designing seatwork to improve students' reading comprehension ability
TRANSCRIPT
Designing Seatwork to Improve Students' Reading Comprehension AbilityAuthor(s): Judith Scheu, Diane Tanner and Kathryn Hu-pei AuSource: The Reading Teacher, Vol. 40, No. 1 (Oct., 1986), pp. 18-25Published by: Wiley on behalf of the International Reading AssociationStable URL: http://www.jstor.org/stable/20199301 .
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Designing seatwork to
improve students' reading comprehension ability
// your students find workbooks irrelevant to becoming better
readers, teacher-made worksheets built on basal reader stories can help make the connection and provide practice of important
comprehension skills
Judith Scheu
Diane Tanner
Kathryn Hu-pei Au
In addition to conducting reading
comprehension lessons effectively, many teachers are interested in know
ing how to create independent seat
work activities that will give students
the opportunity to practice and apply
comprehension skills introduced dur
ing lessons. At the Kamehameha Ele
mentary Education Program (KEEP) in Honolulu, Hawaii, we undertook a
project to implement seatwork activi
ties which would provide students with
this kind of opportunity. The project was conducted with the
second grade class taught by the sec
ond author. In this classroom, the chil
dren were divided into five reading groups of five or six students each.
Every day, the teacher gave each group a 20-minute lesson emphasizing read
ing comprehension. Most lessons were
based on selections from basal read ers. While one group met with the
teacher, all of the other children were
engaged in a variety of independent activities, including listening to taped stories and working with the dictio
nary.
Because the majority of her students'
time was spent working independently, the teacher was concerned that this
time be put to good use. She was espe
cially interested in having students
make good use of the 20-minute period set aside for practice of specific com
prehension skills, following the
teacher-led lesson. Her first objective was to have students practice and re
18 The Reading Teacher October 1986
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Selected guidelines for developing worksheets
1. The layout of the pages should combine attractiveness with utility. 2. Instructions to the students should be clear, unambiguous, and easy to follow. Brevity is
a virtue.
3. Most student response modes should be consistent from task to task. 4. Student response modes should be the closest possible to reading and writing. 5. When appropriate, tasks should be accompanied by brief explanations of purpose. 6. There should be a finite number of task forms.
7. Workbook tasks should contain enough content so there is a chance students doing the
task will learn something and not simply be exposed to something. 8. The instructional design of individual tasks and of task sequences should be carefully
planned. a. As students become more competent in using a particular skill, their practice tasks
should become increasingly more complex. b. Individual tasks should be do-able by students.
c. Responses should indicate whether or not students understood the task.
d. Tasks should be designed so that their intent is achieved.
9. The skills being practiced should relate to the main reading.
view the important comprehension skills she was teaching. Her second
objective was to have them understand
the relevance of seatwork activities to
becoming a good reader. To meet these two objectives, the
teacher decided that worksheets as
signed as seatwork should be coordi
nated with the students' small group
reading lessons. These activities would
replace the basal workbook pages, as
the teacher's previous experiences indi
cated that these basal pages did not
necessarily reinforce the comprehen
sion instruction in her lessons.
Using Osborn's guidelines This conclusion was consistent with Osborn's (1981) research. Osborn found that basal workbooks, used as
seatwork in many classrooms, have the
appearance of materials written sepa
rately from the rest of the reading pro
gram?of being afterthoughts. Basal workbook pages seldom build upon the
story in the reader, and they generally do not provide students with practice on higher level comprehension skills.
The research literature documented
problems with the design of commer
cially available independent practice materials, and with students' under
standing the purposes for doing seat work (e.g., Anderson, 1981, 1982).
However, we did not find any studies
testing positive models of how these
problems could be overcome. Thus, we set out to test some ideas on our
own.
To achieve the teacher's first objec tive, we followed Osborn's guidelines for developing worksheets, as summa
rized in the Table. We targeted com
prehension skills in the areas of
vocabulary, main idea, cause and ef
fect, and sequencing. By keeping the
worksheet formats clear and simple, we hoped the students would under
stand the tasks they were to complete and focus on the comprehension skills
being targeted. Experience suggests that most second graders have diffi
culty with these skills and could bene fit from instruction in them. In keeping with another of Osborn's recommenda
tions, although we designed each
worksheet to emphasize one particular
comprehension skill, we also allowed
for practice and review of other skills on the same page.
We also followed Osborn's sugges tions to use a tryout procedure, where students are observed using seatwork
materials. In addition, we asked the
students questions to see if they under
stood the purposes of the assignments and the procedures to be followed. The
Designing seatwork 19
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Figure 1
Name_
Vocabulary
*Word Bank*
Directions: Fill in the blanks using words from the Word Bank.
Directions: Think about the above story as you answer these questions, f
tryout procedure revealed several weaknesses in the formats, such as un
clear directions and confusing place ment of items. These kinds of
weaknesses were eliminated.
To meet her second objective, the
teacher began discussing the purposes of the worksheet assignments with the children during the small group read
ing lessons. Together, the teacher and
children located the title of the story and book in the upper righthand corner
of the worksheet. They talked about
the skill named on the sheet and the
meaning of that term (e.g., vocabu
lary, sequencing). The teacher at
tempted to show students how the main
idea, cause and effect, and sequencing activities were all related to the basal
story they were reading, and the stu
dents were encouraged to talk about the connections. So that the links
would be reinforced, the students'
completed assignments were often used to start off the next day's lesson.
Planning procedures and sample worksheets The teaching procedures and work sheet formats we developed will be il
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Figure 2
Name_ Clpvf.rle.gl -
p.ift-irt Vocabu 1 ary "Wko4-
Mar^ Jo TKard*
Q-Praid before *Word Bank* shared shook many lisfen owned hardly
Directions: Fill in the blanks using words from the Word Bank.
?\l\nc\j Jo
npx/pr_anything of school?_
She, mas afrnict 4o ?vranrl_ibe*_ olher children and -fell aLout-
anything. vShe.
dt'dn'+ -think -fhey would_+o her. MorvJo
reglly did want +o share,, but- ^he. was_
+o -fry. One morning i-t was rainino.
Mary Jo
Coula_w?j-f tor school, ohe was goino
"to
share -the -Pirst~ umbrella she had ever_.
At school she saw other umbrellas. When g
Miss Wille! asked Ker +o share^ ske_her hea<j,| Directions: Think about the above story as you answer these questions. J /. WKqI problem does Mary Jo have af school I
every diayT_g o
_Ui
2. Wh\J is Mary
Jo afraid +o .share? g
.How/ do you -fhink Mary Jo will Solve Ker
problem :_
lustrated by describing those used for a basal story entitled "What Mary Jo Shared" (Udry, 1976). For each of the selected comprehension skills (vocab ulary development, main idea, cause and effect, and sequencing), we dis cuss factors the teacher considered in
planning for comprehension practice and the worksheet format used.
Some information about the story is
helpful in understanding the examples. In the story, Mary Jo's class has shar
ing time each day. Mary Jo is afraid to share but is encouraged to do so by her
teacher, father, and classmates. When
she finally decides to share her new
umbrella, she discovers that most of the other children have umbrellas too, so she doesn't share that day. Another
day she is prepared to share her grass hopper but changes her mind again when she notices a classmate with five
grasshoppers. Her problem becomes so important that she begins dreaming of sharing. Finally her fears are over come when she takes her father to
school, and the other students delight in what Mary Jo shared.
Vocabulary development
Designing seatwork 21
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Figure 3
Name_ _
Classification _
Directions: Group words from the BANK under each title below
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX Think about the story as you answer these questions:
xxxxxxxxxxxxxxxxxxx ;
Planning. Our second grade teacher did not rely on the list of words from the basal manual. Rather she chose im
portant vocabulary for instruction and
practice based on her knowledge of the students and their familiarity with the
topic. In planning the reading lesson, the teacher used two criteria to select
vocabulary: the words' importance to the story and the probability that they
would cause difficulty for the students. These are the words she focused on
during small group instruction and in
cluded in the students' seatwork as
well.
Example. The teacher's plan for the first day included the first four pages of the story; she selected share, be
fore, listen, owned, shook, afraid,
hardly, and many as the vocabulary words. The teacher assessed and clari fied students' knowledge of these
words during the discussion. She chose a cloze format (see Figure 1 for
general format) for the students' seat work practice (see Figure 2 for work sheet used).
On another day, the skill of classifi cation was a part of the discussion as
the teacher focused on things that are
22 The Reading Teacher October 1986
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Figure 4
Name_
Sequencing
Directions: Read these sentences.
Directions: Write the sentences as they happened in the story.
2.
3.
4.
Directions: Think about the sentences as you answer these questions.
good and not good for sharing. Stu dents practiced and reviewed impor tant vocabulary as well as
classification skills with the format seen in Figure 3. The teacher wrote as
titles above each column "Things Good to Share" and "Things Not Good to
Share." Students selected the words for each column from a word bank with the following items: schoolbag, ele
phant, breakfast, grasshopper, corn
field, moon, kitten, umbrella, moun
tain, letter, window, and frog. This set
included vocabulary from "What Mary Jo Shared" as well as review words
from previous stories.
Main idea
Planning. In the initial planning for instruction of the basal story, the teacher identified at least one possible theme or big idea around which the discussion would center. After the children had gained some knowledge of this theme, it was reinforced in their
worksheets.
Example. The teacher identified
"facing fears" as a possible theme for "What Mary Jo Shared." Rather than
having the children complete an entire worksheet of main idea items, she em
Designing seatwork 23
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bedded work with the main idea in
worksheets on vocabulary and se
quencing. Using the vocabulary work
sheet she asked: "What problem does
Mary Jo have at school every day?"
(see Figure 2, question 1). On the final
day of work with the story, a question on the sequencing format read: "In
what important way was Mary Jo like
Henry?" (a character in a previous
story who was also afraid of some
thing). Cause and effect
Planning. Though most basal stories at the first and second grade levels do
not contain a clear sequence of cause/
effect relationships, many do contain
incidental cause and effect relation
ships. These incidents can be used for
independent practice of this skill in
worksheet tasks.
Example. "What Mary Jo Shared"
contains examples of incidental cause/
effect relationships. Questions about
these incidents were embedded in vo
cabulary and other worksheets, as in
our main idea example. Using the vo
cabulary worksheet the teacher asked:
"Why is Mary Jo afraid to share?" (see
Figure 2, question 2). Another day she
asked: "Why didn't Mary Jo share her
grasshopper?"
Sequencing Planning. When preparing her les
son, the teacher checked to see if a se
quence of events carried the theme of
the story. If so, students were helped to
identify this sequence during the les sons and the teacher provided review
through seatwork. As students worked
through these activities, they were
practicing the important skill of se
quencing, as well as working toward
comprehension of the story theme.
Problem, events, and resolution are
a typical pattern for a basal story. We
found that practice with these elements
contributed toward a worthwhile cul
minating worksheet that provided for
review and interpretation of important story information.
Example. In "What Mary Jo Shared"
the teacher helped the students identify the steps Mary Jo went through (iden
tifying the problem, taking steps to ad
dress the problem, and solving the
problem) and related them to the
theme "facing fears." This sequence, crucial to the story's development, was
then reviewed independently by stu
dents as one of their culminating ac
tivities (see Figure 4). Beneath the
directions at the top of the page, the
teacher wrote these five sentences:
Mary Jo was happy about sharing her father.
Mary Jo took her grasshopper to
school.
Mary Jo had a bad dream about
sharing.
Mary Jo was afraid to share.
Mary Jo took her umbrella to
school.
Assessments of student learning Several forms of assessment were used
to see if the children had benefited from the project. One was classroom
observations conducted during and af
ter the tryout period. These showed us
that providing the students with a lim
ited number of easy-to-follow formats
allowed them to focus on the compre hension skill itself rather than on the
procedure required to complete the as
signment. The students were moti
vated to complete their worksheets
accurately. When they experienced dif
ficulty, they were able to solve their
own problems more often than not. We
attribute this ability, at least in part, to
the clear and straightforward design of
the final versions of the formats.
We discovered that as the teacher in
troduced and discussed the worksheets
at the end of the reading lesson, the
students began showing an awareness
of the connections. After a time, they were able to differentiate between their
own worksheets and those prepared for
24 The Reading Teacher October 1986
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other reading groups by looking for the name of their basal story in the cor
ner of the page. These second graders were also able
to identify purposes of the worksheets
other than "getting it done." For exam
ple, when practicing a sequencing ac
tivity, they could explain that "This is how our story went." When asked
"Where did your teacher get the words for this worksheet?" they could answer
that "They're from our story." When asked why the teacher had chosen those particular words, they replied "So we can learn the hard words."
Students were also Qbserved to show a greater awareness of the theme of the
story, both in teacher-led lessons and in completing worksheets. They started to realize that all stories had certain elements in common. As one
student remarked, "It seems like there are problems in all our stories."
In another form of assessment, we
looked at the students' progress on cri terion referenced tests of reading com
prehension (Crowell, Kamehameha
Reading Objectives System, 1981). The expected rate of growth on these
tests is two levels over the course of a
schoolyear. This class progressed at
the mean rate of 2.3 levels. We realize,
however, that factors other than the
project procedures and worksheets no
doubt also contributed to the students'
performance.
Scheu is an educational specialist, Tanner is a second grade teacher, and
Au is an educational psychologist in the Kamehameha Schools, Honolulu,
Hawaii. They share an interest in de
veloping reading comprehension in struction.
Instrumental vs. artistic literacy and computers "Our popular notions of computer literacy are certainly emphatically instru
mental. While we speak of readers in discussing written literacy, in computing we speaker of users... [and] there are those who see computerization as a de valuation of imaginative thinking in favor of the narrowly instrumental, explicit, and rationalized. This is an inappropriate attempt to equate beginning com
puter literacy with advanced written literacy....Computing is more a practical than an art form at the present time, but as amenable to aesthetic treatment and development as any written format."
Carolyn Marvin and Mark Winther, "Computer-Ease: A Twentieth-Century Literacy Emergent," Journal of Communication, vol. 33 (Winter 1983), pp. 92-108.
References Anderson, Linda M. "Do Students Learn from Seatwork?"
Communication Quarterly, vol. 5 (Summer 1982), p. 2. Anderson, Linda M. Student Responses to Seatwork: Impli
cations for the Study of Students' Cognitive Processing. Research Series No. 102. East Lansing, Mich.: The In stitute for Research on Teaching, Michigan State Uni versity, 1981.
Crowell, Doris C Kamehameha Reading Objectives Sys tem. Honolulu, Hawaii: Center for Development of Early Education, Kamehameha Schools/Bernice P. Bishop Estate, 1981.
Osborn, Jean. The Purposes, Uses, and Contents of Work books and Some Guidelines for Teachers and Pub lishers. Reading Education Report No. 27. Urbana, III.:
Center for the Study of Reading, University of Illinois, 1981.
Udry, Janice May. "What Mary Jo Shared." In Cloverleaf, edited by William K. Durr, Jean M. LePere, Mary Lou Alsin, Ruth Patterson Bunyan, and Susan Shaw. Bos ton, Mass.: Houghton Mifflin, 1976.
Designing seatwork 25
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