digital broadcast middle east - april 2010
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Digital Broadcast Middle East - April 2010 - ITP BusinessTRANSCRIPT
VOLUME 3 ISSUE 4 APRIL 2010
An ITP Business Publication
Leading global industry fi gures debate the future of Arab media
CITIZEN PRODUCERSBBC takes user generated content to the next level
CAPACITY CROWDTh e Middle East’s expansive
satellite market laid bare
THE BUSINESS OF DIGITAL CONTENT DELIVERY
Licensed by Dubai Media City
Leading global industry fi gures debate the future of Arab media
POWERPLAYERS
01www.digitalproductionme.com
CONTENTS
APRIL 2010
30THE CAPACITY CROWDYour guide to the satellite service industry in
the Middle East.
26ANGA MANAGEMENTTh e ANGA Cable show presents the fi rst
post-NAB glimpse of the latest technology.
ALSO IN THIS ISSUE...
WEB HIGHLIGHTSSpot poll: What did you think of
CABSAT?; top web stories; editor’s
choice: Digital Studio awards video.
THE BRIEFINGADMC wins F1 rights; MBC in
$10m lawsuit; Antoine Choueiri
passes away.
CITIZEN PRODUCERSHosam El Sokkari on BBC
Arabic’s new format that puts
bloggers in the director’s chair.
COVER STORY: POWER PLAYERSDigital Broadcast presents the key
fi ndings from the star-studded
Abu Dhabi Media Summit.
MARKET ANALYSISMedia buyers are investing more
in online video ads but is the
money coming from TV budgets?
2
6
14
16
40
16 THE MOSTCOMPREHENSIVEFAMILY OFDIGITAL TVMONITORING,MEASUREMENTAND ANALYSISPRODUCTSIN THE WORLD
www.digitalproductionme.comAPRIL 2010
DPME.COM ROUND-UP
02
EDITOR’S CHOICE
MOST POPULAR STORIES
1 Sky to launch EMEA’s fi rst 3D channel on April 3
2 People meter could double UAE ad spend: analyst
3 Harman to establish dedi-cated EMEA sales offi ce
4 ADMC and HUMAX tie to roll out HD STBs for EPL
5 FT Doha fi lm summit gets thumbs up from delegates
Th e Middle East telecoms and media industries
must work harder at collaboration, according
to Mohammed Omran, chairman of UAE-based
operator Etisalat
digitalproductionme.com/news
ETISALAT CHIEF CALLS FOR MEDIA-TELCO TIES
The online home of:
DA
TE: M
arch
28
ALSO ON THE DPME SLATE THIS MONTH...
Freelance DoP Paul Mongey puts the Sony PMW 350 XDCAM EX through its paces.
ANALYSIS
ROLL CAMERA!Damien McGurn discusses CT’s AV push in the Middle East.
INTERVIEWS
VISUAL MEDIUM
ADMC reveals its plans for augmented reality in the Middle East.
TECHNOLOGY
REALITY BYTESLocal content must be made the priority in the coming years, writes the Thomson Founda-tion’s Eric MacInnes.
COMMENT
WHERE’S THE NEXT FREEJ?
VIDEOS
DS AWARDS 2010
digitalproductionme.com/analysis
digitalproductionme.com/technology
digitalproductionme.com/interviews
digitalproductionme.com/comment
The highlights reel from sister publication Digital Studio’s an-nual awards ceremony.
READER COMMENT: “I recently visited the UAE and was surprised by how advanced the telco services were. I only hope that we can have the same option here one day.”TelcoGeek, London, UK.
M
SPOT POLLWHAT WAS YOUR IMPRES-SION OF CABSAT 2010?
42% Better than expected.
25% Disappointing compared to last year.
21% Good turn-out but not much business.
12% Fantastic, no complaints. DA
TE: M
arch
28
Trade Fair for Cable, Broadband and SatelliteCable
Kindly supported by
Exhibition and Congress
4 - 6 May 2010
Cologne/Germany
www.angacable.com
383 international exhibitors in 2009
13,600 trade visitors from 69 countries
22,000 sqm exhibition space
1,400 congress attendees in 2009
ANGA Services GmbH
Nibelungenweg 2 · 50996 Köln / Cologne
Germany
Phone +49 221 / 99 80 81-0
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ITP BUSINESS PUBLISHING
CEO Walid AkawiManaging Director Neil DaviesDeputy Managing DirectorMatthew SouthwellEditorial Director David InghamVP Sales Wayne LoweryCommercial Director Fred Dubery
EDITORIAL
Senior Group Editor Aaron GreenwoodTel: +971 4 210 8795 email: [email protected] John ParnellTel: +971 4 210 8655 email: [email protected]
ADVERTISING
Commercial Director Fred DuberyTel: +971 4 210 8381 email: [email protected] Manager Gavin MurphyTel: +971 4 210 8272 email: [email protected] Advertising RepresentativeMikio Tsuchiya Tel: + 81 354 568230email: [email protected]
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COMMENT
APRIL 2010 05
A fter a lull in activity created by the
economic downturn, the broadcast
industry now appears to be on the
road to recovery and back in profi t.
Last month’s CABSAT was the clearest and
most authoritative indication of this so far.
New exhibitors discovered a vibrant market
with plenty of projects planned across various
activities. Veteran exhibitors saw the buzz of
previous years return, largely off the back of
customers’ renewed confi dence and willingness
to invest in new technologies.
Th is month’s NAB is the fi rst of the big two
international shows since the majority of
the world’s major economies emerged from
recession. If the same vigour seen at CABSAT
is experienced at NAB, it will provide the entire
industry with a much needed boost.
Hot on the heels of CABSAT came the Abu
Dhabi Media Summit, which put the local media
industry – specifi cally Abu Dhabi’s – position in
the international landscape.
Smaller tradeshows – such as the UK’s
Broadcast Video Expo – are faring well too. Next
month’s ANGA Cable exhibition in Germany
has reached maximum capacity with the
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accompanying congress also set for a busy year.
Th e emergence of some new events on the 2010
calendar also signifi es the confi dence now felt in
large parts of the industry.
Th e fi rst 3DTV World Forum will take place
in London next month. Closer to home, Internet
Show Middle East will debut in Abu Dhabi this
September. Th e event will bring media and
broadcast professionals together with some
of the creative and technical talent working
exclusively on the internet, a relationship that
will grow in importance, sophistication and value
in the coming years.
All of these shows – past, present and future –
indicate that the sector has found its feet once
again. More than this though, the development
of trade shows to support new formats and
platforms indicates that the industry is now
ready to continue investing in its own future.
06 www.digitalproductionme.comAPRIL 2010
THE BRIEFING
News Corp subsidiary Fox International Chan-
nels (FIC) has announced a wide-ranging stra-
tegic partnership with Abu Dhabi’s twofour54,
which will see large sections of the broadcaster’s
international operations relocated to the Abu
Dhabi production precinct.
Under the terms of the deal confi rmed in Abu
Dhabi last month, FIC has pledged to head-
quarter the Middle East operations of its global
online ad network business, .FOX (pronounced
dot-fox), in Abu Dhabi in co-operation with two-
four54. It will also collaborate (via its documen-
tary production arm NHNZ) on the production
of a high-end HD and 3D documentary for
broadcast television, cinema and museums.
An NHNZ production offi ce will also open
focusing specifi cally on the development of 3D
production capabilities in the Arab world.
FIC will also relocate some of its overseas play-
out and operations to a new centralised tapeless
HD facility in Abu Dhabi operated by twofour54.
“As we seek to play our part in the development
of the UAE’s capital as a media centre for the
Middle East our relationship with twofour54 will
be a fundamental advantage,” said Ward Platt,
president of FIC, Asia Pacifi c and Middle East.
Abu Dhabi Media Company (ADMC) has con-
fi rmed that it will broadcast the Formula One
championship on its Al Riyadiya 2 sports free-
to-air (FTA) channel.
ADMC announced that it had won the exclu-
sive regional broadcast rights last month but
did not immediately confi rm whether or not it
would show the championship on the encrypted
Al Riyadiya 3 or on a FTA basis.
“We are focused on off ering the best coverage
to viewers across the Arab World,” said Moham-
med Najeeb, director of Abu Dhabi Al Riyadiya.
“Our eff orts complement the growing interest
in car racing in the region, including the trans-
formation of Bahrain and Abu Dhabi into hubs
for motorsport excellence.
“A lot of people love to watch it and after
building the Yas Marina Circuit, we defi nitely
have to follow the growth of this particular
sport,” added Najeeb.”
Th e Formula One coverage will be broadcast
in Arabic. E-Vision subscribers will have an ad-
ditional English-language audio option.
Bahrain TV had previ-
ously held the rights
to the competition.
Th e switch means that
ADMC and Al Jazeera
Sport now own all the
premium international
sports broadcast
rights in the Middle
East with the
exception of the
Summer Olym-
pic Games.
ADMC WINS EXCLUSIVE FORMULA 1 RIGHTSBroadcaster will show all action on un-encrypted Al Riyadiya 2 channel
FOX DECLARES TWOFOUR54 COMMITMENT
MONTH IN NUMBERS
30%The percentage of STBs shipped in 2010
that will be HD-enabled
CONTENTGOOD MONTHADMCAbu Dhabi Media Company had a busy month in March.
The broadcaster secured the Middle East and North Africa rights to the Formula One championships. The deal was struck just in time for the Abu Dhabi Sports to screen the opening race of the new season in Bahrain.
The company then hosted the inaugural Abu Dhabi Media Summit and fi nished the month by securing a STB manufacturer for it upcoming EPL encrypted channels.
BAD MONTH3D DOUBTERSThe format had another big month leaving those reluctant to embrace 3D in an increas-ingly isolated position.
LG committed to selling one million 3D TV sets in 2010, rais-ing its estimate of 400,000.
Figures released by the Na-tional Association of Theatre Owners in the US suggested that 3D had played a major part in record breaking box offi ce results in Q1 2010.
The major US studios also revealed several new releases would be offered in 3D.
15 millionThe number of cable STBs that will have
networking capability by 2014
Mohammed Najeeb, director, Abu
Dhabi Al Riyadiya.
Source: ABI Research
www.digitalproductionme.com
THE BRIEFING
APRIL 2010 07
MBC is being sued for US $9.87 million by
a TV channel based in the US that claims
to have been promised the same fi gure as
payment for securing the distribution of
MBC on the American satellite platform,
Dish Network.
Dandana – a TV network targeting Arab
Americans – claims that it was promised
30 percent of MBC’s revenues derived from
carriage on the Dish Network.
Th e New Jersey-based broadcaster has
calculated this fee to be $9.87 million. Its
CEO and founder Amro Altahwi, however,
claims to have received just $250,000 and
is suing for the balance.
Th e suit was originally fi led in Novem-
ber 2008 with the New Jersey district
court. Th e eventual hearing in August
last year was in favour of Dandana. Judge
Dickinson R. Debevoise made the full
award of $9.87 million.
However, MBC says it was only made
aware of the suit against it four months
after this judgement, leading Judge Debe-
voise to overturn his previous decision on
February 15 and re-opened the case for a
new hearing.
Court documents seen by Digital Broad-
cast show a suit lodged with Colorado
District court on October 8 last year.
MBC was unable to comment on the
case at the time of press.
MIDDLE EAST MEDIA’S ‘FOUNDING FATHER’ PASSES AWAYArab media mogul Antoine Choueiri has died after a long illness.
Choueiri had long been seen as a founding father and architect of the Middle East media industry. He was 70 years old.
Choueiri founded The Choueiri Group, and had over 35 years of experience in the industry.
QUOTE OF THE MONTH
BROADCAST BUSINESS
US TV NETWORK SUING MBC IN $10 MILLION LAWSUITJudge overturns previous decision ruling against MBC; broadcaster was unaware of initial suit
Today, you cannot separate technology innovation and the media. DR PRANNOY ROY, Executive chairperson, NDTV
HUMAX WINS EXCLUSIVE DEAL TO SUPPLY ADMC’S EPL BOXESAbu Dhabi Media Company (ADMC), the Eng-lish Premier League broadcaster in the Middle East starting August 2010, has signed an exclu-sive agreement with set-top box (STB) manufac-turer Humax. The company will undertake the supply and sale of HD STBs for the deployment of the EPL programming in MENA.
NEWTEC CHIEF EYES MIDDLE EAST BUSINESS AHEAD OF SUMMITSatellite technology developer Newtec will use its upcoming business seminar in Brussels to strengthen its ties with Middle East customers, said Serge Van Herck, the fi rm’s CEO. Van Herck added that he expects the Middle East to fuel Newtec’s development in the coming years.
The seminar will be held on April 20-21.
Serge Van Herck, CEO, Newtec.Antoine Choueiri.
08 www.digitalproductionme.com
THE BRIEFING
Th e Middle East’s fi rst legal website to download
Arabic video content has launched, allowing users
to download, stream or rent fi lms at DVD quality
without resorting to online piracy.
Shofha.com, operated by LINKonLINE, a sub-
sidiary of Orascom’s LINKdotNET, off ers fi lms,
television series and live television at a price the
fi rm believes is actually cheaper than the many pi-
rated DVDs that are prevalent in the region.
“My direct competitors are the pirate sites,
which may off er video for free, but also force us-
ers to visit diff erent servers, sites and forums,” said
LINKonLINE technology general manager Mosta-
fa Kamel. “Th e quality, ease of service and the vari-
ety of content makes it easier for the end user.”
APRIL 2010
BROA
DCA
ST BRIEFS
PLATFORMS
FIRST LEGAL ARABIC VIDEO WEB PORTAL GOES LIVEOrascom subsidiary launches rental, download and streaming service
THE BRIEFING
ANEVIA WINS RESI-DENTIAL EGYPTIAN IPTV DEPLOYMENTPalm Hills Developments, Egypt’s fi rst real estate project to incorporate an IPTV network, has selected An-evia to provide the head-end infrastructure. The develop-ment has installed a ViaLive 220S DVB to IP gateway that includes an IRD, muxer and an IP streamer.
“When building the multimedia services network,
we looked for a system that would enable us to provide a superior entertainment experi-ence to our customers,” said Hisham Salah, VP technology, Palm Hills Developments.
EYEHEIGHT SCORES AT AL JAZEERA SPORT Al Jazeera Sport recently deployed the Eyeheight MW-3EM A/B mixer as part of a larger installation that included a server-based ingest, post-production and transmission solution at its facility in Doha.
The mixer enables the end user to perform mix, wipe and cut transitions and V fades.
The annual value of Turkish broadcaster Dogan Yayin’s content export business into the Middle East.$5.5 m
ENVIVIO HIRES NEW VP SOLUTIONSVideo encoder manufacturer Envivio has appointed Arnaud Perrier to the newly created role of VP solutions.
Perrier joins from Harmonic, where he established a distin-guished track record for marketing encoding products to telco and pay TV operators.
“I am excited to be part of the Envivio team working to reshape the industry and help our customers capitalize on delivering new, com-pelling services to any device,” said Perrier.
AP APPOINTS NEW ENPS SALES MANAGERThe Associated Press has named Clive Mumby as the new sales manager for its ENPS news production system.
Mumby joins AP from Quantel and has more than 25 years experience in broadcast and visual media.
Recently he has worked closely with several news providers transitioning to fi le-based work-fl ows, including BBC and Sky News in the UK, ARD in Germany and NRK in Norway.
MOVERS & SHAKERS
Shofha aims to simplfy the online Arabic content marketplace.
we looked for a system that
010 www.digitalproductionme.com
THE BRIEFING
APRIL 2010 010
A management shake-up at Abu Dhabi fi lm
fund Imagenation has seen former Filmworks
exec Rami Yasin appointed head of production,
while current VP of development Daniela Tully’s
(above) remit has been expanded to include all
creative aff airs for Emirati fi lm production.
Yasin will work alongside Tully, who joined
Imagenation Abu Dhabi last June. Tully will now
oversee all creative aff airs for regional Emirati
fi lm production in addition to content that falls
under Imagenation Abu Dhabi’s Participant
Media and National Geographic partnerships.
Security offi cials in Yemen raided the local offi ces
of the Arab world’s two largest news networks, Al
Jazeera and Al Arabiya, according to reports.
Both networks have claimed that the actions
are related to their respective coverage of the
country’s southern region, where there is a pro-
independence uprising.
An unnamed government offi cial told state-run
TV in Yemen that the two stations did not have the
appropriate authorisation for the broadcast equip-
ment that it confi scated from offi ces in the capital
Sanaa last month.
IMAGENATION SHAKE-UP PUTS ONUS ON LOCAL CONTENT
ARAB NEWS GIANTS RAIDED IN YEMEN ‘OVER PERMITS’
TELECOMS MARKET
Yahsat was granted a 10-year licence by the Telecommunications Regulatory Authority (TRA) in the UAE last month, the country’s third telco licence.
Under the terms of the licence, Yahsat can provide voice, data, video and internet services in the UAE.
“It is an important day for Yahsat and a great opportunity for a company with fi rm roots in the UAE to address the satellite communications requirements of the nation and the region as well,” said Jassem Al Zaabi, CEO, Yahsat.
The agreement with the TRA is a milestone for the Abu Dhabi-based operator, which has suffered a slight delay in the development of its hardware after the L’Aquila earthquake dam-aged the factory building Yahsat 1a.
Telecom operators must continue to look for partnerships with content companies and reconsider the way they offer it to consumers in order
to succeed, according to Mohammed Omran, chairman of UAE telco Etisalat.
Speaking at the Abu Dhabi Media Summit, Omran called on telcos to leverage the expertise of media fi rms, rather than try to go it alone.
“We are not experts on content so we rely on partnerships,” said Omran. “Etisalat’s role is to customise and group content for our customer base. This means working with content part-ners. It does not mean going out and acquiring content providers.”
Omran also called for telcos not to ignore local content as part of their strategies.
YAHSAT GRANTED 10-YEAR LICENCE ETISALAT CALLS FOR PARTNERSHIPS
BROA
DCA
ST BRIEFS
HALF OF INDUSTRY TO WORK WITH 3D IN 2010: POLLHalf of the respondents to a recent poll said they expect to work in the production of 3D content during 2010.
The survey was conduct-ed by test and measurement equipment manufacturer Hamlet at the BVE exhibi-tion in London with a mix of engineers, broadcasters and fi lmmakers questioned.
“Stereoscopic 3D is the real hot topic of the mo-ment, but we are all fi nding
our way in this new me-dium,” said Steve Nunney, managing director, Hamlet.
The poll also found that 14 percent had already worked in 3D and almost two-thirds of visitors to the show said that fi nding out about 3D equipment and production techniques was the main reason or an important part of their visit.
While there is well-found-ed excitement about the prospects for 3D movies, those surveyed were less certain about the prospects of 3D in the home. Thirty percent felt that tech-fans would be interested but it would not fi nd a mass market, and just a quarter thought that there defi nitely would be an audience.
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012 APRIL 2010 www.digitalproductionme.com
VOX POP
MORE TRAFFIC, BETTER LEADSEBBY JOHNSales director Middle East, India and Africa, Nevion
THINKING POSITIVE
“Last year’s show certainly experienced a bit of a lull but this year we saw a lot of new things
going on in the local industry. In general the show was very good for us.
Th ere are more new leads for us to follow up this year – and higher quality ones too – com-
pared to last year. Th ere were several new projects discussed for the long-term and also some
short-term leads that look very promising.
It is also about engaging with your existing customers. We were able to meet with practically
all of our existing customers. Being a product manufacturer we are always keen to talk to
engineers as well as the decision makers and we were able to do so.
Th ere was also more traffi c on the stand in general. Usually we show our new
products at NAB and IBC. Th is year we have around 55 new products, so profes-
sionals from this region were able to see them for the fi rst time at CABSAT rather
than at the two big international shows. Th is was good and it helped to bring
people to the stand and it was nice to give some products a debut at CABSAT.
Th e majority of visitors to our stand were already familiar with our products so
it was good to have something new to show them and gauge the trend they are
going in with their investments.
Th ere was a lot of interest in our IP transport with JPEG 2000 encoding and
HD in-house transport products, these arguably attracted the most interest.
Everybody we talked to seemed to be in the process of – or is planning to –
upgrade their studio facilities to HD standards. Having some strong new HD
products to show them put us in a strong position.”
Trade shows can often provide an indication of the health of the industries they serve. Digital Broadcast speaks to a number of companies that
exhibited at this year’s CABSAT and asks whether the expo has left them feeling confi dent about the year ahead.
APRIL 2010 013www.digitalproductionme.com
VOX POP
DEALS CLOSED ON THE SHOW FLOORCHRISTOPHE CARNIELPresident and CEO, Netia
In general, we felt CABSAT was slower than usual
this year but all of our major customers were at
the show from Iran, Saudi Arabia, Sultanate of
Oman, Qatar, Kuwait, Ethiopia, Lebanon, Jordan,
Tunisia and Pakistan. Th e show was very active
for us in terms of business opportunities in
MENA and we can confi rm that we closed busi-
ness on the show fl oor!
Twenty percent of our turnover last year came
from the Middle East and that fi gure is growing.
Th ere are a lot of archiving projects in this
region. Th ere have been several questions from
potential clients regarding the transfer of archives
to a digital format and then of course the media
asset management systems that are required to
leverage those.
More recently we have had a lot requests about
how we can help broadcasters to leverage these ar-
chives across several platforms including mobile.
Th is is a growth sector for us.
Many companies at the show were also inter-
ested in our MANREO media asset management
system. Th e coming year should be great for the
company in many respects and CABSAT was a
great way to kick-start 2010 in MENA.
We plan on attending the show next year.
LAUNCHPAD FOR EXPANSIONDAVID ABELWorldwide director of partner management, Amberfi n
“Th is is the fi rst time AmberFin has attended
CABSAT with a dedicated stand and the show
went well for us. It’s always nice to have the
opportunity to meet customers and potential
clients face-to-face and show them the product
and what it can do. Numbers have been down at
trade shows during the last year, but the quality of
attendees remains high.
At CABSAT we were able to display the
latest version of AmberFin’s iCR software as
well as the new Standards Converter tool
for monetising existing content in markets
with diff erent frame rates.
Th e show included many key decision
makers for organisations based throughout
the region, not just in the UAE, and has been
a great help for us in expanding our reach. We
look forward to extending the relationships we’ve
made at this year’s show and building on our pres-
ence in this market for next year.”
LET THE NUMBERS DO THE TALKINGThe indications suggest CABSAT 2010 was a vast improvement on the previous year. With offi cial statistics from this year’s event still being compiled, could the 2010 edition have bettered the CABSAT 2009 fi gures below?
678Number of exhibitors at last year’s show.
93%The percentage of CABSAT 2009 exhibitors that felt the show was a key part of their marketing strategy.
53The number of participating countries in 2009.
8,603The total number of visitors last year.
93%The percentage of exhibitors that were happy with the inaugural year of the Satellite MENA show, collocated with CABSAT.
SOU
RCE: DWTC
CA
BSAT IN
NU
MBER
S
l
s
Sheikh Hasher Bin Maktoum Al Maktoum (right) at the opening of CABSAT 2009.
014 www.digitalproductionme.comAPRIL 2010
INTERVIEW
Are broadcasters keeping pace with these changes so far?Social networking is growing fast. Traditional
broadcasters aren’t always aware of just how
quickly. Th e initial adoption of the internet has
been much faster than that of TV and radio. When
you look at the growth of Facebook, the rate of
adoption is incredible.
How do you fi lter the collaborators and monitor the content?Th ere is still a permanent staff working on the
show. Some of these have been recruited from the
blogosphere in the Middle East. Th ere is also a core
group of Arab bloggers that regularly participate
as well as many, many more who do so occasional-
ly. Th e show must still adhere to the same editorial
guidelines as our other content.
Discourse in the Middle East is often emotional,
this is partly about changing this.
How do viewers perform producing and researching roles remotely?Each show has one interviewee. Th ese are chosen
by the network of contributors. Th ere is then a
discussion online about the issues that will be ap-
proached. Questions are suggested and we ask for
these to be backed up by evidence. Th is research is
also done within the network.
So for example, a question could be based on a
previous statement made by that guest. Th ey can
fi nd a video clip of this speech, which we can pres-
ent to the guest on the show.
Where do these discussions take place?We can’t use every social networking tool so we
have selected a few specifi c open platforms includ-
ing YouTube, Twitter, Flickr and Blogspot.
The show offers viewers a far more inclusive and infl uential role in each episode’s production, why do you think this is important to increase this level of involvement?It is an intellectual loss to society to limit the voic-
es of bloggers. We want to bridge the gap between
the cyber and traditional spheres of information.
Some people consider them as like oil and water
but eventually there will be no diff erence between
media and what we presently call new media.
What do you think is the driving force behind this blending of the two?I reviewed my relationship with audiences and
was struck by the fact that they are empowered
so strongly by technology. Th ey can challenge the
traditional media’s domination of mass com-
munication and the barrier to entry is minimal.
Previously if you wanted to speak to the masses
you had to buy a newspaper company or build a
TV station.
Now you can pay a few dollars and go to an
internet café and reach millions of people.
Is the concept of 710 Greenwich a natural progression of an existing trend?Th ere have been four generations of interactivity
if you like.
First the public provided quotes and ideas by
SMS. Citizen journalism was then used within
programmes. Th en visual user generated content
was integrated into shows and became an integral
part or even the basis of some formats.
We are looking to go one step further now. Th ey
want to interact and take part. Th e viewers have
the opportunity not just to be reporters or con-
tributors but to actually research and produce the
show. We can put them in the director’s seat.
BBC Arabic’s latest format elevates citizens from the role of reporter to producer. The network’s head Hosam El Sokkari – who is also the creator of the 710 Greenwich current affairs talk show – gives us the scoop.
CITIZEN PRODUCERS
We want to bridge the gap between the cyber and traditional spheres of informa-tion. Some people consider them as like oil and water but eventually there will be no difference between media and what we presently call new media.HOSAM EL SOKKARI
Head of BBC Arabic Network.
COVER STORY
www.digitalproductionme.com016 APRIL 2010
COVER STORY
The great and the good of the world’s media industry gathered for the inaugural Abu Dhabi Media Summit last month.
Digital Broadcast condenses the key presentations from CEOs representing News Corp, Google, AOL and many more.
eat and the good of the world’s media industry gathered he inaugural Abu Dhabi Media Summit last month.
POWER PLAYERS
www.digitalproductionme.com 017APRIL 2010
COVER STORY
RUPERT MURDOCH, PRESIDENT AND CEO, NEWS CORPORATIONTh e event was opened by arguably the most
important fi gure in modern media history, News
Corporation CEO and president Rupert Murdoch.
Murdoch’s empire includes more than 50 TV
channels, four pay TV networks, more than 100
newspapers as well as 10 US movie studios.
News Corp has strengthened its ties to the region
in recent years taking a 9.1 percent stake in Rotana,
with which it collaborates on the region’s Fox
Series and Fox Movies channels. News Corp has
also announced that it will have a presence
in the twofour54 media zone in Abu
Dhabi with its NHNZ documentary
production company opening an
offi ce. Th e regional arm of its .FOX
(pronounced dot-fox) online ad
business will move to the precinct.
Th e playout and operations of some
of its channels in the Middle East
that are currently based in Hong Kong
and other overseas locations, will move to
a new facility based in twofour54.
Murdoch’s speech highlights the importance of
encouraging the creativity and talent to populate
the region’s growing roster of impressive infrastruc-
ture developments.
“Th e creative sector fl ourishes best in societies
where governments intervene with a light hand,”
says Murdoch. “When faced with an inconvenient
story, it can be tempting to resort to censorship or
civil or criminal laws to try to bury it. In the long
Certainly every nation has the right to insist that the people they allow into their countries to do business respect their values and traditions. This is best administered, however, with a gentle touch.
RUPERT MURDOCH
Chairman and CEO, News Corporation.
run, this is counterproductive. Markets that distort
their media end up promoting the very panic and
distrust that they had hoped to control.
“Certainly every nation has the right to insist
that the people they allow into their countries to do
business respect their values and traditions. Th is is
best administered, however, with a gentle touch,”
adds Murdoch.
Th e News Corp chief also called for an end to
protectionism in the Middle East media market.
“Creative protectionism is as destructive as other
kinds of protectionism. It is expensive, unfair and it
guarantees that local companies coddled
by protection will never be strong
enough to compete outside their
own borders.
“By contrast, if you open your
creative market up to competition
your companies can challenge the
biggest players. I have seen it done.
News Corp is commonly thought of
as an American company because we
are now based in New York, but we actu-
ally started in a provincial Australian city called
Adelaide. When I brought our company to America,
we were still a small American fi rm,” said Murdoch.
Drawing on the value of content production
Murdoch cites the example of Indonesia which has
invested heavily in its creative sector which now
accounts for 5.4 million jobs in the country and six
percent of its exports.
“Right now the world does not think of the
Middle East when it thinks of creative content.
IN THEIR OWN WORDS…
MOHAMMED OMRAN, CHAIRMAN, ETISALAT
“A few years ago, telecom operators would not even be invited to a media summit such as this. There has been a notable shift in the importance of telcos to media.We are enabling our customers to have a high quality fi xed connection. Mobile connections have improved and LTE will soon allow speeds as high 100Mb/s. Handsets have also improved dramatically in recent years. They now have better batteries with longer lives. They are much more powerful and smarter than in the past. This has enabled a lot of new services.
We still have a long way to go when it comes to local content. More is becoming available, but we need to more partnerships forming between telcos and media fi rms.
We are not experts on content so we rely on partnerships. Etisalat’s role is to customise and group content for our customer base. This means working with content partners. It does not mean going out and acquiring content providers.
Customer behaviour in this region has changed the equation. Just a few years ago people used to say 20 lines per 100 households was too many in Egypt. Today there are 70 lines per 100.”
di it l d ti
Etisalat chairman Mohammed Omran called on
closer ties between telcos and the media.
$13.6bnThe market capitalisa-
tion of News Corp at the time of press.
018 www.digitalproductionme.comAPRIL 2010
COVER STORY
Even your own citizens prefer Hollywood movies
and American television shows to local production.
You can change this.
“So what do you need to encourage a creative
sector? Obviously you need money. High quality
content is expensive. Th e simple fact is that if you
want quality content, you need to encourage a mar-
ketplace where money fl ows to those who invest
in and create content. For example, television is
still a young market in this region but the potential
is huge. If you want higher-quality television, you
need a transparent market that helps ensure that
people receive a fair price for the value they create.
A more transparent advertising market means
having eff ective tools to measure who and what
people are watching. Advertisers and creators
need metrics that tell them who they are reaching
and how eff ective their message is, or else they are
simply throwing money in the dark.”
Murdoch also called for media buyers and sellers
to compete for business to business within a trans-
parent market rather than allowing a small number
of companies to dominate.
“Th is may be a cosy arrangement for those
companies but the nation pays a very high price for
this cosy arrangement as it takes away the fi nancial
engine needed to drive investment in local content,”
says Murdoch.
Th e News Chief also calls for the local market to
be opened up to foreign competition saying that
doing so would “call your people to their best and
cultivate a world-class industry on par with the fi -
nance and oil giants that now dominate the region”.
ERIC SCHMIDT, CEO, GOOGLETh e second keynote address of the summit was
provided by Google CEO Eric Schmidt. Th e subject
matter of the speech and the question and answer
session that followed was as diverse as Google’s
own activities. Ultimately, the two main issues were
the eff ect of web proliferation on traditional media
fi rms and privacy and censorship. Schmidt began
by discussing the Middle East’s own position in the
online landscape.
“When you ask people elsewhere in the world
about what is going on in the Middle East, no one
will mention the internet,” said Schmidt. “But in
fact, this region has undergone the fastest web
expansion for three or four consecutive years now.
It’s been growing at 100 percent, which is incred-
ible. Th en you have to consider that one-third of the
population in the Middle East is under the age of
fourteen so in fi ve years there is going to be a huge
mobile internet market.”
As for how the propagation of online services
will aff ect traditional media source, Schmidt is con-
fi dent that the opportunities are also large.
“We will see famous TV producers, building their
shows on the internet fi rst to see how well they
do, because that doesn’t cost very much,” claims
Schmidt. “If it gains traction, then they can go to
fi nancers, advertising partners and distributors
armed with this strong negotiating position and
real numbers to back them up. Th e internet is not
going to replace existing platforms – people still
want to go to the movies – it will be used by the
media in a diff erent way, to learn and to test things.
There are lots of things that Google could do that it chooses not to. For example, one day we had a conversation about predicting the stock market, but we fi gured that would probably be illegal.
ERIC SCHMIDT
CEO, Google.
IN THEIR OWN WORDS…
ROBERT BAKISH, PRESIDENT, MTV NETWORKS INTERNATIONAL
“MTV Arabia is still relatively new and continues to be a work in progress. We are still big believ-ers in international markets and we have shown our intention to continue growing our participa-tion in this region.
We started internationalising our channels early – partly because it was economical to do so with MTV’s music video-based format. We realised that it was important to localise these chan-nels for each market. MTV Arabia is an example of this with a mixture of global formats and local episodes of these international shows.
To make money, you have to create quality content that people will spend time on. Others have looked at things like unsigned bands, but it turned out there was a reason they were unsigned, they just weren’t that good. You have to create something that the audience can connect with in order to monetise it.
You have to offer content on multiple platforms. Some people will want to sit back and watch, some people will engage much more. Audiences are diverse so you need to offer something for all regardless of how technologically savvy they are.”
di it l d ti
Robert Bakish, president, MTV
Networks International.
APRIL 2010 www.digitalproductionme.com020
CASE STUDY - DIGITISATION INFRASTRUCTURE TURNKEY SOLUTION
The European Parliament, a directly elected
institution of the European Union since
1979, is one of the world’s most powerful
legislatures.
The audiovisual unit provides broadcasting
on an internal cable television network, and
transmission to Europe by Satellite (EBS), the
news exchange networks, and to selected television
channels. It also provides video streaming to the
Web, publication on FTP servers and oversees
a media archive kept for the legal and historical
record and the use of members of parliament,
journalists, and scholars.
In 2008, the European Parliament selected
BCE for the complete installation of its digitising
infrastructure and for the digitisation of video
content with quality check and corrections to
ensure the best quality.
CHALLENGE: DIGITISE AND CENTRALISE THE CONTENTS ON A DIGITAL ARCHIVE STORAGE SYSTEMWhile the European Parliament assumed its
present form in 1979, its roots stretch back to
1952. The archive it has amassed chronicles a
signifi cant part of European and world history.
At the time the project was initiated, some of the
archive was already stored in digital format on a
Sony data tape system.
Most of the content however is still stored
on Digital Betacam videotapes and some on
Betacam SP videotapes. This lack of consistency
created diffi culties with access and retrieval.
BCE’s challenge was to implement – in less than
one year – a complete digitisation platform with
a Front Porch Digital archive system directly
connected to the existing ingest platform of the
European Parliament.
Because videotape has a limited shelf-life,
preservation of some content was in jeopardy.
To prevent any content loss, BCE also needed
to digitise more than 12,000 hours of video
content, maximising its quality while delivering
optimised copies.
“Using the digitisation platform created for
the European Parliament, our dedicated team
proceeded to the quality check of the video archives
and digitised the content without errors in less than
six months.” Christian Garit, Head of Broadcast
Operations, BCE.
SOLUTION: DIGITAL ARCHIVE LIBRARY CONNECTED TO EXISTING INGEST INFRASTRUCTUREThe fi rst step of the project was the creation of
the European Parliament digitisation platform
in BCE’s premises. This came as a fi ne tuning
phase in order to create a seamless environment,
optimise the workfl ow and ensure its successful
integration in the building.
“The relationships with the team of engineers in
charge of the project were excellent.
ADVERTISING FEATURE
As for other projects we had with BCE,
including the replacement of four editing rooms
for the European Parliament in Strasbourg, they
showed an outstanding professionalism and a high
availability.” Philippe Masson, Chief Engineer of
the Audiovisual Unit, European Parliament.
Once the infrastructure was created, BCE
was able to ensure the system could pass a series
of tests and make any necessary corrections.
During this phase, BCE also developed a software
solution for the interface between the European
Parliament existing Flexicart and the new Front
Porch digital library.
“The software developed by BCE for the interface
between the fl exicart and the digital library
is powerful and intuitive. Front Porch Digital
even decided to resell this software for the future
installations with similar confi guration.” Jean
Marc Gacher, Manager Special Projects, BCE.
The platform can automatically digitise the
content and can store up to 18,000 hours of
material. The archive can also easily be upgraded
to 90,000 hours.
Moving the platform to Brussels was the
Platform creation
Fine tuning
Platform moving
Content digitization
2009 2010
ADVERTISING FEATURE
APRIL 2010www.digitalproductionme.com 021
Flexicart Digital library(StorageTek)
16 external consolesArchivists
Fig. The digital archive management workflow
Encoder
MAMMedia Asset Management
High resolution copyMPEG2 Longhorn
High resolution copyK2 Thomson
Low resolution copy
>>>
>>>
>>>
Flexible and easy to use system+
Knowledge transfer+
Tapeless infrastructure+
Information share+
Optimized workflow+
Metadata search engine+
second phase. More than just moving the
infrastructure from one address to another, BCE
had also to create the interconnections between
the centralised digital archive, the work stations
of the archivists and also 16 external consoles for
consultation purpose. Not only has the archivists
work improved, but the full archive management
workfl ow has evolved as well.
“In order to install a seamless environment
in the European Parliament building, our team
created a test platform in BCE’s premises. The
moved infrastructure was fully tested to ensure an
immediate use for the local team.” Gusty Feinen,
Manager Special Projects, BCE.
Since the digitisation platform was ready
to work, the third phase of the project started
with the digitisation of the video content of the
Parliament. But transforming the content in a
digital format could not be completely automated
as many archives were already altered by time.
BCE had to make all the necessary
corrections so that the videos came back to
life with maximum quality for future use in
productions, shows etc.
“Even with tight schedules, BCE worked in
a very effective way and met the deadlines for
both infrastructure installation and content
digitisation.” Philippe Masson, Chief Engineer of
the Audiovisual Unit, European Parliament.
BCE’s long experience in video and audio
archive digitisation provides a unique expertise
in large-scale projects.
CONCLUSIONThe European Parliament digitisation platform
and centralised digital library is the fi rst step in
its tapeless global switch.
The result is a powerful system accelerating
the workfl ow of the entity and giving the
archivists a complete and easy-to-use tool for
their daily work. The European Parliament may
now drop the tape and focus on the re-use of its
archives in new fi lms.
Thanks to the metadata, the users of the
platform have better search results, opening
a world of content to the future connected
production department.
Tel: (+352) 24 806605Fax: (+352) 24 806609Email: [email protected]
www.bce.lu
022 www.digitalproductionme.comAPRIL 2010
COVER STORY
I like to think of it as internet fi rst. You’ll start there,
and then as your product evolves you will go for the
larger more established platforms.”
Schmidt also sees the internet’s ability to off er
targeted advertising as a huge bonus for media
companies looking to exploit the platform.
“An advertisement that is more targeted is worth
more money. A TV advert shown to me at home
on TV is wasted advertising if the product is not
relevant to me,” says Schmidt. “It would be better
if these were more targeted. Th e internet can be
used to target ads on TVs, mobile devices as well as
home computers. Google is working on something
similar for STBs. Th e principal is the same.”
Schmidt expects a period of change in the com-
position of the media and the way it operates with
the internet and other technological innovations
acting as the driving force.
“We tend to accept the structures that we grew
up with as if they are completely fi xed. So we will
consider these laws, this set of regulations, that
group of corporations and the resultant static out-
comes, mistakenly believing everyone will behave
in exactly the same way,” says Schmidt.
“Technology allows people to be enormously cre-
ative. Th ink about YouTube and Facebook, two of
the leading brands in the online age that basically
didn’t exist fi ve years ago. Now there are several
mapping application companies that are doing
well, are they going to be the next Twitter? Th e
point is there will be another one and another one.”
Google has itself turned its hand to several new
markets as it has developed. Th e gigantic wealth of
information that the company is now privy to has
meant there are some areas of business that it has
had to walk away from.
“Th ere are lots of things that Google could do
that it chooses not to. For example, one day we had
a conversation about predicting the stock market,
but we fi gured that would probably be illegal,”
revealed Schmidt.
Th e company found itself the subject of ire with
several governments – most (in)famously the
Chinese – over regulatory, privacy and censorship
issues, which continue to bubble away today.
Schmidt is well aware of the power the inter-
net can have in politics citing the example of US
politician George Allen whose re-election loss was
largely attributed to a YouTube video featuring the
Senator using an unsavoury racial epithet.
“Politicians are well aware that they are under
the microscope with respect to what they say and
what they do. Th ere is a huge debate about how
eff ective these tools are against repressive regimes,
and fi ghting for free speech. Eventually, tanks
trump the internet.”
If we use the same standards globally we can reduce costs in all markets. This includes the price of handsets. We want to see a smartphone for under US $100.
HANS VESTBERG
President and CEO, Ericsson.
IN THEIR OWN WORDS…
JON MILLER, CHAIRMAN AND CEO, DIGITAL MEDIA GROUP, NEWS CORPORATION
“When you consider the iPad and other similar devices that are scheduled to come in during the next year, they are going to enable a re-imagination of different kinds of content, especially newspapers.
We are going to see a re-invigoration of this medium. If people like us are going to invest in these forms of con-tent and the journalism behind it then clearly there needs to be models that acknowledge the cost of creating this content. The terms of trade should support this and we are engaged in these discussions already.
We have a number of efforts to try and rein in piracy. The technical developments – particularly cloud comput-ing – are going in favour of more secure environments, which is important for any entertainment business. One possibility being talked about in the US at the moment is the possibility of pulling together an international broad-band treaty. There’s a few big hitters advocating this and trying to come to a global consensus.”
Jon Miller, chairman and
CEO, Digital Media Group,
News Corporation.
www.digitalproductionme.com 023APRIL 2010
COVER STORY
and
up,
on.
HANS VESTBERG, PRESIDENT AND CEO, ERICSSONTelecoms manufacturer Ericsson is responsible
for building much of the infrastructure that will
increasingly be relied upon for media services.
Th e fi rm’s CEO and president Hans Vestberg
is under no illusion regarding the size of
the task involved in supporting the
growth of data traffi c, which is being
triggered largely by new media ap-
plications and consumer devices.
“In a few years there will be
three billion broadband subscrip-
tions worldwide,” says Vestberg.
“We are seeing people are now
prepared to pay more for telco services
than they were in the past – but there needs
to be content for these services to access.”
Vestberg believes that the success of media appli-
cations off ered on any telecoms platform will hinge
largely on three factors.
“We need quality content and a fair pricing
scheme. It is also important that the consumer
experience is the same regardless of the device
being used. We must also ensure that we use open
standards as much as possible so that services
can be off ered to as many people as possible. If
we use the same standards globally we
can reduce costs in all markets. Th is
includes the price of handsets. We
want to see a smartphone for under
US $100.”
Vestberg points out the eff ect
that the iPhone has had on the
telco market and calls for the closer
liaisons with the handset manufac-
turers in the future.
“A normal phone will use around 20 Mb
in a month, an iPhone will use around 400 Mb a
month,” claims Vestberg adding that the upside for
those responsible for upgrading these networks are
safe in the knowledge there is a healthy consumer
demand for data.
Hans Vestburg, president and CEO of Ericsson high-
lights the impact of smartphones on data traffi c.
193%The year-on-year growth
rate of data traffi c driven by smartphones, according to mobile ad
network, AdMob.
IN TH
EIR OW
N W
ORD
S…
RAOUL ROVERATO, EVP, NEW GROWTH BUSI-NESS, FRANCE TELECOM/ORANGE GROUP
“Previously what the media did was reach out to the public but didn’t really know who was watching. Now it can reach out on a one-by-one basis. They give content creators a new way to tell their stories. We are try-ing to connect all screens, with the same story.
When you put on TV you want to relax. We have seen that around 50 percent of our customers choose to watch TV in an interactive fashion. Con-tent must be adapted for differ-ent environments however.”
024 www.digitalproductionme.comAPRIL 2010
COVER STORY
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TIM ARMSTRONG, CHAIRMAN AND CEO, AOLAOL chief Tim Armstrong has been spearheading
the company’s recent content creation blitz, which
has seen it hire an army of editorial staff (from
500 journalists to more than 3000 by
October last year).
Armstrong says that many adver-
tisers are looking for a tiered online
media with quality, premium con-
tent sources available for them to
align themselves with, as they have
done in the past with traditional
media platforms.
He also believes that the creative
potential of the internet has so far been
severely under-utilised.
“I would argue that a page on the internet today
doesn’t look that diff erent to a page on the internet
10-15 years ago. I think strategically, the search
companies have done a good job of dominating
the internet advertising market,” says the former
Google senior VP. “We now have to look at the
distinct set of needs for online brand advertising. So
We are maniacally focused on content… but we are also very determined to change the way we use tech-nology, and design new ways to work with it in the future.
TIM ARMSTRONG
Chairman and CEO, AOL.
for example when you talk to a brand manager at a
detergent company for example, which has spent a
lot of money on traditional media but now realises
consumers have shifted platforms, they need to be
provided with an alternative service – diff er-
ent analytics for example – that is one of
the things we are very focused on,”
explains Armstrong.
“We are maniacally focused on
content as I mentioned earlier, but
we are also very determined to
change the way we use technology,
and design new ways to work with
it in the future. In this respect AOL
will be risk takers during this year and
into next year. We’ll be doing looking to
brand and diff erent types of online advertising.”
Earlier this year it was revealed that AOL has
developed a new content management system that
unifi es many of its 75 online properties allowing
a greater number of contributors to write for its
sites and receive payment based on the number of
ad impressions it receives and other monetisation
systems incorporated.
3000+The number of journal-ists employed by one-time internet service
provider, AOL.
026 www.digitalproductionme.comAPRIL 2010
ANGA CABLE
A number of top broadcast technology providers will exhibit at ANGA Cable next month, offering one of the earliest opportunities to see the latest launches from NAB, without the inconvenience of travelling all the way to Las Vegas.
ANGA MANAGEMENTNAB will always be broadcast technology
fi rst choice for debuting new products
and innovations.
IBC is often the fi rst chance that
many in the Middle East will have to see these
exhibits outside of the Las Vegas extravaganza.
However, three weeks after the conclusion of NAB,
more than 300 of the industry’s leading cable,
broadband and satellite fi rms meet in Cologne for
ANGA Cable.
Last year’s exhibition attracted 13,600 visitors
with conditional access fi rms, satellite service
operators and network technology manufacturers
prominent on the list of exhibitors this year. Th e
show provides the region’s broadcast engineers
with an opportunity to see the latest technology
four months ahead of IBC and with fewer tourists
and souvenir hunters to compete with.
Th e event’s organiser, the Association of Ger-
man Cable Operators (ANGA) announced late last
month that it had already sold out all available
exhibition space at the show in another sign of good
health for the industry.
“We are pleased with the renewed confi dence of
out exhibitors,” says Dr Peter Charisse, managing
director, ANGA. “Our concept with a close con-
nection between the exhibition element and the
congress, with a clear focus on the business clients
of the TV and broadband sector has again proven
a success.”
Th e event’s congress has also developed a strong
reputation attracting larger numbers of delegates
than the conference streams of other more estab-
lished exhibitions.
As well covering traditional broadcasting topics,
this year’s edition will also look at some of the fun-
damental issues surrounding distribution by broad-
band and more specifi cally, whether the future of
high-speed internet lies with fi bre networks or LTE.
“Th e range of topics covered in this year’s con-
gress programme is wider than ever,” says Charisse.
“Th e strategy panels will cover broadband and
media politics, the latest fi bre and headend tech-
nologies as well as copyright and licensing law for
digital TV and IPTV.”
Companies taking part in the congress at the
time of print include Ericsson, MTV Networks,
Cisco, Alcatel Lucent and Discovery Networks.
Th e show runs from May 4-6 at the Cologne Fair
Grounds Congress Centre East, Germany.
ANGA CABLE
www.digitalproductionme.com APRIL 2010
ANGA CABLE
ANGA Cable’s mix of broadcasters, telco operators and network technology fi rms attracts a unique segment of ex-hibitors and visitors. The show’s emphasis on delivery and transmission rather than production, provides a unique opportunity for certain areas of the industry to take the limelight.
T&M AND QUALITY MONITORINGA number of test and measurement and quality moni-toring fi rms will line-up the latest and greatest offerings at the show. The cable and IPTV prejudice of the show could see fi rms specialising in these areas receiving high-quality traffi c. Among them will be Bridge Tech-nologies (Stand J50).
The monitoring and analysis tools manufacturer was recently named as one of the fastest growing technol-ogy companies in the EMEA region by Deloitte Touche Tomatsu (DTT).
The annual Deloitte technology Fast 500 list charts the fastest-growing technology companies across all sectors, based on the average growth rate during the previous fi ve years.
Bridge Technologies achieved an impressive growth rate of more than 2300 percent for the last fi ve years.
“To be ranked in 63rd in the top 500 technology fi rms in the entire EMEA region is quite an achieve-ment for such a young company,” says Simen Frostad, chairman, Bridge Technologies. “Our rapid growth is a refl ection of the people in the company and the quality of the products that offer the industry.”
Deloitte points out that the achievements of the companies on this year’s list are even more impressive given the prevailing economic climate experienced dur-ing the past three years.
A
NG
A CA
BLE 2009 STATISTICS
Simen Frostad, chairman, Bridge Technologies.
383Total number of exhibitors
13,600The fi nal attendance fi gure from lastyear’s show
42%The percentage of overseas visitors atANGA Cable 2009
22,000The area of last year’s show in square metres
1400The number of delegates at the congress
ANGA CABLE
027APRIL 2010
SOURCE: ANGA
www.digitalproductionme.com
ANGA CABLE
028 APRIL 2010
CONDITIONAL ACCESS AND CONTENT SECURITYThe conditional access market is as fi ercely competitive in Europe as it is in the Middle East, even if the perceived level of piracy is somewhat lower. A number of top vendors will be ex-hibiting at ANGA Cable including some of this region’s most active players. The cable-focused show could see IPTV solutions given the prime focus.
Conax (Stand K21) will go into the show off the back of a successful 2009. The Norwegian fi rm extended its global market share in the DVB sector to 15 percent.
Last month the company announced a new partnership in the Middle East with satellite sys-tems integrator Technosat. The deal will see Conax’s smartcard security system used to protect Technosat’s satellite HD platform.
Technosat currently distributes around one million STBs in the Middle East each year.The company also agreed a deal with PVR innovator TiVo.Conax security will be integrated into a number of the manufacturer’s products on platforms
currently operating Conax security. The deal covers Scandinavia, mainland Europe and India.“While the European market is ripe for VOD and other interactive services, many operators
are stifl ed by the expensive integration efforts needed to convert roadmaps into reality,” says Geir Bjorndal, executive VP products and markets, Conax. “TiVo has a phenomenal reputation in the US, not only for inventing the PVR, but for creating the market’s most comprehensive hybrid broadcast/broadband platform. They are the only player that has successfully integrated top-tier content from diverse Internet sources like Netfl ix, Blockbuster, YouTube, and Amazon VOD along with linear television into a single, vivid user interface,” added Bjorndal.
VIDEO TRANSPORT HARDWAREAs broadcast and telecoms technologies have converged, there has been a need for network technology expertise tailored for clients looking to transport video in large quantities. The com-bination of telco and broadcast engineering knowledge has created a niche area of expertise that several vendors are now profi ting from.
One of the key players in this fi eld is Swedish manufacturer Net Insight (Stand A21).The company has already secured key deals with Tata Communications and the European
Broadcast Union (EBU).Last month the company also announced an extension to its existing deal with international media management and content delivery fi rm GlobeCast.
The company’s network is based on Net Insight’s Nimbra platform and currently transports 10 million hours of video a year. In order to accommodate the additional traffi c that it will handle this year due to the FIFA World Cup in South Africa the fi rm will be re-enforcing its infrastructure. The order includes a number of additional nodes to be installed on site to cope with the
additional contribution services for GlobeCast customers.An additional media network will also be installed to serve an
unnamed broadcaster. The network will manage amount of uncompressed and compressed video channels on a
number of different formats.“The Nimbra platform offers the most ef-
fi cient and fl exible contribution and distribu-tion platform,” according to Fredrik Tragardh, CEO, Net Insight.
“We’re delighted to support GlobeCast’s ability to win new business and to once again transport our customer’s mission critical services like the World Cup.”
STB HARDWAREAs set top boxes (STB) play an increasingly important role in determining the scope of an operator’s services, fi nding the right partner becomes increasingly crucial.
In the Middle East the emergence of triple play services in more markets means new business for STB manufacturers. The creation of additional encrypted platforms by premium sports channels creates addi-tional new opportunities for the STB industry.
Humax (Stand H15) recently demonstrated the op-portunities available after snapping up the exclusive contract to provide the ADMC with the STBs for its encrypted satellite-based EPL coverage.
STBs are also becoming an increasingly important device for consumers and have evolved from devices that quietly decode TV signals into an integral part of the customer experience. Fredrik Tragardh, CEO, Net Insight.
Geir Bjorndal, executive VP products and markets, Conax.
030 www.digitalproductionme.comAPRIL 2010
XXXXXXX SATELLITE SERVICES
The options available to TV stations looking for direct to home (DTH) distribution in the Middle East are plentiful. As bandwidth prices respond to the availability of new satellites, the next capacity contract broadcasters sign could mean big savings.
The options available
CAPACITY CROWDThe Middle East satellite sector is on the
brink of radical change.
New contribution services and addi-
tional capacity for HD services are driving
demand and sending prices upwards. However, the
number of dedicated satellites serving the region
is set to increase at an average rate of two per year
for the next four years, expanding the already
abundant options available to broadcasters looking
to secure distribution.
In theory this fl ow of new capacity should also
bring down prices, meaning fi nding the right deal
could now mean big savings.
SATELLITE OPERATORSABS
www.absatellite.net
ABS currently operates two satellites that it ac-
quired and renamed. Since its original procurement
of Koreasat-2 (now ABS-1) the company has grown
its revenues by 500 percent.
Th e company is launching its fi rst new satellite in
mid-2012. ABS-2 will include high-powered Ku- and
C-band beams and has already signed numerous
lease agreements on the new hardware.
ABS-2’s Ku-band beam will be split into fi ve spot
beams including one dedicated to the Middle East
and North Africa, making it a strong contender
for broadcasters looking to reach audiences in the
Arab world.
Arabsat
www.arabsat.com
Despite facing increasing competition Arabsat
continues to be one of the most important players
in the Middle East satellite sector. Th e company has
the most extensive fl eet expansion plan that will
underpin a large share of the region’s broadcasters
in the coming years.
Th e company also provides a number of contribu-
tion services and is the platform for the ASBU’s
MENOS content exchange programme.
www.digitalproductionme.com
SATELLITE SERVICES
Th e fi rst of the company’s fi fth generation satel-
lites – Arabsat 5a – is scheduled for launch towards
the end of this month marking a major milestone in
the operator’s development.
Eutelsat
www.eutelsat.com
Eutelsat is one of the largest satellite operators
broadcasting 3400 channels across the world. Its
fl eet is well utilised in the Middle East with the ca-
pacity it provides crucial to supporting the region’s
broadcast industry.
Th e company has also stood out from the crowd
recently as an innovator in 3D broadcasting. Its
IBC stand last year featured a live 3D transmission
of a basketball match in the US. Eutelsat has also
broadcast numerous live sporting events in 3D to
cinema chains around Europe.
Gazprom
www.gazprom-spacesystems.com
Perhaps not an obvious choice for broadcasters
however, the company has exhibited at the previous
four CABSAT exhibitions demonstrating its com-
mitment to serving customers in this region.
Th e company’s three satellites off er C- and Ku-
band capacity covering Russia, Western Europe
and the Middle East as well as large parts of central
and east Asia.
Globecast
www.globecast.com
Content management and transmission provider
GlobeCast provides satellite capacity to comple-
ment the fi bre networks, SNG services and playout
centres that it provides around the world.
Th
band
and t
and e
Glob
www
Cont
Th e company eff ectively provides global satellite
coverage via capacity on Eutelsat, SES, Arabsat,
Intelsat and many others.
Gulfsat
www.gulfsat.com
In addition to off ering coverage on some satellites
from the Arabsat and Eutelsat fl eets, Gulfsat also
off ers point-to-point connectivity between the
region, Europe and the US. It also has end-to-end
playout facilities capable of supporting HD trans-
missions and providing a high-level of redundancy
by transmitting simultaneously from its teleports
in Kuwait and Bahrain.
Th e company also runs studio facilities in Kuwait
and an SNG truck to support broadcasters covering
special events.
Hellas Sat
www.hellas-sat.net
Although Hellas Sat’s primary market is in southern
and eastern Europe, the fi rm’s Hellas Sat 2 satellite
provides strong coverage over the Middle East. Th e
company uses it wide footprint and the nature of its
existing multinational content to position itself as
a specialist DTH capacity provider for broadcasters
targeting specifi c ethnic groups or niche markets.
It also provides video contribution services and
content delivery services to cable headends and
teleports for the fi nal leg of transport.
Nilesat
www.nilesat.com.eg
Nilesat is one of the oldest operators in the region
and, together with Arabsat, dominates the market
for DTH capacity in the Middle East.
CROWDED SKIESAt present there are two ‘hotspots’ above the Middle East that provide optimal coverage for DTH services – 7 degrees West and 25.5 degrees East. These are also the positions that dishes on the ground must of course be pointed at.
These positions are be-coming increasingly cramped with operators frequently renegotiating the distribution of transponders to maximise
Yahsat intends to orbit its fi rst satellite to the 52.5 degrees East position.
This will allow Yahsat greater coverage over central Asia including Pakistan and Afghanistan, while still being able to reach Western Eu-rope with a separate beam.
On the downside, TV viewers are long accustomed to the two present locations and channels moving to Yahsat’s YahLive broadcast services would require view-er’s to reposition existing dishes are add an additional antenna, which could lead to crowded roofs as well.
THREE’S A
CROW
D?
The volume of capacity available to provide services in the Middle East is set to expand in the coming years, which should reduce prices for customers.
031APRIL 2010
032 www.digitalproductionme.com
XXXXXXX
APRIL 2010
SATELLITE SERVICES
Last year the company became one of the fi rst
operators in the region to support multi-channel
HD broadcasting. It too has plans for fl eet expan-
sion at its 7 degree west position. Nilesat 201 –
scheduled for launch in mid-2010 – will be one the
most signifi cant new additions to the Nilesat family
expanding the range of services that the company
can handle, as well as the volume.
SES Astra
www.ses-astra.com
SES Astra and its SES World Skies subsidiary have
numerous interests in the Middle East satellite sec-
tor. As well as being a partner in Yahsat’s YahLive
DTH service, the fi rm also serves the region from a
number of its own satellites.
Last month the company launched Astra 3B to
the 23.5 degrees east position. Th e satellite will
operate a 12-transponder Ku-band spot beam for
the Middle East.
Noorsat
www.noorsat.com
Bahrain-based Noorsat delivers almost 200 chan-
nels. Th e company claims to have several unique
selling points. It was one of the fi rst privately-
owned satellite operators to emerge in the region.
Th rough its leased space segment with Eutelsat,
the fi rm off ers capacity at both the Arab world’s
hotspots at 7 degrees west and 25.5 degrees east.
YahLive
www.yahlive.tv
Although YahLive – a partnership between Abu
Dhabi’s Yahsat and SES Astra – is the newcomer
to the region’s satellite market and has no services
online as of yet, its presence is highly signifi cant.
Yahsat’s hardware launches – which commence
in early 2011 – will represent the fi rst time three
locally-owned companies have had satellites serv-
ing the region.
As this hardware will be dedicated to the region
in its entirety it will bring a major boost to the
capacity available in the Middle East.
TELEPORTSEurope Media Port, Cyprus
www.europemediaport.com
Europe Media Port (EMP) was named the fastest
growing teleport in the world last year after experi-
encing revenue growth of 120 percent.
Th e company’s Cyprus-based teleport has access
to any satellite from 45 degrees west to 90 degrees
east making it ideal for DTH, contribution and
other distribution services required by Middle East
customers. EMP also provides playout, encryption
and ad insertion.
Jordan Media City, Jordan
www.jordanmediacity.com
One of the most signifi cant transmission centres
in the Middle East, Jordan Media City (JMC) is
connected to all the major operators in the region
as well as being connected to content management
fi rm GlobeCast’s fi bre network.
Th e facility transmits more than 200 channels
including the pay TV operator ART’s bouquet.
JMC is also able to off er a number of additional
benefi ts to clients given its free zone status.
M-Th ree Satcom, Italy
www.m3sat.com
M-Th ree Satcom provides a range of services from
its teleport in Milan. It provides permanent satellite
services via the Hotbird platform and also off ers
SNG services for live events in Italy and throughout
Europe. Th e company has diversifi ed its services in
recent years and now provides systems integration
services for the development of headends and other
infrastructure. It has also begun operating as a
distributor for several technology vendors.
Samacom (du), UAE
www.du.ae
Th e Samacom teleport, owned and operated by
du Broadcast Services, has grown into one of the
busiest teleports in the Middle East. Th e teleport
currently handles more than 160 channels and is
still expanding.
Th e Samacom will soon include the headend for
the UAE’s DVB-H service. It will also transmit a
growing number of HD channels this year as clients
take advantage of the HD uplinking and playout
capabilities already installed.
Telespazio, Italy
www.telespazio.com
Italian fi rm Telespazio operates 25 ground sites
including the world’s largest non-military earth
station with 90 antennas.
Telespazio can provide DTH services via Eutel-
sat’s Hotbird satellites at 13 degrees east for around
50 TV channels and 20 radio stations.
Th e fi rm can also provide teleport facilities via its
own earth station network and SNG services.
It also acts as a teleport systems integrator.
GROUND CONTROLThe demand for capacity and the growing number of satellites providing services to the region means that there is also a rising demand for earth stations to connect users on the ground.
There are several con-siderations that affect the implementation of an earth station, according to Stephen Burgess, technical director at systems integrator Megahertz Broadcast Systems (MHz).
“As a minimum, the loca-tion of the antenna has to be checked for view of the sky in the direction of the de-sired satellites and there has to be enough space for the antenna and the mounting structure,” says Burgess add-ing that local factors such as building regulations and laws regarding communica-tions equipment must also be investigated.
Selecting the correct antenna feed, amplifi ers and upconverters for transmit-ters and low noise amplifi ers (or similar) for receivers as well as cross-site cables and monitoring systems is all part of the process of ensuring that a quality link can be established, according to Burgess. This is a process that he says requires careful evaluation during the site survey, an understanding of the local market and the cor-rect choice of product.
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034 www.digitalproductionme.comAPRIL 2010
CABSAT
034
The confi dence and optimism on display at this year’s CABSAT and Satellite MENA shows provided a timely boost for the region’s media and sat-coms industries. Digital Broadcast reviews the key announcements from some of the shows’ upbeat exhibitors.
BACK IN BUSINESS
www.digitalproductionme.com 035APRIL 2010
CABSAT
HOT PRODUCT
DIGITAL RAPIDSTOUCHSTREAMDigital Rapids demonstrated its TouchStream portable streaming unit on local distributor MediaCast’s stand.The self-contained box can be used to supply live feeds for IPTV, 3G or Flash applications as well as MPEG-2 and H.264 formats.
The touchscreen display allows users to begin streaming with four button pushes. Settings can be programmed and saved for different applications to save time for future use.
TouchStream can be used for a number of applica-tions including remote news coverage, sporting events, corporate communications and others.The box also includes some graphics overlay capabilities to add branding and logos to outgoing streams.
D espite the treacherous weather condi-
tion on the shows’ opening day, both
CABSAT and Satellite MENA wit-
nessed a healthy level of traffi c. Perhaps
more important than the shows’ attendance fi gures
however, was the level of optimism and confi dence
among exhibitors.
Last year’s show coincided with the beginning
of the economic downturn’s grip on the region and
the atmosphere refl ected that.
Twelve months later, many of the upgrades
and installs that were on hold are now regaining
momentum as broadcasters and media companies
feel confi dent enough to again turn their minds to
investing in technology.
A number of major announcements were made
at each show, evidence of the turnaround that will
characterise the coming year for the industry.
Major manufacturers and operators includ-
ing Harris, Arabsat, Hitachi and Sony signalled a
continuing confi dence in the region by exhibiting at
the show once again.
As well as the return of many of the industry’s
major technology providers there were also many
fi rst time exhibitors demonstrating confi dence in
the Middle East’s broadcast sector.
CABSAT 2010 DEBUTANTSVERIMATRIXConditional access developer Verimatrix made its
fi rst appearance at CABSAT off the back of the re-
cent announcement of its deal to secure E-Vision’s
cable service in the UAE in parallel with the opera-
tor’s existing conditional access supplier, Viaccess.
Th e company used its local appearance to de-
clare its renewed interest in the Middle East.
Verimatrix also supplies CA for Qatari telco
Qtel’s IPTV service and is now looking to strength-
en its commitment to the region.
“Th is is our fi rst year at CABSAT but I’m sure
we’ll be back next year,” said Steve Oetegenn, chief
sales and marketing offi cer, Verimatrix. “Th e news
of the Etisalat deal has created a buzz. Th is region
represents a really exciting opportunity for us. Th e
Etisalat deal is particularly good news. Th ey have a
global footprint and are looking at content delivery
on multiple devices, which lends itself to our soft-
ware based approach to CA.”
Although the company’s two regional deploy-
ments are IPTV, Oetegenn does not limit the com-
pany’s ambition in the region to this platform alone.
“You can’t really draw a line now between DVB
and IPTV, IP will underpin all video delivery even-
tually,” said Oetegenn.
Verimatrix currently supplies content security
for 12 million IPTV subscribers worldwide.
BCEEuropean broadcast service provider BCE has made
its fi rst appearance at CABSAT as it looks to break
into the Middle East market.
Th e Luxembourg-based company, which off ers
post-production and OB services as well as playout,
transmission and digital archiving, will be looking
to off er its expertise as an engineering consultancy
to clients in the region.
Laurent Seve,
marketing
manager, BCE.
Steve Oetegenn, chief
sales and marketing
offi cer, Verimatrix.
036 www.digitalproductionme.com
“Th e media industry is bursting at the seams
in the Middle East,” said Laurent Seve, marketing
manager, BCE.
“Th ere are a lot of great projects going on such as
twofour54 and Dubai Studio City. With these there
comes a lot of opportunities,” added Seve. “We oper-
ate in many areas of the industry but we think it is
through our expertise as an engineering consul-
tancy that we can off er a lot to the region.”
Th e company includes technical staff with
experience in IT, telecommunications, software
development and systems integration.
“I think this combination could be very attrac-
tive. What we have to do now is to get in touch with
clients in the region and learn how to operate here.”
HPIT giant HP made its debut as a standalone exhibi-
tor at CABSAT as it looks to expand it presence in
the broadcast sector.
Th e company has operated within the industry
for several years and has appeared on its partner
stands at the show in the past but is now looking to
adopt a more prominent position in what is becom-
ing an increasingly important vertical market.
“Th e explosion of digital media in this region
means it has become harder for broadcasters to
harness their content and get the true business
value from it,” said Stefan Wolfs, server and storage
business development manager, HP. “We see broad-
casters looking to simplify their workfl ows.”
Th e company has already forged strong indus-
try ties with application developers such as Avid
and Autodesk and is the only certifi ed hardware
partner for both.
“We are already the largest editing workstation
provider and now we are seeing the local branches
of these application providers looking to tie-up with
us in the region,” claims Yan Bergeron, who man-
ages HP’s Middle East workstation business.
“We work with a lot of systems integrators and
distributors and when they see us at their vertical
trade show it brings about a lot of trust in us as a
partner moving forward.”
SNELL MERGER WAS ‘COM-PLETE SUCCESS’: EXECThe integration of Snell & Wilcox and Pro-Bel was a complete success according to an executive at the merged entity, Snell.
NEWS FROM THE SHOWThe deal was fi nalised during
last year’s CABSAT and formally announced at NAB in Las Vegas the following month.
“The merger of the two compa-nies has been a complete success,” said Naresh Subherwal, president Asia Pacifi c and Middle East, Snell speaking at this year’s CABSAT.
Before the merger, both compa-nies had been active in the Middle East for 20 years. Now the new company is looking build on this experience in the region.
“We have invested in this market with some senior appointments and we have also been extending our
relationships with partners here. The Middle East has suffered a slight slow-down in the past 12 months but this year’s CABSAT has been really upbeat and there is a sense that many of the projects that were put on hold, will once again be pursued,” added Subherwal.
According to Andy Giles, head of sales in the Middle East and Africa for Snell, the merger was well received in the region.
“There a strong base of installed hardware in the region and the transition to HD has driven sales. The Kahuna production switcher has performed well here,” said Giles.
APRIL 2010
CABSAT
JASCO MEDIA ZONEWhile the Gulf has stolen the limelight in recent years with the launch of sev-eral new media clusters, the Jordanian-Saudi Company for Satellite Broadcasting (JASCO) offers an alterna-tive base of operations for TV stations and production houses alike.
The facility commenced operations in November last year with 11 channels play-ing out initially and capacity for 18 in total.
“We will have capacity on Arabsat in the next three to four months that will add another 18 channels,” said Wajdi Alsharaiheh, technicial team leader, JASCO.
“We are also in the process of building some studios that will open in the next few months. We can of-fer channel the full range of services including RF, muxing and graphics. During CAB-SAT we have been talking to potential new broadcast-ers as well as talking with technology partners to help us throughout our expansion period,” added Alsharaiheh.
JASCO currently has ca-pacity on Nilesat broadcast-ing a number of channels including Al Athar and Nasem TV.
ON
E TO W
ATCH
Wajdi Alsharaiheh, technical team leader, JASCO.
Naresh Subherwal, president Asia Pa-cifi c and Middle East, Snell.
HP’s Yan Bergeron.
www.digitalproductionme.com 037APRIL 2010
CABSAT
HARRIS MARKS FIVE MA-JOR MIDDLE EAST DEALSBroadcast technology developer Harris announced fi ve Middle East deals at this year’s CABSAT.
At the top of the bill was a deal with Abu Dhabi Media Company to provide a end-to-end tapeless playout system.
Harris claims the install will be the fi rst of its kind in the region and is a necessary step as the organisation prepares to launch encrypted sports
channels to support its English Premier League coverage.
“We need to move to a more sophisticated level to support our viewers with a multi-platform deliv-ery solution,” said Sarkis Semaan, deputy executive director of broad-cast technology and operations, ADMC. “A tapeless workfl ow is integral to providing this. The project will help link the other parts of the chain including our asset manage-ment solution and our restoration project that currently function in isolation,” added Semaan.
OMNIGLOBE AGREES DEAL TO BUY SAT-COMMSatellite communications provider OmniGlobe Networks announced that it has signed a letter of intent to purchase systems integrator Sat-Comm.
The announcement at the show
did not reveal the value of the deal, which will see OmniGlobe acquire Sat-Comm and its assets in full.
“We’re very excited about the op-portunities that this acquisition pro-vides,” said David Harper, managing director, OmniGlobe EMEA. “The two companies have worked closely together in the past and combining the operations will ultimately enable us to deliver greater service and products for our customer’s benefi t.”
The deal is expected to close in mid-2010.
TALIA EXPANDS MEA CAPACITY; LAUNCHES CONSUMER SERVICESSatellite and communications service provider Talia announced that it was adding capacity to its existing networks in the Middle East and Africa as well as developing new networks and launching consumer internet services.
The company’s Middle East and Africa sales director, Ramiz Abbawi, announced new Talia networks serv-ing the region would be launched on the SES World Skies NSS-12 satellite and an expansion of its existing capacity on Loral Skynet’s Telstar 12.
Harris’ Middle East MD Said Bacho (right) with ADMC’s Ahmed Al Menhali.
David Harper, managing director, OmniGlobe EMEA.
038 APRIL 2010
NAB PRODUCTS
www.digitalproductionme.com
SGLContent archive and storage management software developer SGL will give a world debut to its sup-port for Avid Interplay 2.1 at NAB this year.
SGL claims that its FlashNet software is the only third party archive management software that has been through Avid’s full quality assurance testing.
SGL will also demonstrate the integration of FlashNet with the Final Cut Server environment for the fi rst time in the US. FlashNet is also available directly from Avid.
UTAH SCIENTIFICSwitcher developer Utah Scientifi c will demonstrate its new family of I/O boards for the UTAH-400 router at this year’s NAB.
The new boards allow users to choose MADI audio and IP video input and output options as well as the
existing analogue and digital video and audio options available, which include 3Gb/s support. The routing switchers include the full range of analogue, digital and HDTV systems and high density frame sizes (including 144 frame in 9RU, 288 frame in 16RU and 528 frame in 20 RU).
The company will also show its new internal squeeze and graphics ca-pabilities for the MC-4000 master control switcher and offer a preview of a new control panel option for its entire family of master control processors.
ROSS VIDEORoss Video will give a North American debut to its Vision Octane produc-tion switchers. The Octane range offers eight MLEs, 35 full screen HD animation stores, 24 channels of 3D DVE with warp capability, 96 inputs, 48 outputs, 32 full keyers, 12 keyers on the aux bus out puts and a further 12 DVE key combiners giving what the company calls an unprecedented total of 56 keyers.
The Vision production switcher range is now 3G compatible as standard.The company will also debut the latest software for its XPression 3D HD
character generator. Version three of the software in-cludes an enhanced MOS workfl ow integration and 3D compatibility.
As the industry prepares for the mammoth NAB exhibition in Las Vegas, Digital Broadcast looks at some of the technology highlights that will be displayed on the showfl oor, with vendors vying for business in the post-recession market.
SHOWING OFFWOHLERThe highlight of monitoring equipment manufac-turer Wohler’s stand will be the fi rst showing of its AMP2-16V Series 16-channel audio/video monitor.
The dual 4.3-inch OLED version of its AMP2-16 audio monitor now includes dedicated video monitor-ing, as well as the Free Mix and Dolby Zoom functions.
Dolby Zoom, when applied to all installed digital modules with a Dolby upgrade, switches between the standard overview of monitored channels and monitoring of the decoded channels of an available Dolby stream without the need to enter any menus.
The unit’s right hand screen offers simultaneous metering of up to 16 channels from a variety of input and output cards.
Stand N1520
Stand N3023
Stand N4511
Stand N3807
www.digitalproductionme.com 039APRIL 2010
NAB PRODUCTS
BROADCAST TRAFFIC SYSTEMSBroadcast Traffi c Systems (BTS) will introduce a Rich Internet Application (RIA) enhanced version of its Enterprise traffi c management system.
Enterprise is a scalable application comprising a number of modules required to handle traffi c manage-ment and advertising sales. The system can be used in terrestrial, cable, satellite and IPTV broadcast networks.
“Rich Internet Applications are ideal for use with Internet-connected remote-hosted systems,” says Craig Buckland, technical director of BTS.
“With RIA at the front end, Enterprise can deliver a highly intuitive and pictorial user interface while retaining fast performance. RIA also adds the ability to run within a Web-based infrastruc-ture,” claims Buckland.
Enterprise can be integrated with automa-tion systems and allows minimal staff to manage multiple channels.
SNELLSnell will launch a host of new products and up-grades to its existing portfolio at this year’s NAB.
A new playout solution that runs on the company’s Morpheus automation system and Morpheus ICE. Snell claims the new product will offer unmatched system density while offering a fully resilient architecture. The reduction in hardware also reduces the power consumption.
Version two of the Morpheus automation system will also debut at this year’s NAB.
Another major product launch – the Archangel Ph.C - HD – could also attract attention from Middle East visitors. The restoration and conversion product could prove popular with the growing number of broadcasters that are refreshing and digitising existing archives. Archangel includes real time dirt, dust, grain, noise, scratch, instability and fl icker removal. The new HD version of Archangel can deliver content in 1080p without compromising picture quality or clarity.
Stand N1820
Stand N4019-4
040 www.digitalproductionme.comAPRIL 2010
DATA
The most recent instalment of Web TV En-
terprise’s online video advertising report
in the UK has found continued growth in
the use of web-based video advertising.
Th e bi-annual survey of media buyers found
that 41.5 percent of respondents were using online
VOD-based advertising to deliver incremental
reach to TV campaigns. Less than 12 percent
identifi ed brand awareness as the main goal of
this advertising. None of those surveyed said that
the sole aim of their VOD ad purchases was to
gain a direct response.
When asked what proportion of the media
plans they were currently working on included a
VOD element, 62 percent of respondents said half
or more. Almost one third of those asked said that
75 percent or more of the plans they were drawing
up at present included a budget for spending with
online video services.
“Th e size of the audience now engaging with
web video – short- or long-form – off ers TV ad-
vertisers signifi cant reach on the web,” says Jamie
Estrin, managing director, Web TV Enterprise.
“Combine reach with the ability to target specifi c
audiences, channels and content environments
and it is no surprise that TV advertisers are al-
locating more spend to online VOD.”
Online video advertising is set for continued growth as media planners commit an increasing proportion of their spending to the medium, although much of this money could be drawn directly from TV budgets.
ADS ON DEMANDDATA SOURCE: Web TV Enterprise
Th e frequency of these web-based on-demand
campaigns has also increased with half of VOD
buyers claiming to have run between fi ve and
20 campaigns during the past six months. Th e
previous edition of the survey found that only 40
percent of media buyers had run between one and
fi ve campaigns in the previous 18 months.
Another positive indicator for the future of
advertising based around online video library
services was signalled when media buyers were
asked how much they expect this spending to
grow during 2010.
An impressive 76.3 percent anticipated a
growth in the allocation of spending for VOD of
upto 50 percent or more (including 13.3 percent
who said more than 50 percent). Of those remain-
ing, 22.2 percent expected it to remain the same
and only 1.5 percent thought it would decrease.
Despite the optimism surrounding the format,
there remains several signifi cant barriers to entry.
As with the previous survey, the most signifi -
cant of these problems is the lack of measurement
available to quantify the eff ectiveness of the medi-
um. Th e size of the audiences available was noted
as problematic by nine percent of the respondents
and the ability (or lack of) to target this audience
was identifi ed as a barrier by ten percent.
20 millionSize of online video audience in the UK.
$75,000The average spend on web video campaigns by media buyers in the UK.
How many of the media plans you’re working on now include VOD?
How much more spend do you expect to allocate to online VOD in 2010?
Newtec
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Newtec’s exclusive DualFlow solution is today’s easiest and most reliable way to combine ASI and IP technology in your broadcasting activities and prepare your migration to IP.
DualFlow guarantees future-proof fl exibility. And you get to say when.
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4-6 May 2010Booth E48
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