a complete rewriting, which would not
have been consistent with the initial spirit of this seminar. Consequently, any use or
quotation of this text will have to be accompanied with a precise indication of its origin, so
that nobody could think that I have either written or proof-read it.
Thus, I have provided corroborating textual evidence to support the citation from this text.
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