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îI›Š «ð󣌾 ÝŒMî› ªî£°F & 7 (ð°F 1) Volume - 7 (Issue 1) JOURNAL OF TAMIL PERAIVU Published by Department of Indian Studies Faculty of Arts and Social Sciences University of Malaya Indexed by MyJurnal Malaysian Citaon Centre ISSN 2289- 8379 ü¨¬ô / July 2018

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îI›Š «ð󣌾

ÝŒMî›

ªî£°F & 7 (ð°F 1) Volume - 7 (Issue 1)

JOURNAL OF TAMIL PERAIVU

Published byDepartment of Indian Studies

Faculty of Arts and Social Sciences University of Malaya

Indexed by MyJurnal Malaysian Citation Centre

ISSN 2289- 8379

ü¨¬ô / July 2018

Editorial Board2016-2019

Editor–in–ChiefProfessor Dr. M. Rajantheran, Malaysia

Indian civilization, Tamil culture and literature, early cultural relations between India and Southeast Asia & culture and life of the Malaysian Indians

Chief Executive EditorAssistant Professor Dr. Silllalee S. Kandasamy

Media, Tamil literature and culture, Malaysian Indians & sociology

Editorial Board MembersEra. Kamarasu, Professor Dr – Tamil Language, Classical literature, modern literature & culture, Department of Tamil Literature. Tamil University, Tanjavur, Tamil Nadu, India.

G. Singaravelu, Professor Dr- Primary Education, Teacher Education, English Education, Head, Department of Education, Syndicate member of the university, Bharathiar University, Coimbatore, Tamil Nadu, India.

Ira. Kurinji Vendan, Professor Dr- Tamil literature, Culture & Diaspora. Post graduate section, Arinyar Anna College, University of Pondicherry.

Jeevendiran Chemen, Associate Professor Dr- Ethic identity of Mauritian Tamils, Tamil language and Linguistic & Sociology. Mahatma Gandhi Institute, University of Maurititus.

Kizhambur S. Sankara Subramanian, Tamil journalism, Tamil Literature and Culture & Tamil Civilization, India.

K. Chidamparam, Assistant Professor Dr. - Linguistics, English, Human rights, International Institute of Tamil Studies,CPT Campus,Taramani, Chennai, Tamil Nadu.

Kanmani Munusamy, Dr. - Software Engineering, ontology, Data Mediation - Information Technology, Centre of Information Technology, University of Malaya, Kuala Lumpur, Malaysia.

Mohanadass Ramasamy, Senior Lecturer Dr- Language and linguistics, Head Department of Indian Studies. University of Malaya, Malaysia.

P. Sivakumar, Professor Dr – Educational Technology, Environmental Education & Biology Education, Dean, Faculty of Education, Alagappa University, Tamil Nadu, India.

Paramasivam Muthusamy, Associate Professor Dr- Tamil language and literature, socio- linguistics, pedagogy and Tamil culture. Department of Foreign Languages. Faculty of Modern Languages and Communication, University Putra Malaysia.

Ponsamy Tiroumalechetty, (Retired) Associate Professor Dr – Socio- linguistics, Socio Culture of Tamils. Head, School of Indian Studies, Mahatma Gandhi Institute, Mauritius.

Rakkappan Velmurugan, Senior Lecturer Dr- Linguistics, Pedagogy, Tamil language, Literature & Grammar. Asian Languages and Cultures Academic group, National Institute of Education, Nanyang Technological University, Singapore.

Samikkanu Jabamoney Ishak Samuel, Associate Professor Dr – Malaysian Tamil Literature, Modern Tamil Literature, Tamil Language and Pedagogy. Tamil unit Coordinator, Sultan Idris Educational University.

Seethalakshmi, Associate Professor Dr- Tamil lexicography, teaching Tail as a second language, Tamil Pedagogy, Sociolinguistics & Literature through Mass Media. Department of Asian Languages & Cultures (ALC), Nanyang Technological University, Singapore.

V. Maheswaran, Professor Dr- Epigraphy, Tamil culture, folklore, literature. Department of Tamil, University of Peradeniya, Peradeniya, Sri Lanka.

Vasu Aranganathan, Dr- History of Tamil language, literature, religion, inscriptions & Teaching and learning of Tamil language. South Asia Studies, University of Pennsylvania, USA.

Journal of Tamil Peraivu Editorial officeOffice of the Editor – in – Chief

No. 132, Department of Indian Studies, Faculty of Arts and Social Sciences, University of Malaya, 50603 Kuala Lumpur, Malaysia

Tel: [email protected] / [email protected]

PublisherDepartment of Indian Studies,

Faculty of Arts and Social Sciences,University of Malaya,

50603 Kuala Lumpur, Malaysia.Tel: +60379675510

Sponsored by Almaa Herbal Nature Pvt ltd

No.1/8, Pinjala Subramanian street,T. Nagar, Chennai – 600 017

Tamilnadu, [email protected]/ www. Almaaherbal.com

Printed atBIG C GRAPHICS (M) SDN. BHD

No. 36, Ground Floor, Jalan Tun Sambanthan 3, Brickfilds, 50470, Kuala Lumpur, Malaysia

The publisher of Tamil Peraivu Aivithal (Journal of Tamil Peraivu), will not be responsible for the statement made by the authors in any articles published in the journal. Under no circumstances will the publisher of this publication be a liable for lost of damage cost by your reliance on the advice, opinion or information obtained either explicitly or implied through the contents of this publication.

© Department of Indian Studies, Faculty of Arts and Social Sciences, University of Malaya. All rights reserved. No part of this journal may be reproduced in any forms or by any means without publisher’s prior permission.

PREFACEThe Department of Indian Studies, University of Malaya brings out the seventh volume of Tamil Peraivu which is a bi-annual journal. Academicians around the globe contribute their articles to this journal. The present volume consist of nine research articles. The leit –motive of a research has to be scientific and this is the sole objective of this journal.

The article, ‘Poetry Arguments of Murasu’ Dr M S Shri Lakshmi (Singapore), focuses on the literary arguments about the traditional poems versus the verse poetry in Singapore. Similar arguments were very popular in seventies in Tamil Nadu. This article explains that, in Malaysia and Singapore, young writers welcomed the new development but the traditional poets were not with them. Singapore poet Ilangovan was a pioneer in modern Verse Poetry. Poets like K T M Iqbal, V T Arsau (Editor in Chief of Tamil Murasu), followed the footstep of Ilangovan. These poets initiated a literary argument in 1991-1992. Current articles depicts the writing skills, argumentative skills and also the literary knowledge of the participants of this group. Author argues that this literary arguments were indirectly helped the development of the local poetry scene in Singapore.

The next article is by Professor Dr. M. Rajantheran (Malaysia) and Mr.Nagarajan (India) entitle, ‘Contribution of the Indian Literature to the Development of the Classical Malay Literature’ is an attempt to express the immense role played by the Indian literature to the development of the classical Malay literature. The authors has developed this article based on concrete evidences such as inscriptions, records from the early history books, literary texts, Chinese records, Arabian references and cultural heritage of the Malay people. This article clearly establishes with relevant examples the immense contribution of the Indian literature to the development of the Classical Malay Literature.

The third article in this volume is about the Meaning of the Term Yāṇar in Sangam Literature, written by Dr.N.Athiyaman (India) and Dr. T.Kannan (India). This article points out that as per the commentators and redactors of Sangam Literature the term yāṇar means ‘new income’. If one agrees the meanings proposed by the commentators for the word yāṇar as ‘new income’, the meaning of the sentences become very ambiguous on many occasions. Hence a hermeneutics study is made in this article looking into the context of the usage of that word and suggests that if one takes the meaning of yāṇar, just as ‘fresh’ or ‘new’ then the sentences meaning are free of ambiguities. From this analysis, new insight into the social formation of Early Historic Tamil Nadu is obtained

The following article of Dr.K.Subashini (Germany) is entitled, ‘Preservation of Ancient Tamil Maritime Records’. The history and missing records about ancient Tamil seafarers becomes the focus of this paper. The author demonstrates that the early Tamil maritime begins long time back, but inadequate information lead to the opinion that maritime trade activities were pioneered by European seafarers. She further establishes that the Ancient Tamil seafarers explored the wide ocean, discovered new lands, and initiated trade activities with other ancient civilizations in the past. However only fewer records describing Tamils seafaring experience details were identified so far. This article discloses many evidences to support the point that the Tamils were among the earliest to explore the sea and initiating contacts with foreign land.

The following article of S.Babu is entitled, ‘Archaeological evidence of the Tamil people’s history’. This paper provides insight into several new sources for the history of the Tamil people. The author explains that the people of Tamil Nadu are well known for their ability to create great literature, heroism, and charity. Further the researcher claims that in the past Tamil kings crossed the vast sea, and conquered many land and brought glory to the motherland. Several archaeological evidence that explains the history of Tamil people have been found in and out of Tamil Nadu. In fact the early rulers have left many archaeological evidence that explain the early history of Tamils. As an addition to the available evidence, the author has found a number of artefacts (including inscriptions during his field work. These artefacts are said to describe rare messages about early life of the Tamils.

The Coming of Tamils to Indonesia and the Emergence of Kampung Madras’by Associate Prof. Dr. Samikkanu Jabamoney Ishak Samuel (Malaysia), Dr. Manonmani Devi M.A.R Annamalai (Malaysia) and Dr. Kingston Palthamburaj (India) is the next article in this volume of Tamil Peraivu journal. This article mentions that Tamils live in 164 countries in the world and they have migrated to various parts of the world from Tamil Nadu and Sri Lanka during different periods of time. This includes the migration of Tamils to many parts of South East Asia. Earlier they played the role as empire builders and sea merchants, but they were brought in as coolies to Malaysia, Singapore, Mauritius, Fiji, South Africa and Medan by the British rulers later in the end of nineteenth and twentieth century AD. This article is an attempt to describe the diaspora Indians especially those who are living in the new village at Kampung Madras in Medan, Sumatra, Indonesia.

The next article entitled, ‘The Influence of Chinese Believes on Malaysian Indians’ was written by Dr Silllalee kandasamy, Tamil Arasi Muniandy and Krishnaveni Subramaniam. This article gives some background information about Indians in Malaysia and the cultural relationship between India and Malaysia.. The similar background is noticeable in the history of the arrival of the Chinese Community. After the independence of Malaysia, the Indian and Chinese communities got citizenship and remained permanently in Malaysia. According to the authors, the Indian community whose long stay in Malaysia has a unique life with Chinese practices. This is observed in many cultural practices. Many of these practices are being followed by the Indians in Malaysia to bring wealth and success in their lives and also to get protection from spirits and negative forces. This article surveys and analyses this aspect of Malaysian Indians’ culture.

The following article by Premananthini Dhemudu (Malaysia) and Dr.Mohana Dass Ramasamy (Malaysia) entitled, ‘Rhetorical Conventions in Kannadasan’s Cinema Songs’. The main objective of this article is to suggest the teaching methods of Grammar (Rhetorical Conventions) in Tamil language using the cinema songs which are the most popular form of Tamil literature, especially those authored by Poet Kannadasan. The author has successfully demonstrated through the analysis of a reasonable amount of examples from Kannadasan’s Cinema Songs, that merging Grammar with literature would give the better outcome during the process of Teaching and Learning.

‘Wife Ill Treated by Husband in The Short Story ‘Amma’’, by Rajeswari Arumugam focuses on the sufferings of a woman in the hands of her husband from one of the short stories begotten from the anthology of short stories published by the Tamil Society of University Malaya from 1986 to 2009 under the name of ‘Peravaik Kathaikal’. The primary purpose of this article is to identify the woman’s status and her emancipation in the selected short story based on the theory of cultural feminism. Of the

294 short stories published in 25 years, 43 short stories reflect the cultural feminism. Among those, nine stories talked about the wives who have been tortured by their husbands. The researcher reveals the struggles faced by a wife in the short story ‘Amma’ and explains how cultural feminism influenced the wife’s thoughts and attitudes.

The last article of this volume is entitled ‘Tholkappiyar’s Theory of Kalaviyal in The Novel ‘Madhu’, authored by Thinesh Subramaniam (Malaysia). This paper reveals that the Kalaviyal theory of Tholkappiyam can be employed to study even the Malaysian Tamil novels. The author has selected Malaysian Tamil novel entitled Mathu, as an example to demonstrate the applicability of the kalaviyal theory. As a result, all the aspects of kalaviyal theory except the first meeting, (doubt, resolving doubt, brooding, tempting, having love affair, mating and preparing for marriage) are identified in the novel Mathu. This article is accepted for publication mainly for the new effort of the author to apply a classical Tamil Literary theory to study a modern Tamil Novel.

This Journal in its sustaining effort records the innovate ideas of many researchers. The Editorial Board feels immense pleasure in bringing this sixth Volume of Tamil Peraivu expressing heartfelt thanks to all the contributors and evaluators of this volume. Last but not least, we would like to thank Mr.MGL.Velayutham – Alma Herbal Nature Pvt. Ltd for his sincere generosity in sponsoring this journal.

Professor Dr.M.RajantheranChief Editor24.07.2018

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10 / îI›Š «ð󣌾 ÝŒMî›

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«ðó£CKò˜ º¬ùõ˜ º.Þó£«ê‰Fó¡î¬ô¬ñŠ ðFŠð£CKò˜24.7.2018

îI›Š «ð󣌾 ÝŒMî› / Journal of Tamil PeraivuVol 7, July 2018

1. èM¬î °Pˆî ºó² Mõ£îƒèœ ...............................................................................

Poetry Arguments of Murasu º¬ùõ˜ â‹ âv ÿôzI / Dr.M.S.Sri Lakshmi1

2. ð¬öò ñô£Œ Þô‚Aò õ÷˜„CJ™ Þ‰Fò Þô‚AòŠ ð£ó‹ðKòˆF¡ ðƒèOŠ¹ æ˜ ÝŒ¾.........................................................................................................................

Contribution of the Indian Literature to the Development of the Classical Malay Literature «ðó£CKò˜ º¬ùõ˜. º. Þó£«ê‰Fó¡ / Professor Dr.M.Rajantheran1 ï£èó£ü¡ ¶¬ó𣇮ò¡ / Nagarajan Thuraipandian2

3. êƒè Þô‚AòƒèO™ è£íŠªðÁ‹ ‘ò£í˜’ â¡Â‹ ªê£™L¡ ªð£¼œ: å¼ eœð£˜¬õ..............................................................................................................................

The Meaning of The Term Yāṇar in Sangam Literature: A Revisit º¬ùõ˜ ï.ÜFòñ£¡ / Dr.N.Athiyaman1 º¬ùõ˜ î.è‡í¡ / Dr. T.Kannan2

4. ð‡¬ìò îIö˜èO¡ èì™õNŠðòíƒèœ ªî£ì˜ð£ù Ýõíƒèœ ð£¶è£Š¹.........................................................................................................................

Preservation of Ancient Tamil Maritime Records º¬ùõ˜ è.²ð£SQ / Dr. K. Subashini1

5. îIö˜ õóô£Á ÃÁ‹ ªî£™Lò™ îìòƒèœ ..........................................................

Archaeological evidence that explains the early history of Tamils 𣹠ê裫îõ¡ / Babu Sagadevan1

6. Þ‰«î£«ùCò£MŸ°ˆ îIö˜èO¡ õ¼¬è»‹ «ñì£Q™ 苫𣃠ªñ†ó£v Aó£ñˆF¡ «î£Ÿøº‹......................................................................................................

The Coming of Tamils to Indonesia and the Emergence of Kampung Madras Þ¬íŠ «ðó£CKò˜ º¬ùõ˜ ê£I‚臵 ªüðñE ßꣂ° ꣺«õ™ / Assoc.Prof.Dr. Samikkanu Jabamoney Ishak Samuel1 º¬ùõ˜ ñ«ù£¡ñE «îM ܇í£ñ¬ô / Dr.Manonmani Devi M.A.R Annamalai2 º¬ùõ˜ Aƒwî¡ ð£™î‹¹ó£x / Dr.Kingston Palthamburaj3

7. ñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™ Yù˜èO¡ ï‹H‚¬èèO¡ î£‚è‹ ........... º¬ùõ˜ C™ô£N / Dr Silllalee1 îIöóC ºQò£‡® / Tamil Arasi Muniandy2 A¼wí«õQ ²ŠHóñEò‹ / Krishnaveni Subramaniam3

8. è‡íî£ê¡ F¬óJ¬êŠ ð£ì™èO™ ÜE Þô‚èí‹..................................................... Rhetorical Conventions in Kannadasan’s Cinema Songs H«óñï‰FQ «îº´ / Premananthini

Dhemudu1 º¬ùõ˜ «ñ£èùî£v Þó£ñê£I / Dr.Mohana Dass Ramasamy2

9. ‘Ü‹ñ£’ è¬îJ™ èíõù£™ ªè£´¬ñŠð´ˆîŠð†ì ñ¬ùM .............................

Wife ill Treated by Husband in the Short Story ‘Amma’ Þó£«üvõK ÝÁºè‹ / Rajeswari Arumugam1

10. ‘ñ¶’ ï£õL™ è£íŠð´‹ è÷Mò™ «è£†ð£´ .......................................................

Tholkappiyar’s Theory of Kalaviyal in The Novel ‘Madhu’ F«ùw ²ŠHóñEò‹ / Thinesh Subramaniam1

ªð£¼÷ì‚è‹ / Contents ð‚è‹ / Page

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èM¬î °Pˆî ºó² Mõ£îƒèœPoetry Arguments of Murasu

AbstractThis research paper focuses the literary arguments about the traditional and verse poetry in Singapore. Similarly the same arguments were very popular in seventies in Tamil Nadu. In Malaysia, there was a good response among youngsters for the verse poetry. But traditional poets in both Malaysia and Singapore never supported. As an open minded poet Mr Ilangovan from Singapore was a pioneer in modern verse Poetry. Likewise Mr K T M Iqbal also wrote the verse poetry followed by Ilangovan. In order to create the awareness on the trend in Tamil Poetry field Mr V T Arsau, editor of Tamil Murasu initiated a literary argument in 1991-1992. These articles depict the writing skills, argumentative skills and also the literary knowledge of the participants like KTM Iqbal. But few members of public who took part in the arguments were ignorant about the aim of the arguments. These arguments were indi-rectly helping to develop the local poetry scene.

Key Words: Poetry arguments, Tamil Murasu, Singapore Tamil Literature, Verse poetry, Fundamental of arguments.

º¬ùõ˜ â‹ âv ÿôzI / Dr.M.S.Sri Lakshmi1

1 The author is an Associate Lecturer in Singapore University of Social Sciences, Singapore. [email protected]

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â¡Á ªê£™Lù£™ ²´Aø£˜ . Ýè«õ Þô‚Aò‚輈¶Š«ð£˜ â¡Á è†ì‹è†®„(IN THE BOX) ꘄ¬ê‚° ܬö‚è«õ‡®ò è†ì£ò‹ “Mõ£îŠH-K ò ó £ ù ’ ’ ¬ õ F ¼ ï £ ¾ ‚ è ó ² ‚ ° ãŸð†´M´Aø¶.

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16 / îI›Š «ð󣌾 ÝŒMî›

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ReferencesKrishnasamy, P. (1995). Puthumaipittan Ilakiyatadam. Bengalore: Kavya Publications.Kurunthogai.Singapore Tamil Ilakiya Varalaru-Oor Arimugam. (2011). Singapore: Eluthalar Kalagam. Srilaxmi, M., S. (2006). Puthumaipittan Ilakiya Sarcaikal 1951-1952. Singapore: Tharumu Publications.Tamil Murasu News Paper. (1991-1992).Tholkappiyam.

ð¬öò ñô£Œ Þô‚Aò õ÷˜„CJ™ Þ‰Fò Þô‚AòŠ ð£ó‹ðKòˆF¡

ðƒèOŠ¹ - æ˜ ÝŒ¾Contribution of the Indian Literature to the

Development of the Classical Malay Literature

AbstractThis article is an attempt to express the immense role played by the Indian literature to the development of the Classical Malay literature. As a background to this research, early cultural contacts between India and Southeast Asia is established and discussed briefly. This is followed by a general introduction and classification of the Classical Malay Literatures which are influenced by Indian Literary tradition. Then, the Hikayat Seri Rama and the Sejarah Melayu – two great classical Malay literatures are examined with the help of concrete evidences such as inscriptions, records from the early history books, literary texts, Chinese records, Arabian references and cultural heritage of the Malay people. As a conclution, this article clearly establishes with relevant examples the immense contribution of the Indian literature to the development of the Classical Malay Literature.

Key words: Indian Literature, Classical Malay literature, literary influence, Hikayat Seri Rama, Sejarah Melayu

«ðó£CKò˜ º¬ùõ˜. º. Þó£«ê‰Fó¡ / Professor Dr.M.Rajantheran1

ï£èó£ü¡ ¶¬ó𣇮ò¡ / Nagarajan Thuraipandian2

1 The author is a Professor in the Department of Indian Studies, University of Malaya, Kuala Lumpur, Malaysia. rajanmun@ um.edu.my / [email protected] The author is a Director of Boonfun Vision, Chennai, Tamil Nadu, India. [email protected]

º¡Â¬óð ¬ ö ò ñ ô £ Œ Þ ô ‚ A ò Š

ð¬ìŠ¹èÀ‚°‹ ÜõŸP¡ õ÷˜„C‚°‹ Þ ‰ F ò Þô ‚ A ò Š ð £ ó ‹ ð K ò ‹ ÝŸP»œ÷ Ü÷ŠðKò ðƒA¬ù ªõOŠð´ˆF‚裆´‹ å¼ ºòŸCò£è«õ Þšõ£Œ¾‚ 膴¬ó ܬñA¡ø¶. ނ膴¬óJ™ êñ˜ŠH‚èŠð´‹

ªêŒFèœ, 虪õ†´èœ, õóô£ŸÁ Ë™èœ , Þô‚Aò Ë™èœ , Yù‚ °PŠ¹èœ, Ü«óHò˜ °PŠ¹èœ, ñô£Œ ñ‚èO¡ ð‡ð£†´ Ýõíƒèœ «ð£¡ø Þîó Hø Ýî£óƒèO¡ Ü®Šð¬ìJ™ à¼õ£‚èŠð†´œ÷ù. Þ Š ª ð £ ¼ œ ª î £ † ´ « ñ Ÿ ð ® ªê™õ º¡ùî£è ނ膴¬óJ¡ ܬñŠ¬ðˆ ªîK‰¶ªè£œ÷ «õ‡®ò¶

26 / îI›Š «ð󣌾 ÝŒMî›

ÜõCòñ£è¾‹ ðò¬ìòî£è¾‹ àœ÷î£èŠð´A¡ø¶.

ܬñŠ¹Þšõ£Œ¾‚ 膴¬óJ¡ ªêŒFèœ

ªî£ì˜‰¶ õ¼‹ 䉶 à†HK¾èO™ õ ¬ è ¬ ñ Š ð ´ ˆ î Š ð † ´ œ ÷ ù . ܬõò£õù:

i . õóô£ŸÁŠ H¡¹ô‹ - 輈¶ «õÁð£´èœ-CÁ °PŠ¹.

ii. ñô£Œ Þô‚AòˆFòˆF™ Þ‰Fò Þô‚Aòˆ è‹- ªð£¶

iii. Þ‰Fò Þô‚AòƒèO¡ èˆFŸ° à†ð†ì ñô£Œ Þô‚Aò õ®õƒèœ.

iv. Þšõ®õƒè¬÷Š ðŸPò M÷‚è‹- àî£óí‹

v. º®¾¬ó

õóô£ŸÁŠ H¡¹ô‹ &- 輈¶ «õÁð£´èœ

Þó£ñ£òí‹, ñè£ð£óî‹, ð…êî‰Fó‚ è¬îèœ, Þ‰¶Š ¹ó£í„ ªêŒFèœ, Þ‰Fò ð‡ð£†´‚ ÃÁèœ «ð£¡ø¬õ ªî¡Aö‚è£Cò ñ‚èO¡ Þô‚Aò‹ ñŸÁ‹ ð‡ð£†®™ ãŸð´ˆF»œ÷ èƒè¬÷Š ðŸP Ý󣌉î ÜPë˜èO¬ì«ò «ñŸªê£™ôŠð†ì ð‡ð£†´ Þô‚Aòˆ èƒèœ âšõ£Á ªî¡Aö‚è£Cò ñ‚èOì‹ ªê¡Á «ê˜‰îù â¡ðF™ 輈¶ «õÁð£´èœ ªî¡ð´A¡øù, ނ輈¶ «õÁ𣆮¡ Ü®Šð¬ìJ™ °¬ø‰î¶ ° «è£†ð£´èœ (teories) à¼õ£‚è‹ ªðŸÁœ÷ù. (Coedes, 1968, pp. 19-27) ܬõò£õù,

Ü) õEè˜èO¡ ðƒèOŠ¹‚ «è£†ð£´.

Ý) ¶Eèó èì™ ªêô¾ «ñŸªè£‡ì Üóê°ñ£ó˜èœ ñŸÁ‹

Hó£ñí˜èO¡ ðƒèOŠ¹‚ «è£†ð£´.

Þ) Hó£ñí˜ ñŸÁ‹ ¹ˆî H‚°èO¡ ðƒèOŠ¹‚ «è£†ð£´.

ß) àœï£†´ ñ‚èO¡ ðƒèOŠ¹‚ «è£†ð£´.

Ü ) õEè˜ èO¡ ðƒ èOŠ¹ ‚ «è£†ð£´.

Þ‚«è£†ð£†®¡ ð® , Þ‰Fò ° P Š ð £ è ª î ¡ Q ‰ F ò ñ Ÿ Á ‹ ª î ¡ A ö ‚ è £ C ò £ ¾ ‚ ° I ¬ ì « ò A.H ºîô£‹ ËŸø£‡´ ªî£†«ì õ¿ŠªðŸ¼‰î Mò£ð£óˆ ªî£ì˜¹èO¡ õN«ò, Þ‰Fò ð‡ð£†´ Þô‚Aò‚ ÃÁèœ ªî¡Aö‚è£Cò ñ‚èOì‹ «ð£Œ «ê˜‰F¼‚è «õ‡´‹ â¡ð‹ (Rajanteran, 2001, p.49). Þˆ «î¬õò£ù Ýî£óƒèœ îI› ñŸÁ‹ êñvA¼î Þô‚AòƒèO™ è£í‚Aì‚A¡øù (Nilakanta Sastri, 1949, p.12; Majumdar, 1986, pp.38,56-58; Wheatley, P1966, p. 178-179 and Rajantheran, 1999, pp.21-26).

Ý) ¶Eèó èì™ ªêô¾ «ñŸªè£‡ì Üóê°ñ£ó˜èœ ñŸÁ‹ Hó£ñí˜èO¡ ðƒèOŠ¹‚ «è£†ð£´.

ªî¡Aö‚è£Cò£M™ ªî£ì‚è‚ è£ôˆF™ (A.H ‚°Š Hø°) ༪õ´ˆî Cô Þó£xòƒè¬÷ˆ «î£ŸÁMŠðF™ º‚AòŠ ðƒè£ŸPJ¼Šðî£è‚ ÃøŠð´‹ (Þ‰Fò£¬õ„ «ê˜‰î), ¶Eèó èì™ ªêô¾ «ñŸªè£‡ì Üóê°ñ£ó˜èœ ñŸÁ‹ Hó£ñí˜èO¡ ðƒèOŠ¬ð Þ‚«è£†ð£´ ÝîKˆ¶Š «ð²A¡ø¶. Þ‚«è£†ð£ì£ù¶, 裃  (K’ang T’ai) ñŸÁ‹ ² Jƒ (Chu Ying) ÝAò Þ¼ Yù ɶõ˜èO¡ °PŠ¬ð Ü®Šð¬ìò£è‚ ªè£‡´ à¼õ£‚èŠð†ì‹ (Pelliot, 1903, p. 303 & Coedes, 1968, p.37).

Þ) Hó£ñí˜ ñŸÁ‹ ¹ˆî H‚°èO¡ ðƒèOŠ¹‚ «è£†ð£´.

Þ‚«è£†ð£†®¡ ð® ªî¡Aö‚è£Cò Üóê˜èO¡ ܬöŠH¡«ðK™ õ‰¶ Üóê¬õ G蛾è¬÷„ ê샰è¬÷ ïìˆFˆ î‰î Hó£ñí˜ ñŸÁ‹ ñî ð󊹋 ªð£ÁŠ«ðŸÁˆ ªî¡Aö‚è£Cò ðòí‹ «ñŸªè£‡ì ¹ˆî H‚°èO¡ ðƒèOŠ¹è«÷, Þ‰FòŠ ð‡ð£†´

îI›Š «ð󣌾 ÝŒMî› / 27

Þô‚Aò‚ ÃÁèœ ªî¡Aö‚è£Cò ñ‚èOì‹ ªê¡Á«êó‚ è£óí‹ â¡ð‹ (Coedes, 1968, pp.17, 23, 50, 54, 62-63, 76-77 & 82-87; Low, 1848, pp.62-66 & Chhabra, 1965, pp.18-26, 45-48 and 50-53).

ß) àœï£†´ ñ‚èO¡ ðƒèOŠ¹‚ «è£†ð£´

ªî¡Aö‚è £Cò ñ‚èO¬ì«ò Þ‰ˆ ¹ˆî ñîŠð󊹋 ãŸð†ì Hø°, Þšõ†ì£óˆ¬î„ «ê˜‰î ðô˜ °PŠð£èŠ ¹ˆî ñîˆ¬îˆ î¿Mò ðô˜ Þ‰Fò ®¡ °PŠH†ì Cô îôƒè¬÷Š ¹Qîˆ îôƒè÷£è‚ è¼F ò£ˆF¬óèœ ðô «ñŸªè£‡ìîŸè£ù Ýî£óƒèœ àœ÷ù. «ñ½‹, ðô˜ ¹ˆî ñî Ë™è¬÷„ «êèKŠðîŸè£è Þ‰Fò£M¡ °PŠH†ì Cô ÞìƒèÀ‚°„ ªê¡Á õ‰î ªêŒFèÀ‹ à‡´. Þšõ£Á Þ‰Fò ®¡ ðô ð°FèÀ‚°„ ªê¡Á F¼‹Hò àœï£†´ ñ‚è«÷ Þ‰Fò ð‡ð£†´‚ ÃÁè¬÷ˆ ªî¡Aö‚è£Cò ñ‚èO¬ì«ò ðóŠHù˜ â¡ð¶«õ Þ‚«è£†ð£†®¡ º®ð£°‹ (Takakusu, 1896, p.10 & Palaniappan, 1980, pp.20-30).

ñô£Œ Þô‚AòˆFòˆF™ Þ‰Fò Þô‚AòƒèO¡ è‹

ñô£Œ ñ‡E™ 自촂èŠð†ì 虪õ†´èÀœ IèŠ ðö¬ñ õ£Œ‰î¬õ A . H ï £¡ è £ ‹ Ü™ô¶ ä ‰ î £ ‹ ËŸø£‡¬ì„ ꣘‰î¬õè÷£°‹. Þ¬õ º¿‚è º¿‚è êñvA¼î ªñ£NJ™ â¿îŠð†ì¬õè÷£°‹ (Rajantheran, 1998, p.90). Þ àî£óíñ£è, ‘ªê¼‚ «î°¡’ (Ceruk Tekun) F™ (ð£¬îò Hù£ƒ° ñ£GôˆF¡ ªêªðó£ƒ Hó£Œ) 自촂èŠð†ì ã¿ Cîø™ 虪õ†´è¬÷‚ °PŠHìô£‹. Þ¬õ A.H. 裋 ËŸø£‡¬ì„ «ê˜‰î¬õ (Majumdar, 1986, pp.89-90 & Wheatley, 1966, pp.273-274). Ü´ˆ¶, ¹‚A† ªñKò£‹ (Bukit Meriam), ªèì£M™ 自촂èŠð†ì èM¬î õ®Mô£ù 虪õ†¬ì„ ªê£™ôô£‹. Þ¶ A.H ° Ü™ô¶

ä‰î£õ¶ ËŸø£‡¬ì„ «ê˜‰î‹ (Chhabra, 1965, p.19). Þ«î è£ôè†ìˆ¬î„ ꣘‰î ° Îð£ (Yupa) 虪õ†´è¬÷»‹ Þƒ°‚ °PŠHìˆî£¡ «õ‡´‹ . ÞõŸ¬ø Íôõ˜ñQ¡ 虪õ†´èœ â¡Á‹ °PŠH´õ˜. ÞõŸ¬ø 1879 Ý‹ ݇®™, «ð£˜G«ò£M¡ (Borneo) ºõ£ó£ è£ñ£¡ (Muara Kaman) â¡Â‹ ÞìˆF™ 自초îù˜. Þ¬õ ð™ôõ- Aó£‰î (Pallava- Grantha) ⿈F™ ܬñ‰î õìªñ£N 虪õ†´èœ (Majumdar, 1986, pp.126-127; Chhabra, 1965, p.52 & Coedes, 1968, p.18).

ÞõŸÁ‚°‹ «ñô£è ü£õ£M™ 自촂èŠð†ì ̘íõ˜ñQ¡ ( P u r n a v a r m a n ) è ™ ª õ † ´ è ¬ ÷ ‚ °PŠHìô£‹. «ñŸ° ü£õ£M¡ ðˆî£Mò£ (Batavia) â¡Â‹ õ†ì£óˆF™î£¡ Þ¬õ 自촂èŠð†ìù. Þ¬õ ä‰î£‹ ËŸø£‡´‚ 虪õ†´è÷£è Þ¼‚è«õ‡´‹ â¡ð¶ ÜPë˜ ðôK¡ 輈î£è àœ÷¶. ÞõŸ¬ø Ci-Aruton, Jambu, Kebun Kopi, Tugu 虪õ†´èœ âù‚ °PŠH´õ˜. ނ虪õ†´èÀ‹ Ãì ê ñv A ¼ î ª ñ £ NJ « ô « ò â¿îŠð†´œ÷ù (Chhabra, 1965, pp.88-92 & Majumdar, 1986, pp.105-107).

Þî¡õN A.H ° ñŸÁ‹ ä‰î£‹ ËŸø£‡´èO™ ñô£Œ ñ‡E™ êñvA¼î‹ Þô‚AòŠ ð‡ð£†´ ªñ£Nò£èˆ F蛉F¼‚è «õ‡´‹ â¡ð î £ è ˆ ª î K A¡ ø¶ . Þ î¡ Ü®Šð¬ìJ™ ñô£Œªñ£N ñŸÁ‹ ñô£Œ Þô‚AòŠ «ðóPë˜ âù‚è¼îŠð´‹ Þvñ£J™ ü§C¡ â¡ð£ó¶ 輈¬î„ ªê£™õ¶ ïô‹ ðò‚°‹. Üõ˜ ÃÁõî£õ¶,

“ñô£Œ Þô‚Aò õóô£ŸP¡ Þ‰¶ - ¹ˆî ñîƒèO¡ è è£ôˆF¡ Iè º‚Aòñ£ù ÃÁèÀœ å¡Á, ñô£Œ‚è£ó˜èœ êñvA¼î ªñ£N¬òˆ îƒè÷¶ êñò ñŸÁ‹ Þô‚AòŠ ð‡ð£†´ ªñ£Nò£è‚ ªè£‡®¼‰î¶î£¡. êñvA¼î‹ ñô£Œ ªñ£N‚° Ü®ˆî÷ñ£è ܬñ‰F¼‚Aø¶ â¡ÁÃì„ ªê£™ôô£‹. âŠð® Þôˆb¡ ªñ£N ݃Aô ªñ£N‚° Ü®ˆî÷ñ£è

28 / îI›Š «ð󣌾 ÝŒMî›

àœ÷«î£ ÜŠð®ˆî£¡ êñvA¼îº‹ ñô£Œ ªñ£N‚°” (Ismail Hussein, 1984, pp.7-9).

«ñ½‹ Üõ˜, êñvA¼î ªñ£NJ¡ èˆî£™, ñô£Œ ªñ£N îù¶ ºî™ G¬ô ñ£Ÿøˆ¬î»‹ õ÷˜„C¬ò»‹ ܬì‰î¶ â¡Aø£˜. Þîù£™, ê£î£óí ñ‚èO¡ ªñ£Nò£è M÷ƒAò ñô£Œªñ£N è™Mñ£¡èO¡ ªñ£Nò£è «ñ¡¬ñ è‡ì¶ â¡Á‹ ÃÁAø£˜.

Ý ó £ Œ ‰ ¶ ð £ ˜ ‚ ° ‹ ª 𠣿¶ , ñô£Œ «ðó£CKò˜ Þvñ£J™ ü§C¡ «ñŸªê£¡ù 輈¶Šð® , ñô£Œ ªñ£N A.H âö£õ¶ ËŸø£‡®™î£¡ Þ‹ñ£Á° à†ð†®¼‚Aø¶ â¡ð¶ ªîKòõ¼A¡ø¶ . ºî¡ ºîL™ ⿈¶ŠÌ˜õñ£è ñô£Œ„ ª ê £ Ÿ èœ â¿îŠð†ì¬ñ‚ è £ù Ýî£óƒèœ A.H âö£‹ ËŸø£‡´‚ 虪õ†´èO™î£¡ A¬ì‚A¡øù, ܂虪õ†´è÷£õù °, ²ñˆó£ bM™ 自촂èŠð†ì¬õ (Rajantheran, M. 1999, p.75).

i. ªè´‚裡 ¹‚A† (Kedukan Bukit) 虪õ†´ (A.H 683)

ii. î £÷£ƒ ¶«õ£ ( Talang Tuwo ) 虪õ†´ (A.H 684)

iii. è£ó£ƒ Hó£J (Karang Brahi ) 虪õ†´ (A.H 686)

iv. «è£ˆî£ 裊̘ (Kota Kapur ) 虪õ†´ (A.H 686)

«ñŸ°PŠHìŠð†´œ÷ ° è ™ ª õ†´ èÀ‹ ð ™ ô õ - A ó £ ‰ î â¿ ˆ F ™ ê ñvA¼ î ª ñ £ NJ™ â¿îŠð†ì¬õè÷£°‹. ÜõŸÚ«ì Cô ð¬öò ñô£Œ„ ªê £ Ÿ èÀ‹ è £ í ‚ A ì ‚ A ¡ ø ù . Ü š õ £ Á ܬñòŠªðŸ¼‚°‹ ñô£Œ„ ªê£ŸèO™ Cô àî£óíƒè¬÷‚ ªè´‚裡 ¹‚A† 虪õ†®L¼‰¶ °PŠHìô£‹. ܬõò£õù:-

Wulan (bulan), naik, dengan, seribu, sapuluh, banyaknya, datang, ratus ނ虪õ†´èO¡

õN A.H âö£‹ ËŸø£‡®™ ÿ Müò£ (Sri Vijaya) â‹ ªðò˜ ªè£‡ì «ðóó² å¡Á ²ñˆFó£M¡ ð«ô‹ð£ƒA™ (Palembang) Þ¼‰î¶ â¡ø ªêŒF»‹ Ãìˆ ªîKòõ¼A¡ø¶. ÞŠ«ðóó² bðèŸð ñô£Œ ñ‡¬í»‹ î¡ Ý†C‚°‚ W› ¬õˆF¼‰î¶ â¡ð¶¾‹ ªîKò õ¼A¡ø¶ (Chhabra, 1965, pp.18-19, 37-40).

ÿ Müò£¾‚°Š H¡, A.H â†ì£‹ ËŸø£‡®™ ¬ê«ô‰Fó£ (Sailendra) â‹ «ðóó² «î£¡Pò¶. ÞŠ«ðóó²‹ bðèŸð ñô£Œ ñ‡E¡ ªð¼‹ ð°F¬òˆ î¡ Ý†CJ¡ 膴Šð£†®™ ¬õˆF¼‰î¶. ªî£ì˜‰¶, õ‰î ñü£ð£U† (Majapahit) «ðóó²‹ (A.H 1293 - 1520) Ãì bðèŸð ñô£Œ ñ‡E¡ ªð¼‹ð°F¬òˆ î¡õêŠð´ˆFJ¼‰î¶ (Coedes, 1968, pp.82,87-93 & Wheatley, 1966, pp.301-302).

âù«õ, ÿ Müò£, ¬ê«ô‰Fó£, ñü£ð£U† ÝAò Í¡Á «ðóó²èO¡ èˆF¡ W› ãø‚°¬øò A.H âö£‹ ËŸø£‡´ ªî£†´ A.H 16Ý‹ ËŸø£‡´ˆ ªî£ì‚è‹ õ¬óJ™ bðèŸð ñô£Œ ñ£Gô‹ Þ¼‰F¼‚A¡ø¶. âù«õ, ÜŠ«ðóó²èO™ GôMò Þô‚Aò èƒèÀ‹ bðèŸð ñô£Œ ñ£Gôˆ¬îŠ ð£FˆF¼‚A¡øù â¡ð¶ ÝŒõ£÷˜èO¡ å¼Iˆî‚ 輈î£è ܬñA¡ø¶ (Palaniappan, 1980, pp.35-36).

Þî¡ð®, Þ‰Fò Þô‚AòƒèO¡ î£‚è‹ ºîL™ «ñŸ°PŠHìŠð†ì «ðóó²èœ iŸ¼‰î ü£õ£, ²ñˆFó£ «ð£¡ø ð°FèO™ á´ÁMŠ ðô ñ£ŸøƒèÀ‚° à†ð†ì H¡«ð bðèŸð ñô£Œ ñ£GôˆFŸ°Š ðóMò¶ â¡ð¶¾‹ ªðøŠð´‹. Þšõ÷˜„C¬ò ü£õ£ ñòñ£‚è™ (Javanisation) â¡ð˜ ÜPë˜. Þšõ÷˜„CJ¡ M¬÷õ£è«õ  Þ¡Á ð¬öò ü£õ£ ªñ£NJ™ è£í‚Aì‚°‹ ðô Þó£ñ£òí‚ è¬îèÀ‹ ñè£ð£óî‚ è¬îèÀ‹ ༪õ´ˆîù. ÞõŸÁœ èM¬î õ®Mô£ù Þô‚AòŠ ð¬ìŠ¹è¬÷‚ ªèè£M¡ (Kekawin) â¡ð˜. Þ àî£óíñ£è, Kekawin Ramayana, Kekawin Bharathayuddha, Kekawin Arjunawiwaha «ð£¡ø

îI›Š «ð󣌾 ÝŒMî› / 29

Þô‚AòŠ ð¬ìŠ¹è¬÷„ ªê£™ôô£‹. à¬óï¬ìJ½‹ Ãì Þšõ¬èˆ î¿õ™ Þô‚Aòƒèœ «î£¡Pù (Ismail Hussein, 1974, p.21 & Samad Ahmad, 1970, p.37.).

iii) Þ‰Fò Þô‚AòƒèO¡ èˆFŸ° à†ð†ì ñô£Œ Þô‚AòƒèO¡ õ¬è¬ñ

Þ‰Fò Þô‚AòƒèO¡ èˆFŸ° à†ð†ì ñô£Œ Þô‚AòƒèO¡ õ¬è¬ñ¬ò ÜPò «õ‡´ñ£J¡ ð¬öò ñô£Œ Þô‚AòƒèO¡ õ¬è¬ñ¬ò‚ è£í «õ‡´‹, ð¬öò ñô£Œ Þô‚Aòƒè¬÷ °Š HK¾èO™ Üì‚AMìô£‹.

ºîô£õ¶, ´Š¹ø õ£Œªñ£N Þô‚Aò‹. Þ¬õ Ü¡ø£ì õ£›‚¬è«ò£´ ªï¼ƒAò ªî£ì˜¹¬ìò¬õè÷£è ܬñõù. °PŠð£è ñQî õ£›M¡ HøŠ¹ ºî™ ÞøŠ¹ õ¬ó ªêŒòŠð´‹ ê ì ƒ ° è À ì  ‹ , ê º î £ ò Š H ó „ C¬ùèÀì‹ , Üõ˜ è÷¶ ï ‹ H ‚ ¬ è è À ì  ‹ ª ï ¼ ƒ A ò ªî£ì˜¹¬ìò¬õ. Þšõ£Œªñ£N Þô‚Aòƒèœ êñò Gè›¾èœ ñŸÁ‹ ñ‰Fó-î‰Fó H™L Å¡ò‹ ê‹ð‰îñ£ù ï‹H‚¬èèÀì‹ ªî£ì˜¹¬ìòùõ£è ܬñA¡øù. ñô£Œ ñ‰Fóõ£Fèœ ðò¡ð´ˆ¶‹ ñ‰Fóƒèœ Ãì Þšõ¬è õ£Œªñ£N Þô‚Aòñ£è«õ àœ÷ù (Yahya Ismail, 1967, pp.1-11).

Þ ó ‡ ì £ õ ¶ , I ¼ è ƒ è ¬ ÷ Ü®Šð¬ìò£è ¬õˆ¶ à¼õ£‚èŠð†´œ÷ è¬îèœ. ÞõŸP™ ê¼°ñ£¡, ñ£¡ «ð£¡ø I¼èƒèœ ºî¡¬ñ‚ èð£ˆFóƒè÷£è ܬñA¡øù. ªð¼‹ð£½‹ ÜP¾‚ جñò£™ ð´ðòƒèó ðô‹ õ£Œ‰î bò ê‚Fè¬÷ ªõ™õ¶, ܬñFò£è¾‹ ²d†êˆ¶ì‹ åŸÁ¬ñ»ì‹ õ £ ö « õ ‡ ® ò î ¡ Ü õ C ò ˆ ¬ î ªõOŠð´ˆ¶‹ õ¬èJ™î£¡ Þšõ¬è‚ è¬îèœ Ü¬ñ»‹. Þ‚è£ò£† èLô£ 죡 ìIù£ (Hikayat Kalilah dan Damina) âùŠð´‹ ñô£Œ Þô‚AòŠ ð¬ìŠ¹ Þšõ¬è Þô‚AòŠ ð¬ìŠ¹èÀœ

å¡ø£°‹. ÞšMô‚AòŠ Š¬ìŠ¹èL™ Þ‰FòŠ ð…êˆî‰Fó‚ è¬îèO¡ î£‚è‹ °PŠð£è„ Cƒè‹, ïK «ð£¡ø I¼èƒèO¡ è¬îèO¡ î£‚è‹ Ièˆ ªîOõ£èˆ ªîKA¡øù (Singaravelu, 1976, p.2 & Winstedt, 1969, pp. 6-26).

Í¡ø£õ¶, Þ‚è£ò£† (Hikayat ) â¡ø¬ö‚èŠð´‹ õóô£ŸÁŠ «ð£‚°¬ìò Þô‚Aò õ¬è. ªð¼‹ð£½‹ àœï£†´ Ü™ô¶ ªõO´ˆ î¬ôõ¡ (Hero) å¼õQ¡ è£î™, ió‹ ñŸÁ‹ Üõ«ù£´ ªî£ì˜¹¬ìò M«ï£î G蛾èœ, «ð£˜ «ð£¡øõŸ¬ø àœ÷ì‚Aòùõ£è«õ Þšõ¬èŠ ð¬ìŠ¹èœ ܬñ»‹ . Þšõ¬è Þô‚AòŠ ð°ŠH™, Hikayat Hang Tuah (ýƒ ¶õ£M¡ õóô£Á), Hikayat Pandawa Jaya, Hikayat Sang Boma (ñô£Œ ñè£ð£óî‚ è¬îèœ), Hikayat Seri Rama (ñô£Œ Þó£ñ£òí‹) ñŸÁ‹ Cerita Panji (åŠð£¼‹ I‚裼‹ Þ™ô£ˆ î¬ôõ¡ å¼õ¡ ðô á˜èÀ‚°Š ðòí‹ «ñŸªè£‡´ ðô Þ¡ù™è¬÷»‹ î¬ìè¬÷»‹ è쉶 ªê™½‹ õNJ™, åŠðŸøˆ î¬ôM¬ò âF˜ð£ó£ñ™ 致, è£î™ ªè£‡´ Üõ¬÷ˆ F¼ñíº‹ ¹K‰¶ªè£œõ£¡) Ãì Þšõ¬è¬ñ¬ò„ «ê˜‰î¬õè«÷ (Yahya Ismail, 1967, pp.13-14).

ÞÁFò£è, èŸð¬ù‚ è¬îèœ, ¹ó£í„ ªêŒFèœ «ð£¡ø¬õ ÆìŠð†ì à‡¬ñ õóô£ŸÁ„ ªêŒFè¬÷ˆ A GŸ°‹ Þô‚Aò õ¬è. Þ‚è£ò£† ªñ«ó£ƒ ñý£õƒê£ (Hikayat Merong Mahawangsa), ªêü£ó£ ªñô£» (Sejarah Melayu), Þ‚è£ò£† ó£ü£-ó£ü£ ð£ê£Œ (Hikayat Raja-Raja Pasai) «ð£¡ø ñô£Œ Þô‚Aòƒèœ Þšõ¬è»œ Ü샰ð¬õò£°‹ (Winstedt, 1969, pp. 155-166).

މõ¬è ñô£Œ Þô‚Aò„ ªê™õƒèO½‹ Þ‰Fò Þô‚AòŠ ð‡ð£†´ˆ èƒèœ à‡´n (Singaravelu, 1976, p.2). «ñŸ°PŠHìŠð†´œ÷ ñô£Œ Þô‚Aò õ¬è¬ñ¬ò ނ膴¬óJ™ «ï£‚A™ Þ¼ ªð¼‹ HK¾è÷£èŠ ð°‚èô£‹.

30 / îI›Š «ð󣌾 ÝŒMî›

Ü) Þ‰Fò è¬îõ®õˆ«î£´ ñô£Œ Þô‚AòˆF™ ðô ñ£ŸøƒèÀ‚° à†ð´ˆîŠð†´ ãŸÁ‚ªè£œ÷Šð†ì Þô‚Aòƒèœ. Þ¬õ ªð¼‹ð°F»‹ î¿õ™ Þô‚Aòƒèœ â¡ÁÃì„ ªê£™ôô£‹. ÞõŸP™ Ü®Šð¬ì è¬î ñŸÁ‹ èð£ˆFóƒèœ ñ†´«ñ î¿õŠð†®¼‚°‹. ñŸøð® àœï£†´ˆ 躋 I°‰¶ è£íŠð´‹. ÞŠHKM™ ñô£Œ Þó£ñ 裬îè¬÷»‹, ñô£Œ ñè£ð£óî‚ è¬îè¬÷»‹ °PŠð£è„ ªê£™ôô£‹.

Ý) Þ‰Fò ¹ó£í‚ è¬îèœ, ï‹H‚¬èèœ, êñò„ ªêŒFèœ «ð£¡øõŸ¬øŠ ðô Þ‰Fò Þô‚AòŠ ð£ó‹ðKòˆFL¼‰¶ ªðŸÁ ÜõŸ¬ø ñô£Œ Þô‚AòƒèO¡ «ð£‚°‚°ˆ «î¬õò£ù ÞìƒèO™ « ê ˜ ˆ ¶ ‚ ª è £ œ ÷ Š ð † ® ¼ ‚ ° ‹ õ¬èò£°‹. Þšõ¬è„ ªêŒFè¬÷ Þùƒè£‡ð¶ ꟫ø è®ùñ£ù «õ¬ôò£°‹. è£óí‹ Cô êñòƒèO™ å¼Cô ¹ó£í‚è¬îèO™ è¼ ñ†´«ñ ¬èò£÷Šð†®¼‚°‹. èî£ñ£‰î˜èO¡ ªðò˜ , è¬îJ¡ H¡¹ô‹, è£ô‹ «ð£¡ø¬õ ºŸø£è ñ£PJ¼‚°‹. Cô «õ¬÷èO™ ñ£Áð†ì Þ¼ ¹ó£í„ ªêŒFèœ å¡«ø£ªì£¡Á èô‚èŠð†ì G ¬ ôJ™ ñ ô £ Œ Þ ô ‚ A ò ˆ F ™ ð¬ì‚èŠð†®¼‚°‹ . Þšõ¬è„ ªêŒFè¬÷„ ªêü£ó £ ªñô£» , Þ‚è£ò£† ý£ƒ ¶õ£ «ð£¡ø ð¬öò ñô£Œ Þô‚AòƒèO™ è£íô£‹.

IV) Þšõ®õƒè¬÷Š ðŸPò àî£óí M÷‚è‹

« ñ Ÿ ° P Š Hì Š ð†ì â ™ ô £ „ ªêŒFèÀ‚°‹ àî£óí M÷‚è‹ îóº¬ù‰î£™ 膴¬ó MK»‹. âù«õ, MK¾ Ü…C «ñŸ°PŠHìŠð†ì Þó‡´ õ¬èèÀ‚°‹ 嚪õ£¼ àî£óíˆ¬î‚ è£†® M÷‚è‹ îóŠð´A¡ø¶. è¬î õ®õˆ«î£´ îò î¿õ™ Þô‚Aò õ¬è‚° ñô£Œ Þó£ñ£òí‚ è¬î¬ò»‹, ¹ó£í„ ªêŒFèœ ï‹H‚¬èèO¡ è¼ ñ†´‹ â´ˆ¶‚ªè£œ÷Šð†®¼‚°‹

õ¬è‚°„ ªêü£ó£ ªñô£» â¡Â‹ ËLL¼‰¶ å¼ àî£ ó투 裇«ð£‹.

Ü) ñô£Œ Þó£ñ£òí‹ñô£Œ ªñ£NJ™ ܬñòŠ ªðŸ¼‚°‹

Þó£ñ 裬î¬òŠ ªð£¶õ£è Þ‚è£ò£† ªêK ó£ñ£ (Hikayat Seri Rama) â¡ð˜. ñô£Œ Þô‚AòŠ ð£ó‹ðKòˆF™ Þó£ñ 裬 Þó‡´ ªðKò õ®õƒèœ à‡´. å¡Á è¬ô õ®õ‹; ñŸø¶ Þô‚Aò õ®õ‹.

i) è¬ô õ®õ‹.

è¬ô õ®õˆF™ «ñ½‹ Þó‡´ HK¾è¬÷„ ªê£™ôô£‹ . å¡Á ì£ô£ƒ (Dalang) â¡ø¬ö‚èŠð´‹ «î£™ªð£‹¬ñò£†ì‹ ï숶ù˜èœ ðò¡ð´ˆ¶‹ Þó£ñ 裬îJ¡ è¬îèœ. Ü´ˆî¶, ªðƒhŠÌ˜ ô£ó£ (Penglipur Lara) â¡ø¬ö‚èŠð´‹ ªî£N™º¬ø è¬îªê£™«õ£K¡ Þó£ñ è£¬îŠ ð®õƒè÷£°‹ (Amin Sweeny, 1972, pp.3-4; Shahrum bin Yub, 1974, pp.86-111 & Singaravelu, S. 1981, p.131). õ£ò£ƒ ÃL† (Wayang Kulit) â¡ø¬ö‚èŠð´‹ «î£™ªð£‹¬ñò£†ì Þó£ñ‚ è¬îèÀ‹, ªî£N™º¬ø è¬î ªê£™«õ£ó¶ Þó£ñ 裬î è¬îèÀ‹, ê‹ð‰îŠð†ì «î£™ªð£‹¬ñò£†ì ï숶ù˜ Ü™ô¶ è¬îªê£™«õ£ó¶ «î¬õ‚«èŸð Þó£ñ 裬î è¬îèœ ñ£ŸPò‹¬ñ‚èŠ ð†®¼‚°‹. âù«õ. å¼õó¶ Þó £ñ è £¬î è¬î¬ò ñŸøõ«ó£´ åŠH´¬èJ™, Ü®Šð¬ì„ ªêŒFèœ åˆF¼ŠH‹, ðô ªêŒFèœ ñ£Áð†®¼‚°‹. å¼õ˜ å¼ ªêŒF¬ò àî£óíˆFŸ° Þó£ñQ¡ HøŠ¬ðŠ ðŸPò ªêŒFèÀ‚° º‚Aòˆ¶õ‹ ªè£´‚è£ñ™ Þ¼‚èô£‹. Ü´ˆîõ˜ Ü„ªêŒF‚° ÜFè º‚Aòˆ¶õ‹ ÜFè º‚Aòˆ¶õ‹ ªè£´ˆF¼‚èô£‹. Þ¶«ð£è, ÞšMêòˆF™ ªî£ì˜¹¬ìòõ˜èO¡ ÜP¾ˆ Fø‹ Üõ˜èÀ‚°ˆ ªîK‰î Hø ªêŒFèO¡ ðôˆ¬îŠ ªð£¼ˆ«î Üõ˜è÷¶ Þó£ñ裬îèO¡ ð°Fèœ c‡´‹ ²¼ƒA»‹ «ð£°‹ (Amin Sweeny,

îI›Š «ð󣌾 ÝŒMî› / 31

1972, p.256; Ahmad bin Muhammad Yusof, 1960, pp.49-70).

ñô£Œè£ó˜èO¡ ð£ó‹ðKòˆF™ ° Mî «î£™ªð£‹¬ñò£†ìƒèœ àœ÷ù. ÜõŸÁœ õ£ò£ƒ Cò£‹ (Wayang Siam) âùŠð´‹ «î£™ªð£‹¬ñò£†ì‚ è¬î ñ†´«ñ Þó£ñ 裬î è¬î¬òˆ î¿Mò‹. Þ‚è¬î¬ò„ ªêKî£ ñè£ó£ü£ õ£ù£ (Cerita Maharaja Wana), Ü î £õ¶ Þó £õí¡ âùŠð´‹ ñè£ó£üQ¡ è¬î â¡ð .̃ Þ‚è¬îJ¡ð® Þó£ñ 裬î è¬îJ¡ Cô Gè›¾èœ ñô£Œ ®«ô«ò G蛉îî£è‚ °PŠHìŠð†®¼‚°‹. àî£óíñ£è„ Y¬î¬ò Þó£õí¡ Þôƒ¬èJ™ C¬ø¬õˆî„ ê‹ðõ‹, ôƒè£M (Langkawi) bM™ G蛉îî£è„ ªê£™ôŠð†®¼‚°‹. Þˆb¾ ð£¬îò ñ«ôCò£M¡ ªèì£ ñ£Gô‚èìŸð°FJ™ àœ÷¶. Y¬îJ¡ èó‹ ðŸø Þó£ñ¡ G蛈Fò ió„ªêò™ Ãì Cƒ«è£ó£ (Singgora) â¡ø¬ö‚èŠð´‹ ªî¡ ô£‰¶ «îêˆF½œ÷ æKìˆF™ G蛉îî£è‚ °PŠHìŠð†´œ÷¶ (Singaravelu, 1981, p.132).

Þ ‚ è ¬ î J ™ Þ ó £ ñ £ ò í ‚ è¬îñ£‰î˜èO¡ ªðò˜èO™ Ãì ñ£Ÿø‹ ªîKA¡øù. àî£óíˆFŸ°, Þó£ñ¡ - ªêK ó£ñ£ (Seri Rama), Þô‚°õ¡ - ô‚ê£ñù£ (Laksamana), Y¬î - YˆF «îM (Siti Dewi), ܸñ¡ - ܸñ£¡ ªèó£ ̈«î (Hanuman Kera Putih), iìí¡ - ñ£ 𣹠êù‹ (Mah Babu Sanam), Þó£õí¡ - ñè£ó£ü£ õ£ù£ (Maharaja Wana) ÞŠð® «ñ½‹ ðô ªðò˜è¬÷‚ °PŠHìô£‹. ªêKî£ ñè£ó£ü£ õ£ù£ «ð£¡ø Hø «î£™ªð£‹¬ñò£†ì‚ è¬îèO™ è£í‚îò ñŸªø£¼ îQ„CøŠ¹, ÜõŸP¬ì«ò è£ù‚Aì‚°‹ A¬÷‚è¬îè÷£°‹. Þ‚A¬÷‚è¬îèœ ªðK‹ð£½‹ Þó£ñ£òí‚ è¬îèÀ‚°ˆ ªî£ì˜¹¬ìòùõ£è Þ¼‚èñ£†ì£ (Amin Sweeny, 1972, pp.257-258).

ÞQ ªðƒh̘ ô£ó£ (Penglipur Lara) â¡ø¬ö‚èŠð´‹ ªî£N™º¬ø è¬îª ê £™ «õ £ K¡ Þ ó £ ñ è £ î è¬îèO¡ ÃÁèœ CôõŸ¬ø ñ†´‹

裇«ð£‹. Þšõ¬è‚ è¬îèÀœ 塬ø ñ«ôCò£M¡ «ðó£‚ ñ£GôˆF™ àœ÷ è‹ð£˜ â¡ÂIìˆ¬î„ «ê˜‰î I˜ ýv꣡ (Mir Hassan) â‹ ªðò˜ ªè£‡ì ªî£N™ º¬ø è¬îªê£™ðõ˜ ªê£™ô, Üî¬ù ªñ‚vªõ™ (W.E.Maxwell) â¡Â‹ Ý󣌄Cò£÷˜ 18 6 6 -Ý‹ ݇®™ ðF¾ ªêŒî£˜ Maxwell, June 1886, pp.1-84) . Þ‚è¬î«ò£†ìˆF™ ÜFèŠð®ò£ù ñô£Œ ð‡ð£†´‚ ÃÁèœ «ê˜‚èŠð†´œ÷ù. «ñ½‹, Þvô£Iò ñêŒFèÀ‹ ÜFè‹ «ê˜‚èŠð†´œ÷ù . Þ‚è¬îJ™ Þó£ñ¡ Þvô£Iò î¬ôõ¼‚°Kò ‘èL𣒠(Khalipha) â¡Â‹ ð†ìŠªðòó£™ °PŠHìŠð´Aø£˜. Üõ¼‚° ‘ªèKv’ (Keris ) â¡ø¬ö‚èŠð´‹ ñô£ŒŠ ð£ó‹ðKòˆF¡ °†¬ì °ˆ¶õ£œ Ý»îñ£è„ ªêò™ð´A¡ø¶. Y¬î¬ò„ ªê°¡«î£‹ Ìƒè£ ªêîƒè£Œ (Sekuntum Bunga Setangkai) â¡ø ªðòó£™ Þ‚è¬îJ™ °PŠH´A¡øù˜. Þ‹ «ñô£è, Þô‚°õ¡ Þó£ñQ¡ ܇íù£è‚ 裆ìŠð´A¡ø£¡. ÞŠð® «ñ½‹ ðô (Ahmad bin Muhammad Yusof, 1960,pp. 49-70).

Þƒ«è å¼ ªêŒF¬òñ‚ °PŠH†´„ ªê£™ô «õ‡´‹. Þó£õí¡ Y¬î¬ò„ C¬øªò´Šð º¡ Üõ˜èœ ñˆFJ™ ï¬ìªðÁ‹ à¬óò£ì™ ð¡É¡ (Pantun) â¡Á ªê£™ôŠð´‹ ñô£Œ‚ èM¬îŠ «ð£‚A™ ܬñA¡ø¶ (Singaravelu, 1981, p.134 & Ahmad bin Muhammad Yusof, 1960, pp. 49-70).

«ñŸªê£™ôŠð†ì Þó‡´ Mîñ£ù è¬îèÀ‹ Üî£õ¶ «î£™ªð£‹¬ñò£†ì‚ è¬î ñŸÁ‹ I˜ ývê£Q¡ è¬î»‹ I辋 ²¼‚èñ£ù¬õ. 裇ìƒèœ ⶾ‹ A¬ìò£¶. ⿈¶ õ®M™ 𣘈 Þ¬õ 50 ð‚èƒèÀ‚°‚ Ãì â†ìñ£†ì£.

ii) ⿈¶ õ®õ‹

⿈¶ õ®Mô£ù ñô£Œ Þó£ñ 裬î è¬îè¬÷ Þ‚è£ò£† ªêK ó£ñ£ (Hikayat Seri Rama) â¡ð˜ (Zieseniss,

32 / îI›Š «ð󣌾 ÝŒMî›

1963, pp. 187-188). Þšõ¬è‚ è¬îèœ Ü¬ùˆ¶‹ º¿‚è º¿‚è à¬óï¬ìJ™ â¿îŠð†ì¬õò£°‹ . ÞõŸP™ 裇ìƒè«÷£ ñŸø ªð¼‹ HK¾è«÷£ Þ¼‚è ñ£†ì£. 6’x8’ Ü÷¾ªè£‡ì Ë™õ®õñ£ù£™ ãø‚°¬øò Þ‚è¬îèœ åšªõ£¡¬ø»‹ 200L¼‰¶ 250 ð‚èƒèO™ Üì‚AMìô£‹.

Þ‚ è £ò £† ªêK ó £ñ £ â¡ø ªðòK™ ðô HóFèœ à‡´. Þ¬õ ñô£ò£M™ Þvô£Iò ñî‹ ðóMò H¡«ð â¿îŠð†ìî£èˆ ªîKA¡ø¶. â¿Fòõ˜èO¡ ªðò˜ Mðóƒè™ Ãìˆ ªîKòM™¬ô. Perso-Arabic â¡Á ªê£™ôŠð´‹ ü£M (Jawi) ⿈F™ ñ†´«ñ Þ¬õ â¿îŠð†®¼‰îù. Þšªõ¿ˆ¶ º¬ø¬ò ñô£ò£¾‚° ÜPºèŠð´ˆFòõ˜èœ Þvô£Iò˜èœ â¡ð¶ ܬùõ¼ ‚° ‹ ª î K ‰ î ªêŒFò£°‹. Þî¡ Ü®Šð¬ìJ™î£¡ ñô£Œ Þó£ñ è¬îèœ Þvô£Iò ðóŠðˆFŸ°Š H¡«ð â¿îŠð†®¼‚è «õ‡´‹ â¡Â‹ 輈¶ ãŸèŠð´A¡ø¶ (Singaravelu, 1981, p. 136 & Zieseniss, 1963, pp. 187-188).

ü£M ⿈F™ Þ¼‰î Þ‚è¬îŠ ð®õƒè¬÷Š Hø° ñô£Œ ñŸÁ‹ ݃Aô ªñ£Nò£‚è‹ ªêŒîù˜ . Þî¡ è£ô‚è†ì‹ ðŸP„ ªê£™ô «õ‡´ñ£ù£™, G„êòñ£è‚ A.H. 13Ý‹ ËŸø£‡´‚°Š Hø° âù„ ªê£™ôô£‹. è£óí‹ A.H. 13Ý‹ ËŸø£‡´‚°Š Hø°î£¡ Þvô£Iò ñî‹ ñô£ò£M™ ðóMò¶ â¡ð¶ õóô£Á. Þ‚è¬îè¬÷ Ý󣌄C ªêŒî ÜPë˜ ðô¼‹ ܬõ 1 3Ý‹ ËŸø£‡´‚°‚°‹ 17Ý‹ ËŸø£‡´‚°‹ Þ¬ìŠð†ì è£ôˆF™î£¡ ð¬ì‚èŠð†®¼‚è «õ‡´‹ âùŠ ðô Ýî£óƒè¬÷‚ ªè£‡´ GÁ¾A¡øù˜ (Zieseniss, 1963, pp.185-188: Windstedt, 1969, p.38 & Barrett, 1963, p.543).

Þ‚è£ò£† ªêK ó£ñ£ è¬î ðô HóFèO™ àœ÷ù âùŠð£˜ˆ«î£‹. ܬõ â™ô£«ñ Ü®Šð®J™ å«ó

Mîñ£ù Ü™ô¶ ªð¼‹ð°F å¼ Mîñ£ù è¬îò¬ñŠ¬ð‚ ªè£‡®¼‚A¡øù. ñ£Á𣴠â¡Á 𣘈 G蛾èO¡ Ü®Šð¬ìJ™ Cô ñ£Ÿøƒè¬÷‚ è£í º®A¡ø¶. Ü´ˆî¶ Ü‚è¬îèO™ è£íŠð´‹ Þvô£‹ ñî„ ªêŒFèO¡ êîMAî Ü®Šð¬ìJ™ ñ£Ÿøƒèœ ªî¡ð´A¡øù (Windstedt, 1969, p.38 & Barrett, 1963, p.543).

Þ¶õ¬óJ™ Í¡Á HóFèœ Ë™ õ®õ‹ 致œ÷ù. ºîô£õ¶, 1843Ý‹ ݇®™ P.P.Roorda Van Eysinga â¡ðõó£™ ªõOf´ ªêŒòŠð†ì¶ (van Bakkenes, 1843, p.173; Hikayat Seri Rama, 1938, p.256). W.G.Shellabear â¡ð£˜ Þó‡ì£õ¶ ˬô»‹ (Shellabear, 1915, pp.1-285), Achadiati Ikram â‹ ªðò˜ ªè£‡ì Þ‰«î£mCò ÜPë˜ «ñ Ÿ°PŠH†ì Þó‡´ HóFè¬÷»‹ Hø HK¾è«÷£´ åŠH†´ 1980Ý‹ ݇®™ å¼ º¿¬ñò£ù HóF¬ò ªõOf´ ªêŒî£˜ (Achadiati Ikram, 1980). ð£¬î‚° ÞŠHóF«ò Iè„ Cø‰î ñô£Œ Þó£ñ£òíŠ HóFò£è‚ è¼îŠð´A¡ø¶. Þ¬õ îMó «ñ½‹ °¬ø‰î¶ 䉶 HóFèœ Þ¡ùº‹ ð¬öò Ýõí 裊ðèƒèO™ ¬õ‚èŠð†´œ÷ù. ÞŠHóFè¬÷Š ðŸPò ²¼‚èñ£ù ªêŒFè¬÷ Gerth Wan Wijk, H.H.Juynboll, H.Overbeck, E.C.G.Barret , R.O.Winstedt «ð£¡ø ÜPë˜èO¡ ⿈¶èO¡ õN ªîK‰¶ªè£œ÷ º®A¡ø¶ (Gerth wan Wijk, 1891, pp.401-433; Juydboll, 1933, pp.111-132) . Þ‚è£ò£† ªêK ó£ñ£ â¡ø¬ö‚èŠð´‹ ñô£Œ Þó£ñ£òí‚ è¬îèœ åŠd†´ Þô‚Aò ÝŒ¾èÀ‚° I辋 àè‰î¬õò£è ܬñ‰¶M†ì è£óíˆî£™, ÜPë˜ ðô˜ 嚪õ£Šd†´ ÝŒM™ îƒè¬÷ ß´ð´ˆF‚ªè£‡ìù˜. ªî£ì‚èˆF™ P.P.Roorda Van Eysing ñô£Œ Þó£ñ£òí‹ õ£™eA Þó£ñ£òíˆF¡ ªñ£N ªðò˜Š¹ âù‚ °PŠH†ì ܂輈¬î A.Dozon â¡ð£˜ õ‡¬ñò£è‚ 臮ˆî£˜ (Dozon, 1846, pp.425-471).

Þ‰G蛾 «ñ½‹ ðô ÝŒ¾èœ Þˆ¶¬øJ™ õ÷ó ªð¼‹ðƒè£ŸPò¶

îI›Š «ð󣌾 ÝŒMî› / 33

âùô£‹ . ÞõŸÁœ °PŠH†´„ ªê£™ôŠðì «õ‡®ò¬õ, 1899™ H.H.Juynboll, 1919™ Ph.S.Van Ronkel, 1922™ W.H.Rasser «ð£¡«ø£ó¶ åŠd†´ ÝŒ¾è÷£°‹. ºî™ Þ¼õ¼‹ ñô£Œ Þó£ñ£òíˆF™ îI›ˆ î£‚è‹ Þ¼Šð¬î ÜšMô‚AòˆF™ è£í‚Aì‚°‹ Cô îI›„ ªê£Ÿè¬÷ Ü®Šð¬ìò£è ¬õˆ¶‚ ÃPù˜ (Juynboll, 1899, p.66; van Ronkel, 1919, pp.379-383 & Rassers, 1922, pp.238-292). Hø°, 1928Ý‹ ݇®™ A.Zieseniss â¡ð£˜, õ£™eA Þó£ñ£ò투 ñô£Œ Þó£ñ£ò투 åŠH†´ Ý󣌄C ªêŒ¶, Ë™ 塬ø ªõOf´ ªêŒî£˜ (Zieseniss, 1963).

A.Zieseniss îñ¶ ÝŒM¡ º®M™ ñô£Œ Þó£ñ£òíˆF™ è£íŠð´‹ îI›ˆ î£‚èˆ¬îŠ ðŸP ⶾ‹ àÁFò£è„ ªê£™ôM™¬ô. V.Raghavan â¡ð£˜ Ramayana in greater India â‹ î¬ôŠ¹¬ìò ˬô 1975Ý‹ ݇®™ ªõOJ†ì£˜. Þ º¡¹ 1973Ý‹ ݇®™ The Greater Ramayana â‹ ˬô»‹ ªõOf´ ªêŒF¼‰î£˜. ºîL™ °PŠH†´œ÷ Þõó¶ Ë™ 14 ÝCò èO™ è£í‚Aì‚°‹ Þó£ñ£òíˆ î£‚èˆ¬î I辋 ²¼‚èñ£è¾‹ M÷‚èñ£è¾‹ ªõOŠð´ˆF‚ 裆®ò¶ â¡ð¶ °PŠHìˆî‚è¶ (Raghavan, 1973).

ªî£ì˜‰î£˜«ð£™ «ðó£CKò˜ ê. Cƒè£ó«õ½ Üõ˜èœ ÜKò ÝŒ¾ G蛈F ªî¡Aö‚è£Cò èO™ Þó£ñ£òíŠ ð£ó‹ðKò‹ â‹ î¬ôŠ¹¬ìò Iè„ Cø‰î â¿F º®ˆî£˜. Þõó¶ ÝŒ¬õ I…ê‚îò ªî¡Aö‚è£Cò Þó£ñ£òí‹ °Pˆî ÝŒ¾ ⶾ‹ Þ¶õ¬óJ™ õ‰îî£èˆ ªîKòM™¬ô. ނ膴¬óJ¡ ÝCKò¼‹ Ãì õ£™eA, è‹ð¡ ñŸÁ‹ ñô£Œ Þó£ñ£òíƒè¬÷ åŠH†´ îñ¶ º¶è¬ô ð†ìˆ¬î 1991Ý‹ ݇®™ ªðŸø£˜. Hø°, 1995Ý‹ Þšõ£Œ«õ´ Ë™ õ®õ‹ ªðŸø¶. މ˙ ñô£Œ ªñ£NJ™ â¿îŠð†ì‹. Þšõ£ŒM¡ Iè º‚Aòñ£ù º®¾èO™ å¡Á ñô£Œ Þó£ñ£òí‹ ÜFèñ£ù

ªêŒFè¬÷ˆ îI› Þó£ñ 裬î è¬îèOL¼‰¶î£¡ ªðŸ¼‚A¡ø¶ â¡ð‹ . ނ輈¶ º¬øò£è «ñŸ°PŠHìŠð†ì ËL™ MKõ£è Mõ£Fˆ¶ G¬ôGÁˆîŠð†´œ÷¶ (Rajantheran, 1995).

Ý) ªêü£ó£ ªñô£»M™ Þ‰¶ ï‹H‚¬èJ¡ è‹

ªêü£ó£ ªñô£» (Sejarah Melayu) âùŠð´‹ ñô£‚è ñ¡ù˜èO¡ õóô£Ÿ¬ø‚ ÃÁ‹ ËL™ Þ‰Fò êñòŠð‡ð£†´‚ ÃÁèO¡ î£‚è‹ G ¬ ø ò « õ è £ í ‚ A ì ‚ A ¡ ø ù . 膴¬óò£÷˜ îñ¶ º¬ùõ˜ (Ph.D) ð†ìŠð®Š¹‚° â´ˆ¶‚ªè£‡ì Ý󣌄CŠ ªð£¼À‹ ޶ (Rajentheran, 1999) . ªêŒFèœ ÜFè‹ Þ¼ŠH‹ ²¼‚è‹ è¼F æ˜ àî£óí‹ ñ†´‹ 裆ìŠð´Aø¶.

b˜ˆî‹ ñŸÁ‹ Hóê£î‹ °Pˆî Þ‰¶‚èO¡ ï‹H‚¬è¬ò âŠð® ªêü£ó£ ªñô£»¬õ 1612Ý‹ ݇®™ ð¬ìˆî ⿈î£÷˜ îñ¶ «î¬õ‚«èŸð ðò¡ð´ˆF‚ ªè£‡®¼‚Aø£˜ â¡ð¬îŠ 𣘊«ð£‹. Þ‹ñô£Œ Þô‚AòˆF¡ ð¬ìŠð£OJ¡ ªðò˜ ªîKòM™¬ô (Winstedt, 1969, pp.111-112; Ismail Hamid, 1987. p.196).

ñô£‚è£ ñ¡ù˜èO¡õK¬êJ™ I辋 HóCˆFŠ ªðŸøõ˜ ²™î£¡ ñ¡Å˜ ê£ (Sultan Mansur Shah) â¡ðõó£õ£˜. Þõ˜ Yù «îꈫ ªï¼ƒAò ªî£ì˜¹¬ìòõó£è M÷ƒAù£˜. Þõ˜ e¶  ªè£‡ì Ü¡¬ðŠ ¹ôŠð´ˆ¶‹ õ¬èJ™, Yù ñ¡ù˜ îñ¶ ¹î™MòK™ 弈îó£Aò ýƒ h «ð£¬õ (Hang Li Po) ñô£‚è ñ¡ù˜ ñ퉶ªè£œ÷ ÜŠHòî£è «ñŸªê£¡ù ñô£Œ Þô‚Aò‹ °PŠH´A¡ø¶ (Shellabear, 1981 pp. 96-98 & Rajantheran, 1999, 198-200).

ÜóC÷ƒ°ñKò£Aò ýƒ h «ð£¬õ ñ¡ù˜ ñ¡Å˜ ê£Mì‹ «ê˜ŠHˆ¶M†´  F¼‹ð º¬ù‰î ¯ «ð£ (Di Po)

34 / îI›Š «ð󣌾 ÝŒMî›

â‹ Yù Üóê ÉîKì‹, ñô£‚è£ ñ¡ù˜ ñ¡Å˜ ê£, Yù ñ¡ù¼‚°ˆ î¡ õ‰îùˆ¬î‚ è®îˆF¡ Íô‹ â¿F ÜŠHòî£è„ ªê£™ôŠð´Aø¶ (Rajantheran, 1999, 198-200).

Ü ó ê É î ó £ A ò ¯ « ð £ ¾ ‹ Þ‚è®îˆ¬î Yù ñ¡ùKì‹ º¬øŠð® «ê˜ŠH‚è, ñ¡ù¼‹ Üšõ‰îùˆ¬î ãŸÁ‚ªè£‡ì£˜. Þ‰G蛾 è쉶 å¼ Cô èO™ Yù ñ¡ù¼‚° àì™ º¿‚è å¼ Mî ÜKŠ¹ «ï£Œ è‡ì¶. âšõ÷«õ£ ºò¡Á‹ â‰î ñ¼‰¶‹ ðô¡ ÜO‚èM™¬ô. ÞÁFò£è Yù ºFòõ˜ å¼õ˜ ñ¡ù‚°‚ 致œ÷ «ï£Œ‚è£ù è£ó투 ܬð£‚è‚îò º¬øè¬÷»‹ ÃPòî£è ªêü£ó£ ªñô£» °PŠH´A¡ø¶. Ü‹ºFòõ˜ ÃPòî£õ¶, “Þ¶ Üóê˜ ªð¼ñ£¡ ªêŒî bM¬ùJ¡ ðò¡. ñô£‚è£ ñ¡ùK¡ õ‰îùˆ¬î„ Yù Üóê˜ ãŸÁ‚ªè£‡ì ªêŒ¬è«ò ܈bM¬ùò£°‹. ñô£‚è£ ñ¡ù˜ Yù ñ¡ù¬ù õ탰î«ô ªð¼‹ °Ÿø‹. è£óí‹ ñô£‚è ñ¡ù˜ ªîŒõˆî¡¬ñŠ ªð £¼ ‰Fòõ˜ , Üõ¬ó àôè‹ õíƒè«õ‡´«ñ åNò Hø¬ó Üõ˜ õíƒ°î™ Ã죶”, âùŠªð£¼œð´‹ð® ÃP «ñ½‹ Yù Üó꼂° ãŸð†®¼A¡ø «ï£Œ bó, “Yù Üóê˜ ñô£‚è£ ñ¡ù˜ 裙 è¿Mò có£™ ºè‹ è¿M, Üî¬ù„ ꟫ø ܼ‰î«õ‡´‹. «õÁõN A¬ìò£¶” â¡Á‹ ªê£™L º®ˆîî£è ªêü£ó£ ªñô£» °PŠH´A¡ø¶ (Shellabear, 1981 pp. 96-98).

ªêŒFòP‰î ñô£‚è£ ñ¡ù˜ ²™î£¡ ñ¡Å˜ ê£ îù¶ 裙 è¿Mò c¬ó Yù ñ¡ù¼‚° ÜŠH ¬õˆî£˜. Üî¬ùŠ ªðŸÁŠ ð¼A ºè‹ è¿Mò Yù ñ¡ù¼‚° àì«ù«ò «ï£Œ b˜‰îî£è «ñŸ°PŠH†ì Ë™ MõK‚A¡ø¶ (Rajantheran, 1999, 198-200).

ÞšMìˆF™ ñô£‚è£ ñ¡ùK¡ 裙 è¿Mò c˜ «ó£è Gõ£óEò£è Üî£õ¶ «ï£Œ b˜‚°‹ b˜ˆîñ£èŠ ðò¡ð†®¼Šð¬î‚ èõQ‚è «õ‡´‹.

«è£JL™ F¼¾¼õ„ C¬ôèO¡ ÜH«ûè c ,̃ Ü„C¬ôèO¡ 裙èO™ ð†ì H¡«ð b˜ˆî âùˆ î°Fò¬ìõ¬î»‹ èõQ‚è «õ‡®»œ÷¶ (Diehl, 1956, pp.152, 241,241; Dubois, 1906, p.584). «è£JL™ F¼¾¼õ„ C¬ôèO¡ ÜH«ûè/ c󣆴 c˜ ñ†´«ñ b˜ˆî‹ â¡ðî™ô. Ý¡eè °¼M¡ ð£î‹ ð†ì c˜ Ãì b˜ˆîñ£è‚ è¼îŠð´‹ õö‚è‹ Þ‰¶‚èOì‹ Þ¼Šð¶¾‹ ªîKò õ¼A¡ø¶ (Dubois & Beauchamp, 1906, pp.125, 132). ë£ù °¼M¡ ð£îÌ¬ê ªêŒî c˜ Ãì Hóê£îñ£è ãŸÁ‚ªè£œ÷Šð†´ Üî¬ù«ò b˜ˆîñ£è ܼ‰F î¬ôJ™ ª îO ˆ¶ ‚ ª è £ œÀ‹ õ ö ‚ 躋 Þ‰¶‚èO¬ì«ò Þ¼‰î ªêŒF¬òŠ ð‡ì£ó º‹ñE‚«è£¬õ (35-39) â‹ Ë™ °PŠH´A¡ø¶ (ê£Iîò˜ 1952, p.440).

ⶠâŠð®ò£J‹ ñô£ ‚ è £ ñ¡ùK¡ 裙 è¿Mò c˜ b˜ˆîñ£èŠ ðò¡ð†®¼‚°‹ ªêŒF¬ò  ªîOõ£è‚ è£í º®A¡ø¶. ނ輈¬î õ½Šð´ˆ¶‹ õ¬èJ™ Þvô£‹ ªî¡Aö‚è£Cò£M™ ðó¾õ º¡¹ (A.H. ðFù£¡°‚° º¡), ªî¡Aö‚è£Cò Üóê˜èO¬ì«ò ðóM‚Aì‰î ‘«îõó£ü£’ â¡Á ªê£™ôŠð´A¡ø ªè£œ¬è»‹ ï‹H‚¬è»‹ Ãì Üóê˜è¬÷ Þ¬øõQ¡ F ¼M ó ‚ è ñ £ è « õ £ Þ¬ ø °í‹ àœ÷õó£è«õ£ Ü™ô¶ ªîŒõƒèO¡ ðó‹ð¬óJùó£è«õ£ 裆´‹õ¬èJ™ ܬñ‰F¼‰î¶¾‹ °PŠHìˆî‚è¶. âù«õ, º¬øªêŒ¶ 裂°‹ ñ¡ù¡ ñ‚膰 Þ¬øõªò¡Á ¬õ‚èŠð´‹ â¡Â‹ °øÀ‚° åŠð ªî£ì‚è‚è£ô ªî¡Aö‚è£Cò ñ¡ù˜èœ º¬øªêŒ¶ è £ ˆ î £ ˜ è÷ £ â¡ð¶ ê K ò £ è ˆ ªîKò£M†ì£½‹ Üõ˜èœ îƒè¬÷ Þ¬øG¬ô«ò£´ åŠH†´‚ªè£‡ìù˜ â¡ð¶ ªîOõ£èˆ ªîKA¡ø¶ . Þî¡ Ü®Šð¬ìJ™, Þ¬ø«ò£´ Üóê˜è¬÷ ¬õ‚°‹ ‘«îõó£ü£ ’ ï‹H‚¬è, Þvô£‹ ñô£Œ àôA™ ŠóMò H¡¹‹ Ãì Þ¼‰F¼‚Aø¶ â¡ð¶¾‹ ªðøŠð´A¡ø¶ (Heine-Geldern, 1942, pp.15-30) . ªêü£ó£ ªñô£» ñô£Œ

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ñ¡Q™ Þvô£Iò êñò‹ ðóMò Hø«è ð¬ì‚èŠð†ì Þô‚Aò‹ â¡ð‹ ÜîQ™ Þ„ªêŒFèœ Þ싪🼉‹, «ñŸ°PŠHìŠð†®¼‚°‹ 輈¶ 㟹¬ìòî£A¡ø¶.

º®¾¬óނ膴¬óJ¡õN Þ‰Fò Þô‚AòŠ

ð£ó‹ðKò‹ ð¬öò ñô£Œ Þô‚Aò õ÷˜„C‚°Š ªð¼‹ ðƒèOŠ¹„ ªêŒ¶œ÷¶ â¡ð¶ GÁõŠð´A¡ø¶. ނ膴¬óJ™, Ü®Šð¬ì‚ è¬î«ò£´ ñô£Œ Þô‚Aò‹ â¡ø õ¬èJ™

ñô£Œ Þó£ñ£òí àî£óí‹ â´ˆ¶‚ 裆ìŠð†´œ÷¶. Ü´ˆî G¬ôJ™ Þ‰Fò ð‡ð£†´„ ªêŒFèœ, ¹ó£í„ ªêŒFèœ ñŸÁ‹ Þ‰¶ ñî‚ è¼ˆ¶èœ «ð£¡øõŸ¬ø‚ 輈î÷M™ ãŸÁ ñô£Œ Þô‚Aò «ð£‚°‚° ãŸð Üî¬ùŠ ðò¡ð´ˆîŠð†®¼‚°‹ õ¬è‚° àî£óíñ£è‚ 裆ìŠð†´œ÷¶. Þ¶«ð£¡ø ªêŒFèœ ðóõô£è ð ¬ ö ò ñ ô £ Œ Þ ô ‚ A ò ƒ èO™ è £í‚Aì‚A¡øù . Þˆ¶¬øJ™ ݘõºœ÷ Ý󣌄Cò£÷˜èœ ºò¡ø£™ «ñ½‹ ðô ¹Fò ªêŒFè¬÷ G„êòñ£è ªõOŠð´ˆî º®»‹.

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êƒè Þô‚AòƒèO™ è£íŠªðÁ‹ ‘ò£í˜’ â¡Â‹ ªê£™L¡ ªð£¼œ:

å¼ eœð£˜¬õThe Meaning of The Term Yāṇar in Sangam

Literature: A Revisit

AbstractAs per the commentators and redactors of Sangam Literature the term yāṇar means ‘new income’. This term is frequently found in the literature in many contexts. If one agrees the meanings proposed by the commentators for the word yāṇar as ‘new income’, the meaning of the sentences become very ambiguous on many occasions. Hence a hermeneutics study is made on the word by looking in to the context of the usage of that word and suggests that if one takes the meaning of yāṇar, just as ‘fresh’ or ‘new’ then the sentences meaning are free of ambiguities. Using the new meaning all the occurrences of the word yāṇar in Sangam literature are reviewed and new interpretations are tabulated. From this analysis, new insight into the social formation of Early Historic Tamil Nadu is obtained. Formation of new settlements and capturing of enemies regions are well documented from the literature which is useful for the historians to have afresh look in to the history of Tamil Nadu.

Key words: Sangam literature, yāṇar meaning, new income, new settlements, captured settlements.

º¬ùõ˜ ï.ÜFòñ£¡ / Dr.N.Athiyaman1

º¬ùõ˜ î.è‡í¡ / Dr. T.Kannan2

1 Dr. N.Athiyaman, Professor, Department of Maritime History and Marine Archaeology, Tamil Uniervsity, Thanjavur - 613 010, India. email: [email protected] 2 Dr. T.Kannan, Professor, Department of Rarepaper Manuscripts, Tamil Uniervsity, Thanjavur - 613 010, India, email:[email protected]

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Þ÷‹Ìóí˜ ‘Üø£ ò£í óè¡ø¬ô ù£´’ â¡ø‚裙 Üø£î ¹¶ õ¼õ£¬ò»¬ìò â¡ð‘ âù‚ °P‚Aø£˜ (ïñ„Cõ£ò ºîLò£˜ 1927:200). Þ¬î M÷‚°‹ Ü®è÷£CKò˜ ‘’Üèï£ÛÁ (44)Þ™ Þš¾î£óí‹ ªð£¼‰¶ñ£P™¬ô. Þˆªî£ì˜ õ‰¶œ÷ «õÁ Þì‹ ÜPè. ‘Üø£Ü ò£í óè¡ø¬ôŠ «ðϘ(ªð¼. Ü®1)’’ âù‚ °PŠH´Aø£˜ (Ü®è÷£CKò˜ 1987:274-5). Þƒ° ®¡ ¹¶õ¼õ£Œ â¡ð¬îMì «ðÏK¡ ¹¶õ¼õ£Œ â¡ð¶ ªð£¼ˆîñ£è Þ¼‚°‹ â¡ð Þšõ£Á 輈¶¬óˆF¼‚èô£‹.

ï„Cù£˜‚AQò˜ (ËŸð£ 3 7 9 ) ‘ò£íªóÂ… ªê£™ õ¼õ£Œ ¹Fî£èŠ ð´îô£Aò °PŠ¬ð à¬ìˆ¶. â.Á iªè£´ªê¡ø õ†®ŸðŸðô - e«ù£´ ªðò¼‹ ò£íÏó âùõ¼‹‘ âù‚ °PŠH´Aø£˜ (ñ£îó‹Hœ¬÷ 1892:222).

«êù£õ¬óò˜ (ËŸð£ 379) ‘eªù£´ ªðò¼‹ ò£íϘ âù ò£íªó¡ð¶ õ£K ¹Fî£èŠð´îô£Aò °PŠ¹í˜ˆ¶‹‘ âù‚ ÃÁAø£˜ (ñ£îó‹Hœ¬÷ 1884:202).

ªîŒõ„C¬ôò£˜ (ËŸð£ 374) ‘Mˆªî£´ ªê¡ø õ†® ðŸðô eªù£´ ªðò¼‹ ò£íÏó - ì£Á‹ ¹Fò¶ ð´A¡ø ט’ âù M÷‚èñO‚Aø£˜ (èó‰¬îˆ îI›„ êƒè‹ 1929:208).

«ñŸè£µ‹ ° à¬óò£CKò˜èÀœ «êù£õ¬óò¼‹ ªîŒõ„C¬ôò£¼‹ ¹F¶ ð´î™ â¡Â‹ ªð£¼O½‹ ï„Cù£˜‚AQò¼‹ Þ÷‹Ìóí¼‹ ¹¶õ¼õ £ Œ â¡ ø ª ð £ ¼O½‹ M÷‚èñOˆF¼Šð¬î‚ 裇A«ø£‹. ò£í˜ â¡Â‹ ªê£™½‚° «ñŸè£µ‹ à ¬ ó ò £ C K ò ˜ è O ¡ à ¬ ó ¬ ò «ï£‚Aù£™ Þî¡ M÷‚è‹ âšõ£Á îõø£è ªè£œ÷Šð†®¼‚°‹ â¡ð¶

40 / îI›Š «ð󣌾 ÝŒMî›

H¡õ¼‹ M÷‚èˆî£™ ÜPòº®Aø¶. Þ„ªê£™ô£ù¶ ¹¶õ¼õ£¬ò»¬ìò â¡Â‹ 輈F™ ܬùˆ¶ ÞìƒèO½‹ ðJ¡Á õóM™¬ô. á¬ó»‹, ¬ì»‹ °P‚°‹«ð£¶ ðô ÞìƒèO™ Þ„ªê£™ ¬èò£÷Šð´Aø¶. âù«õ, ò£í˜ â¡ø ªê£™¬ô êƒè„ªêŒ»O™ 裵‹«ð£¶ ¹ ¶ õ ¼õ £ Œ â¡ ø M÷ ‚ è ˆ ¬ î Þ÷‹Ìóí¼‹ ï„Cù£˜‚AQò¼‹ ÜOˆF¼‚è«õ‡´‹. Ýù£™ ¹F¶ ðì™ â¡ø ªð£¼¬÷„ «êù£õ¬óò¼‹ ªîŒõ„C¬ôò£¼‹ ÜO‚A¡øù˜.

êÍèMò™ ÝŒ¾èÀ‚° º‚Aò î ó¾è÷£è M÷ƒ°‹ ¹ø ï £ÛÁ , ðˆ¶Šð£†´, èLˆªî£¬è «ð£¡ø ªêŒ»œèÀ‚° ï„Cù£˜‚AQò¼¬ó I辋 ðò¡ð´õ ªð£¶õ£è Ü P ë ˜ è œ ò £ í ˜ â ¡  ‹ Þ„ªê£™½‚°Š ¹¶õ¼õ£Œ âùŠ ªð£¼œªè£‡´ M÷‚èñO‚A¡øù˜. Þš¾¬óò£CKò¬óŠ ðFŠHˆî ðô ðFŠð£CKò˜èÀ‹ ÞšM÷‚般î Ü ® Š ð ¬ ì ò £ è ‚ ª è £ ‡ ´ ðFŠHˆ¶œ÷ù˜. Ýù£™ ò£í˜ â¡ø ªê£™ ðJ¡Á õ¼‹ ÞìƒèO™ Üõ˜èœ ÜO‚°‹ à¬óJ™ ðô ÞìƒèO™ ªî£ì˜H™ô£ñ½‹ ªð£¼‰Fõó£ñ½‹ àœ÷ù.

ò£í˜ â¡Â‹ ªê£™½‚°Š ¹Fò õ¼õ£ò¡Á â¡Á º¡ù«ó ²†®ò â´ˆ¶‚裆´‚° «ñ½‹ å¼ è£†ì£è ‘iò£ ò£í˜ õ÷ƒªè¿ ð£‚舶’ (ªð¼‹ð£í£ŸÁŠð¬ì 367) â¡Â‹ ªî£ì¼‚° ‘Mì£î ¹¶õ¼õ£J¬ù»¬ìò ªê™õ‹ ªð£¼‰Fù ð£‚舶’ â¡Á ï„Cù£˜‚AQò˜ à¬óJ™ è£íº®Aø¶ (ê£Iîò˜ 1931:245). ¹¶õ¼õ£Œ â¡ð¶ õ÷ˆF¬ù‚ °P‚°‹. Ýù£™ ‘ò£í˜’ â¡Â‹ ªê£™¬ôˆ ªî£ì˜‰¶ õ÷ƒªè¿ â¡Â‹ ªê£™½‹ õ‰¶œ÷¬ñò£™ Þ¬î‚ ‘°¬ø¾ð죊 ¹Fò õ÷‹ ªð£¼‰Fù ð£‚舶’ âù‚ ªè£‡ì£™ ªð£¼œ ªîOõ£è M÷ƒ°Aø¶.

âù«õ, ò£í˜ â¡Â‹ ªê£™¬ôˆ ªîŒõ„C¬ôò£˜, «êù£õ¬óòK¡

à¬óJù®Šð¬ìJ™ ¹F¶, ¹Fò â¡ø ªð£¼¬÷‚ ªè£‡´ êƒè Þô‚AòˆF™ ‘ ò £í˜ ’ â¡Á õ¼‹ ܬùˆ¶ Ü®èÀ‚°‹ ¹Fò ªð£¼œ M÷‚è‹ è†´¬óò£÷˜è÷£™ ܆ìõ¬í (1) Þ™ îóŠð†´œ÷¶. ‘ò£í˜’ â¡Â‹ Þ„ªê£™ ¹Fòù â‹ ªð£¼‡¬ñJ™ õ¼‹«ð£¶ ‘ò£í˜ˆ¶’ âùŠ ð¡¬ñ„ ª ê £ ™ L ™ ° P ‚ è Š ð ´ õ ¬ î » ‹ ÜPòº®‰î¶ (܆ìõ¬í 2). ò£í˜ ªê£™ ¹Fò¶, ¹¶ˆ ñ à¬ìò¬î‚ W›õ¼‹ Cô M÷‚èƒè÷£™ ÜPòô£‹.

ò£í˜ õ¼ï˜ (¹F«ò£˜)î¡ á¼‚°Š ¹F õ¼«õ£¬ó

õó«õŸÁ M¼‰îOŠð¶ îIö˜ ñó¹. Üšõ¬èJ™ ¹Fò õ‰«î£˜‚°‚ 輋¹„ ê£Á õöƒèŠð´Aø¶. Þî¬ù„ êƒè Þô‚Aò‹, “輋H¡ b…«êŸÁ ò£í˜ õ¼ï˜ õ¬óò£ õ÷‹iƒ° Þ¼‚¬è” (ðFŸ.75: 6-7) â¡Á ðFM´Aø¶. 輋H¡ ꣟¬øŠ ¹Fò õ¼«õ£˜‚°‚ ªè£´‚°‹ õ÷‹ ªð£¼‰Fò Þ¼‚¬è… â¡Á ªð£¼œ ªè£œ÷ «õ‡®ò¬î “I°Fò£è õ÷˜‰î 輋H¡ ÞQò ð£è£Aò ¹¶õ¼õ£J¬ù õ¼«õ£˜‚° õ¬ óò £¶ ª è £´ ‚°‹ õ÷ñ £ù °®J¼Š¹è¬÷‚ªè£‡ì…” â¡Á ªð£¼œ ªè£‡ìù˜. Þƒ° ò£í˜ â¡ðŠ ¹Fò õ¼õ£Œ âùŠ ªð£¼œªè£œ÷ «õ‡®ò è†ì£òŠ «ð£‚A™ 輋H¡ ÞQò ð£è£Aò ¹¶õ¼õ£Œ â¡øù˜. Þ¶ ªð£¼‰¶ñ£Á Þ™¬ô â¡ð¶ ªîO¾.

♫ô£¬ó»‹ ܬöˆ¶ õó«õŸ°‹ G¬ôJ™ ¹F õ‰î ¹ôõ˜è¬÷»‹ õó«õŸA¡øù˜. Þî¬ùŠ ðFM´‹ êƒè Þô‚Aò‹, “ð£í˜ õ¼è 𣆮ò˜ õ¼è ò£í˜Š ¹ôõªó£´ õJKò˜ õ¼ªèù” (ñ¶: 749-750) â¡Á ²†´Aø¶. ð£í«ó õ£¼ƒèœ, ð£´ðõ˜è«÷ õ£¼ƒèœ, ¹Fò õ‰î ¹ôõªó£´ ᶪ裋¹ õ£CŠðõ˜è«÷ õ£¼ƒèœ â¡ø¬ö‚°‹ ÞŠð°F‚° à¬óªò¿F«ò£˜, “èMò£Aò ¹¶õ¼õ£J¬ù»¬ìò ¹ôõ«ó£«ì ð£í˜ õ¼õ£ó£è ð£E„Cò˜ õ¼õ£ó£è

îI›Š «ð󣌾 ÝŒMî› / 41

Ãˆî˜ õ¼õ£ó£è….” ⡪ø¿Fù˜. Þƒ° ò£í˜ â¡ðŠ ¹¶õ¼õ£Œ â‹ ªð£¼œ õL‰¶ ¹°ˆîŠð†®¼Šð¶‹ ¹Fò ¹ôõ˜è«÷ õ¼è âù ܬö‚°‹ îIö˜ M¼‰«î£‹ð™ ñó¹ Üîù£™ H¬öð†®¼Šð¶‹ ï¡° M÷ƒ°‹.

ò£í˜ õ¼ï˜, ò£í˜ ¹ôõ˜ âùŠ ¹Fò õ‰îõ˜è¬÷‚ °Pˆ¶ õ¼‹ Þìƒè¬÷‚ 裵‹ G¬ôJ™ ¹Fòõ˜ â¡ð¬î ò£í˜ â¡Á ñ†´«ñ ²†®‚裆ìŠð†®¼Šð¬î “ð£í «è‡ñF ò£íó¶ G¬ô«ò” (¹ø‹. 260:7-8) â‹ ¹øŠð£ìL™ è£íº®Aø¶.

¹¶¬ñˆ ñâ‰î å¡Á‹ ðò¡ð´ˆîŠðì£ñ™

MìŠð´‹ G¬ôJ™ ð£›ð†´Š «ð£°‹. ðò¡ð£†®™ Þ¼‚°‹ G¬ôJ™ Üî¡ î¡¬ñ ¹¶¬ñ ªðŸÁˆ Fè¿‹. Üšõ÷M™ å¼ ï£´ ð¬è¬ñò£™ ÜN¾ŸÁ ñ‚èœ ðò¡ð£†®L¼‰¶ cƒAŠ «ð£°‹ G¬ô¬ò, “ªð¼ï™ ò£íK¡ ågÞJQ«ò èLªè¿ è쾜 è‰îƒ ¬èMì” (¹ø‹.52:11) â‹ Ü® °P‚Aø¶. Þƒ° ò£í˜ â¡ð¶ ¹¶¬ñˆ ñ¬ò‚ °Pˆ¶õ¼Aø¶.

ò£í˜ (¹Fò)ò£í˜ â¡ðŠ ¹Fò õ¼õ£Œ

âùŠ ªð£¼œªè£œ÷ º®ò£î G¬ôJ™ ò£í˜ «õQ™ â¡ð ÜöAò «õQ™ ‘ °Š¬ð õ£˜ñí™ â‚蘈 ¶…²‹, ò£í˜ «õQ™ ñ¡ Þ¶’, âù‚ ªè£œõ¬îŠ «ð£¡Á ò£í˜ õ‡´ â¡ð‹ ÜöAò õ‡´ âù‚ ªè£‡´œ÷ù˜. “ð£í¡ ¬èò¶ ð‡¹¬ì„ YPò£› ò£í˜ õ‡®¡ Þ‹ªñù ÞI¼‹” (ïŸ.30:2-3) ð£í¡ ¬èJ™ àœ÷ YPò£› ÜöAò õ‡®¬ùŠ «ð £ô åL â¿ŠðM™¬ô. ܉î ò£› ¹F õ¼‹ õ‡®¡ åL¬òŠ «ð£ô åL â¿ŠHò¶. ¹Fò õ‡®¡ åL â¡ð¶ õ‡®¡ õ¼¬è»‹ Üî¡ åLJ¡ I¼¶õ£ù ªî£ì‚般 Üî¡ ªî£ì˜„Cò£ù c†C¬ò»‹ °Pˆî¬ñAø¶. Þšõ£Á å¼ åLJ¡ ªî£ì‚è õ÷˜„Cè¬÷

à†ªè£‡´ ªð£¼œ M÷‚è‹ î¼‹ G¬ôJ™ ܬñ‰¶ ò£í˜ õ‡´ â‹ ªê£™¬ô ÜöAò õ‡´ âùŠªð£¼œ ªè£œõ¶ ªð£¼‰î£¬ñò£°‹.

ò£í˜ , ¬õŠ¹, á˜ò£í˜ â¡Â‹ ªê£™½‚° ‘¹Fò’

â¡Â‹ ªð£¼œ ªè£œ÷Šð´‹ G¬ôJ™ ‘ò£íϘ’, ‘ò£í˜ ¬õŠ¹’, ‘ò£í˜ ï¡ù£´’ â¡ðù ¹Fò á˜, ¹Fò °®J¼Š¹ , ¹Fò ï¡ù£´ â¡Â‹ ªð£¼O™ ܬñ»‹. Þƒ°Š ¹Fòù â¡ð¶ ¹Fò °®«òŸøˆ¬î»‹, ªõŸPªè£œ÷Š ð†ì ¹Fò è¬÷»‹, ¹Fˆ «î£ŸÁMˆî á˜è¬÷»‹ ²†´‹ . Þîù£™ , êƒèè £ôˆF™ î¬ôõ˜èœ ¹Fò Þìƒè¬÷ ªõŸP ªðŸÁˆ îñ¶ ´ì¡ Þ¬íˆîù˜ âù¾‹ ¹Fò °®«òŸøƒè¬÷ ãŸð´ˆFˆ îñ¶ ðóŠ¬ð MK¾ð´ˆFù˜ âù¾‹ ªè£œõ¶ îõø£è£¶. «ñ½‹ ‘ò£í˜ áó’ âùõ¼‹ ªê£ŸèÀ‚°Š ‘¹Fò áK¡ î¬ôõ’ Ü™ô¶ ‘ἂ°Š ¹Fò î¬ôõ¡’ âù¾‹ ‘ò£í˜ ï¡ù£†´Š ªð£¼ï’ â¡Â‹ ªê£Ÿªø£ì¼‚°Š ‘¹Fò ï™ï£†®¡ î¬ôõ¡’ â¡Â‹ ªð£¼¬÷»‹ ªè£œ÷ô£‹. ނ輈¬î àÁFªêŒ»‹ õ¬èJ™ ‘裴 ªè£¡Á ï£ì£‚A‚ °÷‹ ªî£†´ õ÷‹ ªð¼‚A’ â¡Â‹ ð†®ùŠð£¬ô (283-84) ªêŒ»œ ñ¡ù˜èœ ¹Fò á¬ó à¼õ£‚A‚ °®ªðò˜‰î¬ñ‚°„ ꣡ø£Aø¶.

å¼ ï£†®¡ ð¬ö¬ñ G¬ô¬ò c‚AŠ ¹Fò õ÷˜„CŠ ðEè¬÷ Üóê˜èœ «ñŸªè£‡ìù˜. «ï£Œ HE ºîLòõŸø£™ ¶¡¹Ÿø å¼ ï£†®¡ G¬ô¬ò ñ£ŸÁAø£¡ Üóê¡ Üî¬ù‚ 致 Mò‰¶ 𣴋 ¹ôõ˜ “c ¹ø‰ î¼îL¡ «ï£Œ Þè‰î ågÞò ò£í˜ ï™ï£´‹ 致ñF ñ¼‡ìªù¡” (ðFŸ. 15: 33-34) â¡Á °PŠH´Aø£˜. Þƒ° ð¬ö¬ñ cƒAŠ ¹¶¬ñ ªðŸø , ò£í˜ ï™ï£´ âù‚ °P‚èŠð´Aø¶.

«ð£K™ «î£™M»Á‹ Üóê˜èœ F¬øŠ ªð£¼÷£è è¬÷«ò õöƒ°õ¶‡´.

42 / îI›Š «ð󣌾 ÝŒMî›

Üšõ£Á õöƒ è Š ð´‹ ï £ ´ èœ Ü‰î Üóê˜è÷£™ ¬èŠðŸøŠð†ì ¹Fò è÷£è«õ£ Ü™ô¶ ܉î Üóê˜è÷£™ «î £ŸÁM‚èŠð†ì ¹Fò ï £ ´ è÷ £ è « õ £ Þ¼ ‚°‹ . Üšõ£Á F¬ø ªè£´‚èŠð†ì¬îŠ ðFŸÁŠðˆ¶, “ªõ¡Áèô‹ îgÞò˜ «õ‡´¹ôˆ¶ ÞÁˆ¶ Üõ˜ õ£ì£ ò£í˜  F¬øªè£´Šð”(ðFŸ.53: 1 -2) â¡Á °P‚Aø¶. Ýù£™ ò£í˜ â¡ðŠ ¹Fò õ¼õ£Œ âùŠ ªð£¼œ ªè£‡ì¬ñò£™ ÞŠð£ì½‚° à¬óªò¿F«ò£˜ “ð¬è «õ‰î˜ ÜNò£î ¹¶õ¼õ£»¬ìò îƒèœ ®¬ùˆ F¬øò£è‚ ªè£´ˆîù˜” â¡Á ªð£¼œ ªè£œA¡øù˜. «î£™M»Ÿø Üóê¡ îù¶ Üó꣆C¬ò ù «ñŸªè£œõîŸè£è„ ªê½ˆîŠð´‹ ªð£¼œ ºîLòù«õ F¬øŠ ªð£¼†èœ. Þƒ° ð¬è«õ‰î¡ î¡ ï£†¬ì«ò F¬øò£è‚ ªè£´ˆî£¡ â¡ð¶ ª ð £ ¼ ‰¶ñ £Á Þ™¬ô . Ýîô£™ ÞšMìˆF™ «î£™M»œ÷

ð¬è«õ‰î¡ î¡ù£™ ¬èŠðŸøŠð†ì ¹Fò ¬ì«ò£ Ü™ô¶ î¡ù£™ à¼õ£‚èŠð†ì ¹Fò ¬ì«ò£ F¬øò£è‚ªè£´ˆî£¡ âù‚ªè£œõ«î ªð£¼ˆîñ£è ܬñAø¶.

º®¾èœ«ñŸè£µ‹ 輈¶èO¡ Ü®Šð¬ìJ™

êƒè Þô‚AòƒèO™ è£íŠªðÁ‹ ò£í˜ â¡Â‹ ªê£™½‚°Š ‘¹Fò õ¼õ£Œ’ â¡Â‹ M÷‚è‹ îõÁ â¡ð¶‹ Ü„ªê£™¬ôŠ ¹F¶, ¹¶¬ñ â¡Â‹ ªð£¼œ ñ†´«ñ ªè£‡ì£™î£¡ Þô‚Aòƒèœ M÷‚è‹ ªðÁA¡øù â¡ð¬î»‹ ÜPòº®Aø¶. êÍèMò™ «ï£‚A™ ò£í˜ á˜, , ¬õŠ¹ â¡ðù ¹Fòî£è à¼õ£‚èŠð†ì /á˜/¬õŠ¹, Ü™ô¶ ¹Fòî£è ªõŸP ªè£œ÷Šð†ì  /ᘠâ¡Â‹ M÷‚è«ñ êKò£ù¶ â¡ð¬î»‹ ªîOõ£èŠ ¹K‰¶ªè£œ÷ º®Aø¶.

܆ìõ¬í 1: ò£í˜ âù õ¼‹ ªêŒ»œèœ

õ.⇠ð£ì™ Ü®(èœ) M÷‚è‹ è†´¬óò£÷˜ M÷‚è‹ ð£ì™

1. ò£í˜ ¬õŠH¡ ï¡ù£†´Š ªð£¼ï

¹¶õ¼õ£Œ Þ¬ìòø£î á˜èœ «ñ¬ô‚ èìŸè¬óJ™ à¼õ£‚èŠð†ì¹Fò á˜èO¡ î¬ôõ¡

¹ø‹ 2:11

2. ò£í˜Š ðò¡Pè› ¬õŠH¡ Üè¡ø¬ô ì

¹¶õ¼õ£»¬ìò ðò¡ M÷ƒ°‹ á˜è¬÷»¬ìò ñ£Ÿø£ó¶ Üè¡ø Þ숬ìò 

«ð£K™ ¬èªè£‡ì ¹Fò á˜è¬÷»¬ìò ðó‰î 

¹ø‹ 7:11&-12

3. ªð¼ï™ ò£íK¡ ågÞJQ«ò èLªè¿ è쾜 è‰îƒ ¬èMì

ªðKò ï™ô ¹¶ õ¼õ£J¡ cƒA ÞŠªð£¿¶ ºö¾ ºîô£Aò åLªð£¼‰Fò ªîŒõƒèœ Éíˆ¬î‚ ¬èM´‹

ÞQ ¹¶¬ñ cƒA ð£›ð†´ ªîŒõ‹ cƒ°‹ 艶¬ìò á˜

¹ø‹ 52:11

4. ò£í˜ ï¡ù£†´Š ªð£¼ï¡

¹¶õ¼õ£¬ò»¬ìò ï™ô ®Ÿ° «õ‰î¡

¹Fò ñè¬÷»¬ì ®¡ ñ¡ù«ù

¹ø‹ 61:12

5. ò£íóø£Ü ¬õŠH¡

¹¶õ¼õ£Œ Üø£î á˜èœ ¹¶¬ñ cƒè£î á˜èœ ¹ø‹ 63:14

îI›Š «ð󣌾 ÝŒMî› / 43

6. èLªè£œ ò£í˜ ªõ‡EŠ ðø‰î¬ô ..... ¹øŠ¹‡ ï£E....

¹¶õ¼õ£ò¬ò»¬ìò ªõ‡Eªò¡Â‹ ᘹøˆ¶

ªõ‡EŠ ðø‰î¬ôJ™ ¹Fò ¹øŠ¹‡ ªðŸø ð¬èõ˜

¹ø‹ 66: 6, 8

7. ¬õ¬ò Å›‰î õ÷ƒè¿ ¬õŠHŸ ªð£Œò£ ò£í˜ (¬ñò˜ «è£ñ£¡....) Þ¡èO ñA›ï¬è Þ¿‚A (16)

¬õ¬èò£Ÿ ÅöŠð†ì ªê™õ‹ ªð£¼‰Fò á˜èOŸ ªð£Œò£î ¹¶õ¼õ£¬ò»¬ìò ¬ñò™ â¡Â‹ ἂ° î¬ôõ¡

¹¶¬ñ ñ£ø£ ñA›õ£ù õ£›¾ cƒA (ñ£õ¡, ݉¬î, ܉¶õ¡ ꣈î¡, Ýî¡ ÜNC, Þò‚è¡ Þõ˜èÀìù£ù)

¹ø‹ 71:11, 18

8. è£ôñ¡P» ñó‹ðò‹ ð輋 ò£íóø£Ü Mò¡ñ¬ô òŸ«ø

裻‹ ðöº‹ ºîô£JùõŸ¬ø M¬÷‰¶ ªè£´‚°‹ ¹¶õ¼õ£Œ åNò£î Üè¡ø ñ¬ô¬òŠ «ð£½‹

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ïŸ. 292:4-&5

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ïŸ. 311:2-&3

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ïŸ. 330:5&-

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7

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äƒ. 1:3&-5

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äƒ. 49:2&-3

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ñ¬ô. 476-&477

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52 / îI›Š «ð󣌾 ÝŒMî›

ReferencesAdigalasicriar. (1988). Tolkāppiyum, collatikāram, Ilampūraṉar urai, Thanjavur:Tamil University.Editorial Board, (1929) Tolkāppiyum, collatikāram, Teivaccilaiyār urai, Thanjavur: Karanthai Tamil Society.Saminathaiyar, U.Ve, (1894). Eṭṭutokaiyil eṭṭāvtākiya puṟanānūṟu mūlamum uraiyum, Thanjavur:Tamil University (Offset print 1985).Saminathaiyar, U.Ve, (1931). Pattuppāṭṭu mūlamum maturaiyciriar pārattuvāci nacciṉārkkiṉiyaruraiyum, Thanjavur: Karanthai Tamil Society.Saminathaiyar, U.Ve, (1937). Kuṟntokai mūlamum uraiyum, Chennai: Dr. U.Ve.Saminathaiyar Nool Nilayam. (7th Edition). Damodaram Pillai, Ci.Vai. (1884). Tolkāppiyum, collatikāram Vaṭnūrkaṭalai nilaikaṇṭuṇarnta cēṉāvaraiyaruraiyōṭu, Cennapattanam:Vidyanubalana Yanthrira Salai.Damodaram Pillai, Ci.Vai. (1892). Tolkāppiyum, collatikāram nacciṉārkiṉiyaruraiyōṭu, Cennapattanam: Victoria Jubilee Yanthrira Salai.Dhivakara Muni, (1958). Cēntaṉ tivākaram, Chennai: Tirunelveli Saiva Siddhantha Book Society. Namashivaya Mudaliyar. (1927). Tolkāppiyum, collatikāram, Ilampūraṉam, Chennai: C.Kumarasamy Nayudu Sons.Parimanam, A.B. (2003). Patiṟṟupattu, Koyilur: Koyilur Adeenam.Poongundran, R. (2016). Tolkuṭi, vēḷir vēntar: An analysis on the state formation of Ancient Tamilakam, Chennai:New Century Book House.Venkatasamy Nattar, N.M. and Venkatachalam Pillai, R. (1944). Akanāṉuṟu Nittilakkōvai, Chennai: Tirunelveli Saiva Siddhantha Book Society.Venkatasamy Nattar, N.M. and Venkatachalam Pillai, R. (1945). Akanāṉuṟu Kaḷiṟṟiyāṉai nirai, Chennai: Tirunelveli Saiva Siddhantha Book Society.Venkatasamy Nattar, N.M. and Venkatachalam Pillai, R. (1945). Akanāṉuṟu Maṇimṭaipavaḷam, Chennai: Tirunelveli Saiva Siddhantha Book Society.Venkataraman, H. (1989). Naṟṟiṇai mūlamum uraiyum. Chennai: Dr. U.Ve.Saminathaiyar Nool Nilayam.

4 Þ¼‹ðù‰ b‹HN à‡«ð£˜ ñA¿‹, ݘèL ò£í˜ˆ¶ ÝJ‹ «î£´ªè¿

èKòð¬ùJù¶ 蜬÷ à‡ð£˜èœ Üîù£™ ñA›‰¶ Gó‹Hò åL¬ò»¬ìò ¹¶õ¼õ£J¬ù»¬ìòî£J‹

èKòð¬ùJù¶ 蜬÷‚ °®Šðî£ù£™ ãŸð´‹ Ýó£õ£ó‹ ¹Fòùõ£J‹

ïŸ. 38:3-4

5 裘 âF˜ ð¼õ‹ ñøŠH‹, «ðó£ ò£í˜ˆî£™ õ£›è G¡ õ÷«ù

裘è£ô «ñè‹ è£˜è£ôˆF™ ñ¬ö ªðŒõî¬ù ñø‰î£½‹ cƒè£î ªðKò ¹¶õ¼õ£J¬ù à¬ìò‹ ܈î¬èò G¡ õ÷‹ õ£›õî£è

裘è£ô «ñè‹ ð¼õˆF™ ªð£Œˆî£½‹ cƒè£î ¹Fò õ÷ƒè¬÷ à¬ìò‹ ܈î¬èò õ÷‹ õ£›õî£è

ðFŸ. 24:29-30

ð‡¬ìò îIö˜èO¡ èì™õNŠðòíƒèœ ªî£ì˜ð£ù

Ýõíƒèœ ð£¶è£Š¹ Preservation of Ancient Tamil Maritime Records

AbstractThe Tamil maritime history begins long time back. Inadequate information and missing records about ancient Tamil seafarers, lead to the opinion that maritime trade activities were pioneered by European seafarers. Ancient Tamil seafarers explored the wide ocean, discovered new lands, and initiated trade activities with other ancient civilizations in the past. However only fewer records describing Tamils seafaring experience details were identified so far. This paper study ancient maritime activities of Tamil people, referencing information in Sangam Tamil literature, maritime records from travelers visited Tamil country and records on ship making industry practiced by the Tamil folks. A Palm leaf manu-script from the 17th Cent A.D is also used in this study, particularly for the purpose of understanding the ship making industry practiced by ship making community lived in Tranquebar, a harbor city on the Coromandel Coast.

Key Words: Ancient Tamil Traders, Maritime Trade, Ancient Seafarers, Ship making Technology, Ship making industry.

º¬ùõ˜ è.²ð£SE / Dr.K.Subashini1

º¡Â¬óõE躋 êñò ï‹H‚¬èè¬÷

܇¬ìò èÀ‚° MKõ£‚°‹ ïìõ®‚¬èèÀ‹ àôA™ ðô êÍèƒè÷£™ º¡ªù´‚èŠð†´œ÷ù. õEèˆ Fø‹, ªð÷ˆî‹, ¬êõ‹, ¬õíõ‹ ÝAò õ ðôº‹, c‡ì èì™ ðòí‹ «ñŸªè£‡´ æKìˆFL¼‰¶ ñŸªø£¼ ÞìˆFŸ°„ ªê™½‹ Ý›‰î «õ†¬è»‹ Þò™ð£è«õ ªè£‡®¼‚°‹ îIö˜èœ Þ MFMô‚è™ô. îIö˜èœ 裙 ðF‚è£î Gôƒè«÷ Þ™¬ô â‹ Ü÷MŸ° MKõ£ù èì™ðòíƒè¬÷Š ð‡¬ìò îIö˜ ¬èò£‡®¼‚A¡øù˜. ð‡¬ìò îIöK¡ èì™õNŠðòí‹ ªî£ì˜ð£ù Cô ªêŒFèœ,, Üõ˜èœ ðò¡ð´ˆFò èôƒèœ ðŸPò îèõ™è¬÷Š ðFõ¶‹

Ü„ªêŒFèœ ªî£ì˜ð£ù Ýõíƒè¬÷Š I¡ù£‚èƒèO¡ õN ð£¶è£‚èŠðì «õ‡®òî¡ ÜõCòˆ¬î»‹ ނ膴¬ó M÷‚°A¡ø¶.

ÝŒ¾Š H¡¹ô‹îIö˜èœ èì™õNŠðòí‹ ªêŒ¶

àôA¡ ðô ÞìƒèÀ‚°Š ðòEˆ¶ õEè‹ ªêŒî îèõ™èœ ܃ªè£¡Á‹ Þƒªè£¡Áñ£è«õ A¬ì‚A¡øù. èì™ðòíˆF™ ä«ó£ŠHò˜èÀ‚°‚ A¬ìˆF¼‚°‹ ¹è› Þ¡Á ܬùõ¼‹ ÜP‰î«î. èì™ ðòíƒèœ â¡ø£«ô ÜõŸ¬ø º¬øŠð´ˆF õN ܬñˆ«î£˜ ä«ó£ŠHò ñ£½Iè«÷ â¡ø C‰î¬ù «ð£‚° Þ¡Á ÝöŠ ðF‰F¼‚A¡ø¶.

1 The author is a Lead IT Architect, DXC Technology & President of Tamil Heritage Foundation, (International Organization for Preserving Tamil Heritage), Germany. [email protected]

54 / îI›Š «ð󣌾 ÝŒMî›

ð‡¬ìò îIöK¡ õ£›M™ Gô‹ âˆî¬èò º‚Aòˆ¶õ‹ õA‚A¡ø«î£ Ü«î Ü÷¾ º‚Aòˆ¬î è왪õO»‹ ª ðÁA ø¶ . è ì ™ ñ £ ˜ ‚ è ñ £ è Š ðòEˆ¶ ¹Fò ÞìƒèO™ õEè‹ ªêŒF¼‚A¡øù˜ îIö˜ ðô˜ . Cô˜ ¹Fò èO«ô«ò îƒA ¹Fò õ£›‚¬è¬òˆ ªî£ìƒAJ¼‚A¡øù˜. Cô«ó£ ♬ôJ™ô£ «î´î¬ô àò˜‰î ô†Còƒè¬÷»‹ ã‰F‚ ªè£‡´ õƒè¬÷»‹ ñî‹ ê£˜‰î ï‹H‚¬èè¬÷»‹ îù‚° Ü¡QòŠð†ì ¹Fò GôŠð°FJ™ ðF‰î ¬õ‚èˆ bMó ºòŸCè¬÷ «ñŸªè£‡ìù˜. Þ¡Á Aö‚è£Cò ï£´èœ º¿¬ñ‚°‹ ªð÷ˆî ñî‹ ªð¼ñ÷¾ ðóMJ¼Šð‹, H¡ù˜ ¬êõ ¬õíõ ñîƒèœ Aö‚è£Cò èO™ è£Ö¡Pò õóô£ŸÁ G蛾èÀ‚°‹ ð‡¬ìò îIöK¡ èì™õNŠðòíƒèœ è£óíñ£è ܬñ‰î õóô£ŸÁ„ ªêŒFè¬÷ e‡´‹ à󈶊 «ðê «õ‡®ò¶ ÜõCòñ£A¡ø¶.

îIö˜èO¡ èì™ ðòíƒèœ , õEèƒèœ ܬõ ª î £ì˜ð £ù Ýõíƒèœ ÝAò¬õ A¬ìŠð¶ ÜKî£è Þ¼Šð¶ ï‹ º¡«ù Þ¼‚A¡ø ªð¼‹ °¬øð£´èœ. ÝJ‹, Þ‚°¬øð£´è¬÷ 嶂A , õóô£ŸÁ Ýõíƒè¬÷ˆ «î® ÜõŸ¬øŠ ð£¶è£‚è «õ‡´‹, ܬõ e÷£Œ¾ ªêŒòŠðì «õ‡´‹, eœðFŠ¹ ªêŒòðŠì «õ‡´‹ â¡ð¬î ނ膴¬ó õL»Áˆ¶Aø¶.

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èì™ õNŠðòíº‹ è¼MèÀ‹ ‘ï£õ£Œ‘ â‹ ªê£™ îIö˜èO¡

ð‡¬ìò èì™õN„ªêô¬õ‚ °P‚Aø¶. Þ‰îˆ ªî£¡¬ñò£ù ªê£™¬ô Ý󣻋 «ð£¶ Ü„ªê£™ õöƒAò Mî‹ ï‹ îIö˜èO¡ õóô£Ÿ¬ø M÷‚°õî£è ܬñA¡ø¶. ‘ï£M¡‘ ܬêõ£™ ï‹ ªê£Ÿèœ Hø‚A¡øù. Ü«î «ð£ô, èìŸðóŠH™ èô‹ ܬ껋 «ð£¶, 裟Á, ñQî˜èO¡ ï£ Ü¬ê‰¶ ªê£™¬ô à¼õ£‚°õ¶ «ð£ô «ñ½‹ W¿‹ ܬꉶ î‡aK™ ܬôè¬÷ à‡ì£‚°õ ï£õ£Œ â‹ ‘ªî£N™ Ý°ªðòó£è‘ Þ„ªê£™ ܬñ‰î¶ âùô£‹. Þ¶ îI› ªñ£NJ¡ ÝŒ¾Š 𣘬õ¬ò»‹ ªî£¡¬ñ¬ò»‹ ²†®‚裆´A¡ø¶. Þ‰îˆ îI›„ªê£™LL¼‰¶ èìŸð¬ì¬ò M÷‚è„ ªê£™½‹ ݃Aô„ ªê£™ô£ù «ïM (Navy) â¡ø ªê£™ õ‰F¼‚èô£‹ â¡ð¶‹ Ý󣌄C‚°Pò«î.

è ì ™ õ N Š ð ò í ‹ â ¡ ð ¶ âO¬ñò£ùî¡Á . ÞòŸ¬è¬òŠ ðŸPò ¶™Lò Ý󣌄CŠð£˜¬õ ª è £ ‡ ì õ ˜ è ÷ £ ™ ñ † ´ « ñ èì™õNŠðòíˆ¬îˆ F†ìI†´ ªêò™ð´ˆî º®»‹. 裟P¡ «ð£‚°, ܶ õ¼‹ F¬ê, 裟P¡ Ü¿ˆî‹ ÝAòù ðŸPò ÜÂðõ‹ èì™õNŠðòíˆFŸ° Iè ÜõCòñ£ù¶. ܈î¬èò Fø¬ù ð‡¬ìò îIö˜èœ ªðŸ¼‰îù˜. ð £ Œ ñ ó ‚ è Š ð ™ è œ è † ´ õ F ™ «ðóP¾ªðŸø îIö˜èO¡ èŠð™è†´‹ Fø‹, èì™õN °Pˆî ÜP¾, 裟P¡ «ð£‚° ÜP»‹ àò˜ ÜP¾, èŠð¬ô„ ªê½ˆ¶‹ Fø¡, è쟪補¬÷ò˜è¬÷ âF˜ªè£œÀ‹ «ð£˜ˆªî£N™ àœO†ì Fø¡è¬÷ Üõ˜èœ ªðŸ¼‰îù˜. Þ¶«õ ð‡¬ìò îIö˜ îIöè GôŠðóŠ¬ð»‹ è쉶 ðô b¾èO™ 裙ðF‚è‚ è£óíñ£Aò¶ âùô£‹.

îIö˜èœ ðò¡ð´ˆFò èôƒèO¡

îI›Š «ð󣌾 ÝŒMî› / 55

õ¬èè÷£è îI› Þô‚AòˆF™ ðFªù†´ õ¬èò£ù èôƒèœ °PŠHìŠð´A¡øù. ÞõŸ¬ø 膴 ñó õ¬è, «î£E õ¬è, õœ÷‹ õ¬è âù Í¡Á ªð¼‹ HK¾èÀ‚°œ HKˆF¼‚A¡ø£˜èœ. 膴ñó õ¬è ªî£ì˜ð£ù °PŠ¹‚èœ êƒè Þô‚AòƒèO™ Üèï£ÛŸP½‹ ðKð£ìL½‹ ªê£™ôŠð´A¡øù. «î£E õ¬è èôƒèœ e¡ H®‚èŠ ðò¡ð´ˆîŠð†ìù. ÞõŸ¬ø ðŸPò °PŠ¹èœ ¹øï£ÛÁ, Üèï£ÛÁ, ð K ð £ ì™ èO™ àœ÷ù . c‡ì ÉóŠðòíˆFŸ° ã¶õ£è ”õœ÷‹” â¡ø õ¬èò£ù ªðKò èŠð™è¬÷Š ð‡¬ìò îIö˜èœ à¼õ£‚Aù˜. õ¬è õ¬èò£ù «õ¬ôŠð£†´ì¡ îò õœ÷‹ õ¬è èôƒè¬÷Š ðŸP CôŠðFè£ó‹ ÃÁA¡ø¶.

èì™ c«ó£†ì‹ ðŸPò ÜP¾ ð‡¬ìò îIö¼‚° G¬øõ£è Þ¼‰î¶. èôƒèœ F¬êòPò£ñ™ îˆîO‚è£ñ™ Þ¼‚è è÷ƒè¬ó M÷‚般î à¼õ£‚Aù˜ ð‡¬ìò îIö˜. Þ¶ ðŸPò °PŠ¹ CôŠ ðF è £ ó ‹ , ð†®ùŠð £¬ô , ª ð ¼ ‹ ð £í £ Ÿ Á Š ð¬ì ñ Ÿ Á ‹ Üèï£ÛÁ ÝAò êƒè Þô‚Aò Ë™èO™ è£í‚A¬ì‚A¡øù.

îIöèˆF¡ èìŸè¬ó«ò£óŠ ð°FèO™ Þ¡Á eùõ˜èœ âù ܬö‚èŠð´‹ ðóîõ˜èœ Iè MKõ£è èì™ õEèˆF™ îƒèœ ÝÀ¬ñ¬ò„ ªê½ˆFù˜ . ªð¼‹ õ÷‹ «ê˜‚°‹ e¡ H®ˆ ªî£N½‹ ºˆ¶‚°Oˆî½‹ îIöè‹ ñ†´ñ¡P àôè Ü÷M™ Ü«óHò˜èÀ‹, ä«ó£ŠHò˜èÀ‹ îIöè‹ õ‰¶ õEè‹ ªêŒ¶ ªê™ô‚ è£óíñ£Aù. Þ‰îŠ ðóîõ ñ‚èœ ”FI™” â¡ø ªðò˜ ªè£‡ì ðì°è¬÷ à¼õ£‚AŠ ðò¡ð´ˆFù˜ (ªõœ¬÷õ£óí‹, p.4) .

êƒèè£ôˆF™ òõù˜èœ (A«ó‚è˜èÀ‹, «ó£ñ£Qò˜èÀ‹) ÞŠð°FèÀ‚° õEè «ï£‚èñ£è õ‰¶ ªê¡ø¬ñ Þô‚Aò„ ꣡ÁèÀì¡ è£‡A¡«ø£‹ (ï£õ£Œ - è.ªõœ¬÷õ£óí‹, ð‚ 6). Ü‚è£ô‹ ªî£†´ e¡èœ ñ†´ñ¡P àŠ¹

àŸðˆF»‹ Iè º‚Aò õE芪ð£¼÷£è Þ¼ ‰ î¬ñ¬ò»‹ ÜPA¡« ø £ ‹ . äò£Jó‹ ݇´èÀ‚°‹ «ñô£è ªî¡Q‰Fò‚ èìŸè¬ó ð°Fèœ èì™è쉶 îIöè‹ õ‰¶ õEè‹ ªêŒ¶ ªê¡«ø£K¡ ð‡ð£†´‚ ÃÁè¬÷‚ ªè£‡®¼‰îù â¡ð ïñ‚° Þ¡Á ꣡Áèœ A¬ì‚A¡øù. Ü«î«ð£ô îIö˜èÀ‹ Éó èÀ‚°„ ªê¡Á õEè‹ ªêŒî¬ñ‚°„ ꣡ø£î£óƒèœ ܃ªè£¡Á‹ Þƒªè£¡Áñ£èˆî£¡ A¬ì‚A¡øù.

A.º.5‹ ËŸø£‡´ âù ²†ìŠð´‹ ñ£ƒ°÷‹ 虪õ†´‚èO™ è£íŠð´‹ ꣈¶, Gèñ‹ â¡ø ªê£Ÿèœ õEè‚ °¿‚è¬÷„²†´A¡øù (ó£ü¡, a.11). Ýè, õóô£ŸÁ ªî£ì‚èè£ôˆF«ô«ò Þˆî¬èò õEè °¿‚èœ Þ싪ðò˜‰¶ c‡ì Éó‹ ªê¡Á õEè‹ ªêŒîù âù ÜPòº®A¡ø¶. ð‡¬ìò õEè õNèO™ °Mò™è÷£è¾‹ àFKò£è¾‹ è‡ªì´ ‚ è Š ð†ì « ó £ ñ £Qò ï£íòƒèœ Üòôèˆî£˜ îIöè‹ õ‰¶ õEèˆF™ ß´ð†ì¬ñ‚°„ ꣡ø£è ܬñA¡øù. å¼ èŠð™ î¬ôõ¡ å¼õQ¡ Þ¼ ñè¡è÷£ù «êù£, «è£ˆFè£ ÝAò Þ¼õ¼‹ Þôƒ¬èJ™ ºî¡ ºîL™ îI› ݆C¬ò GÁMù˜ (A.º 177-155) âù ñè£õ‹ê‹ ËL¡ õN ÜPò º®A¡ø¶ (ó£ü¡, p.23) . Ýè, èì™ õNè¬÷ ÜP‰¶ èŠð¬ô ÝÀðõ¡ ªð¼‹ î¬ôõù£è ñF‚èŠð´‹ Åö™ ð‡¬ìò îI› ñóH™ Þ¼‰î¬ñ¬ò Þ¶ ªõOŠð´ˆ¶A¡ø¶ âùô£‹.

1990èO™ û£ü¡ â¡ðõ˜ «ñŸªè£‡ì è÷ ÝŒM¡ M¬÷õ£èŠ ”ð†ìí‹’ â‹ ïè˜ è‡´H®‚èŠð†ì¶. H¡ù˜ 2003-™ «ñŸªè£œ÷Šð†ì Æ죌¾èœ Þ‰î ïèK¡ º‚Aòˆ¶õˆ¬î «ñ½‹ ªõOŠð´ˆFù. H¡ù˜ 2007 ºî™ 2009 õ¬ó «èó÷ õóô£ŸÁ‚èöè‹ «ñŸªè£‡ì Üèö£Œ¾èœ, ð†ìí‹ ñŸÁ‹ W¬ö‚èìŸè¬óJ™ ܬñ‰F¼‰î ÜK‚è«ñ ,́ Üöè¡°÷‹ «ð£¡ø ïèóƒèœ º‚Aòñ£ù õEè ¬ñòƒè÷£èˆ

56 / îI›Š «ð󣌾 ÝŒMî›

F蛉îù â¡ð¬î ÝŒ¾ôAŸ° ªõO„êŠð´ˆFò¶. ð†ìíˆF™ 致H®‚èŠð†ì «î£E, ðì°ˆ ¶¬ø ÝAòù, ðì° H¬íˆ¶ ¬õ‚èŠ ðò¡ð´ˆîŠð†ì «î‚°ñóˆ ɇèÀ‹ Iè„ CøŠð£ù 致H®Š¹èèœ âùô£‹. A.º 1 ñŸÁ‹ A.H.1‹ ËŸø£‡¬ì„ ꣘‰î¬õ Þ¬õ (i.ªê™õ°ñ£˜, 2009, p.33).

«ñŸ° èìŸè¬ó èìŸõN ïèóƒè÷£ù ñ£‰¬î, õ…C, ºCP, ªï™A‡ì£, °†ì  «ð£¡ø¬õ º‚Aò êƒè è£ô õEè ïèóƒè÷£è Þ¼‰îù (̃°¡ø¡, a.47) . êƒè Þô‚Aò‹ ñ£‰¬î, õ…C ÝAò ïèóƒèO¡ õ÷ˆ¬î„ CøŠ¹ì¡ ÃÁA¡ø¶. ºCP ñ¬ô õ÷º‹ èì™ õ÷º‹ ªð£¼‰Fò ïèó£è M÷ƒAò¬ñ ðóíK¡ ð£ì™ õN ÜPò º®A¡ø¶. èì™ õEè‹ CøŠ¹ŸÁ Þ¼‰î¬ñò£™ A.º.4‹ ËŸø£‡´ õ£‚A«ô«ò Yùˆ¶Š ð†´ îIöè‹ ªè£‡´ õóŠð†ì¶ â¡ø îèõ¬ô»‹ ÜPò º®A¡ø¶ (̃°¡ø¡, p. 50 ) . «ñŸ° èìŸè¬ó ïèó£ù ñ£‰¬îJ¡ õ÷º‹ CøŠ¹‹ êƒè Þô‚Aòƒè÷£ù Üèï£ÛÁ, ïŸP¬í ð£ì™èO™ °PŠHìŠð´A¡øù.

èì™õNŠðòù‹ ðŸP Þ¡Á ïñ‚°‚ A¬ì‚A¡ø ãø‚°¬øò â™ô£ îó¾èÀ«ñ ä«ó£ŠHò˜èÀ‹ Yù ò£ˆFKè˜èÀ‹ à¼õ£‚Aòùõ£è Þ¼Šð¬îˆî£¡  Þ¡Á 裇A¡«ø£‹. ’îIN™ Üšõ¬è Ë™èœ à¼õ£‚èŠðìM™¬ôò£ ’ â¡ø «èœM‚° ðFô£è ïñ‚° Þ¡Á A¬ìˆF¼‚A¡ø Ë™èœ Cô. ÜF™ æô„²õ® Ë™ å¡P¬ù àî£óíñ£è‚ 裆ìô£‹. îI› ñó¹ Üø‚è†ì¬÷J¡ I¡Û™èœ «êèóˆF™ I¡ù£‚è‹ ªêŒòŠð†´ ð£¶è£‚èŠð´‹ Cø‰î ÝõíƒèO™ Þ‰î ˽‹ å¡Á. ”èŠð™ ê£vFó‹” â¡ø ªðò¼ì¡ ãø‚°¬øò ï£ÛÁ ݇´èÀ‚° º¡ù˜ â¿îŠð†ì¶ â¡ð¶ ˬô õ£C‚°‹ «ð£¶ ÜPòº®A¡ø¶ (http://www.tamilheritage.org/old/text/ebook/ebook.html - Book 20).

îóƒè‹ð£®J™ «ìmw ßv† Þ‰Fò£ 苪ðQ õEè‹ ªêŒò ãŸð£´èœ ªêŒ¶, Ü„²î ï£òŠð ñ¡ùKì‹ Ý‡´ õ£ì¬è‚° èìŸè¬ó ¶¬øºè ïèóñ£èˆ F蛉î îóƒè‹ð£®¬ò»‹ H¡ù˜ Üî¬ù„ ²ŸP»œ÷ ð°Fè¬÷»‹ ¬èòèŠð´ˆFù˜. ÜšMûòƒè¬÷ à†¹°ˆF , Ü‰î‚ è£ôè†ìˆF™ èìŸè¬ó«ò£ó eùõ ñ‚èO¬ì«ò Þ¼‰î èŠð™ 膴‹ ðE ªî£ì˜H™ ïì‚°‹ ê샰è¬÷ MõK‚°‹ å¼ ªêŒ»œ ï¬ìJô£ù Ëô£è Þ‰î Ë™ ܬñ‰F¼‚A¡ø¶. èŠð™ îò£K‚èŠ ðò¡ð´ˆ¶‹ ñ󈶇´è¬÷ â´ˆ¶ îò£˜ ªêŒ»‹ ï£O¡ ï†êˆFóŠ ðô£ðô¡èœ, ªêŒòŠð´‹ êìƒ°èœ âù ðô ªêŒFè¬÷ Þ‰î CPò Ë™ ªê£™A¡ø¶. æ¬ô„²õ® Ëô£ù Þî¬ù î…¬ê êó«ð£T ñ¡ùK¡ êó²õF ñ裙 ËôèˆFù˜ Ü„²ŠðFŠð£‚A ܶ 1950‹ ݇´ ðFŠH‚èŠð†ì¶. Þî¡ I¡ð®õ‹, îI› ñó¹ Üø‚è†ì¬÷ õ ¬ ô Š ð ‚ è ˆ F ™ Ü ¬ ù õ ¼ ‹ õ£C‚è‚îò õ¬èJ™ Þôõêñ£è õöƒèŠð†´œ÷¶.

ñFŠd´Þ‰î Ë™ å¼ àî£óí‹ ñ†´«ñ.

îIöè‹ õ‰¶ êñòŠ ðEèO½‹, îI›ŠðEèO½‹, êÍèŠðEèO½‹ ß´ð†ì ä«ó£ŠHò ð£FKñ£˜èœ, îIöèˆFL¼‰¶ ñ ¬èŠðì â¿F»‹, àœÙ˜ ñ‚èOìI¼‰¶ M¬ô ªè£´ˆ¶‹ õ£ƒA„ ªê¡ø Ë™èœ ãó£÷‹. Þ‰î Ë™èO™ ðô ÞƒAô£‰F¡ HKˆî£Qò ËôèˆF½‹, ªü˜ñQJ¡ çŠó£ƒè¡ è™M‚ÃìˆF½‹, «è£Šð¡ý£è¡ Üóê ËôèˆF½‹, Hó£¡C¡ Üóê Ëôè‹ ñ†´‹ ÝõíŠð£¶è£ŠðèƒèO½‹, õ£†®‚èQ¡ ÝõíŠð£¶è£ŠðèˆF½‹, Ý‹vì˜ì£‹ Üóê ËôèˆF½‹, ªôŒì¡ ËôèˆF½‹ âù ðô èO™ Þ¡Á ð£¶è£‚èŠð´A¡øù. ð£¶è£‚èŠð´õ¶ ñ†´‹ «ð £¶ñ £ùî¡Á . ܬõ õ£CˆîPòŠðì «õ‡´‹. ÞõŸ¬ø Iè„ CøŠð£è Þ¡Á ð£¶è£‚°‹

îI›Š «ð󣌾 ÝŒMî› / 57

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References

Caldwell R. Bishop (1989). A History of Tinnevely. New Delhi: Asian Educational Services.

Mackintosh, Tim & Smith. (1998). The Travels of Ibn Battutah. Macmillan Collector’s Library.

Mayilai Siini Vengkadasamy. (1974). Palangkala Thamilar Vaanikam. Kanjipuran: Ulagath Tamilaraichi Niruvanam.

Palaniyappa Pillay, T.P (1950). Kappal Sattiram. Madras: Government Oriental Manuscripts Library.

Purananuru.

Ronald Latham. (1958). Marco Polo Travels. Penguin Books.

Selvakumar. V. (2009). Sangka Kala Musiriyum Keralavil Paddanam Akalvaivugalum. http://www.varalaaru.com/design/article.aspx?ArticleID=1203

Subashini, K. (2010). Naavai-Kadalsar Varalatraivugal. Tanjavur: Tanjavur Tamil University.

http://www.tamilheritage.org/old/text/ebook/ebook.html

îIö˜ õóô£Á ÃÁ‹ ªî£™Lò™ îìòƒèœ

Archaeological evidence that explains the early history of Tamils

AbstractThis paper provides insight into several new sources for the history of the Tamil people. The people of Tamil Nadu are well known for their ability to create great literature, heroism, and charity. In the past the great Tamil kings crossed the vast sea, and conquered many land and brought glory to the motherland. Several archaeological evidence that explains the history of Tamil people have been found in and out of Tamil Nadu. In fact the early rulers have left many more archaeological evidence that could explain the early history of Tamils. A part of them haven found in and out of Tamil Nadu. As an addition to the available evidence, the author has found a number of artefacts (including inscriptions) during his field work. These artefacts are said to describe rare messages about early life of the Tamils.

Key Words: inscription, archaeology, Tamil people, Nadukal, artefacts, Nattamedu.

𣹠ê裫îõ¡ / Babu Sagadevan1

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1 The author is a PhD candidate at Thanjai Tamil University, Tamil Nadu, India. [email protected]

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4. ðMˆFó‹ &- ªî£™Lò™ â„êƒèœ ñŸÁ‹ CŸðƒèœ 致H®Š¹: 08.11.2017

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5. ï£ñ‚è™ ñ£õ†ì‹ - °ñ£óñƒèô‹, ð£¬ø æMò‹: 27.11.2017

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6. â‹. è÷ˆÉ˜ -& - ßêù£b²õó£˜ «è£J™ 虪õ†´

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« ñ½‹ Þ‚ « è £ML¡ ªõOŠ Hóè£óˆF¡ õì¹øˆF™ Í¡Á «ü~˜ì£ «îM CŸðº‹ ñŸÁ‹ ɘ¬èJ¡ CŸðº‹ è£íŠð´A¡ø¶. Þ‚«è£JL¡ à†¹ø‹ ñŸÁ‹ ªõO¹øˆF™ Þó‡´ ï‰Fèœ è£íŠð´A¡ø¶. «è£JL¡ ñ‡ìðˆ ɇèO™ ï£ò‚è ñ¡ù£˜ ñŸÁ‹ ÜóCJ¡ CŸðº‹ ñŸÁ‹ Mî£ùˆF™ Þó†¬ì e¡ C¡ùº‹ ªð£P‚èŠð†´œ÷¶. ªð£¶õ£è ï£ò‚裘 è¬ôŠð£E CŸðƒèœ ÜFèÝðóíƒèÀ‹Þ Ý ¬ ì Ü ô ƒ è £ ó º ‹ ª è £ ‡ ´ ܬñ‚èŠð†®¼‚°‹. (ñEõ‡í¡Þ 2005Þ p.126) Þ‚«è£M™ 1100-݇´èœ ðö¬ñò£ùî£è è¼îô£‹. Þ‚«è£JL¡ ܋𣜠ê¡ùFJ™ C¬î‰î G¬ôJ™ å¼ è™ªõ†´‹ è£íŠð´A¡ø¶. Þ‚«è£JL¡ 膴ñ£ù ܬñŠ¬ð Ýó£ò‹ «ð£¶ Þ¶ 𣇮ò ñ¡ù£˜èœ è£ôˆF™ è†ìŠð†´ H¡ ï£ò‚裘 è£ôˆF™ ¹íó¬ñŠ¹ ªêŒòŠð†®¼‚è «õ‡´‹ âù ªîKòõ¼Aø¶.

ª ð £ ¶õ £ è ï £ ò ‚ è £ ˜ è £ ô ‚ «è£J™èO™ «îõ «è£†ìƒèO™ ªîŒõ à¼õƒè¬÷ Þ싪ðø„ ªêŒõF™¬ô. Þˆî¬èò ܬñŠ«ð£´ Þ‚«è£J™ è£íŠð´A¡ø¶. Þ‚«è£J™ ܬñŠ¹ HóvîóŠ ð°F õ¬è èŸè÷£½‹, Mñ£ù‹ 裬óò£½‹ è†ìŠð†´œ÷¶.

7. ºCP õ†ì‹ -& º¼ƒ¬è Aó£ñ, ð£¬ø‚虪õ†´: 28.12.2017

º ¼ ƒ ¬ è A ó £ ñ ˆ F ½ œ ÷ ªð¼ñ£œ «è£JL¡ àœ õ÷£èˆF™ C¬î ‰ î G¬ôJ™ ނ虪õ†´ è£íŠð´A¡ø¶ .ނ虪õ†®™ Þƒ°œ÷ « è £JL™ ð ‚ î £ ˜ èœ îƒ°õ Iì‹ ñŸÁ‹ ï‰îõù‹ ܬñ‚èŠð†ì¬î‚ °PŠH´‹ ªêŒF è£íŠð´A¡ø¶. «ñ½‹ Þƒ° å¼ CõLƒèd캋 C¬î‰î G¬ôJ™ è£íŠð´A¡ø¶. ºŸè£ôˆF™ Þƒ° ¬êõ, ¬õíõ õN𣴠ïìˆîŠð†´œ÷¶. â¡ø è¼î º®A¡ø¶. Þƒ° C¬î‰î

F¼„Có£ŠðœO ñ£õ†ì‹, ºCP ܼ«è â‹. è÷ˆÉ˜ Aó£ñˆF™ àœ÷ ßêù£b²õó£˜ «è£JL¡ªõOŠ¹ø„ ²õK™ ނ虪õ†´ è£íŠð´A¡ø¶. ނ虪õ†´ ÃÁ‹ ªêŒF: Þ‚«è£JL™ å¼ ªïŸè÷ëCòº‹, èñôóî ñ‡ìð‹, ñè£ ñ‡ìð‹ «ð£¡ø¬õ Þ¼‰î¬î‚ÃÁ‹

îI›Š «ð󣌾 ÝŒMî› / 63

G¬ôJ™ è£¬ó‚ «è£J™ Þó‡´ è£íŠð´A¡ø¶.. ºŸè£ôˆF™ ðô¼‹ «è£M™ F¼ŠðEèœÞ Gô‚ªè£¬ìèœ ÜOˆî¬î îIöèˆF½œ÷ 虪õ†´èœ ðô ÃÁA¡øù . (Þ ó £ « ê ‰Fó¡Þ ꣉îLƒè‹Þ 2017Þ p.167) ނ虪õ†´ 400-݇´èœ ºŸð†ìî£è è¼îô£‹.÷

8. ñ‡ð¬ø Aó£ñ‹ -& ܃è£÷‹ñ¡ «è£M™Þ ÍL¬è æMò‹ 04.01.2012

F¼„Có£ŠðœO ñ£õ†ì‹,ºCP õ†ì‹,ñ‡ð¬ø Aó£ñˆF™ àœ÷ ♬ôò‹ñ¡ «è£ML¡ õ÷£èˆF½œ÷ õì¹øˆF™ àœ÷ C¬î‰î G¬ôJ½œ÷ «è£ML¡ ²õK™ ï£ò‚裘 è£ô ÍL¬è æMò‹ è£íŠð´A¡ø¶. Þ¶ 𣶠C¬îõ¬ì‰î G¬ôJ™ è£íŠð´A¡ø¶. îIöèˆF™ Müò ïè ï£ò‚è£˜èœ è£ôˆF™ õ¬óòŠð†ì æMòƒèœ “ªôð£‚~p” õ¬è æMòñ£°‹. (ñEõ‡í¡Þ 2005Þ p.197) Þ‚«è£J™ è£¬ó‚ «è£Jô£è ܬñ‚èŠð†´œ÷¶. Mñ£ùˆF¡ CŸðƒèœ 裬óò£™ ܬñ‚èŠð†´œ÷¶. Þƒ° è£íŠð´‹ Þš«õ£Mò‹ ÜFè‹ C¬î‰î G¬ôJ™ Üš«õ£MòˆF™ ð £F ñ†´«ñ ªîK»‹ G¬ôJ™ è£íŠð´A¡ø¶. Þš«õ£MòˆF¡ Þ¼¹øº‹ ¶õ£ó ð£ôè£˜èœ õ¬óòŠð†´ ï´«õ ªð‡ ªîŒõ à¼õ‹ õ¬óòŠð†®¼ŠðîŸè£ù C¬î¾èœ è£íŠð´A¡ø¶.

Þ¶ 17‹ ËŸø£‡¬ì„ «ê£˜‰îî£è Þ¼‚èô£‹ âù‚ è¼îŠð´A¡ø¶. «ñ½‹ Þ‚Aó£ñˆF™ ðö¬ñò£ù êŠî è¡Qò£˜ «è£J™ ñŸÁ‹ ï£ò‚裘 è£ôˆF™ è†ìŠð†ì ܃è£÷‹ñ¡ «è£J™ àœ÷¶ Þ¶ 裬óò£™ è†ìŠð†¶. ÞF™ ï£ò‚è Üóê¡Þ ÜóCJ¡ CŸðƒèÀ‹Þ ñ‡ìð Mî£ùˆF™ Þó†¬ì e¡ C¡ùº˜ ªð£P‚èŠð†´œ÷¶. ªð£¶õ£è ï£ò‚裘 è£ô «è£M™èO™ Þ‰î C¡ù‹ è£íŠð´‹. Þƒ° «ð„Cò‹ñ¡Þ Þ ê ‚ A ò ‹ ñ¡ « 𠣡 ø ð Kõ £ ó ªîŒõƒèƒèÀ‚°‹ «è£M™ àœ÷¶. «è£M™ âF«ó °÷‹ è£íŠð´Aø¶. «ñ½‹ Þƒ° Þó‡´ è™ªõ†´èœ îEˆîQ èŸèL™ ªð£P‚èŠð†´œ÷¶. Þƒ° ï£ò‚è£˜èœ ðò¡ð´ˆFò «ð£˜ õ£œ å¡Á ð£¶è£‚èŠð†ì´ õ¼Aø¶. Þ¶ Müò ïèó ï£ò‚裘èO¡ ðò¡ð£†®™ Þ¼‰î õ£¬÷ 制œ÷¶. Þšõ£œ âù¶ è÷ ÝŒM¡«ð£¶ è‡ìPòŠð†ì¶. ñŸÁ‹ äòù£˜ «è£M½‹ ñŸÁ‹ ðö¬ñ õ£Œ‰î Cõ¡ «è£J½‹ àœ÷¶. Þ„Cõ¡ «è£JL™ Þó‡´ õ£J™èÀ‹ Þó‡´ ï‰F ñŸø‹ ðLd캋 è£íŠð´õ¶ Ýó£òˆî‚è¶ ñŸÁ‹ Þ‚«è£JL¡ ªõO Hóè£óˆF™ «ü~˜ì£ «îM CŸðº‹ è£íŠð´A¡ø¶.

9. ñ‡ð¬ø Aó£ñ‹ - & «õì¡ ï´è™: 23.02.2018

F ¼ „ C ó £ Š ð œ O ñ £ õ † ì ‹ , ºCP õ†ì‹, ñ‡ð¬ø Aó£ñˆF¡ ªî¡ð°FJ™, ºCP ꣬ô ܼ«è «õì¡ å¼õ‚° ïìŠð†ì ï´è™

64 / îI›Š «ð󣌾 ÝŒMî›

è£íŠð´A¡ø¶. Þ‰ï´è™ «õì¡ ¬èJ™ Ü‹¹ì¡, Þ¬ìJ™ ݬì«ò£´‹, °´I«ò£´‹ è£íŠð´A¡ø¶. ÞF™ 虪õ†´ 㶋 è£íŠðìM™¬ô. C¬ô êŸÁ «îŒ‰î G¬ôJ™ Þ¼Šð Þî¡ è£ô‹ 1200 ݇´è÷£è Þ¼‚èô£‹ âù è¼îº®A¡ø¶. îIöèˆF™ ï´è™ õN𣴠êƒè è£ô‹ ºî™ Þ¼‰¶ õ¼A¡ø¶.Þƒ° è£íŠð´‹ ï´è™. ÞŠð°F ºŸè£ôˆF™ è£ì£è Þ¼‰¶œ÷¶. Þƒ° «õ†¬ìò£´‹ «ð£¶ «õì¡ Môƒ«è£´ «ð£K†´ ióñóí‹ Ü¬ì‰¶œ÷£¡. ÜõQ¡ G¬ùõ£è Þ‰ï´è™ ïìŠð†´œ÷¶. ²ƒè è£ôˆF™ Ý‡èœ ióñóíñ¬ì‰î£™ ï´è™½‹, ªð‡èœ ióñóíñ¬ì‰î£™ êF‚虽‹ ïìŠð†´ õNðìŠð´‹ ñó¹ Þ¼‰¶œ÷¶ °PŠHìˆî‚è¶. (꣉îLƒè‹Þ Þó£«ê‰Fó¡Þ 2017Þ p.142) «ñ½‹ Þš×K¡ õì ¹øˆF™ ꣬ô æóˆF™ å¼ ð£¬îJ™ «ê£ö£˜ è£ôˆFò CõLƒè‹ ܬñ‚èŠð†®¼‰î îìò‹ è‡ìPòòŠð†ì¶, 𣶠܉î Lƒè‹ ܼ«è àœ÷ õòL™ ¹¬î‰î G¬ôJ™ è£íŠð´A¡ø¶, «ê£ö£˜èO¡ è¬ôŠðE Þ‰î ÜöAò C¬ôõN ÜPò º®Aø¶.

10. CõLƒè‹ -& °¼õ‹ð†®

( ñEõ‡í¡Þ 2 0 0 5 Þ p . 2 2 6 ) ñ‡í„êï™Ö˜ õ†ì‹, °¼õ‹ð†® â¡ø Aó£ñˆF½œ÷ ãKJ¡ ܼ«è º‚è£ôˆF™ Cõ¡ «è£J™ Þ¼‰¶ H¡ ÜN‰îîŸè£ù ªî£™Lò™ îìòƒè÷£è CõLƒèº‹, b˜ˆî‚AíÁ‹, C¬î‰î G ¬ ôJ™ « è £ J ™ è ™ ª õ†´ ‹ 致H®‚èŠð†ì¶. ÞŠð°FJ™ Cô Aó£ñ ªîŒõƒèO¡ C¬ôèÀ‹ è ‡ ´ H ® ‚ è Š ð † ì ¶ . Þ î ¡ Íô‹ ÞŠð°F ºŸè£ôˆF™ Cø‰î Cõˆîôñ£è Þ¼‰¶ õ‰¶œ÷¶. Þƒ° 自촂èŠð†ì CõLƒè‹ 4 Ü® àòó‹ 3½ Ü® Üèôº‹ à¬ìò‹. ÞŠð°F «ê£ö ñ¡ù£˜èO¡ ݆C‚° à†ð†ì ð°Fò£è ºŸè£ôˆF™ F蛉¶œ÷¶.

11. î£ .«ð†¬ì ªð÷ˆî dì‹ 18.07.2018

F ¼ „ C ó £ Š ð œ O ñ £ õ † ì ‹ , «ê£ö£˜èO¡ ºŸè£ô ݆CŠð°Fò£°‹. ªè £´‹ð£Ù˜Þ YQõ£êï™Ö˜ «ð£¡ø ÞìƒèO™ «ê£ö£˜è÷¶ «è£M™ 膴ñ£ùƒè¬÷ è£íô£‹

ªð÷ˆî êñò‹ îIöèˆF™ A.H.9-Ý‹ ËŸø£‡´èO™ ðóMJ¼‰¶œ÷¶. è÷ŠHó£˜ Ý†C º®‰î G¬ôJ™ ª ð÷ ˆ î ‹ ª ê ™õ £ ‚¬ è Þ ö ‚ è ªî£ìƒAò¶. («õƒèìó£ñ¡Þ 2006Þ p. 1 4 1 ) 𣶠F¼„C ñ£õ†ìñ ê‚è‹ð†® â¡ø áK™ ꣬ô«ò£ó‹ ¹ˆî£˜ C¬ô ܬñ‚èŠð†®¼‰î dì‹ ñ†´‹ è‡ìPòŠð†ì¶. Þî¡ Ü¬ñŠ¹ cœ ê¶óñ£è¾‹Þ dìˆF¡

îI›Š «ð󣌾 ÝŒMî› / 65

W› º¡¹ø‹ ò£N (Í¡Á Cƒèƒèœ) Üñ£˜‰î G¬ôJ™ ¹¬ìŠ¹ CŸðñ£è õ®‚èŠð†´œ÷¶. Cô ݇´èÀ‚° º¡ ñƒè÷‹ â¡ø Aó£ñˆF™ àœ÷ Üóõ£J Ü‹ñ¡ «è£ML™ å¼ ¹ˆî£˜ C¬ô è‡ìPòŠð†ì¶ °PŠHìˆî‚è‹. êeõˆF™ ÞŠð°FJ™ õìñ¬ôð†® Ü¼«è êñí£˜ C Ÿð‹ å¡Á‹ è‡ìPòŠð†ì¶. âù«õ ÞŠð°FJ™ ºŸè£ôˆF™ êñíº‹Þ ªð÷ˆîº‹ ðóMJ¼‰î¬î ÜPò º®Aø¶. ÞŠdì‹ 10-Ý‹ ËŸø£‡´‚° HŸð†ìî£è è¼îô£‹.

º®¾¬óîIöèˆF¡ ðô ÞìƒèO½‹ Þ¶

«ð£¡ø îIöK¡ ºŸè£ôˆ ªî£™Lò™ îìòƒèÀ‹, C¬î¾èÀ‹ ޡ‹ ðóõô£è‚ è£íŠð´A¡øù.

Þˆî¬èò îIöK¡ ð‡ð£†´„ C¡ùƒè¬÷ ð£¶è£ˆ¶ º¬øò£ù è ÷ Ý Œ ¾ è œ « ñ Ÿ ª è £ ‡ ´ ª î £ ™ L ò ô £ ÷ £ ˜ è À ‹ , Ý Œ ¾ ñ£íõ£˜èÀ‹ îIöK¡ õóô£Ÿ¬ø ðô¼‹ ÜPò„ªêŒò «õ‡®ò¶ Þ¡Pò¬ñò£î‹. Þ¶ «ð£¡ø âˆî¬ù«ò£ è¬ô„ C¡ùƒèœ ޡ‹ ñ‡E½‹, º†¹î£˜ ñ¬øM½‹ ñ¬ø‰¶ è£íŠð´A¡ø¶. ܈î¬èò è¬ô„ C¡ùƒè¬÷Š ð£¶è£Šð¶ ïñ¶ èì¬ñò£°‹.

References

Akananuuru.Bawani, M. (2017). Tamilaha varalatru Avanangkal. Thanjavur: Kalveddiyal & Tholliyal Thurai.Kasinathan Nadana. (1989). Kalleluthukalai. Chennai: Manivasakar pathipagam. Manivannan, L., Ambai. (2005). Kovil Aivum Nerimuraigalum. Madurai: J J Publications.Manivannan, L., Ambai. (2005). Tamilaga Koyirkalai varalaru. Madurai: J J Publications.Manivannan, L., Ambai. (2095). Thirukovil Amaipum Thiruvuruva Amaithiyum. Madurai: A.R.Publications.Nagasamy, R. (1972). Sengam Nadukarkal. Chennai: Tholliyal Thurai.Rajan, K. (2006). Kalveddiyal. Thanjavur: Mano Publications. Rasenthiran, P. (2017). Kalveddukkalai. Chennai: New Century Book House.Rasu, S. (2001). Seppedu Pathipittalil Anukumurai. Thanjavur: Kalveddiyal & Tholliyal Thurai.Tholkappiyam.Vengkadaraman. (2006). Tamil Ilakiya Varalaru. Namakkal: Kalaiyaga Veliyidu.

Þ‰«î£«ùCò£MŸ°ˆ îIö˜èO¡ õ¼¬è»‹ «ñì£Q™ 苫𣃠ªñ†ó£v Aó£ñˆF¡ «î£Ÿøº‹

The Coming of Tamils to Indonesia and the Emergence of Kampung Madras

AbstractTamils live in 164 countries in the world. During different periods of time, they have migrated to various parts of the world from Tamil Nadu and Eelam. During the Pallava and Chola period, Tamils came to South East Asia as empire builders and sea merchants, but they were brought in as coolies to Malaysia, Singapore, Mauritius, Fiji, South Africa and Medan by the British rulers. The Tamils who have been brought in, in such a manner to Medan, Indonesia, are less known to the Tamil diaspora. To overcome this discrepancy, this article explains the history of Tamils who came to Indonesia in three phases and the creation of the new village at Kampung Madras in Medan, Sumatra.

Key Words: Indonesia, Tamils, Medan, Kampung Madras, Tamil diaspora

Þ¬íŠ «ðó£CKò˜ º¬ùõ˜ ê£I‚臵 ªüðñE ßꣂ° ꣺«õ™ / Assoc.Prof.Dr. Samikkanu Jabamoney Ishak Samuel1

º¬ùõ˜ ñ«ù£¡ñE «îM ܇í£ñ¬ô / Dr.Manonmani Devi M.A.R Annamalai2

º¬ùõ˜ Aƒwî¡ ð£™î‹¹ó£x / Dr.Kingston Palthamburaj3

ÜPºè‹îINù‹ àôA™ «î£¡Pò ÞùƒèO™

͈î Þùñ£ è ‚ è¼ îŠð´Aø¶ . îINù‹ APˆ¶¾‚° º¡ 10,000 ݇´ õóô£Ÿ¬ø‚ ªè£‡´œ÷¶. îI› , ßö‹ ÝAò Þìƒè¬÷Š ̘ièñ£è‚ ª è £ ‡ ì õ ˜ è ÷ £ è ˆ î I ö ˜ è œ Fè›A¡øù˜. îIö˜èœ, APˆ¶ HøŠ¹‚° º¡«ð èì™ ðòí‹ «ñŸªè£‡´ ðô èO™ õ£Eè‹ ªêŒîî£è ܬìò£÷Šð´ˆîŠð†´œ÷ù˜ .

ð™ôõ˜ ݆C è£ôˆF½‹ «ê£ö˜ ݆C è£ôˆF½‹ ªî¡Aö‚è£Cò£M™ Cô ÞìƒèO™ îIö˜èœ ݆C ܬñˆ¶œ÷î£è¾‹ õóô£Á ÃÁAø¶ (Rajantheran & Silllalee, 2014, pp. 9). Þšõ£Á CøŠ¹ŸP¼‰î îIö˜èœ ݃A«ôò˜ ݆C è£ôˆF™ ÃLè÷£è àôA¡ ð™«õÁ ð°FèÀ‚°‚ ªè£‡´ ªê™ôŠð†ìù˜ (Silllaee & Rajantheran, 2014, p.38). ܊𮂠ªè£‡´ ªê™ôŠð†ìõ˜èO™ Cô˜ «ñ죡, Þ‰«î£«ùCò£MŸ°‹ ªè£‡´

1 The author is an Associate Professor in Tamil Language Programme, Sultan Idris Education University, Malaysia. [email protected] The co-author is a lecturer in Tamil Language Programme, Sultan Idris Education University, Malaysia.3 The co-author is a free-lance researcher Coimbatore, Tamil Nadu, India. (Former lecturer at Sultan Idris Education University, Malaysia). [email protected]

îI›Š «ð󣌾 ÝŒMî› / 67

ªê™ôŠð†ìù˜. Þõ˜èœ à¼õ£‚Aò 苫𣃠ªñ†ó£v Aó£ñˆ¬îŠ ðŸP Þšõ£Œ¾‚ 膴¬ó M÷‚辜÷¶.

ÝŒ¾ º¡«ù£®èœ«ñ죡 îIö˜èœ °Pˆ¶Š ð™«õÁ

ÝŒ«õ´èÀ‹ ÝŒ¾‚ 膴¬óèÀ‹ Þ‰«î£«ùCò ªñ£NJ™ õ‰¶œ÷ù. Þ¶õ¬ó 䉶 º¶è¬ô ÝŒ¾èœ «ñ죡 îIö˜èœ ªî £ì˜ð £ è «ñŸªè£œ÷Šð†´œ÷ù. Devi Ramadana (2017) Gambaran Identiti Etnik pada Masyarakat Tamil di Kota Medan â¡ø î¬ôŠH™ º¶è¬ô ÝŒ¬õ õì„ ²ñˆFó£ ð™è¬ô‚èöèˆF™ «ñŸªè£‡´œ÷£˜. Þšõ£Œ¾ «ñ죡 îIö˜èO¡ Þù ÝÀ¬ñè¬÷ Ýó£ò «ñŸªè£œ÷Šð†´œ÷¶. Þšõ£ŒM¡ õN îIö˜èœ Þù à혾 I‚èõ˜èœ â¡Á 致ŠH®‚èŠð†´œ÷¶.

Siska Dorauli Tianur Sinaga (2016), Sejarah Kampung Madras di Kelurahan Madras Hulu Kota Medan â¡ø î¬ôŠH™ º¶è¬ô ÝŒ¬õ University Negeri Medan â¡ø ð™è¬ô‚èöèˆF™ «ñŸªè£‡´œ÷£˜. Þšõ£ŒM™ 苫𣃠ªñ†ó£R¡ õóô£Á‹ Ü‚è‹ðˆ¶ ñ‚èO¡ õ£›‚¬è º¬ø»‹ M÷‚èŠð†´œ÷¶.

Kartika Srikandi Ginting (2009), Pengaruh Akulturasi Kebudayaan India Tamil Terhadap Budaya Indonesia di Kota Medan â¡ø î¬ôŠH™ º¶è¬ô ÝŒ¬õ University Negeri Medan â¡ø ð™è¬ô‚èöèˆF™ «ñŸªè£‡´œ÷£˜. Þšõ£ŒM™ 苫𣃠ªñ†ó£R¡ õóô£Á‹ Ü‚è‹ðˆ¶ ñ‚èO¡ ð‡ð£´‹ M÷‚èŠð†´œ÷ù.

Jhonny Edwin, S. (1995) Pirartenei pada Aktifitas Religius Masyarakat Tamil di Shri Mariamman Kuil Medan: Kajian Struktur Muzik dan Teks â¡ø î¬ôŠH™ º¶è¬ô ÝŒ¬õ õì ²ñˆFó£ ð™è¬ô‚èöèˆF™ «ñŸªè£‡´œ÷£˜. Þšõ£ŒM™ «ñ죡 ÿ ñè£ ñ£Kò‹ñ¡ « è £ M ™ õN Š ð £ † ´ º¬ ø è œ M÷‚èŠð†´œ÷ù.

Napitupulu, Burju Martua (1992) Eksitensi

Masyarakat Tamil di Kota Medan: Suatu Tinjauan Historis â¡ø î¬ôŠH™ º¶è¬ô ÝŒ¬õ õì ²ñˆFó£ ð™è¬ô‚èöèˆF™ «ñŸªè£‡´œ÷£ .̃ Þšõ£ŒM™ 苫𣃠ªñ†ó£R¡ õóô£Á M÷‚èŠð†´œ÷¶.

Þšõ£Œ«õ´è¬÷ˆ îM˜ ˆ¶ , ãó÷ñ£ù ÝŒ¾‚ 膴¬óèœ «ñ죡 îIö˜è¬÷Š ðŸP Þ‰«î£«ùCò ªñ£NJ™ â¿îŠð†´œ÷ù. Ýù£½‹, îI›ªñ£NJ™ «ñ죡 îIö˜èœ ðŸPò ªêŒFèœ Iè‚ °¬øõ£è‚ è£íŠð´A¡øù.

ÝŒ¾ ªïP º¬øèœÞšõ£Œ¾ ð‡¹ê£˜ ܵ°º¬øJ™

õ®õ¬ñ‚èŠð†´œ÷¶. Þšõ£ŒM™ è÷ ÝŒ¾, Ëô£Œ¾ ÝAò Þó‡´ Üµ°º¬øèœ ¬èò£÷Šð†´œ÷ù. Ëô£ŒM™ ÝŒ¾‚°ˆ ªî£ì˜¹¬ìò ÝŒ«õ´èœ , ¹ˆîèƒèœ , ÝŒ¾‚ 膴¬óèœ ÝAò¬õ «î˜‰ªî´‚èŠð†´ M÷‚躬ø ܵ°º¬øJ™ îó¾èœ «êèK‚èŠð†ìù. «ñ½‹, ÝŒõ£÷˜èœ «ñì£Â‚°„ ªê¡Á è÷ ÝŒ¾ õN»‹ îó¾è¬÷ˆ F󆮻œ÷ù˜. è÷ ÝŒM™ «ï˜‚è£í™ ܵ°º¬ø ¬èò£÷Šð†´œ÷¶ . «ñì£Q™ õ£¿‹ îIö˜èOì‹ Þ‰î «ï˜‚è£í™ ïìˆîŠð†ìù. °PŠð£è, ÿ ñ£Kò‹ñ¡ «è£J™ î¬ôõ˜ F¼.ê‰Fó¡, êºî£òˆ î¬ôõ˜ F¼. ï£ó£òíê£I, «ñ죡 舫î£L‚è F¼„ê¬ðJ¡ ð£FKò£˜ ܼ†F¼ «ü‹v ð£óó£ , õì ²ñˆFó£ ð™è¬ô‚èöè MK¾¬óò£÷˜ F¼ñF gˆî£ ù£¡, ñîùñ£ô£ ÝA«ò£Kì‹ «ï˜‚è£í™ ªêŒòŠð†´ˆ îèõ™èœ Fó†ìŠð†ìù.

ÝŒ¾ˆ îó¾èœ ð°Šð£Œ¾ÝŒ¾ˆ îó¾èœ Þ‰«î£«ùCò£MŸ°ˆ

îIö˜ èO¡ õ¼¬è ; « ñì£Q™ 苫𣃠ªñ†ó£R¡ «î£Ÿø‹ ÝAò Þó‡´ î¬ôŠ¹èO™ ÝŒ¾ˆ îó¾èœ ð°Šð£òŠð†´œ÷¶.

68 / îI›Š «ð󣌾 ÝŒMî›

Þ‰«î£«ùCò£MŸ°ˆ îIö˜èO¡ õ¼¬è

Þ‰«î£«ùCò£MŸ°ˆ îIö˜èO¡ õ ¼ ¬ è Í ¡ Á Ü ¬ ô è O ™ ï ¬ ì Š ª ð Ÿ Á œ ÷ ¶ . º î ô £ õ ¶ ܬô ð™ôõ˜ ݆C‚ è£ôˆF™ ï¬ìŠªðŸÁœ÷¶. ªî¡Aö‚è£Cò õóô£ŸÁ ÝŒõ£÷˜ °ñó²õ£I (1927) Üõ˜èœ ð™ôõ˜ ݆C‚ è£ôñ£Aò Í¡ø£‹ ËŸø£‡®™ îIö˜èœ ² ñ ˆ F ó £ M Ÿ ° ‚ è ì ™ ð ò í ‹ «ñŸªè £‡ìî£è ‚ ÃP»œ÷£˜ . Ü‚è£ô‚è†ìˆF™ ªî¡Aö‚è£Cò õ£E躋 èì™ ð£¬î»‹ ð™ôõ˜èOì‹ Þ¼‰î¶. ïõ‹ð˜ , ®ê‹ð˜ ð¼õ‚ 裟P¡ «ð£¶ îIö˜èœ èì™ ðòí‹ «ñŸªè£‡´ ð£¼v, ²ñˆFó£MŸ° õ£Eð‹ ªêŒò õ‰¶œ÷ù˜ (Rusli Amran, 1981).

õ£Eè‹ ªêŒò õ‰î îIö˜èœ, îIö˜ êñòˆ¬î»‹ ð‡ð£†¬ì»‹ Þƒ°œ÷ ñ‚èOì‹ ðóŠH»œ÷ù˜. «ñ½‹, ð™ôõ‚ è£ôˆ îI› ⿈¶è¬÷ Þƒ°œ÷ ñ‚èOì‹ ÜPºè‹ ªêŒ¶œ÷ù˜. ªî£ì‚è‚ è£ôˆF™ ð™ôõ˜èœ ¹ˆî ñîˆ¬î„ ê£˜‰îõ˜è÷£è Þ¼‰î, ¹ˆî„ êñòˆ¬îŠ ðóŠH»œ÷ù˜. 717Ý‹ ݇´, õ£ü£«ð£F â¡ðõ˜ ñè£ò£ù â¡ø HK¬õ„ ꣘‰î ¹ˆî„ êñòˆ¬î„ ²ñˆFó£ ñ‚èOì‹ ðóŠH»œ÷£˜. ÞîŸè£ù ꣡Áè¬÷Š ð£è£¼»ƒ â¡ø ÞìˆF™ Þ¡Á‹ è£íô£‹. «ñ½‹, èLƒè ñ¡ù˜ ݆C‚ è£ôˆF½‹ ªî¡Aö‚è£Cò£M™ ÿ Müò£ «ð£¡ø ÜóꣃèƒèÀì¡ ªï¼ƒAò ªî£ì˜¹ «ðíŠð†´ õ‰¶œ÷¶ (Saifuddin Mayudin, 2014).

Þó‡ì£õ¶ ܬôJ™ îIö˜èœ «ê£ö ñ¡ù˜ ݆C‚ è£ôˆF™ Þ‰«î£«ùCòˆ b¾‚ ÆìƒèÀ‚° õ‰¶œ÷ù˜ . ð™ôõ˜èÀ‚°Š H¡ «ê£ö˜èœ ªî¡Aö‚è£Cò£M¡ èì™ ð£¬î¬ò»‹ õ£Eðˆ¬î»‹ îƒèœ ¬è‚°œ ªè£‡´ õ‰îù˜. Mò£ð£ó «ï£‚«è£´

õ‰î îIö˜èœ, Þ‰¶ êñòˆ¬î»‹ ð‡ð£†¬ì»‹ Þ‰«î£«ùCò£M™ ðóŠHù˜ . ð £¼v , ²ñˆFó £M™ 自촂èŠð†ì 虪õ†®™ 9Ý‹ ËŸø£‡®L¼‰¶ 12Ý‹ ËŸø£‡´ õ¬ó îIö˜èœ °®J¼Š¹ ð£¼v, ²ñˆFó£M™ ܬñ‚èŠð†®¼‰îî£è‚ °P‚èŠð†´œ÷¶ (Saifuddin Mayudin, 2014 ) . Þ ‚ è ™ ªõ†¬ì 1 9 3 2Ý‹ ݇®™ ªê¡¬ùŠ ð™è¬ô‚èöè MK¾¬óò£÷˜ cô‚è‡ì ê£vFK ªñ£N ªðò˜ˆ¶œ÷£˜. Þõ˜ ނ虪õ†´ A.º. 1088Ý‹ ݇´ â¿îŠð†ìî£è¾‹ Ü‚è£ô‚ è†ìˆF™ °ôˆ¶ƒè «îõ «ê£ö¡ ݆CJL¼‰îî£è¾‹ ªî¡ Þ‰Fò£ º¿õ¶‹ Üõ˜ ݆CJ¡ W› Þ¼‰îî£è¾‹ °PŠH†´œ÷£˜ (Saifuddin Mayudin, 2014).

«ñ½‹, ނ虪õ†®™ îIö˜èœ õ £ E è ‹ ª ê Œ î Þ ì ƒ è O ™ «è£†¬ì ܬñˆ¶, ð£¶è£õô˜è¬÷ GÁ ˆF Mò £ ð £ ó ‹ ª ê Œ î î £ è ‚ °PŠHìŠð†´œ÷¶. Þõ˜èœ îƒèÀì¡ «è£J™ Ìê£K , è†ìì‚ è¬ôë˜ «ð£¡«ø£¬ó ܬöˆ¶ õ‰¶œ÷ù˜. Þõ˜èœ ²ñˆFó£M™ õ£¿‹ ð£î£‚ ÞùŠ ªð‡è¬÷ˆ F¼ñí‹ ªêŒ¶œ÷ù˜. ð£î£‚ ÞùˆîõKì‹ Þ¡ùº‹ îIö˜ ð‡ð£†´‚ ÃÁèœ è£íŠð´A¡øù (Saifuddin Mayudin, 2014). «ñ½‹, î…ê£×K™ 自촂èŠð†´œ÷ 虪õ†®™ A.º. 1025Ý‹ ݇®™ ó£ü ó£«ü‰Fó «ê£ö¡, ÿ Müò£ Üó² e¶ ð¬ìªò´ˆîî£è‚ °P‚èŠð†´œ÷¶ (Saifuddin Mayudin, 2014) . Þ‚°PŠ¹èœ îIö˜èÀ‚°‹ ª î¡Aö ‚ è £ C ò £M Ÿ°‹ Þ¼ ‰ î ªï¼‚èñ£ù àø¬õ‚ 裆´A¡øù.

ð™ôõ˜, «ê£ö˜ ݆C è£ôˆ¬îˆ îM˜ˆ¶, îIö˜èœ 섲‚è£ó˜èO¡ ݆CJ¡ «ð£¶ Þ‰«î£«ùCò£MŸ° õ‰¶œ÷ù˜. Þ¶ îIö˜èO¡ Í¡ø£õ¶ õ¼¬è ܬôò£°‹ . Í¡ø£õ¶ ܬôJ™ îIö˜èœ Þó‡´ G¬ôèO™ Þ‰«î£«ùCò£MŸ° õ‰¶œ÷ù˜. ºîô£õî£è 1 7Ý‹ ËŸø£‡®™

îI›Š «ð󣌾 ÝŒMî› / 69

Mò£ð£Kè÷£è õ‰¶œ÷ù˜. îIö˜èœ 섲‚è £ ó ˜ èÀ‚°ˆ «î¬õò£ù ñ꣬ôŠ ªð£¼œè¬÷ õEè‹ ªêŒî, 섲‚è£ó˜èœ îIö˜è¬÷ Þ‰«î£«ùCò£M™ õEè‹ ªêŒõ ÜÂñF ˆ¶œ÷ù˜ . õEè ˆF¡ «ð£¶ îIö˜èœ ôîô£ù ï£œèœ Þ‰«î£«ùCòˆ b¾èO™ °PŠð£è ²ñˆFó£M™ îƒA ªê¡Áœ÷ù˜. Ýù£½‹, Þõ˜èO¡ â‡E‚¬è Iè °¬øõ£ù Ü÷M™ Þ¼‰î¶ °PŠHìˆî‚è¶ (Kumar, S. 2009).

Þó‡ì£õî£è 19Ý‹ ËŸø£‡®™ îIö˜èœ ÜFèñ£ù â‡E‚¬èJ™ ¹¬èJ¬ô «î£†ìˆF™ ÃLè÷£è «õ¬ô ªêŒõ «ñ죡, ²ñˆFó£MŸ°‚ ªè£‡´ õóŠð†ìù˜. 1863Ý‹ ݇®™, Kuypers dan Jacobus Nienhius ÝAò Þ¼õ¼‹ ªìL ²™î£Qì‹ ÜÂñF ªðŸÁ «ñì£Q™ ¹¬èJ¬ô «î£†ìƒè¬÷ GÁMù˜. «ñ죡 ¹¬èJ¬ô àôèˆ îó‹ ªðŸÁŠ ¹¬èJ¬ô‚è£ù «î¬õ ÜFèñ£Aò¶. Þîù£™, ¹Fò «îJ¬ô « î £†ìƒèœ ܬñ‚èŠð†ìù . ÃLò£œèO¡ «î¬õ ÜFèñ£Aò¶. àœï£†®™ «ð£¶ñ£ù ªî£Nô£÷˜èœ A¬ì‚èM™¬ô . Þîù£™ , ªõO Þ ì ƒ è O L ¼ ‰ ¶ à L ò £ œ è œ ªè£‡´õóŠðì «õ‡®ò è†ì£ò‹ ãŸð†ì¶. 섲‚è£ó˜èœ Þ‰Fò£, Hù£ƒ°, CƒèŠÌ˜ ÝAò ÞìƒèOL¼‰¶ îIö˜è¬÷Š ¹¬èJ¬ô «î£†ìˆF™ «õ¬ô ªêŒõ‚ ÃLè÷£è‚ ªè£‡´ õ‰îù˜ (Kartika Srikandi Ginting, 2009).

îIö˜èœ «ñ죡, ²ñˆFó£MŸ° åŠð‰î Ü®Šð¬ìJ™ ªè£‡´ õóŠð†ìù˜. ¹¬èJ¬ô «î£†ì ºîô£Oèœ ðòí‚ è†ìíˆ¬î„ ªê½ˆF °PŠH†ì ݇´èœ «õ¬ô ªêŒò «õ‡´‹ â¡ø Ü®Šð¬ìJ™ îIö˜è¬÷ «ñ죡 ¹¬èJ¬ô «î£†ìˆF™ ÃLè÷£è «õ¬ô ªêŒõ‚ ªè£‡´ õ‰îù˜ (Kartika Srikandi Ginting, 2009) . Þî¬ùˆ ªî£ì˜‰¶ 1880Ý‹ ݇´ ݃A«ôò Üó² British Protector

of India Labour â¡ø ê†ìˆ¬î ÞòŸPù˜. Þ„ê†ì‹ îIö˜èœ ²ñˆFó£MŸ°„ ªê™ô ÜÂñF õöƒAò¶. Þ„ê†ìˆF¡ õN, îIö˜èœ ²ñˆFó£MŸ°‚ 膴Šð£´ Þ™ô£ñ™ ªê™ô ªî£ìƒAù˜. 19Ý‹ ËŸø£‡´ ÞÁFJ½‹ 20Ý‹ ËŸø£‡´ ªî£ì‚èˆF½‹ îIö˜èœ ²î‰Fóñ£è õì ²ñˆFó£M½œ÷ Langkat, Binjai, Medan, Lubuk Pakam, Tebing Tinggi, Pematang Siantar «ð£¡ø ÞìƒèO½œ÷ ¹¬èJ¬ô «î£†ìƒèO™ «õ¬ô ªêŒõ„ ªê¡øù˜ (Siska Dorauli Tianur Sinaga, 2016).

1869Ý‹ ݇®™, 800Þ™ Þ¼‰¶ 900 õ¬óJô£ù îIö˜èœ ¹¬èJ¬ô «î£†ìƒèO™ «õ¬ô ªêŒõ «ñì£Â‚°‚ ªè£‡´ ªê™ôŠð†ìù˜. « ñ½‹ , 1 8 7 2Ý‹ ݇®™ 4 5 9 îIö˜èœ «ñì£Â‚°‚ ªè£‡´ ªê™ôŠð†ìù .̃1886Ý‹ ݇®™ «ñ½‹ 2000 îIö˜èœ «ñì£Â‚°‚ ªè£‡´ ªê™ôŠð†ìù˜. Þõ˜èœ «ñì£QL¼‰î 15 ¹¬èJ¬ô «î£†ìƒèO™ «õ¬ô ªêŒõ Üñ˜ˆîŠð†ìù˜. 1900Ý‹ ݇®™ «ñì£Q™ ²ñ£˜ 3,270 îIö˜èœ õ£›‰îî£è °PŠ¹èœ 裆´A¡øù. 嚪õ£¼ ݇´‹ îIö˜èO¡ â‡E‚¬è «ñì£Q™ ÜFèKˆ¶ õ‰¶œ÷¶ (Luckman Sinar, 2008).

¹¬èJ¬ô «î£†ìˆF™ îIö˜èœ, ¹¬èJ¬ô¬òŠ ðJK´î™, ¹¬èJ¬ô¬ò ÜÁõ¬ì ªêŒî™, ¹¬èJ¬ô¬òŠ ðîŠð´ˆ¶î™ ÝAò ðEè¬÷„ ªêŒ¶ õ‰îù˜. ¹¬èJ¬ô¬òˆ îIö˜èœ îò£˜ ªêŒî, «ñ죡 ¹¬èJ¬ô îƒèŠ ¹¬èJ¬ô â¡ø ªðò¬óŠ ªðŸø¶ â¡Á ÃøŠð†´œ÷¶ (Luckman Sinar, 2008).

¹¬èJ¬ô ªî£N™ îM˜ˆ¶, 섲‚è£ó Üó², ðîŠð´ˆFò ¹¬èJ¬ô¬ò ñ£†´ õ‡®J™ ãŸP„ ªê™½‹ «ð£‚°õ󈶊 ªð£ÁŠ¬ð»‹, ¹Fò ꣬ôè¬÷ˆ Fø‚°‹ ðE¬ò»‹, ñ£´ õ÷˜‚°‹ ªî£N¬ô»‹ ªêŒõˆ îIö˜èÀ‚° àK¬ñ õöƒAò¶. Þî¡ è£óíñ£èˆ îIö˜èœ Tuntungan õ†ì£óˆF™ ñ£´ õ÷˜‚°‹ ªî£N¬ôˆ ªî£ìƒAù˜.

70 / îI›Š «ð󣌾 ÝŒMî›

ñ£†´Š ð£¬ô 섲‚è£ó˜èÀ‚° MŸÁ õ‰îù˜ (Luckman Sinar, 2008).

¹¬èJ¬ô «î£†ìˆF™ ÃLè÷£è õ‰î îIö˜èœ 𣿶 Üóê£ƒè„ «ê¬õJ½‹ Mò£ð£óˆF½‹, «î£†ìˆ ª î £ N ™ èO½‹ « õ¬ô ª ê Œ¶ õ¼A¡øù˜. 𣿶 îIö˜èœ ò£¼‹ ¹¬èJ¬ô «î£†ìˆF™ ÃL «õ¬ô ªêŒòM™¬ô â¡ð¶ °PŠHìˆî‚è¶.

苫𣃠ªñ†ó£R¡ «î£Ÿø‹îIö˜èœ ªð£¶õ£è‚ î õ£¿‹

Þùˆ¬î„ ꣘‰îõ˜èœ. îIö˜èœ ⃰Š ¹ô‹ ªðò˜‰¶ ªê¡ø£½‹, ܃° å¼ °®J¼Š¹Š ð°F¬ò à¼õ£‚A‚ ªè£‡´ õ£›ðõ˜èœ. «ñ½‹, «è£J™ Þ™ô£î£ áK™ °®J¼‚裫î â¡ðèŸð å¼ «è£J¬ô»‹ ÜŠð°FJ™ ܬñˆ¶‚ ªè£‡´ õ£›ðõ˜èœ. «ñì£Â‚°Š ¹ô‹ ªðò˜‰¶ ªê¡ø îIö˜èœ, «ñ죡 ïèK™ 苫𣃠ªñ†ó£v â¡ø °®J¼Š¹Š ð°F¬ò à¼õ£‚A õ£›‰¶œ÷ù˜. 苫𣃠ªñ†ó£v â‰î ݇®™ ªî£ìƒèŠð†ì¶ â¡ø õóô£Á A¬ì‚èM™¬ô. Ýù£½‹, 苫𣃠ªñ†ó£R½œ÷ ÿ ñ£Kò‹ñ¡ Ýôò‹ 1884Þ™ è†ìŠð†ì¶ â¡ø õóô£ŸÁ‚ °PŠ¹ Þ¼Šð, 苫𣃠ªñ†ó£v 1884Þ™ Ü™ô¶ Ü º‰¬îò ݇®™ à¼õ£‚èŠð†®¼‚èô£‹ (Siska Dorauli Tianur Sinaga, 2016).

苫𣃠ªñ†ó£v ªî£ì‚è‚ è £ôˆF™ 苫𣃠ALƒ â¡Á ܬö‚èŠð†®¼‰î¶. ªð£¶õ£è , ñ«ôCò£, CƒèŠÌ˜, «ñ죡 ÝAò ÞìƒèO™ õ£¿‹ îIö˜è¬÷‚ ALƒ â¡Á ñô£Œ‚è£ó˜èœ ܬöŠð¶ õ ö ‚ è ‹ . Þ î¡ è £ óíñ £ è « õ , ªî£ì‚èˆF™ Þ‚Aó£ñ‹ 苫𣃠ALƒ â¡Á ܬö‚èŠð†´œ÷¶. îIö˜èœ ªî£ì‚è‚ è£ôˆF™ èLƒè ®L¼‰¶ ªî¡Aö‚è£Cò£MŸ° õ¼¬èŠ ¹K‰î èLƒè‹ â¡ø õ£˜ˆ¬î ñ¼M ALƒ â¡Á ܬö‚èŠð†ìî£è‚ °PŠ¹èœ 裆´A¡øù. ñô£Œ Þô‚Aò Ë™è÷£Aò

Sejarah Melayu, Hikayat Hang Tua ÝAò Ë™èO™ Þ‰Fò£¬õ Benua Keling (ªèLƒ è‡ì‹) â¡«ø °P‚A¡øù˜. Þîù£™, Þ‰Fò£ML¼‰¶ õ‰î îIö˜è¬÷‚ ALƒ â¡«ø ܬöˆîù˜ (Kartika Srikandi Ginting, 2009).

«ñ죡 ð°FJ™ ALƒ â¡ø õ£˜ˆ¬î ðò¡ð´ˆîŠð†ìîŸè£ù «õªø£¼ è£óí‹ ÃøŠð´A¡ø¶. å¼ º¬ø ¹¬èJ¬ô «î£†ìˆF™ îIö˜ å¼õ˜ 섲‚è£ó¬ù‚ ªè£¬ô ªêŒ¶ M†ì, îIö˜è¬÷Š 𣘂°‹ «ð£ªî™ô£‹ “killing men” â¡Á ܬö‚èŠð†ìî£è¾‹ ܶ«õ ï£÷¬ìM™ ñ¼M ALƒ â¡Á õ‰îî£è¾‹ «õÁ å¼ °PŠ¹‚ 裆´A¡ø¶. ⶠâŠð® Þ¼ŠH‹, Þ¡ø÷¾‹ îIö˜è¬÷‚ «èõôñ£èŠ «ð²‹ «ð£ªî™ô£‹ ALƒ â¡ø õ£˜ˆ¬î ñ«ôCò£M½‹ «ñì£Q½‹ ðò¡ð´ˆîŠð†´ õ¼A¡ø¶. ALƒ â¡ø ªê£™ îIö˜è¬÷ˆ F†´õîŸè£èŠ ðò¡ð´ˆîŠð´‹ ªê£™ â¡ð 苫𣃠ALƒ â¡ø ªðò˜ 苫𣃠ªñ†ó£ú£è ñ£ŸP ܬñ‚èŠð†´œ÷¶ (Kartika Srikandi Ginting, 2009).

苫𣃠ªñ†ó£v «ñ죡 ïèK™ ð£¹ó£ â¡ø ïF‚° ܼA™ ܬñ‰¶œ÷¶. ïF ܈Fò£ê õêFèÀ‚°ˆ «î¬õò£ù å¡Á â¡ð «ñ죡 îIö˜èœ Þ‰î Þìˆ¬îˆ «î˜‰ªî´ˆ¶œ÷ù˜. «ñ½‹, å¼ ð°FJL¼‰¶ Þ¡ªù£¼ ð°F‚°„ ªê™ô Þ‰î ïF¬ò«ò ðò¡ð´ˆF»œ÷ù˜ (Siska Dorauli Tianur Sinaga, 2016).

苫𣃠ªñ†ó£v 10 ã‚è˜ GôŠ ðóŠ¬ð‚ ªè£‡´œ÷¶. Þ‚Aó£ñˆF™ ÿ ñè£ ñ£Kò‹ñ¡ Ýôò‹, ÿ ²ŠóñEò‹ Ýô£ò‹ , ªè÷®ò£ ðœOõ£ê™ , °¼´õ£ó£ , è™ê£ «îCòŠ ðœO ÝAò¬õ Þ싪ðŸÁœ÷ù. «ñ½‹, îIö˜èÀ‚°„ ªê£‰îñ£ù ó‚ê£ù ðœO, î˜ñ ¹ˆó£ ðœO ÝAò Þó‡´ ðœOèœ Þ‚Aó£ñˆF™ ܬñ‰¶œ÷ù (Siska Dorauli Tianur Sinaga, 2016).

îI›Š «ð󣌾 ÝŒMî› / 71

ªî£ì‚è‚ è£ôˆF™, ÿ ñ£Kò‹ñ¡ Ýôò‹ îIö˜èœ å¡Á ô‹ Þìñ£è ܬñ‰¶œ÷¶. Lubuk Pakam, Deli Tua, Batang Kuis, Binjai, Langkat «ð£¡ø ð°FèO™ ܬñ‰F¼‰î ¹¬èJ¬ô «î£†ìƒèO™ «õ¬ô ªêŒ¶ õ‰î îIö˜èœ ݇´‚° å¼ º¬ø Þšõ£ôòˆF™ ôõ¶ õö‚èñ£°‹. «î£†ì G˜õ£è‹ bð£õO ð‡®¬è‚° å¼ õ£ó‹ M´º¬ø õöƒ°õ¶ õö‚è‹. Þ‰î M´º¬øJ™ «î£†ì ªî£Nô£÷˜èœ ñ£†´ õ‡®J™ °´‹ð‹ °´‹ðñ£è Þ‰î ÝôòˆFŸ° õ‰¶ ñŸø îIö˜è«÷£´ ä‚Aò‹ ªè£œõ¶ õö‚èñ£ù å¡ø£°‹ (Lubis Zulkifli, 2009).

«ñ죡 îIö˜èœ à¼õ£‚Aò 苫𣃠ªñ†ó£R™ 𣿶 30Þ™ Þ¼‰¶ 35 °´‹ðƒèœ ñ†´«ñ õCˆ¶ õ¼A¡øù˜. Ü «ù è îI ö ˜ èœ î ƒ èÀ¬ìò Gôƒè¬÷„ Yù˜èOì‹ MŸÁ M†´Š H¬öŠ¹ˆ «î® «õÁ ð°FèÀ‚°„ ªê¡Á M†ìù˜. 𣿶 Yù˜èœ  ÜFè Ü÷M™ 苫𣃠ªñ†ó£R™ õ£›A¡øù˜. 苫𣃠ªñ†ó£R™, Yù˜èœ ê¡ Š÷£ê£, «è‹Š«óx C†® «ð£¡ø Ýì‹ðó Mò£ðóˆ î÷ƒè¬÷

ܬñˆ¶œ÷ù˜ (Siska Dorauli Tianur Sinaga, 2016).

𣿶 , 1 3 ñ£õ†ìƒèO™ îIö˜èœ õ£›Aø£˜èœ. 苫𣃠ªñ†ó£¬ú îM˜ˆ¶, Tanjung Keling, Tanjung Jati, Binjai, Buluh Cina, Sei Semayang, Glugur Rimbun, Medan Tuntungan, Helvetia, Saentis, Sampali, Batang Kuis, Lubuk Pakam, perkebunan Bekala ÝAò ÞìƒèO™ îIö˜èœ ÜFèñ£è õ£›A¡øù˜. «ñ죬ùˆ îM˜ˆ¶, Tebing Tinggi â¡ø ÞìˆF™ ÜFèñ£ù îIö˜èœ õ£›A¡øù˜. ÞšMì‹ Þó‡´ ã‚è˜ GôŠðóŠH™ 섲 Üó꣙ îIö˜èÀ‚° õöƒ è Š ð†´œ÷¶ . î Ÿ ª 𠣿¶ ÞšMìˆF™ 79 îI›‚ °´‹ðƒèœ õ£›‰¶ õ¼A¡øù˜ (Siska Dorauli Tianur Sinaga, 2016).

º®¾¬óÞ‰«î£«ùCò£MŸ°ˆ îIö˜èœ

Í¡Á ܬôèO™ õ¼¬è ¹K‰¶œ÷ù˜. 섲‚è£ó˜ ݆CJ™ ¹¬èJ¬ô «î£†ìˆF™ ÃL ªî£Nô£÷˜è÷£è õ‰î îIö˜èœ Þ¡ø÷¾‹ «ñì£Q™ õ£›‰¶ õ¼A¡øù˜. Þõ˜èœ ܬñˆî 苫𣃠ªñ†ó£v â¡ø Aó£ñ‹ Þ¡Á Yù˜èO¡ ÝF‚èˆF™ Þ¼‚Aø¶.

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Rajantheran, M., & Silllalee, K. (2014). “Inthiyath Thenkilakkasiyath Thonmaith Thodarpukal: Oru Paarvai”, Buku Peringatan Tavathiru Thaninayaga Adikalar, Sempena Ulangtahun Sentineri. (Eds) Mohanadass Ramasamy & Krishnan Maniam. (pp. 9-26). Kuala Lumpur: Jabatan Pengajian India.

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ñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™ Yù˜èO¡ ï‹H‚¬èèO¡ è‹

The Influence of Chinese Believes on Malaysian Indians

AbstractForefathers of the Indian community originated from India. They were brought into Tanah Melayu by the British at the end of the 19th and beginning of the 20th century, to invest their labor in Tanah Melayu.However, the cultural relationship between India and Tanah Melayu goes back a long way in history to the beginning of the century. The similar background is noticeable in the history of the arrival of the Chinese Community who was brought in by the British to Tanah Melayu during the same period to work in the tin mines. After Tanah Melayu obtained independence from the British colonizers the Indian and Chinese communities got citizenship and remained permanently in Tanah Melayu as citi-zens .Malaysia is a multi-ethnic and multi-racial country. Now, the Malays, Indians and Chinese are the three major races in Malaysia. The Indian community whose long stay in Malaysia has a unique life with Chinese practices. This is observed in many practices such as praying to idols of Chinese beliefs, visiting Chinese Shamans, belief in Feng shui, wearing gems or gold jewelry with Chinese symbolic beliefs, learning the lion dance and others. Many of these practices are being followed by the Indians in Malaysia to bring wealth and success in their lives and also to get protectionfrom spirits and negative forces. These practices flourished from living together with the Chinese since the British rule. During that period also it has been observed as cultural sharing which has strengthened the relationship between the two races in Malaysia.

Keywords: Malaysian Indians, Malaysian Chinese, Believes, Culture, Rituals.

º¬ùõ˜ C™ô£N / Dr Silllalee1

îIöóC ºQò£‡® / Tamil Arasi Muniandy2

A¼wí«õE ²ŠHóñEò‹ / Krishnaveni Subramaniam3

1 The author is a Assistant Professor in the Department of Modern Languages, University Tunku Abdul Rahman, Kajang, Malaysia. [email protected] / [email protected] The author is a lecturer in the Department of General Studies, University Tunku Abdul Rahman, Kajang, Malaysia. [email protected] The author is a lecturer in the Department of Modern Languages, University Tunku Abdul Rahman, Kajang, Malaysia. [email protected]

74 / îI›Š «ð󣌾 ÝŒMî›

º¡Â¬óñ«ôCò£ ð™«õÁ Þùƒè¬÷

àœ÷ì‚Aò . Þƒ° õ£¿‹ ð™«õÁ ÞùƒèÀœ ñô£Œ‚è£ó˜, Yù˜, Þ‰Fò˜ ÝAò Í¡Á Þùƒè«÷ ªð¼‹ð£¡¬ñ ñ‚è÷£è ÜPòŠð´A¡øù .̃ Þõ˜è«÷£´ êð£, êóõ£‚ ÝAò ñ£GôƒèO™ õ£¿‹ ñ‚èœ, bðèŸð ñ«ôCò£M™ õ£¿‹ ̘õ°®Jù˜ ÝA«ò£¬ó»‹ «ê˜ˆ¶ ñ«ôCò£ ð™«õÁ ð‡ð£†´‚ ÃÁè¬÷ àœ÷ì‚Aò ï£ì£è M÷ƒ°A¡ø¶. ÞŠð‡ð£†´‚ ÃÁèœ ò£¾«ñ ñ«ôCò£¬õˆ îQˆ¶õ‹ I‚è ï£ì£è IOó„ ªêŒ¶œ÷¶ (Timothy Daniels, 2005).

ñ«ôCò£M™ õ£¿‹ Þ‹Í¡Á ºî¡¬ñ ÞùƒèO¡ ð‡ð£†´‚ ÃÁèœ ò£¾‹ ܉î ܉î Þùˆî£ó£™ è£ô‹ è£ôñ£èŠ ð£¶è£‚èŠð†´‹ õ÷˜‚èŠð†´‹ õ‰¶œ÷ù. Ü«î «õ¬÷J™ 嚪õ£¼ ÞùˆF¡ å¼ Cô ð‡ð£†´‚ ÃÁèœ ñŸø ÞùˆF¡ õ£›‚¬èJ™ 般î ãŸð´ˆFJ¼Šð¶¾‹ ÜPòŠð´A¡ø¶ (Silllalee, 2011p. 142). °PŠð£è ñ«ôCò£M™ Þó‡ì£õ¶ IèŠ ªðKò Þùñ£è‚ è¼îŠð´‹ Yù ñ‚èO¡ ð‡ð£†´‚ ÃÁ èœ ñ « ô C ò Þ ‰ F ò ˜ èO¡ õ£›‚¬èJ™ ð™«õÁ G¬ôèO™ 般î ãŸð´ˆFJ¼‚A¡øù. ÞF™ °PŠð£è ñ«ôCò„ Yù˜èO¡ ð™«õÁMîñ£ù ï‹H‚¬èèœ ñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™ èô‰¶ Þ¼Šð¶ ñÁ‚è º®ò£¶ (Aziz Dereman, 2005, p.33). Þšõ£Á ñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™ å¡PM†ì Yù˜èO¡ ï‹H‚¬èèœ Þõ˜èO¡ õ£›‚¬èJ™ âˆî¬èò èƒè¬÷ ãŸð´ˆFJ¼‚Aø¶ â¡ð¬î ނ膴¬ó ÝŒ¾ ªêŒAø¶.

ÝŒ¾ º¡«ù£®èœî Ÿ « ð £ ¬ î ò Ý Œ M ™ Ý Œ ¾

º¡«ù£®è÷£è Þó‡´ º¬ùõ˜ ð†ì ÝŒ«õ´èœ è‡ìPòŠð†´œ÷ù. Lan Clarke â¡ð£K¡ “Malaysian Chinese Religion and Society: Ritual Action and the Creation of Social

Identity in Modern Urban Malaysia” (1969), â‹ ÝŒ¾‹, Law Kian Aun â‹ ÝŒõ£÷K¡ “The Influence of Chinese Traditional Philosophy on Malaysia Chinese Corporate Leaders” (2013) â‹ ÝŒ¾‹ ñ«ôCò Yù ñ‚èO¡ îQˆ¶õŠ ð‡ð£†´ ܬìò£÷ƒè¬÷‚ °PŠð£è Üõ˜èK¡ êñò‹, õ‹, ï‹H‚¬èèœ ÝAòõŸ¬øŠ ðŸP ÝŒ¾ ªêŒõî£è ܬñ‰¶œ÷¶. Þšõ£Œ¾èœ ð£¬îò ÝŒM™ ñ«ôCò Yù ñ‚èO¡ Ü®Šð¬ì ï‹ŠH‚¬èèœ ÜõŸP¡ õƒèœ ÝAòõŸ¬øŠ ¹K‰¶ ªè£œ÷ àî¾A¡øù.

Þ¬îˆ îM˜ˆ¶ Lim Chooi Kwa ñŸÁ‹ Chia Oai Peng ÝA«ò£K¡ “Adat Resam Masyarakat Cina” â‹ ˽‹ ñ«ôCò Yù ñ‚èO¡ ð‡ð£†´Mò¬ôŠ «ð²õî£è«õ ܬñ‰¶œ÷¶. Tan Chee Beng â¡ð£K¡ “Chinese Religion In Malaysia”; a general view” â‹ ÝŒ¾‚ 膴¬ó»‹ (Vol.42-1983), Sharon Carstens â‹ ÝŒõ£÷K¡ “Cultures, Identities; Studies In Malaysian Chinese Worlds” (2002), â‹ 膴¬ó»‹ ð£¬îò ÝŒ¾‚° Iè ªïÁ‚èñ£è«õ Þ¼Šð¶ ÜPòŠð´A¡ø¶. ÞšM¼ ÝŒ¾‚ 膴¬óèÀ‹ ñ«ôCò Yù ñ‚èO¡ ï‹H‚¬èèœ °Pˆ¶ ªõ°õ£èŠ «ð²A¡øù. Þ¬õ ñ«ôCò„ Yù ñ‚èO¡ ï‹H‚¬è °Pˆî ¹K¬îŠ ªðÁõˆ ¶¬íªêŒA¡øù.

«ñ½‹, “Chinese Overseas: Comparative Cultural Issues” â‹ Tan Chee Beng-Þ¡ ¹ˆîè‹ ñ«ôCò Yù˜è¬÷Š ðŸP»‹, ñŸø Þùˆî£¼ì¡ Þõ˜èÀ‚° àœ÷ ð‡ð£†´-ªð£¼÷£î£óˆ ªî£ì˜¹ °Pˆ¶‹ «ð²Aø¶. މˬôŠ «ð£ô«õ, Lee Kam Hing â‹ ÝŒõ£÷K¡ “The Chinese in Malaysia” (2000) â‹ ˽‹ ñ«ôCò Yù˜èO¡ õóô£Á, ªð£¼÷£î£ó ïìõ®‚¬è, ÜóCò™, êÍèMò™, ð‡ð£ ,́ êñò‹, ï‹H‚¬èèœ «ð£¡øõŸ¬ø MõKˆ¶¬ó‚A¡ø¶. ÞšM¼ Ë™èÀ‹ Ãì ð£¬îò ÝŒM™ ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù ñ‚èO¡ ï‹H‚¬èèœ âšõ£Á G¬ôªðŸÁœ÷ù

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â¡ðî¬ù M÷‚°õî£è«õ àœ÷ù.

ÝŒ¾ º¡«ù£®è¬÷ º¡Q¼ˆFŠ 𣘂°‹ «ð£¶ ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù ñ‚èO¡ ï‹H‚¬èˆ î£‚è‹ â¡ð¶ Ý›‰î ªð£¼À¬ìò, º‚Aòˆ¶õ‹ G¬ø‰î æ˜ ÝŒõ£è Þ¼Šð¶ ÜPòŠð´Aø¶. Ü«î «õ¬÷J™ Þ‰î ÝŒ¾ º¡«ù£®èœ ò£¾‹ ð£¬îò ÝŒM™ ÝŒ‰îPòŠð†ì ¹Fò 致H®Š¹è¬÷ MõKˆ¶¬óŠðŠ ªð¼‹ ðôñ£è ܬñA¡øù.

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(Quantitative) ªïP¬òŠ ðò¡ð´ˆF «ñŸªè£œ÷Šð†´œ÷¶ (Creswell, 2007). Þ‰î ÝŒ¾ ªïPJ¡ Ü®Šð¬ìJ™ 60 ñ«ôCòˆ Þ‰Fò‚ °´‹ðƒèO™ è÷ ÝŒ¾ ÝŒ¾ «ñŸªè£œ÷Šð†´œ÷¶. ÞîŸè£èŠ HKˆF«òèñ£èˆ îò£K‚èŠð†´œ÷ ÝŒ¾Š ð£óˆF™ àœ÷ «èœMèÀ‚° ÝŒ¾Š ðƒ«èŸð£÷˜èœ ðF™ ÜO‚èŠ ðE‚èŠð†ìù˜ . Þ‰î ðF™èœ ò£¾‹ âvHâvâv (SPSS) â‹ ªñ¡ªð£¼O™ ðF¾ ªêŒòŠð†´ Üî¡ Íô‹ A¬ì‚èŠð†´œ÷ îó¾èœ ÝŒ¾ ªêŒòŠð†´œ÷ù.

«ñ½‹, ÝŒõ£÷˜ Þ‰Fò‚ °´‹ðƒè¬÷ «ïó®ò£è„ ê‰Fˆ¶ è÷ ÝŒM™ å¼ Cô îó¾è¬÷Š ªðŸÁœ÷£˜. ܫ Þ‰Fò‚ °´‹ðƒèO™ è£íŠð†ì Yù˜èO¡ ï‹H‚¬è ꣘‰î °Pf´èœ, ªð£¼œèœ ÝAòù¾‹ GöŸðì‹ õ£Jô£èŠ ðF¾ ªêŒòŠð†´œ÷ù. Þ¬õ ÝŒ¾‚è£ù Ýî£óƒè÷£è ñ†´«ñ ðò¡ð´ˆîŠð쾜÷ù. ܫ «ï˜ºè‚ è£íL™ ÝŒM¡ ðƒ«èŸð£÷˜èOì‹ Þ¼‰¶ ªðøŠð†ì õ £Œªñ £N ˆ î èõ™ èÀ‹ ðF¾ ªêŒòŠð†´œ÷ù. Þ¬õ ò£¾‹ Ü÷¾ê£˜ ªïP»ì¡ Þ¬í‚èŠð†´ ÝŒ¾ ªêŒòŠð†´œ÷ù.

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«ñŸè‡ì ð†®ò™ 10% ñ«ôCò Þ‰Fò˜èœ ñ†´«ñ Yù ñ‚èO¡ õ N ð ´ ª î Œ õ ƒ è ¬ ÷ ˆ î ƒ è œ Þ™ôˆF™ õNð´õ¬î º¿¬ñò£è ãŸÁ‚ªè£‡´œ÷ù˜ â¡ð¬î‚ 裆´A¡ø¶. 46.7% ñÁˆî™ Ü™ô¶ ºŸø£è ñÁˆî âù ðFôOˆ¶œ÷ù˜. Yù ªîŒõƒè¬÷ i†®™ ¬õˆ¶ õNð´î™ â‹ 輈¬î ñÁˆî™, ºŸø£è ñÁˆî™, ï´G¬ô âù ðF™ ÜOˆî ðƒ«èŸð£÷˜èO¡ Þ™ô õN𣆴 ܬø Ü™ô¶ ð°FJ™ Yù˜èO¡ õNð´ ªîŒõƒèO¡ ðìƒèœ Ü™ô¶ °Pf´èœ 㶋 è£íŠðìM™¬ô è÷ ÝŒM¡ «ð£¶ è‡ìPòŠð†ì¶.

Yù õNð´ ªîŒõƒè¬÷ i†®™ ¬õˆ¶ õNð´î™ â‹ 輈¬î ãŸÁ‚ ªè£‡«ì£K¡ Þ™ôƒèO½‹ Ãì å¼ Cô˜ ñ†´«ñ Yù õN𣆴 ªîŒõƒè¬÷ ¬õˆF¼‰î¬î è÷ ÝŒM¡ õN è‡ìPòŠð†ì¶. «ñ½‹ Cô˜ ނ輈F¬ù ãŸÁ‚ ªè£‡ì «ð£F½‹ Ãì Yù˜èO¡ ªîŒõ õN𣆬ì è¬ìH®Šðî£èˆ ªîKòM™¬ô. Yù ªîŒõ õNð£†¬ì‚ è¬ìH®Š«ð£K¡ õN𣆴 ܬøJ™ CK‚°‹ ¹ˆî˜ C¬ô (Laughing Buddha) , °õ£¡ J¡ C¬ô (Guan Yin), Yù ⿈¶ ªð£Kˆî CˆFó‹ «ð£¡ø¬õ»‹; Yù˜èO¡ bð‹, á¶ðˆF, Yù ܬìò£÷‚ °Pf´èœ

«ð£¡ø¬õ»‹ è£íŠð†ìù. Þ¬õ ܬùˆ¶‹ ñ«ôCò Þ‰Fò˜èO¡ õNð´ ÞìˆF™ ¬õ‚èŠð†®¼‰îù. Cô˜ Yùˆ ªîŒõƒèÀ‚è£ù îQˆî õNð£†¬ì„ ªêŒõî£è¾‹, «ñ½‹ Cô˜ Þ‰¶ˆ ªîŒõƒèÀì¡ «ê˜ˆ«î õ¿ð£´ ªêŒõî£è¾‹ ªîKMˆîù˜.

Yù õNð´ ªîŒõƒèO¡ CˆFóƒèœ, C¬ôèœ «ð£¡ø¬õ àð ªîŒõƒè÷£è ¬õ‚èŠð†´œ÷ù«õ îMø Þ¬õ«ò Þõ˜èO¡ Þ™ôƒèO™ ºî¡¬ñˆ ªîŒõñ£è õNðìŠðìM™¬ô â¡ð¶¾‹ ÝŒM¡ õN ÜPòŠð†´œ÷¶. ޡ‹ Côó¶ i´èO™ õ÷£èˆF™ ºmvõó˜, ñ¶¬ó ió¡, êƒAL‚輊𡠫ð£¡ø ªîŒõƒèÀ‚è£è„ CPò «è£M™èœ â¿ Š ð Š ð†®¼ ‰ îù . Üõ Ÿ P¡ å¼ ð°FJ™ Yù˜èO¡ ìˆ«î£ õN𣆴„ C¬ôèÀ‹ CKò Ü÷M™ ܬñ¾ ø Š ð†®¼ ‰ î¬ñ» ‹ è÷ ÝŒM™ 致H®‚èŠð†ì¶. «ñ½‹ Cô˜ Yù õN𣆴 Mè£óƒèO™ (CPò Ýôò‹) Þ‰¶‚ èì¾÷˜èO¡ C¬ôèœ, ðìƒè¬÷ ¬õˆ¶ õNð´‹ «ð£‚¬è‚ è¬ìH®Šð¶¾‹ è÷ ÝŒM™ è‡ìPòŠð†ì ªêŒFò£°‹.

Þ¶ îMø ñ«ôCò Þ‰Fò˜èœ Yù˜èO¡ ªîŒõ õN𣆴ˆ î÷ƒèœ, ¹ˆî Mè£óƒèœ «ð£¡øõŸPŸ°„ ªê¡Á õNð´‹ «ð£‚¬è»‹ ªè£‡´œ÷ù˜ â¡ð¶ Þ‰î ÝŒM¡ õN è‡ìPòŠð†ì ñŸ¼ªñ£¼ ªêŒFò£°‹. âvHâvâv ªñ¡ªð£¼O¡ ðFM¡ Íô‹ ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù ªîŒõƒèO¡ õN𣆴ˆ î÷ƒèÀ‚°„ ªê½î™ °Pˆ¶ ÝŒ¾ ªêŒòŠð†ìî¡ õ£Jô£è W›‚è‡ì Ü¬ì¾ è‡ìPòŠð†ì¶. ªî£ì¼‹ ð†®ò¬ô‚ 裇è:-

ð†®ò™ 2 : Yù˜èO¡ ªîŒõ õN𣆴ˆ î÷ƒèÀ‚°„ ªê¡Á õNð´î™.

輈¶ â‡E‚¬èM¿‚裴

(%)

ºŸø£è ñÁˆî™

14 23.3

îI›Š «ð󣌾 ÝŒMî› / 77

ñÁˆî™ 9 15.0

ï´G¬ô 7 11.7

ãŸø™ 23 38.3

º¿¬ñò£è ãŸø™

7 11.7

ªñ£ˆî‹ 60 100

ð † ® ò ™ 2 ª ñ £ ˆ î ‹ 5 0 . 0 % ðƒ«èŸð£÷˜èœ Yù õN𣆴ˆ îôƒèÀ‚°„ ªê¡Á õN𣴠ªêŒî™ â‹ 輈¬î º¿¬ñò£è ãŸø™ ( 1 1 . 7% ) ñŸÁ‹ ãŸø™ (38 . 3% ) â‹ 輈F™ Þ¼Šð¬î‚ 裆´Aø¶ . Þ º¡ù˜ àœ÷ «èœMò£ù, i†®™ Yù ªîŒõƒè¬÷ õNð´õ¶ â‹ 輈¶ˆ¬î º¿¬ñò£è ãŸø™ (10.0%) ñŸÁ‹ ãŸø™ (31.7%) â¡ð ªñ£ˆî‹ 41.7% õ£‚° A¬ìˆ¶œ÷¶. Þ¶ «ð£ô«õ Yù õN𣆴ˆ îôƒèÀ‚°„ ªê¡Á õNð´õ¬î ºŸø£è ñÁˆî™ (23.3%) ñŸÁ‹ ñÁˆî™ (15.0%) â¡ð ªñ£ˆî‹ 3 8 . 3 % ðƒ«èŸð£÷˜èœ â‹ ðF¬ôˆ «î˜‰ªî´ˆ¶œ÷ù˜. «ñŸÃPò¬îŠ «ð£ô«õ i†®™ Yù ªîŒõƒè¬÷ õNð´õ¶ â‹ 輈¶ˆ¬î ºŸø£è ñÁˆî™ (31.7%) ñŸÁ‹ ñÁˆî™ (15.0%) â¡ð ªñ£ˆî‹ 46.7% ðƒ«èŸð£÷˜èO¡ õ£‚° A¬ìˆ¶œ÷¶.

Þî¬ù åŠH†´Š 𣘂°‹ «ð£¶ Yù õN𣆴ˆ îôƒèÀ‚°„ ªê¡Á õNð´î™ â¡ð i†®™ õNð´õ¬î‚ 裆®½‹ 8 . 3 % ðƒ«èŸð£÷˜èœ Ã´î™ õ£‚èOˆ¶œ÷ù˜. Þî¡ Íô‹ ñ«ôCò Þ‰Fò˜èœ Þ™ôƒèO™ Yù ªîŒõƒè¬÷ ¬õˆ¶ õNð´õ¬î‚ 裆®½‹ Üõ˜èO¡ ÝôòƒèÀ‚°„ ªê¡Á õNð´õ Iè ÜFèñ£ù Ýîó¾ î¼õ¬î‚ è£í º®A¡ø¶. Þ¶ °Pˆ¶ ðƒ«èŸð£÷˜èO™ Cô˜, ²ŸÁô£ ªê™½‹ è£ôƒèO™ ܃°œ÷ Yù ÝôòƒèÀ‚°„ ªê¡Á õNð´î™ (Þ¶ Hù£ƒ°, ªè‰Fƒ ñ¬ô «ð£¡ø ²ŸÁô£ˆ îôƒèO™ Iè ÜFèñ£è àœ÷¶) à‡´ â¡Á ðFôOˆ¶œ÷ù˜. «ñ½‹ Cô˜ ¹ˆî ̘Eñ£ âùŠð´‹ Mê£è

FùˆF™ ¹ˆî Mè£óƒèÀ‚°„ ªê¡Á õNð´õ¬î õö‚èñ£è‚ ªè£‡´œ÷ù˜ âù‚ ÃP»œ÷ù˜.

« ñ½‹ , i†®™ Yù õN ð´ ªîŒõƒè¬÷ õNð´‹ «ð£¶ Yù˜èO¡ õN𣆴‹ º¬øè¬÷Š H¡ðŸÁõF™ «ð£Fò ªîO¾ Þ¡¬ñ»‹ êKò£ù º¬ø¬òŠ H¡ðŸø Þòô£¬ñ»‹ i†®™ Yù ªîŒõƒè¬÷ ¬õˆ¶ õNð´õF½œ÷ êõ£™è÷£èˆ ªîKˆ¶œ÷ù˜. ÞŠ ðFô£ è Yù˜èO¡ õN𣆴ˆ îôƒèÀ‚°„ ªê¡Á õNð´õ¶ «ñ½‹ Þô°õ£è Þ¼Šð i†®™ Yùˆ ªîŒõƒè¬÷ ¬õˆ¶ õNð´õ¬î‚ 裆®½‹ Üõ˜èO¡ ÝôòƒèÀ‚°„ ªê¡Á õNð´õ¶ 㟹¬ìòî£è ðƒ«èŸð£÷˜èœ ªîKMˆ¶œ÷ù˜.

ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù˜èO¡ ê샰è¬÷‚ º¬øèœ

ñ«ôCò„ Yù ñ‚èœ Þ‰¶‚è¬÷Š «ð£ô«õ ð™«õÁ ê샰è¬÷ˆ îƒèœ õN𣆮™ è¬ìH®‚°‹ «ð£‚¬è‚ ªè£‡´œ÷ù˜. Þ„ê샰èO™ Cô Ü¡ø£ì õN𣆴„ ê샰è÷£è¾‹ å¼ Cô êìƒ°èœ CøŠ¹ õN𣆴„ ê샰è÷£è¾‹ Fè›A¡øù˜ (Chee Beng Tan, 1985, p.71). Þˆî¬èò êìƒ°èœ ñ«ôCò Þ‰Fò˜èO캋 æó÷¾ Gô¾õ¶ ÝŒM™ è‡ìPòŠð†´œ÷¶. ªî£ì¼‹ ð†®ò¬ô‚ 裇è:-

ð†®ò™ 3: Yù˜èO¡ ê샰è¬÷Š H¡ðŸÁî™.

輈¶ â‡E‚¬èM¿‚裴

(%)

ºŸø£è ñÁˆî™

19 31.7

ñÁˆî™ 10 16.7

ï´G¬ô 13 21.7

ãŸø™ 14 23.3

º¿¬ñò£è ãŸø™

4 6.6

ªñ£ˆî‹ 60 100

78 / îI›Š «ð󣌾 ÝŒMî›

ð†®ò™ 3-Þ™ Yù˜èO¡ ê샰è¬÷Š H¡ðŸÁî™ (ãŸø™ & º¿¬ñò£è ãŸø™) â‹ «èœM‚° ªñ£ˆî‹ 29.9% ðƒ«èŸð£÷˜èœ Ýîó¾ ªîKMˆ¶œ÷ù .̃ Þ‰î‚ «èœM‚°Š ªð¼‹ð£˜¬ñJù˜ ºŸø£è ñÁˆî™ (31.7%) ñŸÁ‹ ñÁˆî™ (16.7%) â¡ðî£èŠ ðF™ ÜOˆ¶œ÷ù˜. 21.7% ðƒ«èŸð£÷˜èœ Þ‚«èœM‚° âšMî ðF¬ô»‹ ÜO‚èM™¬ô. ÝJ‹ Ãì ÝŒM¡ º®M¬ù‚ 裵‹ «ð£¶ 29.9% ðƒ«èŸð£÷˜èœ Yù˜èO¡ ê샰è¬÷Š H¡ðŸÁõ Ýîó¾ ªîKMˆî¬ñ ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù„ ê샰 º¬øè¬÷Š H¡ðŸÁ‹ «ð£‚° àœ÷¶ â¡ð¬î àÁF𴈶Aø¶.

è÷ ÝŒM™ ނ輈¶‚ 㟹¬ìò ðF¬ô ÜOˆî ðƒ«èŸð£÷˜èOì‹ Þ¶ °Pˆ¶‚ èô‰¶¬óò£ìŠð†ì «ð£¶ Þõ˜èœ Yù˜èO¡ M÷‚°, á¶ðˆF ÝAòõŸ¬ø ã ŸÁî™ , Üõ˜èO¡ ð£ó‹ðKòŠ ðôè£óƒèœ, ðöƒèœ «ð£¡øõŸ¬øŠ ð¬ìòL´î™ «ð£¡ø âO¬ñò£ù ê샰è¬÷«ò è¬ìH®Šðî£è‚ 輈¶ ªîKMˆîù˜. «ñ½‹ Cô˜ îƒèO¡ Þ™ôƒèO™ àœ÷ âF˜ñ¬øò£ù ÝŸø™èœ, bò ê‚Fèœ «ð£¡øõŸP™ Þ¼‰¶ îƒè¬÷Š ð£¶è£ˆ¶‚ ªè£œÀ‹ ªð£¼†´ Yù ñ‰Fóõ£Fèœ ªè£´‚°‹ ¹Qî c¬ó i†®™ ªîOˆî™, ð£¶è£Š¹Š ªð£¼œè¬÷ i†´ õ£êL™ Ü™ô¶ è ð°F‚° «ñ™ 膮 ¬õˆî™ «ð£¡ø ê샰è¬÷Š H¡ðŸÁõî£èˆ ªîKMˆîù˜.

« ñ½‹ Cô˜ î £ƒ èœ «õ¬ô ªêŒ»‹ ªî£NŸê£¬ôèœ, GÁõùƒèœ, «î£†ì‹ «ð£¡øõŸP™ îƒèO¡ Yù ºîô£Oñ£˜è÷£™ ܬñ‚èŠð†ì CPò Yù ÝôòƒèO™ ÜšõŠ«ð£¶ õN𣴠ªêŒõî£è¾‹, ܃°œ÷ Yùˆ ªîŒõƒèÀ‚° CøŠ¹ õN𣴠(݇´ Mö£) «ñŸªè£œÀ‹ «ð£¶ ܉î õN𣆮½‹ ܶ ꣘‰î ê샰èO½‹ èô‰¶ ªè£œõî£è¾‹ ªîKMˆîù˜. Þî¡ Íôº‹ Þõ˜èÀ‚°„ Yù˜èO¡

õN𣆴 º¬ø Ü™ô¶ ê샰 °Pˆ¶ ÜPòŠð†ìî£è¾‹ ªîKMˆîù˜.

Yù˜èO¡ êìƒ°èœ â‹ «ð£¶ ÞF™ IèŠ ªð¼‹ð £¡¬ñò £ è ªð¼ï£œ è£ôƒèO™ Yù˜èO¡ º¬øŠð® Ü¡ðOŠ¹ˆ ªî£¬è (܃ 𣚠-Ang Pow ) ªè£´Šð¶ ñ«ôCò Þ‰Fò˜èO¬ì«ò è¬ìH®‚èŠð´õ¶ ÝŒM™ ÜPòŠð†´œ÷¶. ÝŒM¡ ðƒ«èŸð£÷˜èÀœ 73 .3% ªð¼ï£œ è£ôƒèO™ ܃ 𣚠ªè£´‚°‹ õö‚èˆ¬î‚ è¬ìH®‚A¡øù˜ âùˆ ªîKMˆ¶œ÷ù˜ . Þ‹º®õ£ù¶ ÞŠð‡ð£†´ õö‚è‹ ñ«ôCò Þ‰Fò˜èO¬ì«ò Iè Ýöñ£ù 般î ãŸð´ˆF»œ÷¶ â¡ð¬î à Á F ð ´ ˆ ¶ A ¡ ø ¶ . ñ « ô C ò Þ‰Fò˜èOì«ò Þ¡ø÷¾‹ bð£õOŠ ð‡®¬èJ¡ «ð£¶ Hœ¬÷èÀ‚° Ü¡ðOŠ¹Š ðí‹ ªè£´‚°‹ õö‚è‹ Gô¾Aø¶. Þšõö‚èñ£ù¶ Yù˜èO¡ õö‚èˆFL¼‰¶ â¡ð¬î ñÁŠðîŸA™¬ô (Rajantheran, 1994, p.12).

ñ « ô C ò Þ ‰ F ò ˜ è O ¬ ì « ò ÜFwìˆ¬î‚ ªè£´‚è‚ Ã®ò Yù˜èO¡ °Pf´èœ

ñ«ôCò Þ‰Fò˜èO¬ì«ò ÜF˜wì‹ ªè£´‚è‚ Ã®ò ªð£¼œèœ, C¬ôèœ, °Pf´èœ «ð£¡øõŸ¬ø îƒèœ õê‹ ¬õˆ¶‚ ªè£œÀ‹ «ð£‚° àœ÷¶. Þ‰¶‚èO¡ ï‹H‚¬èJ¡ Ü®Šð¬ìJ™ °«ðóQ¡ C¬ô , õô‹¹K ꃰ , «ð£¡øõŸ¬ø i†®™ ¬õˆF¼‰î£™ ñ裪ô†²IJ¡ è죆û‹ i†®™ G¬ô‚°‹ â‹ ï‹H‚¬è àœ÷¶. ޫ i†®™ Yù˜èO¡ ï‹H‚¬èJ¡ Ü®Š ð¬ìJ™ ÜF ˜wì ˆ¬ î ‚ ªè£´‚è‚ Ã®ò Cô C¬ôèœ, °Pf´èœ «ð£¡ø¬õ»‹ ñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™ Gô¾õ¶ Þ‰î ÝŒM™ è‡ìPòŠð†´œ÷¶. ܉î õ¬èJ™ ÝŒM™ è‡ìPòŠð†ì Cô °PŠ¹è¬÷‚ ªî£ì˜‰¶ õ¼‹ ð†®ò™èO™ 裇è:-

îI›Š «ð󣌾 ÝŒMî› / 79

ð†®ò™ 4: Yù˜èO¡ õ£v¶ ê£vFó‚ è‡í£®Š ðò¡ð£´

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15 25.0

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ï´G¬ô 14 23.4

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8 13.3

ªñ£ˆî‹ 60 100

ð†®ò™ 5: Yù˜èO¡ èì™ ï£è (®ó£è¡) õ¬óðì‹ / C¬ô¬ò i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

13 21.6

ñÁˆî™ 6 10.0

ï´G¬ô 10 16.7

ãŸø™ 21 35.0

º¿¬ñò£è ãŸø™

10 16.7

ªñ£ˆî‹ 60 100

ð†®ò™ 6: Yù˜èO¡ Í¡Á 裙 îõ¬÷„ C¬ô¬ò i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

12 20.0

ñÁˆî™ 12 20.0

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º¿¬ñò£è ãŸø™

11 18.3

ªñ£ˆî‹ 60 100

ð†®ò™ 7: Yù˜èO¡ CK‚°‹ ¹ˆî˜ C¬ô¬ò i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

16 26.7

ñÁˆî™ 6 10.0

ï´G¬ô 4 6.7

ãŸø™ 23 38.3

º¿¬ñò£è ãŸø™

11 18.3

ªñ£ˆî‹ 60 100

ð†®ò™ 8: Yù˜èO¡ ÜF˜wìŠ Ì¬ù„ C¬ô¬ò i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

13 21.7

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ãŸø™ 21 35.0

º¿¬ñò£è ãŸø™

13 21.7

ªñ£ˆî‹ 60 100

ð†®ò™ 9: °õ£¡ J¡ C¬ô¬ò i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

16 26.7

ñÁˆî™ 9 15.0

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8 13.3

ªñ£ˆî‹ 60 100

80 / îI›Š «ð󣌾 ÝŒMî›

ð†®ò™ 10: °F¬ó C¬ô Ü™ô¶ CˆFóˆ¬î i†®™ ¬õˆî™.

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ºŸø£è ñÁˆî™

14 23.3

ñÁˆî™ 4 6.7

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º¿¬ñò£è ãŸø™

10 16.7

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« ñ Ÿ è ‡ ì ð † ® ò ™ è O ¡ Ü®Šð¬ìJ™ Yù˜èO¡ õ£v¶ è‡í£®, Yù‚ èì™ ï£è„ C¬ô Ü™ô¶ õ¬óðì‹, Í¡Á 裙 îõ¬ô„ C¬ô, CK‚°‹ ¹ˆî˜ C¬ô, ÜF˜wì ̬ù„ C¬ô, °õ£¡ J¡ C¬ô, °F¬ó„ C¬ô Ü™ô¶ CˆFó‹ ÝAòõŸ¬ø ÜF˜wì‹ è¼F ñ«ôCò Þ‰Fò˜èœ îƒèœ i†®™ ¬õˆF¼Šð¶ ÜPòŠð´A¡ø¶. ÞF™ Yù˜èO¡ õ£v¶ è‡í£® (41.6%), Yù‚ èì™ ï£è„ C¬ô Ü™ô¶ õ¬óðì‹ (51.7%), Í¡Á 裙 îõ¬ô„ C¬ô (48.3%), CK‚°‹ ¹ˆî˜ C¬ô (56.6%), ÜF˜wì ̬ù„ C¬ô (56.7%), °õ£¡ J¡ C¬ô (45%), °F¬ó„ C¬ô Ü™ô¶ CˆFó‹ (56.7%) ÝAò ÜF˜wì„ C¬ô, °Pf´ ÝAòõŸPŸ° Þî¬ù º¿¬ñò£è ãŸø™ ñŸÁ‹ ãŸø™ â‹ Ü®Šð¬ìJ™ ðF™ ÜOˆîõ˜è«÷ ÜFèñ£è‚ è£íŠð´A¡øù.

ÞF™ CK‚°‹ ¹ˆî˜ C¬ôò£ù¶ Þ‰¶‚èO¡ °«ðó ªîŒõˆ¶ì¡ ªî£ì˜¹¬ìòî£è«õ è£íŠð´A¡ø¶. èì™ ï£è‹ Þ‰¶‚èO¡ õ¼í«îõÂì¡ Þ¬íˆ¶Š 𣘂èŠð´A¡ø¶. °F¬ó Þ ‰¶ ‚ èO¬ì«ò»‹ ÜF˜wì‚ °Pfì£è«õ è£íŠªðÁA¡ø¶. ÞF™ Yù˜èO¡ °õ£¡ J¡ C¬ô, Í¡Á 裙 îõ¬ô„ C¬ô, ÜF˜wì ̬ù„ C¬ô, õ£v¶ è‡í£® ÝAòù ñ†´«ñ Yù˜èO¡ îQˆ¶õ‹ I‚è ÜF˜wì‚

°Pf´è÷£è‚ è£íŠð´A¡øù.

ÝJ‹ 冴 ªñ£ˆîˆF™ ÜFwì‹ ªî£ì˜ð£ù Yù˜èO¡ ï‹H‚¬è ꣘‰î MêòƒèO™ ñ«ôCò Þ‰Fò˜èOì‹ ÜFè ߘŠ¹ Þ¼Šð¶ ÜPòŠð´A¡ø¶. Þ¶ îM˜ˆ¶ Cô ÝðóíƒèO½‹ Yù˜èO¡ °Pf´è÷£ù Yù «îõó£ü˜ õ®õ˜, °F¬ó, Y†´‚ 膴, èEî ñE„ê†ì‹, Í¡Á 裙 îõ¬÷, Yù ï£è‹, îƒè e¡, CK‚°‹ ¹ˆî˜, 8 ⇠«ð£¡øõŸ¬ø «ñ£Fóñ£è¾‹, êƒALò£è¾‹ Þõ˜èœ ÜE‰F¼‰î¬ñ è÷ ÝŒM™ ÜPòŠ ð†ì Ã´î™ ªêŒFò£°‹. Þ¬õ ªð¼‹ð£½‹ Mò£ð£óˆF™ ªõŸP ªðø¾‹, ªî£NL™ «ñ¡¬ñò¬ìò¾‹ ñ«ôCò Þ‰Fò˜è÷£™ ÜEòŠð†ì¶ â¡ð¶ è£óíñ£è º¡¬õ‚èŠð†ì¶.

ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù˜èO¡ ï‹H‚¬èèœ Gô¾õîŸè£ù è£óíƒèœ

ñ«ôCò Þ‰Fò˜èO¬ì«ò Yù˜èO¡ ï‹H‚¬è ꣘‰î Mêòƒèœ Gô¾õ„ Yù˜èO¬ì«ò Þõ˜èÀ‚° àœ÷ ø«õ ºî¡¬ñ‚ è£óíñ£è ÜPòŠð´A¡ø¶. Þõ˜èO¡ õ£›‚¬èJ™ Yù˜èœ CÁ õò¶ ï‡ð˜è÷£è¾‹, ªî£N™ Þì ï‡ð˜è÷£è¾‹ Ü™ô¶ ºîô£O / G˜õ£Aò£è¾‹, ܇¬ì Üòô£ó£è¾‹ ޡ‹ ð™«õÁ G¬ôèO½‹ ø¾ ̇´œ÷ù˜. Þ‰î ï†ð£ù¶ Þõ˜èÀ‚°„ Yù êÍèˆF™ è¬ìH®‚èŠð´‹ ï‹H‚¬èèœ °Pˆî ªêŒFè¬÷ âOî£è‚ ªè£‡´ «ê˜ˆ¶œ÷¶. ܫ Yù êÍè‹ ªð£¼÷£î£óˆF™ ªõŸP ªðŸø êÍèñ£è ñ«ôCò£M™ M÷ƒ°õ¶‹ ñÁ‚è º®ò£î à‡¬ñ (Edmund Terence Gomez, 1999). ނßÁ‹ Þõ˜èO¡ ï‹H‚¬è °Pˆ¶ ñ«ôCò Þ‰Fò˜èO¬ì«ò Ý›‰î ï‹H‚¬è¬ò ãŸð´ˆF»œ÷¶ âùô£‹. ªð£¶M™ ñ«ôCò Þ‰Fò˜èœ ð™«õÁ è£óíƒèÀ‚è£è„ Yù êÍèˆF¡ ï‹H‚¬èè¬÷ˆ îƒèœ õ£›‚¬èJ™ è¬ìH®ˆî «ð£¶‹ å¼ Cô è£óíƒèœ ºî¡¬ñò£è M÷ƒ°A¡øù: ܬõ:-

îI›Š «ð󣌾 ÝŒMî› / 81

1. ÜF˜wì‹ -ðíõó¾: ñ«ôCò ®™ Yù ñ‚èœ ªð£¼÷£î£óˆF™ ªõŸPò¬ì‰î êºî £òñ £ è M÷ƒ°A¡øù˜. Þõ˜èœ è®ù à¬öŠð£™ º¡«ùPòõ˜è÷£è Þ¼‰î «ð£¶ Þõ˜èO¬ì«ò ÜFwì‹ °Pˆî ï‹H‚¬èèœ I°F (Hock Tong Cheu, 1993). Þˆî£‚è‹ Üõ˜èÀì¡ Þ¬í‰¶ ðö°‹ ñ«ôCò Þ‰Fò˜èO캋 ð£FŠ¬ð ãŸð´ˆF»œ÷¶.

2. bò ê‚FèOì‹ Þ¼‰¶ ð£¶è£Š¹: ñ«ôCò Þ‰Fò˜èO숫î bò ê‚FèOì‹ Þ¼‰¶ ð£¶è£Š¹ ªðÁ‹ ï‹H‚¬è àœ÷¶. Cô «õ¬÷èO™ ÞîŸè£è Þõ˜èœ Yù ñ‰Fóõ£Fè¬÷ ܵ°‹ «ð£‚°‹ àœ÷¶ (Silllalee, 2011, pp.180-181). Üšõ£Á ܵ°‹ «ð£¶ Yù ñ‰Fóõ£Fèœ Üõ˜èO¡ ï‹H‚¬è Ü™ô¶ ê샰èO¡ Ü®Šð¬ìJ™ Þõ˜èÀ‚° õöƒ°‹ °Pf´èœ Ü™ô¶ ªð£¼œèœ Þõ˜èO¡ õ£›‚¬èJ™ è¬ìH®‚èŠð´Aø¶.

3. Þ‰¶ ñŸÁ‹ Yù õN𣆮™ àœ÷ åŸÁ¬ñèœ: Þ‰¶‚èO¡ ï‹H‚¬è ꣘‰î MòƒèÀ‚°‹ Yù˜èO¡ ï‹H‚¬è ꣘‰î MêòƒèÀ‚°‹ ªïÁƒAò ªî£ì˜¹ Þ¼‚Aø¶. õ£vˆ¶ ꣈Fó‹, CK‚°‹ ¹ˆî˜ / °«ðó¡, «îõó£ü¡, °F¬ó, M÷‚°, ÞŠð®ò£èŠ ðô MêòƒèO™ ñ«ôCò Þ‰Fò˜èÀ‚°‹ Yù êÍèˆFŸ°‹ åŸÁ¬ñèœ Gô¾õ ñ«ôCò Þ‰Fò˜èœ Yù˜èO¡ ï‹H‚¬è¬ò

«õŸÁ ï‹H‚¬èò£èŠ 𣘂è£ñ™ Üî¬ùˆ îƒèO¡ õ£›‚¬èJ™ ãŸÁ‚ ªè£‡´œ÷ù˜.

º®¾¬óñ«ôCò Þ‰Fò˜èO¡ õ£›‚¬èJ™

ð™«õÁ G¬ôèO½‹ ñ«ôCò„ Yù êÍèˆF¡ ï‹H‚¬è °Pˆî èƒèœ Gô¾õ¬î Þ‰î ÝŒ¾ 裆´A¡ø¶. ñ«ôCò Þ‰Fò˜èœ ªð¼‹ð£¡¬ñ Þ ‰ ¶ ‚ è ÷ £ è M ÷ ƒ ° A ¡ ø ù ˜ . Þõ˜èO¡ õ£›‚¬èJ™ Yù êÍèˆF¡ ï‹H‚¬èˆ èƒèœ Þ¼‰î «ð£¶ Þ¬õ º¿¬ñò£ù Ý‚AóIŠ¬ð„ ªêŒòM™¬ô. ñ£ø£è ñ«ôCòˆ îIö˜èœ Þ¡ùº‹ îƒèO¡ ð£ó‹ðKòñ£ù ð‡ð£†´ ï‹H‚¬èJ™î£¡ I°‰î H®Š¹ì¡ Þ¼‚Aø£˜èœ.

ðô Þù ñ‚èÀì¡ «ê˜‰¶ õ£¿‹ õ£›‚¬è º¬øJ™ Üõ˜èO¡ ð‡ð£†´ ï‹H‚¬èˆ èƒèœ ñŸø êÍèˆF¡ e¶ Gô¾õ¶ ÞòŸ¬èò£ù å¡«ø Ý°‹. ܉î Ü®Šð¬ìJ™ ñ«ôCò Þ‰Fò˜è¬÷‚ 裆®½‹ â‡E‚¬èJ™ ªðKò êÍèñ£è M÷ƒ°‹ Yù ÞùˆF¡ ï‹H‚¬èˆ èƒèœ ñ«ôCò Þ‰Fò˜èO¬ì«ò Üõ˜èO¡ õ£›‚¬èJ™ å¼ ð°Fòè G¬ôªðŸÁ M†ì¶. Þ‰îˆ î£‚èñ£ù¶ «ï˜ñ¬øˆ èñ£è Þ¼Šðî£è«õ Þ¼‚Aø«î îMø, ñ«ôCò Þ‰Fò˜èO¡ ð£ó‹ðKò, ð‡ð£†´ ï‹H‚¬èè¬÷ ܬꈶŠ 𣘂°‹ èñ£è Þ™¬ô â¡ð¶ ÝŒM¡ ÜPòŠð†´œ÷¶.

References

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Edmund Terence Gomez. (1999). Chinese Business in Malaysia: Accumulation, Ascendance, Accommodation. Richmond: Curzon Press.

Hock Tong Cheu. (1993). Chinese Beliefs and Practices in Southeast Asia: Studies on the Chinese Religion in Malaysia, Singapore, and Indonesia. Weatherhill.

82 / îI›Š «ð󣌾 ÝŒMî›

Lan Clarke. (2003). Malaysian Chinese Religion and Society: Ritual action and the Creation of Social Identity in Modern Urban Malaysia. Thesis (Ph.D.), University of Otago. Law Kian Aun. (2013). The influence of Chinese traditional philosophy on Malaysian Chinese corporate leaders. Thesis (Ph.D). Kuala Lumpur: Department of Thiong Hwa, Faculty of Arts and Social Sciences, Universiti Malaya.

Lee KamHing. (2000) The Chinese in Malaysia. Kuala lumpur: Oxford Univesity Press.

Lim Chooi Kwa dan Chia Oai. (2004). Adat Resam Masyarakat Cina. Kuala lumpur: Jabatan Perpaduan Negara dan Integrasi Nasional Jabatan Pedana Menteri.

Rajantheran, M. (1994). Perayaan OrangIndia. Kuala Lumpur: Penerbitan Fajar Bakti Sdn. Bhd.

Sharon A, Carstens. (2002). Cultures, Identities: studies in Malaysian Chinese worlds. Singapore: Times Academic Press.

Silllalee S., Kandasamy (2011). Peranan Media Penyiaran Dalam Pembinaan Jati Diri India Malaysia: Kajian Kes Ke Atas Telefilem Di Astro Vaanavil. Unpublished MA Disertation, University of Malaya.

Tan Chee Beng . (1985). The Development and Distribution of Dejiao Associations in M laysia and Singapore: A Study on a Chinese Religious Organization. Singapore: Institute of Southeast Asian.

Tan Chee Beng. (2004). Chinese Overseas: Comparative Cultural Issues. Hong Kong: Hong Kong University Press.

Tan Chee-Beng. (1983). Chinese Religion in Malaysia: a General view. (v.42, pp.217-252). Asian Folklore Studies.

Timothy P., Daniels. (2005). Building Cultural Nationalism in Malaysia: Identity, Representation, and Citizenship. New York: Routledge.

è‡íî£ê¡ F¬óJ¬êŠ ð£ì™èO™ ÜE Þô‚èí‹

Rhetorical Conventions in Kannadasan’s Cinema Songs

AbstractInteresting teaching methods are very crucial in ensuring students gain the intended knowledge on the subject material in the class room. Teaching and learning of Tamil literature subject is perceived to be more interesting than Tamil Grammar in acquiring knowledge of Tamil language by students. Therefore merging Grammar with literature would give the better outcome during the process of Teaching and Learning. Since Tamil cinema songs have played their role in every aspect on our life with their high persuasive nature and interesting lines and music, question arise if they could be used in assisting in teaching grammar especially on the subject of Rhetorical Conventions in Tamil Language. Thus the objective of this article is to suggest the teaching methods of Grammar (Rhetorical Conventions) in Tamil language using the cinema songs which are the most popular form of Tamil literature, especially those authored by Poet Kannadasan.

Keywords: Rhetorical Conventions, Grammar, Teaching and Learning, Literature, Cinema songs.

H«óñï‰FQ «îº´ / Premananthini Dhemudu1

º¬ùõ˜ «ñ£èùî£v Þó£ñê£I / Dr.Mohana Dass Ramasamy2

º¡Â¬óîI› ªñ£N‚ èŸø™ èŸHˆîL™ º‚Aò

ÃÁè÷£è ܬñõ¶ «è†ì™, «ð„², õ£CŠ¹, ⿈¶ ÝAò ° ÃÁè÷£°‹. ÞõŸÁœ ñ£íõ˜èœ Fø‹ ªð¼õˆ F¬ó Þ¬êŠ ð£ì™èœ ¶¬í ¹Kò º®»‹ (Annadurai , 2 0 1 6 ) . ðœOJ™ ðJ½‹ ð£ìƒè¬÷Mì ñ£íõ˜èœ áìèƒèO¡ Íô‹ Fùº‹ «è†°‹ F¬óJ¬êŠ ð£ì™èœ ºî™ G¬ô, è¬ì G¬ô ñ£íõ¡ â¡P™ô£ñ™, ܬùˆ¶ ñ£íõ˜èO¡ ñùF½‹ âOî£è ðF‰¶ M´õ¬î  ÜPòô£‹ (Kalavathi, 2011).

ߘŠ¹ˆ ñ Þ™ô£î âšMîñ£ù èŸHˆî½‹ âF˜ð£˜‚°‹ ðò¬ù ÜO‚裶.

ÝŒ¾ «ï£‚è‹Þô‚èí‹ â¡ø¶«ñ ºèˆ¬î„

²OŠð¶‹, ↮‚ è£ò£Œ G¬ùŠð¶‹ ñ£íõ˜èO¡ ªð£¶õ£ù Þò™¹. â¡ø£½‹, ÝCKò˜ ºò¡ø£™ Þô‚èí õ°Š¬ð»‹ Þô‚Aò õ°ŠH¬ùŠ «ð£™ ²¬õò£è ñ£ŸPMì º®»‹. âOò, ÞQò, ¹Fò, ï¬ìº¬ø ꣘‰î àî£óíƒè¬÷‚ 裆®, Þô‚è투î

1 The author is a PhD research scholar in the Department of Indian Studies, University Malaya, Kuala Lumpur, Malaysia. [email protected] The author is a lecturer in the Department of Indian Studies, University Malaya, Kuala Lumpur, Malaysia. [email protected]

84 / îI›Š «ð󣌾 ÝŒMî›

ñ£íõ˜èœ ݘõˆ¶ì¡ «è†è ¬õ‚è º®»‹ (Navaneetha Krishnan, 2007). õ°Šð¬øJ™ ð¶¬ñè¬÷Š «ð£™ ªõÁñ«ù à†è£˜‰«î Þ¼‚è£ñ™, àJ«ó£†ìñ£è¾‹ ñA›„Cò£è¾‹ ñ£íõ˜è¬÷Š ðƒ«èŸè„ ªêŒò Þò½‹. Þô‚è투î ÞQ¬ñò£è¾‹, âO¬ñò£è¾‹ èŸHŠð îI›ˆ F¬óŠðìŠ ð£ì™è¬÷  Ýõíñ£èŠ ðò¡ð´ˆîô£‹ ãªùQ™ F¬ó Þ¬êŠ ð£ì™èœ õN„ ªê£™ôŠð´‹ ܬùˆ¶‹, ñ‚è¬÷ âOF™ ªê¡ø¬ì»‹ â¡ð¶ ªõœO¬ì ñ¬ô«ò; °PŠð£è ÜE Þô‚èí‹ èŸHˆîL™ è‡íî£êQ¡ ð£ì™èœ ïñ‚° âŠð® ¬è‚ ªè£´‚è Þò½‹ â¡ð«î Þšõ£ŒM¡ «ï£‚è‹.

ÝŒ¾ H¡¹ô‹F¬ó Þ¬êŠ ð£ì™èœ ñ‚è÷£™

² ¬ õ è Š ð † ´ , è £ ô ƒ è ì ‰ ¶ ‹ «ð£ŸøŠð†´ õ¼A¡øù. èì‰î 80 ݇´‚è£ôˆF™ 700-‚°‹ «ñŸð†ì F¬ó Þ¬ê‚ èMë˜èœ ÜÁðî£J󈶂°‹ «ñŸð†ì F¬ó Þ¬êŠ ð£ì™è¬÷ â¿F»œ÷ù˜ (Ceyalatcumi, 2003) . ÞF™ è‡íî£ê¡, ð†´‚«è£†¬ì, ñ¼îè£C, õ£L, ¬õ󺈶 «ð£¡ø F¬óJ¬êŠ ð£ì™ ÝCKò˜èœ °PŠHìˆî‚èõ˜èœ. Þõ˜èO¡ ¬èõ‡íˆF™ Hø‰î ð£ì™èœ õ°Šð¬øJ™ ñ£íõ˜èÀ‚° Þô‚è투î âOî£èŠ ðJŸÁ‚ ªè£´‚è ïñ‚° ªðK¶‹ ¬è ªè£´‚èõœ÷¶. °PŠð£è è‡íî£êQ¡ ð£ì™èO¡ ðƒèOŠ¹ ÞF™ Ü÷ŠðKò¶.

è M è À ‚ ª è ™ ô ‹ Ü ó ê ù £ ù è‡íî£ê¡, Þô‚Aò àôA™ ÜNò£ îì‹ ðFˆî èMë˜èO¡ õK¬êJ™ îù‚ªèù å¼ à¡ùîñ£ù Þ숬îŠH®ˆî îI›ˆ F¬óŠðìŠð£ìô£CKò¼‹ èM뼋 Ýõ£˜ (Raj & Muniappan, 2012). ‘裆´‚° ó£ü£, Cƒè‹. èM¬î‚° ó£ü£, è‡íî£ê¡!’ Þ¶ ªð¼‰î¬ôõ˜ è£ñó£ü˜ è‡íî£ê¬ùŠ ðŸP ¹è›‰¶‚ ÃPò õK蜒.  Gó‰îóñ£ùõ¡, ÜNõF™¬ô. â‰î G¬ôJ½‹ âù‚°

ñóíI™¬ô’ â¡ð¶ èM„ê‚óõ˜ˆF è‡íî£ê¡ ù è˜õˆ¶ì¡ 効‚ªè£‡ì õKèœ (Kannadasan, 2011). Üñó£õF¹É˜ àò˜G¬ôŠðœOJ™ ªõÁ‹ â†ì£‹ õ°Š¹õ¬ó ñ†´«ñ ð®ˆî ÞõK¡ ð¬ìŠ¹èO¡ ð†®ò™ ñ Mò‚è ¬õ‚A¡øù (Sangkaran, 2011)

è£JóˆFŸ°‹ «ñŸð†ì èM¬îèœ, ä‰î£JóˆFŸ°‹ «ñŸð†ì F¬óŠðìŠ ð£ì™èœ, 裊Hòƒèœ, ¹Fùƒèœ, ªî£°Š¹èœ, CŸPô‚Aòƒèœ, èM¬î ï£ìè‹, ªñ£N ªðò˜Š¹ , CÁè¬îèœ, õ£›‚¬è„êKî‹, 膴¬óèœ, êñò ï£ìèƒèœ, à¬ó Ë™èœ, F¬ó‚è¬î, F¬óõêù‹ âù â‡Eôìƒè£ Þô‚AòŠ ð¬ìŠ¹èœ ðô õ®ˆîõ˜. ê‡ìñ£¼î‹, F¼ñèœ, F¬ó åL, ªî¡ø™, ªî¡ø™F¬ó, º™¬ô, è‡íî£ê¡ ÝAò Þî›èO¡ ÝCKòó£è Þ¼‰îõ˜. îIöè ÜóC¡ Üóê¬õ‚ èMëó£è Þ¼‰î ªð¼¬ñ»‹ ‘ê£Aˆò Üè£îI’ M¼¶ ªðŸø èMë˜ â¡ø ªð¼¬ñ»‹ Þõ¬ó«ò ꣼‹ . ðô ñ£Áð†ì ñîƒè¬÷Š «ð£ŸP Þô‚AòF¡ Íô‹ êñˆ¶õ‹ õ÷˜ˆî îI›‚ èMë˜ Þõ˜. î¡ ðôˆ¬î ñ†´I¡P ðôiùƒè¬÷»‹ ªõOŠð¬ìò£è 効‚ªè£‡ì å«ó àˆîñ èM뼋 Þõ«ó (Kannadasan, 1980).

ðô ð¬ìŠ¹èÀ‚° Ýê£ù£è Þ¼‰î «ð£F½‹ è‡íî£êQ¡ F¬óŠðìŠ ð£ì™èO¡ õKè«÷ ñ‚èO¬ì«ò ªð¼‹ õó«õŸ¬ð»‹ 般 âŸð´ˆFù â¡ð¶ ªõœO¬ì ñ¬ô. èMòóê˜ è‡íî£ê¡ ñ¬ø‰¶ 32 õ¼ìƒèœ ÝA¡øù. Ýù£½‹ Üõ˜ â¿Fò ‘ñ£Qì˜ Ý¡ñ£ ñóíªñŒî£¶; ñÁ𮊠Hø‰F¼‚°‹’ â¡ð¬î «ð£ô«õ Üõó¶ Ý¡ñ£ Üõó¶ ð£ì™èO™ Hø‰¶ ޡ‹ àJ¼ì¡ Þ¼‚Aø¶ â¡Á ªê£™ôô£‹. è£ôˆî£™ ÜN‚è º®ò£î ðô F¬óŠðì ð£ì™è¬÷ îI› ñ‚èÀ‚°ˆ œ÷£˜ Þõ˜. ‘èôƒè£F¼ ñù«ñ’ â¡Á ‘è¡QJ¡ è£îLJ™’ â¿Fò¶ ºî™ 𣆴 . Í¡ø£‹ H¬øJ™ õ‰î, ‘臫í è¬ôñ£«ù’

îI›Š «ð󣌾 ÝŒMî› / 85

èMëK¡ è¬ìCŠ 𣆴. àø¾, HK¾, õÁ¬ñ,ªê¿¬ñ, CÁ¬ñ, ªð¼¬ñ, Þ¡ð‹, ,¶¡ð‹, HøM, ñóí‹ â¡Á ñQî õ£›‚¬èJ¡ 嚪õ£¼ G¬ô‚°‹ ðô ð£ì™è¬÷ â¿F»œ÷£˜ Üõ˜. ð‚FŠ ð£ì™è¬÷»‹, è£î™ ð£ì™è¬÷»‹ âŠð®„ ²¬õŠðì â¿Fù£«ó£, Ü„ êŸÁ‹ °¬øM™ô£î õ®M™ ðô õŠ ð£ì™è¬÷»‹ èMòóê˜ è‡íî£ê¡ ÜŸ¹îñ£è â¿F»œ÷£˜. ݬèò£™  ÜõK¡ ð£ì™è¬÷ ÝCKò ªð¼ñ‚èœ èŸø™ èŸHˆî™ ïìõ®‚¬èJ™ ðô‚ «è£íƒèO™ ðò¡ð´ˆF ñ£íõ˜èœ ܉ïìõ®‚¬èJ™ º¿Š ðò¬ù ܬìò Ýòˆî‹ ªêŒòô£‹ (Annadurai, 2016).

ÝŒ¾ ªïP / «è£†ð£´Þ‰î ÝŒ¾‚ 膴¬ó îóŠð°Šð£Œ¾

( qua l i t a t i ve ) ª ï P ¬ ò Š H ¡ ð Ÿ P «ñŸªè£œ÷Š ð†´œ÷¶. ªð£¶M™ Þô‚AòƒèO™ ªõOŠð´‹ ÃÁè¬÷ ÝŒ¾ ªêŒõ Þ‰îˆ îóŠð°Šð£Œ¾ ªïP ðò¡ð´ˆîŠð´Aø¶ (Sabitha Merican, 2005). Ý󣌄C Ýõíñ£ù è‡íî£êQ¡ F¬ó Þ¬êŠ ð£ì™èO™ ÜE Þô‚è투î âŠð® ܬìò£÷‹ 致 ܬî Þô‚èí õ°Š¹ èŸø™ èŸHˆîL™ âŠð® «ñŸ«è£÷£è‚ ªè£œ÷ô£‹ â¡ð¬î Ýó£ò ° õ¬èò£ù ïìõ®‚¬èèœ H¡ðŸøŠð†´ 心° º¬øŠð´ˆîŠð†´œ÷¶ (Lawrence Neuman, 2000). ܬõ W›õ¼ñ£Á ܬñ»‹.

i. Ý ó £ Œ „ C Ý õ í ƒ è ¬ ÷ ܬìò£÷‹ è£í™.

ii. îó¾è¬÷ Ý󣌉¶ ð°ˆî£Œî™.

iii. ª êò™º¬ø M÷‚èˆ¶ì¡ ð°ˆî£Œî™.

iv. îó¾è¬÷ 弃A¬íˆ¶ ÝŒM¡ º®¾è¬÷‚ è£í™.

(Rajantheran, Drinivasan & Umadevi Naidu Allaghery, 2017, p.13)

è‡íî£ê¡ ð£ì™èO™ ÜE

Þô‚èí â´ˆ¶‚裆´‚èœ

ªê£™ôö¬è»‹ ªð£¼÷ö¬è»‹ CøŠð£è‚ ¬èò£À‹ õ™ô¬ñ¬ò‚ ªè£‡®¼Šð è‡íî£êQ¡ ð£ì™ õKèO™ ÜE Þô‚èí‹ Ü¼Mò£Œ ༇«ì£´Aø¶ (Y«ô£¡ Mü«ò‰Fó¡, 2003). ‘ÜE’ â¡ð Üö° â¡ð¶ ªð£¼œ. ªêŒ»O™ ܬñ‰¶ Aì‚°‹ ªê£™ôö°, ªð£¼÷ö° ºîLòõŸ¬ø õ¬óòÁˆ¶‚ ÃÁõ¶ ÜE Þô‚èí‹. ñ‚èÀ‚° Üö° «ê˜Šð¶ ¬èˆFóˆî£™ ªêŒòŠð†ì ÜEèô¡è÷£°‹; Ü¬îŠ «ð£¡Á èŸð¬ùˆ Føˆî£™ ªêŒ»À‚° Üö° «ê˜Šð¶ ²¬õ¬ò à‡ì£‚°õŸ° ‘ ÜE ’ â¡Á ª ð ò ˜ . Þ šõE ðôõ¬èŠð´‹. ÜE Þô‚èí‹ ÃÁ‹ ªî£¡¬ñò£ù Ë™ ‘òôƒè£ó‹’ Ý°‹. îIN™ äõ¬è Þô‚èíƒè÷£ù ⿈¶, ªê£™, ªð£¼œ, ò£Š¹, ÜE â¡ðõŸP™ ÜE Þô‚è투î M÷‚A ⿉î Ë™ ‘òôƒè£ó‹’ Ý°‹ (Paramasivam, 1995)

è£Mòî˜ê‹ â¡Â‹ êñvA¼î Þô‚èí ˬôˆ î¿M â¿îŠð†ì Þ‰ËL¡ ÝCKò˜ ‘’ â¡ðõó£õ£˜. Þ¶ à¬óî¼Ë™èO™ å¡Á. Þô‚èí‹ ÞòŸPò ÝCKò«ó Þô‚è툶‚° à¬ó «ñŸ«è£œè÷£èˆ ñ ð£ì™è¬÷»‹ ÞòŸP à¬ó»ì¡ ެ툶œ÷£ .̃ îI›ˆ òôƒè£ó‹ â¿îŠð†ì è£ô‹ 946-1070 (www.wikipedia.org). Þ‰ËL™ ñ ÜE ºî™ ð£Mè ÜE õ¬ó 35 õ¬èò£ù ÜEõ¬èèœ ðŸP ÃøŠð´A¡ø¶ (Paramasivam, 1995) . è‡íî£êQ¡ ð£ì™è¬÷‚ «ñŸ«è£™ 裆® CøŠð£è ñ£íõ˜èÀ‚° ÜE Þô‚è투î èŸÁM‚èô£‹. å¼ ð£¬ù„ «ê£ŸP‚° å¼ «ê£Á ðî‹ â¡ð¬îŠ«ð£ô Þƒ° Iè„ Cô â´ˆ¶‚裆´è¬÷ ñ†´«ñ «ñŸ«è£œè£†ì º®‰î£½‹, ܬõ è‡íî£êQ¡ Þô‚èí Ý¿¬ñJ¡ ºˆî£ù ꣡Áè«÷.

àõ¬ñ ÜE àõ¬ñ â¡ð¶ å¼ ªð£¼¬÷ Üî¡

86 / îI›Š «ð󣌾 ÝŒMî›

ñ ªè£‡ì ñŸªø£¼ ªð£¼«÷£´ 効¬ñ ÃÁî™. ªîK‰î 塬ø‚ ªè£‡´, ªîKò£î 塬ø M÷‚Aˆ ªîO¾-𴈶õ‹, Üö°í˜„C «î£¡ø 塬ø â´ˆ¶¬óŠð‹ Þ ô ‚ A ò ƒ è O ™ à õ ¬ ñ è œ ¬èò£÷Šð´A¡øù (Paramasivam, 1995). ‘°´‹ðˆ î¬ôõ¡’ F¬óŠðìˆFŸè£è è‡íî£ê¡ â¿Fò ÜŸ¹îñ£ù ð£ì™ “F¼ñíñ£‹, F¼ñíñ£‹! ªî¼ªõƒ°‹ á˜õôñ£‹! á˜õôˆF¡ ï´MQ«ô 弈F õ¼õ£÷£‹! Üõœ ìó ´Š ¹ì¬õ 膮‚ °Q‰F¼Šð£÷£‹! å¼ Ã¬ì G¬øòŠ ̬õˆ î¬ôJ™ ²ñ‰F¼Šð£÷£‹!” ñ£¬ô Å´‹ ܉î ñíñèO¡ ð¼õ ÜöA¬ù 䉶 ܼ¬ñò£ù àõ¬ñè¬÷ Ü´‚A‚ ¬èò£‡´ ðì‹H®ˆ¶‚ 裆´õ£˜ è‡íî£ê¡. Üî£õ¶ “«êó ´ ò£¬ùˆ î‰î‹«ð£™ Þ¼Šð£÷£‹! ï™ôYóè„ ê‹ð£ ÜKC «ð£ô CKˆF¼Šð£÷£‹! ªê‹ð¼ˆFŠ ̬õŠ «ð£ô‚ 裟P™ ܬê‰F¼Šð£÷£‹! ªê‹¹„ C¬ô «ð£ô ༇´F󇮼Šð£÷£‹ ! ï™ô«êô‹ T™ô£ ñ£‹ðö‹ «ð£™ èQ‰F¼Šð£÷£‹ . ” è‡íî£ê¡ 裆®J¼‚°‹ àõ¬ñè¬÷‚ 裵‹ «ð£¶, ÜõK¡ èŸð¬ùˆFø‚° å˜ â™¬ôJ™¬ô â¡Á ªîKAø¶.

PŠ«ðŸø ÜEÞò™ð£è ï¬ìªðÁ‹ G蛄CJ™

èMë˜ èŸð¬ù¬ò ãŸPŠ ð£´õ¶ PŠ«ðŸø ÜE. CôŠðFè£óˆF½‹, è‹ð ó £ñ £òíˆF½‹ Þî¬ù‚ è£íô£‹ (Paramasivam, 1995) . ‘ò‚ 裈î îùò¡’ ðìˆFŸè£è‚ è‡íî£ê¡ ð¬ìˆF¼‚°‹ ð£ìL¡ ªî£ì‚è õKèœ ‘Í®ˆFø‰î Þ¬ñJó‡´‹ ‘𣘠ð£˜!’ â¡øù! º‰î£¬ù 裟P™ Ý® ‘õ£ õ£!’ â¡ø¶!’ Þ¬ñ Þó‡´‹ Í®ˆ FøŠð¶ Þò™¹. Þ¶ è£îô¬ùŠ ‘ð£˜, 𣘒 â¡ð¶ «ð£™ Þ¼‚A¡ø. Þ«î «ð£™ º‰î£¬ù 裟P™ Ý´õ¶ â¡ð¶‹ Þò™ð£è Gè›õ¶î£¡. Þ¶ ‘õ£ õ£’ â¡Á è£îL¬ò «ï£‚A ܬöŠð¶ «ð£™

àœ÷¶ âù‚ èMë˜ î¡ °PŠH¬ù ãŸP‚ÃÁõ Þ¶ PŠ«ðŸø ÜE.

G¬ô ÜEå¼ ªê£™¬ô å«ó ªð£¼O™ ðô

º¬ø ¬èò£Àõ¶ ªê£ŸH¡õ¼ G¬ô ÜE (Paramasivam, 1995). ‘ð£ê‹‘ â¡Â‹ ðìˆFŸè£è‚ è‡íî£ê¡ â¿Fò ð£ìL™ ÞšõE ïòñ£è Þ싪ðŸP¼‚Aø¶. è‹ð ó£ñ£òíˆF™ è™ô£è Þ¼‰î ÜèL¬è ó£ñK¡ ð£î‹ ð†ì¶‹ àJ˜ ªðÁAø£œ; ÜŠ«ð£¶ Mvõ£IˆFó˜ ó£ñ¬ùŠ 𣘈¶ 𣴋 ‘Þšõ‡í‹ G蛉îõ‡í‹’ (Kovaik Kamban, 1963) â¡ø 𣆮¡ êòL™ ܬñ‰F¼‚°‹ ފ𣮙, ݇, ‘𣙠õ‡í‹ ð¼õ‹ 致 «õ™ õ‡í‹ MNèœ è‡´ ñ£¡ õ‡í‹  致 õ£´A«ø¡! âù, ªð‡ ‘è‡ õ‡í‹ ܃«è è‡«ì¡ ¬è õ‡í‹ Þƒ«è è‡«ì¡ ªð‡ õ‡í‹ «ï£Œ ªè£‡´ õ£´A«ø¡!’ â¡Á 𣴋ð® ܬñ‰F¼Šð¶ Cø‰î G¬ô ÜEJ¡ ¬èò£÷™. ÞF™ ‘õ‡í‹’ â¡ø ªê£™ ‘Üö°’ â¡ø ªð£¼¬÷ ðô G¬ôèO™ ã‰F õ¼Aø¶.

à¼õè ÜEå ¡ ¬ ø Ü ¶ î £ ¡ Þ ¶ â ù

àÁFò£è‚ ÃÁõ¶î£¡ à¼õè ÜE. àõ¬ñ‚°‹ ªð£¼À‚°‹ «õÁ𣮡P àõ¬ñJ¬ù«ò ªð£¼÷£è‚ ÃÁõ¶ ‘à¼õè ÜE’ àõ¬ñ ÜEJ¡ ñÁî¬ô (Paramasivam, 1995) . ÞF™ àõ«ñòŠ ªð£¼œ º¡Â‹, àõ¬ñŠ ªð£¼œ H¡Â‹ ܬñ»‹. YõèC‰î£ñE, Mñ¬ôò£Kô‹ðè‹ -25™ õ¼‹ “ ¶¡ð‚ èìôèˆ î¿‰î «õ‡ì£” â¡ø õKèœ, ¶¡ðˆ¬îˆ ¶¡ð‹ âù‚ Ãø£ñ™ Ü¬î‚ èì™ âù à¼õè‹ ªêŒ¶ ‘¶¡ð‚ èì™’ â¡Á ÃÁõ¶ à¼õè ÜE Ý°‹ (www.ta.wikisource.org). Ýôò‹ ðìˆF™ è‡íî£êQ¡ ‘«è£J™ â¡ð¶‹ Ýôò«ñ, °´‹ð‹ â¡ð¶‹ Ýôò«ñ,

îI›Š «ð󣌾 ÝŒMî› / 87

ï£íò‹ â¡ð¶‹ Ýôò«ñ’ â¡ø õKèÀ‹, ‘ðJ½‹ ðœO «è£J™, 𮂰‹ ð£ì‹ «õî‹’ â‹ õKèÀ‹ à¼õèˆF¡ «ñŸ«è£œèœ. ÞF™ °´‹ð‹î£¡ Ýôò‹ â¡Á‹ ðœO «è£J™ â¡Á‹ ð£ì‹  «õî‹ â¡Á‹ à¼õèŠð´ˆF‚ ÃÁAø£˜ èMë˜.

ºó‡ ÜEå¡Á‚ªè£¡Á ñ£Áð†ì ªê£™½‹,

ª ð £¼À‹ õ¼õ¶ ºó‡ ÜE (Paramasivam, 1995). Ý®Šªð¼‚° ðìˆF™ õ¼‹ ð£ìL™ ‘è‡ Þö‰î ñQî˜ º¡«ù æMò‹ ¬õˆî£˜; Þ¼ è£F™ô£î ñQî˜ º¡«ù ð£ì™ Þ¬êˆî£˜; â¡Á‹, «ñ½‹ ‘ð‡íKò£ ñQî˜ º¡«ù i¬í¬ò ¬õˆî£˜; ð‡íP‰¶ e†´‹ º¡«ù ò£¬öŠ ðPˆî£˜.‘ â¡Á‹ ð£´õî£è‚ èMë˜ è‡íî£ê¡ â¿FJ¼Šð¶ ÜöAò ºó‡èœ Ý°‹. Üî£õ¶, è‡ Þö‰î ñQîK¡ º¡ åMòˆ¬î ¬õˆî£™ Üõ˜ Ü¬îŠ ð£˜‚è º®ò¶, Ü«î«ð£™, 裶 Þ™ô£îõ˜ º¡«ù ð£ì™ Þ¬ê Üõ˜ Ü¬î‚ «è†è º®ò¶. «ñ½‹, Þ¬ê¬ò ÜPò£îõKì‹ e†ì ò£¬ö‚ ªè£´Šð¶‹, Þ¬ê¬ò ÜP‰îõ˜ ò£¬ö e†ì º¬ù»‹ «ð£¶ Ü¬îŠ ðPŠð¶‹ å¡Á‚ªè£¡Á ºó¡ ð´‹ ªêòô°‹. ºó¡ ÜE‚° Þ¬îMì âO¬ñò£ù â´ˆ¶‚裆¬ì ò£ó£½‹ ªè£´‚è º®»ñ£ â¡ð¶ «èœM‚°P«ò!.

Þó†´øªñ£Nî™ ÜEå¼ ªê£™«ô£ ªê£Ÿªø£ì«ó£ Þ¼

ªð£¼œ ðì õ¼õ¶ Þó†´øªñ£Nî™ ÜE âùŠð´Aø¶ (Paramasivam, 1995). ‘裌’ â¡ø£™ è¼¾ŸÁ ºF˜‰î Å›¬ð. Þ‰î ‘è£Œ’ â¡ø ªê£™ ‘ð«ô 𣇮ò£’ F¬óŠðìˆF™ è‡íî£êQ¡ ‘܈F‚裌 裌 裌’ â¡ø ð£ìL™ 嚪õ£¼ õKJ½‹ «õÁ «õÁ ܘˆîˆF™ ðò¡ð´ˆîŠ ð†®¼‚°‹. ‘܈F‚裌 裌 裌 Ýôƒè£Œ ªõ‡Eô«õ ÞˆF‚裌 è£ò£«î ⡬ùŠ «ð£™ ªð‡í™ô«õ£?’ â¡ø õK»‹ «ñ½‹ ‘è¡Q‚裌

ݬê‚裌 è£î™ ªè£‡ì ð£¬õ‚裌 ܃«è 裌 Üõ¬ó‚ 裌 ñƒ¬è â¡î¡ «è£¬õ‚裌’ â¡ø õK ñ†´I¡P «ñ½‹ ÜŠð£ìL™ õ¼‹ ðô õKèœ ‘裌’ â¡ø ªê£™½‚° ðô ܘˆîƒè¬÷ ã‰F õ‰¶œ÷ù. ܈F‚裌 裌 裌 – â¡ èíõ˜ Þ¼‚°‹ ܉î F‚A«ô 裌õ£ò£è. Ýôƒè£Œ ªõ‡Eô«õ – Mû‹ «ð£™ 裌A¡ø ªõ‡Eô«õ, ÞˆF‚裌 è£ò£«î ⡬ù «ð£™ ªð‡í™ô«õ£ –  Þ¼‚°‹ Þ‰î F‚A«ô è£ò£«î, c ⡬ù «ð£ô å¼ ªð‡ ù â¡ø M÷‚èˆ¬îŠ ð£˜‚°‹ ªð£¿¶ 裌 â¡ø å¼ õ£˜ˆ¬î«ò£´ ðô ªð£¼œðì èM¬îò£ì è‡íî£ê¡ å¼õó£™ ñ†´«ñ º®»‹ â¡ð¶ ªîO¾.

õ…êŠ ¹è›„CòEõ…êŠ ¹è›„CòE â¡ð¶ ¹è›õ¶

«ð£™ ñ¬øºèñ£è Þè›õ¶‹, Þè›õ¶ «ð£™ ñ¬øºèñ£èŠ ¹è›õ¶ñ£°‹ (Paramasivam, 1995). Gö™ Güñ£Aø¶ ðìˆFŸè£è è‡íî£ê¡ â¿Fò è‹ð¡ ãñ£‰î£¡ ð£ì™ õKèO™ ‘Ü‹¹ MN â¡Á ã¡ ªê£¡ù£¡ ܶ ð£ŒõFù£™ ù£ – Üõœ ܼ…²¬õŠ ð£ªôù ã¡ ªê£¡ù£¡ ܶ ªè£FŠðîù£™ ù£’ â¡Á Üö¬è õ˜Eˆî õ£˜ˆ¬îèO¡ Þ¡ªù£¼ «è£í‹ ªê£™½‹ å¼ õ…êŠ ¹è›„C.

äò ÜEäò ÜE â¡ð¶ èMë˜ è¼Fò

å¼ ªð£¼O¡ ÜöA¬ù ñA›¾ì¡ â´ˆ¶¬ó‚°‹ «ð£¶, Üî¬ù‚ 蟫𣘠ÜFêJ‚°‹ õ‡í‹ ªê£™½‹ ÜFêò ÜE. ‘äò ÜE’ â¡ð¶ ÜFêò ÜEJ¡ å¼ õ¬è. àõ¬ñ¬ò»‹ ªð£¼¬÷»‹ 仟Á¬óŠð¶ (Paramasivam, 1995). Þ‰î ÜE¬ò â´ˆFò‹¹‹ õœÀõK¡ °øœ Þƒ° G¬ù¾ Ãóˆî‚è¶.

“õ‡´ î´ñ£Á‰ î£ñ¬óªè£™

ñ£î˜ MN»ô¾ õ£‡ºèƒªè£™”

°øœ – 1081

88 / îI›Š «ð󣌾 ÝŒMî›

« ñ½œ÷ ° øO™ î¬ôMJ¡ ºèˆ¬îŠð£˜ˆ¶, ܶ î£ñ¬óò£? Ü™ô¶ ºèñ£? âùˆ î¬ôõ¡ î´ñ£ÁA¡ø£ù£‹; ä ò ‹ ª è £ œ À A ¡ ø £ ù £ ‹ (Parimezhalagar, 1968). Þ«î äò ÜEJ™ ܬñ‰¶œ÷ ‘ªð£†´ ¬õˆî ºè«ñ£? 膮 ¬õˆî °ö«ô£? ªð£¡ñE„ êó«ñ£? ܉F ñ…êœ Gø«ñ£? ܉F ñ…êœ Gø«ñ£?’ âù ‘²ñF â¡ ²‰îK’ ðìˆFŸè£è èMë˜ è‡íî£ê¡ â¿FJ¼‚°‹ ð£ì™ äò ÜE‚° å¼ ï™ô àî£óí‹.

܉î£FÜ‰î‹ ÝFò£è - æ˜ Ü®J¡ º®«õ

Ü´ˆî Ü®J¡ ªî£ì‚èñ£è - ªî£´Šð¶ ‘܉î£F’. ‘܉ â¡ø£™ º®¾; ‘ÝF’; â¡ø£™ ªî£ì‚è‹ (Paramasivam, 1995). ‘õ£ö G¬ùˆî£™ õ£öô£‹, õNò£ Þ™¬ô ÌIJ™’ âùˆ ªî£ìƒA ‘ð«ô 𣇮ò£’ ðìˆFŸè£è è‡íî£ê¡ â¿FJ¼‚°‹ ð£ìL™ Þ싪ðŸP¼‚°‹ H¡õ¼‹ õKèœ Ü‰î£F ïô‹ ªð£¼‰Fò¬õ ‘𣘈¶ ïì‰î£™ ðòí‹ ªî£ì¼‹ ðòí‹ ªî£ì˜‰î£™ èî¾ Fø‚°‹ èî¾ Fø‰î£™ 裆C A¬ì‚°‹ 裆C A¬ìˆî£™ èõ¬ô b¼‹ èõ¬ô b˜‰î£™ õ£öô£‹!’ â¡ø õKèÀ‹ ‘Í¡Á º®„²’ ðìˆFŸè£è‚ èMë˜ â¿Fò ‘õê‰î è£ô ïFèO«ô ¬õóñE có¬ôèœ, có¬ôèœ eFQ«ô ªï…C󇮡 G¬ùõ¬ôèœ, G¬ùõ¬ôèœ ªî£ì˜‰¶ õ‰î£™ «ïóªñ™ô£‹ èùõ¬ô蜒 â¡ø ºˆF¬óŠ ð£ì™ º¿‚è ܉î£FJ™ ܬñ‰î ÜŸ¹îñ£ù ð£ì™.

C«ô¬ìå¼ ªê£™ Ü™ô¶ ªî£ì˜„ªê£™

ðô ªð£¼œ ð´‹ð® ܬñõ¶ C«ô¬ì âùŠð´‹ (Paramasivam, 1995). ªñ£N‚° àKò ÜEèÀœ Þ¶¾‹ å¡Á. ªêŒ»œèO½‹, à¬ó ï¬ìJ½‹, «ñ¬ìŠ «ð„²‚èO½‹, C«ô¬ìèœ ðò¡ð´ˆîŠ ð´A¡øù ‘Gö™ Güñ£Aø¶’ â¡ø ðìF™ ‘Þô‚èí‹ ñ£Á«î£’ â¡ø

ðìL™, ‘â¡ õ£›‚¬è ïFJ™ è¬ó å¡Á è‡«ì¡ à¡ ªï…C™ ã«ù£ è¬ø å¡Á 臫졒 â¡ø õKèO™ î¡ õ£›‚¬è ïFJ¡ è¬óò£è Üõœ ï£òè¬ù è‡ì£÷£‹ . Þƒ«è è¬ó â¡Á ªê£™õ¶ ïFJ¡ Þ¼ ð‚è‹ àœ÷ è¬óè¬÷. ïF Üöè£è ܬñFò£è, ð£¶è£Šð£è æì Þ‰î è¬óèœ î£«ù ¶¬í ªêŒA¡ø¶. Ýù£™ ï£òè¬ù ðŸPò å¼ ê‰«îè â‡í‹ ñùF™. Üõ¡ â«î£ îõÁ ªêŒ¶ M†ì£«ù£. Þ¡ªù£¼ ªð‡E¡ õ £›¾Š ð£¬îJ™ îõÁ ªêŒ¶ M†ì£«ù£ â¡Á ï£òA‚° å¼ ê‰«îè‹ âù«õ «è†A¡ø£œ, à¡ ªï…C™ â«î£ è¬ó å¡Á 臫ì¡, Üî£õ¶ àù¶ ñùFŸ°œ«÷ â«î£ å¼ è¬ó å¼ è÷ƒè‹ 裇A¡«ø¡ â¡A¡ø£œ. Þƒ«è è¬ó â¡Á ªê£™õ¶, è¬óò£è ð®‰î Ü¿‚°. èMëK¡ ªê£™ C«ô¬ì ÜõK¡ CøŠ¬ð»‹ îIN¡ CøŠ¬ð»‹ â´ˆFò‹¹Aø¶.

â¶¬è «ñ£¬ùò£ŠHô‚èíˆF™ ªî£¬ì âù

õöƒèŠð´‹ ªêŒ»œ àÁŠ¹ õ¬èèO™ ⶬè ñŸÁ‹ «ñ£¬ù º‚Aòñ£ù‹. ªõš«õÁ Ü®èO¡ Ü™ô¶ Y˜èO¡ ºîªô¿ˆ¶‚èœ åˆ¶õK¡ «ñ£¬ù âùŠð´‹, Þó‡ì£õ¶ ⿈¶‚èœ åˆ¶õ¼î™ ⶬè Ý°‹. Þî¬ùˆî£¡ ªî£™è£ŠHò˜, “Ü®ªî£Á‹ î¬ô ⿈¶ åŠð¶ «ñ£¬ù ܶ åNˆ ªî£¡P¡ ⶬè Ý°‹ ’ â¡Á ÃP»œ÷£˜ (Paramasivam, 1995) . è‡íî£ê¡ î¡ ð£ì™èO™ Y˜èO½‹, Ü®èO½‹ ⶬè¬ò»‹ «ñ£¬ù¬ò»‹ G¬øò«õ ¬èò£‡´œ÷£˜. ð£îè£E‚¬è ðìˆF™ ‘Ý®ò ݆ìªñ¡ù’ ðìL™ ‘i´õ¬ó àø¾, iFõ¬ó ñ¬ùM, 裴 õ¬ó Hœ¬÷, è¬ìC õ¬ó ò£«ó£?’ â¡ø õKJ™ ‘i´’ ‘iF’ ÝAò Þó‡´ õKèO™ àœ÷ ºî™ ⿈¶ ‘i’ å¡ø£è ܬñõ Þƒ° «ñ£¬ù ²†®‚ 裆ìŠð´Aø¶. Ü´ˆ¶ õ¼‹ Þó‡´ õKèO¡ ºî™ ªê£Ÿèœ ‘裴’ ‘è¬ìC’ â¡Á ‘è’ õK¬êJ™

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ªî£ìƒè, Þ¶¾‹ «ñ£¬ù«ò. «ñ½‹ Ü«î ‘Ý®ò ݆ìªñ¡ù’ ðìL™ õ¼‹ ‘ªî£†®½‚° Ü¡¬ù, 膮½‚° è¡Q, ð†®Q‚°ˆ bQ, ªè†ì H¡¹ ë£Q” â¡ø ° õKèO¡ ºî™ YK¡ Þó‡ì£‹ ⿈¶ ⿈¶ “†” å¡ø£è ܬñõ Þƒ° ⶬè¬ò„ ²†®‚ 裆®»œ÷£˜ èMë˜.

º®¾¬óñ£íõ˜èO¡ èõùˆ¬î„ Cîø

Mì£ñ™ Cø‰î º¬øJ™ õ°Šð¬øJ™ èŸHˆî¬ô «ñŸªè£œõ¶ 嚪õ£¼ ÝCKòK¡ èì¬ñò£°‹. ܊𮄠Cø‰î º¬øJ™ ÝCKò˜èœ ªêò™ð쾋, è Ÿ ø¬ î ñ £íõ˜ èœ G¬ùM™ GÁˆF‚ªè£œ÷¾‹ è‡íî£êQ¡ ð¬ìŠ¹èœ á¡Á«è£ô£è Þ¼‚è õ™ô¬õ. îI›ˆî£Œ A¬ìˆîŸèKò

â™ô£ˆ îI›Š ¹ô¬ñ¬ò»‹ è‡íî£ê¡ å¼õ‚° ñ†´«ñ õöƒAM†ì£™ «ð£½‹, â¡Á ñ Mò‚è ¬õ‚°‹ èMëK¡ ð£ì™èO¡ CøŠH¬ù â´ˆFò‹ð, Þ‰î å¼ ÝŒ¾ å¼ CÁ ꣡«ø. ÞŠð® ܼ¬ñ»‹ âO¬ñ»‹ Üö°‹ ÝŸø½‹ ¹¶¬ñ»‹ ªð£¼ˆîº‹ ªè£‡ì 輈¶ õ£Œ‰î F¬óŠð£ì™è¬÷‚ ¬èò£‡´ îI› Þô‚èíˆ¬î‚ èŸH‚è ºŸð†«ì£ñ£ù£™ ñ£íõ˜èœ ݘõˆ¶ì¡ ðJ™õ¶ ñ†´I¡P ñù ñA›„C»‹ G¬ø¾‹ õ°Šð¬øèO™ èO ïì‹ ¹ K ‰¶ G Ÿ°‹ â¡ð¶ ªïŸPˆFôè‹. èMëK¡ ð¬ìŠ¹è¬÷  «ñ½‹ Ý󣌉¶ ÜF™ àœ÷ Üœ÷‚ °¬øò£ ªð£‚Aûƒè¬÷ˆ «î£‡® â´ˆ¶, ÜõŸ¬øˆ îIN¡ õ÷˜„C‚è£èŠ ðóõô£èŠ ðóŠ¹õ Ýõù ªêŒò «õ‡´‹ â¡ð¶ ݬê Ü™ô ÜõCò‹

References

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Kalavathy, K., (2011). Katral Karpithalil, Puthiya Muraikal

Kannadasan, (2011). Manavasam. Chennai. Kannadasan Pathippagam.

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Kumaran, S., & Krishnan Maniam (Eds), (2012) Manavarkal Aarvamudan Kavi Karka. Thokuthi 2, Kalainyar Pathipagam, Chennai

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NavaneethaKrishnan, M.S.,(2007) Karpithalil eliya muraikal https://books.google.com.my/books?id=lMk7nQAACAAJ

90 / îI›Š «ð󣌾 ÝŒMî›

Nirmala, M, (2013) Inikkum Ilakkanam http://tamilauthors.com/01/498.html retrived on 01 April 2018.

Paramasivam,S., (1995), Nattramizh Ilakkanam. Chennai. Kavikkuyil Printers.

Parimezhalagar, (1968). Thirukkural Parimezhalagarudan. Sree Kasimadam Thiruppanawthaal. Nithi Publications,

Raj, S. J. and B. Muniapan (2012). “Music, Song Lyrics, Philosophy and Human Values: Exploring Poet Kannadasan’s Contributions to the Tamil Community Worldwide.” Researchers World 3(4): 1.

Rajantheran, M., Srinivasan, & Umadevi Naidu Allaghery. (2017). “The Indication of Society in Civilization and Moral literature”, Journal of Tamil Peraivu. (Vol. 6, pp. 10-19).

Sabitha Marican, (2005). Kaedah Penyelidikan Sains Sosial. Petaling Jaya: Pearson/Prentice Hall

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https://ta.wikipedia.org/wiki/AniIlakkanam, retrieved on 02 April 2018

https://ta.wikisource.org/wiki, retrieved on 03 April 2018

‘Ü‹ñ£’ è¬îJ™ èíõù£™ ªè£´¬ñŠð´ˆîŠð†ì ñ¬ùM

Wife ill Treated by Husband in the Short Story ‘Amma’

AbstractThis article focuses on the sufferings of a woman in the hands of her husband from one of the short stories begotten from the anthology of short stories published by the Tamil Society of University Ma-laya from 1986 to 2009 under the name of ‘Peravaik Kathaikal’. The primary purpose of this article is to identify the woman’s status and her emancipation in the selected short story based on the theory of cultural feminism. Of the 294 short stories published in 25 years, 43 short stories reflect the cultural feminism theory. Among those, nine stories talked about the wives who have been tortured by their husbands. The researcher reveals the struggles faced by a wife in the short story ‘Amma’ and explains how cultural feminism influenced the wife’s thoughts and attitudes.

Keywords: Short story, Sociology, Cultural feminism, Family, Women.

Þó£«üvõK ÝÁºè‹ / Rajeswari Arumugam1

ÝŒ¾ ÜPºè‹ñô£ò£ ð™è¬ô‚ èöèˆF¡ îI›

ªñ£N‚ èöè‹ 1986 ºî™ 2017 õ¬ó ‘«ðó¬õ‚ è¬î蜒 â¡ø î¬ôŠHô£ù ðK² ªðŸø CÁè¬îˆ ªî£°Š¹ Ë™è¬÷ ªõOJ†´ õ¼Aø¶. Þ¡Áõ¬ó 32 ªî£°Š¹ Ë™è¬÷ ªõOJ†´œ÷¶. ÜõŸÁœ Cô è¬îèO™ ªð‡Eò‹ ð F ‚ è Š ð † ´ œ ÷ ¶ . Ü ˆ î ¬ è ò è ¬ î è ¬ ÷ « ò Ý ó £ Œ „ C ò £ ÷ ˜ «î˜‰ªî´ˆ¶‚ èíõù£™ ªè£´¬ñŠ ð´ˆîŠð†ì ñ¬ùM¬òŠ ðŸPò è¬î 塬ø ÝŒ¾ ªêŒ¶œ÷£˜.

º¡«ù£® ÝŒ¾èœ² ™ î £ ¡ Þ † g ² è ™ M ò ™

ð™è¬ô‚èöèˆF™, 21 Ý‹ ËŸø£‡®™ ñ«ôCòˆ îI› ï£õ™èO™ ªð‡Eò‹

(Feminisme dalam Novel Tamil Malaysia abad ke-21) â¡ø î¬ôŠH™, ó£«üvõK ¬õó¡ (2015) îñ¶ º¬ùõ˜ ð†ìˆ¶‚è£ù ÝŒ¬õ 2015-™ G¬ø¾ ªêŒî£˜. 2000-2012 õ¬ó ñ«ôCòˆ îI› ï£õô£÷˜è÷£™ â¿îŠð†ì ªð‡Eò‹ ªî£ì˜¹¬ìò ° ï£õ™èœ Üõ¼¬ìò ÝŒ¾‚ è÷ñ£è ܬñ‰îù. ð‡¹ê£˜ M÷‚è º¬øJ™ Þšõ£Œ¾ ܬñ‰¶œ÷¶. ݇ ÝF‚èˆFL¼‰¶ ªð‡ èð£ˆFóƒèœ M´î¬ô ªðÁõ¬î ÝŒ¾ M÷‚°Aø¶.

Kù£ ªðKòê£I (2014) ²™î£¡ Þ†Kv è™Mò™ ð™è¬ô‚èöèˆF™ º¶è¬ô ÝŒMŸ° ‘ï.ñ«è²õKJ¡ CÁè¬îèœ: ªð‡Eò‚ «è£†ð£†´ ÝŒ¾’ (Cerpen N.Mageswary: Kajian Theory Feminism), â¡ø î¬ôŠH™ ÝŒ«õ´ êñ˜ŠHˆ¶œ÷£˜. ñ«è²õKJ¡ CÁè¬îèO™ ªð‡ð£ˆFó

1 The author is a PhD candidate at The Tamil Language Programme, Sultan Idris Education University, Malaysia. [email protected]

92 / îI›Š «ð󣌾 ÝŒMî›

à¼õè‹ âšõ£Á àœ÷¶ â¡ð«î ÝŒM¡ «ï£‚èñ£°‹. èî£CKòK¡ â ¿ ˆ ¶ ˆ F ø ¬ ù ‚ ª è £ ‡ ´ ªð‡èO¡ «ð£ó£†ìƒèœ âšõ£Á CˆîK‚èŠð†´œ÷ù â¡ð¬î Kù£ M÷‚A»œ÷£˜. ñ«ôCò, Þ‰Fò ´Š ªð‡è¬÷‚ è¬îJ™ ð¬ì‚èŠð†ìõ£Á åŠH†´, ÜŠªð‡èœ êÍèˆF™ îƒèÀ‚°Kò Þìˆ¬îŠ «ð£ó£®Š ª ð Ÿ Áœ÷ù ˜ , â¡Á G Ï ðù‹ ªêŒA¡ø£˜.

ñŸÁªñ£¼ ÝŒ¾ ¹wðï£î¡ ï£èó£ü£ (2014) êñ˜ŠHˆî ñô£ò£ ð™è¬ô‚ èöè º¶è¬ôŠ ð†ìˆ¶‚è£ù¶. ‘ªó . 裘F«è²M¡ CÁ è¬îèO™ ªð‡èœ ’ , ( Perempuan dalam cerpen R.Karthigesu) â¡ð«î ÝŒM¡ î¬ôŠ¹. ¹wðï£î£Q¡ 輈¶Šð®, ÝŒ¾‚° â´ˆ¶‚ªè£œ÷Šð†ì ªð‡èœ ܬùõ¼‹ îñó¹õN º¬ø¬òŠ H¡ðŸÁ‹ Þ ‰Fò °´‹ðˆ¬î „ «ê˜‰îõ˜èœ; ݬèò£™, ݇è«÷ °´‹ðˆ î¬ôõ˜è÷£A °´‹ðˆF¡ à Á Š H ù ˜ è À ‚ è £ ù Ü ¬ ù ˆ ¶ º®¾è¬÷»‹ â´‚°‹ àK¬ñè¬÷»‹ Üõ˜è«÷ ªðÁA¡øù˜, â¡ð¬î M÷‚°A¡ø£˜.

Ü´ˆîŠð®ò£è, ð£ñ£ ªðKòê£I (2014) îñ¶ º¶è¬ôŠ ð†ìˆ¶‚è£è ñô£ò£Š ð™è¬ô‚ èöèˆF™ êñ˜ŠHˆî ÝŒõ£°‹. «î˜‰ªî´‚èŠð†ì ‘óñE ê‰FóQ¡ ï£õ™èO™ ð£Lù õ£˜Š¹èœ’ (Gender Stereotype in selected Novels written by Ramani Chandran) , â¡ð¶ ÞõK¡ ÝŒ¾ˆ î¬ôŠð£°‹. Þ‰î ÝŒM™, ð£Lù õ£˜Š¹‚° à†ð†ì ªð‡èO¡ ñèœ, Üõ˜èO¬ì«ò ãŸð´‹ ñ£Ÿøƒèœ, è£íŠð´‹ CøŠ¹‚ ÃÁèœ ÝAòùðŸP Mõ£Fˆ¶œ÷£˜.

ñŸÁªñ£¼ ÝŒ¾, ói‰Fó¡ ñ¬óò£ (2012) ñô£ò£Š ð™è¬ô‚èöèˆF™ îñ¶ º¶è¬ôŠ ð†ìˆ¶‚è£è„ êñ˜ŠHˆî Ý Œ õ £ ° ‹ . î I N ô ‚ A ò ƒ è O ™ ð¬ì‚èŠð†ì ªð‡ èð£ˆFóƒèO¡ ð‡¹èœ âšõ£Á îI›„ CÁè¬îèO™

Þ싪ðÁ‹ ªð‡èO¡ ð£ˆFóƒè¬÷Š ð£Fˆ¶œ÷ù â¡ðF™ èõù‚°MŠ¹ ªêŒ¶œ÷£˜. Þõó¶ ÝŒM¡ î¬ôŠ¹ ‘1970-2010 õ¬óJô£ù ñ«ôCòˆ îI›„ CÁè¬îèO™ ªð‡ ð£ˆFóŠ ð¬ìŠð¹: ð‡¬ì Þô‚Aò‚ «è£†ð£†´ ÝŒ¾’ (Penggambaran Citra Wanita dalam Cerpen Tamil Malaysia, 1970-2010 Kajian Berasaskan Teori Arketaipal), â¡ð‹.

ÞšõK¬êJ™ A¬ìˆî ñŸÁªñ£¼ ÝŒ¾ , Ü‹ñE ÜŒò£¾ ( 2 0 1 2 ) â¡ðõ¼¬ìò‹. «ü£Ã˜ˆ îI› ⿈ î £÷ ˜ èO¡ CÁ è¬î èO¡ 輊ªð£¼œèœ ðŸPò ÝŒ¾ - (1950 -2010)’ (Study of Themes of Short Stories by Tamil Writers from Johor (1950-2010)). “Iªñ†®‚” (mimetic) «è£†ð£†®¡ Ü®Šð¬ìJ™ êÍè õ£›‚¬è º¬ø¬ò Þšõ£ŒM™ «ñŸªè£‡´œ÷£˜.

ÝŒ¾ º¬øÝ󣌄Cò£÷˜ ‘Ë™ ð°Šð£Œ¾

º¬ø¬ò’ Ý󣌄C‚è£ù ºî¡¬ñ õNº¬øò£èˆ «î˜‰ªî´ˆ¶œ÷£˜. ã ªùQ™ , « î ˜ ‰ ª î ´ ‚ è Š ð†ì CÁè¬îè¬÷ Ýöñ£ù ÝŒ¾‚° à†ð´ˆî àœ÷ì‚è ÝŒ¬õ»‹ Þ‹º¬ø ªè£‡´œ÷¶ (Peter Goodrich, 1986). àœ÷ì‚è ÝŒ¾ º¬øJ¡ õN Þ‰î„ CÁ è¬îèO™ à†ªð£F‚èŠð†ì ªð‡Eò„ C‰î¬ùè¬÷‚ 致H®‚è º®Aø¶. âù«õ, ÝŒ¾ «ï£‚èƒè¬÷ ܬìò ÍôŠ «ðó¬õ‚ è¬îè¬÷‚ è÷ñ£è‚ ªè£‡´ ÝŒ¾ «ñŸªè£œ÷Šð†ì¶. ÝŒM™ ð°Šð£Œ¾ ªêŒõŠ ð‡¹ê£˜ (qualitative) ܵ°º¬ø ¬èò£÷Šð†ì¶ (Cresswell, 1993). ÝŒ¾‚° à†ð´ˆîŠð†ì CÁè¬îè¬÷ ÝŒõ£÷«ó «î˜‰ªî´ˆ¶‚ ªè£‡ì£˜.

«è£†ð£´bMóõ£îŠ ªð‡EòˆFL¼‰¶

«î£¡Pò èô£„ê£óŠ ªð‡Eò‹, ªð‡èO¡ CøŠ¹Š ð‡¹è¬÷ , Ü õ ˜ è À ‚ « è à K ò Ý À ¬ ñ Š

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ð‡¹è÷£èŠ «ð£ŸÁA¡ø¶ (Alcoff, 1988). Ü‰î «õÁð£´èœ ªð‡èO¬ì«ò îQˆ¶õñ£ù ñŸÁ‹ «ñ¡¬ñò£ù àòKò å¿‚èƒè¬÷‚ °P‚A¡øù. Þšõ£ø£ù èô£„ê£óŠ ªð‡Eò„ C‰î¬ù‚° MˆF†ìõ˜èÀœ ñ£˜èªó† ç¹™ô˜ °PŠHìˆî‚èõ˜. Üõ¼¬ìò ‘ðˆªî£¡ð ËŸø£‡®™ ªð‡èœ’ (Woman in the Nineteenth Century, 1845 ) èô£„ê£óŠ ªð‡EòŠ ð£ó‹ðKòˆ¬îˆ ªî£ì‚Aò¶. èô£„ê£óŠ ªð‡Eò‹, ªð‡èO¡ Þò™ð £ù 輬í , õ÷˜ˆªî´ˆî™, ꣉î‹, àø¾ î™, Hø˜ð£™ Þóƒ°î™ ÝAò ð‡¹ïô¡èO™ èõù‹ ªê½ˆ¶Aø¶. Þ¶ ݇èÀìù£ù êñˆ¶õ‹ eî£ù º‚Aòˆ¶õˆ¬î âF˜‚Aø¶; Ü ñ£ø£è, èô£„ê£ó gFò£è GòI‚èŠð†ì ªð‡èÀ‚«è à Kò «õ¬ô èO¡ C ø ŠH¬ùŠ «ð£ŸP õ£F´Aø¶. Þšõ¬èò£ù º¡«ù£‚A™, ê«è£îóˆ¶õ‹, åŸÁ¬ñ, ܬìò£÷Š ðA˜¾ ÝAòù ªð‡èÀ‚° Ü®Šð¬ìè÷£A¡øù (Margaret Fuller, 1845).

A¼wí¡ ñEò‹ ßP¡ð® , 1990 -èO™ ªð‡Eò„ C‰î¬ùèœ îI› Þô‚AòˆF™ î¬ôè£†ìˆ ªî£ìƒAò¶. ªð‡èO¡ Þ™ôˆ¶„ C¬øõ£›‚¬èJL¼‰¶ M´î¬ôªðÁ‹ å¼ õ£Jô£è ÞšMô‚AòŠ ð¬ìŠ¹èœ õó«õŸèŠð†ìù. îI›‚°´‹ðƒèœ î ÝF‚èˆFŸ° ݆ð†ì å¼ è†ì¬ñŠð£è àœ÷ù. ªð‡èœ ªõO¾ô°‚°‚ 裪ô´ˆ¶ ¬õ‚辋, ݇èÀ‚°„ êññ£è à¬ö‚辋, ªî£N™ 𣘂辋 ªð‡èœ èì‰î 50 ݇´èO™ ªõ°õ£è º¡«ùP»œ÷ù .̃ Þî Ÿ° Ü®Šð¬ì‚ è £ óíñ£è ܬñõ¶ ªð‡èÀ‚° ÜO‚èŠð†ì êñ‚è™Mò£°‹ (Krishnan, 2013).

Ýí£F‚èˆFŸ°‚ 膴Šð†´‚ Aì‰î ªð‡èœ, îƒèÀ‚«è àKò àò˜ð‡¹è¬÷‚ ªè£‡´ â¿‹«ð£¶, Üõ˜èœ ªð‡Eò‚ «è£†ð£†®¡ H ó F G F è ÷ £ A ¡ ø ù ˜ . î ƒ è œ

ð£ó‹ðKòº‹, ݇è¬÷‚ °´‹ð î¬ôõ˜è÷£è ãŸÁ‚ ªè£œÀ‹ ð‡¹‹, °´‹ðˆ¶‚è£è à¬ö‚°‹ «ï˜¬ñ»‹ ªè £‡ì ªð‡èœ , èô £ „ ê £ óŠ ªð‡Eò‚ è£õô˜è÷£A¡øù˜ (Silllalee, 2015, p.103).

ÝŒ¾‚ 致H®Š¹èœå¡ð¶ CÁè¬îèœ ªð‡èœ

ªè£´¬ñ‚° ݆ð´î™, ãŸÁ‚ªè£œ÷ Þòô£î «õ¬ôè¬÷„ ªêŒî™ , ¹ø‚èE‚èŠð´î™, CˆFóõ¬î‚° Ý÷£°î™ ºîLò °´‹ð õ¡º¬øè¬÷Š ð ŸPŠ « ð ²A¡øù . Í¡Á CÁ è¬îèœ èíõ˜è÷£™ ð£F‚èŠðì£î ñ¬ùMè¬÷„ CˆîK‚A¡øù.

õ¡º¬ø‚° Ý÷£°‹ ªð‡è¬÷‚ ªè£‡ì Þ‰î å¡ð¶ CÁ è¬îèO™ àœ÷ ñ¬ùM‚ èî£ð£ˆFóƒèœ èíõó£™ «ñ£êñ£è ïìˆîŠð´õî£è CˆîK‚èŠð†´œ÷ù. «ð£Fò ÝŸø«ô£ ð‚èðô«ñ£ Þ™ô£î Üð¬ôŠ ªð‡èœ, îƒè¬÷ Üì‚A ÝÀ‹ ÜFè£ó‹ ªè£‡ì èíõ¡ñ£˜èOì‹ C‚Aˆ îM‚A¡øù˜. 䉶 CÁè¬îèO™ ñ¬ùMò˜èœ Hø˜ «è£ðˆ¶‚°‹, ꉫîèˆFŸ°‹ ¹ø‚èEŠHŸ°‹ ݆ð´A¡øù˜. « ñ ½ ‹ Í ¡ Á C Á è ¬ î è O ™ , õ£›õˆ «î¬õŠð´‹ àí¬õ«ò£ ð투î«ò£ ªðø Þòô£î ªð‡è÷£è„ CˆîK‚èŠð´A¡øù˜. ޡªñ£¼ CÁè¬î, ªî£ì˜‰¶ ¶¡ðˆ¶‚° Ý÷£ù ñ¬ùM, î¡ èíõ¡ «ï£Œõ£ŒŠð†´ Þø‰¶«ð£è, Üõ˜ M´î¬ô ªðŸø¬î MõK‚Aø¶.

Ü´ˆ¶õ¼‹ å¼ CÁè¬îJ™ , î°Fè¬÷Š ªðŸÁ , «ñ½‹ è™M ªî£ìó «õ‡´‹ â¡ø «õ†¬è»ì¡ Þ¼‚°‹ å¼ ñ¬ùMJ¡ ݬêè¬÷ ñFˆ¶ G¬ø«õŸø ñÁ‚°‹ èíõ¬ù‚ 裇A«ø£‹. ñŸÁªñ£¼ CÁè¬îJ™, î¡ ñùˆ¬î»‹ ñùªõ¿„C¬ò»‹ àì¬ô»‹ îè£î º¬øJ™ ðò¡ð´ˆ¶‹ Ýìõ¬ùˆ î¡ èíõù£è ãŸè ñÁ‚°‹ ñ¬ùM CˆîK‚èŠð´Aø£œ. Þšõ£Œ¾‚

94 / îI›Š «ð󣌾 ÝŒMî›

膴¬ó‚è£èˆ «î˜‰ªî´‚èŠð†ì è¬îJ™, ¶¡¹ÁˆîŠð†ì ñ¬ùM, Ü õ œ Ü ¡ ø £ ì ‹ î ¡ ° ´ ‹ ð «ñ¡¬ñ‚è£è„ ªêŒî Fò£èƒèœ ⶾ‹ «ð£ŸøŠðì£ñ«ô«ò Þø‰¶ «ð£Aø£œ.

Þ‰î„ CÁè¬îò£ù¶, ‘Ü‹ñ£’ â¡ø î¬ôŠH™ FôèõFò£™ â¿îŠð†ì¶ («ðó¬õ‚ è¬îèœ 20, 2005). ñèœ ¹õù£, î¡ Ü‹ñ£ «îMJ¡ àìô¼«è Üñ˜‰¶ î£J¡ èì‰î è£ôŠ «ð£ó£†ìƒè¬÷ â‡E ÝÁî™ Ü¬ìAø£œ. «îM â¡ø Ü‰îŠ ªð‡ñE î¡ ñùˆFŸ°Š H®ˆî å¼õ¬ó ñ퉶 ªè£‡´ ªê™õ‹ â¡ø å¼ Ý‡ñè¬ù»‹ ¹õ£ù£ â¡ø ªð‡ °ö‰¬î¬ò»‹ ªðŸªø´ˆî 47 õò¶ ܬ쉶 Hø° Þø‰¶M†ì ñ¬ùMò£è‚ è¬îJ™ ê‰F‚A¡«ø£‹.

«îM, î¡ èíõ¡ ªê£™½‚°‚ 膴Šð†ì Ü¡ð£ù ñ¬ùMò£è õ£›ï£¬÷‚ èNˆîõœ. è™M ÜP¾ Þ™ô£î Üõœ, å¼ ªî£NŸê£¬ôJ™ è™MòP¾ Þ™ô£î ÜõÀ¬ìò î°F‚°‹ ÜP¾‚°‹ ãŸø å¼ «õ¬ô¬ò„ ªêŒ¶ °¬ø‰î áFòˆ¬îŠ ªðŸø£œ.

î¡ G¬ô¬ò àí˜‰î «îM, î¡ ñèÀì¡ à¬óò£´‹ «ð£ªî™ô£‹, ùŠ «ð£¡ø ªð‡èœ ð´‹ Þ¡ù™èœ ðŸPò 輈¶è¬÷Š ðKñ£P‚ªè£‡ì£œ. ªð‡èœ è™M ÜP¾ ªðÁõ«î£´ ðí„ ²î‰Fóº‹ ªðŸP¼‚è «õ‡´‹ â¡ø 輈F¬ù ªõOŠð´ˆF»œ÷£œ. ªð‡èÀ‚° ñù¾ÁF Þ¡Pò¬ñò£î 塪øù‚ ªè£‡®¼‰î£œ. Þ¶ðŸPˆ «îM ÃPò¬î ¹õù£ G¬ùˆ¶Š 𣘂Aø£œ:

‘ ª ð £ ‹ ð ô Hœ¬÷ƒ è â ‰ î „ Å›G¬ôJ½‹ à¬ì…C «ð£è‚Ã죶. Ü¿¬èò£ù£½‹ ܶ ï‹ñ ðôˆî è£†ì‚ Ã®òî£ Þ¼‚赋’.

(FôèõF, 2005, p. 126).

å¼ ñ¬ùMò£è õ£›ï£O™ ðô ¶¡ðƒè¬÷ˆ «îM ÜÂðMˆ¶œ÷£œ. ºîô£õî£è, î¡ èíõ¡ ⊫𣶋

ù ‘º†ì£œ ’ â¡Á F†®ˆ b ˜ ˆ ¶œ÷ £¡ . Üõœ ð® ‚ è £ î è£óíˆî£™, îù‚° ªõOJ™ ñFŠH™¬ô â¡Á èíõ¡ ÝîƒèŠð´õ£¡ .  ñ†´‹ å¼ ð®ˆî ªð‡¬íˆ F¼ñí‹ ªêŒF¼‰î£™, Üóê¡ «ð£™ õ£›‰F¼Šð£ù£‹. Þîù£™ Üõœ ñù‹ I°‰î ªõî¬ù‚°œ÷£ù¶.

Þ ¼ Š H‹ , î ¡ èíõ¬ù ˆ î £ «ù è £ î L ˆ ¶ ˆ F ¼ ñíº‹ ªêŒ¶ ªè£‡ìõ÷£õ£œ; Þó‡´ °ö‰¬îèÀ‚°‹ î£ò£AM†ì£œ. î¡ °ö‰¬îèœ º¬øò£ù è™M ªðÁõ Ýõù ªêŒî£œ. îù‚° ãŸð†ì G¬ô î¡ Hœ¬÷èÀ‚°‹ õó‚Ã죶; Üõ˜èœ êºî£òˆF™ ñF‚èŠð´ðõ˜è÷£è‚ è™MJ™ Cø‚è «õ‡´‹ â¡ø ¬õó£‚Aò‹ ªè£‡ì£œ. ÜîŸè£è, ªî£NŸê£¬ô å¡P™ «õ¬ô ªêŒî£œ. èíõ¬ìò èì¬ù ܬì‚辋, Æ´‚ °´‹ðˆF™ ãŸð´‹ ªêô¾è¬÷„ êñ£O‚辋 å¼ èô£„ê£óŠ ªð‡EòŠ HóFGFò£è„ êºî£ò‚ 膴Šð£´èÀ‚° à†ð†´ °´‹ðŠ ªð£ÁŠ¹è¬÷ ãŸÁ‚ ªè£‡ì£œ. ÝJ‹ î¡ èíõ«ù£ i†®™ àœ÷ àø¾è«÷£ â‰î õ¬èò£ù ð£ó£†´„ ªê£Ÿè¬÷»‹ «îM‚° õöƒèM™¬ô. «îM å¼ Þ¼‹¹Š ªð‡í£è õô‹ õ‰F¼‚è «õ‡´‹, Ýù£™, Ü ñ£ø£èˆ î¡ èíõ¬ù Üõœ å¼ «ð£¶‹ ñÁˆîF™¬ô.

ÜõÀ¬ìò «ð£ó £†ìƒèO¡ à„êñ£è GŸð¶, ÜõÀ¬ìò Þ¼ °ö‰¬îèO¡ ¬ñ‚ è£ôñ£°‹. å¼ è˜ŠHEŠ ªð‡ ªðø «õ‡®ò â‰î å¼ Ýîó¬õ»‹ èõQŠ¬ð»‹ î¡ èíõ¡ îù‚°ˆ î‰îF™¬ô â¡ø î¡ î£J¡ G¬ô¬òŠ ¹õù£ â‡EŠ 𣘂Aø£œ.

‘àù‚° ñ£êñ£ Þ¼‰îŠðÃì ï™ô ꣊ð£«ì£ à´Š«ð£ õ£ƒAˆ î‰îF™¬ô. Ü‰î‚ è£†´ i†´ô ó£ˆFK¡Â Ãì ð£‚è£ñ 凮ò£ M†´†´Š «ð£J¼õ£¼’.

(FôèõF, 2005, p.122).

îI›Š «ð󣌾 ÝŒMî› / 95

«îM ï¡ø£è ݬì ÜE‰î«ð£¶ î¡ î‰¬îò£™ Üî¬ùŠ ªð£Áˆ¶‚ ªè£œ÷ º®‰îF™¬ô; i†®½‹ ªõOJ½‹ º®M™ô£ñ™ «õ¬ô ªêŒî£½‹ ï™ô àí¾ à‡í‚Ã죶. ï¬èè¬÷ ÜE‰¶ ªè£œõ‚ Ãì î¬ì ªêŒòŠð†ì¶. «îM ÜÂðMˆî CˆFóõ¬î êñòƒèO™ ♬ô¬ò ePò¶‹ à‡´. å¼ îì¬õ, î¡ î‰¬î «îMJ¡ ‘î¬ô º®¬òŠ H®ˆ¶ˆ îóîóªõù Þ¿ˆ¶ õ‰¶ Þó£†êˆîùñ£Œ î¬ô¬ò î¬óJ™ æƒA Ü®ˆî£˜ (FôèõF, 2005, p.123), â¡ð¬î„ ²†´Aø£œ ¹õù£.

î¡ «õî¬ùèOL¼‰¶ eœõ‹ ꣌‰¶ªè£œõ‹ î¡ Ü‡EJ¡ «î£œè¬÷„ êñòƒèO™ «îM ò¶‹ à‡´. ÝÁ°Š ðFô£è Üõœ ªðŸøªî™ô£‹ «ñ½‹ «õî¬ù. ªõ‰î ¹‡E™ «õ™ 𣌄Cù£Ÿ«ð£™ ܇EJ¡ ªê£Ÿèœ ܬñ‰îù. ܇E ÃPò Ü‰î„ ªê£Ÿè¬÷ ¹õù£ â‡E «è£ð‹ ªè£œAø£œ.

‘Üõ˜ â¡ù C¡ùŠ ¹œ¬÷ò£, ªê£™Lˆ F¼ˆîø¶‚°! â¡ù î‡E ªè£…ê‹ Ãì. ñˆîð® ªó£‹ð ï™ôõ¼. cƒè ªè£…ê ÷‚° â™ô£ˆ¬î»‹ 𣈶‚赋, àŠ¹„ êŠH™ô£ñ™ ÃPù£œ. ÞõÀ‹ Ü‹ñ£¬õŠ «ð£ô å¼ ªð‡î£¡! âŠð® ÞõÀ‚° Þ¡ªù£¼ °´‹ðˆF¡ ²¬ñèÀ‹ å¼ ªð‡E¡ ñù¶‹ ªîKò£ñ™ «ð£ù¶?’

(FôèõF, 2005, p.126).

« î M J ¡ « ð £ ó £ † ì ƒ è O ™ ñŸÁªñ£¡Á, i†®Ÿ°ˆ «î¬õò£ù ðíˆ¬î„ ê‹ð£FŠð¶ Ý°‹. î¡ èíõ˜ i†´„ ªêô¾‚° â‰î àîM»‹ ªêŒò£M†ì£½‹, «õ‡®ò Ü÷¾ èì¬ù ãŸð´ˆF ¬õˆF¼‰î£˜ . Ü‚èì¡è¬÷ˆ b˜‚è «õ‡®ò ²¬ñ¬ò»‹ î¡ î£Œ «îM«ò ²ñ‰î£œ.

âšõ÷¾î £¡ î £¡ «õ î¬ù ð†ì£½‹, î¡Â¬ìò G¬ô î¡ ñèÀ‚° õ‰¶Mì‚Ã죶 â¡ðF™ î¡ î£Œ «îM àÁḞ®¼‰î£œ. ù ï¡ø£è

õ÷˜ˆ¶ õN裆ì Üõœ å¼ï£À‹ î÷˜‰îF™¬ô. î¡ ¬è„ ªêô¾‚°ˆ î¡ î£Œ ªè£´ˆî ðíˆ¬îŠ ¹õù£ â‡EŠð£˜‚A¡ø£œ.  àò˜è™M ªðø«õ‡´‹ â¡ðF™ °Pò£Œ Þ¼‰î£œ; Üî¡ M¬÷õ£è M¬óM™ ¹õù£ å¼ ð†ìî£Kò£è àœ÷£œ. î¡ î£Œ ܬùõ¼‚°‹ ªêŒî Fò£èƒè¬÷ â‡E, ÜõOì‹ «ð£Fò Ü÷¾ Ü¡¹ ªê½ˆî£î èíõ˜ (Üõœ ÜŠð£) ñŸÁ‹ ²Ÿøˆî£˜ °¬ø¬ò G¬ùˆ¶ õ¼‰¶Aø£œ, ¹õù£.

« î M â š õ ÷ ¾ î £ ¡ à ì ™ gFò£è¾‹, ñù gFò£è¾‹ à현C g F ò £ è ¾ ‹ ð £ F ‚ è Š 𠆮¼ ‰ î «ð£F½‹, °´‹ð‚ èô£„ê£óˆ¬îŠ H¡ðŸÁ‹ å¼ ªð‡í£è«õ Þ¼‰î£˜. C ˆ F ó õ¬ î èÀ ‚ ° Þ¬ìJ½‹ , î¡ èíõK¡ «è £K‚¬èèÀ‚° ÞíƒAò«î£´ ñ†´ñ™ô£ñ™ Æ´‚ °´‹ð àø¾èO¡ «î¬õè¬÷»‹ G¬ø¾ ªêŒî£œ. â‰î «õ¬÷J½‹ Üõœ å¼ âFó£O Ýù¶ Þ™¬ô. ªð‡µ‚«è àKò ðE‰¶ «ð£°‹ ñùŠð£¡¬ñ, «îM¬ò å¼ W›ð®‰¶«ð£°‹ ñ¬ùMò£èˆ « î £ Ÿ ÁM ‚ A ø ¶ . ‘ Ý‡è «÷ £ ´ åŠH´¬èJ™, ªð‡èÀ‚° Ü®Šð¬ì «õÁð£´èœ Þ™¬ô â¡ø£½‹, Cô G¬ôèO™ ݇è¬÷ Mì ªð‡è«÷ ÜFèŠ ðKí£ñ õ÷˜„C ܬ쉶œ÷ù ,̃ âù‚ èô£„ê£ó ªð‡Eòõ£Fèœ ï‹¹A¡øù˜ . â´ˆ¶‚裆ì£è‚ è ô £ „ ê £ ó Š ª ð ‡ E ò ñ £ ù ¶ , ªð‡èOì‹ è£íŠð´‹ Ü¡¹ , õ÷˜ˆªî´‚°‹ ñ, ÜA‹¬ê, ñùõL¬ñ ÝAò °íƒèœ ªð‡èÀ‚«è àKòù, âù‚ 輶Aø¶ (Alcoff, 2 0 0 6 ) . Þ‚èô£„ê£óŠ ªð‡Eò‚ «è£†ð£†®¡ ªõOŠð£ì£è ‘Ü‹ñ£” â‹ Þ‚è¬î ܬñAø¶.

‘ªð‡èÀ‚° ãŸð´‹ àìŸè£òƒèÀ‚°, õ™½ø¾ , õNŠðP , õ£èùMðˆ¶ ÝAòõŸ¬ø Mì ÜFè‹ ãŸð´ˆ¶õ¶ èíõQ¡ Ü®¾¬îè«÷p. (Silllalee, 2017, 24). ãø‚°¬øò 50 M¿‚裆´ˆ F¼ñíñ£ù

96 / îI›Š «ð󣌾 ÝŒMî›

ª ð‡èœ î ƒ èœ èíõ˜ è÷ £™ ¶ ¡ ¹ Á ˆ î Š ð ´ A ¡ ø ù ˜ â ù ‚ èL«ð£˜Qò£ ê†ìˆ ¶¬ø ܽõôè‹ ÃÁAø¶. «ñ½‹ 30 M¿‚裆´Š ªð‡èO¡ 裬ôèÀ‚°‚ èíõ˜èœ Ü™ô¶ è£îô˜èœ è£óíñ£A¡øù˜ âùŠ ¹œOMõó‹ 裆´A¡øù. Þ¬õ ¶œOîñ£ù Mõóƒèœ Ü™ô, â¡ø£½‹ Þ‰G¬ô å¼ ðî†ìˆ¬î»‹ M¬ó‰î ªêòŸð£†¬ì»‹ «õ‡´Aø¶’ (McDonald, 1989).

Þ ‚ è ¬ î J ¡ õ N « î M J ¡ G¬ôŠð£†¬ì ÜP‰¶ªè£œ÷ º®Aø¶.  ÜÂðMˆî Þ¡ù™è¬÷»‹ «ð£ó£†ìƒè¬÷»‹ â‰î å¼ ªð‡µ‹, °PŠð£èˆ î¡ ñèœ, ÜÂðM‚è‚ Ã죶 â¡ðF™ «îM àÁFò£è Þ¼‚Aø£œ. ñèœ ¹õù£ ñùˆF™, ªð‡èœ ⊫𣶋 î¡ù‹H‚¬è«ò£´ ²òè£L™ GŸð¶‹ ñ†´ñ¡P, âF˜è£ôˆ¶‚°ˆ «î¬õò£ù ðí„«êIŠ¬ð»‹ ªè£‡®¼‚è «õ‡´‹, â¡ø â‡íˆ¬î M¬îˆ¶ M†ì£œ. «îM, î¡ õ£›‚¬èJ™ ªðø£î Šð£ê‹, è™M, C‰î¬ù„ ²î‰Fó‹,

輈¶„ ²î‰Fó‹ ÝAòõŸ¬øˆ î¡ ñèœ ¹õ£Â¾‚°‚ ªè£´ˆî£œ. Üõœ å¼ ï™ô î£ò£è Þ¼‰î«î£´ ñ†´ñ™ô£ñ™ Gð‰î¬ùòŸø Ü¡¬ð»‹ ªð£N‰î£œ. àò˜è™M õ¬óJ½‹ î¡ ñèœ ð®ˆ¶ ªõŸP ªðÁõîŸè£ù ð턪êô¬õ»‹ Üõ«÷ A‚ªè£‡ì£œ.

º®¾«ðó¬õ‚ è¬îèO™ èíõù£™

¶¡¹ÁˆîŠð†ì ªð‡Eò‚ è¬îè÷£è ã¿ CÁè¬îèœ Þ싪ðŸÁœ÷ù. ²¼‚è‹ è¼F Þšõ£Œ¾‚ 膴¬óJ™ ‘Ü‹ñ£’ â¡ø î¬ôŠH™ ܬñ‰î å¼ CÁè¬î ñ†´«ñ MõK‚èŠð†´œ÷¶. å¼ ð£¬ù «ê£ŸÁ‚° å¼ «ê£Á ðî‹ â¡ðîŸAíƒè, Þ‰î å¼ è¬î«ò èíõù£™ ¶¡¹Á‹ ªð‡èO¡ Üõô G¬ô¬ò»‹ ÜFL¼‰¶ M´ðì ªð‡èœ âF˜ªè£œÀ‹ «ð£ó£†ìƒè¬÷»‹ 裆´A¡ø¶. îI›Š ªð‡è¬÷‚ èô£„ê£óŠ ªð‡Eò‹ ªõ°õ£è à†ð´ˆFò «ð£F½‹ . Ü‚èô£„ê£óˆ¬î»‹ 裈¶ Iîõ£îŠ ªð‡EòŠ ªð‡è÷£è, ð£óF è‡ì ¹Fò ªð‡è÷£è Üõ˜èœ iÁï¬ì «ð£´A¡øù˜.

References

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Margaret Fuller. (1845). Woman in the nineteenth century. New York: Norton.

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îI›Š «ð󣌾 ÝŒMî› / 97

Peter Goodrich. (1986). Reading the Law: A Critical Introduction to Legal Method and Technique. U.K.: Blackwell Publishers.

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Ravindaran Marayal. (2012). Penggambaran Citra Wanita dalam Cerpen Tamil Malaysia. 1970-2010: Kajian berasakan arketaipal. (Unpublished Master’s thesis): University Malaya, Kuala Lumpur.

Rinah Periasamy. (2014). Cerpen N.Mageswary: Kajian Theory Feminism. (Unpublished Master’s thesis): University Pendidikan Sultan Idris, Tanjung Malim.

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Thiruppathi, J. (2013). Feminism in Prabanchan’s Novels. (Unpublished Doctoral Thesis): Tamilnadu: Manonmaniam University.

‘ñ¶’ ï£õL™ è£íŠð´‹ è÷Mò™ «è£†ð£´

Tholkappiyar’s Theory of Kalaviyal in The Novel ‘Madhu’

AbstractThis article identifies Kalaviyal theory in a Malaysian Tamil novel entitled Mathu. The theory of Ka-laviyal is used in this study. This is stated in Tolkappiyam in the book Porulathigaaram. This study uses two methods which are text analysis method and library research method. After conducting this study, all the aspects such as first meeting, doubt, resolving doubt, brooding, tempting, having love affair, mating and preparing for marriage which are stated in Kalaviyal theory are identified in the novel Mathu. However, the first meeting could not be identified in this novel. Kalaviyal life, as stated in the masterpiece of Tolkappiyam, can be identified in this Tamil novel although it is published in this modern era. So this article depicts aspects of Kalaviyal in our modern social life.

Keywords: Tamil novel, Kalaviyal theory, Tolkappiyam, Sociology, Malaysian Indians.

F«ùw ²ŠHóñEò‹ / Thinesh Subramaniam1

º¡Â¬ó1979-Ý‹ ݇´ Ü„C†´ ªõOõ‰î

‘Hóî£ð ºîLò£˜ êKˆFó‹’ îIN™ â¿îŠð†ì ºî™ ï£õô£°‹. Þ‰î ï£õ¬ô 1857-Ý‹ ݇´ ꣺«õ™ «õîï£òè‹ Hœ¬÷ â¡ðõ˜ â¿F»œ÷£˜. Ü‰î‚ è£ô‚ è†ìˆF™ ݃Aô ªñ£NJ™ â¿îŠð†ì ï£õ™è¬÷Š 𣘈¶ˆ îIN½‹ ܈î¬èò ï£õ™è¬÷ â¿î «õ‡´‹ â‹ à‰¶îô£™ ¬ìò ºî™ îI› ï£õ¬ô â¿îˆ ªî£ìƒAù£˜ ( Independent Publishing, 2017 ) . Þ‰G¬ô îIöèˆ¬î„ ê£˜‰î‹.

ñ«ôCò£M™ 20-Ý‹ ËŸø£‡´èO™ îI› ï£õ™èœ õ÷óˆ ªî£ìƒAù. Üšõ¬èJ™ ‘è¼í£èó¡ Ü™ô¶ è£îL¡ ñ£†C’ â‹ îI› ï£õ™ Þƒ° ªõOõ‰î ºî™ ï£õô£°‹.

Þ‰ï£õ™ ªõƒèìóˆFù‹ â¡ðõó£™ â¿îŠð†ì¶. ªî£ì˜‰¶, M´î¬ô‚°Š Hø° ªõOõ‰î îI› ï£õ™èO¡ õK¬êJ™ ‘¶òóŠ ð£¬î’ (1958), ‘Þô†CòŠ ðòí‹’ (1972), ‘ñóõœO‚ Aöƒ°’ (1979) ñŸÁ‹ ‘ðòíƒèœ º®õF™¬ô’ (1988) â‹ ï£õ™èœ Ü샰‹ (êð£ðF, 2007).

ñ«ôCòˆ îI› ⿈î£÷˜ êƒè‹ «î£Ÿø‹ è‡ì Hø°, îIN™ ï£õ™èœ ï¡ø£è õ÷óˆ ªî£ìƒAù. Üšõ¬èJ™ 裘ˆF«è², ºˆ¶„ê£I, ê‰Fóè£‰î‹ « ñ½‹ Þ ó £¬ñò £ º îL«ò £ ˜ ⿈¶è÷£™ îI› ï£õ™ ñ«ôCò£M™ ޡ‹ ÜFèñ£è õ÷˜‰îù (A¼wí¡, 2010). ÜšõNJ™ õ‰î ñ«ôCò ï£õ™ õ÷˜„CJ™ 2013 -Ý‹ ݇´ «è£ñF «õ½ŠHœ¬÷ â¿Fò ï£õ«ô ‘ñ¶’ âùŠð´‹ ï£õô£°‹.

1 The author is a PhD candidate at The Tamil Language Programme, Sultan Idris Education University, Malaysia. [email protected]

îI›Š «ð󣌾 ÝŒMî› / 99

äò£Jó‹ ݇´èÀ‚° º¡¹ ªî£™è£ŠHò‹ ÞòŸøŠð†®¼‰î£½‹, Þ¡Á‹ îIö˜èO¬ì«ò è£íŠð´‹ è÷Mò™ èŸHò™ õ£›‚¬è, Ü®Šð¬ìJ™ ªðKò ñ£Ÿøƒèœ ܬìòM™¬ô â ¡ ð ¬ î ï £ ‹ à í ó º ® A ø ¶ . ª î £ ™ è £ Š H ò ‹ â¿ ˆ î F è £ ó ‹ , ªê£™ôFè£ó‹, ªð£¼÷Fè£ó‹ âù Í¡Á ÜFè£óƒè÷£èŠ HK‚èŠð†´œ÷¶ (Rajantheran & Silllalee, 2015, p.2) . ºî™ Þó‡´‹ ªñ£N Þô‚èíˆ¬î‚ ÃÁAø¶. ÞÁFò£è õ¼‹ ªð£¼÷Fè£ó‹ õ£›‚¬è ªïP¬ò‚ ÃÁAø¶ . ÞšõFè£ó‹ ÜèˆF¬íJò™, ¹øˆF¬íJò™, è÷Mò™ , è ŸHò™ , ªð £¼Oò™ , ªñŒŠð£†®Jò™ , àõ¬ñJò™ , ªêŒ»Oò™, ñóHò™ â‹ î¬ôŠ¹èO™ ܬñ‰¶œ÷ù (²ŠHóñEò¡, 2004). Þˆî¬ôŠ¹èO™ å¡ø£Aò è÷Mò™ â‹ «è£†ð£¬ì Ü®Šð¬ìò£è‚ ªè£‡´ Þ‰î ÝŒ¾ ܬñAø¶.

è¬î„ ²¼‚è‹‘ñ¶’ ï£õL™ «è£ñF «õ½ŠHœ¬÷

º î ¡ ¬ ñ ‚ è ¬ î ñ £ ‰ î ˜ è ÷ £ è A¼wí£¬õ»‹ ñ¶¬õ»‹ ð¬ìˆ¶œ÷£ .̃ ªî£ì˜‰¶ «ê£º, Ü…êô£ ñŸÁ‹ òºù£ ÝAò Íõ¼‹ ¶¬í‚ è¬î ñ£‰î˜è÷£è àœ÷ù˜ . è¬îJ¡ ªî£ì‚èñ£è A¼wí£¾‹ ñ¶¾‹ î¬ôõ‹ î¬ôM»ñ£èŠ ðœOJ™ ê‰Fˆ¶‚ ªè£œõî£è„ CˆFK‚èŠ ð†´œ÷ù˜. Üõ˜èO¬ì«ò è£î™ õ÷˜‰î H¡¹, Þ¼õ¼‹ A¼wí£M¡ Ü´‚°ñ£® i†®™ Ü®‚è® ê‰Fˆ¶‚ ªè£œA¡øù .̃ ñ¶M¡ «î£Nò£ù òºù£¾‹ Þ‰î‚ è£î™ «ü£®‚° ÜšõŠ«ð£¶ àîM ªêŒ¶ õ¼Aø£œ. A¼wí£ ñ¶M¡ è£î™ Mõè£ó‹, A¼wí£M¡ ܊𣠫꣺¾‚°ˆ ªîKò õ¼Aø¶. Üõ¼‹ î‹ ñèQ¡ è£î½‚°„ ê‹ñî‹ ªîKM‚Aø£˜. Ýù£™, ñ¶M¡ CˆF«ò£ Ü‚è£î½‚° âF˜Š¹ˆ ªîKM‚Aø£œ. ÝJ‹, ÞÁFJ™ ªðŸ«ø£˜èO¡ ê‹ñîˆ¶ì¡ Þ‰î‚ è£î™ «ü£® F¼ñí‹ ªêŒ¶ ªè£œA¡øù˜.

º‰¬îò ÝŒ¾èœ2014-Ý‹ ݇´ Þó£«üvõK â‹

ÝŒõ£÷˜ ‘21Ý‹ ËŸø£‡´ ï£õL™ è £íŠð´‹ ªð‡Eò‹ ’ â‹ î¬ôŠH™, î‹ º¬ùõ˜ ð†ì ÝŒ¬õ «ñŸªè£‡´œ÷£˜. Þšõ£Œ¾ ²™î£¡ Þ†g² è™MJò™ ð™è¬ô‚èöèˆF™ «ñŸªè£œ÷Šð†ì¶. Þ‰î ÝŒM™ ÝŒõ£÷˜, ªð‡ ⿈î£÷˜èœ îƒèœ «ðù£‚è¬÷Š ðò¡ð´ˆF õ£êè˜èœ ¹K‰¶ ð£ó£†´‹ õ‡í‹ ªð‡èO¡ î¬ôMF¬ò ï¡° ð¬ìˆ¶œ÷ù˜, â¡Á 致 ÃP»œ÷£˜.

ܫ, ê£è˜ â¡ðõ˜ ‘ñ«ôCòˆ îI› ï£õ™èO™ (1957-1987) ªõOõ‰î êÍè„ C‰î¬ùJ¡ õ®õˆF™ æ˜ ÝŒ¾’ â‹ î¬ôŠH™ º¬ùõ˜ ÝŒ¬õ «ñŸªè£‡´œ÷£˜. Þ‰î ÝŒ¾ 2009-Ý‹ ݇´ ñô£ò£Š ð™è¬ô‚èöèˆF™ «ñŸªè£œ÷Šð†´œ÷¶. Þ‰î ÝŒM™ ÝŒõ£÷˜ Þ‰Fò êÍèˆF¡ êÍè C‰î¬ùJ¡ º¬ø, «ïó êöŸC¬ò Ü®Šð¬ìò£è ªè£‡´œ÷¶ â¡Aø£˜.

«ñ½‹, êð£ðF â‹ ÝŒõ£÷˜ ñô£ò£Š ð™è¬ô‚èöèˆF™ 1996-Ý‹ ݇®™ æ˜ ÝŒ¾ «ñŸªè£‡´œ÷£˜. “²î‰FóˆFŸ°Š Hø° (1960-1981) ñ«ôCòˆ îI› ï£õ™” â¡ð¶ º¬ùõ˜ ð†ì ÝŒõ£°‹. âF˜è£ôˆF™ îI› ï£õ¬ô Ü®Šð¬ìò£è‚ ªè£‡´ ÝŒ¬õ «ñŸªè£œÀ‹ ÝŒõ£÷˜èÀ‚° Þ‰î ÝŒ¾ æ˜ Ýî£óñ£è ܬñAø¶.

ܶñ†´ñ™ô£¶, F«ùw â‹ ÝŒõ£÷˜ ²™î£¡ Þ†g² è™MJò™ ð™è¬ô‚èöèˆF™ 2015-Ý‹ ݇®™ ‘ñ«ôCòˆ îI› ï£õ™èO™ F¼ñíˆFŸ° º‰Fò ñŸÁ‹ H‰Fò õ£›‚¬è Ü‹êƒèœ’ â‹ ÝŒ¬õ º¶è¬ôŠ ð†ìˆFŸè£è «ñŸªè£‡´œ÷£˜. Þ‰î ÝŒM™ ÝŒõ£÷˜ ªî£™è£ŠHòˆF™ àœ÷ è÷Mò™ ñŸÁ‹ èŸHò™ Ü‹êƒèœ ޡ‹ ñ«ôCò£M™ àœ÷ Þ‰Fò êÍî£òˆF™ è£íº®Aø¶ â¡Aø£˜.

100 / îI›Š «ð󣌾 ÝŒMî›

ªî£ì˜‰¶, ð£ñ£ â‹ ÝŒõ£÷˜ “óñE ê‰Fó¡ ï£õ™èO™ ð£Lù„ êñ àK¬ñ” â‹ î¬ôŠH™ º¶è¬ô ÝŒ¬õ «ñŸªè£‡´œ÷£˜. Þ‰î ÝŒ¾ 2013-Ý‹ ݇´ ñô£ò£Š ð™è¬ô‚èöèˆF™ «ñŸªè£œ÷Šð†´œ÷¶. Þ‰î ÝŒM™ ÝŒõ£÷˜, óñE ê‰Fó¡ î‹ ï£õ™èO™ Ý‡èœ ñŸÁ‹ ªð‡èœ Þ¼õ¼‚°‹ êñ àK¬ñ õöƒA»œ÷î£è‚ ÃÁAø£˜.

“1990-Ý‹ ݇´èO™ ñ«ôCòˆ îI› ï£õ™èO™ õ¬óòÁ‚èŠð†ì êÍèŠ Hó„ê¬ù蜔 â‹ ÝŒ¬õ °ñóê£I â‹ ÝŒõ£÷˜ 20 1 1 -Ý‹ ݇´ ñô£ò£Š ð™è¬ô‚èöèˆF™ º¶è¬ôŠ ð†ìˆFŸè£è «ñŸªè£‡´œ÷£˜. Þ‰î ÝŒ¾ Þ¡¬øò Þ‰Fò êºî£òˆFù˜ õ£›‚¬è¬ò ï™ô õNJ™ â´ˆ¶„ ªê™õ æ˜ àî£óíñ£è ܬñ»‹.

ÞÁFò£ è , 2 0 0 8 -Ý‹ ݇®™ îIö‡í™ â¿Fò ‘ªî£™è£ŠHò‹ ªð£¼÷Fè£ó‹ ªî£°Š¹’, 2012 -Ý‹ ݇®™ ¹LΘ «èCè¡ â¿Fò ‘ªî£™è£ŠHò‹ º¿¶‹’ , 20 14 -Ý‹ ݇®™ ê. «õ. ²ŠóñEò¡ â¿Fò ‘îIN™ «î£¡Pò Þô‚èí Ë™’ , ÝAòù è÷Mò™ «è£†ð£†¬ì ï¡° M÷‚A»œ÷ù.

ÝŒ¾ ܵ°º¬øÞ‰î ÝŒM™ Þó‡´ Üµ°º¬øèœ

ð ò¡ð´ ˆ î Š ð†´œ÷ù . ܬõ M÷‚èMò™ ܵ°º¬ø»‹ Ëô£Œ¾ ܵ°º¬ø»‹ Ý°‹. ªî£ì‚èñ£è, ‘ñ¶’ ï£õL™ àœ÷ è÷Mò™ «è£†ð£´ ܬìò£÷‹ è£íŠð†´œ÷¶. Ëô£Œ¾ ܵ°º¬ø‚è£è Ë™G¬ôòƒèO™ àœ÷ ¹ˆîèƒèœ, Ü„CìŠð†ì ÝŒ¾Š ¹ˆîèƒèœ, ðˆFK‚¬èèœ, Þî›èœ ÝAòù «ñŸ«è£œè÷£è ÝŒõ£÷˜ ðò¡ð´ˆF»œ÷£˜.

è÷Mò™ «è£†ð£´º†HøMJ™ Cø‰î «ü£®è÷£è

õ£›‰î æ˜ Ýµ‹ å¼ ªð‡µ‹

Þ‰îŠ HøMJ™ e‡´‹ ê‰FŠð£˜èœ âù ªî£™è£ŠHò‹ ÃÁAø¶. ê‰FŠð¶ ñ†´ñ™ô£¶ ÞŠHøMJ½‹ Üõ˜èœ èíõ¡ ñ¬ùJò£è õ£›õ£˜èœ âù¾‹ ނ裊Hò‹ ÃÁAø¶. ÞŠHøMJ™ ê‰Fˆ¶ ܉î ݵ‹ ªð‡µ‹ è÷¾ â‹ õ£›‚¬èJÂœ ¸¬öõ£˜èœ. «ñ½‹, è£î™ Üø‹, ªð£¼œ ñŸÁ‹ Þ¡ð‹ âù Í¡Á‹ G¬ø‰î¬õ âù ªî£™è£ŠHò‹ ÃÁAø¶. ªî£ì˜‰¶, Þ‰î‚ è÷Mò™ «è£†ð£†®™ è£îL™ õòŠð†ì æ˜ Ýµ‹ å¼ ªð‡µ‹ âšõ£Á Þ¼‚è «õ‡´‹ âù¾‹ ÃøŠð†´œ÷¶ (ªî£™è£ŠHò‹, 2008)

è÷Mò™ «è£†ð£†®™ å¡ð¶ ÃÁèœ àœ÷ù. ܬõ ºîŸ ê‰FŠ¹, Ü„ê‹, ܄ꈬî c‚è™, ºîŸ 𣘬õ, ã‚è‹, õêŠð´ˆ¶î™, è£î™, ¹í˜î™ ñŸÁ‹ F¼ñíˆFŸ°ˆ îò£ó£°î™ Ý°‹ (ªî£™è£ŠHò‹, 2008).

ñ¶ ï£õL™ è÷Mò™ «è£†ð£´

ª î £ ™ è £ Š H ò ˆ F ™ è ÷ M ò ™ «è£†ð£†®™ ÃPJœ÷ ºîŸ ê‰FŠ¹, Ü„ê‹ , ܄ꈬî c‚è™ , ã‚è‹ , õêŠð´ˆ¶î™, è£î™, ¹í˜î™ ñŸÁ‹ F¼ñíˆFŸ°ˆ îò£ó£°î™ â‹ ܬùˆ¶‚ ÃÁèÀ‹ ‘ñ¶’ ï£õL™ ܬìò£÷‹ è£íŠð†´œ÷ù. ܬõ W«ö ªè£´‚èŠð†´œ÷ù.

ºîŸ ê‰FŠ¹å«ó ð‡¹ , õò¶ à¬ìò æ˜

ݵ‹ å¼ ªð‡µ‹ êòô£è„ ê‰FŠð£˜èœ âù ªî£™è£ŠHò‹ ÃÁAø¶ . Üšõ¬èJ™ î¬ôõ¡ î¬ôM¬ò‚ 裆®½‹ àò˜‰îõù£è Þ¼Šð£¡ âù¾‹ ªî£™è£ŠHò‹ ÃÁAø¶. ܫ, Ü‰îˆ î¬ôõ¡ Üõ¡ ê‰Fˆî î¬ôMJ¡ Üö¬è‚ 致 ñòƒA M´õ£¡ âù¾‹ ނ裊Hò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014).

‘ñ¶’ ï£õL™ A¼wí£ â‹ î¬ôõ¡

îI›Š «ð󣌾 ÝŒMî› / 101

å˜ Þ¬ìG¬ôŠðœOJ™ ÝCKòó£èŠ ðEŠ¹KAø£¡. ÜŠðœOJ«ô ñ¶ â‹ î¬ôM å¼ ñ£íMò£èŠ ðJ™Aø£œ. å¼ ï£œ ðœOJ¡ 裬ô‚ ÆìˆF¡ «ð£¶ A¼wí£ ñ¶¬õˆ êòô£è„ ê‰F‚Aø£¡. ÜŠð® ê‰Fˆî Hø° æ˜ ÝCKò˜ â¡ð¬î»‹ ñø‰¶ Üõœ ÜöA™ ñòƒA M´Aø£¡ Üõ¡. Ü„Åö™ ފ𮂠裇H‚èŠð´Aø¶.

“Þšõ÷¾ Üöè£ù ªð‡í£ù Þõœ ò£«ó£?” âù ñùF™ «è†´‚ ªè£‡ì£¡ A¼wí£ («è£ñF «õ½Hœ¬÷, 2013, p.4).

܄ꋪ裊HòˆF™ êòô£è„

ê‰Fˆî î¬ôMJì‹ î¬ôõ¡ «ðê îòƒ°õ£¡ âù ÃøŠð†´œ÷¶. ¬îKò‹ Þ™ô£ñ™ êŸÁ îòƒA«ò GŸð£¡ î¬ôõ¡ (ªî£™è£ŠHò‹, 2014). ñ¶ ï£õL™ ñ¶¬õ„ ê‰Fˆî A¼wí£ Üõœ ÜöA™ ñòƒAò «ð£F½‹ Üõù£™ ÜõOì‹ àì«ù «ðê ÞòôM™¬ô. Üõ¡ îòƒA«ò å¼ õ£óˆ¬î‚ èìˆFù£¡. Ü„Åö™ ÞŠð® 裇H‚èŠð´Aø¶.

“ޡ‹ âˆî¬ù    ÞŠð®«ò îòƒA GŸèŠ «ð£A«ø¡? ä«ò£!” («è£ñF «õ½Hœ¬÷, 2013, p.9).

܄ꈬî c‚虪ð£¶õ£è õ‡´, ð„¬ê°ˆ¶î™

«ð£¡ø ÃÁèœ î¬ôõQ¡ ܄ꈬî c‚è I辋 àîMò£è Þ¼‚°‹. ªð‡ ªîŒõˆF¡ î¬ôJ™ Å®»œ÷ Ì‚èO™ õ‡´èœ ªñ£Œ‚è£. ñ£ø£èˆ î¬ôõ¡ ê‰Fˆî î¬ôMJ¡ î¬ôJ™ Å®»œ÷ Ì‚èO™ õ‡´èœ ªñ£Œ‚°‹. «ñ½‹, Üõœ àìL™ ð„¬ê °ˆîŠð†®¼‚°‹. ܫ, Üõœ è‡è«÷£ Í®ˆ Fø‚°‹. Þšõ¬ùˆ¬î»‹ 𣘈î î¬ôõ¡ Üõœ å¼ ñQîŠ HøM âù º®¾ ªêŒõ£¡. Þšõ£ø£èˆ î¬ôõ¡ î¡ Ü„êˆ¬îŠ «ð£‚A‚ ªè£œõ£¡ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014). ‘ñ¶’ ï£õL™ ܄ꈬî c‚è™ â‹

ÃÁ ªî£™è£ŠHòˆF™ ÃPò¶ «ð£ô Þ™ô£ñ™ êŸÁ ñ£ø£è G蛉¶œ÷¶. ªî£ì‚èˆF™ A¼wí£ ñ¶Mì‹ «ðêˆ îòƒAù£½‹ å¼ õ£ó‹ èì‰î H¡ Üõ¡ ÜõOì‹ î¡ è£î¬ôˆ ªîKMˆî£¡. ܫ Üõ¡ ÜõO¡ 輈¬î»‹ «è†ì£¡. Üõ«÷£ ªõ†èˆ«î£´ CKˆ¶‚ ªè£‡´ 殄 ªê¡Á M†ì£œ. ªî£™è£ŠHòˆF™ ÃP»œ÷ ܄ꈬî c‚èŠ ðò¡ð´ˆîŠð´‹ è¼Mèœ ò£¾‹ Þ‰ï£õL™ ðò¡ð´ˆîŠðìM™¬ô. Ü„Åö™ ÞŠð® 裇H‚èŠð´Aø¶.

“Üõ¡ «èœM‚°Š ¹¡ù¬èˆî£™ Üõœ” («è£ñF «õ½Hœ¬÷, 2013, p.146).

ã‚è‹è£îL™ M¿‰î î¬ôõ‹ î¬ôM»‹

å¼õ¼‚ªè£¼õ˜ îƒè¬÷ G¬ùˆ¶‚ ªè£‡´ ヰõ˜ âù ªî£™è£ŠHò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014) . ñ¶ ï£õL™ è£îL™ M¿‰î A¼wí£¾‹ ñ¶¾‹ å¼õ¬ó å¼õ˜ G¬ùˆ¶‚ ªè£‡´ Fùº‹ ã‚èˆ¶ì¡ îƒèO¡ è¬÷ ï蘈¶A¡øù˜. Ü„Åö™ ÞŠð® 裇H‚èŠð´Aø¶.

“Þó¾ ñE 12. Þ¼ŠH‹ Üõ‚° àøƒè º®òM™¬ô. Üõ¡ â‡í‹ º¿õ¶‹ «ïŸÁ ê‰Fˆî ñ¶ e¶ ” («è£ñF «õ½Hœ¬÷, 2013, p.36).

õêŠð´ˆ¶î™î¬ôõ¡  ªêŒ»‹ ªêòL™

I辋 èõùˆ«î£´ Þ¼Šð£¡. Üõ¡ ªêŒ»‹ 嚪õ£¼ ªêò½‹ î¬ôM¬òˆ î¡ õêŠð´ˆ¶‹ «ï £‚舫 Þ¼‚°‹ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014) . ñ¶ ï£õL™ î¬ôõ‹ î¬ôM»‹ è£îL™ M¿‰î Hø° å¼ ï£œ ñ¶, A¼wí£M¡ Ü´‚°ñ£® i†®Ÿ° Üõ‚è£è àí¬õ‚ ªè£‡´ ªê¡P¼‰î£œ. àí¾ à‡ì Hø° Þ¼õ¼‹ êŸÁ «ïó‹ à¬óò£®‚ ªè£‡®¼‰îù˜. CP¶ «ïó‹ èNˆ¶, ñ¶ î¡ CˆFJ¡ ªè£´¬ñò£™

102 / îI›Š «ð󣌾 ÝŒMî›

¶¡ðŠð´õ¬î‚ A¼wí£Mì‹ ÃPù£œ. î¡ ñù„ ²¬ñ¬ò‚ ÃPò H ø° èõ¬ô¬ò‚ 膴Šð´ˆ î º®ò£ñ™ Üõœ Üöˆ ªî£ìƒAù£œ. A¼wí£«õ£ î¡ è£îL Ü¿õ¬îŠ 𣘂è Þòô£ñ™ ÝÁî™ ÃÁõîŸè£è‚ 膮 ܬíˆî£¡. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“Þ «ñ½‹ ªð£Á¬ñò£è Þ¼‰î£™ ܶ ñQî Þùˆ¶‚«è Üõñ£ù‹ âù G¬ùˆî A¼wí£, â¬î»‹ «ò£C‚è£ñ™ «î‹H Ü¿îõ¬÷ˆ î¡ õê‹ Þ¿ˆ¶ ÞÁè ܬ툶‚ ªè£‡ì£¡.

â¡ õ£›‚¬èJ™ à¡ù îMø «õø âõÀ‚°‹ Þì‹ Þ™ôƒèø å¼ ªîOõ£ù º®¾‚° õ‰î Hø°   à¡ù ªî£†«ì¡ â¡ø£¡ A¼wí£ («è£ñF «õ½Hœ¬÷, 2013, p.115).

è£î™ªð£¶õ£è å¼ ªð‡µ‚° Ü„ê‹,

ñì‹, ï£í‹ â‹ Þ‹Í¡Á ð‡¹èÀ‹ Þ¼‚°‹ , Þî¡ è£óíñ£èˆî£¡ ªð‡í£™ ݇è¬÷Š «ð£ô îƒèO¡ è£î¬ô ªõOŠð¬ìò£èˆ ªîKM‚è Þòô£¶. «ñ½‹, ªð‡èœ îƒèO¡ è£îô«ù£´ Þ¼‚¬èJ™ îƒèO¡ 蟹‚° â‰îŠ ð£FŠ¹‹ õó£ñ™ Þ¼‚è, Üõ˜èœ I辋 èõùˆ¶ì¡ Þ¼Šð£˜èœ. ñ£ø£è, î¬ôõ«ù£ î¬ôMJì‹ àì½ø¾ ªè£œ÷ âF˜ð£˜Šð£¡. ܫ, î¬ôM¬ò ÜšõŠ«ð£¶ ¹è›õ«î£´ ñ†´ñ™ô£¶ ÜõÀ‚°‚ è£î™ ðK²èÀ‹ î¼õ£¡. è£î™ õ÷˜‰î Hø° Üõ˜èœ Ü®‚è® ê‰Fˆ¶‚ ªè£œõ£˜èœ. Þó¾ ñŸÁ‹ ðè™ °P âù ⊪𣿶‹ ê‰FŠð¶ à‡´. Þõ˜èO¡ è£îô£ù¶ Þõ˜èÀ¬ìò «î£ö¡ ñŸÁ‹ «î£N‚°ˆ ªîKò õ¼‹ «ð£¶ î¬ôõ¡ ñŸÁ‹ î¬ôMJ¡ è £ ° àîMò£ è Þ¼Šð£˜èœ. è£îL¡ è£óíñ£è î¬ôM î¡ «î£N«ò£´ ªêôõN‚°‹ «ïó‹ Ãì °¬ø‰¶ ªè£‡´ õ¼‹ âù‚ ÃÁAø¶ ªî£™è£ŠHò‹ (ªî£™è£ŠHò‹, 2014). å¼ ï£œ ñ¶ A¼wí£M¡ i†®Ÿ°„

ªê¡P¼‰î£œ. Cô ñE «ïóˆFŸ°Š Hø° A¼wí£ ñ¶¬õˆ î¡ Ü¬ø‚°œ ܬöˆ¶„ ªê¡ø£¡. îòƒAòõ£Á G¡øõO¡ ¬è¬òŠ H®ˆ¶‚ ªè£‡´ î¡ Ü¬ø‚° ܬöˆ¶„ ªê¡ø£¡ A¼wí£. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“𴂬è ܬø â¡ø¶‹ ñ¶¾‚° ðò‹ êŸÁ ÜFèñ£JŸÁ. àœ«÷ ªê¡ø¶‹ Üõ¬÷‚ 膮L¡ «ñ™ à†è£ó„ ªê£¡ù£¡ A¼wí£. ñ¶ Ü îòƒAù£œ” («è£ñF «õ½Hœ¬÷, 2013, p.189).

ª î £ì˜‰¶ , ñ¶ A¼wí£M¡ Þ™ôˆ¬îŠ ªð¼‚A ²ˆî‹ ªêŒ¶ ª è £‡®¼‰î £œ . A¼wí£«õ£ Üõ¬÷«ò ¬õˆî‚ è‡ â´‚è£ñ™ 𣘈¶‚ ªè£‡®¼‰î£¡. F¯ªó¡Á Üõ¡ Üõœ ܼA™ ªê¡Á Üõ¬÷‚ 膮 ܬíˆî£¡. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“ÜõO¡ ܉î î´ñ£Ÿøƒè¬÷ I辋 óCˆîõù£Œ, Üõœ è£î¼«è ªê¡Á ‘ñ¶ ä ôš Î’ â¡ø£¡. Ü¬î «è†ì ñ¶M¡ Þîò‹ ޡ‹ ð´«õèñ£è ¶®ˆî¶. «ñ½‹, â¡ù ïì‚°«ñ£ â¡Á ðò‰îõœ ܃A¼‰¶ ïèó ºŸð†ì «ð£¶, Üõœ ¬è¬òŠ ðŸP Þ¿ˆ¶ˆ F¼ŠHù£¡. ܉î GIì‹ ÜõO¡ ªð‡¬ñ Ü„êŠð†ì¬î Üõ÷£™ àíó º®‰î¶” («è£ñF «õ½Hœ¬÷, 2013, p.145).

Ü´ˆîŠð®ò£è, î¬ôõ¡ î¬ôMJì‹ àì½ø¾ ªè£œ÷ âF˜Šð£˜Šð£¡ âùˆ ªî £™è £ŠHò‹ ÃÁAø¶ . Þ‰ï£õL™, A¼wí£ Í¡Á è÷£è‚ 裌„êLù£™ ⃰‹ ªê™ô Þòô£ñ™ 𴂬èJ«ô«ò Þ¼‰î£¡. Üõ‚° àîMò£è ñ¶ Þ¼‰î£œ. 裌„ê™ ð†ì «ð£F½‹ A¼wí£M¡ è£î™ è£ñ‹ ÜìƒèM™¬ô. ñ¶ Üõ‚° ñ¼‰¶ ªè£´‚è ܬøJÂœ ¸¬ö‰î£œ. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

îI›Š «ð󣌾 ÝŒMî› / 103

“«õ‡ì£‹ ñ¶. «ïˆ¶ ïì‰î ñ£FK Þ¡Q‚°‹ ïì‰î£™ 裌„ê™ î£ù£ «ð£J´‹. ñ¶ Üõ¡ è£¬îŠ H®ˆ¶ˆ F¼Aòõ£Á “‹‹..Þ¶‚°‚ ªè£…꺋 Þì‹ ªè£´‚è‚ Ã죶¡Â ªê£™½ø¶” è£FL¼‰¶ ¬è â´ˆîõ÷£Œ “õ‰¶ ꣊H´ƒè, õ£ƒè” âù‚ ÃP M†´ º¡ù£® ªê¡ø£œ Üõ‚° àí¾ ðKñ£ÁõîŸè£è” («è£ñF «õ½Hœ¬÷, 2013, p.179).

ܫ, î¬ôM¬ò Üšõ«ð£¶ ¹è›õ¶ î¬ôõQ¡ ðö‚è‹ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶ . ñ¶¾‹ A¼wí£¾‹ ªî£¬ô‚裆C 𣘈¶‚ ªè£‡®¼‰îù˜. ÜŠªð£¿¶ A¼wí£ î¡ èõùˆ¬î ñ¶ ð‚è‹ F¼ŠHù£¡. Hø° Üõ¡ Üõ¬÷Š 𣘈¶Š ¹èöˆ ªî£ìƒAù£¡. W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“ñ¶ ࡬ùŠ 𣘂°‹ «ð£ªî™ô£‹ âù‚°œ å¼Mî è£î™ «ð£¬î Hø‚è «õ‡´‹ â¡ðîŸè£è«õ àù‚° ñ¶ â¡ø ªðò¬ó ކ죘è«÷£?” («è£ñF «õ½Hœ¬÷, 2013, p.157).

« ñ½‹ , î¬ôõ¡ î¬ôM‚°‚ è£î™ ðK²èœ ªè£´Šð£¡ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. Þ‰î ï£õL™ å¼ ñFò «õ¬ôJ¡ «ð£¶ A¼wí£ î¡ i†®Ÿ° õ‰F¼‰î ñ¶¬õŠ 𣘈¶Š ðK² ªè£´ŠðîŸè£è Üõ¬÷ˆ î¡ Ü¬ø‚° ܬöˆî£¡. W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“ñ¶ ªè£…ê‹ â¡ Ãì õ£«ò¡” â¡Á Üõ¬÷ˆ î¡ ð´‚¬èò¬ø‚° ܬöˆ¶„ ªê¡ø£¡. î¡ Üôñ£KJ™ Þ¼‰¶ ÜõÀ‚è£è õ£ƒAò ¹ì¬õ¬ò Üõœ ¬èJ™ ¬õˆî£¡ A¼wí£” («è£ñF «õ½Hœ¬÷, 2013, p.189).

î¬ôõ¡ ñŸÁ‹ î¬ôM Þ¼õK¡ è£î™ ï¡ø£è õ÷˜‰î Hø° Þó¾ ðè™ âù ð£ó£ñ™ Ü®‚è® ê‰Fˆ¶‚ ªè£œõ£˜èœ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. A¼wí£ ñŸÁ‹ ñ¶M¡ è£î™ I辋 õ½õ£ù Hø° Þ¼õ¼‹ Ü¡ø£ì‹

ê‰Fˆ¶‚ ªè£œA¡øù˜. Üõ˜èœ ê‰Fˆ¶‚ ªè£œÀ‹ Þì‹ A¼wí£M¡ Ü´‚°ñ£® i죰‹. W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“Ü¡Á ë£JŸÁ‚Aö¬ñ. Ü¡Á  ºî¡ ºîô£è «ê£ñ£M¡ i†®L¼‰¶ AKwí£MŸ° ñFò àí¾ õ‰î¶. å«ó ꉫî£û‹ Üõ‚°. Ü‰î„ ê£Šð£†¬ìŠ ð£˜ˆ¶ Ü™ô. Ü¬î ªè£‡´ õ‰î ñ¶¬õŠ 𣘈¶. Þ«î «ð£¡Á ñÁï£À‹ ñ¶ õ‰î£œ. Þ¼õ¼‹ «ïó‹ «ð£õ«î ªîKò£ñ™ «ðC ñA›‰îù˜. 嚪õ£¼ ï£À‹ ÞŠð®«ò èì‰î¶” («è£ñF «õ½Hœ¬÷, 2013, p.31).

Ü ¶ ñ † ´ ñ ™ ô £ ¶ , î ¬ ô õ ¡ î¬ôMJ¡ è£î™ îƒèO¡ «î£ö¡ ñ ŸÁ‹ « î £N ‚° ˆ ª î Kòõ¼‹ . Hø° Üõ˜èœ ܈î¬ôõ‚°‹ î¬ôM‚°‹ àîM ªêŒõ£˜èœ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. A¼wí£ ñ¶M¡ è£î™, ñ¶M¡ àJ˜ «î£Nò£ù òºù£¾‚°ˆ ªîKòõ¼Aø¶. Üõœ ñ¶, A¼wí£ Þ¼õ¼‹ ê‰F‚è ãŸð£´ ªêŒAø£œ. W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“A¼wí£ ªów«ì£ó‚° õó è£óí‹ òºù£õ£èˆ  Þ¼‚è «õ‡´‹ â¡Á ÜP‰î ñ¶, Üõ¬÷ˆ î¡ ð£˜¬õJù£«ô 臮ˆî£œ” («è£ñF «õ½Hœ¬÷, 2013, p. 205).

ñ¶ A¼wí£ Þ¼õK¡ è£î™ îƒèO¡ ªðŸ«ø£˜èÀ‚° ޡ‹ ªîKòM™¬ô. °PŠð£èˆ î¡ CˆF‚°ˆ î¡Â¬ìò è£î™ ªîKòõ‰î£™ Üõœ CˆF 臮Šð£è‚ è£î½‚°ˆ îìƒè÷£è Þ¼Šð£œ âù â‡E I辋 èõ¬ôŠð†ì£œ. Üõœ èõ¬ô¬òˆ î¡ «î£N òºù£Mì‹ ÃPù£œ ñ¶. Ü òºù£ ñ¶¬õˆ ¬îKòñ£è Þ¼‚è„ ªê£™L ÜõÀ‚° ï‹H‚¬è ᆮù£œ. ï‹H‚¬èòOˆî î¡ «î£N‚° ñ¶ ï¡P ÃPù£œ. W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“â¡ù® Þ¶? «îƒw â™ô£‹ ªê£™LA†´! c ⶂ°‹ èõôŠðì£î.

104 / îI›Š «ð󣌾 ÝŒMî›

 Þ¼‚«è¡ àù‚°” â¡Á ÃPù£œ òºù£ («è£ñF «õ½Hœ¬÷, 2013, p.128).

ðê¬ô «ï£Jù£™ î¬ôM î¡ «î£N«ò£´ ªêôõN‚°‹ «ïó‹ °¬ø‰¶ õ¼‹ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. Ü¡Á êQ‚Aö¬ñ. òºù£ ñ¶¬õŠ ̃è£MŸ° õó„ ªê£¡ù£œ. Þ¼õ¼‹ ܃°„ ê‰Fˆ¶ à¬óò£®ù£˜èœ. êŸÁ «ïó‹ èNˆ¶ ñ¶ Üõêó Üõêóñ£èŠ ¹øŠðìˆ îò£ó£Aù£œ. ñ¶M¡ à‡¬ñ è£ó투î à혉î òºù£ å¡Á‹ ªîKò£î¬îŠ «ð£ô Þ¼‰¶ ªè£‡ì£œ. ñ¶ A¼wí£¬õ„ ê‰F‚èˆî£¡ Üšõ£Á ¹øŠð´Aø£œ â¡Á ¹K‰¶ªè£œAø£œ, òºù£ . W›õ¼‹ Åö™ ï £õL™ 裇H‚èŠð†´œ÷¶.

“êK ñEò£„C, ªõœ÷«ù i†´‚°Š «ð£Œ «êóô¡ù£ CˆF ðˆFó‚è£Oò£ ñ£P´õ£” âù ÃP M¬ó‰¶ ¹øŠð†ì£œ ñ¶” («è£ñF «õ½Hœ¬÷, 2013, p.107).

¹í˜î™è£îL™ õòŠð†´ Þ¼‚°‹ «ð£¶

î¬ôõ¡ î¬ôMJì‹ àì½ø¾ ª è £ œ÷ â‡í‹ ª è £ œõ £¡ . Ýè«õ, Üõ¡ Üõ¬÷ˆ ªî£´õ¶ ñ†´ñ™ô£¶ î¬ôMJ¡ ê‹ñ àì½ø¾ ªè£œõ¶‹ à‡´. ÜŠð® Üõ˜èO¬ì«ò àì½ø¾ 㟊ð†ì£™ î¬ôM î¬ôõ¬ùˆ F¼ñí‹ ªêŒ¶ ªè£œ÷ õŸ¹Áˆ¶õ£œ . ñ£ø£è , î¬ôõ¡ î¬ôM‚A¬ì«ò àì½ø¾ ãŸðì£M†ì£½‹ Üõ˜èO¡ è£î™ Mêò‹ ªêMLˆî£Œ‚°ˆ ªîK‰¶ M´‹. Hø°, Þ¼õK¡ ªðŸ«ø£˜èÀ‚°‹ Þõ˜èO¡ è£î™ ªîKò õ¼‹ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014). è£î™ «ñ£è‹ ªè£‡ì î¬ôõ¡ î¬ôMJì‹ àì½ø¾ ªè£œ÷ â‡í‹ ªè£œõ£¡ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. æ˜ Þó¾ èùˆî ñ¬ö ªðŒ¶ ªè£‡®¼‰î¶. Þ®«ò£´ I¡ù½‹ Iè ðôñ£è Þ¼‰î¶. Þ®J¡ êˆî‹ Iè «õèñ£è Þ¼‰î, ñ¶ àì«ù î¡ Ü¼«è Þ¼‰î A¼wí£¬õ‚ 膮

ܬ툶‚ ªè£‡ì£œ. Üõœ ªêòô£™ Üõ¡ ¬èJ™ Þ¼‰î 裊H A¼wí£ e¶ ªè£†®ò¶. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶.

“ņ¬ìˆ îQ‚è‚ è£ŠH‚ ªè£†®ò Þìñ£ù Üõ¡ ªï…²‚°NJ¡ e¶ î¡ Þî›è¬÷ °Mˆ¶ «õèñ£è áFù£œ. Üõœ àî´èO™ Þ¼‰¶ ªõO«òPò Ü‰î °O˜‰î 裟P¡ wðKêˆF™ ù‚ 膴Šð´ˆF‚ ªè£œ÷ Þòô£îõù£Œ, ꆪì¡Á ñ¶¬õ 膮ò¬íˆ¶, î¡ Þî›è¬÷ Üõœ Þî›è«÷£´ Þ¬íˆî£¡” («è£ñF «õ½Hœ¬÷, 2013, p.166).

«ñ½‹, A¼wí£ è£Œ„êL™ Þ¼‚°‹ «ð£¶ ñ¶ Üõ‚° ñ¼‰¶ ªè£‡´ ªê¡ø£œ. Üõ¡ 𴂬èJ™ Þ¼‰î£¡. ÜŠªð£¿¶ î¡ Å›„Cò£™ î¡ ºèˆ¬î ñ¶M¡ ºèˆ«î£´ «ê˜ˆ¶ Þ¬íˆî£¡. ñ¶ ܉î wðKêˆF™ å¡Á‹ ªêŒò Þòô£îõ÷£Œ Þ¼‰î£œ. ÜŠ«ð£¶, W›õ¼‹ Åö™ ï£õL™ 裇H‚èŠð†´œ÷¶,

“â¡ è‡è¬÷Š 𣼠ñ¶” âù « ó £ ñ £ ‡ ® ‚ è £ è à P ò õ Q ¡ «õ‡´«è£À‚° Þíƒè Üõ¡ è‡è¬÷ «ïó£è 𣘈îõOìˆF™ Üõ¡ Þî›è¬÷»‹ Þ¬í‚è ºò¡ø£¡” («è£ñF «õ½Hœ¬÷, 2013, p.181).

î ¬ ô õ ¡ ñ Ÿ Á ‹ î ¬ ô M ªðŸ«ø£˜èÀ‚° Þõ˜èO¡ è£î™ ªîKò õ¼‹ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶. î¡ ñè¡ è£î™ Mêò‹ ªîKò£ñ™ «ê£º A¼wí£MŸ°ˆ î¡ ªê£‰îˆF™ àœ÷ å¼ ªð‡¬íŠ 𣘈 . Þ¬î ÜP‰î A¼wí£ ¶‚è‹ î£ƒè Þòô£ñ™ °Oòô¬ø‚°„ ªê¡Á èˆF Üöˆ ªî£ìƒAù£¡. Hø°, î¡ ÜŠð£ Üñ˜‰¶œ÷ õ£ö¬ø‚° õ‰î£¡. î¡ ñè¡ I辋 èõ¬ô«ò£´ Þ¼Šð¬î‚ è‡ì «ê£º Þšõ£Á «è†èˆ ªî£ìƒAù£˜.

“ ã‡ì£ ÞŠð àù‚° â¡ù ªêŒò‹ ªê£™½?  î¡«ù£´ «ê˜‰¶ èõ¬ôŠð´õ¬î

îI›Š «ð󣌾 ÝŒMî› / 105

à혉î A¼wí£ î¡ ñùF™ Þ¼‰î¬î î ÞìˆF™ ªè£†®ˆ b˜ˆ¶ M†´, ܬø‚°œ ªê¡Á èî¬õ„ ꣈F‚ ªè£‡ì£¡” («è£ñF «õ½Hœ¬÷, 2013, p.223).

Ü´ˆ¶, ñ¶ ñŸÁ‹ A¼wí£M¡ è£î™ Mêò‹ âŠð®«ò£ ñ¶M¡ CˆF Ü…êô£¾‚°ˆ ªîKò õ‰î¶. ÜšMêò‹ ªîK‰î Ü´ˆî GIì«ñ Ü…êô£ I辋 ªè£´¬ñò£è ªêò™ðìˆ ªî£ìƒAù£œ. êŸÁ‹ Þó‚è‹ Þ™ô£ñ™ Üõœ ñ¶¬õ Ü®ˆ¶ˆ ¶¡¹ÁˆFù£œ. Ü„Åö™ W«ö 裇H‚èŠð†´œ÷¶.

“iF«ò ÜìƒA M†ì¶. Ýù£™ Ü…êô£M¡ ¹ô‹ð™ êˆî‹ ñ†´‹ ޡ‹ ÜìƒèM™¬ô. ê¬ñò™ 膮¡ å¼ Í¬ôJ™ Ü®ˆ¶, ¶¬õˆ¶, AN‰î ¶Eò£†ì‹, àìªôƒ°‹ CÁ CÁ è£òƒè«÷£´ êK‰¶‚ Aì‰î£œ ñ¶” («è£ñF «õ½Hœ¬÷, 2013, p.289).

F¼ñíˆFŸ°ˆ îò£ó£°î™è£îL™ M¿‰î å¼ î¬ôõ‹

î¬ôM»‹ îƒèO¡ è£î¬ôˆ F¼ñí‹ õ¬ó‚°‹ â´ˆ¶„ ªê™õ£˜èœ âùˆ ªî£™è£ŠHò‹ ÃÁAø¶ (ªî£™è£ŠHò‹, 2014). ñ¶M¡ è£î½‚° âF˜Š¹ˆ ªîKMˆî î¡ CˆFò£™ ÜõO¡ F¼ñ투îˆ

î´ˆ¶ GÁˆî ÞòôM™¬ô. «ê£º«õ£ ñ¶M¡ i†®Ÿ°„ ªê¡Á î¡ õ¼ƒè£ô ñ¼ñè¬÷ ܬöˆ¶ˆ î¡Â¬ìò i†®Ÿ°„ ªê¡ø£˜. Ü„Åö™ W«ö 裇H‚èŠð†´œ÷¶.

“î¡ ñ¼ñèœ îù‚° Gó‰îóñ£è ñè÷£è õ‰¶M†ì£œ â¡ø ꉫî£êˆF™ ²‰îó‹ º¡ ïì‚è Ü…êô£, «ê£ñ£, ôLî£, è£IQ 𣘂è A¼wí£M¡ ¬è¬ò ÞÁè ðŸP ïì‰î£œ ñ¶ ðô èù¾è«÷£´” («è£ñF «õ½Hœ¬÷, 2013, p.299).

º®¾¬óÞ‰î ÝŒ¬õ «ñŸªè£‡ì Hø°

è÷MòL™ ÃøŠð†´œ÷ ÃÁèœ ò£¾‹ ‘ñ¶’ â‹ ï£õL™ ܬìò£÷‹ è£íŠð†´œ÷ù. Þ¼ŠH‹, ºîŸ 𣘬õ â‹ ÃÁ ñ†´‹ Þ‰î ï£õL™ è£í ÞòôM™¬ô. ä‰î£Jó‹ ݇´èÀ‚° º¡ â¿îŠð†ì ªî£™è£ŠHò ËL™ àœ÷ è÷Mò™ â‹ «è£†ð£´ Þ‰ïiù è£ôˆF™ ªõOJìŠð†ì îI› ï£õL½‹ è£íŠð´Aø¶. Þî¡ Ü®Šð¬ìJ™, è£î™ å¼ ªð£¶ Ýù¶ (universal) âù‚ Ãøº®Aø¶ (Zeynap, 2015). ނ߬ø õ½Šð´ˆî ‘ñ¶’ ï£õL™ è£íŠð´‹ Åö™èœ ò£¾‹ ã¶õ£è ܬñA¡øù.

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Independent Publishing. (2017). Life Of Prathapa Mudaliar. Create Space: Tamil Nadu Press.

Komathy Veluplay. (2013). Mathu. Kuala Lumpur: Penerbit Uma Pathipakam.

Krishnan. (2010). Perkembangan Novel Tamil Di Tanah Melayu. Kuala Lumpur: Uma Pathipakam.

Kumarasamy Tannirmalai. (2011). Isu-Isu Sosial Yang Digambarkan Oleh Novel-Novel Tamil Malaysia Sekitar 1990an. Tesis Ijazah Sarjana, Kuala Lumpur: Universiti Malaya.

Puliyur Kesikan. (2012). Tholkappiyam Muzuthum. Chennai: Vetrivel Depot.

Rajantheran, M & Silllalee, K. (2015). “Sangath Thamilarin maanam kaatha Veeram”, Journnal of Tamil Peraivu. (Vol.1 / pp.7-15).

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