digital medieval manuscripts

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DIGITAL MEDIEVAL MANUSCRIPTS A Use-Case for an Interoperable Digital Library Infrastructure Benjamin Albritton Stanford University Libraries [email protected] @bla222

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Part of a three-part presentation on IIIF, SharedCanvas, and the medieval manuscript use-case. Given at DLF2012.

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Page 1: Digital Medieval Manuscripts

DIGITAL MEDIEVAL MANUSCRIPTSA Use-Case for an Interoperable Digital Library Infrastructure

Benjamin Albritton

Stanford University Libraries

[email protected]

@bla222

Page 2: Digital Medieval Manuscripts

Overview• Background• Current State: A World of Silos• Medieval Manuscripts: The Complex Use-Case• Toward a Digital Manuscript Commons

Page 3: Digital Medieval Manuscripts

BackgroundAndrew W. Mellon Foundation funded numerous manuscript digitization projects over several decades

All had in common: • Inability to share data across silos to satisfy scholarly use• Inability to leverage existing infrastructure• No sustainability model for data or access

Goal:• Interoperability between repositories and tools

Page 4: Digital Medieval Manuscripts

Image Repositories• A “standard model”• Lots of images• Descriptive metadata• Silo interfaces

• Built-in tools• No way to access

outside “stuff” for comparison

• Mediates use• Expensive to

maintain

Page 5: Digital Medieval Manuscripts

Current State: A World of Silos

DIAMM Parker on the Web e-codices And so on…

Page 6: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 7: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 8: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 9: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 10: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 11: Digital Medieval Manuscripts

Silos: What you can do

• Access data from a single repository• Use the tools that repository supports• See images in the way that repository allows• See curated descriptions of the material• See approved additional material• Search and browse within a single repository

Page 12: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 13: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 14: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 15: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 16: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 17: Digital Medieval Manuscripts

Silos: What you can’t do

• Access data from any other repositories• Use any other tools• See images any other way• Contribute or correct descriptions (often)• Add additional material or comments (often)• Search across repositories unless federated search has been implemented

Page 18: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 19: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 20: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 21: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 22: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 23: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 24: Digital Medieval Manuscripts

Medieval Manuscripts: The Complex Use-Case

• What is a Manuscript?• What is its relation to a digital

facsimile?• What is the relation of a

transcription of a facsimile to the original object?

• What is the relation of commentary on the facsimile to the original object?

• Who uses these objects?• How do users interact with the

facsimile?• What information is important? Walters Ms. W.188, Book of Hours in Dutch

(fol. 16r)

Page 25: Digital Medieval Manuscripts

Working with Surrogates

Page 26: Digital Medieval Manuscripts

Uses of Manuscript Facsimiles

Parker Library, CCCC 61(fol. 1v)

Page 27: Digital Medieval Manuscripts

Manuscript Information

Parker Library, CCCC 61(fol. 1v)

Page 28: Digital Medieval Manuscripts

Common Problems and Challenges• Transcription, Annotation, and other activities• Disbound or rebound manuscripts• Manuscripts with flaps, folds, or other structures• Manuscript fragments• Dispersed leaves• Secondary literature “about” the object• Related manuscripts in separate repositories• International teams of users

Page 29: Digital Medieval Manuscripts

Common Problems and Challenges• Transcription, Annotation, and other activities• Disbound or rebound manuscripts• Manuscripts with flaps, folds, or other structures• Manuscript fragments• Dispersed leaves• Secondary literature “about” the object• Related manuscripts in separate repositories• International teams of users

Page 30: Digital Medieval Manuscripts

Common Problems and Challenges• Transcription, Annotation, and other activities• Disbound or rebound manuscripts• Manuscripts with flaps, folds, or other structures• Manuscript fragments• Dispersed leaves• Secondary literature “about” the object• Related manuscripts in separate repositories• International teams of users

Page 31: Digital Medieval Manuscripts

Common Problems and Challenges• Transcription, Annotation, and other activities• Disbound or rebound manuscripts• Manuscripts with flaps, folds, or other structures• Manuscript fragments• Dispersed leaves• Secondary literature “about” the object• Related manuscripts in separate repositories• International teams of users

Page 32: Digital Medieval Manuscripts

Common Problems and Challenges• Transcription, Annotation, and other activities• Disbound or rebound manuscripts• Manuscripts with flaps, folds, or other structures• Manuscript fragments• Dispersed leaves• Secondary literature “about” the object• Related manuscripts in separate repositories• International teams of users

Page 33: Digital Medieval Manuscripts

Repository to Repository Interactions

• One-off sharing• Human-brokered• But:

• Expense• Not scalable• What if:

• A text repository wants images for all MSS of its texts?

• An image repository wants texts for all its images?

Parker: CCCC 410 – De speculatione musice

CHMTL: 1970, Corpus scriptorum text of De speculatione musice

Page 34: Digital Medieval Manuscripts

But what about…• Other resources

“about” an object or text

• … stored and served in other places

• … that you might not know about

• How to build extensible facsimiles?

Page 35: Digital Medieval Manuscripts

Toward a Digital Manuscript Commons

The Problem:

• Medieval projects as “curated and comprehensive” efforts• Technical and social silos• Expensive to maintain• Difficult to extend

Page 36: Digital Medieval Manuscripts

Toward a Digital Manuscript Commons

The Goal:

• Toward a “commons” of distributed resources

• Aggregation of information and extensibility vs. “curated and comprehensive”

• New approaches to what can be done with digitized and born-digital material

Page 37: Digital Medieval Manuscripts

Designing Modular Repositories and Tools

Image Data (Canonical)

Image Viewer

Discovery

Annotation

Metadata (Canonical)

Transcription

Image Viewer

Image Analysi

s

Discovery

Tool X?

Page 38: Digital Medieval Manuscripts

Interoperability• Expose resources to

shared tools and repositories

• Enhance resources

• Exposure is low cost• Shared tools let other

people make your stuff better

• Specialists build the domain-specific tools

Page 39: Digital Medieval Manuscripts

CHMTL text + Parker image in T-PEN

Page 40: Digital Medieval Manuscripts

Re-presented with text in side-by-side view…

Page 41: Digital Medieval Manuscripts

… or overlaid

Page 42: Digital Medieval Manuscripts

Examples of other resources attached to the facsimile

• Audio performances of notated music

• Overlaid text transcription

• User-generated comments (public and private)

• Also:• Data sets• Mark-up• Base

image choices

Page 43: Digital Medieval Manuscripts

Building the Commons• Content providers:

• Use common data model: SharedCanvas• Use common image API: IIIF

• Make use of distributed resources to support new projects• Aggregation and extensibility vs. “curated and comprehensive”

• Front-end branding with back-end interoperability• Shared development costs instead of “reinventing the

wheel”• Esp. viewers and discovery interfaces

• Have manuscripts in your collection? Join the conversation: [email protected]

Page 44: Digital Medieval Manuscripts

Participants• Repositories:

• Stanford University Libraries• Yale University• e-codices• British Library• Bibliothèque national de France• Oxford University Libraries

• Tools:• T-PEN (Saint Louis University) (http://t-pen.org/TPEN)• DM (Drew University) (http://ada.drew.edu/dmproject/)

• Data model and APIs• SharedCanvas (http://www.shared-canvas.org)• IIIF (http://lib.stanford.edu/iiif)

• Thanks to:• The generous support of the Andrew W. Mellon Foundation• Participants in the DMS Technical Council